The International Show 2015 by Haughton International

2015 1

Thursday, October 22

6.00pm to 9.00pm

Friday, October 23

11.00am to 7.30pm

Saturday, October 24

11.00am to 7.30pm

Sunday, October 25

11.00am to 6.00pm

Monday, October 26

11.00am to 7.30pm

Tuesday, October 27

11.00am to 6.00pm

Wednesday, October 28

11.00am to 7.30pm

Thursday, October 29

11.00am to 6.00pm

The Park Avenue Armory Park Avenue at 67th Street New York, NY 10065

Friday October 23 through Thursday October 29, 2015

The Opening Night of The International Show benefiting The Society of Memorial Sloan-Kettering Cancer Center Thursday October 22, 2015

Organized By:-

THE INTERNATIONAL SHOW Directors: Brian and Anna Haughton 15 Duke Street St Jamesâ&#x20AC;&#x2122;s London SW1Y 6DB Telephone (London): 44 (0)20 7389 6555 (New York): 1 212 642 8572 Fax (London): 44 (0)20 7389 6556 www.haughton.com email: info@haughton.com artantiquesdesign.com | Follow: @haughtonfairs | #IntlShow SHOW OFFICE Telephone (New York): 1 646 619 6030 (October 23- 29) While The International Fine Art Fair Ltd t/a The International Show, the organisers, the advisory and honorary vetting committees of The International Show cannot be held responsible for, or warrant, the genuineness or age of any article exhibited, visitors are requested to note that all articles have been submitted for inspection by a panel of advisors to ensure, as far as possible, that they conform to the regulations laid down, and that all articles are genuinely of the period they represent. The organisers and/or their agents cannot be held responsible for any items sold at the Show. This is the sole responsibility of the dealer/dealers selling the object/objects. Please also note that because of the early printing datelines for the catalogue, all illustrations were printed before vetting took place. Visitors are reminded that all exhibits are for sale.

Sponsorship: Our thanks to: AFEX Bombay Sapphire Acknowledgements: We would like to express our gratitude to the following for their help:The Park Avenue Armory John Hamilton of Select Inc. Citadel Security Agency Swifty's Catalogue Advertising: Helena Power Handbook design: Martin Griffin, Creative Wisdom Ltd Our staff: Magda Grigorian (US Press Officer), Emma Jane Haughton, Giles Haughton, Mary Jones, Anthea Roberts

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior permission in writing of the publisher, nor be otherwise circulated in any form or by any means without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

ÂŠ The International Show, 2015

Contents

Organisers’ Welcome

7 The Vetting of a Fine Art and Antiques Fair 8

The National Antique and Art Dealers Association of America, Inc.

Memorial Sloan-Kettering Cancer Center

A legendary masterpiece from the French Royal collection:

Anne of Austria’s gold casket rediscovered

Michèle Bimbenet-Privat

Directory of Exhibitors

Exhibitor Pages

104

Advertisers

124

Floor Plan to the Show

Organisers’ Welcome We are delighted to welcome you to the 27th edition of The International Show. Since it was conceived in 1989, The International Fine Art & Antiques Show has been affectionately called “The International Show” by dealers, collectors, curators and art lovers alike. Our flagship fair, which began its journey as “The International Antique Dealers Show” is now simply called “The International Show.” With its name change, The Fair has a new logo and updated look. We have also added, "Art, Antiques and Design" to the title to cover the three major categories represented at the fair. Twentieth Century/Contemporary Design/Works of Art, now fully integrated collecting areas, are represented by exceptional specialist dealers. It is so exciting to experience the continuum from the ancient to contemporary literally side by side. It is a reflection of how people are collecting today and offers a rich and diverse visual experience at the fair. Considered the top international fair in America, The International Show attracts a superlative roster of exhibitors, drawn from among the most prestigious and knowledgeable art and antique dealers in the United States and Europe. Over the last 27 years, The International Show has evolved into more than just a marketplace for high-end art and antiques. The show today is an important part of the cultural, social and philanthropic landscape of New York and remains one of the world's most prestigious and iconic art and antique events. For the public and the art world alike, the fair has come to serve as an essential forum; an exciting blend of culture and commerce through which we hope to energize future generations of collectors and art lovers. The International Show is an important fundraising platform for The Society of Memorial Sloan-Kettering Cancer Center, raising close to $25 million for the Hospital over the last 27 years. The monies raised for Sloan-Kettering have been crucial to the Hospital with 100% of the profits going to The Society’s patient care, research and education programs at MSKCC. In 1989, The International Show introduced the European concept of "vetting" in America and also helped to establish New York as part of a larger international fair circuit. Every object exhibited at the Fair is rigorously examined and vetted for quality and authenticity by our honorary vetting committee so collectors can be assured they can buy with absolute confidence. The vetting committees are made up of museum curators and other distinguished specialists in their respective fields. We are extremely grateful to the committee members for giving so freely of their knowledge, expertise and time and in particular our Honorary Vetting Committee Chairman, Edward Munves.

Brian and Anna Haughton Directors: The International Show

The Vetting of a Fine Art and Antiques Fair What it is and why? It has long been standard practice at all major international fine art and antique fairs for all exhibits to be examined before the opening of the fair by panels of advisers to ensure that they are accurately described and of a quality to justify their exhibition at a prestige event. There are separate Honorary Vetting Committees for each category, such as furniture, clocks, silver, paintings, sculpture etc. and their membership is drawn from leading authorities in the field and includes many museum curators. There are two main reasons for vetting. Firstly, to reassure the public that everything submitted to the Honorary Vetting Committees conforms to the regulations laid down and that, as far as possible, all items are authentic and of the period stated. As potential purchasers may not have sufficient expertise themselves in a particular subject or category, this assurance of authenticity will we hope give them the confidence to buy. Secondly, vetting guarantees to all the exhibitors and to the public that standards are being maintained at a high level. It is crucial to the commercial and academic success of such an event that its reputation for only having the best in all categories is never compromised. The integrity of the fair and the reputation of the exhibitors are therefore assured. Our thanks to all the members of the Honorary Vetting Committees for their help and co-operation.

Edward Munves Honorary Vetting Committee Chairman

The National Art & Antique Dealers Association of America Inc. 220 East 57th Street, New York, NY 10022, USA Telephone 1 212 826 9707 Fax 1 212 832 9493 www.naada.org The National Art & Antique Dealers Association of America (NAADAA) is a non-profit trade organization of the leading dealers in the United States, with specialists in virtually all the major collecting areas. Since our founding in 1954, the membership, which is by invitation, has mutually pledged to adhere to the highest standards of honorable and ethical business practice. All are recognized experts in their fields. NAADAA is a member of CINOA (La Confédération Internationale des Négociants en Oeuvres d’Art), an international confederation comprised of thirty-two leading associations of art and antiques dealers, from twenty-two nations. NAADAA has enjoyed a close association with the International Fine Art and Antique Dealers Show, collaborating with Brian and Anna Haughton at the show’s inception in 1989. Members not only exhibit, but also lend their specialized expertise as vetters. This, New York’s first vetted show, revolutionized antiques fairs in America. It is considered to be among the greatest of fairs, here or abroad, and this year continues the tradition of showing world class art and antiques to collectors from all over the country and the world in vital, vibrant New York City. The show is always a highlight of the fall season here. NAADAA welcomes you to this wonderful show, and invites you to visit our member shops and galleries, easily identified by the red NAADAA logo. There you will find complimentary copies of our membership directory, or visit www.naadaa.org. We look forward to meeting you.

James McConnaughy President

Dear Friends: We are so pleased to celebrate 27 years of The Opening Night of The International Show. We are honored to host this prestigious fund-raising event, set against the backdrop of extraordinary art and antiques. We are deeply grateful to Anna and Brian Haughton for our partnership on this event. Their gracious generosity for so many years has helped us raise over 20 million dollars for The Society of Memorial Sloan Kettering Cancer Center. We also extend our thanks to this yearâ&#x20AC;&#x2122;s sponsors of the Opening Night: Breguet, ELLE DECOR, and Warburg Realty. The Society, founded in 1946, is a volunteer-led organization within MSK dedicated to promoting the well-being of patients, supporting cancer research, and providing public education on the early prevention, detection, and treatment of cancer. With your support, The Society will continue to play a vital role in enabling Memorial Sloan Kettering to achieve its mission of providing the best cancer care anywhere to its patients. Thank you,

Lavinia Branca Snyder President

The Society of Memorial Sloan Kettering Cancer Center Administrative Board 2015-2016 President Lavinia Branca Snyder

Treasurer Victoria Greenleaf Kempner

Secretary Mrs. Louis Rose

Vice Presidents Mrs. Michael Carr Melanie Holland Debra Pipines

Assistant Treasurer Mrs. James Halsey Bell

Assistant Secretary Mrs. Hilary Dick

Members-At-Large Kate Allen Muffie Potter Aston Mrs. Alan J. Blinken Tory Burch Mrs. Bryan J. Carey Mrs. Kevin C. Coleman Mrs. Archibald Cox, Jr. Jennifer Creel Mrs. Michael J.A. Darling Mrs. Marvin H. Davidson Webb Egerton Mrs. Christopher Errico Ruth G. Fleischmann Mrs. Lars Forsberg Mrs. Christopher P. Fuller Mrs. Robert M. Gardiner Mrs. Mark V. Giordano Mrs. Thomas S. Glover Eugenie Niven Goodman Mrs. Peter S. Gregory Mrs. Roger P. Griswold, Jr. Shoshanna Gruss Alexia Hamm Ryan Leslie Heaney Mrs. Scott C. Johnston Robyn Lane Joseph Mrs. Michael Kennedy

Martha O’Brien Lamphere Kamie Lightburn Stephanie Loeffler Mrs. Roman Martinez IV Mrs. S. Christopher Meigher III Mrs. Richard A. Miller Mrs. George F. Moss Joyce L. Moss Mrs. Timothy P. O'Hara Jennifer Gaffney Oken Mrs. Gunnar S Overstrom, III Marcie Pantzer Mrs. Richard T. Perkin Mrs. Bambi Putnam Shafi Roepers Mrs. Paul C. Schorr IV Mrs. Stephen C. Sherrill Mrs. Sean P. Smith Mrs. Paul Soros Amanda Anne Cox Taylor Mrs. Andrew S. Thomas Mrs. Jerome L. Villalba Victoria Vought Naomi Waletzky Mrs. Martha Webster Mrs. Thomas E. Zacharias Mrs. Caryn Zucker

Sustaining Board Courtney Arnot Mrs. Andres Bausili Mrs. Andrew M. Blum Dianne G. Crary Mrs. James F. Curtis III Mrs. James H. Dean Antonia Paepcke DuBrul Mrs. Thomas J. Fahey, Jr. Mrs. Thomas M. Fitzgerald III Mrs. Roberto de Guardiola Mrs. John S. Hilson Mrs. Ann F. Jeffery Suzie Kovner Mrs. Brian A. McCarthy Mrs. Minot K. Milliken Mrs. Charles H. Mott Nancy Coffey Nagler Mrs. Samuel F. Pryor IV Mrs. Benjamin M. Rosen Evelyn Angevine Silla Mrs. Richard J. Sterne Leith Rutherfurd Talamo Mrs. Michael L. Tarnopol Alexis Robinson Waller Mrs. Douglas A. Warner III

Memorial Sloan Kettering Cancer Center

Past President Mrs. Thomas V. Leeds

President’s Council Mrs. Rand V. Araskog Nina Garcia Conrod Mrs. Charles A. Dana, Jr. Julie Weindling Geier Mrs. Richard S. LeFrak Mrs. Donald B. Marron Linda Gosden Robinson Past Presidents Mrs. Coleman P. Burke Mrs. Edwin M. Burke Mrs. William M. Carson Mrs. Walter B. Delafield Mrs. Charles H. Dyson Mrs. Bruce A. Gimbel Martha Vietor Glass Mrs. William O. Harbach Alison Barr Howard Mrs. Peter D. Jones Mrs. Kerryn King Mrs. Arie L. Kopelman Mrs. Derek L. Limbocker Jean Remmel Little Mrs. M. Anthony May Mrs. Frank A. Metz, Jr. Dr. Annette U. Rickel Mrs. Bijan Safai Founder Mrs. Edward C. Delafield

Board of Overseers and Managers Honorary Chairman of the Board James D. Robinson III

Chairman of the Board Douglas A. Warner III

Members of the Board of Overseers Frederick R. Adler Dominic Barton Richard I. Beattie Mrs. Edwin M. Burke Mrs. John J. Byrne Mrs. Joseph A. Califano, Jr. Ian Cook Stanley F. Druckenmiller Anthony B. Evnin Roger W. Ferguson, Jr. Henry A. Fernandez Steve Forbes William E. Ford Richard N. Foster Stephen Friedman

Ellen V. Futter Philip H. Geier, Jr. Louis V. Gerstner, Jr. Laurie H. Glimcher, M.D. Jonathan N. Grayer Bette-Ann Gwathmey William B. Harrison, Jr. Benjamin W. Heineman, Jr. David H. Koch Marie-Josée Kravis Paul A. Marks, M.D. Donald B. Marron Kathryn Martin Jamie C. Nicholls James G. Niven

Vice Chairs of the Board Marie-Josée Kravis Scott M. Stuart Hutham S. Olayan Bruce C. Ratner Clifton S. Robbins Alexander T. Robertson James D. Robinson III Virginia M. Rometty David M. Rubenstein Lewis A. Sanders Norman C. Selby Stephen C. Sherrill Lavinia Branca Snyder + Peter J. Solomon William C. Steere, Jr. John R. Strangfeld Scott M. Stuart

Craig B. Thompson, M.D. Lucy R. Waletzky, M.D. Douglas A. Warner III Peter A. Weinberg Jon Winkelried Deborah C. Wright Jeff Zucker Mortimer B. Zuckerman + ex officio as President of The Society

A legendary masterpiece from the French Royal collection: Anne of Austriaâ&#x20AC;&#x2122;s gold casket rediscovered MichĂ¨le Bimbenet-Privat

Considered as one of the great masterpieces of the collection of the Louvre, the gold chest known as « Anne of Austria’s casket » has no equivalent in the world1 (fig. 1). Although it looks like a small travel case because of its size2 and its side handles, the precious metal and its decorations raise it to the rank of an exceptional collector’s piece. Its oak carcass is entirely covered in blue silk satin, which is sumptuously adorned with lacy gold openwork depicting large acanthus scrolls, with roses, tulips, buttercups, narcissi and lilies disposed symmetrically to form coherent compositions for each of the five sides of the chest (fig. 2). All these flowers are part of an infinite web that is enriched with small vine leaves and tiny flowers embellished with tendrils and stems. The eye gets lost in these endless swirls, though they remain extremely distinct.The chest is mounted on four solid gold cushioned lion’s feet (fig. 4). At present, the interior is fitted with dark red velvet. It has been known for a long time that the gold chest is one of the rare surviving examples of goldsmith’s work from the former royal collection. Even though it is not recorded in Louis XIV’s inventories, one of its legs is engraved with the number 298 that was assigned in 1718, shortly after the King’s death3. Its history can then be traced in successive royal inventories until the end of the Ancien Régime. In 1784, a restoration was to be carried out by King’s jeweller Paul-Nicolas Ménière. He considered recolouring the gold elements and replacing the satin, but he finally withdrew from the commission, by his own admission, because of “the difficulty and the intricate quality of the work”4. During the Revolution, the chest was estimated at one hundred and fifty thousand pounds in The Inventory of the Diamonds of the Crown. The admiration for this “masterpiece of goldwork and taste” certainly explains why it survived. The gold chest was kept intact through the dark years after the fall of Monarchy. During the Restoration, it was placed at the Tuileries Palace. Eventually it entered the collections of the future Louvre in 1852, at which time it was catalogued as “the Jewel

Figure 1. Gold chest, general view. Paris, musée du Louvre, inv. MS 159 (cl. Réunion des musées nationaux). Figure 2. Gold chest, detail of the front face. Paris, musée du Louvre, inv. MS 159 (cl. Réunion des musées nationaux).

case of queen Anne of Austria, wife of Louis XIII”, the first interpretation of its origins5. In 1876 it was photographed in the museum for the first time by Léon Vidal, inventor of a new “photochromic” process (fig. 3). Fantasized origins, proven origins Surely the origin of this masterpiece in our national collections has been the object of many theories, sometimes even very romantic ones. According to tradition, a “paper in very old writing” found inside the chest indicated that it belonged to Anne of Austria and that the Queen had received it from Cardinal Mazarin6. This document has since disappeared and it’s worth noting that the story of such a gift from Mazarin to Anne of Austria emerged in 1830, at the time when certain historians suspected or fervently believed that a relationship existed between the Queen Mother and the Cardinal (fig. 5). If this story were true, the chest would have been made between Louis XIII’s death and Mazarin’s, so before 1661. But this theory does not hold up against all of the other known documents. No reliable eye-witness account of the chest in the royal collections can be found before that of the Swedish architect Nicodème Tessin, during the reign of Louis XIV. Visiting Versailles in 1687, Tessin admired “an extremely finely crafted openwork golden chest” which was placed on a table in one of the smaller rooms of King’s apartments7. Could the chest be from a later period than what was previously thought? The composite aspect of the astonishing gold casing, with its harmonious combination of more or less naturalistic flowers and powerful acanthus scrolls, could suggest it is slightly later than the regency of Anne of Austria. Such harmony between flowers and classical ornamentation was not uncommon between 1660 and 1680 (for instance in Boulle furniture). It can be found in designs published in Paris by the goldsmith Thomas Lejuge in 1676 (fig. 6). His engravings for jewellery designs show elegant acanthus and naturalistic flowers executed with the precision typical of a master goldsmith8. Lejuge specialized in small gold objects, jewels and watch cases. Most of these Paris artisans were Huguenots, and some of them had Flemish or German origins. Their style was clearly ornamental and stood apart from the more official decorative vocabulary of the royal silversmiths under the influence of Charles Le Brun: for instance the King’s

Figure 3. Gold chest, photographed by Léon Vidal in 1876. Paris, musée d’Orsay, inv. PHO 1983165-537-1 (cl. Réunion des musées nationaux). Figure 4. Gold chest, detail of a foot. Paris, musée du Louvre, inv. MS 159 (cl. Réunion des musées nationaux).

silver furniture was emphatically sculptural and determined by a political function. The art of the jewellers of the same period has not received just recognition by historians and this omission is complicated by the fact that their work was never signed or hallmarked. As Huguenots, many were forced to work in the shadows in the years preceding the revocation of the Edict of Nantes.

Figure 5. Cardinal Mazarin and Anne of Austria, by Richard Parkes Bonington, 1826. Paris, musée du Louvre, inv. RF 369 (cl. Réunion des musées nationaux).

A recent discovery in a volume of the Journal of the Crown jewels, conserved in the archives of the Ministry of Foreign Affairs, confirmed our theory of a later dating. This volume records all the purchases of diamonds by the Royal Treasury. In it can be found the payment, in the Spring of 1676, for “a gold chest to contain all the jewels” (in French: “pour un coffre d’or pour enfermer toutes les parures”)9. The word “parures” refers to the wide range of assorted gems – diamonds, coloured stones or pearls – that were worn by the King on his court costume. His portraits show him entirely covered with jewels from the top of his head to his feet (fig. 7). The payment was made to a certain Suzanne Lejeune, widow of the goldsmith of the King Jean Pittan, who had just died. This great Parisian goldsmith, active from the end of the 1630s, was one of the official suppliers to the Crown. His role consisted of importing and negotiating diamonds, jewelled portrait medallions, filigrees and gold plate intended both

Figure 6. Front page of the book of designs for goldsmiths by Thomas Lejuge, engraving, 1676. Paris, Bibliothèque nationale de France, département des Estampes et de la Photographie, inv. AA3 (cliché M. Bimbenet-Privat, copyright free). Figure 7. The King’s shoes and their buckles adorned with diamonds, detail from Louis XIV’s portrait by Hyacinthe Rigaud, 1701. Paris, musée du Louvre, département des peintures, inv. 7492 (cl Réunion des musées nationaux).

for the King as well as for diplomatic gifts. For example, in 1665, Pittan provided the 21 kgs of gold with which the goldsmith Jean Gravet made the great gold nef for Louis XIV. He supplied also a lot of Louis XIV’s “boîtes à portrait” (fig. 8). At the end of his career, Pittan10 was not so much an active goldsmith as he was a merchant. Thus, he could not have made the gold chest himself. Then who did he ask to make it? We found the answer in the inventory drawn up after his death, in which there are repeated references to gold transfers made by Pittan to a certain Jacques Blanc “to make a gold casket11. Jacques Blanc, alias Jakob Blanck, was an obscure Huguenot journeyman with German origins, for whom we have little documentation of his work as a goldsmith. The archives do not indicate the date of his arrival in the French capital, or his place of birth. At the time of the Revocation of the Edict of Nantes in 1685, Blanck was ordered to leave the kingdom or to convert. He chose conversion and thus acquired his certification as a goldsmith. Little else is known about him12. Scientific and technical analysis Jacob Blanck’s work merited an extensive study and, concurrently with the historical research undertaken, technical research was carried out in 2013 at the French Museums Research and Restoration Center13. The chest was submitted to radiography and examined under an electron microscope, finally revealing secrets of its components, assemblage and decoration, of which we will give a brief overview. The chest is made of five openwork gold faces: the lid, the lateral sides, the front and back panels. In total, there are at least five distinct techniques employed in the making and fitting of the ornaments. The x-rays of the lid (fig. 9) allow us to see that all these panels were assembled and adjusted in two distinct ways. First a hot consolidation by brazing between the elements that constitute each panel. Second, a cold consolidation using gold nails on the wooden frame. To cite but one example, the lid panel has a total of two hundred and twenty seven gold nails.

Figure 8. Portrait miniature of Louis XIV (« boîte à portrait ») supplied by Jean Pittan in 1668. Musée du Louvre, dép artement des Objets d’art, inv. OA 12280 (cl. François Farges, copyright free). Figure 9. X-rays picture of the chest lid. C2RMF 72153, MS 159 musée du Louvre Elsa Lambert and Jean Marsac.

All the pieces of gold decoration were made by casting and then chasing.Thanks to the microscope, we can observe that the ornamentation is sometimes grainy (fig. 10). This seems to indicate that there wasn’t a significant amount of chasing done after the casting: However, with the chasing carried out by Jacob Blanck, he was able to add exquisite details to the leaves. He also curled their edges (fig. 11). Our technical study tends to demonstrate that this work was probably achieved by only one person. Jacob Blanck was indeed a master of his art! Might he have left other evidence of his talent, or must the gold chest be considered his only surviving masterpiece? Comparisons The decorations of the chest inspired the ornamentation on another work of art, a very elaborate mirror in a private collection14. This may have been a diplomatic present from the King of France to an allied prince (fig. 12). Indeed, the back of the mirror bears hallmarks in use in Paris between 1684 and 1691. This mirror was once part of the collections of the last princes of Hyderabad. However, we do not know how it got to this region of India, famous since the 17th century for the mines of Golconda. The origin of the mirror was the object of unpublished research by Professor Gordon Glanville, who generously shared his findings with me15. Professor Glanville suggests an Ottoman connection, which is justified by the date of the making of the mirror – the end of the 1680s –, a brief period when diplomatic relations between France and Ottoman Empire were cordial. The mirror could have been a present from the Sun King to the mother of the Sultan. The caliphs of the Ottoman dynasty united with the princes of Hyderabad in 1933 when the daughter of the last caliph, in exile since 1924, married the Crown Prince of Hyderabad. The mirror was part of this princess’ possessions. The front of the mirror has an enamelled gold frame with scrolls and flowers scattered with diamonds, rubies and emeralds. On the back, the entire surface is covered with openwork gold acanthus scrolls and flowers set upon a golden brass plaque (fig. 13). The design of the composition, the structure of the panels centered on a flower and the assembly with small fixing nails (which indicate there was a wooden support originally) strongly evoke the gold chest. Although the composition is not identical, certain floral elements – like the tulips or some small flowers with curled petals – strongly evoke the gold chest (fig. 14). However, the complex layering, which give to the gold chest its relief and its exceptional density, are missing. In other words, the maker of the mirror doesn’t show as much technical maturity, even though he used some of the same models. In my opinion, this indicates that the mirror comes from the same workshop but was not by the hand of Jacob Blanck. This wonderful artist thus remains a mystery.

Figure 10. Detail of a flower. C2RMF 72153, MS 159 musé du Louvre Anne Maigret Figure 11. Detail of tulips and tiny flowers. Musée du Louvre, département des Objets d’art, inv. Ms 159 (cl. Réunion des musées nationaux).

Musée du Louvre, département des Objets d’art, inv. MS 159.

H. 25,2 cm; L. 47,5 cm; D. 36,2 cm.

Paris, Archives nationales, O1 3341, fol. 302v° (the same description in the royal inventory of 1775 (Archives nationales, O1 3347, fol. 371).

Paris, Archives nationales, O1 3280.

H. Barbet de Jouy, Notice des antiquités, objets d’art du Moyen Âge, de la Renaissance et des Temps modernes composant le musée des Souverains, Paris, 1866, p. 166 n° 110.

Y. Bottineau, Catalogue de l’orfèvrerie du XVIIe, du XVIIIe et du XIXe siècle, Musée du Louvre et Musée de Cluny, Paris, 1958, p. 5-6 n° 4.

P. Francastel, “Relation de la visite de Nicodème Tessin à Marly, Versailles, Clagny, Rueil et Saint-Cloud en 1687”, Revue de l’Histoire de Versailles et de Seine-etOise, 1926, p. 283.

M. Bimbenet-Privat, “Thomas Lejuge : orfèvre de métier, graveur par nécessité”, dans L’Estampe au Grand Siècle. Etudes offertes à Maxime Préaud, Paris, 2010, p. 415-427.

Archives du Ministère des Affaires étrangères, Mémoires et documents France 2040, fol. 68 v°. I am grateful toward Isabelle Richefort and Alexandre Cojannot for their help during my research.

10. M. Bimbenet-Privat, “Les pierreries de Louis XIV : objets de collection et instruments politiques”, Etudes sur l’ancienne France offertes en hommage à Michel Antoine. Textes réunis par Bernard Barbiche et Yves-Marie Bercé, Paris, 2003, p. 81-96. 11.

Paris, Archives nationales, Minutier central, CXVIII, 106 ; 7 février 1676.

12. M. Bimbenet-Privat, Les orfèvres et l’orfèvrerie de Paris au XVIIe siècle, Paris, 2002, I, p. 251. 13.

I am very grateful towards Emmanuel Plé, Anne-Cécile Viseux, Maria-Philomena Guerra, Marc-André Paulin and Roberta Cortopassi who were in charge of this conservation and research work.

14.

I am very grateful towards the owners of this mirror who generously allowed me to publish it.

15. I deeply thank my friends Gordon and Philippa Glanville for our exchanges along this research.

Figure 12. Front side of a mirror probably presented by King Louis XIV in the 1680s. Private collection. (copyright free) Figure 13. Back of a mirror probably presented by King Louis XIV in the 1680s. Private collection. (copyright free) Figure 14. Idem: details of the flowers and scrolls. Private collection.

Directory of Exhibitors

AANW, Inc. D8 • page 30 525 East 72nd Street, # 27F, New York, NY10021, USA Telephone: 1 212 737 3766 Cell: 1 917 584 0189 www. aanwinc.com email: info@aanwinc.com Personnel: Claudia Giangola, John Menser Important Pre-Columbian Works of Art A La Vieille Russie, Inc. F1 • page 31 781 Fifth Avenue, New York, NY 10022, USA Telephone: 1 212 752 1727 www.alvr.com email: alvr@alvr.com European and American antique jewelry, Fabergé, gold snuffboxes and objets de vertu, Russian decorative and fine arts, including porcelain, glass, furniture, silver, paintings and icons Daphne Alazraki Fine Art D6 • page 32 424 Madison Avenue, 16th Floor, New York, NY 10017 Telephone: 1 212 734 8658 Cell: 1 917 699 7226 Fax: 1 212 717 2344 www.alazraki.com email: fineart@alazraki.com Personnel: Daphne Alazraki - Owner/Director, Tracy Smith Manager Ariadne Galleries D12 • page 33 11 East 76th Street, New York, NY 10021, USA Telephone: 1 212 772 3388 www.ariadnegalleries.com email: info@ariadnegalleries.com Personnel: Torkom Demirjian, James Demirjian, Gregory Demirjian, Saranna Biel-Cohen Greek, Roman, Near Eastern, and Asian antiquities Galerie Ary Jan C5 • page 34 38 rue de Penthièvre, Paris 75008, France Telephone: + 33 1 42 61 42 10 Cell: +33 6 07 88 75 84 www.galeriearyjan.com email: contact@galeriearyjan.com Personnel: Mathias Ary Jan, Chairman, Catherine Ary Jan, CoChairman, Dina Emrani, Assistant Galerie Ary Jan holds a unique position in European art market as it is the only one that specializes exclusively in Orientalist and Belle Epoque paintings from the late 19th and early 20th centuries. The Gallery’s activity is organized around exhibitions, publication of catalogues and attendance at international fairs in Paris, London, Brussels, Hong Kong and now New York. Veronique Bamps A14 • page 35 41 Avenue Hector Otto, Monaco MC 98000, Monaco Telephone: 377 9797 3757 Cell: +33 643 91 74 65 Fax: 377 9797 3757 www.veroniquebamps.com email: info@veroniquebamps.com Personnel: Veronique Bamps, Thierry Bamps, Michel Osipenco Antique and estate jewellery, European and American, from 1800 until the 1960’s

Jean David Botella D3 • page 36 42, rue de Seine, Paris 75006, France Telephone: +31 1435 43388 Cell: +33 608 161937 email: botella.jean-dadvid@wanadoo.fr Personnel: Jean David Botella Arts Décoratifs of the 20th century Specializing in works by: Line Vautrin Jean Despres Diego Giacometti Claude and François-Xavier Lalanne J.H. Bourdon-Smith B6 • page 37 24 Mason’s Yard, Duke Street St. James’s, London SW1Y 6BU, UK Telephone: +44(0)20 7839 4714 Cell: +(0)7769 974366 Fax: +44(0)20 7839 3951 www.bourdonsmith.co.uk email: enquiries@bourdonsmith.co.uk Personnel: John Bourdon-Smith, Edward Bourdon-Smith, Julia Bourdon-Smith Silver from the 16th century to the present day, specialising in early spoons, collectables and period pieces from the Georgian and Victorian eras with an emphasis on English, Scottish and Irish silver W. M. Brady & Co. D4 • page 38 22 East 80th Street, New York, NY 10075, USA Telephone: 1 212 249 7212 Cell: 1 917 744 9095 email: mark@wmbrady.com laura@wmbrady.com Personnel: Mark Brady, Laura Bennett Old Master and 19th century paintings, drawings and sculpture Thomas Colville Fine Art, LLC B1 • page 39 111 Old Quarry Road, Guilford CT 06437, USA Telephone: 1 203 453 2449 www.thomascolville.com email: tlc@thomascolville.com Personnel: Thomas Colville, Kirstin Auer, Jay Qin, Colleen Niarchos Specializing in 19th and early 20th century American and European paintings, drawings and sculpture Sandra Cronan Ltd B10 • page 40 16 Albemarle Street, London W1S 4HW, UK Telephone: +44(0)20 7491 4851 www.sandracronan.com email: enquiries@sandracronan.com Personnel: Sandra Cronan, Catherine Taylor, Catherine Cutler Specializing in fine antique and period jewellery Douglas Dawson A5 • page 41 224 South Michigan Ave, Suite 266, Chicago IL 60604, USA Telephone: 1 312 226 7975 Cell: 1 312 953 9839 Fax: 1 312 226 7974 www.douglasdawson.com email: info@douglasdawson.com Personnel: Douglas Dawson, Wallace Bowling, Armando España Pre-Columbian art, Meso and South America - Historic American art, textiles, ceramics and sculpture Camilla Dietz Bergeron Ltd F5 • page 42 818 Madison Avenue, 4th Floor, New York, NY 10065, USA Telephone: 212 794 9100 www.cdbltd.com email: info@cdbltd.com Specializing in fine antique, period and estate jewelry

Directory of Exhibitors Martin Du Louvre E7 • page 44 69 rue du Faubourg Saint Honoré, 75008 Paris, France Cell: +33 (0) 68017 5101 www.martindulouvre.com email: 69faubourg@gmail.com Personnel: David Le Louarn Modern and contemporary sculpture, paintings, drawings, photography and design Drucker Antiques F8 • page 43 487 East Main Street, Suite 197, Mount Kisco, New York NY10549, USA Telephone: 1 914 923 4560 / 1 212 794 8536 Cell: 1 914 419 2295 Fax: 1 914 206 9623 www.druckerantiques.com email: bill@druckerantiques.com Personnel: William Drucker, Janet Drucker America’s leading specialists in Georg Jensen holloware, flatware and jewelry. We also feature studio and artistic jewelry of the 20th century European Decorative Arts Co. E3 • page 45 85 Birch Drive, Roslyn, New York, NY11576, USA Telephone: 1 516 643 1588 www.eurodecart.com email: eurodecart@gmail.com Personnel: Scott Defrin, Larry Defrin, Arlene Defrin European works of art Finch & Co. A2 • page 46 Suite 744, 2 Old Brompton Road, London SW7 3DQ, UK Telephone: +44(0)20 7413 9937 Cell: +44(0)7768 236921 / 7836 684133 Fax: +44(0)20 7581 4445 www.finch-and-co.co.uk email: enquiries@finch-and-co.co.uk Personnel: Craig Finch, Mrs Jan Finch, Peter Hess Specialising in European works of art, natural history, tribal art, antiquities, curiosities Peter Finer D1 • page 47 38-39 Duke Street St James’s, London SW1Y 6DF, UK Telephone: +44(0)20 7839 5666 Cell: +44 7775 561 3208 Fax: +44(0)20 7839 5777 www.peterfiner.com email: gallery@peterfiner.com Personnel: Peter Finer, Redmond Finer, Roland Finer Specialists in antique arms and armour, from the Bronze Age through to the 19th century, including weapons and armour from the Viking, Medieval and Renaissance periods, whether for battle, ceremony or hunting. N & I Franklin C2 • page 48 11 Bury Street, St James’s, London SW1Y 6AB, UK Telephone: +44(0)207 839 3131 Cell USA: 1 646 852 8034 www.franklinsilver.com email: katiealice@franklinsilver.com Personnel: Neil Franklin, Ian Franklin Specialising in 16th – 19th century English silver Gander & White Shipping Ltd Unit 1, St Martin’s Way, Wimbledon, London SW17 OJH, UK Telephone: +44(0)20 8971 7160 Fax: +44(0)20 8946 8062 www.ganderandwhite.com email: oliver.howell@ganderandwhite.com and in New York 21-44 44th Road, Long Island City, NY 11101, USA Telephone: 1 718 784 8444 Fax: 1 718 784 9337

Bernd Goeckler Antiques, Inc. D9 • page 49 30 East 10th Street, New York, NY 10003, USA Telephone: 1 212 777 8209 Cell (Bernd Goeckler): 1 646 824 9644 Fax: 1 212 777 8302 www.BGAntiques.com email: bgantiques@mac.com Personnel: Bernd Goeckler, Margaret Kim, Dane Charles Pressner Featuring a large and diverse selection of fine furniture, lighting, ceramics and accessories from the 18th and 20th centuries. We are proud to be the exclusive US representatives of renowned Italian glass artists Franco Deboni and Simone Crestani, while also offering vintage pieces by Gabriella Crespi amongst many others. Bernard Goldberg Fine Arts, LLC E11 • page 50 New York, USA Telephone: 1 212 813 9797 www.bgfa.com email: info@bgfa.com Personnel: Bernard Goldberg, Ken Sims Early American modernism: Paintings, sculpture, works on paper and decorative arts Brian Haughton Gallery E1 • page 52 15 Duke Street St James’s, London SW1Y 6DB, UK Telephone: +44(0)20 7389 6550 Fax: +44(0)20 7389 6556 www.haughton.com email: gallery@haughton.com Personnel: Brian Haughton, Paul Crane Fine 18th and 19th English and Continental porcelain and ceramics Jeffrey Beal Henkel 82 Poor Farm Road, Pennington, NJ 08534, USA Telephone/Cell: 1 609 306 4996 Fax: 1 609 537 1287 email: henkel.jeffrey@gmail.com Personnel: Jeffrey Beal Henkel Garden objects and statuary

Galerie Marc Heiremans E5 • page 51 Rue Joseph Stevens 25, Brussels, Belgium 1000 Telephone: +32 2 512 80 58 Cell: +32 478 28 03 08 www.marc-heiremans.com email:info@marcheiremans.com Personnel: Bertrand Schwartz Twentieth Century glass and ceramics John Howard F4 • page 56 Heritage, 6 Market Place, Woodstock, Oxfordshire OX20 1TA, UK Telephone: +44(0)1993 812580 Cell: +44(0)7831 850544 Fax: +44(0)1993 812580 www.johnhoward.co.uk email:john@johnhoward.co.uk Personnel: John Howard, Myrna Sohkolne, Linda Howard 18th – 19th Century British Pottery Hyde Park Antiques, Ltd F3 • page 57 836 Broadway, New York, NY 10003, USA Telephone: 1 212 477 0033 Fax: 1 212 477 1781 www.hydeparkantiques.com email: info@hydeparkantiques.com 18th and early 19th century British furniture, clocks, mirrors and 19th century English ceramics; sporting art.

Imperial Fine Books A11 • page 58 790 Madison Avenue, New York, NY 10065 Telephone: 001 212 861 6620 Cell: 001 201294 3874 www.imperialfinebooks.com email: info@imperialfinebooks.com Personnel: Bibi Mohamed, Selina Mohamed Leading specialist in leatherbound sets and fine bindings in all fields: literature, history, poetry, children’s, illustrated, Americana, sporting, first and rare editions. Also included in our inventory are Exhibition Bindings, Cosways and Jeweled Bindings Imperial Oriental Arts B14 • page 59 790 Madison Avenue, New York, NY 10065, USA Telephone: 1 212-717-5383 www.imperialorientalart.com email: imperial200@aol.com Specializing in high-quality Chinese porcelain and works of art, mainly Ming and Qing porcelain Gallery Japonesque E9 • page 60 824 Montgomery Street, San Francisco, CA 94133, USA Telephone: 1 415 391 8860 Cell: 1 415 533 5151 www.galleryjaponesque.com email: info@japonesquegallery.com Personnel: Koichi Hara Japanese and International works of art, antiques and design Kagedo Japanese Art B3/4 • page 62 PO Box 551, Orcas Island, Washington, WA 98280, USA Telephone: 1 360 376 9077 www.kagedo.com email: kagedo@kagedo.com Personnel: Jeffery Cline, William Knospe Japanese art from the early to mid 20th century, including Nihonga painting, metalwork, lacquers, ceramics and studio basketry Lesley Kehoe Galleries E12 • page 63 Ground Floor, 101 Collins St, Melbourne, Victoria 3000, Australia Telephone: +61 3 9671 4311 Cell: 1 347 515 3157 (fair dates only). www.kehoe.com.au email: gallery@kehoe.com.au Personnel: Lesley Kehoe, Byron Kehoe Traditional and contemporary Japanese art Kentshire A1 • page 64 Bergdorf Goodman, 754 5th Avenue, New York NY 10019, USA Telephone: 1 212 872 8653 Cell: 1 646 704 3224 www.kentshire.com email: info@kentshire.com Personnel: Carrie Imberman, Matthew Imberman, Marcie Imberman, Ellen Israel Fine period jewelry and object d’art Keshishian A15 • page 65 73 Pimlico Road, London SW1 8NE, UK Telephone: +44(0)20 7730 8810 Fax: +44(0)20 7730 8803 and by appointment in New York Telephone: 1 212 956 1586 www.keshishiancarpets.com email: info@keshishiancarpets.com Personnel: Arto Keshishian, Eddy Keshishian Keshishian Carpets of London and New York are specialist dealers of antique carpets and tapestries of outstanding quality and design merit. Arto and Eddy Keshishian’s passion for the art of rare carpets leads the brothers to search the globe for unique pieces. Their impressive collection includes antique European and Oriental carpets with selected Arts & Crafts and Art-Deco examples by renowned designers from the 20th century. The European tapestries cover the Gothic period to the Op-Art era.

Galerie Lefebvre B11 • page 66 5 Quai Voltaire, Paris 75007, France Telephone: +33(0)1 4548 1813 www.gallerylefebvre.com email: gallerylefebvre@gmail.com Personnel: Romain Lefebvre, Esme Spanier French Art Déco Lost City Arts A8/9 • page 67 18 Cooper Square, New York, NY 10003, USA Telephone: 1 212 375 0500 Cell: 1 914 572 4132 www.lostcityarts.com email: info@lostcityarts.com Personnel: James Elkind - President, Martin Greenstein – Gallery Manager Established in 1982 by owner James Elkind, Lost City Arts is recognized as a leading source of 20th century design and decorative fine arts. The gallery specializes in collections of post-war American craft furniture with an emphasis on works by Harry Bertoia. Holden Luntz Gallery G7 • page 68 332 Worth Avenue, Palm Beach, Florida, 33480 USA Telephone: 561 805 9550 Cell: 561 632 3999 www.holdenluntz.com email: info@holdenluntz.com Specializing in the finest in classic and contemporary American and European photography H.M. Luther G1 • page 70 The Carlyle, 35 East 76th Street, New York, NY 10021, USA Telephone: 1 212 439 7919 and Greenwich Village, 61 East 11th Street, New York, NY 10003, USA Telephone: 1 212 505 1485 www.hmluther.com email: info@hmluther.com Personnel: Daniel Harrison, Scott VanderHamm, James Harrison, Jean Tucker Founded in 1947, H.M. Luther is a favorite of knowledgeable interior designers and discerning collectors. The experts at H.M. Luther curate a diverse and unexpected collection that celebrates fine craftsmanship and sophisticated design. H.M. Luther offers rare and unique works from the 18th through 20th centuries with a strong focus on lighting and furniture from Scandinavia, Continental Europe and Japan. This is H.M. Luther’s twenty-fourth year at the International Show. With an inviting gallery at the renowned Carlyle Hotel and a loft-style space in Greenwich Village, H.M. Luther also exquisitely presents its stunning collection on a newly designed, captivating and easy to use website: www.hmluther.com MacConnal-Mason Gallery G5 • page 69 14 & 17 Duke Street St James’s, London SW1Y 6DB, UK Telephone: +44(0)20 7839 7693 Fax: +44(0)20 7839 6797 www.macconnal-mason.com email: fineart@macconnal-mason.com Personnel: David L. Mason OBE, David M. Mason, Marcus Halliwell, Simon Carter, Michael Grist 20th century / post-War British, post-Impressionist, 19th Century British and European paintings and sculpture

Directory of Exhibitors Maison Gerard G2 • page 72 43 & 53 East 10th Street, New York, NY 10003, USA Telephone: 1 212 674 7611 www.maisongerard.com email: home@maisongerard.com Personnel: Gerard Widdershoven, Benoist F. Drut, Dorothee Mathieux, Julia Hartshorn, Harrison Jackson, Diego Heredia, Sabine Asselbergs, Winter Mendelson, Lucy Wertheim We will be presenting a range of 20th century design as well as new contemporary pieces many of which were specially commissioned for the fair. Mathivet Galerie C3 • page 73 6 Rue Bonaparte, Paris 75006, France Telephone: +33 1 43 54 1900 Cell: +33 607 50 3813 www.galeriemathivet.com email: galeriemathivet@gmail.com Personnel: Céline Mathivet, Fabien Mathivet Specializing in 20th century decorative arts, great masters of French Art Deco, design, 20th century sculptures Lillian Nassau LLC G8 • page 74 220 East 57th Street, New York, NY 10022, USA Telephone: 1 212 759 6062 Fax: 1 212 832 9493 www.lilliannassau.com email: info@lilliannassau.com Personnel: Arlie Sulka, Eric Silver Specialists since 1945 in the work of Tiffany Studios and Louis Comfort Tiffany, including leaded glass lamps, favrile glass and bronze, windows, mosaics and more. We also specialize in 19th and 20th century Decorative Arts, Sculpture and Design. Frank Partridge E6 • page 75 7 Thurloe Square, London SW7 2TA, UK Telephone: +44(0)20 7225 3654 Cell: +44(0)7801 480548 Fax: +44(0)20 7581 9387 www.frankpartridge.co.uk email: mail@frankpartridge.co.uk Personnel: Frank Partridge, Susan Partridge English and French furniture; French clocks Ronald Phillips Ltd 26 Bruton Street, London W1J 6QL, UK Telephone: +44(0)20 7493 2341 www.ronaldphillipsantiques.com email: simon@ronaldphillips.co.uk Personnel: Simon Phillips 18th century English furniture, mirrors and glass

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Phoenix Ancient Art E2 • page 78 47 East 66th Street, New York, NY 10065, USA Telephone: 1 212 288 7518 Fax: 1 212 288 7121 and 6, rue Verdaine, 1204 Geneva, Switzerland Telephone: +41(0)22 318 8010 Fax: +41 (0)22 310 0388 www.phoenixancientart.com email: info@phoenixancientart.com Personnel: Geneva: Ali Aboutaam, Michael Hedqvist New York: Hicham Aboutaam, Alexander Gherardi, Alexander Kruglov Antiquities of the highest quality and interest coming from the lands that formed the Greek, Roman and Byzantine world, as well as cultures in Mesopotamia, the Near East, Egypt, Europe, the Balkans, Eurasia, and the Steppes ranging from the Neolithic Period of the 6th Millennium B.C. to the 14th century A.D

Potterton Books B7 • page 80 The Old Rectory, Sessay, Thirsk, North Yorkshire, YO7 3LZ, UK Telephone: +44(0)1845 501218 Fax: +44(0)1845 501439 www.pottertonbooks.co.uk email: ros@pottertonbooks.co.uk Personnel: Clare Jameson, Simon Barton Specialising in vintage and scarce reference books on the fine and decorative arts, antiques, jewellery, architecture, design and decoration dating from the Renaissance to the 21st century Sylvia Powell G4 • page 81 By appointment only Suite 400 Ceramic House, 571 Finchley Road, London NW3 7BN, UK Telephone: +44(0)20 8201 5880 Cell: +44(0)7802 714 998 www.sylviapowell.com email: Sylvia@sylviapowell.com Personnel: Sylvia Powell Rare and perfect art pottery. Specialising in the best examples of works by Picassso, Jean Xocteau, William De Morgan, Wedgwood, Fairland, Martin Brothers, Moorcroft and many others Primavera Gallery F7 • page 82 210 11th Avenue at 25th Street, Suite 800, New York, NY 10001, USA Telephone: 1 212 924 6600 Fax: 1 212 924 6602 www.primaveragallery.com email: contact@primaveragallery.com Personnel: Audrey Friedman, Haim Manishevitz, Liza O’Keefe Specialising in 20th century applied and decorative arts, fine period jewelry 1800 – 1970’s Red Fox Fine Art C1 • page 83 At the Red Fox Inn, 2 East Washington St., 2nd Floor, P.O. Box 385, Middelburg, VA 20118, USA Telephone: 1 703 851 5160 Cell: 1 703 851 5160 Fax: 1 540 687 9766 www.redfoxfineart.com email: tr@redfoxfineart.com Personnel: Turner Reuter Jr., Alex Orfila Specialising in fine animal and sporting paintings & sculpture 1750 - 1950 Richters of Palm Beach A4 • page 84 224 Worth Avenue, Palm Beach, Fla 33480, USA Telephone: 1 561 655 0774 Cell: 1 561 685 5524 email: rpbjewels@aol.com Personnel: Stefan Richter, Dudley Richter, Kirsty Saunders, Ryan Bieber, Nancy Richter Specializing in mid-century, signed jewelry and gemstones Röbbig München D11 • page 86 Frühe Porzellane – Kunsthandel, Briennerstrasse 9, 80333 Munich, Germany Telephone: +49 89 299758 Cell: +49 171 65 00 456 Fax: +49 89 223822 www.roebbig.de email: info@roebbig.de Specialises in 18th century German porcelain from the most important manufactories Meissen, Frankenthal, Höchst, Nymphenburg, Fürstenberg and KPM Berlin. Also important French furniture, paintings and objets d’art from the Louis XV to the Louis XVI and early Empire period.

James Robinson, Inc. D10 • page 87 480 Park Avenue at 58th Street, New York, NY 10022, USA Telephone: 1 212 752 6166 Cell: 1 212 754 0961 www.jrobinson.com email: info@jrobinson.com Antique and period jewelry Antique English silver Antique porcelain and glass Handmade sterling silver flatware Rosenberg & Co. F2 • page 88 19 East 66th Street, New York, NY 10065, USA Telephone: 1 212 202 3270 www.rosenbergco.com email: info@rosenbergco.com Personnel: Marianne Rosenberg, Preeya Seth Specializing in modern and contemporary fine art spanning the late 19th century, 20th, and 21st century Rountree Tryon Galleries A3 • page 89 7 Bury Street, St James’s, London SW1Y 6AL, UK Telephone: +44(0)20 7839 8083 www.rountreetryon.com email: info@roountreetryon.com Personnel: Jamie Rountree, Rowland Rhodes Specialising in Sporting, Maritime and Wildlife paintings from 18th century to present day Samina Inc. A16 • page 90 By appointment only 33 St James’s Square, London SW1Y 4JS, UK Telephone: +44(0)20 3170 6076 Cell: +44(0)7775 872960 Fax: +44(0)20 7286 3633 www.saminainc.com email: saminainc@hotmail.com Personnel: Dr Samina Khanyari, Ms Chantal Sparwasser Rare, collectable Indian jewels; Indian and Islamic works of art (17th – 20th century) Schillay Fine Art, Inc. C6 • page 92 520 East 72nd Street, New York, NY 10021, USA Telephone: 1 212 861 8353 www.schillay.com email: richard@schillay.com Personnel: Richard Schillay, Marcy Schillay Specialising in Impressionist, Post-Impressionist, Modern and Post-War fine art Schillay Asian D7 • page 93 520 East 72nd Street, New York, NY 10021, USA Telephone: 1 212 861 8353 www.cliffleeporcelain.com email: richard@schillay.com Personnel: Marcy Schillay, Holly Lee Specialising in contemporary porcelain, ceramic art Shapero Rare Books B8 • page 91 32 George Street, London W1S 2EA, UK Telephone: +44(0)20 7493 0876 www.shapero.com email: rarebooks@shapero.com Personnel: Bernard Shapero, Pierre-Yves Guillemet Specialising in rare books, atlases, maps and photographs of the best quality, as well as decorative, modern and contemporary prints

S.J. Shrubsole A6/7 • page 96 104 East 57th Street, New York, NY 10022, USA Telephone: 1 212 753 8920 www.shrubsole.com email: jim@shrubsole.com Personnel: Timothy Martin, James McConnaughy, Nadine Schimmelpenninck Antique English and American silver, antique and modern jewelry Librairie Signatures B15 • page 94 17 Rue Jacob, Paris 75006, France Cell: +33 (0) 668 710956 www.librairiesignatures.com email: pfontana@librairiesignatures.com Personnel: Philippe Fontana – Director, Julie Feraud Specializes in Autographs (Literature, Fine Arts, Music, History) and vintage photographs (1918 – 1950) Hollis Taggart Galleries, Dai Ichi Arts Ltd A12 • page 97 18 East 64th Street, Suite 3F, New York, NY 10065, USA Telephone: 1 212 230 1680 Cell: 917 913 9572 & 917 435 9473 www.hollistaggart.com email: hctaggart@hollistaggart.com www.daiichiarts.com email: daiichiarts@yahoo.com Personnel: Hollis Taggart, Ashley Park, Beatrice Chang, Yuko Okamura Hollis Taggart specializes in Post War American Art, Abstract Expressionists Dai Ichi Arts Ltd specializes in Contemporary Japanese Ceramics Tambaran Gallery F6 • page 98 5 East 82nd Street, New York, NY 10028, USA Telephone: 1 212 570 0655 www.tambaran.com email: m.zarember@tambaran.com Personnel: Maureen Zarember, Thuraya Marsi Specialises in beautiful museum quality tribal art and offers unrivalled expertise in African, Oceanic and North-West Coast American art Carolle Thibaut-Pomerantz D3 • page 100 Cell: 1 646 322 3570 www.antique-wallpaper.com email: carolle@ctpdecorativearts.com Personnel: Carolle Thibaut-Pomerantz Specialising in vintage wallpaper panels – XVlll c. thru Art Deco period Erik Thomsen E10 • page 99 23 East 67th Street, New York, NY 10065, USA Telephone: 1 212 288 2588 Fax: 1 212 535 6787 www.erikthomsen.com email: info@erikthomsen.com Personnel: Erik Thomsen, Cornelia Thomsen, Takayuki Yamada, Dieuwke Eijer Japanese screens and scrolls, paintings, makie gold lacquer, bamboo baskets, tea ceramics and contemporary art Axel Vervoordt D2/5 • page 102 Stokerijstraat 19, Wijnegem 2110, Belgium Cell: +32 3 476 230989 www.axel-vervoordt.com email: asd@axel-vervoordt.com Personnel: Robert Lauwers +32 475 869134 Specialising in Archaeology, contemporary art, twentieth-century design

AANW, Inc. D8 525 East 72nd Street, # 27F, New York, NY10021, USA Telephone: +1 212 737 3766 Cell: +1 917 584 0189 www.aanwinc.com email: info@aanwinc.com

OLMEC STONE FRAGMENTARY FIGURE Puebla Middle Pre-Classic Period Circa 900-300 B.C. in blue-green jadeite with beige coloration. Height: 57/ 8 inches (14.9 cm) Width: l5/ 8 inches (4.1 cm) Provenance: D. Daniel Michel, Chicago, IL, acquired in 1959 (#59.056) Important New York Private Collection. Exhibited: Primitive Art from Chicago Collections, The Art Institute of Chicago, Chicago, IL, November -December 1960. High Culture in the Americas Before 1500, The Arts Club of Chicago, Chicago, IL, November 15-December 31, 1982. Published: Allan Wardwell, Primitive Art from Chicago Collections, The Art Institute of Chicago, Chicago, IL, 1960, fig. 1. Everett McNear, High Culture in the Americas Before 1500, The Arts Club of Chicago, Chicago, IL, 1982, pg.2, no.

A La Vieille Russie, Inc. F1 78l Fifth Avenue, New York, NY 10022, USA Telephone: 1 212 752 1727 www.alvr.com email: alvr@alvr.com

Slither on over to see our exceptional antique works of art

A collection of 1840s Swiss gold and enamel snake necklaces

Daphne Alazraki Fine Art D6 424 Madison Avenue, 16th Floor, New York, NY 10017, USA Telephone: 1 212 734 8658 Cell: 1 917 699 7226 Fax: 1 212 717 2344 www.alazraki.com email: fineart@alazraki.com

Jean Cassigneul Les Tentes Bleues Signed and dated lower right Oil on canvas 32 x 255/ 8 inches Provenance: Private Collection, USA Sold with certificate of authenticity from the artist

Ariadne Galleries D12 11 East 76th Street, New York, NY 10021, USA Telephone: 1 212 772 3388 www.ariadnegalleries.com email: info@ariadnegalleries.com

Statue of Venus Pudica Roman First to second century AD Marble Height: 94 cm Provenance: Private Collection, UK, before 1967; acquired from Arcade Gallery, Old Bond Street, London, 1970; Private Collection (D.M.), Oxford, UK, 1970-2014. Published: Sothebyâ&#x20AC;&#x2122;s London, 27 November 1967, lot 81; Apollo, 1969, p. 135.

Galerie ARY JAN C5 38 rue de PenthiĂ¨vre, Paris 75008, France Telephone: +33 1 42 61 42 10 Cell: +33 6 07 88 75 84 www.galeriearyjan.com email: contact@galeriearyjan.com

Pascal DAGNAN BOUVERET The Concert Signed and dated 1883 lower right Oil on canvas 45.28 x 34.65 inches (115 x 88 cm) Provenance: French Private Collection

Veronique Bamps A14 41 Avenue Hector Otto, Monaco MC 98000, Monaco Telephone: +377 9797 3757 Cell: +33 643 91 74 65 Fax: +377 9797 3757 www.veroniquebamps.com email: info@veroniquebamps.com

Cartier 20th Century Tiger bracelet in yellow gold set with fancy yellow diamonds, white diamonds, onyx and emeralds. Cartier Paris

Jean David Botella D3 42, rue de Seine, Paris 75006, France Telephone: +31 1435 43388 Cell: +33 608 161937 email: botella.jean-david@wanadoo.fr

Line Vautrin â&#x20AC;&#x153;Folieâ&#x20AC;? Circa 1968 Signed Line Vautrin Medium: Talossel 31.2 x 23.4 inches

Tudor spoons, left to right: Baluster Knop, London 1553, maker’s mark a crescent enclosing a mullet. 6.9 inches (17.4 cm) Slip Top, London 1506, maker’s mark a cock’s head. 6 inches (15.3 cm) St Simon Zelotes Apostle, London 1510, maker’s mark a lamb. 7 inches (17.8 cm)

J.H. Bourdon-Smith B6 24 Mason’s Yard, Duke Street St. James’s, London SW1Y 6BU, UK Telephone: +44 (0)20 7839 4714 Cell: +44 (0)7769 974366 Fax: + 44 (0)20 7839 3951 www.bourdonsmith.co.uk email: enquiries@bourdonsmith.co.uk

W.M. Brady & Co. D4 22 East 80th Street, New York, NY 10075, USA Telephone: 1 212 249 7212 Cell: 1 917 744 9095 email: mark@wmbrady.com laura@wmbrady.com

ADOLPH VON MENZEL Breslau 1815-1905 Berlin Half-length study of a Young Man Wearing a Hat Signed with the artist’s initials, upper right, A.M. Carpenter’s pencil, with stumping, on Whatman paper; watermark, [WH]ATMAN/[1]875 7¾ x 47/ 8 inches Provenance: Private collection, Berlin

James Carroll Beckwith The Hat Bath Circa 1893 - 94 Signed “Carroll Beckwith” upper right Oil on canvas 21½ x 15¾ inches Inscribed “Mr J.C. Beckwith / 58 W. 57th St” on the stretcher

Thomas Colville Fine Art, LLC B1 111 Old Quarry Road, Guilford CT 06437 USA Telephone: 1 203 453 2449 www.thomascolville.com email: tlc@thomascolville.com

Sandra Cronan B10

16 Albemarle Street, London W1S 4HW, UK Telephone: +44 (0)20 7491 4851 www.sandracronan.com email: enquiries@sandracronan.com

Van Cleef & Arpels A magnificent pavĂŠ set vivid yellow diamond brooch in the form of a rose stem. Mounted in 18 ct yellow gold. Van Cleef & Arpels, New York.

Douglas Dawson A5 224 South Michigan Ave, Suite 266, Chicago IL 60604, USA Telephone: 1 312 226 7975 Fax: 1 312 226 7974 Cell: 1 312 953 9839 www.douglasdawson.com email: info@douglasdawson.com

Commemorative Head Akan culture, Ghana 18th Century Height: 8 x 6 x 6 inches Earthenware

Camilla Dietz Bergeron Ltd F5 818 Madison Avenue, 4th Floor, New York, NY 10065, USA Telephone: 1 212 794 9100 www.cdbltd.com email: info@cdbltd.com

A Bulgari yellow gold, white enamel, diamond and emerald “Serpenti” watch with a Jaeger-LeCoultre movement. Circa 1975.

Drucker Antiques F8 487 East Main Street, Suite 197, Mount Kisco, New York NY10549, USA Telephone: 1 914 923 4560 / 1 212 794 8536 Cell: 1 914 419 2295 Fax: 1 914 206 9623 www.druckerantiques.com email: bill@druckerantiques.com

Jean Arp Tete Bouteille Et Moustache Arp 23/100 Sterling Silver Jadite 1960 18.5 inches long Jean/Hans Arp (1887-1996) ‘Tete Bouteille at Moustache’ necklace in sterling silver with jadite. Limited edition necklace No. 23 of 100

Martin Du Louvre E7 69 rue du Faubourg Saint HonorĂŠ, 75008 Paris, France Cell: +33 (0) 680175101 www.martindulouvre.com email: 69faubourg@gmail.com

Duane Hanson 1925 - 1996 American School Uncle Sam and the American Eagle 1950 Oil on board 57 x 43 cm Monogrammed on lower: DEH Inscriptions on verso: Monogramme DEH/Duane E Hanson / Feb. 1950 Cream colored and olive green glaze. Provenance: Private collection: the heirs of Sperry Andrews III, Wilton, Connecticut.

European Decorative Arts Company E3 85 Birch Drive, Roslyn, New York, NY 11576, USA Telephone: 1 212 758 3023 Cell: 1 516 643 1538 www.eurodecart.com email: eurodecart@gmail.com

Roman Micromosaic Tabletop Medium: Micromosaic, Giltwood base Italian, Circa 1820 Diameter: 20Â˝ inches

Finch & Co. A2 Suite 744, 2 Old Brompton Road, London SW7 3DQ, UK Telephone: +44 (0)20 7413 9937 Cell: +44 (0)7768 236921/7836 684133 Fax: +44 (0)20 7581 4445 www.finch-and-co.co.uk email: enquiries@finch-and-co.co.uk

A rare Russian steel and gilded bronze ormolu bust of Louis XVl of France on a cast chased and gilded bronze mounted red porphyry base. Late 18th century Circa 1775 â&#x20AC;&#x201C; 1790 10 inches high (25.5 cm) 4Â˝ inches square (11.5 cm) Ex collection Astrop House, Kings Sutton, Northamptonshire

Peter Finer D1 38-39 Duke Street St Jamesâ&#x20AC;&#x2122;s, London SW1Y 6DF, UK Telephone: +44 (0)20 7839 5666 Fax: +44 (0)20 7839 5777 www.peterfiner.com email: gallery@peterfiner.com

Italian fashion of the 16th and 17th century

N & I Franklin C2 11 Bury Street, St Jamesâ&#x20AC;&#x2122;s, London SW1Y 6AB, UK Telephone: +44 (0)207 839 3131 Cell USA: 1 646 852 8034 www.franklinsilver.com email: suzy@franklinsilver.com

A Coffee Pot with fruit wood handle, the body with flat-chased decoration and engraved with a contemporary armorial, made by Paul de Lamerie in London 1739.

Bernd Goeckler Antiques, Inc. D9 30 East 10th Street, New York, NY 10003, USA Telephone: 1 212 777 8209 Cell: 1 646 8249644 Fax: 1 212 777 8302 www.bgoecklerantiques.com email: bgantiques@mac.com

Desk and Chair Ado Chale (b 1928) Belgium, 1965-70 Solid oak desk and chair, covered in cross cut disk-shaped pieces of bovine bone which are set in black resin. The desk features four drawers, the chair is raised on inserted casters and has an adjustable angle back support. Only three copies of this set were produced. Pictured in the 1965 catalogue of Ado Chaleâ&#x20AC;&#x2122;s studio in Brussels. Certificate of Authenticity signed by Ado Chale.

Bernard Goldberg Fine Arts, LLC E11 New York, USA Telephone: 1 212 813 9797 www.bgfa.com email: info@bgfa.com

A Special Exhibition New York, As They Saw It 1900-1950

Stuart Davis (1894-1964) Theatre Crowd, 1911

14 x 18½ inches

Exhibited: “Stuart Davis: The Amazing Continuity,” organized by the American Federation of Arts, traveling to: Terra Museum of American Art, Chicago, 12/92-2/93; Middlebury College Museum of Art, Vermont, 3-5/93; Marion Koogler McNay Art Museum, San Antonio, TX, 5-7/93; Center for the Fine Arts, Miami, FL, 8-9/93; Joslyn Art Museum, Omaha, NE, 2-4/94; the Phillips Collection, Washington, DC, 5-7/94.

Provenance: The artist Estate of the artist; New Jersey Private collection, New York

Recorded: Wilkin, Karen and Kachur, Lewis. “The Drawings of Stuart Davis: The Amazing Continuity,” Abrams with the American Federation of Arts, 1992, color illus. no. 6, p. 49.

Watercolor on paper Signed and dated (at lower right): Stuart Davis 1911

Galerie Marc Heiremans E5 Rue Joseph Stevens 25, Brussels, Belgium 1000 Telephone: +32 2 512 80 58 Cell: +32 478 28 03 08 www.marc-heiremans.com email: info@marcheiremans.com

Fulvio Bianconi Pezzato Arlecchino Glass Acid Stencilled Height: 36cm 1951 IXa Triennale di Milano, 1951.

Brian Haughton Gallery E1 15 Duke Street St Jamesâ&#x20AC;&#x2122;s, London SW1Y 6DB, UK Telephone: +44 (0)20 7389 6550 Fax: +44 (0)20 7389 6556 www.haughton.com email: gallery@haughton.com

A rare and Documentary Silver-Mounted Meissen Tankard dated 1745, painted and signed by Johann Gottfried Nitzschner with a huge spray of European flowers. Height: 8 inches (21 cm) Crossed Swords Mark in underglaze blue to the underside, pressnummer 20 and painter's monogramm JGN in puce.The silver-gilt mounts set with a Brunswick coin of 1688 and inscribed Hinrich Tamm / Anna Tammen/ HS 1745, maker's mark PS struck twice. The flowers will almost certainly be copied from the engravings of Johann Wilhelm Weinmann's Phytanthoza Iconographia, published in Regensberg in four volumes between 1737-1745.

Brian Haughton Gallery E1 An extremely rare and complete Nymphenburg Rechaud or food warmer, probably modelled by Johann B. Haringer. The front featuring a triple arcaded opening to the interior where the silvershaped vessel for the fuel is placed, complete with the ceramic wick support. Surmounted with a Phoenix with outspread wings rising from the flames. Circa 1765 Height when assembled and complete: 13.5 inches (34.5cm) Impressed shield marks and underglaze blue mark to the underside of the fuel vessel and the wick support. Provenance: Prince Hohenlohe-Shillingsfurst. Alfred Ziffer, Nymphenburger Porzellan, Sammlung Bauml Collection, 1997, p. 251, no. 737.

Brian Haughton Gallery E1 15 Duke Street St James’s, London SW1Y 6DB, UK Telephone: +44 (0)20 7389 6550 Fax: +44 (0)20 7389 6556 www.haughton.com email: gallery@haughton.com

An extremely rare pair of Meissen Cats modelled by J.J.Kaendler. Circa 1740 Height: 7¾ inches. (18.3cm) Cross swords mark in underglaze blue. The models are first recorded in Kaendler’s taxa report for Sept 1736, which lists: ‘Stuk Kleine Katzgen aufs Lager in Thon poussiert, Davon eine sitzend, die andere aber, wie sie eine Maus in Maule hat vorgestellet ist.’ (2 small cats modelled in clay in the storehouse, of which one is seated, the other with a mouse in the mouth). See Carl Albiker, Die Meissner Porzellantiere in 18. Jahrhundert, Berlin, 1959, p 24, no. 216 for the companion holding a mouse and work record entries for 1736, 1741, and 1740-1748 relating to both models. A similar rare pair of cat models with ormolu mounts in the collection of Sir Gawaine and Lady Bailey. Leeds Castle.

An extremely rare and highly important Pair of Hochst Fayence Seated Pug Dogs, highly naturalistically painted with cream bodies washed in yellow and with black detailing to the hair and the face, both on slightly domed green oval bases.

Brian Haughton Gallery E1

Circa 1750 Height: 4 inches (10 cm) Length: 5 inches (12.8 cm) H and wheel mark in black

John Howard F4 Heritage, 6 Market Place, Woodstock, Oxfordshire OX20 1TA, UK Telephone: +44 (0)1993 812580 Cell: +44 (0)7831 850544 Fax: +44 (0)1993 812580 www.johnhoward.co.uk email:john@johnhoward.co.uk

English pottery dessert service hand decorated with botanicals, Don Pottery Yorkshire Circa 1810

Hyde Park Antiques Ltd F3 836 Broadway, New York, NY 10003, USA Telephone: 1 212 477 0033 Fax: 1 212 477 1781 www.hydeparkantiques.com email: info@hydeparkantiques.com

An important pair of George III satinwood and marquetry demi-lune commodes in the manner of Mayhew and Ince. Circa 1780 Height: 36 inches (91.44 cm) Width: 48 inches (121.92 cm) Depth: 24Â˝ (62.48 cm) Provenance: The collection of the Late Mrs John E Revensky, 1957 Acquired from JJ Wolfe (Antiques) Ltd., September, 1973 Literature: F Lewis Hinckley, Metropolitan Furniture of the Georgian Years, New York, 1988, p.166, plate 132

Imperial Fine Books A11 790 Madison Avenue, New York, NY 10065 Telephone: 1 212 861 6620 Cell: 1 201 294 3874 www.imperialfinebooks.com email: info@imperialfinebooks.com

The Writings of Honore De Balzac Published: London, The Caxton Society 1906. 40 volumes. Extra illustrated, each inner covers with a paste down watercolor. Limited to ten copies, sumptuously bound in full wine morocco.

Imperial Oriental Arts B14 790 Madison Avenue, New York, NY 10065, USA Telephone: 1 212 717 5383 www.imperialorientalart.com email: imperial200@aol.com

A Fine Carved Celadon Brush Pot Painted in underglazed blue and copper-red with landscapes. Kangxi period (1662-1722) Height: 6 inches (15.2cm)

Gallery Japonesque E9

Face it.

anonymous Japanese Kannon figure, riding on turtle detail circa 1800 Boxwood H. 5 x 3.25 x 2.5 inches

Gallery Japonesque E9 824 Montgomery St, San Francisco, CA 94133 USA Telephone: 1 415 391 8860 Cell: 1 415 533 5151 www.galleryjaponesque.com email: info@japonesquegallery.com

Katharina von Werz Haareschwingende-Hair swinging detail 2008 Bronze H. 18 x 11 x 10 inches

Kagedo Japanese Art B3/4 PO Box 551, Orcas Island, Washington, WA 98280, USA Telephone: 1 360 376 9077 www.kagedo.com email: kagedo@kagedo.com

Ôhashi Suiseki, 1865 –1945 Pair of two-panel screens mounted with paintings of tigers (right hand screen pictured) Late Taishō – early Shōwa era, circa 1924 –1934 Each screen signed: Suiseki, and sealed twice Mineral pigments on silk 68¾ inches high x 74 inches wide x ¾ inch deep – dimensions of each screen when opened flat

Lesley Kehoe Galleries E12 Ground Floor, 101 Collins St, Melbourne, Victoria 3000, Australia Telephone: +61 3 9671 4311 Cell: 1 347 515 3157 (fair dates only) www.kehoe.com.au email: gallery@kehoe.com.au

Kyoku #3 Lifeâ&#x20AC;&#x2122;s Symphony Maio Motoko 2014 Washi, Gofun, Pigment, White Wax, Tin Foil and antique silk fragments Three screen installation 183 cm x 617 cm 73.2 x 246.8 inches (3 screens) Photo by : Sadao Hoto. Copyright 2015.

Kentshire A1 Bergdorf Goodman, 754 5th Avenue, New York NY 10019, USA Telephone: 1 212 872 8653 Cell: 1 646 704 3224 www.kentshire.com email: info@kentshire.com

An important multicolored gemstone and chalcedony bead clip brooch by Flato, circa 1940. This brooch is pictured in "Paul Flato Jeweler to the Stars" by Elizabeth Irvine Bray, page 61.

Keshishian A15 An Oushak carpet, Turkey, circa 1880, with rare Garden design. 15ft 10 inches x 11ft 10 inches (478 cm x 360 cm)

73 Pimlico Road, London SW1W 8NE, UK Telephone: 44 (0)20 7730 8810 Fax: 44 (0)20 7730 8803

By appointment in New York Telephone: 1 212 956 1586 www.keshishiancarpets.com email: info@keshishiancarpets.com

Galerie Lefebvre B11 5 Quai Voltaire, Paris 75007, France Telephone: +33 (0)1 45481813 www.galerielefebvre.com email: gallerylefebvre@gmail.com

Alberto GIACOMETTI (1901 â&#x20AC;&#x201C; 1966) Exceptional original bronze cast standing lamp known as "Lampadaire Feuille". Model created in 1936 by Alberto Giacometti. 1938-1939 cast. Brown patina executed by Diego Giacometti. Provenance: Purchased directly from the artist by Madame Soulard's parents in 1945. This work is sold with a Certificate of Authenticity by "Fondation Alberto et Annette Giacometti" Ref: 3410.

Lost City Arts A8/9 18 Cooper Square, New York, NY 10003, USA Telephone: 1 212 375 0500 Cell: 1 917 860 0930 www.lostcityarts.com email: info@lostcityarts.com

Harry Bertoia Monumental Bush Form Circa 1960â&#x20AC;&#x2122;s Bronze and Copper 19 x 18.5 x 18.5 inches Estate of Erica Lemle Amsterdam

Holden Luntz Gallery G7 332 Worth Avenue, Palm Beach, Florida, 33480 USA Telephone: 561 805 9550 Cell: 561 632 3999 www.holdenluntz.com email: info@holdenluntz.com

Irving Penn Dior Fur Scarf (Jean Patchett) New York Selenium toned silver gelatin photograph Negative from 1950-51 Printed in 1990 151/ 8 x 151/ 8 inches Signed, titled, dated, initialled in ink. CondĂŠ Nast copyright credit reproduction limitation, credit and edition stamps on the reverse of the mount. One from an edition of 17.

MacConnal-Mason Gallery G5 14 & 17 Duke Street St James’s, London SW1Y 6DB, UK Telephone 44 (0)20 7839 7693 Fax 44 (0)20 7839 6797 www.macconnal-mason.com email: fineart@macconnal-mason.com

Sir Alfred J. Munnings 1878 – 1959 Hop Pickers Returning Oil on canvas Signed C. 1919 20 x 24¼ inches (50.8 x 61.5 cm) Provenance: with James Connell & Sons, London, 1919 with St James’s Gallery, London, 1961 Edgar Astaire Collection Exhibited:

London, James Connell & Sons, exhibition of paintings by A.J Munnings, 1919, No 1

Literature:

To be included in the forthcoming Alfred J. Munnings catalogue raisonné being prepared by Lorian Peralta-Ramos

H.M. Luther G1 A pair of Rare Barchetta Murano Glass Chandeliers 2 of 4 Unique Works by Paolo Venini and Enrico Capuzzo for Venini Commissioned in 1958 for Prof. Palluchini, General Secretary of the Venice Biennale Height: Adjustable Width: 40 inches (101.6 cm) Depth: 6.75 inches (17.1cm)

H.M. Luther G1 The Carlyle, 35 East 76th Street, New York, NY 10021, USA Telephone 1 212 439 7919 Greenwich Village, 61 East 11th Street, New York, NY 10003, USA Telephone: 1 212 505 1485 www.hmluther.com email: info@hmluther.com

Maison Gerard G2 43 & 53 East 10th Street, New York, NY 10003, USA Telephone: 1 212 674 7611 www.maisongerard.com email: home@maisongerard.com

Fragmented Crack (2013) Coffee Table by Based Upon Height: 15.75 inches, Width: 59 inches, Depth: 59 inches, Bronze Image courtesy of the artist

Mathivet Galerie C3 6 Rue Bonaparte, Paris 75006, France Telephone: +33 1 43 54 1900 Cell: +33 607 50 3813 www.galeriemathivet.com email: galeriemathivet@gmail.com

DUNAND Pierre Young Girl Under The Waterfall Signed Pierre Dunand, May 1943 Lacquer wood 75.6 x 23.4 inches FĂŠlix Marcilhac (Jean Dunand) Editions de lâ&#x20AC;&#x2122;Amateur, page 337 for other panels of the set

Lillian Nassau LLC G8 220 East 57th Street, New York, NY 10022, USA Telephone: 1 212 7596062 Fax: 1 212 8329493 www.lilliannassau.com email: info@lilliannassau.com

Tiffany Studios Details of Tulip Table Lamp, Dragonfly Table Lamp, and Peony Table Lamp American, circa 1906 Leaded Glass and Bronze

Frank Partridge E6 7 Thurloe Square, London SW7 2TA, UK Telephone: +44 (0)20 7225 3654 Cell: +44 (0)7801 480548 Fax: +44 (0)20 7581 9387 www.frankpartridge.co.uk email: mail@frankpartridge.co.uk

A Louis XVI Tulipwood and Amaranth Bureau Plat By Montigny Circa 1770 51 x 30 x 31 inches high (129 x 65 x 79 cm) Provenance: Collection - Mandl, sold Paris 25th February 1904, lot 23. Collection - Cognacq, Paris.

Ronald Phillips Ltd B2

A PAIR OF GEORGE III MAHOGANY AND BOXWOOD BREAKFRONT LIBRARY BOOKCASES IN THE MANNER OF JOHN LINNELL

26 Bruton Street, London W1J 6QL, UK Telephone: +44 (0)20 7493 2341 www.ronaldphillipsantiques.com email: simon@ronaldphillips.co.uk

Provenance: 'The Times' newspaper, Printing House Square, London, England; Lock & Co., Knightsbridge, London, England, 1963; Collection of Sir Colville Barclay, Pitshill House, Sussex, England.

Ronald Phillips Ltd B2 English, circa 1790 Height: 117¼ inches (298 cm) Width: 80 inches (203 cm) Depth: 19½ inches (49.5 cm)

Phoenix Ancient Art E2 47 East 66th Street, New York, NY 10065, USA Telephone: 1 212 288 7518 Fax: 1 212 288 7121 and 6 rue Verdaine, 1204 Geneva, Switzerland Telephone: +41 (0)22 318 8010 Fax: +41 (0)22 310 0388 www.phoenixancientart.com email: info@phoenixancientart.com

A Hellenistic marble figure of Dionysus with his foot resting on a recumbrant pantheress Possibly from Pergamon Circa 2nd century B.C. Marble Height: 80 cm Provenance: Gioacchino Ferroni (Jandolo et Tavazzi – Galerie Sangiorgi, Rome, Catalogue de la vente aprés décés de Mr. Joachim Ferroni, April 14th-22nd, 1909, no. 278, pl. LIV); Galerie Helbing, Munich, Griechische Ausgrabungen, June 27th-28th, 1910, no. 519, pl. 12; Hôtel Drouot, Paris, March 13th, 1911, pl. 3; Georges Joseph Demotte (1877–1923), Paris, 1919; Dr. Bres, Villa Fontvieille, Grasse, prior to 1953; French private collection, Paris, by descent.

Phoenix Ancient Art E2

A Corinthian bronze helmet decorated with a palmette and two bearded snakes Greek (Magna Graecia), second half of the 6th century B.C. Bronze Height: 24 cm Provenance: AndrĂŠ Emmerich Gallery, New York, prior to 1980; American private collection, acquired from AndrĂŠ Emmerich Gallery, in New York, December 23, 1981 Published: WRIGHT D.R.E. et al., The Olympics in Art. An Exhibition of Works of Art related to Olympic Sports, New York 1980 n. 2. Exhibited: Museum of Art, Munson-Williams-Proctor Arts Institute, 1980.

Potterton Books B7 The Old Rectory, Sessay, Thirsk, North Yorkshire, YO7 3LZ, UK Telephone: +44 (0)1845 501218 Fax: +44 (0)1845 501439 www.pottertonbooks.co.uk email: ros@pottertonbooks.co.uk

Reference Book – François Linke 1855 – 1946 The Belle Epoque of French Furniture

IL CONTADINO Glass, 1954 Height: 32 cm Marked to the base E. Costantini, M. Chagall, F.A., Venezia, P.A., 1954 Provenance: private collection, Germany Literature: "Egidio Costantini - Il Maestro dei Maestri", p.85 (Similar illustr.) "La terre est si lumineuse, Chagall et la ceramique", Gallimard; p.114 cat. 94 for a comparable form in ceramic.

Sylvia Powell G4 By appointment only Suit 400 Ceramic House, 571 Finchley Road, London NW3 7BN, UK Telephone: +44 (0)20 8201 5880 Cell: +44 (0)7802 714 998 www.sylviapowell.com email: Sylvia@sylviapowell.com

Primavera Gallery F7 210 11th Avenue at 25th Street, Suite 800, New York, NY 10001, USA Telephone: 1 212 924 6600 Fax: 1 212 924 6602 www.primaveragallery.com email: contact@primaveragallery.com

Pendant in 18k yellow and white gold, frosted rock crystal and labradorite by GĂŠrard Sandoz, Paris, c 1928. 4Â˝ x 2 inches Provenance: Barlach Heuer

Red Fox Fine Art C1 At the Red Fox Inn, 2 East Washington St., 2nd Floor, P.O. Box 385, Middelburg, VA 20118, USA Telephone: 1 703 851 5160 Fax: 1 540 687 9766 www.redfoxfineart.com email: tr@redfoxfineart.com

Thomas Hewes Hinckley (American, 1813-1896) Gun Dogs with Game, 1852 Signed T. H. Hinckley/1852 Oil on canvas 36 x 48 inches Provenance: Algonquin Club, Boston, MA, possibly acquired directly from the artist, c. 1852 acquired from The Algonquin Club, 2014 Illustrated: Antiques and Fine Art Magazine, winter 2014, pages 156-158, illus.

Richters of Palm Beach A4 224 Worth Avenue, Palm Beach, Fla 33480, USA Telephone: 1 561 655 0774 Cell: 1 561 685 5524 email: rpbjewels@aol.com

A selection of vintage bracelets by David Webb from our extensive collection of animal bracelets and curffs by the artist.

Richters of Palm Beach A4 224 Worth Avenue, Palm Beach, Fla 33480, USA Telephone: 1 561 655 0774 Cell: 1 561 685 5524 email: rpbjewels@aol.com

An important pair of sapphire and ruby bracelets by Cartier, Paris. Circa 1948

Röbbig München D11 Frühe Porzellane – Kunsthandel, Briennerstrasse 9, 80333 Munich, Germany Telephone: +49 89 299758 Cell: +49 171 65 00 456 Fax: +49 89 223822 www.roebbig.de email: info@roebbig.de

Augustus Rex vase as a birdcage with two birds Model before 1727 (inspired by Japanese Arita ware) Former: George Fritzsche the Elder (1697–1756) Meissen, c. 1730/31 Decoration by Johann Gregorius Höroldt (1696–1775) “AR”-monogram in underglaze blue, inventory number of the Royal Porcelain Collection at the Japanese Palace in Dresden “115-w” Height: 53 cm Diameter: 35 cm

Provenance/Literature/Exhibited or Other: 1730/31 until before 1769: Royal Porcelain Collection of the Polish king and Saxon elector Augustus the Strong (1670–1733), Japanese Palace, Dresden, authenticated by inv. no. “115-w”; no longer listed in the 1769 inventory of the Tower Room of the electoral palace (Residenzschloss) or the 1770 inventory of the Japanese Palace, possibly because it had been used as a gift; 1927–35 Margarethe and Franz Oppenheim Collection, Berlin (inv. no. 329, in red paint); 1936–52 Dr. Fritz Mannheimer, Amsterdam (sale cat. Frederik Muller & Cie., Amsterdam: Antiquités du XVIIIe siècle provenant de la célèbre collection du Dr. F. Mannheimer, Amsterdam, Amsterdam 1952).

James Robinson, Inc D10 480 Park Avenue at 58th Street, New York, NY 10022, USA Telephone: 1 212 752 6166 Fax: 1 212 754 0961 www.jrobinson.com email: info@jrobinson.com

France, circa 1830

Robert Phillips London, circa 1865

Gabriel-Raoul Morel Paris, circa 1815

Rosenberg & Co. F2 19 East 66th Street, New York, NY 10065, USA Telephone: 1 212 202 3270 www.rosenbergco.com email@ info@rosenbergco.com

František Kupka Etude de la série “Circulaires et rectilignes”

Exhibited: “Inspired by History,” Rosenberg & Co., New York, March – May 2015

Circa 1932 Signed on the reverse Gouache on paper

Provenance: Camard & Associés, Paris, “Russian Works, 19th – 20th Centuries,” 19 May 2004, Lot 112 Galerie Berès, Paris Rosenberg & Co., New York

10 x 10 inches

Rountree Tryon Galleries A3 7 Bury Street, St James’s, London SW1Y 6AL, UK Telephone: +44(0)20 7839 8083 www.rountreetryon.com email: info@rountreetryon.com

Sir Alfred James Munnings PRA, RWS (1878 – 1959) A Racehorse in a Stable Oil on board Signed ‘A.J.Munnings’ (lower left) 20 x 24 inches (50.8 x 61 cm)

Samina Inc A16 By appointment only 33 St Jamesâ&#x20AC;&#x2122;s Square, London SW1Y 4JS, UK Telephone: +44 (0)20 3170 6076 Cell: +44 (0)7775 872960 Fax: +44 (0)20 7286 3633 www.saminainc.com email: saminainc@hotmail.com

Dagger and Scabbard with Locket Mughal or Deccan, India 17th Century Blade of jawhar steel, hilt and locket carved from nephrite jade (off-white), inlaid with gold in kundan technique and set with rubies. Scabbard wood overlaid with red velvet (worn), with metal thread trimming (reverse).

Shapero Rare Books B8 32 Saint George Street, London W1S 2EA, UK Telephone: +44 (0) 20 7493 0876 Fax: +44 (0) 20 7495 5010 www.shapero.com email: rarebooks@shapero.com

Johan Blaeu Atlas maior First edition, 11 volumes bound in contemporary mottled calf gilt Amsterdam, 1662 – 65 “The greatest and finest atlas ever published”. A beautiful example with an important provenance and vibrant hand-colouring.

Schillay Fine Art, Inc. C6 520 East 72nd Street, New York, NY 10021, USA Telephone: 1 212 861 8353 www.schillay.com email: richard@schillay.com

Andrew WYETH (1917 â&#x20AC;&#x201C; 2009) Four and Twenty Blackbirds Signed lower left: Andrew Wyeth 1999, Allen Island, Maine Watercolor on paper Provenance: Nicholas Wyeth Private collection, Phoenix, AZ till now (acquired from the above in 2000). Mary Adam Landa from the Wyeth Collection has confirmed that it is currently listed in the Andrew Wyeth Catalogue Raisonne.

Schillay Asian D7 520 East 72nd Street, New York, NY 10021, USA Telephone: 1 212 861 8353 www.cliffleeporcelain.com email: richard@schillay.com Large gold and enamel oval watch depicting views of the Bosphorus: Bridge calibre cylinder escapement entirely pierced and engraved by Rundell & Bridge jewellers to their Majestyâ&#x20AC;&#x2122;s London, circa 1820. Made for the Ottoman Empire. 6cm in diameter.

Cliff Lee (b. 1951) Prickly Melons Signed Cliff Lee 2015 Wheel thrown, applied, porcelain with Imperial yellow glaze 15.25 x 6 inches, 13.25 x 7inches, 9 x 5.5 inches

Librairie Signatures B15 17 Rue Jacob, Paris 75006, France Cell: +33 (0) 668 710956 www.librairiesignatures.com email: pfontana@librairiesignatures.com

TWAâ&#x20AC;&#x2122;s World Map Circa 1945 Height: 68.9 inches Width : 99.6 inches Paper mounted on canvas Exceptional oversized gouache and gold hand colored TWAâ&#x20AC;&#x2122;s world map in a white gold plated frame.

Librairie Signatures B15 17 Rue Jacob, Paris 75006, France Cell: +33 (0) 668 710956 www.librairiesignatures.com email: pfontana@librairiesignatures.com

Salvador DALI Two Indian Ink Calligraphies Indian ink on paper Height: 15.9 inches Width: 12.7 inches Two original Indian ink calligraphies, one signed 1956, on the front and back of a paper leave. Rare study work made for the front page of the book Don Quixote, illustrated by Salvador Dali and published by Joseph Ferret in 1957. The painter produced an accomplished research work playing with the anagram based on the letters “G” for Gala and “D” for Dali.

S.J. Shrubsole, Corp. A6/A7 104 East 57th Street, New York, NY 10022, USA Telephone: 1 212 753 8920 Fax: 1 212 754 5192 www.shrubsole.com email: inquiries@shrubsole.com

Isaac Dighton A Charles II Silver-Gilt Porringer & Stand London 1679 Diameter: 113/ 8 inches Engraved JDM below a ducal coronet, for James, the Duke of Monmouth (1649-1685), first and favorite (though illegitimate) son of King Charles II. When Charles died, in 1684, he was succeeded not by his son Monmouth but by his brother, who became James II. James was a Catholic and extremely unpopular, so Monmouth, a flamboyant favorite and a Protestant, returned from Holland and led the Monmouth Rebellion. He gained support in the West Country but was eventually defeated by the Earl of Feversham and John Churchill (later the Duke of Marlborough) at the Battle of Sedgemoor. He was beheaded at the Tower of London.

Hollis Taggart Galleries, Dai Ichi Arts Ltd A12 18 East 64th Street, Suite 3F, New York, NY 10065, USA Telephone: 1 212 230 1680 Cell: 917 913 9572 & 917 435 9473 www.hollistaggart.com email: hctaggart@hollistaggart.com www.daiichiarts.com email: daiichiarts@yahoo.com

Painting:

Ralston Crawford (1906 – 1978) Corpus Christi, 1975 Oil on Canvas 30¼ x 40¼ inches

Vessel: Kondo Yuzo (1902 – 1985) Living National Treasure Vase with mountain pattern and gold background 11.5 x 11.8 inches Table:

George Nakashima (1905 – 1990) Sliding Door Cabinet before 1958 Walnut pandanus cloth 31½ x 60 x 20 inches

Tambaran Gallery F6 5 East 82nd Street, New York, NY 10028, USA Telephone: 1 212 570 0655 Cell: 1 917 9296596 www.tambaran.com email: m.zarember@tambaran.com

Mask, Punu, Gabon Wood 121/ 5 inches Provenance: Collected in situ by the colonial administrator Octave M. (1885-1976) between 1913 and 1934 Transmitted by descent Private collection

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Erik Thomsen E10 23 East 67th Street, New York, NY 10065, USA Telephone: 1 212 288 2588 Cell: 1 212 300 3244 Fax: 1 212 535 6787 www.erikthomsen.com email: info@erikthomsen.com

Hydrangea in the Rain By Iketani Hiroko (ac. Taisho-Showa eras) Mineral colors on silk Early Showa era (1926-1989), ca. 1930, Japan 68 x 33Â˝ inches

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Carolle Thibaut-Pomerantz D3 Cell: 1 646 322 3570 www.antique-wallpaper.com email: carolle@ctpdecorativearts.com

Four-sided Hathor Capital Sandstone Egypt, Ptolemaic Period, 332-30 B.C. 15 x 17ofinches x 41 cm)wallpaper. Detail a gilt (38 embossed Provenance: Wood-block printed by UPL manufacture, Belgium, circa 1890. ex-collection Antonovitch, 8 rolls available, ranging Paris, fromsince 25 toearly 80 1980s. meters length per roll (82â&#x20AC;&#x2122;-250â&#x20AC;&#x2122;)

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Carolle Thibaut-Pomerantz D3 Cell: 1 646 322 3570 www.antique-wallpaper.com email: carolle@ctpdecorativearts.com

Detail from scenic â&#x20AC;&#x153;Psyche Showing her Jewels to her Sistersâ&#x20AC;? Wood-block printed by Joseph Dufour, designed by Laffitte and Blondel, 1816, France. Full scene: Height: 5ft 7 inches x Width: 7 ft 4 inches

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Axel Vervoordt D2/5 Kanaal - Stokerijstraat 19, Wijnegem 2110, Belgium Telephone: +32 3 355 3300 www.axel-vervoordt.com email: info@axel-vervoordt.com

Hyong-Keun YUN (Korea, 1928-2007) Umber 7 Oil paint on linen 1974 130 x 161.5 cm (51Âź x 64 inches)

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Axel Vervoordt D2/5 Kanaal - Stokerijstraat 19, Wijnegem 2110, Belgium Telephone: +32 3 355 3300 www.axel-vervoordt.com email: info@axel-vervoordt.com

Monumental Head of a Goddess, possibly Aphrodite Marble Magna Graecia, Hellenistic Period, 2nd century B.C. Height: 49.5 cm (19Â˝ inches) Provenance: Private collection, London (Belsize Park), since the 1960s

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