The International Fine Art And Antique Dealers Show 2011 by Haughton International

The International Fine Art & Antique Dealers Show

www.haughton.com

2 0 11

2011 a HAUGHTON FAIR

Thursday October 20:

5.45pm to 9.00pm

Friday October 21:

11.00am to 7.30pm

Saturday October 22:

11.00am to 7.30pm

Sunday October 23:

11.00am to 6.00pm

Monday October 24:

11.00am to 7.30pm

Tuesday October 25:

11.00am to 7.30pm

Wednesday October 26:

11.00am to 7.30pm

Thursday October 27:

11.00am to 6.00pm

The International Fine Art and Antique Dealers Show The Park Avenue Armory Park Avenue at 67th Street New York, NY 10065

Friday October 21 through Thursday October 27, 2011

Preview Party benefiting The Society of Memorial Sloan-Kettering Cancer Center

Thursday October 20, 2011

a HAUGHTON FAIR

ORGANISED BY:-

THE INTERNATIONAL FINE ART AND ANTIQUE DEALERS SHOW Directors: Brian and Anna Haughton 15 Duke Street, St. Jamesâ&#x20AC;&#x2122;s, London SW1Y 6DB Telephone (London):

44 (0)20 7389 6555

(New York): 1 212 642 8572 Fax

(London):

www.haughton.com

44 (0)20 7389 6556 email: info@haughton.com

SHOW OFFICE Telephone (New York): 1 646 619 6030 (October 17-27)

While The International Fine Art and Antique Dealers Show Ltd, the organisers, the advisory and honorary vetting committees of The International Fine Art and Antique Dealers Show cannot be held responsible for, or warrant, the genuineness or age of any article exhibited, visitors are requested to note that all articles have been submitted for inspection by a panel of advisers to ensure, as far as possible, that they conform to the regulations laid down, and that all articles are genuinely of the period they represent. The organisers and/or their agents cannot be held responsible for any items sold at the Show. This is the sole responsibility of the dealer/dealers selling the object/objects. Please also note that because of the early printing datelines for the catalogue, all illustrations were printed before vetting took place. Visitors are reminded that all exhibits are for sale.

Acknowledgements:We would like to express our gratitude to the following for their help:The Park Avenue Armory John Hamilton of Select Inc.; Citadel Security Agency; Our staff: Paul Crane, Felicity Glanville, Magda Grigorian (US Press Officer), Emma Jane Haughton, Giles Haughton, Anthea Roberts, Beverly Simpson, Richard Webster Helena Power Catalogue Advertising Cadman Creative Design Services Catalogue Design and Production Phoenix Lithographing Corporation Catalogue Printers

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior permission in writing of the publisher, nor be otherwise circulated in any form or by any means without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

ÂŠ The International Fine Art and Antique Dealers Show Ltd, 2011

Contents 6 Organisersâ&#x20AC;&#x2122; Welcome

7 The Vetting of a Fine Art and Antiques Fair

8 The National Antique and Art Dealers Association of America, Inc.

9 Memorial Sloan-Kettering Cancer Center

17 German and Austrian Eighteenth-Century Sculpture and Decorative Arts: Recent Acquisitions at The Metropolitan Museum of Art by Ian Wardropper Director of The Frick Collection, Former Iris & B. Gerald Cantor Chairman of the Department of European Sculpture and Decorative Arts, The Metropolitan Museum of Art

29 Directory of Exhibitors

37 Exhibitor Pages

117 Advertisements

143 Index

144 Floorplan to the Show

Organisers’ Welcome We are delighted to welcome you to the 23rd International Fine Art & Antique Dealers Show.

Considered the top international fair in America, The International Fine Art & Antique Dealers Show attracts a superlative roster of exhibitors, drawn from among the most prestigious and knowledgeable art and antique dealers in the United States and Europe. The fair takes place each year in October at the start of the Fall art, antiques and social season in New York City and offers a second-to-none selection of works of art.

Visitors to The International Fine Art & Antique Dealers Show are privileged to be able to view and buy from among the most important and rarest works of art currently available. The range on offer at the fair is enormously diverse, spanning continents and millennia, cultures, materials, periods and styles and from antiquities to contemporary.

Over the last 23 years, The International Fine Art & Antique Dealers Show has evolved into more than just a marketplace for high-end art and antiques. We are delighted that it provides a valuable international meeting ground for a global community of collectors, curators, dealers and interior designers. For the public and the trade, it has come to serve as an essential forum —- an exciting blend of culture and commerce through which we hope to energize future generations of collectors and art lovers.

Every object exhibited at the Fair is rigorously examined and vetted for quality and authenticity, by our honorary vetting committee so collectors can be assured they can buy with absolute confidence. The honorary vetting committees are made up of advisers, museum curators and dealers. We are extremely grateful to the committee members for giving so freely of their knowledge, expertise and time and in particular our Honorary Vetting Committee Chairman, Edward Munves.

Finally, we look forward to seeing you here again next October to celebrate the 2012 International Fine Art and

Antique Dealers Show, which will take place 19 – 25 October 2012

Brian and Anna Haughton Directors: The International Fine Art and Antique Dealers Show Ltd

The Vetting of a Fine Art and Antiques Fair What it is and why?

It has long been standard practice at all major international fine art and antique fairs, for all exhibits to be examined before the opening of the fair by panels of advisers, to ensure that they are accurately described and of a quality to justify their exhibition at a prestige event.

There are separate Honorary Vetting Committees for each category, such as furniture, clocks, silver, paintings, sculpture etc., and their membership is drawn from leading authorities in the field and includes many museum curators.

There are two main reasons for vetting.

Firstly, to reassure the public that everything submitted to the Honorary Vetting Committees conforms to the regulations laid down and that, as far as possible, all items are authentic and of the period stated. As potential purchasers may not have sufficient expertise themselves in a particular subject or category, this assurance of authenticity will, we hope, give them the confidence to buy.

Secondly, vetting guarantees to all the exhibitors and to the public that standards are being maintained at a high level. It is crucial to the commercial and academic success of such an event that its reputation for only having the best in all categories is never compromised. The integrity of the fair and the reputation of the exhibitors is therefore ensured.

Our thanks to all the members of the Honorary Vetting Committees for their help and co-operation.

Honorary Vetting Committee Chairman Edward Munves

220 EAST 57TH STREET, NEW YORK, N.Y. 10022, USA • TELEPHONE 1 212 826 9707 FAX 1 212 832 9493 • www.naadaa.org

The National Art & Antique Dealers Association of America (NAADAA) is a non-profit trade organization of the leading dealers in the United States, with specialists in virtually all of the major collecting areas. Since our founding in 1954, the membership, which is by invitation, has mutually pledged to adhere to the highest standards of honorable and ethical business practice. All are recognized experts in their fields.

NAADAA is a member of CINOA (La Confédération Internationale des Négociants en Oeuvres d’Art), an international confederation comprised of thirty-two leading associations of art and antiques dealers, from twenty-two nations.

NAADAA has enjoyed a close association with the International Fine Art and Antique Dealers Show, collaborating with Brian and Anna Haughton at the show’s inception in 1989. Members not only exhibit, but also lend their specialized expertise as vetters. This, New York’s first vetted show, revolutionized antiques fairs in America. It is considered to be among the greatest of fairs, here or abroad, and this year continues the tradition of showing world class art and antiques to collectors from all over the country and the world in vital, vibrant New York City. The show is always a highlight of the fall season here.

NAADAA welcomes you to this wonderful show, and invites you to visit our member shops and galleries, easily identified by the red NAADAA logo. There you will find complimentary copies of our membership directory, or visit www.naadaa.org. We look forward to meeting you.

James McConnaughy PRESIDENT

Dear Friends: On this important occasion, it is my pleasure to welcome you to the International Fine Art and Antique Dealers Show Preview Party. We are extremely grateful for your continued support in making this evening possible. For the past twenty-three years, we have been proud to host this prestigious fund-raising party, set against the backdrop of exceptional art and a superb collection of rare, priceless and coveted objects. Hope is at the very center of The Society of Memorial Sloan-Kettering Cancer Center’s mission. The Society – founded in 1946 to raise funds for patient care – is a volunteer organization dedicated to promoting the well-being of patients while at the same time, providing comfort and caring to our patients and their families who come to the Center for treatment from all over the world. We are grateful to Anna and Brian Haughton for our twenty-three year partnership on this event. On behalf of The Society, we thank this year’s sponsors of the Preview Party: David Webb, Fiduciary Trust International, One Kings Lane, Paola Quadretti, and St. John. We also thank ELLE DECOR for their additional support, as well as Bloomberg, and Rémy Martin and Cointreau for their in-kind donations. Your participation and commitment ensures that The Society’s work will continue to play a vital role in enabling MSKCC to achieve its mission of providing hope and the best cancer care anywhere to its patients.

Best personal regards, Dr. Annette U. Rickel President

Memorial Sloan-Kettering Cancer Center Board of Overseers Honorary Chairman of the Board James D. Robinson III

Chairman of the Board Douglas A. Warner III

Vice Chairmen of the Board Richard I. Beattie Louis V. Gerstner, Jr.

Frederick R. Adler Richard I. Beattie Mrs. Edwin M. Burke Mrs. John J. Byrne Mrs. Joseph A. Califano, Jr. Stanley F. Druckenmiller Anthony B. Evnin Roger W. Ferguson, Jr. Steve Forbes William E. Ford Richard N. Foster Stephen Friedman Ellen V. Futter Philip H. Geier, Jr. Louis V. Gerstner, Jr.

Jonathan N. Grayer John R. Gunn Bette-Ann Gwathmey William B. Harrison, Jr. Jane D. Hartley Benjamin W. Heineman, Jr. Mrs. Ann Dibble Jordan David H. Koch Marie-Josée Kravis Mrs. Evelyn H. Lauder Mrs. Jean Remmel Little Mrs. John L. Marion Paul A. Marks, M.D. Donald B. Marron Jamie C. Nicholls

James G. Niven Hutham S. Olayan E. Stanley O’Neal Bruce C. Ratner Dr. Annette U. Rickel Clifton S. Robbins James D. Robinson III Virginia M. Rometty Benjamin M. Rosen David M. Rubenstein Jack Rudin Lewis A. Sanders Fayez S. Sarofim Norman C. Selby Stephen C. Sherrill

Peter J. Solomon William C. Steere, Jr. J. McLain Stewart Scott M. Stuart Craig B. Thompson, M.D. Lucy R. Waletzky, M.D. Douglas A. Warner III Sanford I. Weill Peter A. Weinberg Jon Winkelried Deborah C. Wright Jeff Zucker Mortimer B. Zuckerman

The Society of Memorial Sloan-Kettering Cancer Center Administrative Board 2011-2012 President Dr. Annette U. Rickel

Members-At-Large Muffie Potter Aston Mrs. James Halsey Bell Mrs. Alan J. Blinken Mrs. Andrew M. Blum Tory Burch Mrs. Bryan J. Carey Mrs. Michael Carr Nancy Coffey Dianne G. Crary Jennifer Creel Mrs. Michael J.A. Darling Mrs. Marvin H. Davidson Mrs. Hilary Dick Webb Egerton Mrs. Thomas M. Fitzgerald III Ruth G. Fleischmann Mrs. Lars Forsberg Mrs. Christopher P. Fuller Mrs. Robert M. Gardiner Mrs. Mark V. Giordano Mrs. Peter S. Gregory Mrs. Roger P. Griswold, Jr. Alexia Hamm Ryan Mrs. Andrew P. Heaney Melanie Holland Mrs. Scott C. Johnston Mrs. Kenneth Joseph Victoria Greenleaf Kempner Mrs. Michael Kennedy Suzie Kovner

Vice Presidents Courtney Arnot Mrs. John B. Glass, Jr. Mrs. Thomas S

Mrs. Richard S. LeFrak Mrs. Roman Martinez IV Mrs. Brian A. McCarthy Mrs. S. Christopher Meigher III Mrs. George F. Moss Mrs. George K. Moss Mrs. Richard T. Perkin Mrs. Samuel F. Pryor IV Mrs. Bambi Putnam Ms. Dee Dee Ricks Shafi Roepers Mrs. Louis Rose Mrs. Benjamin M. Rosen Mrs. Elizabeth Savage Mrs. Stephen C. Sherrill Mrs. Sean Smith Mrs. Paul Soros Mrs. Richard J. Sterne Mrs. Andrew S. Thomas Barbara Dana Tollis Mrs. Jerome L. Villalba Alexis Robinson Waller Mrs. Douglas A. Warner III Mrs. Martha Webster Mrs. Thomas E. Zacharias

Sustaining Board Mrs. Andres Bausili Mrs. Kevin A. Bousquette Mrs. Henry R. Breck Mrs. D. Wayne Calloway

Treasurer Debra L. Pipines

Secretary Mrs. Paul C. Schorr IV

Assistant Treasurer Mrs. Brian Snyder

Assistant Secretary Mrs. Richard A. Miller

Mrs. W. Ward Carey Mrs. Edmund M. Carpenter Nancy Mulholland Conroy Mrs. James F. Curtis III Mrs. Christopher R. Davis Mrs. James H. Dean Mr. Thompson Dean Antonia Paepcke DuBrul Mrs. Thomas J. Fahey, Jr. Mrs. Lee M. Gammill, Jr. Mrs. Roberto de Guardiola Mrs. Peter K. Hills Mrs. John S. Hilson Mrs. Ann F. Jeffery Julie Kammerer Jeanette W. Loeb Suzanne McDonnell Long Mrs. Minot K. Milliken Mrs. Charles H. Mott Mrs. Charles D. Peebler, Jr. Mrs. Francois de Saint Phalle Mrs. Roy R. Plum Evelyn Angevine Silla Leith Rutherfurd Talamo Mrs. Michael L. Tarnopol Mrs. Cecil Wolfson Debbie Zoullas

Mrs. John R. Drexel III Mrs. Donald B. Marron Mrs. Milton Petrie Linda Gosden Robinson Mrs. H. Virgil Sherrill

Advisory Council Mrs. Rand V. Araskog Mrs. Charles A. Dana, Jr. 10

Past Presidents Mrs. Coleman P. Burke Mrs. Edwin M. Burke Mrs. William M. Carson Mrs. Walter B. Delafield Mrs. Charles H. Dyson Mrs. Bruce A. Gimbel Mrs. William O. Harbach Alison Barr Howard Mrs. Peter D. Jones Mrs. Kerryn King Mrs. Arie L. Kopelman Mrs. Thomas V. Leeds Mrs. Derek L. Limbocker Jean Remmel Little Mrs. M. Anthony May Mrs. Jay H. McDowell Mrs. Frank A. Metz, Jr. Mrs. Bijan Safai Founder Mrs. Edward C. Delafield

The Society of MSKCC gratefully acknowledges the generous support of

David Webb Fiduciary Trust International One Kings Lane Paola Quadretti St. John Sponsors of the 2011 Preview Party With additional support from

elle decor

The Annette Urso Rickel Foundation, Inc. is proud to support The Society of Memorial Sloan-Kettering Cancer Center

We are pleased to support The Society of Memorial Sloan-Kettering Cancer Center Mary and Marvin Davidson

We proudly support Memorial Sloan-Kettering Cancer Center

Thank you to the doctors, nurses, staff, and The Society of MSKCC for their dedication and hard work. Michel C. Witmer

The Society of MSKCC gratefully acknowledges the in-kind support of

Bloomberg and

Rémy Martin® and

Cointreau®

German and Austrian Eighteenth-Century Sculpture and Decorative Arts: Recent Acquisitions at The Metropolitan Museum of Art Ian Wardropper Director of The Frick Collection Former Iris and B. Gerald Cantor Chairman of the Department of European Sculpture and Decorative Arts, The Metropolitan Museum of Art

he Department of European Sculpture and Decorative Arts

Figure 1: View of Gallery of Central Europe, 1700-1800, showing a suite of furniture for Seehof, circa 1763-64.

of the most important decorative arts outside France, and

superb carvings, such as Hans Daucher’s honestone relief

eighteenth- and nineteenth-century French masters Jean-Antoine

Allegory of Virtues and Vices at the Court of Charles V, dated

Houdon, Clodion, Jean-Baptiste Carpeaux, and Auguste Rodin,

1522. The extensive Mühsam collection of fifteenth- to nineteenth-

among many others, are represented by marble, bronze, and

century glass, split evenly with the Art Institute of Chicago, entered

terracotta sculpture at the highest level of quality and in great

the Museum in 1927 with help from the Munsey Fund. The

depth. Centered on period rooms by Robert Adam, the Annie Laurie

Museum’s most significant class of German objects—works in

Aitken Galleries display fine British furniture, silver, and ceramics.

porcelain and pottery—was built up over half a century with gifts

Italian Renaissance bronzes and maiolica, as well as important

or bequests of a series of stellar collections. The donors included

life size statues enhance the Gubbio Studiolo and the Sagredo

George B. McClelland (1942); R. Thornton Wilson (1950 and

Bedroom, the best Italian fifteenth-century and eighteenth-century

1954); Judge Irwin Untermyer (1964 and 1970); Lesley and

rooms, respectively, in the United States.

Emma Sheafer (1974); Mr. and Mrs. Charles Wrightsman

at the Metropolitan Museum of Art is justly famed for its French, English, and Italian collections. A series of period rooms—The Wrightsman Galleries—are filled with some

Renaissance jewellery and metalwork, Rococo gold boxes, and

Overshadowed by these better-known holdings of the

(1976); Jack and Belle Linsky (1982); and Hans Syz (1995).

department, German art has nevertheless been collected

Many of them were not limited to ceramics: for example, the suite

assiduously from the earliest years of the Museum and with

of furniture made in 1763-64 for Seehof, one of the Prince-Bishop

increased zeal during the last decade. At the end of the nineteenth

of Würzburg’s estates, came with the Sheafer bequest and remains

century, large groups of German textiles, ironwork, medals,

an important example of German decorative arts at the Museum.

cutlery, and scientific instruments were acquired, more in the spirit

Curatorial purchases also brought major pieces of German

of representing material culture than to mark aesthetic high points.

furniture into the Metropolitan: for example, in 1905, a Nuremberg

Beginning in the twentieth century, gifts from private collectors

seventeenth-century cupboard (Fassadenschrank) (05.22.2); in

conferred distinction on our holdings in certain areas. J. Pierpont

1941, from Neuwied am Rhein, David Roentgen’s rolltop desk of

Morgan’s gifts of 1917 brought an important group of

about 1776-78 (41.82); and in 1989, an Augsburg mirror of

about 1710 made of various woods and decorated with tortoiseshell, silver, and ivory (1989.20). By the end of the 1980s, German decorative arts merited a series of spaces called

Central Europe 1700-1800 within the Wrightsman Galleries (fig.1). German sculpture entered the collection haphazardly alongside groups of decorative arts. Together with Judge Untermyer’s German ceramics, English decorative art, and Italian Renaissance bronzes came a group of northern European bronzes. The Linskys’s gift included many ivory and boxwood carvings, a distinctive German tradition. Yet overall, the collection lacked examples by many of the foremost German sculptors active from the end of the seventeenth through the eighteenth century; recently, efforts have been made to address this shortfall. When the Bavarian-born sculptor Balthasar Permoser (16511732) returned to Germany in 1690 following fifteen years of study and work in Italy, he became one of the most celebrated German Baroque sculptors. Beginning in 1712, in collaboration with the architect Matthäus Daniel Pöppelmann, he carved exuberant exterior sculpture at the Zwinger palace in Dresden. His colossal atlantids and other architectural ornaments supporting the

Figure 2: Balthasar Permoser, Marsyas, circa 1680-85, marble bust. 27¾ x 16¾ x 9 inches. Rogers Fund and Harris Brisbane Dick Fund, 2002 (2002.468).

building facades are highlights of Central European art of this period; Permoser served the Saxon court well in a variety of media, ranging from small-scale ivories to life size stone statues. Little documented work survives from his Italian period to

shows a man screaming, face muscles taut and hair coursing

demonstrate how Permoser’s absorption of the Baroque in

wildly. Yet the northern sculptor was unafraid to exaggerate

Florence and Rome molded his style, one that would later become

features to the point of deformity and to carve details in his own

so influential in his native land. Marsyas (fig.2) is dramatic

quick manner. While Bernini’s figure regards the fires of hell

evidence that the artist paid close attention to the work of

openly, the eyes of Permoser’s satyr are so narrowed that he looks

Gianlorenzo Bernini. Twisting violently to one side, the satyr

more animalistic than human. In contrast to the hair of the

screams in pain as he is flayed alive, a torture inflicted by Apollo

Damned Soul, each lock of which is perfectly chiselled, much of

as punishment for daring to challenge the god to a musical

Marsyas’s is deliberately left unfinished, lending the work a rough

contest. He squints his eyes half-shut, and every muscle of his

urgency. The back of the bust is only cursorily carved and has a

face tightens around his gaping mouth. His torso is framed by the

square hole, suggesting that a bracket once secured the sculpture

folds of what appears to be a robe but may, in fact, be torn skin.

to a wall. Its weathered condition indicates that it was out-of-doors

One edge of this material curls in to the shape of a grotesque head

for part of its history. Since the bust’s exaggerated features read

in a bizarre counterpoint to the satyr’s contorted face. Even the

well from a distance, it is possible that it was placed in a niche

hair, which flickers upward in flamelike locks, suggests the heat of

high on a building facade. Toward the end of his career, this

the moment.

composition still resonated in Permoser’s art. His own Damned

Permoser clearly took inspiration from Bernini’s Damned Soul

Soul (circa 1725, Museum der Bildenden Künste, Leipzig)

(circa 1619, Santa Maria di Monserrato, Rome), which similarly

conveys long afterward, the shock he must have felt at his first

Figure 3. Ignaz Günther, Model for the so-called Female Saint of Starnberg, circa 1755, linden wood statuette. 8⅛ x 4 x 2¾ inches. European Sculpture and Decorative Arts Fund, 2008 (2008.28).

confrontation with Bernini’s masterpiece. One of the best Bavarian Rococo artists, Ignaz Günther (17251775), is known for his painted wooden saints soaring above church altars. Like many northern sculptors, he often turned to wood instead of the more common clay or wax, when he wished to try out initial ideas for a lifesize statue. His small linden-wood model for the so-called Female Saint of Starnberg (fig.3), was whittled about 1755, shortly after the artist settled in Munich. The figure swivels her head and right leg to her left, while her torso and arms twist in the opposite direction. A scarf falling from the back of her head and the swinging pleats of her robe accentuate the flurry of movement. While the statuette’s overall form has a cubistic massing, Günther chiselled some passages of surprising delicacy.

Figure 4. Franz Xaver Messerschmidt, A Hypocrite and a Slanderer, circa 1770-83, tin-alloy bust. 14 9⁄16 x 9⅝ x 11⅝ inches. Purchase, European Sculpture and Decorative Arts Fund; Lila Acheson Wallace, Mr. and Mrs. Mark Fisch, and Mr. and Mrs. Frank E. Richardson, Gifts, 2010 (2010.24).

The saint’s right hand is a blocky form and her right leg is rendered simply as two planes. But small shavings taken from her shoulder animate the surface, and the facets that describe locks of hair and the face resolve from a distance into clearly discernible features. Like the abbreviations of a pen and ink drawing on paper, the flicks of the chisel create an abstract impression of form.

Two wooden models for the Female Saint of Starnberg are known. The other one (Bayerisches Nationalmuseum, Munich) is slightly more schematic; comparison of the two clarifies the evolution of Günther’s creative process as he developed the statue’s form and composition. In the final work (Stadtisches Heimatmuseum, Starnberg), the sculptor created a more ethereal body and emphasized the saint’s upward motion. The original context of the Starnberg statue is unknown, but the saint must have formed part of an altarpiece, as did so many of Günther’s works, and there the rhythm of the pose responded to the movements of the other holy figures. One of the most intriguing, if enigmatic, sculptors from the Germanic region was Franz Xaver Messerschmidt (1736-1783). In a rather florid late Baroque style, he created statues and busts of the Emperor and Empress as well as other members of the Imperial Court in Vienna in the 1760s. A 1765 trip to Rome swayed him to the nascent Neoclassical style. In the early 1770s, he was denied a prestigious position as professor at the Austrian academy of fine arts; this misfortune aggravated by what may have been a mental breakdown, precipitated his departure from the capital. He sought work in Munich but eventually settled in Pressburg (now Bratislava), where he remained until his death. There he concentrated on an obsessive project, a series of character heads, completing about seventy of them in unique softmetal casts or in alabaster. These studies, some clearly selfportraits, others indirectly so, ranged from straightforward

Figure 5. Philipp Jakob Scheffauer, Artemisia in Mourning, 1794, marble relief. 19¾ x 11¾ x 2 inches. Purchase, Anna-Maria and Stephen Kellen Foundation Gift, 2010 (2010.228).

expressions of mood; to caricatural representations of men responding to a stimulus—yawning or reacting to a strong odor; to hyperserious studies of mental, often introspective, states.

A Hypocrite and a Slanderer (fig.4) was given its title when

Messerschmidt produced one of the most provocative and

forty-nine of the busts were first publicly exhibited ten years after

forward-looking series of character heads in the history of

the artist’s death. This balding, blocky man tucks in his chin,

sculpture.

causing wrinkles to form in the flesh of his neck and chest.

One very recent acquisition brings the Museum’s collection of

Creases of skin radiate symmetrically from his mouth and around

German sculpture to the end of the eighteenth century. Philipp

his jowls. Seen from the side, the bust becomes a blunt image of

Jakob Scheffauer (1756-1808) worked alongside his rival,

a rectangular head tipping forward on a socle that evolves into

Heinrich Dannecker, for the court of Württemberg, carving busts of

shoulders. The abstraction of the subject’s concentric wrinkles and

Duke Karl Eugen and prominent citizens, as well as creating

profile coexists with intensely naturalistic details, such as the

decorations for castles around Stuttgart. One of this Neoclassical

stubble

scalp.

sculptor’s specialties was the carving of small-scale marble

Messerschmidt’s formal experiment in this bust deepens the

reliefs—often illustrating stories from antiquity—for the intimate

disturbing psychological state represented; it is one of the most

chambers favored in private residences of the period. In 1803

powerful and introspective of the series. Recent exhibitions of the

Friedrich III, duke of Württemberg, purchased Scheffauer’s Sappho

hair

meticulously

punched

into

his

artist’s work have suggested that he was conversant with various

and Ariadne Abandoned on Naxos to decorate his mahogany-

scientific theories of the day, such as the Swiss physiognomist

panelled library at Schloss Monrepos, near Ludwigsburg. Signed

Johann Kaspar Lavater’s thesis that a person’s character could be

and dated 1794, the bas-relief of Artemisia in Mourning (fig.5)

gauged by the shape of his head, or the Viennese physician Franz

was clearly intended for such a location, though its first

Anton Mesmer’s belief that celestial bodies influence human

destination is unknown. In March 1794, Scheffauer wrote to his

instincts and that the senses are connected to internal organs,

mentor Professor Oberthür, that he was seeking a buyer for his

influencing an individual’s character. The meaning of these works

bas-relief of Artemisia. Queen of Caria from 352 to 350 B.C. and

will no doubt continue to be debated, but it is clear that

widow of King Mausolus, Artemisia was famous for building the

Figure 6. Toilet Service with Leather Case, German (Augsburg), circa 1743-45, silver gilt, hard-paste porcelain and other media; case 16Â˝ x 28 inches. Purchase, Anna-Maria and Stephen Kellen Foundation Gift, in memory of Stephen M. Kellen, 2005 (2005.364.1-48).

Mausoleum, her husband’s tomb, at Halicarnassus, one of the

Figure 7. Tureen and Stand, German (Augsburg), maker: Bernhard H. Weyhe, 1699-71, silver, silver-gilt. Tureen: 10¾ x 18 x 8⅜ inches, Stand: 21 x 12⅝ inches. Wrightsman Fund, 2009 (2009.263a-c).

wonders of the ancient world. Evidently, the queen was still held to be exemplary in Germany in the early nineteenth century, since Johann

Wolfgang

von

Goethe’s

1809

novel

Die

Wahlverwandtschaften (Elective Affinities) includes a scene at a

the recipient; for example, cups and pots for either coffee or tea

party in which one character adopts the role of Artemisia in a

would be added, depending on the intended user’s preference.

tableau vivant. In Scheffauer’s compact composition, Artemisia’s

Since these services often had to be produced quickly as well as

robe winds around the urn containing her husband’s ashes, while

meet the exacting standards of aristocratic clients, many of the

her controlled grief is conveyed by the limp arm dangling in the

best goldsmiths would be mobilized to complete them by the

center of the relief. Scheffauer’s artistic formation owed much to

appointed day; in this instance, fourteen maker’s marks have been

the example of his teacher in Paris, Augustin Pajou, and to his

identified on the forty-eight pieces. The idea behind toilet services

study of antiquities in Rome, but he perfected his own exquisite

came from France, and the style of this one also derives from

carving technique to convey his evocations of the ancient world

French ornamental inventions, though clearly marked by the

tinged with a romantic sensibility.

Augsburg manner. Formal motifs of spiral and S-shaped flutes

Complementing these significant additions to the Museum’s

connect the various components of the service. Rocaille

collection of sculpture are several recently acquired masterpieces

formations are highlighted against matted, punched grounds. All

of German or Austrian decorative art. Chief among them is a

of the pieces fit compactly into their original tooled leather case

magnificent toilet service made in Augsburg between 1743 and

with lid and hinged doors. The arms engraved on the cutlery

1745 (fig. 6). Such elaborate sets were often gifts (Morgengabe)

belong to Philipp Franz Anton Freiherr von Harff zu Dreiborn

made by a husband to his wife the morning after their wedding.

(1722-1778), the head of an affluent noble German family. His

Named for the French word toile, the tissue or lace on which the

granddaughter Maria Charlotte Antonia married Adam Friedrich

implements of the service would be laid out on a lady’s dressing

Freiherr Schenk von Stauffenberg, who must have given her this

table, the toilet service became an important part of the ceremony

set, which he either purchased or inherited. It remained in the

of dressing. The largest element was a mirror, but dozens of co-

Stauffenberg family until the late 1990s.

ordinated boxes, an ewer and basin, candlesticks, écuelles

Another work of Augsburg silver is the tureen and stand made

(covered bowls), brushes, pin cushions, and beakers traditionally

by Bernhard Heinrich Weyhe (1702-1782) in 1769-71 (fig.7).

composed the set, along with items specially included to please

Besides toilet services, Augsburg goldsmiths, specialized in

Figure 8. Wine Cooler, Austrian (Vienna), maker: Ignaz Joseph Würth, 1781, silver. 1115⁄16 x 9⅞ inches. Purchase, Anna-Maria and Stephen Kellen Foundation Gift, 2002 (2002.265.1,2).

magnificent table decorations. The tureen’s oblong stand

this service was commissioned by Duke Albert Casimir of

(présentoir) has a raised curvature decorated with floral relief

Sachsen-Teschen (d. 1822) and his consort, Archduchess Maria

scrolls and rocaille formations that merge into openwork trellis

Christina of Austria (d. 1798), sister of Queen Marie-Antoinette

handles. The oval tureen is supported by four cast openwork feet.

and daughter of Empress Maria Theresa. Created about the time

Sprays of embossed and cast floral motifs cover the lower part of

that the Duke and Duchess were appointed joint governors of the

the bulging forms and harmonize with the bracket handles.

Austrian Netherlands, the set, originally consisting of dozens of

Crowning the lid is Weyhe’s signature motif, a sculptural finial. A

pieces, reflects the imperial grandeur of their household.

young lady dressed for hunting sits against a short tree on a rocky

Distinctive statements of Viennese silver craftsmanship, the

platform; she holds a hooded falcon, while behind her a fox barks.

Museum’s wine coolers are two of only a handful of pieces from

Falconry was an aristocratic pursuit in which women participated.

the service in the United States.

The falcon’s prey would have been small birds, a possible allusion

The Metropolitan Museum has deep holdings of German

to the game stew served in the tureen at hunting banquets, which

porcelain, especially of porcelain from Meissen but also the

were often elaborate court rituals.

production of other factories in Germany and Austria. Vessels and

Weyhe’s silver vessels were owned by some of the foremost

figural compositions of nearly every type can be seen in our

patrons of the day. About 1760, for the Prince-Bishop of

galleries, but until 2002 we lacked an example of porcelain wall

Hildesheim, the goldsmith made such a service, part of which is

lights. A pair made in the Royal Porcelain Manufactory in Berlin

now in the collection of the Bayerisches Nationalmuseum in

during the 1760s (fig. 9), were thus a splendid addition to our

Munich. In the same period when he made the present tureen and

collection. The great proponent of the Rococo style in Germany,

stand Weyhe executed a table service for Adam Friedrich von

Frederick the Great, King of Prussia, established the manufactory

Seinsheim, Prince-Bishop of Würzburg and Bamberg, now in the

in 1763, and several tour-de-force objects, including chandeliers

Royal Schatzkammer in Munich. The Museum’s tureen and stand

and wall lights, were subsequently made for him. The decorations

lacks an inventory number and may not be part of an extensive

for his Neues Palais (New Palace) in Potsdam (1763-69)

service but rather an individual parade object.

integrated furnishings with stucco or painted wall treatments in a

Two pieces of silver recently acquired by the Museum, Ignaz

highly original fashion. Francophile in his tastes, Frederick

Joseph Würth’s wine coolers (fig. 8), were certainly part of an

nonetheless promoted a distinct style that came to be known as

elaborate service, known as the Second Sachsen-Teschen Service.

Frederician Rococo, favoring high-key colors and asymmetrical

An exhibition organized recently by Wolfram Koeppe at the

arrangements. It is evident in these wall lights that feature

Metropolitan Museum and shown in different form at the

porcelain backplate shields, which support twisting gilt-bronze

Liechtenstein Museum in Vienna reconstituted that important set of

branches terminating in porcelain drip pans and candle sockets.

silver, which Würth began to work on in 1779 and completed in

The naturalistic flowers around and below the brackets are painted

1781. Dependent leaves cover the stem, which supports the

in vibrant hues.

heavily gadrooned lower body. Lion skins wrap around the center

Only one other pair of wall lights in this model is known, in the

of the body, as if insulating the cooler’s contents, their tails

Belvedere at Schloss Charlottenburg, Berlin. One of the gilt-bronze

amusingly looping to form handles. Thyrsi, panpipes, and

branches of a porcelain chandelier now at Huis Doorn, in the

tambourines allude to the Bacchic rites, which wine accompanied.

Netherlands, but originally ordered by Frederick for the Neues

Grapevines circle the top of the crater-shaped vases. The

Palais, bears the signature of Pierre Geoffrey, the leading bronze

sculptural forms and extensive Neoclassical ornamentation seen

worker at the Berlin Porcelain Manufactory. Its similarity to the

on the wine coolers appear in various combinations on the

Metropolitan Museum’s pair of lights helps to date both works to

tureens, écuelles, candlesticks, and many other components of the

the period between Frederick’s purchase of the manufactory in

service. While its overall style owes much to French Neoclassical

1763 and Geoffrey’s death in 1765. Frederick gave a number of

design, a daring interplay of motifs and whimsical sculptural

these sumptuous decorations to courts throughout Europe, and it

forms enliven this Viennese interpretation of that style.

seems likely that the Museum’s wall lights were among them.

A landmark in the history of eighteenth-century decorative arts,

One final work adds variety and depth to the department’s

Figure 9. Pair of Wall Lights, Germany (Berlin, Royal Porcelain Manufactory), circa 1765, hard-paste porcelain, gilt bronze. H. 18½ inches. Wrightsman Fund, 2002 (2002.437.1,.2).

strong collection of furniture produced by David Roentgen (1743-

which the grain of mahogany is sufficient decoration, enhanced by

1807), who with his father Abraham, managed one of Europe’s

severe gilded moldings and brass and gilt-bronze mounts. Over

most successful cabinetmaking enterprises. This mechanical

the course of his career, Roentgen streamlined the design of his

gaming table, dating from 1780-83 (fig. 10) is a superb example

pieces and simplified component parts for ease of shipping and

of Roentgen’s Neoclassical style as well as of his imaginative

reassembly. Roentgen’s tables were sought throughout Europe,

mechanical inventions. Multifunctional gaming tables were often

making the gaming table’s installation in the Bordeaux Room in

seen in houses of the wealthy during the 1700s. In the intimate

the Museum’s Wrightsman Galleries entirely appropriate. The full

salons favored in the last decades of the century, a table that took

measure of this cabinetmaker’s sumptuous surfaces, mechanical

up little space, when closed, but could open to perform various

ingenuity, and modern approach to furniture assembly will be

functions was especially appreciated. The triple top of this piece

evident in an exhibition of his work, scheduled to open in October

converts to a card-playing area, to a marquetry chessboard, and

2012 at the Museum.

to a writing surface. A spring-driven pop-up box rises to permit

Recent collecting in the department reflects the strength of

backgammon-playing; compartments slide out to contain game

regional centers of the arts in Germany and Austria in the

pieces; and the gate leg adjusts to support the leaves in different

eighteenth century. Works in marble, wood, and metal by artists

positions. In contrast to the ingenious and elaborate mechanisms

associated with Dresden, Munich, Vienna, and Stuttgart have

hidden within the table, its ornamentation is simple. Working in

expanded the range and raised the quality of the sculpture found

the restrained Neoclassical style, Roentgen banished the fanciful

in our galleries. In the decorative arts, the most notable advance

marquetry seen on earlier furniture, such as his aforementioned

has been in the area of silver, as a number of works at the highest

rolltop desk of about 1776-78, in favor of broad passages in

level of achievement have entered the collection. In the fields of

Figure 10. Mechanical Gaming Table, German (Neuwied am Rhein), maker: David Roentgen, circa 1780-83, oak, walnut, veneered with mahogany, maple, holly; leather; iron and steel fittings; brass and gilt bronze mounts. Overall: 3013⁄16 x 3811⁄16 x 19½ inches. Pfeiffer Fund, 2007 (2007.42.1a-e, .2a-o, aa-nn)

Recent Related Literature Ian Wardropper, European Sculpture, 1400-1900, in The Metropolitan Museum of Art: Highlights of the Collection, New York: Metropolitan Museum of Art, 2011. Daniëlle O. Kisluk-Grosheide, Wolfram Koeppe, and William Rieder, European Furniture in The Metropolitan Museum of Art: Highlights of the Collection, New York: Metropolitan Museum of Art, 2006. Wolfram Koeppe, Vienna Circa 1780, An Imperial Silver Service Rediscovered, New York: Metropolitan Museum of Art, 2010. Daniëlle Kisluk-Grosheide and Jeffrey Munger, The Wrightsman Galleries of French Decorative Arts, New York: Metropolitan Museum of Art, 2010, pp. 36-37. Metropolitan Museum of Art Bulletin, vol. LXI, no. 2 (Fall 2003), pp. 22, 24-25, 26; vol. LXIV, no. 2 (Fall 2006), pp. 40-41; vol. LXV, no. 2, (Fall 2007), p. 34; vol. LXVI, no. 2 (Fall 2008), p. 27; vol. LVIII, no. 2 (Fall 2010), pp. 42, 44.

ceramics and furniture, similar additions have deepened already considerable holdings. Other Museum departments, notably Drawings and Prints, have recently also made concerted efforts to acquire German art. Visitors to the Museum can now appreciate more fully the high points of artistry from this great tradition.

Exhibitors

Directory of Exhibitors A La Vieille Russie, Inc. • F1 • page 37

Anne Autegarden • F3 • page 44

781 Fifth Avenue, New York, NY 10022, USA Telephone 1 212 752 1727 www.alvr.com email: alvr@alvr.com

100 Rue de Stassart, Brussels 1050, Belgium Telephone 32 (0)2512 0658 Cell 32 (0)477 228358 Fax 32 (0)2512 0658 www.autegarden.com email: info@autegarden.com Gallery personnel: Anne Autegarden, Nadine Huyghens

European and American antique jewellery, Fabergé, gold snuffboxes and objets de vertu, Russian decorative and fine arts, including porcelain, glass, furniture, silver, paintings and icons

Specialists in Italian design from 1905-1980 and also Belgian, French and American furniture of the 20th century

Agnew’s • E10 • page 38 H. Blairman & Sons Ltd • B16 • page 45

35 Albemarle Street, London W1S 4JD, UK Telephone 44 (0)20 7290 9250 Fax 44 (0)20 7629 4359 www.agnewsgallery.co.uk email: agnews@agnewsgallery.co.uk Gallery personnel: Julian Agnew, Christopher Kingzett, Gabriel Naughton

PO Box 6374, London W1A 3UR, UK Telephone 44 (0)20 7493 0444 Fax 44 (0)20 7495 0766 www.blairman.co.uk email: blairman@blairman.co.uk Gallery personnel: Martin P Levy (Director)

Old Master paintings and drawings, English paintings and drawings 19th century furniture and works of art

Luis Alegria • G6 • pages 40-41 J.H. Bourdon-Smith Ltd • B6 • page 46

Av. Dr. Antunes Guimaraes 142, Porto 4100-073, Portugal Telephone 351 917 600 126 Email: luis.alegria@iol.pt Gallery personnel: Luis Alegria

24 Mason’s Yard, Duke Street, St James’s, London SW1Y 6BU, UK Telephone 44 (0)20 7839 4714 Cell 44 (0)7876 503146 Fax 44 (0)20 7839 3951 Email: enquiries@bourdonsmith.co.uk Gallery personnel: John H. Bourdon-Smith, Edward J. Bourdon-Smith

Antiquariaat Forum BV • C2 • page 39 Tuurdijk 16, 3997 MS ‘t Goy-Houten, The Netherlands Telephone 31 (0)30 6011955 Cell +31 (0) 654680366 Fax 31 (0)30 6011813 www.forumrarebooks.com email: info@forumrarebooks.com Gallery personnel: Laurens Hesselink

Silver specialists in early spoons, collectables and objects from the Georgian and Victorian periods, with an emphasis on English, Scottish and Irish silver including all the provincial centres of the British Isles

Specialises in colour plate books, early printing, natural history, science, travel and voyages

22 East 80th Street, New York, NY 10075, USA Telephone 1 212 249 7212 Fax 1 212 628 6587 Email: markcwmbrady.com or lauracwmbrady.com Gallery personnel: Mark Brady, Laura Bennett

W. M. Brady & Co • D4 • page 47

Apter-Fredericks Ltd • D11 • page 42 Old Master and 19th century paintings, drawings and sculpture

265-267 Fulham Road, London SW3 6HY, UK Telephone 44 (0)20 7352 2188 Cell 1 917 696 4063 www.apter-fredericks.com email: antiques@apter-fredericks.com Gallery personnel: Harry G. Apter, Guy D. Apter

Thomas Coulborn & Sons • E5 • pages 48-49 Vesey Manor, Sutton Coldfield, West Midlands B72 1QP, UK Telephone 44 (0) 121 354 3974 Fax 44 (0) 121 354 4614 www.coulborn.com email: jc@coulborn.com Gallery personnel: Jonathan Coulborn

18th and 19th century English furniture, mirrors, chandeliers, lustres and objects; Chinese Canton and cloisonné enamel

Antique furniture and works of art from 18th century to the Regency period, predominantly English but also including Chinese Export, Russian and European

Ariadne Galleries • D12 • page 43 11 East 76th Street, New York, NY 10021, USA Telephone 1 212 772 3388 Fax 1 212 517 7562 www.ariadnegalleries.com email: info@ariadnegalleries.com Gallery personnel: Torkom Demirjian (President), James, Paul and Gregory Demirjian

Sandra Cronan Ltd • A14 • page 52-53 First Floor, 16 Albemarle Street, London W1S 4HW, UK Telephone 44 (0)20 7491 4851 www. sandracronan.com email: enquiries@sandracronan.com Gallery Personnel: Sandra Cronan, Catherine Taylor

Greek, Roman, Near Eastern, and Asian antiquities

Fine antique and period jewels dating from 17th–20th centuries

Directory of Exhibitors Galerie Chenel • D6 • page 50

Bernd Goeckler Antiques, Inc. • D9 • pages 58-59

6 Rue de Beaune, 75007 Paris, France Telephone 33 (0)14297 4409 Cell 33 (0)607 364384 Fax 33 (0)14297 4417 www.galeriechenel.com email: galeriechenel@aol.com Gallery personnel: Ollivier Chenel, Adrien Chenel, Gladys Chenel, Alain Chenel

30 East 10th Street, New York, NY 10003, USA Telephone 1 212 777 8209 Fax 1 212 777 8302 www.BGoeklerAntiques.com email: BGAntiques@mac.com Gallery personnel: Bernd Goeckler, Mike Freels, Sylvanus Shaw, Katja Hirche, Dane Pressner and Gertie Lurie

High-style European furniture,llighting and decoration from the 20th century.

Established in Paris for more than 10 years, Galerie Chenel specialises in antiquities with a particular emphasis on Roman sculpture, combining classical objects in a contemporary setting.

Michael Goedhuis • D3 • page 57 Flat 3, 61 Cadogan Square, London SW1X 0HZ, UK Telephone 44 (0)20 7823 1395 Cell 44 (0)7760 625 375 Fax 44 (0)20 7823 2794 www.michaelgoedhuis.com email: london@michaelgoedhuis.com Gallery personnel: Michael Goedhuis, Joanna Sparber, Guilia Derege

Daniel Crouch Rare Books • C2 • page 51 4 Bury Street, St James’s, London SW1Y 6AB, UK Telephone 44 (0)20 7042 0240 Cell +44 (0)7766 751391 www.crouchrarebooks.com email: info@crouchrarebooks.com Gallery personnel: Daniel Crouch

Chinese contemporary ink painting, Archaic & later Chinese Bronzes, Japanese Bronzes

Antique atlases, maps, plans, sea charts, globes and voyages dating from the 15th–19th century

Bernard Goldberg Fine Arts, LLC • B15 Douglas Dawson Gallery • A5 • page 54

New York , USA Telephone 1 212 813 9797 Fax: 1 212 813 9876 www.bgfa.com email: info@bgfa.com

400 North Morgan Street, Chicago, IL 60642, USA Telephone 1 312 226 7975 Fax 1 312 226 7974 www.douglasdawson.com email: info@douglasdawson.com Gallery personnel: Douglas Dawson, Wallace Bowling

American paintings, drawings, watercolours and sculpture from 1900–1950

Ancient and historic non-western art, from Africa, Asia and the Americas.

Dr Jörn Günther Rare Books AG • A8/9 • page 60 Peter Finer • D1 • page 56

Mosboden 1, 6063 Stalden, Switzerland Telephone 41 41 669 7000 Fax 41 41 669 7001 www.guenther-rarebooks.com email: info@guenther-rarebooks.com Gallery personnel: Dr Jörn Günther

38 & 39 Duke Street, St James’s, London SW1Y 6DF, UK Telephone 44 (0)20 7839 5666 Fax 44 (0)20 7839 5777 From USA & Canada: Telephone & Fax 1 800 270 7951 www.peterfiner.com email: gallery@peterfiner.com Gallery personnel: Peter Finer, Redmond Finer

Medieval and Renaissance manuscripts, miniatures, incunabules and illustrated early printed books

Antique arms, armour and related objects

Hancocks • B2 • page 61 52 & 53 Burlington Arcade, London W1J OHH, UK Telephone 44 (0)20 7493 8904 Fax 44 (0)20 7493 8905 www.hancocks-london.com email: info@hancocks-london.com Gallery personnel: Stephen Burton, Duncan Semmens

Gander & White Shipping Ltd Unit 1, St Martin’s Way, Wimbledon, London SW17 OJH, UK Telephone 44 (0)20 8971 7160 Fax 44 (0)20 8946 8062 www.ganderandwhite.com email: oliver.howell@ganderandwhite.com Gander & White Shipping Ltd 21-44 44th Road, Long Island City, NY 11101, USA Telephone 1 718 784 8444 Fax 1 718 784 9337 www.ganderandwhite.com email: michael.jaque@ganderandwhite.com

Antique and 20th century jewellery especially from major European and American houses,as well as selected fine silver and objets d’art

Brian Haughton Gallery • E1 • pages 62-65 15 Duke Street, St James’s, London SW1Y 6DB, UK Telephone 44 (0)20 7389 6550 Fax 44 (0)20 7389 6556 www.haughton.com email: gallery@haughton.com Gallery personnel: Brian Haughton, Paul Crane

English and Continental ceramics

Directory of Exhibitors Jeffrey Beal Henkel • J1

Jane Kahan Gallery • G3 • page 71

82 Poor Farm Road, Pennington, NJ 08534, USA Telephone 1 609 306 4996 Cell 1 609 306 4996 Fax 1 609 537 1287 Email: henkel.Jeffrey@gmail.com Gallery personnel: Jeffrey Beal Henkel

922 Madison Avenue, New York, NY 10021, USA Telephone 1 212 744 1490 Fax 1 212 744 1598 www.janekahan.com email: janekahan@janekahan.com Gallery personnel: Jane Kahan, Charles Mathes

Garden objects and statuary

20th century European and American Masters: paintings, prints, sculpture, ceramics, tapestries

Hostler Burrows • C4 • page 66

Kentshire • A3/4 • pages 72-73

104 Franklin St, New York, NY 10013, USA Telephone 1 212 343 0471 Fax 1 212 343 0472 www.hostlerburrows.com info@hostlerburrows.com Gallery personnel: Kim Hostler, Juliet Burrows

700 Madison Avenue, New York, NY 10065, USA Telephone 1 212 421 1100 Cell 1 646 704 3224 Fax 1 212 421 1180 www.kentshire.com email: info@kentshire.com Gallery personnel: Robert Israel, Fred Imberman, Matthew Imberman, Ellen Israel, Marcie Imberman, Carrie Imberman

20th century furniture, decorative arts, specialising in studio ceramics with an emphasis on Scandinavian

18th and early 19th century English furniture and objects. Antique and 20th century jewellery

Hyde Park Antiques, Ltd • D8 • page 67 836 Broadway, New York, NY 10003, USA Telephone 1 212 477 0033 Fax 1 212 477 1781 www.hydeparkantiques.com email: info@hydeparkantiques.com Gallery personnel: Bernard Karr, President

Keshishian • A15 • page 74 73 Pimlico Road, London SW1W 8NE, UK Telephone 44 (0)20 7730 8810 Fax 44 (0)20 7730 8803 and By appointment in New York Telephone 1 212 956 1586 www.keshishiancarpets.com email: info@keshishiancarpets.com Gallery personnel: Arto Keshishian, Eddy Keshishian

Founded in 1965, specialising in the finest 18th and early 19th century English furniture, sporting art, 18th century Chinese export porcelain and English ceramics

Hyland Granby Antiques • B13 • page 68

Antique carpets (European and Oriental). European tapestries and needlework. 20th century arts and crafts, art deco carpets, modern master tapestries

PO Box 457, Hyannis Port, MA 02647, USA Telephone 1 508 771 3070 Cell 1 508 878 4400 Fax 1 508 778 4842 www.hylandgranby.com email: alan@hylandgranby.com Gallery personnel: Alan Granby, Janice Hyland

Jack Kilgore & Co, Inc • E11 • page 75 154 East 71st Street, New York, NY 10021, USA Telephone 1 212 650 1149 Fax 1 212 650 1389 www.kilgoregallery.com email: info@kilgoregallery.com Gallery personnel: Jack Kilgore, Kay Fausel

18th and 19th century maritime artifacts and paintings, including woodcarvings such as eagles, cannons, ship clocks, etc.

Il Quadrifoglio SRL • D7 • page 69

Old Masters, specialising in 16th and 17th century Dutch and Flemish paintings and 19th century European

Via Carlo Pisacane 40, 20129 Milan, Italy Telephone 39 02 2951 80 31 Cell 39 3353 71907 www.galleriailquadrifoglio.it email: ilquadrifogliomilano@libero.it Gallery personnel: Augusto Brun, Marco Brun, Pilar Pandini

Koopman Rare Art • D10 • page 76 The London Silver Vaults, 53-64 Chancery Lane, London WC2A 1QS, UK Telephone 44 (0)20 7242 7624 Cell 44 (0)783629 5309 Fax 44 (0)20 7831 0221 www.koopmanrareart.com email: enquiries@koopmanrareart.com Gallery personnel: Lewis Smith, Timo Koopman

17th and 18th century Italian furniture and works of art

Japonesque • E3 • page 70 824 Montgomery Street, San Francisco, CA 94133, USA Telephone 1 415 391 8860 Cell 1 415 533 5151 Fax 1 415 391 3530 Email: koichihara@earthlink.net Gallery personnel: Koichi Hara

Antique silver and objets d’art

Japanese and international contemporary works of art and antiques

Directory of Exhibitors Gallery Lefebvre • B11 • pages 78-79

Mallett Inc • E12 • pages 84-85

15 Rue du Pré aux Clercs, 75007 Paris, France Telephone 33 14548 1813 Cell 33 69802 1813 Fax 33 14548 0469 www.gallery-lefebvre.com email: gallerylefebvre@gmail.com Gallery personnel: Romain Lefebvre, Hillary Keeguin, Yana Mihailuka

929 Madison Avenue at 74th Street, New York, NY 10021, USA Telephone 1 212 249 8783 Fax 1 212 249 8784 www.mallettantiques.com Gallery personnel: Henry Neville, João Mãgalhaes and Gutierrez-Folch

18th and 19th century English and Continental furniture, glass, works of art, fine paintings and watercolours

20th century decorative arts: furniture, paintings, sculpture and photography

Lillian Nassau LLC • G8 • page 86 Martin Du Louvre • E7 • page 77

220 East 57th Street, New York, New York 10022, USA Telephone 1 212 759 6062 Cell 1 917 863 5649 Fax 1 212 832 9493 www.lilliannassau.com email: info@lilliannassau.com Gallery Personnel: Arlie Sulka, Eric Silver

69 rue du Faubourg Saint Honoré, 75008 Paris, France Cell 33 (0)68017 5101 Fax 33 (0)1 40170810 www.martindulouvre.com email: info@martin.du.louvre.com Gallery personnel: David Le Louarn

19th an 20th century paintings, drawings, sculpture and photography

Tiffany Studios lamps, glass, ceramics, windows and metalwork; European and American decorative arts and sculpture of the late 19th and early 20th century; mid-century modern furniture

H.M. Luther • G1 • page 80 The Carlyle, 35 East 76th Street, New York, NY 10021, USA Telephone 1 212 439 7919 Fax 1 212 439 0966 and Greenwich Village, 61 East 11th Street, New York, NY 10003, USA Telephone 1 212 505 1485 Fax 1 212 505 0401 www.hmluther.com email: info@hmluther.com Gallery personnel: Daniel Harrison, Scott Vanderhamm, James Harrison, Jean Tucker

Jill Newhouse • C6 • page 87 4 East 81st Street, New York, NY 10028, USA Telephone 1 212 249 9216 Fax 1 212 734 4098 www.jillnewhouse.com email: maildrop@jillnewhouse.com Gallery personnel: Jill Newhouse, Christa Savino

Specialising in works on paper by Modern Masters

18th, 19th and 20th century European and Asian furniture, decorations and works of art; Russian and Swedish; French and Italian; Chinese and Japanese

Frank Partridge • E6 • page 88 7 Thurloe Square, London SW7 2TA, UK Telephone 44 (0)20 7225 3654 Cell 44 (0)7801 480548 Fax 44 (0)20 7581 9387 www.frankpartridge.org email: mail@frankpartridge.net Gallery personnel: Frank Partridge, Susan Partridge

MacConnal-Mason Gallery • G5 • page 81 14 & 17 Duke Street, St James’s, London SW1Y 6DB, UK Telephone 44 (0)20 7839 7693 Fax 44 (0)20 7839 6797 www.macconnal-mason.com email: fineart@macconnal-mason.com Gallery personnel: David L. Mason OBE, David M. Mason, Marcus Halliwell, Simon Carter

English and French furniture;French clocks

Ronald Phillips Ltd • B3/4 • pages 90-91

19th and 20th century British and European paintings and sculpture, including 19th century Dutch romantic, Victorian and British sporting paintings, Post-Impressionist and modern British paintings

26 Bruton Street, London W1J 6QL, UK Telephone 44 (0)20 7493 2341 Fax 44 (0)20 7495 0843 www.ronaldphillipsantiques.com email: advice@ronaldphillips.co.uk Gallery personnel: Simon Phillips, Christopher Johnstone

Maison Gerard • G2 • pages 82-83

18th and 19th century English furniture, clocks, barometers, glass and works of art

43 & 53 East Tenth Street, New York, NY 10003,USA Telephone 1 212 674 7611 Fax 1 212 475 6314 www.maisongerard.com email: home@maisongerard.com Gallery Personnel: Gerard Widdershoven, Benoist F Drut, Christopher Knight, Margaret S Kim, Heather Kristensen

Specialising in fine 20th century and contemporary European furniture and decorative arts.

Directory of Exhibitors Phoenix Ancient Art • E2 • page 89

Raffety & Walwyn Ltd • B1 • page 96

47 East 66th Street, New York, NY 10065, USA Telephone 1 212 288 7518 Cell 1 917 570 7318 Fax 1 212 288 7121 www.phoenixancientart.com www.e-tiquities.com Email: info@phoenixancientart.com and 6 rue Verdaine, 1211-3 Geneva, Switzerland Telephone 41 (0)22 318 8010 Fax 41 (0)22 310 0388 www.phoenixancientart.com email: paa@phoenixancientart.com Gallery personnel: Hicham Aboutaam, Emily Davis (New York); Ali Aboutaam, C.Michael Hedqvist (Geneva)

79 Kensington Church Street, London W8 4BG, UK Telephone 44 (0)20 7938 1100 Cell 44 (0)7768 096869 Fax 44 (0)20 7938 2519 www.raffetyantiqueclocks.com email: raffety@globalnet.co.uk Gallery personnel: Nigel Raffety, Howard Walwyn

Selected British and Continental 17th and 18th century tall case and bracket clocks, barometers and period furniture

James Robinson, Inc. • F2 • page 97

Art from Western civilisations, including the ancient Mediterranean, Mesopotamia, Egypt and the Islamic world, as well as Byzantium and European works of art

480 Park Avenue at 58th Street, New York, NY 10022, USA Telephone 1 212 752 6166 Fax 1 212 754 0961 www.jrobinson.com email: info@jrobinson.com Gallery personnel: Mrs Joan Boening

Galerie Du Post-Impressionnisme • A12 • pages 92-93

Antique and period jewellery, antique English silver, antique porcelain and glass, handmade sterling silver flatware

14 Avenue Matignon, Ile de France, 75008 Paris, France Telephone 33 (0)15624 0708 Cell 33 (0)60772 1640 Fax 33 (0)1 4634 8983 www.postimpressionnisme.net email: info@postimpressionnisme.net Gallery personnel: Camille Meyneng, Director, Claire Marc, Assistant Director, Alexandre Mibus, Assistant Director

Samina • A16 • page 98 By appointment only 33 St James’s Square, London SW1Y 4JS, UK Telephone 44 (0)20 3170 6076/78 Cell 44 (0)7775 87960 Fax 44 (0)20 7286 3633 Email: saminainc@hotmail.com Gallery personnel: Dr Samina Khanyari, Chantel Spar

The gallery represents the post-Impressionist movements, including works from the Fauvist and Pointillist movements, as well as works from l’école de Pont-Aven and the Nabis group

Rare, collectable Indian jewels: from the Royal Moghal and Deccan Courts. 17th and 19th Century. Objects of jewelled arts from India 17th–19th century (some exclusive pieces of modern contemporary Indian jewellery)

Potterton Books • B7 • page 94 The Old Rectory, Sessay, Thirsk, North Yorkshire, YO7 3LZ, UK Telephone 44 (0)1845 501218 Fax 44 (0)1845 501439 www.pottertonbooks.co.uk email: ros@pottertonbooks.co.uk Gallery personnel: Clare Jameson

Bernard J Shapero Rare Books • B8/9 • pages 100-101 32 St George Street, London W1S 2EA, UK Telephone 44 (0)20 7493 0876 Fax 44 (0)20 7495 5010 www.shapero.com email: rarebooks@shapero.com Gallery personnel: Bernard Shapero, Pierre Yves Guillemet, Lucinda Boyle, Philip Blackwell

International booksellers of new and unusual out of print titles, specialising in architecture, design, interior decoration, antiques and the fine and decorative arts

Primavera Gallery NY • F7 • page 95

Antiquarian rare books, maps, prints and photographs, specialising in travel, colour plate, natural history, architecture, Russia and incunabula

210 11th Avenue (25th Street) Suite 800, New York, NY 10001, USA Telephone 1 212 924 6600 Fax 1 212 924 6602 www.primaveragallery.com email: contact@primaveragallery.com Gallery personnel: Audrey Friedman, Haim Manishevitz

S.J. Shrubsole Corp • A6/7 • page 99 20th century decorative arts movements including furniture, glass, ceramics, silver and metal, sculpture, paintings. Fine jewellery from 1800 – contemporary

104 East 57th Street, New York, NY 10022, USA Telephone 1 212 753 8920 Fax 1 212 754 5192 www.shrubsole.com email: inquiries@shrubsole.com

Antique English, Irish and American silver; Antique jewellery and glass

The Silver Fund • C5 • page 102 Telephone 1 917 447 1911 www.thesilverfund.com email: michael@thesilverfund.com Gallery Personnel: Michael James, Jason Laskey, Joshua Burcham

20th century silver and design, including Georg Jensen & Jean Puiforcat

Directory of Exhibitors The Sladmore Gallery • C1 • page 103

Tomasso Brothers Fine Art • A2 • page 109

57 Jermyn Street, St James’s, London SW1Y 6LX, UK Telephone 44 (0)20 7629 1144 Fax 44 (0)207 495 3668 www.sladmore.com email: edward@sladmore.com and

Bardon Hall, Weetwood Lane, Leeds, West Yorkshire, LS16 8HJ, UK Telephone 44 (0)113 275 5545 Fax 44 (0)113 275 5565 www.tomassobrothers.co.uk email: info@tomassobrothers.co.uk Gallery personnel: Raffaello Tomasso, Tobias Desmet

Sladmore Contemporary 32 Bruton Place, Mayfair, London W1J 6NW, UK Gallery personnel: Edward Horswell, Gerry Farrell, Nona Horswell

European sculpture, paintings and decorative Arts pre 1820

European bronze sculpture 1830 – 1930

Axel Vervoordt • D2/5 • pages 110-111 Kasteel van’s-Gravenwezel, St Jobsteenweg 64, B-2970’s-Gravenwezel, Belgium and KANAAL Stokerijstraat 19, B-2110 Wijnegem, Belgium Telephone 32 3 355 3300 Fax 32 3 355 3301 www.axel-vervoordt.com email: info@axel-vervoordt.com Gallery personnel: Axel Vervoordt, Boris Vervoordt, Robert Lauwers, Philip Feyfer

Somlo Antiques • B10 • page 104 35-36 Burlington Arcade, London W1J 0QB, UK Telephone 44 (0)20 7499 6526 Fax 44 (0)20 7499 0603 www.somlo.com email: mail@somlo.com Gallery personnel: George Somlo, Sandi Somlo

Vintage wristwatches and antique pocket watches Eclectic combination of East and West with high quality works of art ranging from Egyptian stone vessels, through Renaissance bronzes and 18th century furniture to contemporary paintings

Peter Szuhay • F8 • page 105 Grays, 58 Davies Street, London W1K 5LP, UK Telephone 44 (0)20 7408 0154 www.peterszuhay.com email: peter@peterszuhay.com Gallery personnel: Peter Szuhay

Wartski • A1 • pages 112-113 14 Grafton Street, London W1S 4DE, UK Telephone 44 (0)20 7493 1141 Fax 44 (0)20 7409 7448 www.wartski.com email: wartski@wartski.com Gallery personnel: Geoffrey Munn, Katherine Purcell, Kieran McCarthy

European silver and works of art

TAI Gallery • F5 • page 106

Antique jewellery, works of art by Carl Fabergé, English and Continental silver, objets de vertu

1601 B Paseo de Peralta, Santa Fe, New Mexico 87501, USA Telephone 1 505 984 1387 www.taigallery.com email: gallery@taigallery.com Gallery personnel: David Halpern, Everett Cole

Wick Antiques Ltd • G7 • page 114

Since 1978, visually dazzling museum quality Japanese bamboo art and textiles from around the world. In 2006 Tai added the field of contemporary Japanese photography to its collections

Fairlea House, 110-112 Marsh Lane, Lymington, Hampshire S041 9EE, UK Telephone 44 (0)1590 677 558 www.wickantiques.co.uk email: charles@wickantiques.co.uk Gallery personnel: Charles Wallrock

Tambaran Gallery • F6 • page 107

18th and 19th century English and European furniture and works of art

5 East 82nd Street, New York, NY 10028, USA Telephone 1 212 570 0655 Fax 1 212 744 1256 www.tambaran.com email: m.zarember@tambaran.com Gallery personnel: Maureen Zarember, Owner/Director

Yates • Trebosc• Van Lelyveld • A11 • page 115 PO Box 580, Lenox Hill Station, New York, NY 10021, USA Telephone 1 212 879 7758 Fax 1 212 794 4680 www.dcyates.com email: info@dcyates.com and 8 rue des Moulins, Paris, France Gallery personnel: David Yates, Constance Yates, Alfred Van Lely Veld, Olivier Trebosc

Ancient art from Africa, Oceania and The Americas

Erik Thomsen • E9 • page 108 23 East 67th Street, New York, NY 10065, USA Telephone 1 212 288 2588 Fax 1 212 535 6787 www.erikthomsen.com email: info@erikthomsen.com Gallery personnel: Erik Thomsen, Cornelia Thomsen, Dieuwke Eijer

European sculpture, medals and paintings

Japanese fine art from the 14th to the early 20th century, specialising in screens, paintings, lacquers and ceramics

A La Vieille Russie, Inc. F1 78l Fifth Avenue, New York, NY 10022, USA Telephone 1 212 752 1727 www.alvr.com email: alvr@alvr.com

A La Vieille Russie and Parmigiani Fleurier present Mechanical Wonders: The Sandoz Collection October 26 to November 26, 2011 at A La Vieille Russie. Featuring early 19th century Swiss gold and enamel automaton snuff boxes, watches, magicians, and animals, alongside Fabergé masterpieces, as well as contemporary interpretations by Parmigiani Fleurier of watches in the Sandoz Collection. In addition, the catalogue raisonné of the Collection will be presented for the first time. The Imperial Peacock Egg by Fabergé, presented to the Dowager Empress Maria Feodorovna in 1908. Photograph ©2011 Fondation Edouard & Maurice Sandoz (FEMS) Pully, Suisse, all rights reserved. Photography: Renaud Sterchi.

Agnew’s E10 35 Albemarle Street, London W1S 4JD, UK Telephone 44 (0)20 7290 9250 Fax 44 (0)20 7629 4359 www.agnewsgallery.co.uk email: agnews@agnewsgallery.co.uk

On his return to France Bidauld travelled extensively exhibiting regularly at the Paris Salon where he won the gold medal in 1812. He enjoyed official patronage under Louis XVIII painting two large works on subjects from French history for the Galerie de Diane in Fontainbleau. Bidauld is an important transitional figure as his direct painting of the countryside, often en plein air, anticipates Corot and the subsequent development of pure landscape painting.

Jean Josephe Xavier Bidauld (1758-1846) Extensive Landscape with Deer Canvas, unlined, 14½ x 19 inches (37.2 x 49.3 cm) Signed and dated 1827 Bidauld was a pupil of Joseph Vernet before he moved to Rome in 1785. He stayed in Italy for five years where he is associated with French neo-classical painters such as Louis Gauffier, Nicolas Antoine Taunay and Guillaume Lethiére.

This picture was painted in 1827, when Bidauld is known to have been working in the Vaucluse. It is also the year of his son’s wedding to Justine-Sophie de Gaulle, great aunt of the future General de Gaulle.

Antiquariaat Forum BV C2 Tuurdijk 16, 3997 MS ’t Goy-Houten, The Netherlands Telephone 31 (0)3060 11955 Cell 31 (0)654680366 Fax 31 (0)30 6011813 www.forumrarebooks.com email: info@forumrarebooks.com

Gerard van Spaendonck (1746-1822) Tulipe des Jardin/Tulipa gesneriana L. (Flemish baquette) A very impressive stipple engraving, printed in colour à la poupée and finished by hand. One of the 24 coloured stipple engravings from Van Spaendonck’s Fleures Dessinées d’Áprès Nature that will be on exhibition 14⅛ x 21¼ inches (36 x 54 cm)

Published: Published in Paris, in a very limited number of copies, between 1799 and 1801

Luis Alegria G6 Av. Dr. Antunes Guimaraes 142, Porto 4100-073, Portugal Telephone 351 917 600 126 email: luis.alegria@iol.pt

One of a pair of Pietra Dura panels Florence or Naples, 17th Century 47â&#x2026;? x 37 inches (121 x 94 cm) Comprising two vases with flowers and birds made with pietra dura (lapis lazuli, rosso antico, mother of pearl, giallo antico and different types of agate) Belgian black, marble (paragone) and white marble. The decoration is very similar to the panels of the chapel at the Medici Villa del Poggio Imperiale and are today in the Museum of the Opificio delle Pietre Dure de Florencia

Luis Alegria G6 Annunciation Northern, Spain mid 16th century Wood, original polychrome Strong Italian influence 47Âź x 36Âź inches (120 x 92 cm)

Apter-Fredericks Ltd D11 265-267 Fulham Road, London SW3 6HY, UK Telephone 44 (0)20 7352 2188 Cell 1 917 696 4063 www.apter-fredericks.com email: antiques@apter-fredericks.com

A superb pair of George III giltwood bergeres commissioned by the 2nd Earl Spencer either for Spencer House, London or Althorp, Northamptonshire. English, circa 1791

Ariadne Galleries D12 11 East 76th Street, New York, NY 10021, USA Telephone 1 212 772 3388 Fax 1 212 517 7562 www.ariadnegalleries.com email: info@ariadnegalleries.com

Lower torso of a crouching Aphrodite Hellenistic, Greek Circa late 2nd – 1st century BC Marble Height: 4¾ inches (12 cm) Length: 6½ inches (16.5 cm)

Provenance: Ex-European private collection, since 1972 This is the Crouching Aphrodite of Rhodes, captured at the moment she emerges from her bath. Lush, curvy, and smooth, the work’s glossy surface highlights her full, rounded hips, soft belly, and delicate pubis. An intimate masterpiece of ancient Greek art, this is the essence of womanhood in all its glory.

Anne Autegarden F3 100 Rue de Stassart, Brussels 1050, Belgium Telephone 32 (0)2512 0658 Cell 32 (0)477 228358 Fax 32 (0)2512 0658 www.autegarden.com email: info@autegarden.com

Design by Pietro Chiesa – Gio Ponti for Fontana Arte Rare Mappamondo table lamp on a wood base, the glass bowl is in dark yellow glass and the continents are in a shiny white thick glass Circa 1930-40, Italy Height: 11¾ inches (30cm) Diameter: 13¾ inches (35 cm)

H. Blairman & Sons Ltd B16 PO Box 6374, London W1A 3UR, UK Telephone 44 (0)20 7493 0444 Fax 44 (0)20 7495 0766 www.blairman.co.uk email: blairman@blairman.co.uk

‘Pier Commode’ Designed and manufactured by George Bullock (1782/83-1818) English (London), circa 1818 Goncalo Alves (?) and ebony with parcel-gilt columns; gilt base metal mounts, brass inlay and gilt-brass grilles and mounts; the top of Mona marble. The velvet of later date. Height: 35¼ inches (89.5 cm) Width: 61 inches (156 cm) Depth: 22 inches (57 cm)

Provenance: Possibly Christie’s The Whole of the Finished Stock of that highly ingenious Artist, Mr George Bullock, December, on the premises, 3-5th May 1819, day 2, lot 44, bt Phillips for £27.6s; [….] a deceased estate, Angus, Scotland

J.H. Bourdon-Smith Ltd B6 24 Mason’s Yard, Duke Street, St James’s, London SW1Y 6BU, UK Telephone 44 (0)20 7839 4714 Cell 44 (0)7876 503146 Fax 44 (0)20 7839 3951 email: enquiries@bourdonsmith.co.uk

A pair of George IV silver and parcel-gilt naturalistic candlesticks formed of three swans in water, the bases resting on shell feet. They were made in London in 1827 by John Bridge (Goldsmith & Jeweller to the King) and bear the signature “RUNDELL BRIDGE ET RUNDELL AURIFICES REGIS LONDINI” on their bases Height: 6⅞ inches (17.5 cm) Weight: 61½ oz (1913 g) They are based on a design by Harriet, Duchess of Sutherland (1765-1839), an amateur landscape painter and engraver and were first made by Rundells in 1825-6 with several versions being produced in silver as well as in gilt bronze The 7th Earl of Plymouth (1785-1833) owned an identical pair of 1825-6

W M Brady & Co D4 22 East 80th Street, New York, NY 10075, USA Telephone 1 212 249 7212 Fax 1 212 628 6587 email: mark@wmbrady.com or laura@wmbrady.com

Paul Desiré Trouillebert (Paris 1829-1900) Bouquet of Violets Signed on the card, centre right, Trouillebert; also signed and inscribed, verso, à Madame Zimmer/Hommage de l’auteur/Trouillebert 6⅛ x 8¾ inches (16 x 22.2 cm)

Provenance: Madame Zimmer, Paris

Thomas Coulborn & Sons E5 Vesey Manor, 64 Birmingham Road, Sutton Coldfield, West Midlands B72 1QP, UK Telephone 44 (0)121 354 3974 Fax 44 (0)121 354 4614 www.coulborn.com email: jc@coulborn.com

Provenance: Imported and retailed by Bernard Cermenati (Newburyport, Massachusetts) circa1805-1809 Collection of Judge Arthur Beane Sr and his wife Mimi Clarke. By descent to Arthur Beane Jr

A pair of Spanish neoclassical gilt-gesso and pink marble Bilbao wall mirrors Northwestern Spain, circa 1800-09 Label of the importer Bernard Cermenati of Newburyport, Massachusetts, circa 1805-10 Height: 53 inches (135 cm) Width: 24Â˝ inches (62 cm)

Thomas Coulborn & Sons E5

A George II scarlet and gilt-japanned secretaire cabinet attributed to Giles Grendey English, circa 1735 Height: 81 inches (206 cm) Width: 41Âź inches (105 cm) Depth: 22 inches (56 cm)

Provenance: Acquired by Vivian Smith, 1st Lord Bicester, Weald Hall, Essex (circa 1910) and thence by descent

Galerie Chenel D6 6 Rue de Beaune, 75007 Paris, France Telephone 33 (0)14297 4409 Cell 33 (0)607 364384 Fax 33 (0)142 974417 www.galeriechenel.com email: galeriechenel@aol.com

Roman marble head of Hermes, Andros Farnese Type I – II century AD Marble Height: 13¾ inches (35 cm) Width: 7⅞ inches (20 cm)

Provenance: Private Swiss Collection since 1960

Daniel Crouch Rare Books C2 4 Bury Street, St Jamesâ&#x20AC;&#x2122;s, London SW1Y 6AB, UK Telephone 44 (0)20 7042 0240 Cell 44 (0)7766 751391 www.crouchrarebooks.com email: info@crouchrarebooks.com

Claudius Ptolemaeus Cosmographia â&#x20AC;&#x201C; the first atlas illustrated with woodcut maps and the earliest map to bear a signature 1482

Sandra Cronan Ltd A14 First Floor, 16 Albemarle Street, London W1S 4HW, UK Telephone 44 (0)20 7491 4851 www.sandracronan.com email: enquiries@sandracronan.com

A fine Belle Ă&#x2030;poque diamond and natural Oriental pearl choker or pair of bracelets, platinum French, circa 1910

Sandra Cronan Ltd A14

Robert Koch An important Art Nouveau plaque brooch/natural pearl choker, depicting a landscape in Spring Enamel, black opal and diamonds German, circa 1901

Literature: C. Holme, ed., The Studio 1901-2 (London 1902), German chapter, plate 1a

Douglas Dawson Gallery A5

Standing Figure (detail) Veracruz, Mexico Circa 550-950 AD Earthenware Height: 20 x11 x 6 inches (50.80 x 27.94 x 15.24 cm)

400 North Morgan Street, Chicago, Ill 60642, USA Telephone 1 312 226 7975 Fax 1 312 226 7974 www.douglasdawson.com email: info@douglasdawson.com

Finch & Co B15 Suite 744, 2 Old Brompton Road, London SW7 3DQ, UK Telephone 44 (0)20 7413 9937 Cell 44 (0)7768 236921 www.finch-and-co.co.uk email: enquiries@finch-and-co.co.uk

A fine Flemish South Netherlands late Gothic carved ivory standing figure of the Virgin and Christ Child mounted on an old velvet covered stand Late 14th â&#x20AC;&#x201C; early 15th Century Height: Figure: 7 inches (18 cm) Stand: 10 inches (25.5 cm)

Peter Finer D1 Antique Arms & Armour 38 & 39 Duke Street, St Jamesâ&#x20AC;&#x2122;s, London SW1Y 6DF, UK Telephone 44 (0)20 7839 5666 Fax 44 (0)20 7839 5777 From USA & Canada 1 800 270 7951 (24 hrs) www.peterfiner.com email: gallery@peterfiner.com

A finely etched composite North German three-quarter field armour made for the Court of Julius, Duke of Brunswick-WolfenbĂźttel, Brunswick Circa 1562-3

Provenance: Historic collections of the Dukes of Brunswick successively at Schloss Blankenburg and Schloss Marienburg

Michael Goedhuis D3 Flat 3, 61 Cadogan Square, London SW1X 0HZ, UK Telephone 44 (0)20 7823 1395 Cell 44 (0)7760 625 375 Fax 44 (0)20 7823 2794 www.michaelgoedhuis.com email: london@michaelgoedhuis.com

Wei Ligang (b.1964) Frozen River – Tiger No. 1 2010 Ink and acrylic on paper 79½ x 48½ inches (202 x 123 cm) Signed: lower right hand corner

Bernd Goeckler Antiques, Inc. D9 30 East 10th Street, New York, NY 10003, USA Telephone 1 212 777 8209 Fax 1 212 777 8302 www.BGoecklerantiques.com email: BGAntiques@mac.com

Accordion Doors depicting ‘The Hunt’ and ‘Chamois’ scenes, from a set of three doors. Pierre Dunand (1914–1996) 1950-1955 Signed Polychrome lacquer and shellac Height: 112⅛ inches (285 cm) Width: 92⅞ inches (236 cm)

Provenance: Commissioned by Jules Leleu (1883–1961) Literature: Félix Marcilhac’s Jean Dunand: His Life and Works. Harry N. Abrams,1991, doors pictured on page 339.

Dr Jörn Günther Rare Books AG A8/9 Mosboden 1, 6063 Stalden, Switzerland Telephone 41 41 669 7000 Fax 41 41 669 7001 www.guenther-rarebooks.com email: info@guenther-rarebooks.com

New Testament, in Latin Illuminated manuscript on vellum Italy, Verona, first quarter of 13th century Dimensions: sheet size 193 x 115 mm. 244 leaves 1 full-page miniature of the crucifixion, 2 large historiated initials showing St Peter and St Paul, and 26 decorated initials in elaborate ornamental designs sometimes formed of dragons or other creatures, all in colours on burnished gold grounds. Manuscripts containing the entire New Testament first appeared at the end of the 12th century, in the region between France and Northern Italy. The present codex is related to a group of manuscripts probably made in Verona in the first quarter of the 13th century. The illumination is purely Romanesque. Full-page Crucifixion miniatures, common in Sacramentaries, are exceedingly rare in Bibles. With its combination of Byzantine influence and Germanic elements the manuscript is an important witness to the state of the arts in the 13th century in Verona when the pictorial arts were in a state of flux.

Provenance: 1.Probably written in Verona, and still in use in the 14th century. It had reached England by 1900 when it was rebound. 2.James P.R. Lyell (1871-1949), his ms. 49, bought on 20 March 1942 from Rosenthal; after a bequest to the Bodleian, the residue of his manuscripts were purchased by Messrs. Quaritch; their cat. 699 (1952). 3.Harry Lawrence Bradfer-Lawrence († 1965), his ms. 22, formerly on deposit at the Fitzwilliam Museum, sold en bloc to Quaritch. 4.Lawrence Witten, Connecticut, consigned by him to Sotheby’s, 5 December 1989, lot 76.

Hancocks B2 52 & 53 Burlington Arcade, London W1J OHH, UK Telephone 44 (0)20 7493 8904 Fax 44 (0)20 7493 8905 www.hancocks-london.com email: info@hancocks-london.com

Marquise diamond ring Circa 1950â&#x20AC;&#x2122;s 12.24ct D VS 2 Type Ila Cartier A geometric design diamond strap bracelet London circa 1935, Auger FrĂ¨res An open-work diamond and emerald strap bracelet Paris circa 1930

Brian Haughton Gallery E1 15 Duke Street, St James’s, London SW1Y 6DB, UK Telephone 44 (0)20 7389 6550 Fax 44 (0)20 7389 6556 www.haughton.com email: gallery@haughton.com

An extremely important pair of St. Cloud seaux a bouteilles, decorated in the famille verte palette with long robed Chinese courtiers, the reverse with four ‘Ho Ho Birds’ on banded hedges, flowering bamboo and branches of flowering prunus, the Kylin or Dragon handles coloured in red and yellow with black markings. Circa 1720-30 Height: 7 inches (8 cm) Handle to handle: 10 inches. (26 cm) There is a single similar example in the Musée National de la Ceramique Sèvres, illustrated by Bertrand Rondot, The Saint Cloud Manufactory, circa 1690-1766, the colour frontispiece, the handles of that example are lion masks.

Brian Haughton Gallery E1

Exhibited: Exposition de La Porcelaine Française de 1673 a 1914, November 1929, Pavillion de Marsan, Palais du Louvre. No. 95. Illustrated: Porcelain Française du XVII au milieu du XIX siècle, Paul Alfassa and Jacques Guerin- edited by Albert Levy, pl. 11, fig. A.

Brian Haughton Gallery E1 15 Duke Street, St Jamesâ&#x20AC;&#x2122;s, London SW1Y 6DB, UK Telephone 44 (0)20 7389 6550 Fax 44 (0)20 7389 6556 www.haughton.com email: gallery@haughton.com

An extremely rare and important pair of Bow owls, with naturalistically coloured beaks, talons and plumage, perched on tree stumps applied with brightly coloured flowers, both resting on modern ormolu bases. Circa 1755-58 Height: 8 inches (20.5 cm)

Brian Haughton Gallery E1

Literature: See: Frank Stoner, Chelsea, Bow and Derby Porcelain Figures, pl. 105. Yvonne Hackenbroch, Chelsea and other English Porcelain, in the Irwin Untermeyer Collection, pl. 78, fig. 259. A pair with similar ormolu mounts sold at Christies New York 18th March 2005, from the Estate of Mrs. Charles W. Engelhard, lot 150

Hostler Burrows C4 104 Franklin St, New York, NY 10013, USA Telephone 1 212 343 0471 Fax 1 212 343 0472 www.hostlerburrows.com email: info@hostlerburrows.com

Wilhelm Käge (1889-1960) Farsta studio vases Circa 1955 Incised and glazed stoneware Height: 6 – 14 inches (6 – 35.7 cm)

Hyde Park Antiques, Ltd D8 836 Broadway, New York, NY 10003, USA Telephone 1 212 477 0033 Fax 1 212 477 1781 www.hydeparkantiques.com email: info@hydeparkantiques.com

An important pair of George III satinwood and marquetry demi-lune commodes in the manner of Mayhew and Ince Circa 1780 Height: 36 inches (91.44 cm) Width: 48 inches (121.92 cm) Depth: 24Â˝ (62.48 cm)

Provenance: The collection of the Late Mrs John E Revensky, 1957 Acquired from JJ Wolfe (Antiques) Ltd., September, 1973 Literature: F Lewis Hinckley, Metropolitan Furniture of the Georgian Years, New York, 1988, p.166, plate 132

Hyland Granby Antiques B13 PO Box 457, Hyannis Port, MA 02647, USA Telephone 1 508 771 3070 Cell 1 508 878 4400 Fax 1 508 778 4842 www.hylandgranby.com email: alan@hylandgranby.com

Tim Thompson The Aftermath Americaâ&#x20AC;&#x2122;s Cup 1937 Oil on canvas Height 30 inches (76.20 cm) Width 48 inches (121.92 cm)

Il Quadrifoglio D7 An exceptional pair of North Italian Scagliola panels, richly decorated with white inlays on a black background 18th century They are composed of an external decoration running around the four sides, decorated with putti at play, to each corner there are four cartouches depicting figures in fantasy scenery. In the centre, three cartouches with classical scenes framed in leafy motifs. 50 x 25Âź x 1â&#x2026;&#x153; inches (127 x 64 x 3.5 cm)

Via C. Pisacane 40, 20129 Milan, Italy Telephone 39 02 2951 8031 Cell 39 335 371907 www.galleriailquadrifoglio.it email: ilquadrifogliomilano@libero.it

Japonesque E3 824 Montgomery Street, San Francisco, CA 94133, USA Telephone 1 415 391 8860 Cell 1 415 533 5151 Fax 1 415 391 3530 email: koichihara@earthlink.net

IZUMI Masatoshi (b. 1938) Kyusokuâ&#x20AC;&#x201D;Rest (2010) Mixed media sculpture Japanese Aji-granite stoneworks and black pine timbers with granite bases Length: 29Â˝ ft (899 cm)

Jane Kahan Gallery G3 Pablo Picasso Vase Azteque aux quatre visages (Aztec Vase with Four Faces) R 402 1957 Edition Picasso ceramic vase 19â&#x2026;? x 10 â&#x2026;? inches (50 x 27 cm)

922 Madison Avenue, New York, NY 10021, USA Telephone 1 212 744 1490 Fax 1 212 744 1598 www.janekahan.com email: janekahan@janekahan.com

Kentshire A3/4 700 Madison Avenue, New York, NY 10065, USA Telephone 1 212 421 1100 Cell 1 646 704 3224 Fax 1 212 421 1180 www.kentshire.com email: info@kentshire.com

An antique gold and enamel scarab bracelet in the Egyptian Revival style with multicoloured enamel lotus leaves centering on a blue faience scarab, in 18k Marcus & Co, United States Circa 1880

Kentshire A3/4

A George II pine side table, the design in the manner of Matthias Lock and attributed to Henry Flitcroft; with Grand Tour quarter-veneered Egyptian alabastro fiorito top

Provenance: The late Graham Baron Ash, Esq., Wingfield Castle, Diss, Norfolk Circa 1750 Height: 35Â˝ inches (90 cm) Width: 65 inches (165 cm) Depth: 29 inches (73.7 cm)

Keshishian A15 An exceptionally rare Arts and Crafts carpet made by Alexander Morton & Co., Killybegs, Donegal, Ireland Circa 1900 13 ft x 10ft 8 inches (399 x 317 cm)

73 Pimlico Road, London SW1W 8NE, UK Telephone 44 (0)20 7730 8810 Fax 44 (0)20 7730 8803 and By appointment in New York Telephone 1 212 956 1586 www.keshishiancarpets.com email: info@keshishiancarpets.com

Literature: The Art Journal, 1905, p.12

Jack Kilgore & Co, Inc. E11 154 East 71st Street, New York, NY 10021, USA Telephone 1 212 650 1149 Fax 1 212 650 1389 www.kilgoregallery.com email: info@kilgoregallery.com

Vilhelm Kyhn (Copenhagen 1819–1903 Fredericksberg) Girl at a Window Oil on canvas 16⅞ by 25¼ inches (43 x 64 cm) Signed with monogram upper right: ‘VK’

Provenance: Anonymous sale, Copenhagen, Museumbygningen Kunstaukioner, March 5, 1998, lot 16; there purchased by Private collection, United States

Koopman Rare Art D10 The London Silver Vaults, 53-64 Chancery Lane, London WC2A 1QS, UK Telephone 44 (0)20 7242 7624 Cell 44 (0)783629 5309 Fax 44 (0)20 7831 0221 www.koopmanrareart.com email: enquiries@koopmanrareart.com

The Charles Mercer silver-gilt ewer and basin Charles II: London, circa 1667 Maker’s mark ‘DR’ on dish; the ewer with maker’s mark ‘HW’, an escallop below, for Henry Welch Height (of ewer): 9 inches (23 cm) Weight (ewer): 29 oz 5 dwt (914 g); (dish) 85 oz 10 dwt (2,659 g) The arms are those of Mercer impaling Stewart for Sir James Mercer of Aldie, a burgess of Perth, who married in 1648, Jean eldest daughter of Sir Thomas Stewart of Grantully.

Literature: Jewel Office records of warrants to the Master of the Jewel Office, Public Record Office, LC5/107, p. 119.

Martin du Louvre E7 69 rue du Faubourg Saint Honoré, 75008 Paris, France Cell 33 (0)68017 5101 Fax 33 (0)1 40170810 www.martindulouvre.com email: info@martindulouvre.com

Alfred Janniot (1889–1969) Elégance Circa 1933 Original atelier plaster for the figure of Elegance, a detail of the monumental relief, Friendship between America and France for the Maison Française (Fifth Avenue facing Saint Patrick’s Cathedral), Rockefeller Center, New York City Armed, patinated plaster 99 x 48 x 11 inches (253 x 118 x 28 cm)

Provenance: The collection of Wallace Harrison, architect of Rockefeller Center, the United Nations Building, and Lincoln Center, New York; The Grey Art Gallery, New York University Art Collection donation of Mr. & Mrs. Harold Diamond, 1982. Literature: The plaster is described and illustrated in the Janniot Foundation publication, Alfred Auguste Janniot, 1889-1969, page 60-61, Somogy editions d’art, Paris, 2003. (ISBN 2-85056-654-3) The present relief by Janniot is the original plaster for an element of the monumental bronze relief, Friendship between America and France, adorning Le Maison Française on Fifth Avenue at Rockefeller Center. One of Janniot’s most important achievements, it was commissioned by David Rockefeller in 1933, at Aristide Maillol’s suggestion. The plaster was originally owned by Wallace Harrison, architect of Rockefeller Center. After passing into private hands, it was donated to the Grey Art Gallery, New York University. The plaster was featured in an exhibition entitled “Paris - New York”, which took place from October 3, 2008 through February 22, 2009 at the Museum of the City of New York.

Gallery Lefebvre B11 Eugène-Robert Pougheon (1886-1955) Fantasy, Young Women with a Gazelle Signed and dated 1929 on the lower right Oil on canvas Height: 53⅛ inches (135 cm) Width: 34½ inches (87.5 cm)

15 Rue du Pré aux Clercs, 75007 Paris, France Telephone 33 1 45 48 18 13 Cell 00 33 6 98 02 18 13 Fax 00 33 1 45 48 04 69 www.gallery-lefebvre.com email: gallerylefebvre@gmail.com

Provenance: Architect’s Michel Roux-Spitz’s former collection, for his rue Guynemer apartment in Paris Exhibited: Salon des Artistes Français in 1929 Bibliography: Appears in: Salon des Artistes Français Catalogue 1929, p.44; Revue de l’art ancient et modern no 307, June 1929, p.40 Michel Roux-Spitz, Réalisations, vol. I 1924-1932, plate 26 and 29

H.M. Luther G1 The Carlyle, 35 East 76th Street, New York, NY 10021, USA Telephone 1 212 439 7919 Fax 1 212 439 0966

Søren Berg and Knud Andersen for Royal Copenhagen An exceptional pair of Danish bronze mounted porcelain vases Circa 1925 Height: 13 inches (33.02 cm) Diameter: 8 inches (20.32 cm) A rare if not unique Italian 10 arm cobalt and frosted glass chandelier Marked: Vetreria Fratelli Toso Murano

Circa 1930 Height: 38 inches (96.52 cm) Diameter: 31 inches (78.74 cm) Two Italian illuminated glass framed mirrors, Model 2044 by Max Ingrand for Fontana Arte Circa 1961 Diameter: 29½ inches (74.93 cm) Depth: 5 inches (12.70 cm)

Greenwich Village, 61 East 11th Street, New York, NY 10003, USA Telephone 1 212 505 1485 Fax 1 212 505 0401 www.hmluther.com email: info@hmluther.com

Jeanne Grut A Danish large and rare faience relief Blue Fish, Coelacanth With mark for Royal Copenhagen Aluminia 1964 Height: 18 inches (45.72 cm) Width: 45½ inches (115.57 cm) Depth: 6 inches (15.24 cm)

A fine pair of Japanese gilt metal mounted and lacquer hasami-bako (robe chests) Edo Period, 19th century Height: 14½ inches (36.83 cm) Width: 24 inches (60.96 cm) Depth: 17½ inches (44.45 cm) Height with later stand: 20 inches (50.8 cm)a

MacConnal-Mason Gallery G5 14 & 17 Duke Street, St Jamesâ&#x20AC;&#x2122;s, London SW1Y 6DB, UK Telephone 44 (0)20 7839 7693 Fax 44 (0)20 7839 6797 www.macconnal-mason.com email: fineart@macconnal-mason.com

Eugene von Blaas (Austrian, 1843-1932) The Apple Seller Signed Oil on panel 30 x 17 inches (76.2 x 43.2 cm)

Provenance Private collection, EU, acquired in Italy, circa 1900

Maison Gerard G2 43 & 53 East Tenth Street, New York, NY 10003, USA Telephone 1 212 674 7611 Fax 1 212 475 6314 www.maisongerard.com email: home@maisongerard.com

HervĂŠ van der Straeten (b.1965) Mirroir Voltige A patinated and polished bronze bullâ&#x20AC;&#x2122;s eye Mirror Bronze and glass Monogrammed: HV Limited edition of 40 France 2010 Height: 47 inches (119.38 cm) Width: 44 inches (111.76 cm)

Maison Gerard G2

Jean Dupas (1882–1964) A pair of exceptional verre églomisé panels from the Chariot of Thetis mural in the Grand Salon of the S.S. Normandie

Literature : Louis-Rene Vian. Arts Décoratifs à Bord des Paquebots Français: 1880–1960. Paris: Editions Fonmare, 1992. p.192-99.

The Grand Salon of the ocean liner S.S. Normandie had four murals designed by Jean Dupas and executed by Jacques Charles Champigneulle: The Rape of Europa, The Chariot Poseidon, The Birth of Aphrodite and The Chariot of Thetis. Glass with gold, silver, platinum and palladium leaf France 1934 Height: 49 inches (124.46 cm) Width: 63½ inches (161.29 cm)

Bruno Foucart, Charles Offrey, François Robichon, Claude Villers. Normandie: L’Épopée du Géant des Mers. Paris: Editions Herscher, 1985. p. 67-73.

A large section from the mural The Chariot Poseidon is in the permanent collection of the Metropolitan Museum of Art, New York

Mallett Inc. E12 929 Madison Avenue at 74th Street, New York, NY 10021, USA Telephone 1 212 249 8783 Fax 1 212 249 8784 www.mallettantiques.com

One of a pair of exceptionally rare mahogany Gothick card tables inlaid with satinwood and holly crockets, the finely figured top with kingwood fan. England, circa 1790 Height: 29Â˝ inches (75 cm) Width: 39 inches (99 cm) Length/depth: 19â&#x2026;&#x201C; inches (49 cm)

Mallett Inc. E12

An outstanding Regence ormulu mounted Boulle pedestal clock Attributed to Bernard Van Risenburgh I, mechanism by François Rabby France, circa 1715 Height: 113 inches (287 cm) Width: 27½ inches (69.9 cm) Depth: 11½ inches (29.2 cm)

Provenance: The Viscounts Hampden, Hampden House, London; The Marquises of Linlithgow, Hopetoun House, Scotland

Lillian Nassau LLC G8 220 East 57th Street, New York, NY 10022, USA Telephone 1 212 759 6062 Cell: 1 917 863 5649 Fax 1 212 832 9493 www.liliannassau.com email: info@lilliannassau.com

Tiffany Studios Pony Wisteria Lamp Circa 1905

Jill Newhouse C6 4 East 81st Street, New York, NY 10028, USA Telephone 1 212 249 9216 Fax 1 212 734 4098 www.jillnewhouse.com email: maildrop@jillnewhouse.com

Alexander Calder (American, 1898-1976) Circles and Pyramid Composition, 1971 Gouache on paper Signed lower right: Calder ‘71 29 × 42½ inches (73.7 × 108 cm)

Frank Partridge E6 7 Thurloe Square, London SW7 2TA, UK Telephone 44 (0)20 7225 3654 Cell 44 (0)7801 480548 Fax 44 (0)20 7581 9387 www.frankpartridge.org email: mail@frankpartridge.net

A George III polychrome-decorated padouk, sycamore, holly and marquetry demi-lune commode attributed to Mahyew and Ince, circa 1775 Width: 50 inches (126 cm) Height: 35 inches (89 cm) Depth: 22 inches (54 cm)

Phoenix Ancient Art E2 47 East 66th Street, New York, NY 10065, USA Telephone 1 212 288 7518 Cell 1 917 570 7318 Fax 1 212 288 7121 www.phoenixancientart.com www.e-tiquities.com email: info@phoenixancientart.com and 6 rue Verdaine, 1211-3 Geneva, Switzerland Telephone 41 (0)22 318 8010 Fax 41 (0)22 310 0388 www.phoenixancientart.com email: paa@phoenixancientart.com

Bronze mirror Greek, Magna Graecia 525–500 BC Height: 11¾ inches (30 cm) Depth: 5⅜ inches (13.7 cm)

Provenance: Ex collection H Palivoda, Geneva, Switzerland; collected in the 1950’s This bronze mirror is supported by an exquisitely cast nude male figure. The back of the disc is embellished with finely incised decoration. The figure, which would have been attached to a base, stands upright with the left foot placed slightly forward, and thus copies the pose of early Archaic Greek marble kouroi and smaller bronze statuettes of kouroi. Like these sculptures of early Archaic date, the form of this nude male figure marks the beginning development of the human figure in Greek art. The aesthetic appeal and early date of such a high quality work of art place it among the finest and rarest of these mirrors known from South Italy and mainland Greece.

Ronald Phillips Ltd B3/4 26 Bruton Street, London W1J 6QL, UK Telephone 44 (0)20 7493 2341 Fax 44 (0)20 7495 0843 www.ronaldphillipsantiques.com email: advice@ronaldphillips.co.uk

A magnificent George III mahogany breakfront library bookcase attributed to Thomas Chippendale English, circa 1770 Height: 113Â˝ inches 288 (cm) Width:106 inches (269 cm) Depth: 26Â˝ inches (67.5 cm)

Provenance: Available on request llustrated: Percy Macquoid and Ralph Edwards, The Dictionary of English Furniture, 1954. Vol. I, p. 90, fig. 30

Ronald Phillips Ltd B3/4

A George III carved giltwood chimney piece attributed to Matthias Lock English, circa 1755 Height: 128 inches (325 cm) Width: 86 inches (218 cm)

Provenance: Available on request Illustrated: Country Life, Mark Girouard, ‘Stedcombe Manor’, Devon, 26th December 1963. p 1739, Fig 4. Judith Miller, ‘Furniture’, London, 2005, p118. Terrence Davis, 'Rococo - A Style Of Fantasy', London 1973, p. 28, ill.15.

Galerie du Post-Impressionnisme A12

Emile-Othon Friesz (1879-1949) Le Port de Honfleur, 1905 Oil on canvas 18⅛ x 15 inches (46 x 38 cm) Signed, dated and inscribed lower right

14 Avenue Matignon, Ile de France, 75008 Paris, France Telephone 33 (0)1 56 24 07 08 Cell 33 (0)6 07 72 16 40 Fax 33 (0)1 46 34 89 83 www.postimpressionnisme.net email: info@postimpressionnisme.net

Provenance: Private Collection, Paris, France Literature: Odile Aittouarès, Emile Othon Friesz: Catalogue raisonné de l’oeuvre peint, Paris, Edition Aittouarès, 1995, reproduced under no. 12, p.53

Galerie du Post-Impressionnisme A12

Henri Manguin (1874-1949) Nu au Turban Rouge, Jeanne Circa 1907 Signed: Manguin, lower right Watercolour on paper 21⅜ x 28⅜ inches (54.3 x 72 cm)

Provenance: Private collection, Paris, France Collection André Level, Marseilles, France This watercolour was a preliminary study for the oil painting ‘Nu au turban rouge, Jeanne, 1907’. (No. 252 from the catalogue raisonné de l’œuvre peint d’Henri Manguin).

The authenticity of this work has been confirmed by both Claude Holstein-Manguin and MarieCaroline Sainsaulieu.

Potterton Books B7 The Old Rectory, Sessay, Thirsk, North Yorkshire, YO7 3LZ, UK Telephone 44 (0)1845 501218 Fax 44 (0)1845 501439 www.pottertonbooks.co.uk email: ros@pottertonbooks.co.uk

Passion for Meissen Marouf Collection The publication of the Said and Roswitha Marouf Collection focuses the viewerâ&#x20AC;&#x2122;s eye on the magnificent art works of the Meissen porcelain manufactory

Primavera Gallery NY F7 210 11th Avenue (25th Street), Suite 800, New York, NY 10001, USA Telephone 1 212 924 6600 Fax 1 212 924 6602 www.primaveragallery.com email: contact@primaveragallery.com

Raymond Templier Circa 1925 Signed: R. Templier 18k, turquoise, onyx and diamonds 2 inches x 2 inches (5.1 cm)

Raffety & Walwyn Ltd B1 79 Kensington Church Street, London W8 4BG, UK Telephone 44 (0)20 7938 1100 Cell 44 (4)7768 096869 Fax 44 (0)20 7938 2519 www.raffetyantiqueclocks.com email: raffety@globalnet.co.uk

Sam Aldworth, Strand, London. A fine William and Mary period walnut and gilt-mounted basket top bracket timepiece with pull quarter repeat on 2 bells Circa: 1695 Height: 16 inches (41 cm)

James Robinson, Inc. F2 480 Park Avenue at 58th Street, New York, NY 10022, USA Telephone 1 212 752 6166 Fax 1 212 754 0961 www.jrobinson.com email: info@jrobinson.com

Twentieth century jewellery

Samina A16 By appointment only 33 St Jamesâ&#x20AC;&#x2122;s Square, London SW1Y 4JS, UK Telephone 44 (0)20 3170 6078/78 Cell 44 (0)7775 872960 Fax 44 (0)20 7286 3633 email: saminainc@hotmail.com

A Jade mirror back Mughal, North India 17th/18th century Carved from nephrite jade (greyish green), of round form with cusped edges, the central medallion is exquisitely carved with spraying narcissus on a golden velvet background. The reverse with remains of mirror

S.J. Shrubsole A6/A7 104 East 57th Street, New York, NY 10022, USA Telephone 1 212 753 8920 Fax 1 212 754 5192 www.shrubsole.com email: inquiries@shrubsole.com

A suite of George II antique English silver candelabra and candlesticks London 1755/6 by John Cafe Height of candelabra: 19 inches (50.8 cm) Weight: 158 oz.

Bernard J Shapero Rare Books B8/9 32 St George Street, London W1S 2EA, UK Telephone 44 (0)20 7493 0876 Fax 44 (0)20 7495 5010 www.shapero.com email:rarebooks@shapero.com

Very rare early English printing by William Caxton Saint Bonaventura Speculum vite Cristi [...] Myrroure of the blessyd lyf of Jhesu Cryste. Translated into Middle English by John Morton and edited by William Caxton Caxton, Westminster, circa 1490 142 leaves with twenty-six woodcuts in a beautful blue-morocco binding by Kalthoeber Only 5 known complete copies in institutions worldwide

100

Bernard J Shapero Rare Books B8/9

Magnificent Edward Lear plates John Gould The British Birds of Europe Published: By the author, London, [1832]-37. 5 volumes, folio (54.4 x 36.5 cm), 448 hand-coloured lithographed plates, list of subscribers, list of plates. Contemporary half morocco gilt A Fine copy of the first edition of this celebrated work. Gould’s Bird’s of Europe is notable for the contribution of Edward Lear, who produced 67 of the plates. Lear’s participation transformed the work of Mrs Gould, which in the Himalayan Birds was little more than a continuation of eighteenth-century productions, into dynamic and expressive works of art

101

The Silver Fund C5 Telephone 1 917 447 1911 www.thesilverfund.com email: michael@thesilverfund.com

Incredibly rare Georg Jensen Art deco wine cooler Designed by Harald Nielsen Circa, 1930. Sterling silver, Denmark

102

The Sladmore Gallery, London C1 57 Jermyn Street, St James’s, London SW1Y 6LX, UK Telephone 44 (0)20 7629 1144 Fax 44 (0)207 495 3668 and Sladmore Contemporary 32 Bruton Place, Mayfair, London W1J 6NW, UK www.sladmore.com email: edward@sladmore.com

Rembrandt Bugatti (Italian, 1884–1916) A fine quality, early twentieth century impressionistic bronze model of a walking panther This sculpture was cast in bronze by the lost wax process at the Hébrard Foundry, Paris. Before casting it was signed and stamped in the wax: ‘R. Bugatti, A. A. Hébrard Cire Perdue’, and has a dark brown patina with reddy brown undertones. Length: 20½ inches (52 cm) Height: 8 inches (20.3 cm)

103

Somlo Antiques B10 35-36 Burlington Arcade, London W1J 0QB, UK Telephone 44 (0)20 7499 6526 Fax 44 (0)20 7499 0603 www.somlo.com email: mail@somlo.com

Cartier Santos â&#x20AC;&#x201C; 18 carat yellow gold case with black enameled bezel and lugs European Watch & Clock movement Made circa 1920. Cartier Paris

104

Cartier â&#x20AC;&#x201C; 18 carat yellow gold bracelet watch with blue enameled bezel and lugs European Watch & Clock movement Made circa 1920. Cartier Paris

Peter Szuhay F8 Grays, 58 Davies Street, London W1K 5LP, UK Telephone 44 (0)20 7408 0154 www.peterszuhay.com email: peter@peterszuhay.com

Marx Merzenbach Small silver gilt cup and cover in the shape of a pear, sitting on top of a branch with leaves also in silver, cold painted green Augsburg, Germany circa 1660 Height: 6他 inches (17 cm)

105

TAI Gallery F5 1601 B Paseo de Peralta, Santa Fe New Mexico 87501, USA Telephone 1 505 984 1387 www.taigallery.com email: gallery@taigallery.com

Katsushiro Soho, born 1934 Living National Treasure of Japan Spring Breath, 2008 Madake and rattan Senshu-ami and tessen-ami Diameter: 16 inches (40.6 cm) Height: 12 inches (30.5 cm)

106

Tambaran Gallery F6 5 East 82nd Street, New York, NY 10028, USA Telephone 1 212 570 0655 Fax 1 212 744 1256 www.tambaran.com email: m.zarember@tambaran.com

Jina stone head Uttar Pradesh â&#x20AC;&#x201C; North India 8thâ&#x20AC;&#x201C;9th century Sandstone Height: 10 inches (25.4 cm)

Provenance: Private Collection, New York (1990)

107

Erik Thomsen E9 Tosa School, early Edo Period (1615-1868) Full Moon Rising over the Musashino Plain, with Shikishi poem cards 17th century, Japan Detail from a six-panel folding screen Ink, mineral colours, silver wash and gold leaf on paper Height: 67¼ × 144½ inches (171 × 367 cm)

23 East 67th Street, New York, NY 10065, USA Telephone 1 212 288 2588 Fax 1 212 535 6787 www.erikthomsen.com email: info@erikthomsen.com

108

Tomasso Brothers Fine Art A2 Bardon Hall, Weetwood Lane, Leeds, West Yorkshire, LS16 8HJ, UK Telephone 44 (0)113 275 5545 Fax 44 (0)113 275 5565 www.tomassobrothers.co.uk email: info@tomassobrothers.co.uk

Adamo Tadolini (1788-1868) Aeneas, Anchises and Ascanius Terracotta Height: 10â&#x2026;&#x17E; (27.8 cm)

109

Axel Vervoordt D2/5 Kasteel van’s-Gravenwezel, St Jobsteenweg 64, B-2970’s-Gravenwezel, Belgium KANAAL Stokerijstraat 19, B-2110 Wijnegem, Belgium Telephone 32 3 355 3300 Fax 32 3 355 3301 www.axel-vervoordt.com email: info@axel-vervoordt.com

Egyptian priest’s head End Late Period – Ptolemaic Period, Circa 4th century BC Basalt Height: 10 inches (25.5 cm)

Provenance: Private collection, acquired end of the 1970’s

110

Axel Vervoordt D2/5

Anish Kapoor (°1954) Untitled 2011 Artist’s inventory AK11-013 Stainless steel and gold plated Diameter: 49¼ inches (125 cm)

Provenance: Studio of the artist

111

Wartski A1 14 Grafton Street, London W1S 4DE, UK Telephone 44 (0)20 7493 1141 Fax 44 (0)20 7409 7448 www.wartski.com email: wartski@wartski.com

A rare gold and cloisonnĂŠ enamelled necklace in the Japanese taste designed and mounted by Alexis Falize, the enamels by Antoine Tard Paris, circa 1869 Diameter of each pendant: 1Âž inches (3 cm)

Only two other examples are known to have survived to date, preserved in the Victoria and Albert Museum and Ashmolean Museum collections and acquired at the Exposition Universelle in Paris in 1867.

112

Wartski A1

A set of six silver goblets by Carl FabergĂŠ in the Japanese taste. Workmaster: Alexander WĂ¤keva. Moscow, 1899-1908. Height: 3.94 inches (10 cm)

113

Wick Antiques Ltd G7 Fairlea House, 110-112 Marsh Lane, Lymington, Hampshire S041 9EE, UK Telephone 44 (0)1590 677 558 www.wickantiques.co.uk email: charles@wickantiques.co.uk

Footnote: The top of this unique table is of Nagasaki aogai lacquer, which has applied pigments overlaid with thin layers of mother-of-pearl, to brilliant effect. In 1851 London’s Great Exhibition attracted over six million visitors to view 14,000 exhibits from all parts of the globe. It was the vision of Prince Albert and Henry Cole (the first Director of the Victoria and Albert Museum). The architect of the ‘Crystal Palace’ was Joseph Paxton the 6th Duke's gardener. Paxton was knighted for this extraordinary piece of design and the Duke took great satisfaction in his protégé’s achievement. He not only attended the formal opening in May 1851 but took every opportunity to visit the building as it was being erected and its displays arranged. As James Lees-Milne writes: The Duke took one by one Harriet (his niece The Duchess of Sutherland), his brother, Black Rod (Sir Augustus Clifford), his sister Lamb (Caroline St. Jules, the hon. Mrs George Lamb), Caroline Norton, The (Marquis and Marchioness of ) Normandy(s), Lady Newburgh, (Lord) Erskine, and anyone he could enlist to share his delight and enthusiasm. (Sotheby’s, Chatsworth, The Attic Sale, London, 2010)

The Chatsworth ‘Monkey’ centre table The lobed hexagonal black lacquer top of this extraordinary centre table is profusely decorated in blue and bright pink aoga i (mother-of-pearl) with three scenes showing abundantly flowering trees and birds in landscapes. The base comprises the painted silk crepe trunk of a tree supported by three furry monkeys wearing brocade coats and harnesses. Japanese, circa 1850. Height: 28½ inches (72 cm) Diameter: 47½ inches (121 cm)

Provenance: William Spencer Cavendish, 6th Duke of Devonshire (1790-1858), by repute, purchased at the Great Exhibition, 1851. Literature: Photographed in The Oak Room in the late 19th Century, The Duchess of Devonshire, The House - A portrait of Chatsworth, London 1982, p.165 and The Duchess of Devonshire, Chatsworth - The House, London 2002, p108 where it is described as ‘An octagonal table supported by three mangy stuffed monkeys was bought from the Great Exhibition of 1851. Its top glints with mother of pearl’ [in The Oak Room] (op. cit. p. 109).

114

Yates • Trebosc • Van Lelyveld A11 PO Box 580, Lenox Hill Station, New York, NY 10021, USA Telephone 1 212 879 7758 Fax 1 212 794 4680 www.dcyates.com email: info@dcyates.com and 8 rue des Moulins, 75001 Paris, France

Dominique Maggesi (Carrara 1807–1892 Bordeaux) Portrait of Docteur A *** Marble Signed D MAGGESI and dated 1844 Inscribed: all’amicizia 25 × 14½ inches (63.5 × 36.8 cm)

115

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www.naadaa.org THE NATIONAL ANTIQUE & ART DEALERS ASSOCIATION OF AMERICA., INC. 220 East 57th Street, New York, NY 10022 Founded 1954

INCORPORATED

53 EAST 77th STREET NEW YORK, NY 10075 www.dalvabrothers.com

(212) 717-6600

18th Century French and Italian Furniture, Porcelain, Sculpture, Clocks and Works of Art

Rare Louis XV slant top desk attributed to BVRB (Bernard van Risenburgh.) The desk is decorated with Chinese Coromandel lacquer inset into French lacquer. The interior has a nest of exquisitely shaped drawers veneered in bois du bout marquetry. The desk will be included in the BVRB catalogue raisonné being prepared by M. Yannick Bapt. Height - 31˝ (79 cm), Length - 28.5˝ (72.4 cm), Depth - 17˝ (43.2 cm) For more information, go to www.dalvabrothers.com

INTERIOR DESIGN

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Edwin Hale Lincoln, Wild Flowers of New England Photographed from Nature, 400 plates in 8 volumes, PittsďŹ eld, 1910-1914. Estimate $40,000 to $60,000. At Auction December 13.

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David Webb Amethyst and Diamond Cuff Bracelet, 1985

Neoclassical Settee Circa 1770

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NIKKI FIELD KEVIN B. BROWN

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French gilt-bronze double dial calendar clock, c. 1885. H. 15".

One of a pair of Chinese Export Yung Cheng enamelled plates, c. 1735. Dia. 9".

German sculpture of Saint Michael, ivory and wood, early 19th century. H. 26".

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Tiffany & Co. sterling silver tea kettle with stand and burner, c. 1869-1891.

French oil on panel by Joseph Bernard (1864-1933). H. 23"; W. 14 1/4".

French silver mounted crystal ewer, 19th century. H. 10".

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Art Antiques London 13-20 June, 2012 Incorporating the renowned International Ceramics Fair & Seminar

Albert Memorial West Lawn, Kensington Gardens, London SW7 SM

a HAUGHTON FAIRSM

The West Lawn is next to the The Albert Memorial and directly opposite The Royal Albert Hall.

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The Park Avenue Armory, Park Avenue at 67th Street, New York, NY 10065

October 19â&#x20AC;&#x201C;25, 2012 Daily: 11am-7.30pm. Sunday & Last Day: 11am-6pm. Admission $20 Preview Party benefiting The Society of Memorial Sloan-Kettering Cancer Center. October 18, 5.45-9pm All items strictly vetted for authenticity and condition

a HAUGHTON FAIRSM

Index Kilgore & Co., Inc., Jack ....................................................75

A La Vieille Russie, Inc. ....................................................37 Agnew’s .........................................................................38 Antiquariaat Forum BV .....................................................39 Alegria, Luis ..............................................................40-41 AntikDekor Magazine ....................................................138 Antiques & Fine Art Magazine ........................................130 Antiques, The Magazine .................................................134 Apollo .........................................................................136 Apter-Fredericks Ltd .......................................................42 Art Antiques London .....................................................141 Ariadne Galleries ............................................................43 Autegarden, Anne ............................................................44 Blairman & Sons Ltd, H. ..................................................45 Bonhams .....................................................................129 Bourdon-Smith Ltd., J.H. ................................................46 Brady & Co., W.M. ..........................................................47 Carlyle, The ..................................................................120 Chenel, Galerie ...............................................................50 Coulborn & Sons, Thomas ..........................................48-49 Cronan Ltd, Sandra ......................................................52-53 Crouch Rare Books, Daniel ...............................................51 Cullman & Kravis, Inc. ...................................................121 Dalva Brothers Inc .........................................................119 Dawson Gallery, Douglas .................................................54 Doyle New York ............................................................120 Fine Art Connoisseur ......................................................132 Finer, Peter .....................................................................56 1stdibs ........................................................................126 France Magazine ..........................................................128 Fund for Park Avenue, The ..............................................124 Gander & White Shipping Ltd ..........................................139 Goeckler Antiques Inc., Bernd ......................................58-59 Goedhuis, Michael ..........................................................57 Günther Rare Books, Dr. Jörn ...........................................60 Hancocks ......................................................................61 Haughton Gallery, Brian ..............................................62-65 Hostler Burrows ..............................................................66 Hyde Park Antiques .........................................................67 Hyland Granby Antiques ..................................................68 International Fine Art & Antique Dealers Show, The ...................142 International Herald Tribune ............................................140 Il Quadrifoglio .................................................................69 Japonesque ....................................................................70 Kahan Gallery, Jane ........................................................71 Kentshire ...................................................................72-73 Keshishian ........................................................................74

Koopman Rare Art .............................................................76 Landa, J.C. ....................................................................131 Lefebvre, Galerie .........................................................78-79 Louvre, Martin du ............................................................77 Luther, H.M. ...................................................................80 MacConnal-Mason Gallery ...............................................81 Maison Gerard Ltd. ....................................................82-83 Mallett Inc. ................................................................84-85 Manhattan Art & Antiques Center, The ...............................135 National Antique & Art Dealers Association of America, Inc. .................................................118 Nassau LLC, Lillian ...........................................................86 Newhouse, Jill ................................................................87 Partridge, Frank ..............................................................88 Phillips, Ltd., Ronald ..................................................90-91 Phoenix Ancient Art .........................................................89 Post-Impressionisme, Galerie du .................................92-93 Potterton Books ..............................................................94 Primavera Gallery NY ........................................................95 Raffety & Walwyn Ltd .......................................................96 Robinson Inc., James ......................................................97 Samina .........................................................................98 Shapero Rare Books, Bernard J. ..............................100-101 Shrubsole, S.J. ...............................................................99 Silver Fund, The ............................................................102 Sladmore Gallery, London ................................................103 Somlo Antiques ............................................................104 Sotheby’s International Realty .........................................127 Stark & Darius Antique Rugs .........................................133 Shamris, Andrianna ......................................................123 Swann .........................................................................125 Szuhay, Peter ..............................................................105 TAI Gallery ...................................................................106 Tambaran Gallery .........................................................107 Thomsen, Erik ..............................................................108 Tomasso Brothers Fine Art ................................................109 Vervoordt, Axel ......................................................110-111 Wartski .................................................................112-113 Wells Fargo Insurance Services .....................................137 Wick Antiques Ltd .........................................................114 Yates • Trebosc • Van Lelyveld .......................................115

143

Galerie du PostImpressionnisme A12

Primavera Gallery, NY F7 Anne Autegarden F3

Lillian Nassau LLC G8

Peter Szuhay F8

A La Vieille Russie, Inc. F1

H.M. Luther G1

James Robinson, Inc. F2

Jeffrey Beal Henkel J1 Bernd Goeckler Antiques, Inc. D9

Erik Thomsen E9

Koopman Rare Art D10

Agnew’s E10

Dr Jörn Günther Rare Books AG A8/9

Jack Kilgore & Co., Inc. E11

Apter- Fredericks Ltd D11

Frank Partridge E6

S.J.Shrubsole A6/7

Thomas Coulborn & Sons E5

Japonesque E3

Michael Goedhuis D3 Brian Haughton Gallery E1

Axel Vervoordt D2/5

Tomasso Brothers Fine Art A2

Peter Finer D1

J.H. Bourdon-Smith Ltd B6

W.M. Brady & Co. D4

Mallett Inc. E12

Potterton Books B7

Galerie Chenel D6

Ariadne Galleries, Inc. D12

Bernard J Shapero Rare Books B8/9

Hyde Park Antiques, Ltd D8

Somlo Antiques B10

Martin du Louvre E7

Il Quadrifoglio D7

Douglas Dawson Gallery A5

Wick Antiques Ltd G7

TAI Gallery F5

Jill Newhouse C6

Galerie Lefebvre B11

Yates • Trebosc • van Lelyveld A11

Maison Gerard Ltd G2

Tambaran Gallery F6

The Silver Fund C5

Hyland Granby Antiques B13

Sandra Cronan Ltd A14

Jane Kahan Gallery G3

Luis Alegria G6

Hostler Burrows C4

Bernard Goldberg Fine Arts, LLC B15

Keshishian A15

MacConnal-Mason Gallery G5

Kentshire A3/4

Daniel Crouch Rare Books & Antiquariaat Forum BV C2

RESTAURANT & BAR

H. Blairman & Sons Ltd B16

Samina A16

The Sladmore Gallery C1

Phoenix Ancient Art E2

Wartski A1

Raffety & Walwyn Ltd B1 FAIR ENTRANCE PARK AVENUE

Hancocks B2

Ronald Phillips Ltd B3/4

The International Fine Art & Antique Dealers Show

www.haughton.com

2 0 11

2011 a HAUGHTON FAIR