JULIUS RANDLE
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JULIUS RANDLE IS FINALLY WHERE HE’S MEANT TO BE: NEW YORK CITY.
ulius Randle sees Kobe Bryant everywhere.
Does he see the late Black Mamba’s face in slivers of glass or foggy mirrors? Well, no (I don’t think so, at least — this isn’t the Sixth Sense). But Bryant undeniably had such an impact on the New York Knicks power forward that his omniscient presence is omnipresent. (Try saying that one ten times fast.)
“It’s crazy to say, but I see his spirit everywhere, to be honest,” the 27-year-old NBA star shares.
What he means is this: Bryant, whom he played with on the LA Lakers from 2014-2016, left one hell of an indelible impression, to the point that Randle still pulls a ‘What would Kobe do?’ to this day.
When I press him to explain (lest fans believe he really is seeing Bryant’s ghost), he says, “For me, seeing Kobe means being mindful, and being aware, knowing what’s going on around you. Whether it’s training, discipline, or anything else, I’m able to always draw back to the things that he said.” He pauses, and adds, “I mean, those things didn’t click when I was a 20-year-old kid, but man, that shit makes sense now. And the lessons he taught me are everywhere.” Randle was definitely green when he joined the NBA, and very, very young (as well as very, very tall at 6’8”). After one season playing college ball with the Kentucky Wildcats (where he was named a thirdteam All-American), he opted to go pro; he was then chosen by the Lakers as the seventh overall pick in the first round of the 2014 draft. As a 19-year-old kid, still wet behind the ears, it’s no wonder he was so impressionable. Plus, most people never get to meet their heroes. And, if that old adage is true, maybe you shouldn’t though Bryant is clearly an exception given the depth and breadth of his impact.
“I mean, he was already my idol growing up, so everything I learned in the beginning was from watching him on TV, from a distance. But after meeting him, playing with him, he really helped me learn to fall in love with the process of it all, to see my career as a journey, not a destination. I was fortunate enough to play with Kob and learn a lot from him, but my biggest takeaway was having that mentality, that ‘Mamba mentality.’ And so, every year, I go back and reevaluate things, see how I can be better, how I can improve, be a better teammate, be more efficient. I’m constantly reminding myself that I could be pushing myself harder physically and mentally,” Randle admits. And apparently, the Mamba mentality has paid off: in 2021, Randle earned the title of NBA Most Improved Player, an outstanding achievement for someone seven years into his career. In part, this is
why Bryant provides, to this day, even posthumously, a benchmark of what Randle himself aspires to be, every single day. “He taught me that there were going to be ups and downs, but to stay the course and remember my ‘why,’ to never forget my end goal. So I do try to imitate him in certain ways, follow certain things he did. For me, that means having a solid work ethic. I always pride myself on being the hardest worker in anything that I do, and I feel like I get a lot of that from him. I think because I not only grew up idolizing him, but also got to be around him, and study him, that his fabric is within me.”
And last, but not least, “He taught me that winning was the most important thing, always the number one priority.”
Clearly a championship win is something each player shoots for, but for Randle, it’s everything just as it was for his hero. “It’s always number one for me, but it’s really not for everybody in the league. Sometimes meeting a personal goal or just getting to play is more important for some people. But for me, everything I do in life is for a win,” he declares. “How much sleep I’m getting, what I’m eating, what I’m reading, even meditating. I start every day with that, because I know I need to take care of my physical self, but also my mental health, too. I always want it to be geared towards becoming the best version of myself possible, because I want to give us the best possible chance to win every night. Everything that I try to do is geared towards winning for sure.”
That being said, the Knicks haven’t done a lot of winning in the last few years. They closed out the 2021-2022 season with a 37-45 record, missing out on the playoffs for the eighth time in the last nine seasons. But hopefully, this coming season will be one of positive change. The team, which has been built around Randle and young shooting guard RJ Barrett, traded All-Star Kemba Walker and acquired second round draft pick Trevor Keels, center Isaiah Hartenstein, and shooting guard Jalen Brunson. Randle is here for it, saying of Brunson in particular, “I definitely think it’s a step in the right direction. A point guard was a big need for us. I think Jalen is a huge part of what we’re going to do, especially in that position.” Although he does warn that looking at individual players as opposed to the team as a unit is detrimental, and he personally avoids it, noting, “Winning a championship is a process, and it’s not easy. Some people who have won multiple championships might make it look easy, like Steph [Curry], but it’s not. At this level, everybody is a really good player and [has] played at a high level, so for all of us, the most important thing is coming in and establishing that chemistry, having the belief that every time we step on the court, we can win.”
And Randle does believe he can win. In addition to being a spiritual and religious person, he believes that everything happens for a reason (even the horrific start to his professional career, when, after only 14 minutes of playing his very first game with the Lakers during the 2014-2015 opener against the Houston Rockets, he broke his leg and subsequently sat out the rest of the season). The Dallas-born athlete was meant to win state titles in his freshman, junior and senior seasons at Prestonwood Christian Academy in Plano, Texas, and meant to play ball at the University of Kentucky so well — he averaged 15.0 points and 10.4 rebounds per game, accumulating 24 double-doubles to set a freshman standard — for one year before making such an impression on the NBA. He believes he was meant to know Kobe, meant to play with the Lakers, and even meant to be traded to the New Orleans Pelicans — because every move he made was meant to lead him right here to New York City to play for the Knicks through 2025; after his breakthrough season with the team, winning the most improved title as well as becoming a reserve for the 2021 All-Star game and being named to the All-NBA Second Team as a forward the same year, he signed a four-year, $117 million contract extension.
“I believe that God doesn’t make mistakes, that He puts you in places and certain situations for a reason, that He challenges you for a reason. And everything that comes with being in New York is what I’m meant to do and what I’m built for,” he says.
He loves everything about Gotham City, especially now that he’s fully immersed in it, opting to live on the Upper West Side with his family instead of on the fringes in Scarsdale, close to where the team practices in Tarrytown. It’s almost as if he’s experiencing the city for the first time, and as such, his excitement is contagious.
“This is our first year living in the city, and it’s amazing. I loved living in Scarsdale, but you really don’t get to experience the raw energy that New York has there. It’s a great feeling to be in the city on a day-to-day basis and really feel like I’m part of it. I love it. I love the convenience of everything, being able to experience the energy of it. I love the people of the city,” he enthuses.
And that includes Knicks fans in particular. “When I’m in like a flow state, or I’m in the zone, I don’t really hear or see anything, I guess. And while I have always liked fans, it wasn’t until I got to New York that I fully appreciated the difference they can make. The energy in Madison Square Garden is different than playing in any other place.” He pauses. “I remember my first time playing at The Garden. It was my second year in the league, and Kobe’s last. I was like, man, I want to be a Laker for life, but if I can play anywhere else, like, this is definitely the place that I want to be at. If you ask me, ‘Are you meant to be in New York?’ the answer is yes. I know I was always meant to play here. And I’m going to win a championship here, too.”
andle is about to depart for parts unknown with his family on their last pre-season vacation, but he still manages to find time to talk to me late at night from his home in Dallas. The man did say he was efficient, after all, and clearly he meant it.
Right now, we’re talking about what defines him as a player, and a person. He tackles the former first; it is his job to know his strengths and weaknesses, after all.
“As a player, I think what defines me first and foremost is my work ethic, my passion to win, and my ability to never quit. I have a strong desire to improve in every way, and I literally cannot wait to wake up every day and get better. Coming off of every season, it’s always crystal clear to me what I need to work on, and I really just try to take that day by day. I guess you could say that I’m in love with the journey of it all. It’s a process, but the results follow,” he notes.
The proof is in the proverbial pudding given that he had a careerdefining moment in 2021 after being named most improved almost unanimously, receiving 98 of 100 first place votes. “Who wins most improved their seventh year in the league?” he wonders. “But honestly, I feel like every year I’m always more improved than the year before. There have been many times throughout my career when I’ve had to prove myself, and I always tell myself, man, you can do whatever you want if you just put your mind to it.”
This determination, the ability to never quit and to lead others with positivity is, he says, also what defines him as a person. “I don’t like talking about myself so much, but everybody that I’ve talked to about me says that my energy is really contagious, that they can feel my spirit. And I do think that I have the ability to bring people together, to light up a room, to make people feel good about what’s going on, or feel good about themselves. So, I try to really tap into that side a lot.
“But it’s kind of like a double-edged sword, because I wear my heart on my sleeve,” he continues. “I wear my emotions on my sleeve, so if I’m having a bad day, you can tell.”
Which brings me to what defines Julius Randle the most: his family — his “why” for everything — and his responsibility to them. Wife
Kendra, 5-year-old Kyden, and 2-year-old Jayce are his world. In fact, Kyden is a little social media star in his own right, and emulates his father every chance he gets. He also attends every game… which is both wonderful and challenging simultaneously.
“It’s honestly a double-edge sword with that as well because I am, like, his hero. [As an example], last year was a tough year for our team; a tough year all the way around. And my son imitates everything. He sees the good and he sees the bad; he’s just a sponge, taking it all in. So I can’t be arguing with the ref. If I’m arguing with the official, it’s just not a good look, because he sees it, and then he thinks it’s okay.”
That being said, there are good moments too, and these are the ones he obviously wishes his son would replicate. “[Kyden] also sees the joy — everything that goes on behind the scenes — and he sees the results of my hard work. I think that’s the greatest thing for me, being able to give him that experience. And overall, I do it for him, his brother, my wife, my mom, our family. So he gets to see the sacrifices I’ve made, and know that it pays off, too. Being a ble to experience this journey that I’m on — as a player and all the way around — with him is honestly the best part of it all. So, yes, I’m trying to inspire my son, and my family, but I’m also trying to inspire people in New York. I’m definitely trying to be mindful, and to keep the bigger picture in mind as well.”
And, to bring it on home, that bigger picture involves a trophy. “Like I said, I want to win the championship in New York. I have personal goals that I want to achieve. And right now, I’m appreciating the journey every day even more because I’m realizing how fast it goes. I’ve had those moments in my career where I don’t know what’s next or what’s going to happen, and I’ve proven to myself that I can handle it, that I can depend on myself. Every day that I’m able to make a choice to become better is a good day. God gave me the gift of basketball, and I try to use it to the best of my ability, to wake up every day and try to perfect my craft. So, for me, every day is just about enjoying the journey, and just seeing where that journey takes me.”
I have no doubt that with this mentality, Mamba would be proud.
Randle with sons Kyden and Jayce, and wife KendraWHEN I WAS OFFERED A WEEK WITH THE MASERATI GHIBLI TROFEO, I didn’t immediately jump at the chance. I knew that the Ghibli was the younger sibling of the Quattroporte, and thought that it must be an underpowered, weaker family member. Boy, was I wrong.
The Ghibli — the smaller of the two four-door sedans in the Maserati family — is named after a strong, hot desert wind in Libya, also called a sirocco. This Maser comes in four flavors, with varying degrees of power and an increasing base price (see chart below).
The Trofeo (“Trophy”) model is clearly the most robust Ghibli in terms of competence and performance. The twin-turbo V8 engine has 538 lb-ft of torque, sufficient for even the most jaded to experience excitement. The eight-speed automatic transmission can also be operated via the paddle shifters, which is my preference. I especially like the throaty sound of the exhaust coupled with the g-force produced on acceleration.
While not too dissimilar in appearance from the other Ghiblis, it does have some special tri-color badging, a blacked-out grill, and carbon fiber at the front splitter and the front intakes. The V8 needs more air for breathing than the V6, so the Ghibli hood provides open vents, another distinguishing detail. The system is clearly effective, as I had no overheating problems during my time with this
special car. It drove like a dream everywhere I went — not just to the grocery store or around for errands, but also so on some freeway runs and even up to Mulholland Highway.
On top of the base price, “mine” (for the week) had $25,000 in options, most notably the $3,200 “Pelletessuta,” woven Napa leather textile sports seats designed with Ermenegildo Zegna, of the custom-suit fame, so you know they’re top-drawer. An unusual and elegant fabric, it adds a special look to the Trofeo interior. The high-end sound system and anodized red brake calipers are de rigueur these days, and were included on my car ($2,500 and $1,500, respectively).
The Trofeo is a great car for driving — roomy enough for five passengers, a trunk large enough for their belongings, and enough power to thrill them all. The engine sound alone is worth the price of admission, and it’s even adjustable in case you want to tone it down for the neighbors. With the engine designed by Maserati and assembled by engineers at Ferrari, the gorgeous red cylinder heads on the motor portend what’s to come and look good doing so.
My time with the Trofeo ended way too quickly, but so be it. I had a great experience with the car and came away with a new-found admiration for the folks at Maserati who created it.
+
GHIBLI GT $82,300 base 345 hp V6 0-60 mph in 5.5 seconds
+ GHIBLI MODENA $88,900 base 424 hp V6 0-60 mph in 4.9 seconds
+ GHIBLI MODENA Q4 $91,600 base 424 hp V6 0-60 mph in 4.7 seconds
+ GHIBLI TROFEO $118,500 base 580 hp V8 0-60 mph in 4.0 seconds
THIS IS NOT MY MOTHER’S LEXUS. REALLY. HERS WAS AN LS 400, purchased around 1990, and it lived up to the LS designation as a luxury sedan. The younger man I was then was not thrilled with the superinsulated ride, as I wanted road feel. But even then, I had to admit that it was quiet and comfortable.
Flash forward over three decades later and the Lexus of today has a surfeit of models and a panoply of vehicle designations, denoting a brand that has something for everyone. Case in point — the LC 500 (Luxury Coupe with 500 cubic centimeters [CCs] of displacement — which has a pretty direct correlation to power — in this case 471 hp coming from a naturallyaspirated [no turbo or supercharger] muscular V8). The sporty ones among us will enjoy the throaty roar of the exhaust on full throttle, and the almostsprightly feel of the car’s response to acceleration and braking. Those who prefer a more sedate ride will appreciate that this car is an Lexus L (luxury), with leather-trimmed power seats and a transmission so slick it’s hard to discern any shifting going on (note – it has eight speeds, but good luck trying to count them while underway).
Creating the LC500 must be something like creating holy water — you boil the hell out of it — as all of the vestiges of sports car ride and feel have been tamed, smoothed, and luxuriated into submission. That’s not to say that the LC500 isn’t a performer, as it can hang with the others at the “Stop Light Grand Prix.” With a 0-60 mph time of 4.4 seconds and a top speed of 168 mph
(stats provided by Lexus), it’s a respectable athlete. But Lexus has never been known as a manufacturer that focuses on such statistics alone, as they’ve always blended the ability of the car with the comfort, convenience, and ease of driving, all of which, to many of us, add up to a great grand tourer (GT) instead of a car that excels in one or two speed metrics.
“My” Lexus (for a week) was in the Cadmium Orang colorway which, I admit, was not love at first sight. It did grow on me, though, as did my appreciation for what Lexus brought to the GT table. I grew to appreciate the sound and the relative-fury for what they were, and actually enjoyed the ergonomically-designed cooled and heated seats. On top of the base price of $93,050, the build sheet showed a relatively-modest $7,790 in options, which resulted in a sticker price of $102,545 (I have seen some as-tested LC500s priced above $120,000). However, mine did not seem meager in any sense, partly because the options did include the $5,000 Sport Package, with 21” wheels, Alcantara seat inserts, and the $1,220 Mark Levinson 13-speaker sound system.
Though my week with the LC500 was not replete with canyon carving or test-track driving, I enjoyed my time with the car. When I wanted to merge on to the 405 with alacrity (which one can do only if driving between 2:30 and 3:00 a.m.), the abundance of power was quite welcome. When I had a longer drive, especially in traffic, the insulated nature of the Lexus was a welcome respite from the day. All in all, I enjoyed the LC for all that it offered, and also for what it didn’t.
Omega releases eight new models of the famous Speedmaster ‘57 timepiece in new, autumnal colorways.
OVER THE LAST SEVERAL DECADES, THE SPEEDMASTER HAS become an iconic Omega style. Inspired by the complex dynamic between race car drivers and engineers while on the track, the Speedmaster debuted in 1957 as Omega’s first line of chronographs. Since its inception, there have been many iterations of the Speedmaster, including the famous Moonwatch and the Speedmaster ‘57. Originally launched in 2013, the Speedmaster ‘57 makes its grand return this year with eight new models that feature an impressive Master Chronometer upgrade.
Designed through a modern lens, the new Speedmaster ‘57 timepieces sport a slimmer 40.5 mm silhouette and are fabricated in premium stainless steel, but elements of the original style remain, such as the brushed metallic bezel with its “Dot Over Ninety” and the renowned Broad Arrow hands. The new models introduce an elevated range of dial colors, from deep navy blue and burgundy, to black and green gradation, with interchangeable leather straps for the bracelet. Inside, the new Speedmaster ‘57 is equipped with the Co-Axial Master Chronometer 9906 movement, highlighting Omega’s dedication to reaching the pinnacle of precision, magnetic resistance, and performance.
`The Omega Speedmaster ‘57 has become a timeless icon of the brand; in fact, actors George Clooney and Hyum Bin just recently starred in the campaign, revealing their admiration for its revolutionary design.
DESIGNED FOR THE PIONEERS OF AVIATION AND THOSE WHO dare to explore the vast heights of the sky, the new Oyster Perpetual Air-King is a timepiece that embodies the spirit of flight. The history of the Air-King dates back to the 1930s — the golden age of aviation, a period when the aviation industry made massive leaps in aircraft performance, paving the way for future pilots. Several pilots set records while wearing an Oyster, while others used a Rolex watch as an onboard chronometer, solidifying it as a legendary aviation timepiece.
The new model boasts a completely redesigned case, with a crown guard and straight sides like most Professional category models. Its display has been refreshed and balanced with the addition of a 0 before the 5 on the minutes scale — two digits now mark each five-minute interval.
Like its predecessors, the new-generation Air-King has the distinctive black dial — but this edition is enhanced with an optimized Chromalight display, guaranteeing maximum legibility in dark conditions. Additionally, the hands and triangular hour marker at 12 o’clock are filled and coated with new luminescent material — exclusive to Rolex — for a longer lasting, more intense glow. The 3, 6, and 9 numerals are now also visible in the dark thanks to this innovative material.
Finally, the new Air-King is equipped with caliber 3230, a movement entirely developed and manufactured by Rolex, released in 2020 and now fitted on this model from 2022. Caliber 3230 incorporates the patented Chronergy escapement, which combines high energy efficiency with excellent dependability, making the new Air-King the ultimate air companion.
Grand Seiko unveils the new and incredibly sleek SLGH013 in Ever-Brilliant Steel
BY ADRIENNE FAUROTEGRAND SEIKO’S DESIGN INSPIRATION HAS always been derived from nature and the dynamic relationship between storytelling and high watchmaking. Each new timepiece delves deep into the rich history of Japan’s landscape, telling the story of the culture through unparalleled design details in every watch. And so, in true Grand Seiko style, the latest release within the Heritage Collection, the Hi-Beat 36000 reference SLGH013, is symbolic of the melting snow of Mt. Iwate, the mountain that overlooks the Grand Seiko Studio in Shizukuishi.
The sleek style of the light blue dial represents the distinct texture of the snow on Mt. Iwate as it melts during the seasonal transition from winter to spring. The dial is achieved through a multi-step process involving press-patterning to create the texture. This creates a dramatic lighting effect and fashions the one-of-a-kind dial depth that Grand Seiko is known for. Complementing the brilliant radiance of the dial is Zaratsu polishing, which delivers a smooth and distortion-free mirror finish on the upper surfaces of the 40mm case.
This timepiece also makes Grand Seiko design history as the first mainstream creation to feature the high-grade Ever-Brilliant Steel for not only the case, but the bracelet as well. The Ever-Brilliant Steel has a PREN (Pitting Resistance Equivalent Number) value almost two times higher than the standard grade of steel used in high-class watches — catapulting this timepiece’s design into its own echelon. Remaining true to the incredibly high standard to which Grand Seiko holds itself, the movement that powers the SLGH013 is caliber 9SA5, seen through the sapphire caseback, and has a power reserve of 80 hours — an enhanced precision that the Hi-Beat movement can deliver.
Another testament to Grand Seiko’s powerful art of storytelling through high watchmaking, the SLGH013 is steel perfection.
PHOTO COURTESY OF GRAND SEIKOLouis Vuitton launches a limited edition watch to mark the 20th anniversary of the Tambour.
LOUIS VUITTON IS A MAISON THAT CONTINUALLY LOOKS TO its past design DNA in order to catapult the brand into a modern era. Case in point: to commemorate the 20th anniversary of its firstever automatic GMT watch, the Tambour, the brand has launched a new timepiece, the Tambour Twenty, that honors the design of the original timepiece launched two decades ago.
The first iteration of the Tambour timepiece, unveiled in 2002 at the La Chaux-de-Fonds workshop in Switzerland, sported a 39.5mm diameter stainless steel case with a gradient dial in rich chocolate brown with contrasting yellow markers. Today, the new Tambour Twenty chronograph embodies some of the same design codes, retreating back to the deep brown color of the sun-brushed dial with bold yellow hands, while also giving a fresh perspective on the timepiece, as the Tambour Twenty boasts a larger, sportier 41.5mm stainless steel case fitted with a luxurious leather strap. Inside the new timepiece lies the high-frequency LV277 movement based on the Zenith El Primero, the first automatic chronograph ever. Similar to the original Tambour, the Tambour Twenty also
features “Louis Vuitton” across the numbers and indexes for a more subtle, minimalistic style compared to the previous dynamic Tambour iterations designed throughout the years.
The Tambour Twenty is limited to just 200 pieces, which are uniquely numbered on the caseback, and comes in a mini trunk in Monogram canvas (a Louis Vuitton signature), making this timepiece a true collector’s piece. “Watch enthusiasts will recognize all the features that made the Tambour’s design so unique. While this limited edition is a true concentrate of everything that made this watch stand out, it also boasts brand new features that will set it apart for collectors,” notes Jean Arnault, the Marketing and Development Director for Louis Vuitton watches.
Over the last two decades, Louis Vuitton has released over 20 complex versions of the Tambour watch, further proving the Maison’s devotion to high watchmaking and its unparalleled craft; thus, there’s no better way to celebrate its 20th anniversary then by paying homage to the legendary timepiece that started it all.
Hublot partners with internationally renowned contemporary street artist Shepard Fairey to launch a brand-new timepiece.
BY ADRIENNE FAUROTETHIS OCTOBER, HUBLOT HAS SOME MAJOR NEWS: THEY’VE once again tapped artist Shepard Fairey to collaborate on a new timepiece, The Classic Fusion Aerofusion Chronograph All Black Shepard Fairey. On the heels of their 2018 partnership on the Big Bang Meca-10 Shepard Fairey, and the 2020 release of Classic Fusion Chronograph Shepard Fairey limited edition timepieces, Hublot and Fairey are taking their collaboration further by exploring the relationship between art and haute horology as a part of the “Hublot Loves Art” initiative. A North American exclusive limited to just 50 pieces, the new watch fuses Fairey’s signature star mandala with Hublot’s All Black signature design to create a revolutionary monochromatic masterpiece. “[Fairey] is an artist of global significance, but first and foremost, he is an artist of American significance, defining our changing and sometimes challenging times,” notes Ricardo Guadalupe, the CEO of Hublot. “For this reason, it is fitting that we produce an edition exclusively for the North American market that celebrates both the art and the artist and the city he calls home.” The famed artist, painter, graphic designer, activist, DJ, and illustrator is known for breaking
boundaries through his artwork, which is housed in some of the world’s most prestigious galleries and democratically displayed on streetscapes in major cities across the US, and this particular timepiece is a tribute to his home in Hollywood.
At first glance, one can easily get lost in the black depths of the timepiece, but up close, Hublot and Fairey’s stunning design comes to life on the dial and bezel. Housed within this ceramic work of art is the precise chronograph movement, seen through the sapphire caseback and ultimately mimicking the complex outer design.
For Fairey, the mandala became an integral element in the timepiece’s design. “Over the course of my watchmaking partnership with Hublot, I discovered that the mandala — a recurring theme of my work and an ongoing source of inspiration — lives in perfect harmony and balance within a timepiece, and it naturally became the centerpiece for my collaboration,” explains Fairey. “In revisiting this design for a North American exclusive, we took this distinctive shape and married it with the Hublot signature All Black ceramic for a look that fuses our respective artworks together.”
The Chanel Cruise 2022/23 collection has officially arrived, and it’s headed to Miami this November for an exclusive runway show. Embracing the joie de vivre of Monte-Carlo, from motorsports to holiday at sea, the Chanel Cruise 2022/23 collection by Virginie Viard introduces auto-inspired styles, like the driver’s jumpsuit in tweed and the racing helmet à la handbag, as well as stunning sequined numbers. A collection that embodies Karl Lagerfeld’s love affair with Monaco, the cruise collection fuses modern, sporty silhouettes with sophisticated, feminine touches — a design drivingforce that continues to define Chanel.
FASHION
JP
LARSON AND JACQUES BRUNA
MORGAN BIRDWELL
LOCATION
ONE
CLOTHING & ACCESSORIES BY CHANEL
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The Louis Vuitton Fall 2022 Women’s collection first debuted at the iconic Musée d’Orsay in Paris. Despite the historical backdrop of the museum’s sculptures and artwork, the collection was incredibly modern. Juxtaposition is something Nicolas Ghesquière continually plays with at the Maison, and for this collection, Ghesquière reflected on the innocence and fleeting freedoms of young adulthood. From rugby shirts to graphic styles adorned with photographer David Sims’ photographs from the ‘90s, to tailored trousers and blouses reminiscent of school uniforms, the Louis Vuitton Fall 2022 Women’s collection is Ghesquière’s tribute to the natural instincts of the youth. “This collection is dedicated to the youth,” Ghesquière said, “in hopes that it can keep the unresolved poetry of adolescence like a flawless garment — in all its vivid romanticism, inspiring idealism, hope for the future, for a better world, and its dreams of perfection.”
To be a modern luxury brand, one must adapt to the surrounding environment and evolve. Thus, in February 2022, Louis Vuitton opened its doors to the new, groundbreaking fine leather atelier, Oratoire. A testament to the Maison’s unwavering commitment to conscious design, circular creativity, and sustainable practices, Oratoire’s bioclimatic design is an industry first — the first industrial eco-building of its type in France, and the most energy efficient Louis Vuitton site in the world to date.
Without sacrificing Louis Vuitton’s keen eye for architectural design, the stunning Oratoire structure is made from FSC (Forest Stewardship Council) certified wood, ensuring there is sustainable management of the forests it comes from, as well as 100 percent recycled metal. The Oratoire atelier has accomplished sustainable technical feats within the design by focusing on the insulation and orientation of the site, as well as consciously choosing the appropriate materials to conserve heat or cool the air, and strategically implementing natural ventilation techniques to halve the site’s energy consumption in comparison to the existing Louis Vuitton ateliers. Calling upon natural resources, there is a weather station and temperature sensors that activate louvers on the façade, and the use of natural light helps reduce electricity consumption.
From the inside out, the Oratoire atelier represents the Maison’s perseverance in making strides in eco-conscious design.
Setting a new precedent for the next generation of ateliers, Oratoire has proven that sustainable architecture is the future — even in the most demanding ateliers like Louis Vuitton, with it’s uncompromising commitment to high quality craftsmanship. The Maison’s approach to the concept has been a continuous learning experience, with constant improvements being made as they hold themself to the high standards of worldwide environmental certifications, such as HQETM, LEED,® and BREEAM.®
Sustainability in Louis Vuitton transcends the Oratoire atelier. In fact, the Maison eco-designs events, exhibitions, and boutique merchandising windows reduces the environmental footprint of runway shows. Most recently, the brand launched a new iteration of the LV trainer made of 90 percent recycled and bio-sourced materials. Another eco-design feat created by the late Virgil Abloh, the new LV trainer is adorned with the signature ‘Sustainable Development’ logo.
Impressively, by 2025, Louis Vuitton has committed to 100 percent reuse or recycling of all event and window materials, as well as 100 percent renewable energy in production and logistics sites and 100 percent LED lighting to be implemented in all boutiques. There’s no denying that Louis Vuitton is at the forefront of a rapidly evolving industry — an industry that desperately needs to look inward with regards to sustainable practices — and through its sustainable development plan, the Maison has pledged to preserve natural resources and create a positive impact on society.
LEFT: Dior jacket, price upon request; available at Dior boutiques nationwide and at 1-800-929-3467.
RIGHT: Dior jacket, Dior Diorodeo hat, and Dior D-Renaissance choker; all price upon request and available at Dior boutiques nationwide and at 1-800-929-3467.
For the Christian Dior 2023 Cruise Collection, Maria Grazia Chiuri completely immersed herself in the Andalusian culture at the heart of Sevilla. A collection that permeates Spanish culture’s tradition, craftsmanship, and essence, the new Dior Cruise Collection celebrates the local artists and artisans who create Spain’s feminine beauty. From seeking inspiration from famed Flamenco dancer Carmen Amaya, to collaborating alongside artisans like Fernández y Roche atelier to design the hats, and artist Pietro Ruffo and artisan Daniel López-Obrero Carmona to reinterpret the Cordoba leather tradition — which combines carving and painting techniques seen on several of the bags — the Dior cruise collection is teeming with the captivating soul of Sevilla.
STYLIST: DIOR
MODELS: MARYEL / W360, CHAI MAXIMUS / VIVA, EDEN JOI / ELITE, AND PAULA SOARES / PREMIUM HAIR STYLISTS: AUDE GBAZI, CAROLINE SCHMITT, AND SIBEL TEKIN MAKEUP ARTISTS: AYANA AWATA, JULIE CAMUS, NELLY FERREIRA, AND KANAKO YOSHIDA
DIOR BEAUTY
Dior dress, Dior Saddle belt, Dior Idylle flats, Dior D-Renaissance choker, Dior Tribales earrings, Dior Tribales bracelet, Dior Sevilla Star ring, and Dior Rêve d’Infini ring; all price upon request and available at Dior boutiques nationwide and at 1-800-929-3467.
LEFT: Dior dress and gloves, Dior Naughtily-D boots, and Dior D-Renaissance
Dior
price upon
and available
and at 1-800-929-3467.
RIGHT: Dior dress and gloves, Dior Saddle belt, and Dior D-Renaissance choker; all price upon request and available at Dior boutiques
and at 1-800-929-3467.
Dior blouse and skirt, Dior Saddle bag, Dior Epique gaiters, Dior Idylle flats, Dior D-Renaissance Collar necklace, Dior Tribales earrings, Dior Sevilla Star ring, and Dior Rêve d’Infini ring; all price upon request and available at Dior boutiques nationwide and at 1-800-929-3467.
This fall, Brunello Cucinelli and Neiman Marcus are partnering to launch their first-of-its-kind collaborative campaign, titled Muse of the West, as a tribute to the long-standing relationship between the two brands. The campaign features a capsule designed by Carolina Cucinelli, Co-Creative Director and Co-President of Brunello Cucinelli, and her sister Camilla, Co-Head of the Women’s Style team, that nods to the style of the American West with an Italian flair. The collection will be exclusively available at all Neiman Marcus stores across the country and online.
FROM NEW COLLECTIONS TO THIS SEASON’S HAUTEST FASHION COLLABORATIONS, HERE’S EVERYTHING YOU NEED TO KNOW IN THE FASHION INDUSTRY THIS MONTH.
BY ADRIENNE FAUROTEIntroducing perhaps the hottest fashion collaboration to date: Balenciaga / adidas. First debuted at the Balenciaga Spring 2023 New York runway show at the New York Stock Exchange, the Balenciaga / adidas designs reimagine the signature sportswear styles of adidas through the lens of Balenciaga’s keen Creative Director, Demna.
For the Fall/Winter 2022/23 season, the Fendi Men’s collection by Silvia Venturini Fendi immerses us in the incredibly sophisticated world of a gentleman’s wardrobe — with a Fendi twist, of course. The collection introduces a new statement monogram, the O’Lock chain motif, designed in a classic autumnal palette of neutral shades on traditional shirting, handbags, and other accessories, as well as a new range of structured leathergoods like the Peekaboo bag and Baguette bag.
In 1932, Gabrielle Chanel shook the world with the debut of the first-ever High Jewelry collection to exist, “Bijoux de Diamants.” A collection that pulled inspiration from intergalactic wonders to create stunning diamonds that resembled comets, crescent moons, and the sun, “Bijoux de Diamants” became Chanel’s love story to the eternal beauty of the galaxy. Now, 90 years later, Patrice Leguéreau, the Director of the Chanel Fine Jewelry Creation Studio, has revisited the celestial motifs from the inaugural collection to create a modern, high jewelry masterpiece. From the Comète Saphir ring that embodies the glow of the Milky Way, to the Soleil Mademoiselle necklace with a mesmerizing sparkle, the incredibly precious 1932 High Jewelry collection is out of this world.
CHANEL High Jewelry Soleil Dore ring in 18k white gold, 18k yellow gold, diamonds, and yellow diamonds, price upon request.
CHANEL High Jewelry Soleil Dore bracelet in 18k white gold, 18k yellow gold, diamonds, and yellow diamonds, price upon request.
CHANEL High Jewelry Lune Solaire ring in 18k white gold, 18k yellow gold, diamonds, and orange spinels, price upon request.
CHANEL High Jewelry Lune Solaire earrings in 18k white gold, 18k yellow gold, and diamonds, price upon request.
THIS SEASON, INDULGE IN WARMER JEWEL TONES AND STUNNING GOLDS TO MAKE A STATEMENT.
BY ADRIENNE FAUROTE1. Cartier Beautés du Monde High Jewelry necklace in 18k rose gold, diamonds, petrified wood, price upon request; available by appointment only at select Cartier boutiques nationwide and 212-446-3419. 2. Mateo earrings in 18k gold, pearl, and diamond, $52,000; exclusively available at net-a-porter.com. 3. Van Cleef & Arpels “Collerette Mystérieuse” transformable ring from the “Legend of Diamonds” collection featuring rubies, pink sapphires, and diamonds set in 18k rose gold, price upon request; available at Van Cleef & Arpels, www.VanCleefArpels.com, and 877-826-25333. 4. De Beers Jewellers Reflections of Nature by De Beers Namib Wonder Open ring, price upon request; available at debeers.com. 5. Tiffany & Co. Schlumberger® bracelet in platinum and yellow gold with diamonds from the 2022 Blue Book Collection, price upon request; available at select Tiffany & Co. locations, tiffany.com, and 800-843-3269. 6. Pomellato La Gioia di Pomellato High Jewelry Collection Velvet Tie Chain necklace featuring jet, 2 red garnets, and 1,768 diamonds set in 18k rose gold, price upon request; available at select Pomellato boutiques nationwide. 7. CHANEL High Jewelry Soleil Contraste ring in 18k yellow gold, platinum, and diamonds, price upon request; available at select CHANEL boutiques nationwide and 800-550-0005. 8. David Yurman Dianthus Beetle Drop earrings in aluminum with 18k rose and white gold and cognac diamonds, $80,000; available at davidyurman.com.
Right: Louis Vuitton Empreinte Fine Jewelry transformable sautoir necklace in 18k yellow gold and diamonds, $45,500 (approx.); available at select Louis Vuitton stores, louisvuitton.com, and 866-774-8866.
Louis Vuitton Empreinte Fine Jewelry medallion necklace in 18k yellow gold, $12,400 (approx.); available at select Louis Vuitton stores, louisvuitton.com, and 866-774-8866.
Left: Louis Vuitton Empreinte Fine Jewelry ring in 18k yellow gold and diamonds, $7,650 (approx.); available at select Louis Vuitton stores, louisvuitton.com, and 866-774-8866.
Louis Vuitton’s new Empreinte fine jewelry collection is a love letter to the Maison’s rich history. Francesca Amfitheatrof, the Artistic Director of Jewelry and Watches for Louis Vuitton, designs the new collection honoring the Louis Vuitton heritage, from crossed laces in the rings and bracelets symbolizing the leather straps that fasten the Maison’s legendary luggage, to the iconic Monogram Flower stamped into 18k yellow, white, and rose gold pieces. Amfitheatrof’s new designs embody versatility with stacking rings adorned with the LV initials that Georges Vuitton first designed in 1896.
To celebrate the half-centennial anniversary of Bvlgari opening its first boutique in the United States in 1972, the Roman jeweler is launching an extraordinary capsule collection of limited-edition Monete pieces in a rare and precious 18-karat yellow gold, as a tribute to one of the Maison’s most iconic emblems. A capsule collection rooted in history, the Monete collection will debut jewelry pieces inspired by some of Bvlgari’s most beloved styles throughout the years, like Tubogas, gourmette chains, and other creations like flip rings and detachable sautoirs. The capsule collection will be available exclusively at Bvlgari’s New York City Fifth Avenue flagship boutique.
Right: Bvlgari US 50th Anniversary Monete Tubogas bracelet cuff in 18k yellow gold with two antique coins, price upon request; bvlgari.com.
Rumor has it: New Yorkers are in a long-distance relationship with Neinstein Plastic Surgery, regardless of their home base.
BY BROOKE KLAIMANIT’S NOT EVERY DAY YOU FIND TRUE LOVE AT A PLASTIC SURGEON’S office; but, if you’re lucky enough, you’ll surely find love for Dr. Ryan Neinstein, a board-certified plastic surgeon in New York City and the owner of Neinstein Plastic Surgery.
The love for Dr. Neinstein began back when chic New York families started to flock to vibrant South Florida, hoping to achieve an aesthetic that still encompassed the elegant and refined New York look. Because of the top-notch team at Neinstein Plastic Surgery, patients continued to swoon over their mom-bods. Since then, Dr. Neinstein has fallen into many committed long-distance relationships with his patients.
To get the inside scoop on how his booming South Florida Mommy Makeover practice continues to woo patients, Haute Beauty sat down with Dr. Neinstein. Here’s the relationship tea:
Dr. Ryan Neinstein is a board-certified plastic surgeon in New York City and the owner of Neinstein Plastic Surgery. He’s often referred to as the surgeon’s surgeon, because many surgeons choose him as their trusted doctor. As a masterclass instructor and the author of industry safety guidelines, he stresses the importance of hyper-specialization and patient care above all else. He’s also an entrepreneur and speaks frequently on how to harness personal and
team potential in a modern world. His most proud achievement is the loving family he has with his celebrity fitness instructor wife, Lauren Neinstein.
As a grandchild of a Holocaust survivor, Dr. Neinstein has always had it engrained in him to have a true sense of purpose in life.
Growing up, he had a love of team sports and science. One brought him camaraderie, and the other brought him certainty. This led him into the medical field. He believes medicine is the greatest profession there is. Why? It allows you to do things on your own and impact other humans, satisfying all the things he looked for in a profession.
While exposed to practices in training, it always seemed that healthcare was happening to patients and not for patients, and that the ultimate hospitality experience was never top-of-mind to surgeons. Believing in himself, Dr. Neinstein decided to break free from the status quo and do something different.
Eventually, Dr. Neinstein settled on plastic surgery because it’s a specialty that allows not just the reversal of things that have happened to people, but for one to improve people’s lives. As his career grew and he opened the doors of Neinstein Plastic Surgery, he eventually reoriented his time, energy, and effort to mastering Mommy Makeover operations.
Dr. Neinstein has such an affinity for Mommy Makeover operations because, being a husband in a young family, he can understand the hearts and minds of other mothers. Whether they are young or old, he’s seen the physiological and psychological changes mothers experience at home. There’s a genuine connection between him and the patients, making a break-up out of the picture.
On the technical side, a Mommy Makeover operation is a harmonious combination of operating on all parts of the body, reversing things that have been stretched or torn from pregnancy, and enhancing features to make all moms feel beautiful within themselves and not be stuck with the changes brought on by motherhood.
Dr. Neinstein’s personal Mommy Makeover operations are often referred to as ‘Birkin Bodies’ by New Yorkers. This is for two reasons: it’s hard to get on the surgical schedule, and they are on the higher end of the pricing scale compared to other procedures. Essentially, Neinstein Plastic Surgery changes more and gives more, while patients get more. What could be better than that?
The whole practice, from the team to the facility, is optimized for patient care and outcome. A Mommy Makeover, to Dr. Neinstein, is a general anesthetic operation that reverses changes in breasts — typically by lifting and filling. Whether or not they are using implants or fat, the goal is a youthful and perky (but not overly done) breast.
When it comes to the abdomen, Dr. Neinstein and his team reconstruct core muscles, remove extra skin, go through multiple variations of nips and tucks, and re-contour the silhouette with Dr. Neinstein’s signature liposculpting.
Neinstein Plastic Surgery has a long, lean, and athletic desired look. They aren’t going to give you overly done breasts or buttocks; they’re going to make you, the patient, look as good as possible without it being noticeable. That aesthetic — the refined, subtle, Uptown look — is why many patients who’ve relocated to South Florida continue to be infatuated with Dr. Neinstein for all of their surgical needs.
To add to the love affair, Neinstein Plastic Surgery has a custom program to help out-of-town patients with their travel. It involves hotel stays, private nursing, chefs, personal assistants, and anything that can help make their travel and recovery easier.
You can only be as good as your team. From professional sports to surgery, each team member needs to contribute and be equally committed to the patient’s outcome. From the front desk to the nurses, each person is responsible for showing sympathy and empathy to ensure the patient’s experience is loving, positive, and caring at every moment. Having a team committed to that goal is the only way to ensure successful outcomes.
Love is in the air. At Neinstein Plastic Surgery, there are four core values that bond the staff: each person is highly qualified, has a lifelong commitment to learning, is willing to share their knowledge, and is comfortable with feedback. All of these values break down the traditional barriers of a doctor’s office, and are the reasons New Yorkers will continue to be in a long-distance relationship with Neinstein Plastic Surgery, regardless of their home base.
Haute Beauty by Haute Living boasts the most prominent directory of renowned doctors and beauty experts through hauteliving.com/hautebeauty. The expert-curated platform features the latest in industry tips, news and procedures, guiding our readers to the right doctor in their desired market.
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Haute Lawyer is an exclusive, partnership-driven, invitation-only network of select lawyers from top markets in the U.S. At Haute Lawyer, we recognize these leading experts in law and seek to further their success by driving unmatched digital and print exposure.
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404.312.1959
debra.johnston@bhhsgeorgia.com debraajohnston.com
Market: Westlake Village, CA The Arledge Group - Compass
818.519.4429 denise@thearledgegroup.com compass.com/agents/the-arledge-group
Market: New York, Upper West Side Broadway Realty
917.312.4626 | 212.577.2270 ebogod@broadwayrealty.com broadwayrealty.com
Market: Nevada, Henderson, Las Vegas
Huntington & Ellis, A Real Estate Agency in Las Vegas
702.485.7755
darin@dmgluxury.com dmgluxury.com
Market: Belize +501.615.9622
david@remax1stchoicebelize.com 1stchoicebelize.com
Market: Harbor Beach/East Lauderdale, Lauderdale By The Sea, Hillsboro Beach/Hillsboro Shores, Deerfield Beach
954.579.5720
lauderdalebeachhomes@gmail.com floridaluxuryhomesgroup.com
Market: Miami Beach, FL Wolsen Real Estate
305.333.1122 305.333.4555 d@wlsnre.com wolsenrealestate.com
Market: Hawaii, Maui Coldwell Banker
808.276.2004 diane@soldonmaui.net soldonmaui.net
Market: California, West Hollywood Ernie Carswell & Associates at Douglas Elliman Real Estate
310.345.7500
ernie@carswellandassociates.com carswellandassociates.com
Market: Vancouver, Canada
604.818.5888 eklein@kleingroup.com kleingroup.com
Market: New York City, Uptown Foxworth Realty
212.368.4902 eugenia@foxworthrealtyonline.com foxworthrealtyonline.com
Market: New Jersey, Westfield Coldwell Banker Global Luxury 908.301.2038 frankisoldi@gmail.com theisoldicollection.com
Market: California, Calabasas
Frontgate Real Estate | Dana+Jeff Luxury Homes
747.888.0508 danaandjeff@frontgaterealestate.com danaandjeffluxuryhomes.com
Market: California, Newport Beach
Coldwell Banker Global Luxury 949.285.8380 georgina@georginajacobson.com georginajacobson.com
Market: Raleigh, North Carolina Compass
gc@thecoleygroup.com thecoleygroup.com
Market: Greater Sacramento, CA 530.521.7179 haley@thriverealestate.com haleyhaws.com
Market: Vail Valley, Colorado LIV Sotheby’s International
970.390.8383 | 970.845.0400 hbintz@livsothebysrealty.com hbintz@livsir.com coloradolifestyle.luxury
Market: Fairfield, CT 203.246.8395 hyleri@luxelatitudes.com luxelatitudes.com
Market: Incline Village, Lake Tahoe, NV Compass 1 530.581.1400 info@teamblairtahoe.com teamblairtahoe.com
Market: Miami Beach Islands, FL Compass 305.469.7127 jeanie.vidaurreta@compass.com compass.com/agents/jeanie-vidaurreta
Market: Chicago, IL Coldwell Banker Gold Coast 312.981.5500 jenniferwilliams@cbrealty.com jensellsluxe.cbintouch.com
Market: Austin, TX Compass 512.431.2120 heather.hudson@compass.com heatherhudson.com
Market: North Carolina, Charlotte Henderson Ventures
704.492.3426 nilou@hendersonventuresinc.com hendersonventuresinc.com
Market: Tampa, FL Tampa Homestyles
jbrown@tampahomestyles.com tampahomestyles.homes
Market: Washington D.C. The Caputo Group
703.340.7996 jaytherelentless@gmail.com tcgrealestate.com
Market: California, Malibu Pinnacle Estate Properties
310.456.3469 jeffchertow@gmail.com malibudreamhomes.com
Market: Florida, Tampa Bya: Pinellas, Hillsborough Coldwell Banker Global Luxury
813.758.3443 jennifer@jenniferzales.com jenniferzales.com
Market: Highlands, North Carolina Silver Creek Real Estate Group 828.226.1126 | 828.743.1999 jlucke@ncliving.com ncliving.com
Market: Chicago, Illinois 847.877.2215 john@oneillresidential.com oneillresidential.com
Market: North Shore, Long Island, NY
347.395.7133 | 718.229.2922 k.skala@myprimerealtor.com karensellsnewyork.com
Market: Coastal Palm Beach, FL 561.480.8769 kathyrutland@yahoo.com theluxuryportfoliogroup.com
Market: Canada, Toronto The Kevin Crigger Real Estate Team
416.489.2121 kevin@kevincrigger.com kevincrigger.com
Market: Sedona, AZ eXp Realty
480-567-2103 kris@yourpremierteam.net kris.anderson@exprealty.com ilovesedonarealestate.com
Market: Florida, Sarasota
Premier Sotheby’s International Realty 941.587.4894 joel.schemmel@premiersir.com schemmelrealestate.com
Market: California, Beverly Hills Coldwell Banker Global Luxury
310.285.7529 joyce@joycerey.com joycerey.com
Market: Aventura, FL Compass 305.335.1010 karen.matluck@compass.com karenmatluck.com
Market: France, Paris Sotheby’s International Realty
505.690.7192
[for calls outside US, use “011”] Cell 1 kc.martin@sothebyshomes.com sothebysrealty.com
Market: Ponte Vedra/St Johns County, FL Coldwell Banker Residential Brokerage
046.999.993 kim.martin-fisher@elliman.com jennifer.martinfaulkner@elliman.com
Market: California, Venice
Compass 310.702.6299 kris@kriszacuto.com kriszacuto.com
Market: Orlando, FL 407.851.9091 realty@lakenona.com lakenona.club
Market: Telluride, Colorado Engel & Völkers Telluride
970.729.0526 lee.roufa@evrealestate.com leeroufa.evrealestate.com
Market: New York, Midtown East Sotheby’s International Realty 212.606.7668, 917.488.5374 leslies.modell@sothebyshomes.com thelesliesmodellteam.com
Market: Austin, TX 512.944.5472 lisa@lisacopeland.com sellingcentertexas.com
Market: Tennessee The LCT Team
615.790.7400 lisa@lctteam.com lisaculptaylor.com
Market: Pinecrest, FL
305-924-2610 lisahernandez@compass.com opesre.com
Market: Colorado Compass 303.882.2000 lisa.taylor@compass.com compass.com/agents/lisa-taylor/
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503.389.2112 info@luxeoregon.com luxeoregon.com
Market: Palm Beach, FL 561.545.7386 margit@margitbrandtpalmbeach.com margitbrandtpalmbeach.com
Market: Santa Barbara, CA 805.565.4014 Home@MKGroupMontecito.com MontecitoFineEstates.com
Market: Coral Gables, FL Compass
305.439.8311 mauricio@miamisignaturehomes.com miamisignaturehomes.com
Market: La Jolla, CA 858.551.6630 sold@gellens.com gellens.com
Market: Palm Island, FL
luis.dominguez@elliman.com karl.hueck@compass.com
Market: Florida, Coconut Grove Engel & Völkers Miami Coconut Grove
305.913.5499 magnus.jennemyr@evusa.com selectrg.com
Market: Sunny Isles Beach, FL Miami Luxury Real Estate LLC
754.217.1402 mkuzina@miamiluxuryrealestates.com miamiluxuryrealestates.com
Market: Santa Barbara, CA
805.570.5545 maureenmcdermut.com
Market: Vancouver, Canada
778.389.9080 max@maxhasman.ca maxhasman.ca
Market: Florida, Sunny Isles Beach Dezer Platinum Realty
305.988.4351 melissa@dezer.com melissabarragan.com
Skaneateles, NY
315.406.7355 | 212.757.1550 michaelderosa@michaelderosaexchange.com derosaexchange.com
Market: Florida, Marco Island
Premier Sotheby’s International Realty
239.860.7176 michelle@naples.com michellethomasteam.com
Market: Washington, Seattle Realogics | Sotheby’s International Realty
206.612.5771 moira@moirapresents.com moirapresents.com
Market: California, Los Angeles Nourmand & Associates
310.888.3333 myranourmand@nourmand.com myranourmand.com
Market: Pacific Heights/Lower Pacific Heights, San Francisco, CA Compass
415.812.4303 nancy.yeh@compass.com compass.com
Market: Texas, San Antonio Phyllis Browning Company 210.824.7878 pbrowning@phyllisbrowning.com phyllisbrowning.com
Market: Bel Air, Los Angeles, CA
310.748.5410 310.432.6400 mikeeisenberg@sbcglobal.net
Market: Charleston, SC
843.513.2661
michelle@charlestownerealty.com charlestownerealty.com
Market: Sarasota, FL
Premier Sotheby’s International Realty
941.504.9910 moriah.taliaferro@premiersir.com moriahtaliaferro.com
Market: Park City, Utah Sotheby’s
435.901.0659 nancy.tallman@sothebysrealty.com insideparkcityrealestate.com
Market: California, San Francisco Bay Golden Gate Sotheby’s International Realty
415.435.1600 olivia@sanfranciscofinehomes.com sanfranciscofinehomes.com
Market: Caribbean, Cayman Islands Christie’s International Real Estate
345.640.7000 info@provenanceproperties.com provenanceproperties.com
Market: Brickell - Miami, Florida Douglas Elliman Real Estate
305.496.2862 renata.galembeckrohr@elliman.com
Market: Santa Barbara, CA Village Properties
805.565.8600 team@riskinpartners.com montecito-realestate.com
Market: Steamboat Springs, CO Coldwell Banker Distinctive Properties 970.846.7685 robert@teamyazbeck.com coldwellbanker.com/Coldwell-Banker-Distinctive-
Market: Miami Beach, Florida ONE Sotheby’s International Realty 305.281.4727 sandra@fiorenza.cc sandrafiorenza.com
Market: Snowmass Village, CO 970.319.7430 aspensmf@gmail.com rfvproperties.com
Market: Greenwich, CT - Nantucket, MA Compass
203.550.8508 shelly.tretterlynch@compass.com shellytretterlynch.com
Market: Florida 305.989.6884 renier.casanova@compass.com reniercasanova.com
Market: Caribbean, Turks & Caicos Islands Christie’s International Real Estate
649.432.7653 theturksandcaicos.com robertgreenwood.com
Market: Florida, Pinecrest, South Miami Concierge Realty Brokers
305.778.7343 roberta@rgirealty.com rgirealty.com
Market: Brentwood, Los Angeles Rodeo Realty 323.251.5479 scott@scottgoshorn.com scottgoshorn.com
Market: North Miami Beach, FL
786.288.6161 shaynahanson@gmail.com shaynadavidovhanson.com
Market: Dallas, TX
817-929-2059 sherri@theultimateregroup.com sherrimurphyrealty.com
Market: Florida, Ponce-Davis Compass
305.915.2572 stefano.balli@compass.com compass.com/agents/stefano-balli
Market: California, Pasadena Douglas Elliman Real Estate
310.810.4470
tim@thedurkovicgroup.com / greg@thehdgroup.com thehdgroup.com
Market: California, Corona Del Mar VALIA Properties
949.673.0789 tim@valiaoc.com valiaoc.com
Market: Georgia, Sandy Springs, East Cobb Vinings Coldwell Banker Residential Brokerage
404.229.8242 toni@toniitkin.com
Market: New Jersey, Bergen County Special Properties div. of Brook Hollow Group Inc. Realtors
201.390.5880 | 201.934.7111 vgaily@ specialproperties.com specialproperties.com
Market: Palm Beach, FL
The Corcoran Group 561.843.6057
steven.presson@corcoran.com stevenpresson.com
Market: Olde Naples, FL
The Agency Naples
239.231.6164 theagencyre.com/agent/chris-resop
Market: California, Hidden Hills, Holmby Hills, Trousdale Estates
Compass
310.919.1038 info@thefridmangroup.com thefridmangroup.com
Market: Chapel Hill/Durham, North Carolina Compass
919.272.6640
Trish.sweeneylowe@compass.com Trishlowegroup.com
The premier list of the world’s most exclusive properties by some of the most renowned real estate development companies.
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From an eco-road trip with Casey Affleck to a once-in-alifetime journey aboard the Venice Simplon-Orient-Express to a wellness cruise with Gwyneth Paltrow, these are luxury travel transportation experiences you should be dreaming about.
When Gwyneth Paltrow decides to host a cruise party, you know it’s probably going to involve green juice over champagne, but no matter it’s epic all the same. Such was the case in September, when Celebrity Beyond launched its inaugural goop at Sea Experience through Spain, the Italian Riviera, and France. The goop cruise hosted workshops, movement sessions, pop-up wellness activities, and a live, in-person conversation with Queen G herself.
So what was the experience like? Unmissable, of course! Guests dined at Le Voyage by Daniel Boulud, Global Culinary Ambassador Daniel Boulud’s first restaurant at sea;the dining experience Blu for AquaClass guests, with menus featuring clean, crisp flavors and inventive cuisine complemented by an extensive list of sustainable, biodynamic wines;the Spa and Fitness Center, including at-sea fitness programs such as F45 classes and Peloton cycling, 120 rejuvenating and destination-inspired treatments, and the SEA Thermal Suite, with eight distinct spaces to navigate a personalized path to wellness; the Solarium, an adults-only glass-dome-covered pool area; the Aqua Sky Suite, a beautifully appointed suite with a spacious veranda and spa-inspired elements thoughtfully infused throughout, including eco-friendly bath products, yoga mats, and eXhale bedding; a special detox smoothie; and on-demand wellness programming from the likes of Katie Brauer, founder of the Yoga Professional, Noella Gabriel, co-founder and Global President of Elemis, Kimberly Snyder, founder of Solluna, and Ruth Zukerman, co-founder of SoulCycle and FlyWheel Sports.
Alas, while the goop cruise has sailed, the same itinerary can be enjoyed by guests in 2023 aboard Celebrity Reflection, which has offerings that Gwyneth’s did not. These include Michael’s Club for Retreat guests (expect complimentary beverages, gourmet bites, and a comfortable place to unwind, as well as a dedicated concierge who’ll make any arrangements you need — on board or off); special suites with cantilevered showers; a lawn club with eight exclusive, cabana-style retreats, including The Alcoves; the intimate, Hamptons-style casual dining venue, The Porch; The Art Studio, for aspiring artists interested in hands-on classes, some culinarythemed; the open-air, interactive Lawn Club Grill; and special smoothies at the on-site spa café. Goop or no goop, your journey will be epic — we promise.
CASEY AFFLECK SET OUT ON AN ECOFRIENDLY ROAD TRIP UP THE CALIFORNIA COAST. THIS IS WHAT HE DISCOVERED.
IT’S AUGUST 2022, AND I’M TAKING A ROAD TRIP FROM Los Angeles to Portland. The route I’m planning is about 1,200 miles with some zigzagging. It will take six days.
Next week, my son is going to college. He was raised in Los Angeles. He’s moving to New York City. Despite all the traveling I’ve done between the coasts, NYC has never felt as far away as it does now. Although this feels unrelated to what I’m doing, it’s not. My son leaving is the only thing on my mind as I embark on this trip.
But don’t get me wrong, I’m excited to take a certain car out on the open road: the Polestar 2. I first encountered Polestar in Europe, where I was filming a movie earlier this year. The film is science fiction, and for most of it I’m on a space ship headed to Jupiter. There are a few flashbacks to my life on Earth. In those flashbacks, I have a Polestar and a mustache. I liked driving it around, and inquired about getting one in the United States.
And get one I did — partially because I agreed to drive the car up the west coast and write about the journey for Haute Living. But really, I like any excuse to take a long road trip in a great car.
So yes, I’ve taken other road trips. I’ve driven across Europe, South America, Australia, and back and forth across the US and Canada a dozen times. I’ve taken every major interstate. I’ve circled and explored every city in America. I’ve done these trips with my kids, with my brother, with friends, with strangers, with colleagues, with dogs, with my girlfriend, and alone. I love all the little towns and people and the forests and wide open spaces. All of it. I love watching it change — sometimes subtly and sometimes suddenly.
At 23, I drove across Ireland with my mother and her long-time boyfriend. Their relationship was coming to an end (again), so there was some tension, and I didn’t really want visitors on location, so there was some additional tension. They both seemed nervous being on the “wrong” side of the road. Also, for the whole first day of the trip, it rained very hard. I drove fast through this torrential downpour: wipers thumping away sheets of rain but not making a difference, cars whipping past in the “wrong” direction. Nobody spoke. My mom’s boyfriend finally broke one long, tense stretch of silence with a simple, “Jesus.” Looking back, I was torturing them for the misery they put me through in my adolescent years. Everything was fine in the end, but nobody brings that trip up.
Circa 1998, my father was living at a rehab facility in a small desert town in Southern California. He’d bottomed out in Massachusetts a few years earlier. He found his way to an affordable place to dry out once and for all. It was bleak where he was. Desert bleak. My brother followed him west a couple years later, and then I did the same when I graduated high school. Now I was headed back from California to Boston, going home to find work and maybe go back to college. I stopped in to see him. It was 116 degrees and he lived in a bungalow the size of a prison cell, attached to a larger concrete structure. He met me out front. I told him where I was headed. He stared at me skeptically. He smoked. He looked at my car. It was a 1969 Cadillac Sedan de Ville that cost $5,000 and reeked of gas on the inside, no matter how many times I replaced lines or cleaned its floor-mats. He said, “I wouldn’t take it on the highway.” I knew it was old, but I figured he was just trying out some parenting “caution” to make up for lost years. “Your roof will probably come off,” he added. I had no idea what he was talking about. The roof had been on the car for almost 30 years. A lot could go wrong with an old car but usually it wasn’t that the roof came off. I almost voiced this point, but didn’t. I understood that maybe my old man had drank so much over the years that his brains had gotten soggy. “I will be careful with my roof. Thanks, dad,” I said. Then we hit up an all-you-can-eat buffet, hugged, and I got on the I-10 headed east. Five days later the roof flew off my car. It was late at night and I was barreling down a rural road in Tennessee. The sudden noise was terrifying, and I wasn’t sure what had happened. Later, I learned that small air bubbles were visible where the vinyl met the metal above the windshield. This is what the old man spotted. All those long hours at high speeds filled the bubbles and loosened the roof, and it sailed away.
My kids and I take a long camping road trip every summer. We drive and cook and yell at each other. Most often we go coast to coast. Sometimes we explore other countries. Many of our best memories are from those trips. When they were 13 and 10, we drove across seven European countries in three weeks. We slept in a van on the side of the road, or in parking lots, or campgrounds. They coped. So many things went sideways. We were often too cold or too hot. There was boredom, sickness, and annoyance, but they dealt with it. They dealt with it because somewhere deep down inside, they knew that, all told, something good was happening. Those trips brought us closer, showed us new parts of the world and new parts of each other and ourselves. Those trips brought buried things to the surface and cleared the air. Being stuck in a car together does something good for us.
There have been many, many more, but I’m here to talk about a new road trip. The mission, again, is to drive from SoCal to the Canadian border to see what a road trip is like in an EV, and also to see if I can find luxury hotels that make a real effort to be environmentally friendly. To me, this means they have chargers for the electric vehicles, they consider sustainability in hotel operations, and they serve vegan meals. Why vegan meals? Well, because I’m vegan, but also, if you’re vegan for 20 years you’ll save:
These
from the internet and I haven’t verified them, but I like how they sound.
“I love all the little towns and people and the forests and wide open spaces. All of it. I love watching it change — sometimes subtly and sometimes suddenly.”
Los Angeles to Santa Barbara. A short day. I leave late. The trip takes two hours and 100 miles. I start at home with a full charge, and when I arrive at El Encanto, A Belmond hotel, the valet is able to park and plug it in upon arrival, as promised. So great news there, and the hotel exceeds expectations in other ways, as well. It’s luxurious, yet relaxed and low-key, elegant in a Southwestern way. The rooms are big and well appointed. They’re clean and the service is friendly and attentive. The food is great; I have a wonderful vegan dinner and breakfast on the terrace overlooking the Santa Barbara coastline.
I’d planned to drive to the hotel, check in, eat, and drive back to LA for a friend’s wedding party that started at 11 p.m. I walk to my bungalow, enjoying the tranquil grounds and my room that overlooks the pool, toward the ocean. I eat. I decide to take a nap. At 10, I will head back to LA, go the wedding party, celebrate my friends, and then drive back to the hotel. The bed is so big and comfortable that I immediately fall asleep in my clothes on top of the sheets. I miss the wedding party. I feel bad.
But onward. This car I’m in whispers down the road and handles very well at high speeds. I go the speed limit. Totally. Promise. But I bet this car would feel breezy at 110.
As I pull out of town, streets are closed and people are moving around in big throngs. “Fiesta” is happening. It’s a parade I never see but everyone is headed that way. I don’t know much about it, except that people throw painted eggs full of confetti.
People move around for so many reasons. We migrate and wander and seek and follow and adventure and run away. Right now I’m basically wandering. I’m testing this car but also enjoying getting lost.
So far the Polestar is a handsome, quiet, fast, sturdy car.
Air traffic represents less than two-thirds of the global CO2 emissions, whereas road traffic accounts for around 10 percent of these direct emissions. A Polestar 2 will cost you anywhere between $48,000 and $70,000 to purchase, but only around $300 to take a road trip from one end of the country to the other. The cost of charging your electric vehicle on a road trip can vary, but will generally be between $10 and $30 per charge. That means financially, an electric vehicle is the most cost effective method of traveling and the best for the environment. In addition to its environmental and economical advantages, the Polestar 2 is also comfortable and drives well.
So yes, I’m enjoying driving it to my next stop of Monterey, California, which is four hours and 250 miles away. The Polestar 2 tells me I’ll need to stop along the way for a quick charge. I have two route options: traveling down Highway 1, a famously beautiful stretch of windy road, sometimes high up on the cliff’s edge and sometimes down at water level, or the 101, which is inland and mostly has views of dry farms.
Accidentally, I find myself inland. I want to cut across from the 101 to the 1. The road signs (and my phone’s GPS) say this would mean a long, long detour back down to where they intersect, hours south, so I decide to travel by my own internal compass and cut west toward the ocean on a small road that’s eventually marked “closed” (it wasn’t when I began). The hour of driving on this road is my favorite stretch. I know that if the road is really “closed” at some point, I’ll run out of battery and not make it back to a place where I can sleep, charge the car, or find water or food or cell signal. My life won’t be in danger, but it would be a big drag. I go anyway, and the road is beautiful. There are no cars, but there’s wildlife everywhere. The ponderosas are thriving. It’s quiet and pretty and I feel free. The sun is setting and I feel completely different than I did just a few hours ago. As it’s getting dark and I’m more than halfway to the coast, I turn a corner and see a large, locked, metal gate, and have to double back to the I-5. With two percent battery left, I arrive at a charging station and wait for the car to charge. I eat chips. It’s the best day of my trip.
That night I stay at the Portola Hotel & Spa in Monterey, which does not have chargers for any electric cars. However, it’s a pleasant experience; a quaint hotel that does offer some vegan menu items. The highlight of the Portola Hotel, for me, would have to be the fact that it’s so close to the Fisherman’s Wharf and the Monterey Bay, which is where I book a boat to take me out to sea so I can watch whales.
At 7 a.m., I walk down the wharf and find Eddie’s Whale Watch. It’s a grey, chilly morning. The sea is flat. I’ve been whale watching before in Massachusetts. I’m skeptical that I’ll see any whales. Am I a pessimist, or something else? The sea is so big. I find it inconceivable that, in just two hours, I’m going to motor out and see a bunch of whales and then motor home. They move around so much. It all seems impossible.
Captain Dale tells me what to expect — it’s all about the anchovies. The sea lions drive the anchovies down. The whales, coming from deep, drive these same anchovies back to the surface. The anchovies are between a rock and hard place here. They swim deep to avoid being eaten by sea lions. They run into whales coming right at them. The birds also circle around all this carnage hoping to pick something off.
The boat idles on the placid water at dawn. It’s peaceful. Then, Dale points out that in the distance, the water is rippling. A few minutes later, whales appear at the surface. But I’m so far away. This dance happens several times before I finally ask Dale if we can move closer to the action.
He sighs a little. He says, “They will come around.” What Dale is doing is patiently, wisely waiting for the whales to come to him. Chasing them would result in always being in the wrong place. He’s right. Eventually the whales are right next to the boat, and they’re amazing.
I then make my way to San Francisco, which is two-and-a-half hours and approximately 120 miles away. I wasn’t able to charge the car at the Portola Hotel, so I have to stop and charge at an Electrify America charging station in the parking lot of a mall in the middle of nowhere. The Polestar 2 finds the station for us.
Pulling into the bay, I look online for what might be happening. There’s a music festival, Outside Lands. Green Day, Jack Harlow, Phoebe Bridgers, and others are playing. I leave my car in a residential neighborhood and walk into the park, where the festival is taking place.
Jack Harlow has been on tour. He’s jet lagged from playing in Europe. Road life. I don’t know him, but I slip to the side of the stage and watch him from there. His manager is warm and easygoing. After the show, I talk to Jack for a while. We have a mutual friend — Leigh Kilton Smith. He asks about film. I ask about his tour. He’s smart, funny, and friendly. One of my favorite things to do is connect with other performers, to be reminded of the real people behind the public presentation. There’s often a lot of shared experiences that form the basis of a quick friendship.
After the show, I head to Cavallo Point, a luxurious lodge nestled at the northern end of the Golden Gate Bridge. I have a spectacular view of the bridge from my room. It’s so close you can ride to the bridge on a complimentary bike provided by the hotel. I don’t do that. I drive my EV up to the top of a nearby hill, get out, and look at the bridge and the city beyond. If I was transported back in time, I wouldn’t know how to tell the people of the past how to build a bridge like that. There are very few things I’d know how to reproduce for them. Not a phone or a combustion engine, not a toaster or a TV.
My favorite of all the places I stay during this trip is Stanford Inn by the Sea in Mendocino, California. It’s the most unique, eco-friendly hotel I’ve ever had the pleasure of experiencing. As a vegan, I’m pleasantly surprised to learn that they not only have an entirely plant-based restaurant, but that it also has a variety of cuisines on the menu. It’s by far the best fine dining experience I’ve had all week. The folks at Stanford Inn by the Sea grow all of their ingredients within ten acres of the property. The garden is so beautiful; you can tell there’s a lot of love for the plants that are grown there. They even go so far as to take me on a tour of the gardens and teach me how to grow my own crops, too. The organic produce, herbs, and fruit used at the Stanford Inn’s Ravens Restaurant substantially reduce their carbon footprint, and they compost all food and organic wastes, which are recycled into their gardens, virtually eliminating the use of outside fertilizers. They also have a curated library, and some of the guests are quite peculiar and unusual, such as llamas, horses, and donkeys. There’s a fireplace in my room, which is very cozy, and they provide wood, kindling, and matches for you. There’s an indoor saltwater pool, yoga classes, and a sandy river beach with kayak rentals, plus local artwork and views of the ocean. I find the whole stay to be quite peaceful. Like icing on a cake, it turns out they also have ample electric chargers that are compatible with all electric vehicle models. Plus, the owners and managers of the property could not be nicer. The breakfast is one of the best vegan breakfasts I’ve had that wasn’t home-cooked. In the morning, I walk down to the river and jump in, Wim Hof style.
Driving, driving, driving, and then I arrive at Tu Tu’ Tun Lodge. I arrive so late that I can’t get in. I also have no charge on the car and can only recline the seats and go to sleep. I like this because I remember, after a long day, that I don’t care at all where I am or how flat the bed is. A night manager finds me prone in the front seat and says they can unlock a room. When I wake in the morning, the view from the bedroom looks across a sloping lawn to a wide river and woods beyond. I eat outside and then walk down to the river and slip in. The current is strong and the water is cold. The car was never unpacked, so I’m on the road right away.
Still driving. The Oregon coast is very nice. My last stop is the Kimpton RiverPlace Hotel, which occupies a picturesque spot on the Willamette River just south of downtown Portland. The clean, quiet, and spacious room exudes a stylish designer touch that sets it apart from typical chain hotel fare, and it’s really green, too. The Kimpton RiverPlace Hotel not only has chargers compatible with a Polestar 2, but they also have vegan doughnuts available for me in my room, which is nice (despite not being Dunkin’). I consider seeing some friends on Suave Island who live on a blueberry farm. It’s 125 minutes from downtown, and after dinner, I head out, but the rain turns me back. It’s definitely not beach weather, not even bonfire weather. I’m tired. It’s time to go home.
“I’ve always felt compelled to blaze my own trail, to go leftwhere others went right....”
In conclusion, the car is great. It’s fun to drive, comfortable, does what you want, looks good, and had no problems at all. I loved it. The hotels were, for the most part, meeting the new era of “green” living.
My favorite stretch of road was the closed one. I’ve always felt compelled to blaze my own trail, to go left where others went right, but even the choir needs practice, and the closed road reminded me that so much treasure is hidden off the beaten path. The ponderosas are the things I’ll remember from this trip.
I am happy to go home. Each day I have been thinking more and more about my son. For 18 years he has been under my roof. In a few weeks, he will move 3,000 miles away. I know he will be fine. It isn’t his safety or success that I worry about. His happiness is what I want. But maybe this, too, is foolish. He will be happy and sometimes unhappy. No life should be anything else. Of course, I hope he will experience more of the former. What I should wish for him is a full life, of ponderosas, loving travel companions, and whales. But I know that he already values these things. I know that he will seek them out. I know that he meets the fear of the unknown and far away with a brave and curious heart.
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“I like any excuse to take a long roadtrip in a great car.”
Etihad Airways just unveiled its gorgeous new Airbus A350-1000 on a special inaugural commercial flight from Abu Dhabi to Paris, which is indicative of what’s to come from the most premium of commercial airlines. The aircraft features a RollsRoyce Trent XWB engine, which provides 25 percent less fuel burn and CO2 emissions than previousgeneration twin aisle aircraft, as well a calming new cabin interior inspired by the shadows cast by Abu Dhabi’s palm trees. The atmosphere emulates natural, ambient light and is designed to provide an optimum environment for sleeping, which, in turn, is meant to reduce the effects of jet lag. The elevated Business Class is home to 44 Business Studios with sliding doors that provide a high level of privacy to each suite. Noise-cancelling headphones and an 18.5” TV screen provide an almost cinematic experience, while the seats themselves cleverly feature built-in wireless charging docks and Bluetooth headphone pairing, as well as Acqua di Parma toiletry kits. There’s also a “dine any time” meal service, with fare made to order and dinner specially served on white linen tablecloths and real china. Travelers need to note that there are currently no Etihad Airways Residences — the most expensive seat in the sky at $64,000 a ticket — currently operating anywhere in the world. But the good news is that its Etihad Stopover Program still exists, giving travelers the option of staying overnight in Abu Dhabi during their layover, choosing from several experiences that suit upscale travelers:the Jetsetters option, which includes a five-star hotel in the island city at a 40 percent discount, or Transit Connect, where guests on eligible routes can book a complimentary hotel near Abu Dhabi International Airport if their flight connection time is between 10 and 24 hours — a wonderful way to be able to see local landmarks like the Louvre Abu Dhabi, the stunning architecture and ornate designs of Qasr Al Watan and the Sheikh Zayed Grand Mosque, as well as the theme park attractions at Yas Island.
If you’re looking for the most gourmet experience in the sky, Air France has you covered. The airline recently unveiled new gastronomic menus created by multiple Michelin-star-holding French chefs, Michel Roth and Anne-Sophie Pic. Roth, who holds honors including Bocuse d’Or and the Meilleur Ouvrier de France, has created a new series of resolutely French, gourmet and refined dishes for customers in the La Première cabin, inclusive of Caviar Sturia accompanied by a pancake with smoked fish cream; lobster medallions with green asparagus and raspberry vinaigrette;tender beef and pan-seared foie gras with a truffle sauce, stir-fried asparagus, and porcini mushrooms; and shrimp in lobster sauce perfumed with tarragon, red rice, and baby spinach. Meanwhile, triple Michelin-starred chef Pic has concocted eight tasty dishes for optimum enjoyment in the Business Cabin, including saithe with seaweed, lovage sauce, Camargue red rice, spinach, and fennel compote; artichoke barigoule, creamy polenta, smoked vanilla Burrata, and tangy tomato coulis; and seashell pasta with chard, lemon coulis, lightly smoked goat cheese cream, and roasted pumpkin seeds. By the end of 2022, the airline is committed to offering 100 percent French meat, dairy products, and eggs, as well as sustainably caught fish, on all its flights from Paris.
Turkish Airlines has long been one of the world’s most elite commercial carriers, but now the airline has a lofty goal: to make its hub, the state-of-the-art Istanbul airport, the world’s largest international travel destination, with an eventual capacity of 200 million passengers — an imminent goal, given that it’s centrally located between the continents of Europe, Asia, and Africa, flying to more countries and international destinations than any other airline in the world (including 17 gateway cities in North America). The experience starts at IGA’s gorgeous new lounge (staffed by stylish employees wearing couture, courtesy of Milan-based haute couturier Ettore Bilotta), which is chock-full of exquisite culinary offerings, including Turkish delight and baklava, as well as a roving masseuse for good measure. Meanwhile, the flight experience itself is supreme, given that Dreamliners are the jewels in the crown of Turkish Airlines’ young and fastgrowing fleet of 388 planes, with each Dreamliner featuring the carrier’s bespoke, all-new Business Class cabins. With lighting that draws inspiration from the colorful sunsets of Turkey’s dreamy Cappadocia region and idyllic turquoise beaches of Bodrum; enhanced privacy panels; self-care mirrors; wide cocktail tables; 180-degree full-flat, 76-inch seat beds; suede-like Alcantara padding (commonly found in sports cars); a snack bar; a dedicated in-flight chef; noise canceling headphones; flow sleeping sets; upscale Coccinelle and Hackett amenity kits; Turkish coffee and Turkish delight service; and even lavatories with live plants, it’s a truly enjoyable upscale experience.
Talk about once in a lifetime! On June 5th, Veuve Clicquot invited guests to celebrate its 250th anniversary by curating a two-night journey that led guests from all over the world to their crayères in Champagne, France, aboard the Venice SimplonOrient-Express, a Belmond Train, and finally to Cipriani, A Belmond Hotel, in Venice, Italy.
The journey began in Reims, where sojourners were treated to a privileged peek inside the crayères of Veuve Clicquot champagnes. Didier Mariotti, the 11th Cellar Master since the foundation of the house in 1772, led the elite crew through a tasting of cuvées — including Brut Carte Jaune, La Grande Dame 2012, Vintage 2002, Cave Privée 1989, and Cave Privée 1995 — which was paired with an sensorial experience and sea-specific menu by chef Philippe Mille of the restaurant Le Parc, in a setting designed by Charles Kaisin that was reminiscent of one of Harry Potter’s Great Hall feasts.
Once on board later that day, passengers checked into their cabins — the best of which were six distinctly different grand suites that embody the ambiance of the cities they were named for (Paris, Vienna, Prague, Budapest, Istanbul, and, of course, Venice) — before enjoying aperitifs and an exquisite dinner prepared by celebrity chef Jean Imbert of Plaza Athénée and Dior Paris. In keeping with the theme of the experience — Solaire Culture — guests rose to see the sunrise in Austria.
Upon arrival in Venice, train guests were transferred to Cipriani, a Belmond Hotel, on Giudecca for a magical night’s stay, with an evening involving Carnival masks, a sunset spectacle with traditional Italian aperitivos, and a dinner of epicurean delights courtesy of Michelin starred Italian chef Ricardo Canella, as well as a slew of dazzling cuvées, of course.
While the this trip cannot be repeated, all experiences can be booked separately, from private tours at the Veuve Clicquot cellars, to a journey aboard the Venice Simplon-Orient-Express, to a splendid stay at the Cipriani, a Belmond Hotel.
CHAMPAGNE IS CELEBRATION IN A BOTTLE. WHILE THIS IS A SENTIMENT HELD BY MANY, this year, it’s especially true to Veuve Clicquot, as the LVMH-owned champagne house commemorates its landmark 250th anniversary by urging imbibers to “dream big, bright, and beautiful.” To Veuve, this year-long cause for revelry is more than just a milestone: it’s an ode to joy and optimism.
This is an story which started with “la grande dame of Champagne,” Madame Clicquot, née Barbe-Nicole Ponsardin, who took over the reins of the house (which was founded in 1772) at age 27 in 1805, after the passing of her husband. Madame Clicquot is singlehandedly responsible for turning the brand into the powerhouse it is today, one that exemplifies boldness, creativity, and profound optimism — traits she herself held. Even in adversity, her conviction was to always look on the bright side. She would say: “What to do against such a cruel twist of fate? We must have patience, wait until the good season allows us to take our revenge and crush all competition!” She created the brand’s first vintage in 1810, as well as a series of major innovations including, in 1816, the first wine clarifying riddling table, which was then adopted by the other Champagne houses. She is also responsible for creating the first-known blended rosé champagne in 1818, breaking away from the tradition of adding an elderberry preparation by mixing a little of her Bouzy red wine with her champagne. Being the best was her goal, and she never strayed from it. In fact, she was known for saying, “If in the search of perfection, we must take two steps at a time, I do believe that we should not be content in only taking one.”
And so, for the house’s semiquincentennial — in honor of all that Madame Clicquot created, from the first wine-growing plots in Verzy, Verzenay, and Bouzy, which have grown to cover 393 fully-owned hectares distributed over 12 of the 17 Grands Crus and 18 of the 44 Premiers Crus — Veuve Clicquot has created a year-long homage to “Solaire Culture.” This celebration of the rising sun highlights the color yellow which, non-coincidentally, also happens to be the shade that has appeared on its labels since 1877. Simultaneously, this expresses one of the house’s main convictions: that each new day offers the promise of new possibilities to build a brighter future.
That brighter future is ongoing to this day, staying true to Madame Clicquot’s entrepreneurial ethos through the female-focused BOLD by Veuve Clicquot program, as well as on the environment and ecoconception for product offering, as reflected in THE ICONS Collection, an exclusive collection of four of the house’s most emblematic objects, re-edited sustainably, as well as its EcoYellow program, which focuses on Veuve’s sustainable commitments to protect resources crafted by the sun.
And now, there is really only one thing to do. It’s time to raise a glass and salute the sun.
OF BOBY ALINCLICQUOT IS HONORING ITS MILESTONE
1. Senior Division Brand Manager of The Macallan, Max Gettinger, The Macallan national brand ambassador Molly Melville, and Olivia Culpo
2. Haute Media Group CEO Kamal Hotchandani and Culpo
3. Larsa Pippen, Hotchandani, and Paolo Zampolli
Olivia, Aurora, and Sophia Culpo
5. Culpo poses with her Haute Living cover
TO KICK OFF ONE OF THE BUZZIEST WEEKS IN MANHATTAN, Haute Living and The Macallan hosted an intimate dinner on September 6 in honor of cover star Olivia Culpo, who arrived with her sisters, Aurora and Sophia, in style at Manhattan hot spot Avra at Rockefeller Center. Upon arrival, guests were greeted with bespoke cocktails unique to The Macallan and lite bites that embody Avra’s Greek fare. Parfums de Marly also had some of its latest fragrances on display, providing an exclusive olfactory experience for guests. Before guests were seated for a coursed dinner, Haute Media Group CEO Kamal Hotchandani welcomed and thanked them for being part of such a magical Manhattan evening amidst the busyness of New York Fashion Week. Hotchandani also warmly welcomed Culpo and expressed his gratitude for their long-standing relationship, as this is Culpo’s second cover with the magazine. He then introduced The Macallan national brand ambassador Molly Melville, who guided the room through a special tasting of the legendary The Macallan 25, noting the rich tradition and history of the brand before raising a toast to the Culpo sisters. Guests then indulged in an intimate dinner highlighting Avra’s signature dishes, like the Avra eggplant chips, Chilean seabass souvlaki, and branzino. The room was filled with passionate energy as guests mingled throughout the evening, enjoying incredible drinks and each other’s company — the perfect way to spend the first night of New York Fashion Week. Notable attendees included Senior Division Brand Manager of The Macallan, Max Gettinger, Larsa Pippen, Alisa Roever, Tijana Rakić, Paolo Zampolli, and Dr. Sachin Shridharani.