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JEFFREY WRIGHT THE NO TIME TO DIE STAR IS SEARCHING FOR A QUANTUM OF SOLACE IN THIS MAD WORLD
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CONTENTS
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ON THE COVER JEFFREY WRIGHT is wearing TUXEDO JACKET AND JEANS: Brunello Cucinelli SHIRT: Richard James BOW TIE: Favourbrook
FASHION GIVES BACK , PAGE 56
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COVER STORY
Bond, Batman and Bernard Lowe: a banner year for Jeffrey Wright
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BOND, BATMAN AND BERNARD LOWE. PROFESSIONALLY, JEFFREY WRIGHT IS CRUSHING IT. PERSONALLY, THE PANDEMIC WAS CRUSHING BY LAURA SCHREFFLER PHOTOGRAPHY DAVID CLERIHEW STYLING MARK ANTHONY BRADLEY GROOMING GARETH BROMELL SHOT ON LOCATION AT THE GREAT SCOTLAND YARD HOTEL, LONDON
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COVER STORY
CARDIGAN: Wales Bonner SHIRT: Tom Ford
TUXEDO JACKET: Favourbrook SHIRT: Richard James
f I told you what I was doing right now, you wouldn’t believe it,” Jeffrey Wright declares as he asks me to hold on for the second time during our July phone call. Given that this is the third time I’ve interviewed him over the course of two years about the same project — the 25th James Bond film, No Time to Die — I don’t mind waiting. But I am curious, so I roll the dice. What, pray tell, is he doing? “I’ve got two aquatic turtles [at my Brooklyn home], and sometimes the male gets a little aggressive with the female, so I have to take him out and isolate him,” he explains. Is it weird that I don’t think this is weird? I don’t even blink an eye at his current situation, mostly because isolation has become the overriding theme of our third conversation — one chat, incidentally, for each time this Universal Pictures project has been pushed due to the pandemic; it was initially meant to hit theaters on April 10, 2020, and will finally be released on October 8, 2021. The 55-year-old Emmy and Tony award winner has spent the better part of the past two years jetting back and forth between New York and London, first to shoot Bond, and then in far more stops and starts (January 2020 until March 2021!) filming his role as the first Black Commissioner Gordon in Matt Reeves’ upcoming The Batman. The first time around (which coincided with our February shoot at the Great Scotland Yard Hotel, a stone’s throw from the real MI6 headquarters, where Wright became so focused on a solo game of chess at the property’s gigantic gaming table that he appeared to momentarily forget he was in the midst of taking photos), he was there until March 15, 2020, when the U.K. first went into lockdown. He returned last September with daughter Juno in tow, only to have the production temporarily shut down when star Robert Pattinson, who plays the caped crusader, contracted Covid-19. Wright crossed the pond for a third and final time from early January to mid-March of this year. And yes, each and every time, he had to quarantine. Think about that seventh circle of hell. But this last go-around well and truly did him in. “The great danger of this phase in time is the mental wear and tear,” he says, noting that his final quarantine was by far the worst. “It got to me,” he admits now, with the four months since his last lockdown safely behind him. “I try to never speak about the difficulties of working on films, which are long hours and pressurized to some extent — I just don’t think it’s palatable for anyone else to hear about that. However, I found the isolation to be seriously challenging on this last trip. I think, no matter what work you’re involved with, if you’re isolated from your family in the midst of a global pandemic and if you’re in quarantine for ten straight days in a hotel essentially by yourself, it can be tricky.” That’s putting it mildly. His first day back on set after nearly a fortnight of solitude was rough. “I went to work and barely remembered a line that I was supposed to deliver that day,” Wright remembers. “And that was the extent of my life over there: going to work and going back to my hotel, because once the spread happened, once lockdown occurred and there was the emergence of new variants, there was no sense in risking my own health, the health of my colleagues or the momentum of the production. I was pretty hermitic.” He shares what his experience was like, virtually alone in a 200-room
North London hotel. “At one point, I think there were only five of us there. I was only aware that there was someone else on my floor by the serving tray I would see on the floor outside a door occasionally, and I would say, ‘Oh! There’s another human here!’ The entire place was shut; no restaurants were open. I would sometimes see a person at the front desk when I entered after work, and it was a bit like waiting for the twins to show up from The Shining when I came home. In fact, during the last quarantine, I found myself unable to leave my room.” (Side note: He clearly wasn’t staying in No. 237.) “London winters are their own animal. Darkness and rain combined with everything else that was going on kind of put a whammy on my head. I was sleeping in two-hour spurts. So, in between the shutdowns and the lurching restarts, it’s been a pretty challenging time. It’s been complicated.” Although No Time to Die had no such filming complications — it was done and dusted by the time the pandemic set in, needing no further reshoots at any point — its rollout has been an extreme challenge. “It’s not exactly what we planned,” Wright admits. “We’re just waiting for cinemas to open their doors more fully, and, really, I guess waiting for the vast majority to take this pandemic seriously and put it all behind us. Ideally, by October, more of us will be on board with that idea, and we can have the movie be seen.” Fans have been waiting with bated breath to catch Daniel Craig’s last go as 007, and when they do, they’ll find the secret agent leading a decidedly uncomplicated life of leisure in Jamaica. He’s traded in his bespoke Savile Row suits for Hawaiian shirts and Sperry boat shoes, and there’s nary an explosion in sight. He’s in a good place, both physically and metaphorically. Lucky bastard. This onscreen fantasy feels miles away from reality, but in our opinion, this isn’t a bad thing. A little escapism might be just what we need right now. Wright doesn’t disagree. That was, in part, his rationale for returning to the franchise 12 years after he appeared in 2008’s Quantum of Solace to work alongside longtime pal Craig again — he plays, coincidentally, Bond’s best bud, CIA operative Felix Leiter. (Craig even made a financial donation to Wright’s 2020 Brooklyn for Life pandemic campaign and sparked the idea for an awareness video that ultimately raised $1.5 million for struggling local businesses.) “It felt like a homecoming, and it was good to be back in this home,” Wright confides. “It’s really a welcoming place to work. It’s a family-run business, in a sense, and it very much has that feel to it, even though it seems full of glamour. I was really pleased to come back after having missed the previous two films, and no matter if it’s Daniel’s last film or not, I was looking forward to revisiting Felix and adding to his arc.” Wright is now the only person to have played Leiter in three 007 films; he first took the role in 2006’s Casino Royale. And while this may seem like a landmark achievement within the Bondiverse, reaching a cinematic milestone certainly wasn’t the reason he decided to return (and possibly return for a fourth time: “We’ll cross that bridge if we come to it”). “For me, the interest in doing a third [movie was] because, in the previous films, we only see Felix in passing,” Wright notes. “It does my version of Felix a bit more justice if we actually see him, as opposed to just hearing of him. That’s more gratifying than anything else, to add more layers to the archaeology of the character. In this Daniel Craig phase of the franchise, Bond is imbued with a different type of authenticity. Daniel and I vibed off of that, and I tried to bring a complementary feeling to Felix, someone whom you can imagine hiding out in the underbelly of some far-flung, shadowy corner of the world and being able to handle himself.” What kid doesn’t secretly (or not-so-secretly) want to be part of Bond’s world? It’s all shaken-not-stirred martinis, gorgeous girls, sexy cars, exotic locations, gambling, hedonism and did we say gorgeous girls? While Wright will cop to the fanboy element (though not the fanboy term), he does so with dignity. “I was a fan of James Bond films from my earliest remembrance of cinema, and it’s a wonderful tradition to be a part of,” he allows. It wasn’t typical male fantasy fervor — it was Sean Connery’s cool factor @hauteliving HAUTE LIVING 17
that sold him on the series. “I was always a Connery guy,” he confides. “He just had a wryness about him, an irony and a tongue-in-cheek thing that complemented everything else about him. I really dug his take on things and the way he twisted and undermined them. He didn’t take it too seriously, which made him all the more compelling.” Naturally, Wright also had an affinity for Jack Lord, who played the first Felix Leiter in 1962’s Dr. No. “He had all this swag about him! When I was asked to be a part of this many years later, all I could picture was Jack Lord and following in his shakes.” Wright’s childhood fantasy has become a reality threefold. But as to what will shake down in the series’ silver installment, that’s still a mystery. What we do know is this: in No Time to Die, Bond has left active service and is enjoying that beach life in Jamaica. But his peace is interrupted when Felix turns up asking for help. Bond agrees to rescue a kidnapped scientist, a mission that turns out to be far more dangerous than expected, thanks to a new villain, Safin (played by Oscar winner Rami Malek), who is armed with a dangerous new technology. We also know the cast. Familiar faces include Craig; L a Seydoux as Bond’s love interest, Dr. Madeleine Swann; Christoph Waltz as Bond’s archnemesis and foster brother, Ernst Stavro Blofeld; Ralph Fiennes as MI6 head M; Ben Whishaw as MI6 quartermaster ; and Naomie Harris as Bond’s ally Eve Moneypenny. Newcomers to the franchise are Ana de Armas, Rory Kinnear, Billy Magnussen and Lashana Lynch, and director Cary Joji Fukunaga, best known for helming the award-winning first season of True Detective. Wright’s lips are sealed with 007-grade level secrecy, too. “I’ll spontaneously combust if I tell you too much,” he deadpans. What he feels comfortable sharing is this: “I still have people coming up to me saying how much they love Casino Royale. In the midst of so many films, Casino Royale brought something new to the table and added to [the franchise’s] history. The hope now is to do that again, to make a movie that ups the game. With Cary Fukunaga on board, with the style and the intent that he brings to the table, I think we’re in good hands. It’s going to be another hell of a ride.” One I hope — as Wright also does, no doubt — is significantly less bumpy. Although there’s something to be said for its prophetically telling title — one that a year ago inspired a feverish kind of excitement instead of an impetus for survival. The irony of this is not lost on Wright. He says dryly, “It has occurred to me that — for all of us — it is no time to die.”
t is later in our third discussion — our second by phone — and we’re back on the topic of isolation. But it’s purely coincidental. Wright’s talking about his other upcoming big role — the one that’s not Bond — which has also been rescheduled three times and which also comes out in October (on the 22nd): Wes Anderson’s The French Dispatch. The Searchlight Pictures film follows a triptych of storylines as the French foreign bureau of a fictional Kansas newspaper puts its final issue to bed. His costars include the massive ensemble cast of Benicio del Toro, Adrien Brody, Tilda Swinton, Frances McDormand, Bill Murray, Owen Wilson and Timothée Chalamet, as well as his No Time to Die costar Seydoux. In the movie, which opened the 2021 Cannes Film Festival, he plays Roebuck Wright (no relation), a food journalist based on an amalgamation of writer James Baldwin and journalist A.J. Liebling. “[My character] is a portrait of isolation in a way that may be more relevant now than when we [filmed] it a couple years ago,” he says. 18 HAUTE LIVING hauteliving.com
Yet, had he filmed it now, he wouldn’t have had to act — and Wright is a truly great actor. He imbues each role he takes on, big- or small-screen, with passion and precision, be it artist Jean-Michel Basquiat in the biopic Basquiat; Boardwalk Empire’s educated underworld boss Valentin Narcisse; The Hunger Games’ brilliant tribute Beetee; or Belize, the openly gay transvestite nurse in Angels in America (the latter of which earned him a Tony, an Emmy and a Golden Globe award) — and each is so brilliantly realized. But of course, each character is carefully chosen. “I’ve had a good little run after many years of doing this, where I’ve become a little wiser and a little more free in my ability to choose what I work on and who I work with,” he says. “Each project that I’ve been involved with has been as enjoyable as the next for different reasons. I tend to have a kind of ‘love the one you’re with’ type of perspective on this stuff. It’s much easier to do that when you choose wisely.” To say that Wright, who celebrated his 30th anniversary as an actor last year, chose wisely by opting to play “host” — the fully humanoid robot Bernard Lowe — on HBO’s dystopian series Westworld would be an understatement: he celebrated his third nomination for the role (virtually) at the 2020 Primetime Emmys. At present, he’s back to filming the show’s fourth season, though like everything Westworld, his workplace seems like a brand-new world. (But then, it does for all of us.) “We’re working under protocols,” he says. “We’re tested pretty much every day on set, and we’re all masked. The biggest improvement to things is that the vast majority of us are fully vaccinated now and can breathe a moderate sigh of relief that we’re protecting one another and protecting ourselves.” And sadly, that’s all he’ll say about the fourth season, which is shrouded in complete dystopian mystery. “It’s kind of what Westworld fans have come to know, but cubed. It’s increasingly unfolding and increasingly Westworld.” I should note that when I ask Wright to expand on the meaning of “cubed” (which, really, could mean anything in Westworld terms), he replies with the smart-alecky “You know, it means ‘times itself, three times.’” Hardy-har-har. It’s nice to see that Wright’s sense of humor is still intact, especially given the hardships of his last year, and given that there wasn’t much to be found on his last production, The Batman, a concurrent topic throughout all three of our interviews, as it was ongoing. “There was a bit of levity here and there [on that set], but it was a pretty dogged workplace, I have to say. I do my best to kind of undermine the seriousness, but it was reasonably pressurized. Still, I think we managed it pretty well. We did what we had to do, and we were there to do it.” That included much more strict Covid-19 protocols. No one outside the cast or crew was allowed to do a drive-by on set. Each person was tested every single day, and N95 masks were required by everyone at all times, outside of the actors filming a particular scene. There were ten-minute breaks for ventilation, which prolonged the process, and very controlled movements around the studio. Entirely new facilities were built to mitigate the spread of the virus, and each actor had his or her individual pod to do hair and makeup. And the hard work paid off; the production was safe post-Pattinson testing positive, and the film has managed to stay relatively under wraps. Just like its cast and crew, in a sense. “I have not seen Matt Reeves’, our director’s, face since March of last year. He was fully covered and protecting himself, because he has that responsibility on his shoulders,” Wright says. While some parts of The Batman were a nightmare, others were a complete dream. “I think [this film had] the factor, which was being unified around a common purpose,” Wright says, adding, “The thing we haven’t seemed to crack here in the States, and in certain parts of the U.K., even now, is that idea of being unified against this pathogen, so it was gratifying to recognize that we were all in it together — we were united around this thing — and we looked after one another and got through it together, at least on that set.” He hastens to add, “I don’t think I would like to do another film in that way, but we got through it together.” We can’t say we’re surprised. Life imitates art sometimes, no? The film
SUIT AND TIE: Dior Men SHIRT: Hugo Boss
TUXEDO JACKET AND JEANS: Brunello Cucinelli SHIRT: Richard James BOW TIE: Favourbrook
“IT HAS OCCURRED TO ME THAT — FOR ALL OF US — IT IS NO TIME TO DIE.”
PHOTO: NICOLA DOVE © 2020 DANJAQ, LLC AND MGM. ALL RIGHTS RESERVED
Reunited: Wright, seen here with 007 himself (Daniel Craig), reprises his role as Bond buddy Felix Leiter in the upcoming film No Time to Die.
revolves around Batman’s second year of fighting crime and rallying the citizens of Gotham City against the corruption around them. They, too, are in it together. The film, like so many of Wright’s projects, boasts a truly fabulous all-star cast that also includes o Kravitz, Paul Dano, John Turturro, Peter Sarsgaard, Andy Serkis and Colin Farrell. And while there’s been a big to-do about the decision to cede previous Batman Ben A eck’s cape and cowl to Pattinson, it isn’t the only casting choice fans are buzzing about: much has been made of Wright being cast as the first Black Commissioner James “Jim” Gordon in the DC Comics universe. Which, quite frankly, he finds to be asinine. He hasn’t reinvented the wheel, and he doesn’t feel this is a conversation we should be having in the 21st century. “If you give it a little bit of thought, Batman and the characters within Gotham City are fluid, evolving creatures,” he says. “It would be doing a disservice, in fact, to these stories and to the history if we were actually beholden to the details of the original. When Shakespeare wrote female characters, they were written to be played by young boys. Are we to hold on to that tradition now in the 21st century because that was the limited lane that people were allowed at the time? It’s ridiculous. Beyond that, Gordon is many things. He’s relative to Gotham City, to the Gotham City police department, to Batman, to justice and to corruption — and none of those things require that he be white.” He continues, “There have been some who I think have made more of it than they probably should, which I think reveals some deficiency [in our country]. In its first iteration in 1939, Gotham City was fashioned after an American metropolis much like New York City or Chicago. In 1939, New York was 90 percent white. The power structure in law enforcement in that city at that time would not have been inclusive of someone who looked like me; that’s the historical fact. But as these stories have continually evolved over these many decades, not only through the comics but also through the
films, they’ve been reinterpreted through writers, directors and actors to be more contemporary to the times than they were made. Right now, if we were to imagine a Gotham City based on an American metropolis, to think of it as a place that’s only inhabited by white people is to be pretty idiotic. To be beholden to the demographic reality of 1939 urban America — what the f--k is the purpose of that?” Especially nowadays, Wright seems to have little patience for idiocy of any variety. He only wants things that are going to bring him happiness. Nearly two years ago, during our pre-Covid, in-person chat, he told me that the greatest luxury in life was being on the ocean, surfing — which he discovered during a Hawaiian vacation with his kids roughly ten years ago. “I’m kind of lost without it; I start to disintegrate. It keeps me in the groove. It is very much my happy place. Whether I’m in Southern California, the southwest of France or in Hawaii, as long as there’s an ocean, a surfboard and a good meal afterward, that’s all the luxury I need.” Sixteen months later, he’s singing a different tune. Life has changed, and so has his perspective. When I ask him the question again, his answer is, simply, “love.” It is the love of his family — son Elijah, daughter Juno, ex-wife actress Carmen Ejogo and his 91-year-old aunt, who raised him alongside his mother, who passed away in 2019. Now, he says, “I think the greatest luxury is love. I mean, I think that’s what’s been revealed to me by these last months during the pandemic. Despite everything we may acquire, everything we may own, really, at the end of the day, love is the thing.” So he may not be drinking Bollinger by the boatload or jumping from a plane like Bond does, but carving and catching swells at Pipeline is nothing to sneeze at, and nor, certainly, is love. Especially love. But really, anything that brings some quantum of solace these days? I say take it. @hauteliving HAUTE LIVING 21
Gigi Hadid on the runway at Tom Ford’s runway show at the David H. Koch Theater
Kendall Jenner on the runway at Michael Kors Collection show celebrating urban romance
NEW YORK FASHION WEEK OFFICIALLY BROUGHT BACK THE CITY ENERGY WE ALL KNOW—AND LOVE. FROM A NIGHT AT THE MUSEUM WITH DIOR AND THE TOM FORD RUNWAY TO FASHIONAPPROVED RESTAURANTS, HERE’S AN EXCLUSIVE HAUTE LIVING LOOK AT THE SPRING/SUMMER 2022 SEASON. BY ADRIENNE FAUROTE
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PHOTOS COURTESY OF (CLOCKWISE FROM LEFT) JOE SCHILDHORN/BFA.COM, BFA.COM, COURTESY OF MICHAEL KORS COLLECTION
NEW YORK
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Bulgari debuted the new B.zero1 collection at Le Bain at the Standard. The evening was hosted by Daniel Paltridge, president of the Bulgari Corporation of America, joined by brand ambassadors Eiza Gonzalez, Lily Aldridge and Martha Hunt.
PHOTOS COURTESY OF (CLOCKWISE FROM TOP LEFT) CHRISTIAN DIOR, CONRAD NEW YORK MIDTOWN, PENINSULA NEW YORK, TAVERN ON THE GREEN, GREAT JONES DISTILLING CO., THE STANDARD HIGHLINE, BFA FOR SAKS FIFTH AVENUE
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Upon its success at the Musée des Arts Décoratifs in Paris1, Christian Dior: Designer of Dreams has been reinvented at the Brooklyn Museum, as seen through the eyes of curator Florence Müller in collaboration with Matthew Yokobosky. To celebrate the exhibition opening, Dior and the museum hosted a cocktail event.
Saks CEO Marc Metrick and Golden Globe- and Emmy Award-winning actress Sarah Paulson hosted a star-studded party at L’Avenue at Saks to celebrate New York Fashion Week and the launch of the department store’s fall campaign. Guests enjoyed a DJ set by Paris Hilton and a live performance by Kim Petras.
INSIDE FASHION’S FAVORITE SPOTS TOP TO BOTTOM Conrad New York Midtown: Centrally located with luxuriously spacious rooms, the Conrad New York Midtown is the perfect place to call home throughout the craziness of fashion week. The Peninsula New York: The hotel’s restaurant, Clement, is the spot for a power breakfast or lunch, where you can indulge in dishes like truffle omelets and Maine lobster egg toast with caviar sauce. Tavern on the Green: Nestled in Central Park, Tavern on the Green is a go-to place for locals and visitors alike for the ultimate escape to wine and dine during NYFW. Great Jones Distilling Co.: For a nightcap, visit New York’s latest hot spot, Great Jones Distilling Co., Manhattan’s first and only legal whiskey distillery since Prohibition. The Standard, Highline: The Standard Grill is the ultimate fashion dining spot — in fact, it offered a special Fashion Fixe menu, a three-course lunch designed to get diners in and out in under an hour.
IS A COMMODITY NEWLY RESIGNED GREEN BAY PACKERS QB AND REIGNING NFL MVP AARON RODGERS IS TIME TALKING. BY LAURA SCHREFFLER PHOTOGRAPHY RANDALL SLAVIN STYLING MONTY JACKSON HAIR CHRISTIAN MARC GROOMING JENNA NELSON SHOT ON LOCATION AT THE MALIBU BEACH INN, MALIBU, CALIFORNIA
PHOTO COURTESY OF SHUTTERSTOCK
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“I think we lose the awe and the beauty in life when we don’t realize that things do happen divinely.” R E I G N I N G N F L M V P A A R O N R O D G E R S H A S N E W LY resigned with his team of 16 years, the Green Bay Packers, after a summer where his football fate hung in the balance. We caught up with the philosophical 37-year-old Zenith ambassador in Malibu while he was still figuring out his fate to talk fashion, passion and, of course, time.
HL: Do you share your style tips with your teammates? AR: No, not at all. I mean, I’ve got teammates who are rocking fanny packs at the waist and over the shoulder. I want to tell them, “You may be wearing it over your shoulder, but a fanny pack is still a fanny pack It may say Gucci on it, but that doesn’t mean it’s fashionable.”
Haute Living: Have you always had a thing for watches? Aaron Rodgers: Growing up, because we didn’t have any money, I didn’t really have a watch. So when I got drafted, I bought this silly diamond bedazzled watch, and I thought it was the coolest thing ever. I still have it, and it still means a lot to me just because of the nostalgia associated with buying it. But I have always enjoyed wearing watches. I think there’s something classy about still rocking a wristwatch.
HL: Would you say that time is a construct? AR: Time is a construct for sure. The passing of time is an incredible marker for me to think back to what I was doing a year ago on a certain day. To look at the ocean and look at the growth and the change that has happened positively and experientially. Time is [also] a commodity. I heard this guy give a toast one time, and he said that. He talked about how the greatest currency in the world today is actually not money, it’s time, and we all have a certain amount of currency to spend. So spend it with the people who truly make your life better, the people you care about and who truly breathe life into you. I really, truly believe that that’s the most important currency that we have, because we get to choose who we want to spend our precious time with.
HL: What is your first watch memory growing up? AR: I always wanted a calculator watch. I remember watching a movie and thinking, Man, one day I’m gonna get a watch that has a calculator on it. That was the coolest thing ever. HL: How would you describe your style? Would you say it’s old-school? AR: I think so. My game is old-school. I don’t wear a mouthpiece; I wear a single strap, a paper-thin chin strap. The way I dress in my uniform is very kind of classic. I feel like there’s something to be said for that old-school mentality, old=school toughness, and that’s how I’ve always tried to play the game. With fashion, I’ve always loved different eras for different reasons, especially the ’50s and ’60s, the way people dressed back then with suits and top hats. I don’t dress up all the time, but when I do, I do it right. HL: Did you ever think you were born in the wrong era? AR: Wrong environment, wrong era — definitely. I’ve been a lover of history since I was really young. I studied it in college and probably lived through those eras in other lifetimes. I do love the simplicity and the class of some of those eras. John F. Kennedy is the perfect example: you don’t have to be in the fashion business to see the way he changed how suits were worn in the ’60s.
HL: Speaking of time, what do you hope the next year will bring? AR: I think I’m pretty surrendered at this point. As I look back on the last year in my life, I wanted to be in this position, but when you’re in that specific moment, it’s hard to see how it’s all going to play out. You have a desired destination for a year from now, or maybe a hope. And the beauty is looking back and seeing the choices that were made and the synchronicities that happened. The divine appointments, divine timing. It teaches you to surrender to the universe, but also to heighten your awareness and your intuition. There’s life happening all around you at all times, and it’s on you to try and find ways of tapping into those moments and not pass them off as coincidences. I think we lose the awe and the beauty in life when we don’t realize that things do happen divinely. @hauteliving HAUTE LIVING 25
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For the fall-winter 2021 collection, Nicolas Ghesquiere, Louis Vuitton’s artistic director of women’s collections, collaborated with renowned Italian artistic design atelier Fornasetti—further revealing the maison’s mission to blend the worlds of fashion and art. “With this collaboration, I wanted to use the pieces to evoke the continuing modernity of Fornasetti’s artistic world,” says Ghesquiere. “Fornasetti’s enduring body of work is the realization of a remarkable hand-drawn technique and magical take on the world, and I am particularly drawn to the way Fornasetti reexplored and reworked the heritage of classicism and ancient Rome, adding new references to historical imagery.” The collection is comprised of clothing and accessories that draw upon specific Fornasetti themes and artworks selected by Ghesquiere and artistic director Barnaba Fornasetti, such as the Cannes bag in the Fornasetti black-and-white architectural drawing reminiscent of the Renaissanceera Florence Baptistery, as well as velvet dresses and shimmery printed jersey tops featuring Fornasetti drawings of ancient statues overlaid on high-tech thermal-camera imagery. Ghesquiere’s contemporary eye and Fornasetti’s magical depiction of the world come together in this collection to create true modern masterpieces. CREATIVE AND FASHION DIRECTOR: ADRIENNE FAUROTE PHOTOGRAPHY: MARK SQUIRES STLYING: DAVIAN LAIN HAIR STYLIST: JEROME CULTRERA L’ATELIER NYC USING LIVING PROOF MAKEUP ARTIST: MARK EDIO AT SEE MANAGEMENT USING DIOR BEAUTY MODELS: GÜNCE GÖZÜTOK AT FUSION MODELS AND TATIA AKHALAIA AT MUSE MANAGEMENT PHOTO ASSISTANT: DUNCAN MELLOR FASHION ASSISTANT: ALEXANDER WILLIAMS SHOT ON LOCATION AT FLOYD BENNETT FIELD IN NEW YORK ALL CLOTHING AND ACCESSORIES BY LOUIS VUITTON WOMEN’S FALL-WINTER 2021
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LOUIS VUITTON HAS INVITED SIX MORE INTERNATIONALLY ACCLAIMED ARTISTS TO JOIN ITS ARTYCAPUCINES COLLECTION. HAUTE LIVING TOOK AN EXCLUSIVE LOOK AT EACH UNIQUE INTERPRETATION OF THE CLASSIC CAPUCINES BAG. BY ADRIENNE FAUROTE PHOTOS COURTESY OF LOUIS VUITTON
A luxury maison dedicated to fostering its relationship with the art world for nearly a century, Louis Vuitton continually commissions leading contemporary artists to bring their creative expression to its iconic pieces, to catapult the design beyond fashion. The brand has entered the third chapter of its limited-edition, artist-designed Artycapucines Collection, designed to provide artists with the distinctive Capucines design and silhouette as a blank canvas.
Like the previous collections by celebrated artists including Henry Taylor, Beatriz Milhazes, Urs Fischer, Zhao Zhao, JeanMichel Othoniel and Tschabalala Self, the third Artycapucines Collection captures the innovative Louis Vuitton spirit. Each artist’s intricate technique and creative process blends with the brand’s artisanal expertise, resulting in incredible works of art.
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PHOTO COURTESY OF MARK SQUIRES
For the 2021 collection, Louis Vuitton partnered with six renowned artists — Zeng Fanzhi, Paola Pivi, Gregor Hildebrandt, Donna Huanca, Huang Yuxing and Vik Muniz — who reimagined the bag, fusing the beauty of their artistic background with the maison’s unparalleled craftsmanship.
PHOTO COURTESY OF JIN JIA JI
Contemporary Chinese artist Zeng Fanzhi brought a Van Gogh self-portrait to life with more than 700,000 remarkably worked embroidery stitches. Zeng’s works have been revered for demonstrating intuitive psychological sense through meticulous expressionistic techniques. “I’ve been painting all my life; it’s the one thing I’ve always been good at,” he says. “I don’t think I ever thought twice about becoming an artist.” “The whole process was nourished by my experience of visual observation,” Zeng continues. “The Louis Vuitton artisans then added an extra layer to the process by developing their application of the work onto the bag’s surface, which reflects the texture of the original work really well.”
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PHOTOS COURTESY OF PIOTR STOKLOSA AND ZENG FANZHI STUDIO
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PHOTOS COURTESY OF PIOTR STOKLOSA AND CHRISTOPHE COENON (STUDIO SHOT)
Italian multimedia artist Paola Pivi explored the complex leather marquetry and rich goldleaf gilding in her Capucines creation, creating a sophisticated and thought-provoking piece. “Working with specialists is part of all my work,” she says. “I’ve developed skills for doing that successfully, sticking to my original idea while gaining the input from another person to the advantage of the final work. So working with the Louis Vuitton experts was extremely pleasurable. They challenged themselves; nothing they did was easy. It required their maximum skills. They got really attracted to the graphic techniques that would replicate the image on the bag’s surface: the cups inserted by marquetry onto the bag, gold leaf applied where the cappuccino would be and the leopard rendered in a very special embroidery.” Pivi adds, “I am totally happy because I’ve been so involved in the creation of the bag with the Louis Vuitton team. My art has been protected because of the quality of the entire operation, and wherever the bag might go, I think it will feel sophisticated. Plus, it looks like the kind of bag that elicits conversation.”
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FASHION German artist Gregor Hildebrandt took great inspiration from music, ultimately creating a stunning black-and-white design with screenprinted leather and inlaying the LV signature with vinyl records.
PHOTOS COURTESY OF PIOTR STOKLOSA AND THOMAS LOHR
“I studied art in Mainz and then moved to Berlin in the mid-1990s, and around this time I started thinking about how to integrate music physically into my painting work,” he explains. “The Einstürzende Neubauten song ‘Falsch Geld’ [‘Fake Money’] perfectly encapsulated what I wanted to say, so I took the physical audio cassette tape of the song and glued it into my drawing book. This metamorphosis of bringing music into painting led me to start working with different types of analogue audio and visual materials, such as vinyl and VHS tape, which I incorporate into paintings and installation works. I have always been interested in motifs, logos and patterns, and this merging of music and the Louis Vuitton signature feels like a new technique.”
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PHOTOS COURTESY OF THOMAS LOHR
Working with various textiles to create purposeful, tactile works of art is how Donna Huanca authentically expresses her vision. Her Capucines bag is designed with handpainted embroidery and piercing rings in a range of textured blue shades. “This Capucines bag is based on a work that incorporates collage from body paintings that were part of my Piedra Quemada performance and installation at the Belvedere Museum in Vienna,” she says. “My work is rooted in collage — I assemble materials, images, colors and textures in paintings, sculptures and installations, as well as in sound and scent works. Likewise, this bag is a collage of past works, as well as sensations of texture that resurface in my works. Working at the relatively small scale of a bag reminds me of the body paintings that inspire all my painting. Painting on [the] skin is very freeing, as an ephemeral, interactive and affective site for expression. My instinct was to project my work onto this special Capucines bag using Louis Vuitton’s incredible savoir faire to create vibrant colors, unique textures and unexpected surfaces that are the vocabulary of my work.” @hauteliving HAUTE LIVING 41
Huang Yuxing is recognized for his ability to create pieces that preserve the evolution of the artistic process through vibrant brushstrokes. His Capucines creation is beautifully embroidered and brilliantly colored, in true Huang fashion. “This bag was inspired by Images Hidden in the Hills, a series of painting works on the theme of mountains that I have been working on for the past five years,” he reveals. “I was keen to transfer my personal vision, my current style, my signature artistic symbols, and my sense of color and line from the canvas to the bag.” “It is both interesting and challenging for me to think that different people around the world will be carrying this bag around in different spaces,” he adds. “The bag will accompany different conversations and different everyday activities rather than simply remaining static in an exhibition.”
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PHOTOS COURTESY OF JIN JIA JI AND PIOTR STOKLOSA
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PHOTOS COURTESY OF PIOTR STOKLOSA AND VICTORIA HUTCHINSON (STUDIO SHOTS)
Brazilian artist and photographer Vik Muniz was initially a sculptor, which is often reflected in his work. For this collaboration he incorporated his characteristically joyful design, with its effervescent trompe l’oeil effects and playful aesthetic. “I loved connecting with Louis Vuitton’s experts,” Muniz says. “When I see the bag, I can tell that so much skill and attention was put into its creation. The fact that Louis Vuitton trusted me to do something with my work and I trusted them to take that work and transform it into a beautiful bag resonates with the values in my work. The challenge for me was figuring out how to make the bag work, navigating all the decisions about form and configuration and technique and finish.” He adds, “The destiny of any artwork is always beyond your control, and I’m happy with that. Handbags are like little sculptures, and the Artycapucines project is like a series of little pictures framed within bags that you can take anywhere with you.”
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THROUGH THESE INTIMATE ARTIST COLLABORATIONS, LOUIS VUITTON’S CAPUCINES BAG CONTINUES TO REINVENT ITSELF WHILE PRESERVING ITS TIMELESS ELEGANCE — AND THAT IS THE BEAUTY OF ART. EACH BAG IN THE THIRD ARTYCAPUCINES COLLECTION WILL BE AVAILABLE IN A LIMITED EDITION OF 200, RELEASED IN STORES WORLDWIDE AT THE END OF OCTOBER 2021.
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eternally gucci This year marks the centennial of the iconic Italian luxury fashion house. For creative director Alessandro Michele, Gucci’s long history cannot be contained within a single inaugural act. “In my work, I caress the roots of the past to create unexpected inflorescences, carving the matter through grafting and pruning,” he says. “I appeal to such abilities to reinhabit what has already been given. And to the blending, the transitions, the fractures, the concatenations.” To celebrate the brand’s monumental milestone, the Aria collection for fall/winter 2021 reimagines the famous Bamboo Bag in a range of styles, as well as presenting a new collection of contemporary gender-neutral jewelry, Link to Love. Together — photographed at Manhattan’s Beekman Hotel — these handbags and fine jewelry embody the timelessness of the house and the beloved design heritage that is eternally Gucci. CREATIVE AND FASHION DIRECTOR ADRIENNE FAUROTE PHOTOGRAPHER JEFFREY WESTBROOK STYLING LIZ SERWIN, REPRESENTED BY JUDY CASEY PHOTO ASSISTANT SETH ABEL SHOT ON LOCATION AT THE BEEKMAN HOTEL IN NEW YORK CITY
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OCTOBER IS BREAST CANCER AWARENESS MONTH, AND SOME OF HAUTE LIVING’S FAVORITE LUXURY BRANDS ARE MAKING A DIFFERENCE THROUGH VARIOUS INITIATIVES — MAKING FASHION TRULY MATTER. BY ADRIENNE FAUROTE
PHOTOS COURTESY OF RESPECTIVE BRANDS
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John Hardy
JIMMY CHOO
In partnership with the Breast Cancer Research Foundation (BCRF), the brand is launching a limited-edition capsule collection of nine shoe styles and handbags in the perfect shade of bright pink. Jimmy Choo will donate 20 percent of purchases to the BCRF, up to $100,000.
DAVID YURMAN
On October 1, David Yurman is launching exclusive styles in partnership with the BCRF and will donate 20 percent of the proceeds to the organization — with the exception of the Pink Rubber Cable bracelet ($20), with 100 percent of proceeds benefiting the BCRF.
Jimmy Choo
RALPH LAUREN
Launched in 2000, the Pink Pony Campaign is Ralph Lauren’s global initiative in the fight against cancer. This fall, the company is launching a unisex Pink Pony Fleece Hoodie, and 100 percent of the purchase price will be directed to an international network of cancer charities.
JOHN HARDY
David Yurman
This October, John Hardy will donate 20 percent of proceeds from its pink gemstone styles to BCRF, in support of their essential research.
Ralph Lauren
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Tiffany & Co.’s 2021 Blue Book Collection Jean Schlumberger® Flower Leaves necklace in 18k yellow gold and platinum with tanzanite and diamonds; price upon request.
Gucci High Jewelry Hortus Deliciarum earrings in white gold with tanzanites, tsavorites, yellow beryls and diamonds; price upon request.
Bulgari Magnifica High Jewelry ring in platinum with 6.05-carat royal blue oval sapphire, four 0.77-carat buff-top sapphires and 1.62-carat pavé-set diamonds; price upon request.
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INTRODUCING HAUTE HIGH JEWELRY, OUR NEW SECTION DEDICATED TO PREMIER, ONE-OF-A-KIND PIECES FROM OUR FAVORITE MAISONS. CREATIVE AND FASHION DIRECTOR ADRIENNE FAUROTE PHOTOS COURTESY OF RESPECTIVE BRANDS
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Louis Vuitton Bravery Collection L’Elan Vital Necklace in white gold, 6 LV Monogram Star-cut diamonds for 3.06 carats and 2629 diamonds for 28.44 carats; price upon request.
Chanel Revelation Diamant Transformable earrings in 18k white gold and diamonds; price upon request.
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Boucheron Pensée de Diamants necklace; $212,000, available at Saks Fifth Avenue.
Pluie de Cartier High Jewelry bracelet in 18k white gold and diamonds; price upon request.
DIAMOND DROP THIS FALL IT’S ALL ABOUT THE MAGNIFICENT DIAMOND. EMBRACE A SUBTLE CASCADE WITH LOUIS VUITTON, CARTIER AND CHANEL, OR OPT FOR BOUCHERON’S BRACELET WITH HOLOGRAPHIC DETAILS.
Repossi Serti Sur Vide Brevis 4-stone ring in white gold with 4 pear cut diamonds for 3.44 cts and 55 pave diamonds for .80 ct; price upon request.
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Timeless. Tradition. Transcendence. Cartier’s Tank watch is the pure embodiment of the luxury jeweler and watchmaker’s prestige and has truly withstood the test of time. Over a century ago, in 1917, Louis Cartier debuted a new, sophisticated aesthetic that gave the traditional round watch a sleek, rectangular style. Today, Cartier has evolved the Tank watch into two new interpretations—the Tank Must and Tank Louis Cartier timepieces—photographed by Haute Living alongside pieces from the maison’s remarkable High Jewelry collection to reveal the enduring elegance of the Tank. CREATIVE AND FASHION DIRECTOR ADRIENNE FAUROTE PHOTOGRAPHY DAVID BECHTEL, LOFT CREATIVE GROUP MODEL AVISHA TEWANI AT PARTS MODELS LLC SHOT WITH CARTIER AS THE EXCLUSIVE JEWELER AND WATCHMAKER
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PHOTO COURTESY OF LILAS LE QUELLEC FOR RICHARD MILLE
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+Pastel POWER Richard Mille adds elegant new limited editions to the RM 07-01 collection.
WITH THE RM 07-01, RICHARD MILLE HAS A LADIES’
watch in its collection that combines timeless appeal with a hightech nature. It’s the perfect watch for modern, successful women, and not least because Mille continues to innovate with it. This legacy now gets another chapter with three new RM 07-01 models. What sets them apart from their predecessors is their case, which is crafted from ceramic in pastel colors. Getting these colors in ceramic is extremely challenging, as pigments tend to burn up when exposed to the high temperatures needed to make the material. Mille not only overcame these difficulties but was able to make the ceramic in three stunning pastel colors: blue, pink and lavender. They all have a matte finish that gives the watches a unique appeal, further accentuated by a charismatic dial. Mille combined rubber, ceramic and guilloche to create contrasting colors and textures. The result is not only refreshing but also highly artistic. The mixture of a centuries-old 68 HAUTE LIVING hautetime.com
craft like guilloche with high-tech materials is what sets these limited editions of the RM 07-01 apart. The dashing colors continue in the crown, as well as with the strap, of which each side has a color of its own. It adds a fun quality to what is otherwise a very serious piece of haute horlogerie. The RM 07-01 is powered by caliber CRMA2, made in-house by Mille. It comes with a stunning variable-geometry oscillating weight in red gold, which can be admired through the sapphire caseback. There, the rest of the movement also can be seen, with its skeletonized bridges and main plate. While Mille may be running one of the most progressive brands in the industry, he has a deep respect for the history of watchmaking, utilizing the same decorating techniques as those who have come before him, yet in a far more avant-garde way. These new RM 07-01s are the perfect testimony to this, showing the philosophy inside and out.
PHOTOS COURTESY OF LILAS LE QUELLEC FOR RICHARD MILLE
BY MARTIN GREEN
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+The Beauty of the Night Sky The Grand Seiko SBGZ007 celebrates Seiko’s 140th anniversary. BY MARTIN GREEN
PHOTO COURTESY OF GRAND SEIKO
THE WATCHMAKERS OF GRAND SEIKO’S MICRO
Artist Studio in Shiojiri, Japan, have created yet another masterpiece to celebrate Seiko’s 140th anniversary. Named SBGZ007, it is reminiscent of the SBGZ001, mainly thanks to its textured platinum case. The texture itself is, however, quite different. The artisans took inspiration from the night sky over their manufacture and decorated the Zaratsu polished case with a starlike pattern. This further highlights the slim and elegant profile of the case, which has a diameter of 38.5mm and is only 9.8mm thick. A deep blue dial is customary when a brand wants to bring to life the beauty of the night sky. Most opt for aventurine, a type of glass with gold flecks in it representing the stars. Grand Seiko took a different approach. They combined stamping, plating and painting to recreate the sky and all its stars. The result is mesmerizing, and the longer you look at the dial, the more stars you see. The rest of the dial of the SBGZ007 has been kept rather sober. The hour markers are made from white gold to ensure that they will retain their brilliance for decades to come. The sword hands clearly indicate the time and make a powerful impression, giving the watch even more character. Such a great watch deserves a great movement, and caliber 9R02 is nothing less. Fitted with a spring drive, it was initially launched in 2019 to commemorate the 20th anniversary of this proprietary technology. Thanks to this, the SBGZ007’s deviate is just 15 seconds a month, an unprecedented accuracy. The movement is fitted with two main springs in a single barrel that, thanks to an ingenious torque return system, offers a generous 8 -hour power reserve. As can be expected of Grand Seiko, the finishing of the movement is superb. It can be admired in all its glory at the back of the watch, with its anglage and blue tempered screws. There we also find a small gold plaque that can be engraved with a text of choice. The SBGZ007 is limited to 50 pieces and available at the Grand Seiko boutiques.
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a Single Click Roger Dubuis partners again with Pirelli to create the latest Excalibur Spider. BY MARTIN GREEN
IN THE WORLD OF RACING, COLORS ARE OF GREAT
importance, not only to recognize your opponent or signals from the stewards at the side of the track but also when it comes to your tires. Brands like Pirelli use color codes for each compound, making it easy to see the difference. With a race car, switching between the various types of tires is normal during the different stages of a race. While a super-soft tire might be great to set a fast lap time, a harder compound is needed to drive a longer stint. As Pirelli is a partner of Roger Dubuis, the two brands thought that if this is possible with high-performance race cars, why not with watches? From this idea, the new Excalibur Spider Pirelli was born. Thanks to an innovative system, the strap, bezel and even the crown can be changed in just a single click. This allows you to play with the iconic color codes Pirelli uses for its racing
tires. Available in red, white or blue, these “racing kits” take the need for speed to the next level, and changing them feels like a pitstop (and takes the same amount of time). The inner parts of the strap and bezel are based on the famous Pirelli Cinturato Intermediate tire. This texture gives the Excalibur Spider Pirelli a lot of character while adding dynamic contrast to the colored details. While a (race) car is nothing without its engine, a watch can’t do without a movement. The Excalibur Spider Pirelli is fitted with caliber RD820S . This movement is skeletonized in the brand’s signature star shape and features a refined finish that allows it to carry the prestigious Geneva Seal. The power comes from a micro-rotor, which can be admired at the front of the watch. The total power reserve is 60 hours, more than enough for an endurance race, during which you can now swap your watch to match the color of your tires.
PHOTOS COURTESY OF ROGER DUBUIS
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TIME
@hautetime HAUTE LIVING 71
+The Next Level in 3D Carbon The stately Hublot mp-09 arrives in four colorful new versions. THE MP-09 HAS ALWAYS BEEN AN IMPOSING WATCH
within the Hublot collection. It is the brand’s first bi-axis tourbillon, which gets center stage thanks to the uniquely shaped case that follows the curve of the wrist. This alone makes the MP-09 a masterpiece, as crafting all the different angles is highly complex. Initially, the model was launched in king gold, black 3D carbon, and titanium. Now, Hublot is launching an additional four different versions, all in colored 3D carbon. While the material was already used impressively in the all-black version of the MP-09, color highlights the unique pattern of the 3D carbon even further. Hublot achieves this by solution-dyeing part of the carbon so that the colored parts form a symmetrical pattern that runs all the way through the material. The brand is offering the new watch in four different colors, each limited to only eight pieces. They are available in blue, red, yellow and green, and they come with matching 72 HAUTE LIVING hautetime.com
rubber straps as well as hands and hour markers. They make a profoundly colorful statement, all the more because the case is an imposing 49mm in diameter and 17.95mm thick. Equally impressive is the movement inside the case. Caliber HUB9009.H1.RA is a manual wound movement with a generous power reserve of five days. It comes with a bi-axis tourbillon housed in a separate part of the case at 6 o’clock. There it performs its mesmerizing dance with a full rotation every minute for the first axis, while it takes the second axis 30 seconds to do the same. To ensure a perfect view, the MP-09 is fitted with a sapphire crystal with an antireflective coating on both sides. Hublot placed the date on the side of the off-center subdial for the hours and minutes, which can easily be adjusted by the lever at 9 o’clock. Combined, it all makes for a spectacular interpretation of one of Hublot’s most imposing tourbillons.
PHOTOS COURTESY OF HUBLOT
BY MARTIN GREEN
Haute Hublot Classic Fusion 40 Years Anniversary collection
TIME
HAUTELIVING.COM/HAUTEBEAUTY
+ HEALTH
BEAUTY
PHOTO COURTESY OF EKATERINA JURKOVA/SHUTTERSTOCK.COM
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+ BY ALANA GARCIA
SKINCARE
MUST-HAVES Dr. Kiran Gill launches her own medical skincare line.
plastic and reconstructive surgeon with specialty fellowship training in aesthetic surgery of the face, breast, and body. In 2018, she founded Aesthetics in Plastic Surgery by Kiran Gill, MD, the only female-owned boutique plastic surgery and aesthetic practice in Southwest Florida. Dr. Gill and her team offer surgical and nonsurgical options for both men and women, including face, breast, and body rejuvenation procedures as well as a variety of noninvasive skin and spa treatments in a private, tranquil, stateof-the-art environment. Dr. Gill just announced the launch of her new medical skincare line. Created with cutting-edge cosmetic science and powerful medicalgrade active ingredients, the line of five restorative and anti-aging products fills the gap in the regional medical skincare market. The line will be available to Dr. Gill’s current and new patients and will be recommended based on their skincare needs. “Skincare has always been a passion of mine, and I believe good skincare should effect change,” says Dr. Gill. “After having children and moving to Florida, I saw changes in my skin, like hyperpigmentation, dullness and sun spots. To address these issues and meet the needs and cosmetic goals of my patients, I created these innovative skincare products in partnership with leading scientists in the field.” The new line incorporates proven anti-aging antioxidants and retinol, natural skin brighteners, as well as hydroquinone for those who need more aggressive treatment. In addition, the revitalizing thermal facial exfoliant preps the skin through thermal-mechanical exfoliation — an important part of every skincare regimen, since products are more effective on exfoliated skin. The last component is the body scrub. Dr. Gill included this product because bodies are more exposed to the sun in Florida, and aging skin is often overlooked.
76 HAUTE LIVING hauteliving.com/hautebeauty
The new line of products features: 1) Bright Eyes ($98), a daily eye cream that hydrates, soothes and revitalizes the skin around the eyes. This product contains retinol, caffeine and antioxidants, which target fine lines and dark circles for smoother and firmer skin. Illuminate ($125), brightening pads that contain botanical ingredients paired with antioxidants that work to lighten dark spots, even skin tone, and protect from further pigmentation. For more aggressive therapy, Dr. Gill’s team can customize these pads with the addition of hydroquinone. The pads are easy to use, with a simple swipe across the skin and the ability to work areas of hyperpigmentation a little deeper. Complexion RX ($125), a retinol pad that penetrates fast and actively increases skin turnover. For beginners, Complexion RX 2.5 works with minimal irritation. Dr. Gill’s team upgrades more seasoned clients to Complexion RX 5.0. Revitalizing Thermal Facial Exfoliant ($60), a robust scrub that warms as it exfoliates, opening pores and removing dead skin. Dr. Gill recommends using it once or twice a week to ensure the other products penetrate the skin. Clarifying Body Scrub ($51), which contains the key ingredients glycolic acid and salicylic acid. It revitalizes the skin of the body, which is chronically exposed to the sun. As a female physician, plastic surgeon and recipient of many of her offered treatments and skincare products, Dr. Gill has a keen understanding of her patients’ needs and cosmetic goals. She provides a compassionate, personalized and intuitive approach. To schedule a consultation and learn more about these new products, call 239-5968000 or visit kirangillmd.com.
PHOTOS COURTESY OF CRAIG HILDEBRAND PHOTOGRAPHY
HAUTE BEAUTY EXPERT KIRAN GILL IS A BOARD-CERTIFIED
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+ BY ALANA GARCIA
Cosmetic Surgery
UNDER 18? Haute Beauty experts share their thoughts.
THERE’S NO DENYING THAT TODAY’S TEENAGERS ARE TRYING
DR. RICHARD ZIENOWICZ | BODY | BOSTON/PROVIDENCE
anything and everything to look “Insta perfect.” While most opt for makeup, some are turning to cosmetic surgery to achieve aesthetically pleasing features. If you’re under 18 and on the fence about whether to get plastic surgery, read on to see what our Haute Beauty experts advise.
Plastic surgery is a powerful tool to address many aesthetic issues for all age groups. It really can change lives positively for some people. An operation will not cure unhappiness, sadness or depression; however, in the best-case scenario, it may deliver a new sense of self-confidence. Tell your surgeon what you are trying to accomplish. Be honest about what you expect and why it is so important to you.
The subject of plastic for teens is controversial, so it warrants discussion and understanding. Teenagers often have plastic surgery to improve physical characteristics they feel are awkward or flawed, that if left uncorrected may affect them well into adulthood. Teenagers also tend to have plastic surgery to fit in with peers. Common physical characteristics or concerns a teenager may wish to correct include a misshapen nose, protruding ears, overly large breasts, asymmetrical breasts, or severe acne and scarring. A key component concerning potential teenage patients is understanding their motive for surgery and ensuring that they receive a careful and extensive preoperative evaluation to ensure they are appropriate candidates for their desired procedures. Social media contributes to increased requests from teens to alter their appearance: this phenomenon has been at times dubbed “Snapchat dysmorphia,” which has patients seeking out cosmetic surgery to look like filtered versions of themselves, with fuller lips, bigger eyes or a thinner nose. Not every teenager seeking plastic surgery is well suited for an operation. Teens must demonstrate emotional maturity and an understanding of the limitations of plastic surgery. Parents should also evaluate their teenager’s physical and emotional maturity. Together, they should seek careful evaluation during the investigation and decisionmaking stages, under the guidance of a plastic surgeon certified by the American Board of Plastic Surgery. The decision to proceed with the surgery is an individual one, but there is a common principle followed by plastic surgeons concerning the most reasonable age of operation. The most consistent age is agreeably 18 years; the one consistent exception would be surgery for ages 5 through 7 for ear pinning [otoplasty]. The ear stops growing and reaches adult size by age 5. As with all consultations, we want to collect the medical and psychological history from the patient, and we also want to provide education about our capabilities as plastic surgeons and talk to the patient and their family about what is appropriate and reasonable. 78 HAUTE LIVING hauteliving.com/hautebeauty
DR. JEFFREY LEE | BREAST | BOSTON I generally advise against any cosmetic surgery for teenagers under the age of 18. Your body has the potential to change up until age 18 and sometimes after 18. Until you are sure that nothing will change dramatically, I generally advise against doing anything permanent. The other reason I feel this way is that before the age of 18, you are not consenting for yourself for any procedure. Even with cosmetic procedures, there are small amounts of risk that can lead to unexpected outcomes. I feel that the patient should be the one to understand what they are getting themselves involved in and be able to sign for themselves. The last reason I advise against cosmetic surgery before 18 is that how you want to look may dramatically change once you cross over the 18-year mark. The last thing you want to do is change yourself a certain way only to find that you actually wanted something different one or two years down the road.
DR. DAISY AYIM | BODY | HOUSTON My best recommendation for anyone younger than 18 seeking cosmetic procedures depends on the procedures and reason. Our society is bodyconscious, and there is an overwhelming desire to have instant resolution, especially in the cosmetic world. I feel that delaying cosmetic procedures is a wise approach, and clarity in this journey is paramount to lifelong satisfaction.
DR. KIRAN GILL | BODY | NAPLES, FLORIDA My advice is to understand what your treatment options are and to take the time to choose your surgeon carefully. While a few surgical procedures are fairly commonplace among teens, including nose surgery [rhinoplasty] and breast surgery [augmentation] or reduction, liposuction is not advised, and others should still be approached with caution, including nonsurgical treatments. The Juv derm line of hyaluronic acid fillers, for example, is FDA-approved for adults over the age of 21. A reputable surgeon has your best interest in mind, will weigh the benefits and the risks, will consider your physical growth and mental maturity, and will tell you if you are well suited for a procedure.
PHOTO COURTESY OF ROSTOCK-STUDIO/SHUTTERSTOCK.COM ROSTOCK-STUDIO SHUTTERSTOCK.COM
DR. EARL STEPHENSON | FACE | ATLANTA
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DR. JOSE RODRÍGUEZ-FELIZ | EYELID SURGERY, FACE | MIAMI/FORT LAUDERDALE Anyone considering cosmetic surgery must do their due diligence. Younger patients can very easily be influenced by social media, and in reality, the number of followers does not necessarily correlate with the quality of care and results you will get. Also, finding the correct plastic surgeon for the procedure you want to have done can take time. Do not make any rushed decisions. In today’s world, it’s a lot easier to look for the correct surgeon, as the digital world has allowed great exposure to our field. For those who are younger, I always emphasize the importance of doing cosmetic surgery for the correct reasons. This is not to try to be like someone else or look for perfection. Cosmetic surgery can help boost your spirit when the right expectations are set and the procedure is done for the correct reasons.
DR. JHONNY SALOMON | FACE, NOSE | MIAMI/FORT LAUDERDALE The best time to have a rhinoplasty is when you stop growing, which is usually around 14 to 16 years of age for most teenagers. The best way to know when you have stopped growing is when your shoe size has not changed in over six months. A rhinoplasty performed at this time will have a long-lasting result. Also, teenagers in that age range usually have enough maturity to make the decision — with the help of their parents.
DR. JASON BLOOM | FACE | PHILADELPHIA AREA I do see several patients in my practice who are under the age of 18. This is because I perform only facial plastic surgery procedures, and a few of them are common for younger patients. In my practice, rhinoplasty and otoplasty are the two most common reasons that I see patients under the age of 18 for cosmetic procedures. There are a few things that these patients should know when they seek out cosmetic surgery. The first is that they are minors and will need a parent or guardian to attend the consult, pre-op meeting and surgery with them. They must have that parent or guardian sign all the informed consent forms with them for the procedures, so it is important to get that person on board with the idea. I actually really encourage anyone seeking cosmetic procedures to bring a family member, parent or significant other with them when we discuss the operation or do an evaluation so that everyone is on the same page and understands the risks, benefits and alternatives to surgery. I advise most minors to discuss what is bothering them about their face or nose with their parents prior to coming into the office. Additionally, during the consult, I always speak directly to the patient and not the parent. I have had situations where the minor says “They’ll tell you” and points to their parent, but I turn back to them and have them explain to me what is bothering them. Additionally, patients under the age of 18 are highly influenced by social media platforms like Instagram, TikTok and others. They may be requesting a procedure because their favorite social media star had something done and they want to look like them. It is critical to have a candid discussion about the limitations of surgery to make sure their goals are reasonable and obtainable. I often explain that not everyone’s nose is right for everyone else’s face; it has to fit and be harmonious with the rest of the patient’s features. Also, making sure that the patient’s expectations are realistic is very important. Surgery is not a robotic or mechanical process; it is literally a handmade operation, and a talk about working toward an achievable and natural outcome is imperative. Furthermore, minors sometimes have social reasons for wanting cosmetic procedures. Their peers may be teasing them in school about their nose or ears, and it is important to hear the stories about their motivations for surgery. Having discussions with the patient and their guardians will help everyone understand why they are looking to have these procedures.
BEAUTY
Finally, there are basic age cutoffs for cosmetic surgery procedures. In general, an otoplasty shouldn’t be performed before the age of 5 or 6. At that point, the child is of school age and the ears are about 85 percent of their adult size. Also, I typically do not perform rhinoplasty on boys younger than 16 or girls younger than 15. There are growth centers in the septal cartilage, and the nose is still changing until that age.
DR. ALGIE LABRASCA | BODY | PITTSBURGH AREA I believe that there are only a few reasonable instances to perform actual cosmetic (not functional plastic surgery) in patients under 18 years of age. The most common of these on the face would be otoplasty, or ear pinning of prominent ears, and rhinoplasty, or nose job. For the body, these include correction of breast asymmetry or reduction of very large breasts or removal of breasts in males (gynecomastia). Each of these can be a major source of low self-esteem and depression, and correction of these issues can greatly improve this. When considering whether to perform surgery on a teen, I want to make sure that they know what they are getting into. This is an adult decision, and they have to be the one making it (with parental consent). I also have age limits. For example, I won’t do a breast reduction on anyone under 16, yet I won’t do a reduction on just anyone who is 16 if I don’t think she’s mature enough. Other common procedures, like liposuction, tummy tuck, or BBL, can wait until they are older.
DR. P. DANIEL WARD | FACE | SALT LAKE CITY The decision to undergo cosmetic surgery can be a tricky one. One must be aware of all of the emotional aspects that can be associated with aesthetic surgery, especially when it comes to young patients who want to receive cosmetic surgery. The best advice that I feel I can offer to a young patient who wants to receive cosmetic surgery would be to talk the situation over with their parents, who should be able to provide proper guidance and advice. Two of the most common areas in for which young patients seek to undergo plastic surgery are an overly prominent nose or overly prominent ears, and these cases can serve as a good illustration of the complexities of the issues that arise with surgery for young patients. Both of these areas of the body can cause feelings of embarrassment due to the fact that a single anatomical area can lead to the emphasis being placed on that anatomic area instead of on the person inside. Most people think that those who undergo aesthetic surgery are doing so because they are overly concerned with how they look. In actuality, these patients ironically undergo aesthetic surgery for the complete opposite reason. They undergo the surgery because other people are not seeing who they truly are inside, because of the distracting nose or ears. I think that young patients should discuss these issues with their parents, who should provide guidance and help the patient understand the feelings and emotions related to the issue at hand. Parents need to be aware that there can be severe psychological distress from these features that far outweighs the risks of undergoing a rhinoplasty or otoplasty procedure that can resolve the respective nose or ear issues once and for all. On the other hand, parents also need to be aware that their child who is seeking cosmetic surgery is not doing it with unreasonable expectations that his or her life will completely change simply due to the surgery. The surgery simply addresses the overly distracting feature which should remove that obstacle from the patient as a source of anxiety or stress. This is clearly a complicated issue, and the patient’s hopes and desires for the procedure should be discussed with the patient, his or her parents, and the surgeon to help ensure that the patient is undergoing the procedure for health reasons. hauteliving.com/hautebeauty HAUTE LIVING
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Market: Rochester, New York Specialty: Skin
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Market: Boston Specialty: Breast
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Market: Atlanta Specialty: Face
Dr. Earl Stephenson 7 70 . 495 . 1 4 7 7 e s @ p ri m ac e n t e r . co m p ri m ac e n t e r . co m
Market: Chicago Specialty: Smile
Dr. Brittany Dickinson 773.883.1818 i n f o @ s u g a r f i x d e n ta l . c o m s u g a r f i x d e n ta l . c o m
H a u t e b e a u t y N E T WO R K
h au t e l i v i n g . co m
Market: Chicago Specialty: Health and Wellness
Dr. Liia Ramachandra 224.600.4255 g l u t e n f r e e @ e p i ly n x . c o m e p i ly n x . c o m
Market: Chicago Specialty: Breast
Chicago Breast & Body Aesthetics 31 2 . 8 4 6 . 1 52 9 i n fo @ c h i c ag oa e s t h e t i c s . c o m c h i c ag oa e s t h e t i c s . c o m
Market: Chicago Specialty: Cosmetic Gynecology
FemSculpt 31 2 . 809 . 9983 i n fo @ f e m scu l p t. co m femsculpt.com
Market: Dallas Specialty: Smile
Dr. Kenny Wilstead 9 72 . 6 9 6 . 92 7 3 sm i l e aga i n t exas @ gm a i l . co m fa m i ly d e n t i stgarl a n d . co m / a b o u t - us
Market: Dallas Specialty: Medspa
Enlighten MD 2 1 4 . 96 4 . 0860 i n fo @ e n l i gh t e n m d . co m k ari ac e i t l i n @ ya h o o . co m enlightenmd.com
Market: Dallas Specialty: Smile
Dr. Dunia Korous 9 72 . 9 8 7 . 4 8 9 9 i n fo . m i l l e n n i u m sm i l e s @ gm a i l . co m millenniumsmiles.com
h au t e l i v i n g . co m
H a u t e b e a u t y N E T WO R K
Market: Austin Specialty: Eyelid Surgery, Oculoplastic
Market: Austin Specialty: Medical Aesthetics
Dr. Alina Sholar
Dr. Ami Shah Vira
5 1 2 . 6 4 6 . 2 74 4
51 2 . 553 . 954 5
drshol ar@skinsciencesoul.com
amishahviramd@gmail.com
skinsciencesoul.com/dr-alina-shol ar
amishahviramd.com
Market: Houston Specialty: Smile
Market: Houston Specialty: Body
Dr. Daisy A. Ayim
Dr. Ashandra Batiste
7 1 3 . 6 4 0 . 5 92 2
71 3 . 78 9 . 86 8 0
i n f o @ d r d a i s yay i m . c o m
o f f i c e @ e l i t e d e n ta lw e l l n e s s . c o m
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h o u s t o n d e n ta lw e l l n e s s . c o m
Market: Denver Specialty: Medical Aesthetics
Market: Denver Specialty: Face
Dr. Jack Zamora
Dr. Tahl N. Humes
3 03 . 78 0 . 737 7
303.388.7380
h e l lo @ jac k za m o ra m d . co m
d rh u m e s @ v i ta h l . co m
jac k za m o ra m d . co m
v i ta h l . co m
Market: Louisiana Specialty: Medspa
Market: Fort Collins, CO Specialty: Medspa
Xanadu Medspa
The Timeless MedSpa 31 8 . 4 4 8 . 62 8 8
970 . 4 82 . 1 8 8 9
i t s a b o u t t i m e l e s s @ ya h o o . c o m
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Market: Louisville Specialty: Smile
Market: Phoenix Specialty: Smile
Dr. Sara Cummins
Dr. Jupneesh Singh
3 03 . 78 0 . 737 7
62 3 . 93 4 . 6 4 0 0
i n fo @ sa racu m m i n sd m d . co m
ssc f ro n t @ gm a i l . co m
S a racu m m i n sd m d . co m
singhsmilecare.com
Market: DMV (Washington D.C., Maryland, Virgina) Specialty: Aesthetic Injector
Market: DMV (Washington D.C., Maryland, Virginia) Specialty: Body, Breast
Rachel Duke
Dr. Kelly Sullivan
8 0 4 . 5 0 0 . 0 92 0
4 1 0 . 571 . 1 280
rach e l d u k e @ rach e l d u k e . co m
i n f o @ s u l l i va n s u r g e r y . c o m
rach e l d u k e . co m
s u l l i va n s u r g e r y . c o m
H a u t e b e a u t y N E T WO R K
h au t e l i v i n g . co m
Market: DMV (Washington D.C., Maryland, Virginia) Specialty: Eyes
Dr. Viraj Mehta
Market: Southeast Michigan Specialty: Medspa
Studio Sculpt + MOXXI 2 4 8 . 26 6 . 2 782 | 2 4 8 . 8 0 0 . 6 62 9
30 1 . 657 . 570 0 m e h ta fa c i a l p l a s t i c s @ g m a i l . c o m M e h ta fa c i a l p l a s t i c s . c o m
c o u r t n e y @ i h av e m ox x i . c o m i n fo @ m yst u d i oscu l p t. co m i h av e m ox x i . c o m | m y s t u d i o s c u l p t . c o m
Market: Michigan Specialty: Allergy and Immunology
Dr. Tina Abraham 248.651.6430 DrTinaAbraham@gmail.com m i ch i ga n l u n g s . co m / al l e rgy
Market: Pennsylvania Specialty: Body
Dr. Algie LaBrasca 8 1 4 . 8 49 . 659 1 algiel abrasca@gmail.com drl abrasca.com
Market: Pennsylvania Specialty: Face
Market: Pennsylvania Specialty: Face
Dr. Jason Bloom
Dr. Brannon Claytor
6 1 0 . 76 2 . 5 6 6 6
61 0 . 52 7 . 4 833
d rj b lo o m @ b lo o m f ps . co m
d r c l ay t o r @ c n p l a s t i c s u r g e r y . c o m
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c n p l a s t i c s u r g e ry . c o m
Market: Philadelphia Specialty: Skin
Market: Pennsylvania Specialty: Day Spa
Richel D’Ambra
Dr. Nianda Reid
2 1 5 . 52 3 . 8 035
267 . 609 . 2 4 2 4
ri ch e l . da m b ra @ gm a i l . co m
i n fo @ e m b rac e d e rm . co m
ri ch e l da m b ra . co m
e m b rac e d e rm . co m
Market: Wisconsin Specialty: Hair Restoration
Market: Memphis, TN Specialty: Skin
Dr. Purvisha Patel
Dr. Shamila Rawal
844.847.4248
6 0 8 . 72 1 . 6 1 3 2
pvishas@gmail.com
d r @ t h e r awa l i n s t i t u t e . c o m
a dva n c e d d e r m at o l o g y m e m p h i s . c o m
t h e r awa l i n s t i t u t e . c o m
Market: Salt Lake City, UT Specialty: Face
Dr. P. Daniel Ward 8 0 1 . 51 3 . 32 2 3 i n f o @ wa r d m d . c o m wa r d m d . c o m
Market: Northeast Ohio Specialty: Body
Dr. David Hartman 330.364.5656 r e c e p t i o n @ f i n e a r t s fa c i a l p l a s t i c s . c o m FINEARTSSKINANDL ASER.COM
h au t e l i v i n g . co m
H a u t e b e a u t y N E T WO R K
Market: North Carolina Specialty: Anti-Aging
Market: Columbus, OH Specialty: Smile
Dr. Sam Latif
Hannah Taylor
61 4 . 4 59 . 730 0
98 0 . 2 4 5 . 62 4 5
office@ohiocosmeticdentists.com
h a n n a h t s pa @ g m a i l . c o m
ohiocosmeticdentists.com
h a n n a h t s pa . c o m
Market: Hawaii Specialty: Face
Dr. Terry Restivo 888 . 533 . 2 1 33 t e r r y r e s t i vo @ g m a i l . c o m r e s t i vo p l a s t i c s u r g e r y . c o m
h au t e l i v i n g . co m
H a u t e M D N E T WO R K
Market: Miami, Fort Lauderdale Specialty: Periodontology
Market: Miami, Fort Lauderdale Specialty: Medical Sanctuary
Dr. Bankole Johnson 434.466.7578
Dr. Baruch Tetri 2 1 2 . 759 . 5363 baru ch @ t e t ri sm i l e . co m
kole@p ri v ebyd rj.com
tetrismile.com
p ri v ebyd rj.com
Market: Miami, Fort Lauderdale Specialty: Pediatrician
Market: Miami,Fort Lauderdale Specialty: Otolaryngology (ENT & Facial Plastics)
Dr. Brianna Varas
Dr. Jay Young
3 05 . 6 61 . 1 962
305 . 70 7 . 0368
B r i a n n ava r a s @ g m a i l . c o m
a d m i n @ j ay yo u n g m d . c o m
s u n s e t p e d i at r i c s . n e t
j ay yo u n g m d . c o m
Market: New York Specialty: Concierge Medicine
Dr. Vineet Sandhu 9 0 8 . 852 . 1 8 87 v i n n ysa n d h u m d @ gm a i l . co m h o u s e m d n yc . c o m
Market: New York Specialty: Fertility
Dr. Brian A. Levine 212.290.8100 n at i o n a l p s c @ c o l o c r m . c o m c c r m i v f . c o m / n e w - yo r k
Haute Lawyer Haute Lawyer is an exclusive, partnership-driven, invitation-only network of select lawyers from top markets in the U.S. At Haute Lawyer, we recognize these leading experts in law and seek to further their success by driving unmatched digital and print exposure.
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H a u t e l aw y e r N E T WO R K
Market:South Florida Specialty: Entertainment, Intellectual Property
Carlos Rodriguez-Feliz 786 - 31 5 - 4 8 05 c a r l o s @ r o d f e l . l aw r o d f e l . l aw
Market: South Florida Specialty: Business Law & Business Litigation
Gavin Tudor Elliot 75 4 . 3 32 . 2 1 0 1 g e l l i ot @ e l l i ot l eg a l . c o m e l l i ot l eg a l . c o m
Market: South Florida Specialty: Real Estate
Robert Elias 305 . 82 3 . 2 30 0 r e l i a s @ e l i a s l aw . n e t e l i a s l aw . n e t
Market: South Florida Specialty: Commercial, Franchise
Robert Zarco 3 0 5 . 3 74 . 5 4 1 8 r z a r c o @ z a r c o l aw . c o m z a r c o l aw . c o m
Market: South Florida Specialty: Tax Law
Suzanne M. DeWitt 305 . 563 . 70 0 0 suzanne@dewit tpllc.com dewittpllc.com
Market: South Florida Specialty: Family Law/Divorce
Sandy B. Becher 305 . 860 . 58 1 1 s a n dy @ s a n dy b e c h e r l aw . c o m s a n dy b e c h e r . c o m
H a u t e l aw y e r N E T WO R K
h au t e l i v i n g . co m
Market: South Florida Specialty: Personal Injury
Market: New York City, South Florida Specialty: Trusts and Estates
Weston Finn
Mark J. Eberle
833 . 668 . 6937
212.233.4185
W e s @ T h e M o t o L aw y e r . c o m
m a r k @ e b e r l e - l aw . c o m
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Market: Miami Specialty: Personal Injury
Market: Miami, St. Petersburg Specialty: Personal Injury
Jorge Calil
Matt Dolman
3 05 - 373 - 552 9
8 6 6 - 975 - 62 4 2
j o r g e @ j c a l i l l aw . c o m
m at t @ d o l m a n l aw . c o m
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d o l m a n l aw . c o m
Market: Los Angeles Specialty: Family Law
Market:Ventura, CA Specialty: Estate Planning
Kendra Thomas
Eric Ridley
94 9 . 7 9 9 . 3 3 5 7 | 8 1 . 2 1 0 . 4 8 62
8 05 - 2 4 4 - 52 9 1
k t h o m a s @ l aw - t h o m a s . c o m
e r i c @ r i d l e y l awo f f i c e s . c o m
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Market: New York City Specialty: Private Wealth Law
Market: New York City Specialty: Family Law/Divorce
Michael Kosnitzky
Janice Roven
2 1 2 . 858 . 1 0 02 ( N Y c ) | 786 . 9 1 3 . 4 8 85 ( M i a m i )
2 1 2 . 262 . 32 8 0
M i c h a e l . K o s n i t z k y @ P i l l s b u r y l aw . c o m
j r ov e n @ r ov e n l awg r o u p . c o m
p i l l s b u r y l aw . c o m
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Market: Michigan Specialty: Criminal Defense, Family Law/Divorce
Market: Michigan Specialty: Criminal Defense, Family Law/Divorce
Glenn L. Udell
Jeffrey Lance Abood
31 2 . 4 75 . 9 9 0 0 ext. 2 1 6
248.635.0000
g u d e l l @ b u p d l aw . c o m
j e f f @ a b o o d l aw . c o m
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Market: Houston Specialty: Business Law, Government Investigations & White Collar Crimes
Market: Massachusetts Specialty: Family Law/Divorce
Khudabuksh Walji
James M. Cote
2 8 1 . 4 0 1 . 9 6 72
978 . 4 3 0 . 04 2 9
k . wa l j i @ wa l j i l aw . c o m
j c o t e @ j c o t e l aw . c o m j c o t e l aw . c o m
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R E A L E S TAT E N E T WO R K
h au t e re si d e n c e . co m
Anna Sherrill
Barbara Van Dyke
Aeris House Properties
Beth Dickerson
Arizona, Scottsdale #89$'##$:!!;( .2<10),-.*+1=*,$617( ),-.*+1=*,$617
()*+',-./)0&"1'("&*"1'234305' 6)%7'8&*%*) #;!$%;8$"%#% B.6C,-*12-,;05)+11$617 4,3+B.6C,-*12$617
Alison Melton
Brenda Wild
Florida, South of Fifth !"#$"%&$"'"'( )*+,--.//012,*13+,45*-,)/35$617( )22)*+,--.//$617
South Carolina, Hilton Head Island, Bluffton "'&$9:8$&#'8( )/.*120/=>,/1?61=23-5$617( /=>,/1?61=23-5$617
Anne Perry
Hawaii, Honolulu !"#$%&&' "8"$9"#$#'!'( )22,@064@)6.<.6$617( )22,+1A)2@,--5$617
Angela Retelny Team New York, Westchester :;'$'%8$%;8#( )2A,/)$-,3,/250617@)**$617( )2A,/)-,3,/25$617
Texas, Austin %;9$'&;$9%%9(F(%;9$%!%$&#''( 4)-4)-)$E)2B5C,0617@)**$617( 4)-4)-)E)2B5C,$617
9&$)1':-;1%*30)'<%.%*-"1'6)1*%7&' %*'6)=>%4':-;1%*30) :!8$&!:$99:: 4-,2B)$?./B0-,7)>D*.A2)3=-,$617( )*@,2*.A2)3=-,@-1@,-3.,*$617
Brian Guiltinan
California, San Diego ?+)'@3-7*-1%1'@0"3$' "%"$!%#$"!!8( 4-.)203+,A=./3.2)2A-1=@$617( 3+,A=./3.2)2A-1=@$617
Catherine Burgess
Colorado, Boulder (30;)&&'@0"3$A'!"#$%&&' &8&$%8#$%##:( 6)3+,-.2,04=-A,**A-1=@-,)/35$617( 4=-A,**A-1=@-,)/35$617
Andrea Desy Edrei Pennsylvania, Philadelphia Main Line :;!$:#"$!"'"( )2B-,)04/)6C/)4,/C?$617( 4/)6C/)4,/C?$617
Chad Bishop
Fort Lauderdale - Las Olas, FL %;!D";:D':":( 6+)B4.*+1@A-1=@0(A7)./$617( 6+)B4.*+1@A-1=@$617
Amy Land-de Wilde
St. Croix, U.S. Virgin Islands &'8D#:8D;9;& )75B,?./B,061/B?,//4)2C,-E.$617 3,)7/)2BB,?./B,061/B?,//4)2C,-E.$617
Barbara Bardach Arizona, Tucson %98$9!%$&"#!( 4)-4)-)04)-B)6+$2,3( 4)-4)-)4)-B)6+$617
Corcoran Reverie
Florida, Highway BC9'D-7%05'E%013#FE%&*+A'(0"/)0' "%8$9&;$%8&8( .2<1061-61-)2A-1=@$617( 61-61-)2-,E,-.,$617
Cristal Clarke
Daniel Tzinker
Cindy Shearin
Daniel Goodstadt
California, Montecito ()0/&+-0)'D%*+%G%5' "8%$"!:$%888(F("8%$""#$:&!"( 6-.*3)/07123,6.31D,*3)3,$617( 7123,6.31D,*3)3,$617(
California, Manhattan Beach ?+)':+)%0-1'@0"3$ &;8$988$"&;" 6.2B503+,*+,)-.2A-1=@$617( 6.2B5*+,)-.2$617
Curtis J. Wright New Jersey, Essex County, !"##$%&'"()*+& :!&$&8#$9!%9(F(:!&$%8:$'#':( 6?-.A+306+-.*3.,*-,22G$617( 6=-3.*G?-.A+3$617
Claudia Llanes
Florida, Edgewater !"#$'':$"#""(F(!"#$'':$"#""( 6/)=B.)$//)2,*0,//.7)2$617( 6/)=B.)//)2,*-,)/31-$617
Bal Harbour, Florida J-1/)0'6)%7'8&*%*) !"#$9&'$:":" B)2.,/03H.2C,-$617 3H.2C,-$617
Venetian Islands, FL &8%$";9$'!!8 B)2$A11B*3)B30,//.7)2$617 ,//.7)2$617
Darlene Streit
New Mexico :"*+)K5L&'M1*)01%*-"1%7'6)%7*5' %8%$:98$"88;( B*3-,.30B*3-,.3$617 *)23)<,-,)/,*3)3,@-1@,-35$617
Dana Bambace & Mark Peterson California, Pebble Beach !%0#)7'!"#$%&& "&;$99'$#&%&( B)2)$4)74)6,0617@)**$617( 7)-C$@,3,-*120617@)**$617( 4)74)6,@,3,-*12$617
Clara Hartree
Canada, Victoria , West Vancouver #8'$"":$::!!( 6/)-)06/)-)+)-3-,,$617( 6/)-)+)-3-,,$617
Darin Marques Nevada, Henderson, Las Vegas !89$'"%$!!%%( B)-.20B7A/=>=-5$617( B7A/=>=-5$617
Cyd Greer
California, Napa Valley !8!$&99$#"9%( 6A-,,-0642)@)E)//,5$617( 65BA-,,-$617
Dante DiSabato Florida, Naples H-77%-#'6%I)-&' 9&:$%&!$%&%;( B)23,$B.*)4)310-)E,.*$617( B)23,B.*)4)31$-)E,.*$617
David Gemme
California, Carnelian Bay, Squaw Valley, Truckee West Shore, Schaffer’s Mill, Martis Camp, Lahontan, Tahoe City %&8$9!!$"""; B)E.B0A,77,A-1=@$617( A,77,A-1=@$617
Day Palazola Group Colorado ,%5'N%7%O"7%'@0"3$' "%8$#"!$8!88 41$G$@)/)H1/)0A7)./$617 B)5@)/)H1/)A-1=@$617
h au t e re si d e n c e . co m
R E A L E S TAT E N E T WO R K
Dennis Chernov
Elliot Bogod
Dean Mandile
Eugenia Foxworth
Studio City, California !+)01"I'?)%#'6)%7'8&*%*) ";"$'&9$;%9' B,22.*06+,-21E3,)7$617 6+,-21E3,)7$617
California, Hollywood Hills :"*+)K5L&'M1*)01%*-"1%7'6)%7*5' &;8$!!!$%;&%( B,)2$7)2B./,0*13+,45*+17,*$617( B,)27)2B./,$617
Debra Johnston
Georgia, Atlanta ()0/&+-0)'D%*+%G%5'D"#)' :)0I-.)&'@)"0;-%'N0"$)0*-)&' '8'$&;9$;:%:( B,4-)$G1+2*31204++*A,1-A.)$617( B,4-))G1+2*312$617
Diane Pool
Hawaii, Maui "8"$9!#$988'( B.)2,0*1/B127)=.$2,3( *1/B127)=.$2,3
Dan Hechtkopf and Marci DeClaris
Florida, Mid Miami Beach, Sunset Island Dan H &8%$&9&$&9'! J)-6.(K(&8%$':"$9!%%( B)2$+,6+3C1@<0,//.7)2$617( 7)-6.$B,6/)-.*0,//.7)2$617( ,//.7)2$617L</1-.B)L)**16.D()3,L%;8D )D%9"D</D&9;:';8LB)2D+,6+3C1@<( ,//.7)2$617L</1-.B)L)**16.D()3,L%;8D)D B<;:8:;';!''%9#%9!;L7)-6.DB,D(6/)-.*
Don Clark
California, Cardiff by the Sea "%"$::!$&"%:( B126/)-C-,)/,*3)3,0A7)./$617( @-1@,-3571E,-0A7)./$617( B126/)-C-,)/,*3)3,$617
Elisa Linton
Texas, Humble, Kingwood ?+)',"3;'80P5'@0"3$' "&9$'!'$8!'#( ,/.*)51=--,)/31-0A7)./$617( ,/.2312@-1@,-3.,*$617
New York, Upper West Side :;!$&;9$'#9# 9;9$%!!$99!8( ,41A1B04-1)B?)5-,)/35$617( 4-1)B?)5-,)/35$617
New York City, Uptown E"4G"0*+'6)%7*5 9;9$&#"$':89( ,=A,2.)0<1>?1-3+-,)/3512/.2,$617( <1>?1-3+-,)/3512/.2,$617
Elise Larrabure Girasole
Westport, CT 98&D9%!D#&;9( ,/.*,$/)--)4=-,061-61-D()2$617( ?,*3@1-3/=>/.E.2A$617
Ernie Carswell
California, West Hollywood &;8$&'%$!%88( ,-2.,06)-*?,//)2B)**16.)3,*$617( 6)-*?,//)2B)**16.)3,*$617
Frontgate Real Estate
California, Calabasas !'!$"""$8%8"( B)2))2BG,I0<-123A)3,-,)/,*3)3,$617( B)2))2BG,I/=>=-5+17,*$617
Frank D. Isoldi
New Jersey, Westfield !"7PG)77'(%1/)0'6)&-P)1*-%7' :8"$&8;$98&" <-)2C.*1/B.0A7)./$617( 3+,.*1/B.61//,63.12$617
Georgina Jacobson California, Newport Beach @)"0;-1%'Q%."K&"1'@0"3$' :':$9"%$"&"8( A,1-A.2)0A,1-A.2)G)614*12$617( A,1-A.2)G)614*12$617
Gina Duncan
Jennifer Zales
Hunter Harman
Jeff Chertow
Heidi Bintz
Jeff Hendley
O’ahu, Hawaii "8"D9%8D:"%" "8"D"#"D9;89 7)=.A.2)0A7)./$617 <.2,.*/)2B@-1@,-3.,*0A7)./$617 A.2)B=26)2$<.2,.*/)2B@-1@,-3.,*$617
Florida, Destin, Santa Rosa Beach ()0/&+-0)'D%*+%G%5'D"#)':)0I-.)&' "%8$%&'$&88# +=23,-04@</)$617( 4,)6+@-1@,-3.,*</)$617
Vail Valley, Colorado :!8$&:8$"&"&(F(:!8$"'%$8'88( +4.23H0/.E*13+,45*-,)/35$617( +4.23H0/.E*.-$617( 61/1-)B1/.<,*35/,$/=>=-5
Henderson Ventures
Florida, Tampa Bya: Pinellas, Hillsborough !"7PG)77'(%1/)0 6)&-P)1*-%7'6)%7'8&*%*) ";&$!%"$&''& G,22.<,-0G,22.<,-H)/,*$617( G,22.<,-H)/,*$617
California, Malibu N-11%.7)'8&*%*)'N0"$)0*-)&' &;8$'%#$&'#:( G,I6+,-31?0A7)./$617( 7)/.4=B-,)7+17,*$617
Colorado, Denver &8&$"!!$#!#!( G,I0G,I+,2B/,5$617( G,I+,2B/,5$617
Jeff Hyland
North Carolina, Charlotte !8'$':9$&'9#( 2./1=0+,2B,-*12E,23=-,*.26$617( +,2B,-*12E,23=-,*.26$617
California, Bel-Air D-7*"1'R'D57%1P' &;8$9!"$&&;;( G,I0+./312+5/)2B$617( G,I+5/)2B$617
Isleworth Realty
Joel Schemmel
Jennifer Brilliant
Joyce Rey
Florida, Windermere '8!$"!#$8;;;( *)/,*0.*/,?1-3+$617( .*/,?1-3+$617
Florida, Surfside, Bay Harbor Islands &8%$&":$8998( G4-.//.)23012,*13+,45*-,)/35$617( G,22.<,-4-.//.)23$12,*13+,45*-,)/35$617
Florida, Sarasota :';$%"!$'":'( G1,/$*6+,77,/0@-,7.,-*.-$617( *6+,77,/-,)/,*3)3,$617
California, Beverly Hills !"7PG)77'(%1/)0 @7"K%7'234305' &;8$9"%$!%9:( G156,0G156,-,5$617( G156,-,5$617
Jennifer Nicole Lee Downtown Miami, Florida &8%$&8%$%889(F(!"#$%;#$##&#( G/,,012,*13+,45*-,)/35$617( 3+,G,22.<,-2.61/,/,,0A7)./$617( G,22.<,-/,,$12,*13+,45*-,)/35$617
Jochen Lucke
Highlands, North Carolina "9"$99#$;;9#(F("9"$!'&$;:::( G/=6C,026/.E.2A$617(26/.E.2A$617
R E A L E S TAT E N E T WO R K
John-Mark Mitchell
Greensboro, Winston-Salem, High Point, Triad Region, North Carolina &&#$#"9$9%%9(F(&&#$!99$::;;( G1+27)-C0A17.36+$617 .2<10A17.36+$617 A17.36+$617
Justin Alexander California, Venice !"#$%&&' :!8$!;8$;##%( G)0617@)**$617 G=*3.27)/,>)2B,-$617
Julie Beavers & Rainie Collins Arizona, Gilbert '"8$98&$:"#" G=/.,40),-.*+1=*,$617
Kathleen Floryan Jacksonville, Florida :8'$#"!$%;'#( C)3+</1-5)20A7)./$617( C)3+/,,2</1-5)2$,>@-,)/35$617
Kathryn Shafer
,-.-#/+&0$//%&12324&'5/$6"#)$5& &9&$&!#$:#8;( C)3+-520-,)/35A-1=@/)$617( -,)/35A-1=@/)$617
Kris Zacuto California, Venice !"#$%&&' &;8$!89$#9::( C-.*0C-.*H)6=31$617 C-.*H)6=31$617
Kris Anderson
Sedona, AZ '"8D%#!D9;8& C-.*051=-@-,7.,-3,)7$2,3 C-.*$)2B,-*120,>@-,)/35$617 ./1E,*,B12)-,)/,*3)3,$617
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R E A L E S TAT E N E T WO R K
Kevin Crigger Canada, Toronto ';#$'":$9;9;( C,E.20C,E.26-.AA,-$617( C,E.26-.AA,-$617
Kurtis Becker
The Big Island, Hawaii !%7PG)77'(%1/)0'M&7%1P'N0"$)0*-)& "8"$'&8$#!"% C4C12)-,)/,*3)3,0A7)./$617 61/B?,//4)2C,-$617LM1/B?,//DN)2C,-D O*/)2BDP-1@,-3.,*D''&"6LQ=-3.*D N,6C,-D%;89!9!)
KC Martin
France, Paris :"*+)K5L&'M1*)01%*-"1%7'6)%7*5' %8%$#:8$!;:9 R<1-(6)//*(1=3*.B,(STU(=*,(V8;;WX(M,//(;( C6$7)-3.20*13+,45*+17,*$617( *13+,45*-,)/35$617
Krista Richman & Maisie Lenzi
Florida, Fort Lauderdale #8:$#89$#;#' C-.*3)$-.6+7)20A7)./$617( 6,-E,-)$617L3,)7LC-.*3)D-.6+7)2( :%'$#&:$;#88 7).*.,/,2H.0A7)./$617(6,-E,-)$617L 3,)7L7).*.,D/,2H.
Laura Bryant
Burlingame, California 2%30%'(05%1*'D"#)& #%8$"""$8!!9 /)=-)4-5)23+17,*0A7)./$617 /)=-)4-5)23+17,*$617
Laura Livaudais
North Carolina, Asheville/Western NC "9"$!;9$%''% /)=-)0.G4@-1@,-3.,*$617( )//)*+,E.//,-,)/,*3)3,$617
Leslie S. Modell
New York, Midtown East :"*+)K5L&'M1*)01%*-"1%7'6)%7*5' 9;9$#8#$!##"U(:;!$'""$%&!'( /,*/.,*$71B,//0*13+,45*+17,*$617( 3+,/,*/.,*71B,//3,)7$617
R E A L E S TAT E N E T WO R K
Leisa Erickson
Florida, St. Pete Beach 9&:$!":$!;8#( /,.*)$,-.6C*120,E-,)/,*3)3,$617( /,.*),-.6C*12A-1=@$,E-,)/,*3)3,$617
Lydia Eskenazi Florida, Bal Harbour 05#7$)8&9-5/*+& &8%$!"%$8''8( /5B.)0/5B.),*C,2)H.$617( /5B.),*C,2)H.$617
Lourdes Alatriste Florida, Coral Gables, Key Biscayne ,"3;7%&'877-#%1'6)%7'8&*%*)' &8%$:9#$%&99( /1=-B,*$)/)3-.*3,0,//.7)2$617( /1=-B,*)/)3-.*3,7.)7.$617
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Marsha Sherry
Florida, Vero Beach ?+)'>""0-1;&'6)%7*5':%7)&'!"' !!9$9&;$%;&;( *)/,*0Y+,J11-.2A*$617( 3+,711-.2A*$617
Mark Salmon California, South Tahoe %&8$&;"$!#&!( 7)-C03)+1,*)/712$617( 3)+1,*)/712$617
Mary Pichardo Florida, North Bay Village !"#$98"$;9%8( 7@.6+)-B19"07,$617( 7@.6+)-B10)E)23.?)5$617( 7)-5@.6+)-B1$617
Lindsay Clark-Shields Mary Ann Osborn Laguna Beach, CA :':(!;%(&%&8 /.2B*)5$6/)-CD*+.,/B*0,2A,/E1,/C,-*$617 /.2B*)56/)-CD*+.,/B*$,E-,)/,*3)3,$617
Lisa Culp Taylor Tennessee 2!?'?)%# (#;%$!:8$!'88( /.*)0/633,)7$617( /.*)6=/@3)5/1-$617
LUXE Christie’s Int’l Oregon, Washington :HA'!)1*0%7'R'8%&*)01 %8&$&":$9;;9 .2<10/=>,6.-$617(/=>,6.-$617L @-1@,-3.,*6523+.)D4)--,33
Magnus Jennemyr Florida, Coconut Grove 81;)7'R'<S7/)0& &8%$:;&$%'::( 7)A2=*$G,22,75-0,E=*)$617( *,/,63-A$617
California, Century City T)4*'!)1*305'6)%7*5 &;8$"!;$8!%&( 71*41-202,>36,23=-5-,)/35$617( 3+,6,23=-5@/)H)$617
Maggi Thornhill & Max Thornhill
Canada, Whistler #8'$:8%$";::( 7)AA.$3+1-2+.//0,2A,/E1,/C,-*$617( #8'$:&9$;"!%( 7)>$3+1-2+.//0,2A,/E1,/C,-*$617( 7)AA.3+1-2+.//$617
Maggie Gold Seelig Boston, Massachusetts #;!$#'%$':::( 7)AA.,07)AA.,A1/B*,,/.A$617( 7A*A-1=@-,)/,*3)3,$617
Melissa Barragan Florida, Sunny Isles Beach ,)O)0'N7%*-13#'6)%7*5' &8%$:""$'&%;( 7,/.**)0B,H,-$617( 7,/.**)4)--)A)2$617
Michelle Thomas
Paola Marulanda
Michael LaFido
Paula Hinegardner
Michelle O’Neill and Paul Perry
Patty Murphy
Florida, Marco Island 9&:$"#8$!;!#( 7.6+,//,02)@/,*$617( 7.6+,//,3+17)*3,)7$617
Illinois, Chicagoland #&8$#!'$&'""( 7.C,03+,/)<.B13,)7$617( /=>,6+.6)A1/)2B+17,*$617
Arizona, Paradise Valley '"8$!!#$::%"( 7.6+,//,$12,.//0-=**/512$617( @9)-.H12)0A7)./$617( /.E.2AB,*,-371=23).2$617
Moira E. Holley
Washington, Seattle 6)%7";-.&'U':"*+)K5L&'M1*)01%*-"1%7' 6)%7*5' 98#$#;9$%!!;( 71.-)071.-)@-,*,23*$617( 71.-)@-,*,23*$617
Florida, Miami Beach Islands &8%$':#$8&%:( @)1/)0@)1/)7)-=/)2B)$617( @)1/)7)-=/)2B)$617
Florida, Sandestin #;%$#;"$;&&8( @+.2,A)-B2,-07,$617( @-,E.,?2)*+E.//,-,)/,*3)3,$617
Santa Ynez Valley, California "8%$#"8$"%!;( @)3350@)3357=-@+5$617( /=@)3357=-@+5$617
Provenance Properties
Caribbean, Cayman Islands !+0-&*-)L&'M1*)01%*-"1%7'6)%7'8&*%*)' &'%$#'8$!888( .2<10@-1E,2)26,@-1@,-3.,*$617( @-1E,2)26,@-1@,-3.,*$617
Philip Weiser Myra Nourmand
California, Los Angeles T"30#%1P'%1P'9&&".-%*)&A' ()I)075'D-77& &;8$"""$&&&&( 75-)21=-7)2B021=-7)2B$617( 75-)21=-7)2B$617
Nancy Tallman
Park City, Utah '&%D:8;D8#%: 2)265$3)//7)20*13+,45*-,)/35$617 .2*.B,@)-C6.35-,)/,*3)3,$617
Olivia Hsu Decker
California, San Francisco Bay @"7P)1'@%*)':"*+)K5L&' M1*)01%*-"1%7'6)%7*5' ';%$'&%$;#88( 1/.E.)0*)2<-)26.*61<.2,+17,*$617( *)2<-)26.*61<.2,+17,*$617
!%07*"1'M1*)01%*-"1%7 Z&&$#;'$&';$&;' .2<106)-/312DA-1=@$617 6)-/312D.23,-2)3.12)/$617L,2
Phyllis Browning Company&
Texas, San Antonio 9;8$"9'$!"!"( @4-1?2.2A0@+5//.*4-1?2.2A$617( @+5//.*4-1?2.2A$617
Timothy Norman Tamura California, Corona Del Mar <92M9'N0"$)0*-)& :':$#!&$8!": 3.70E)/.)16$617( E)/.)16$617
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Roberta Ingletto Florida, Pinecrest, South Miami &8%$!!"$!&'&( -14,-3)0-A.-,)/35$617( -A.-,)/35$617
Rick Kaluza
Pacific Heights / Marina / Cow Hollow, California 6-./'V%73O%'!"#$%&& ';%$9#%$!%#%( -.6C$C)/=H)0617@)**$617 -.6CC)/=H)$617
Robert Greenwood
Caribbean, Turks & Caicos Islands !+0-&*-)&A'6);)1.5'6)%7*5'2?,' #':$'&9$!#%&(3+,3=-C*)2B6).61*$617( -14,-3A-,,2?11B$617
Ryan Ayre
North Carolina, Emerald Isle, Wilmington, Crystal Coast 9%9$9';$':99 -5)20A17.36+$617( ?,/617,31,7,-)/B.*/,$617
R E A L E S TAT E N E T WO R K
Silvina Andrews
Bahamas 81;)7'R'<"7/)0&':-7I-1%'91P0)G& 9'9$'9'$;#'& *./E.2)$)2B-,?*0,E-,)/,*3)3,$617 *./E.2))2B-,?*$,E-,)/,*3)3,$617
Susan Stark
California, Studio City, Pacific Palisades& &;8$&'%$!'%8(*=*)2*3)-C+17,*0 A7)./$617(*=*)2*3)-C$617
Scott Goshorn Brentwood, California &9&$9%;$%'!:( *61330*6133A1*+1-2$617( *6133A1*+1-2$617
Stefano Balli
Florida, Ponce-Davis &8%$:;%$9%!9( *3,<)21$4)//.0617@)**$617( 617@)**$617L)A,23*L*3,<)21D4)//.
Steve Nassar Sandra Miller
California, Santa Monica &;8$#;#$#9;&( *)2B-)$7.//,-0,E-,)/,*3)3,$617( *)2B-)7.//,-$,E-,)/,*3)3,$617
Sandra Fiorenza Miami Beach, Florida &8%$9";$'!9!( *)2B-)0<.1-,2H)$66( *)2B-)<.1-,2H)$617
Salter Group
:%7*)0'@0"3$'!"#$%&& :%'$";9$'"8; -.6+)-B$*)/3,-0617@)**$617 *)/3,-A-1=@</$617
Camas and Vancouver, WA %8&D"8%D%%"9 *3,E,02)**)-3,)7$617 *3,E,2)**)-3,)7$617
Tammy Campbell McNelis (formerly Plummer) and The CPM Team Florida, St. Petersburg, Y.,--)([,-B,( !9!$'%%$9&%;( 3)77503+,6@73,)7$617( 3+,MPJ3,)7$617
Tim Durkovic
Vannessa Kaufman
Tim Fenton
Vanessa NeumannAndrews
California, Pasadena &;8$!&"$"8:"( 3.703+,B=-C1E.6A-1=@$617( 3+,B=-C1E.6A-1=@$617
Costa Rica (73)'J"1)'6)%7*5'M1*)01%*-"1%7' ';%$9%;$9&&9( 3.704/=,H12,-,)/35$617( 4/=,H12,-,)/35$617
Florida, Palm Beach, West Palm Beach &8%$&'&$:;&&( 3)-5203@A@)/74,)6+$617( 3@A@)/74,)6+$617
Arizona, Carefree #89$:::$#%#:( E03+,6)-,<-,,-,)/31-$617( E)2,**)2,=7)22)2B-,?*$617
The Pearl Antonacci Vicki Gaily New Jersey, Bergen County Group :/"#$754&,";5&95*") %#;$9'%$;%';(F(%#;$!;'$"'#' .2<10@,)-/)2312)66.$617( @,)-/)2312)66.0617@)**$617( @,)-/)2312)66.$617
The Alex + Joe Team Florida, Miami Beach &8%$!;9$#%99( +,//10)/,>)2BG1,$617( )/,>)2BG1,$617
Toni Itkin
Georgia, Sandy Springs, East Cobb Vinings !"7PG)77'(%1/)0 6)&-P)1*-%7'(0"/)0%;) '8'$99:$"9'9 312.0312..3C.2$617
Toni Jennings
Michigan, Detroit, Bloomfield Hills,Birmingham &;&$%8#$!!;; 312.0)41B,B,3-1.3$617
Tomer Fridman Taryn Pisaneschi
New York, Park Avenue 9;9$#8#$!!#8( E)2,**)$C)=<7)20*13+,45*+17,*$ 617(E)22,**)C)=<7)2-,$617
California, Hidden Hills, Holmby Hills, Trousdale Estates &;8$:;:$;8&"( .2<103+,<-.B7)2A-1=@$617( 3+,<-.B7)2A-1=@$617
98;$&:8$%""8(F(98;$:&'$!;;;( EA)./50*@,6.)/@-1@,-3.,*$617( *@,6.)/@-1@,-3.,*$617
Yvonne Summerfield Hawaii, Kauai "8"$&'#$!9%;(F("8"$!'9$;!!!( 5*=77,-<.,/B0-,7)>$2,3( 5E122,*=77,-<.,/B$617
Haute Developer The premier list of the world’s most exclusive properties by some of the most renowned real estate development companies.
h a u t e d e v e l o p e r N E T WO R K
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BEACH ENCLAVE TURKS & CAICOS
MV GROUP USA / MANNY ANGELO VARAS
!8$F+G,?+)G&@+)-$H?3$IJKB$6LL3$I>?A'$M$K)&(@'$F'-)+/' 60C;;08C#06;78$$$<$$$%,)(NO+(-).,0(@2
$6:##$%?&(A,--$B.,3$1&)2&3$45$!!6!6 !#80;;C0!6::$$$<$$$2.D?@>E>')0(@2
MONACO YACHT CLUB & RESIDENCES
MG DEVELOPERS
;C"7$K@--&+'$B.,$45$!!963$1&)2&$%,)(N3$45$!!696 !#8079:0##C"$$$$<$$$$2@+)(@*)(NG(->R?,'&/,+(,'0(@2
!#6$B-2,?&)$B.,$P!!#3$K@?)-$Q)R-,'3$45$!!6!9 !#8076C09878$$$<$$$$2D/,.,-@E,?2&)2&0(@2
ONE THOUSAND MUSEUM BY ZAHA HADID ARCHITECTS
QUADRO
6###$%&'()*+,$%-./3$1&)2&3$45$!!6!: C880;;!0;C7!$$$$<$$$$6###2>',>2&)2&0(@2
!"##$%&'()*+,$%-./0$1&)2&3$45$!!6!7 !#8079908:;:$$$<$$$$=>)/?@?,'&/,+(,'0(@2
REACH AND RISE AT BRICKELL CITY CENTRE CENTRE
57 OCEAN
;C$SO$; $SG3$1&)2&3$45$!!6!6 !#80;790;888$$$<$$$$?,'&/,+(,'R?&(A,--(&G*(,+G?,0(@2
8778$K@--&+'$B.,3$1&)2&$%,)(N3$45$!!69# !#80:!"0!:#C$$$<$$$$87@(,)+0(@2
GN$
Haute Design
h au t e re si d e n c e . co m
h a u t e d e s i g n N E T WO R K
Market : Aventura, Florida
Kirk Ivy 954 . 793 . 1 053 | o f f i c e @ i v e y d b . co m iveydb.com
Market : Coral Gables, FL
Balli Group 3 05 . 6 69 . 51 6 0 | t h e b a l l i g ro u p. c o m i n fo @ t h e b a l l i g ro u p. c o m
Market : Design District, Miami, FL
Michael Scigliano 305.351.2411 | MS2DesignStudio.com Michael@MS2DesignStudio.com
Market : Miami, FL
Luciana Fragali 305 . 7 78 . 6860 | ds - m i a m i . co m lfragali@ds-miami.com
Market : Miami, FL
Rafaela Simoes & Laila Colvin 305 . 71 2 . 3535 | 2 i d i n t e ri o rs . co m r a fa e l a @ 2 i d i n t e r i o r s . c o m
Market : Miami Beach, FL
Sensi Casa 786 . 505 . 4 733 | s e n s i c a sa . co m business@sensicasa.com
Market : Miami, FL
Humza Arif 305 . 902 . 71 4 4 | M S 2 D e s i g n S t u d i o . co m i n f o @ k l i n i ko m i a m i . c o m
h a u t e d e s i g n N E T WO R K
h au t e re si d e n c e . co m
Market : Miami Beach, FL
GENESI Design Studio 786 . 4 07 . 4 528 | a l ex @ g e n e s i d e s i g n st u d i o . co m genesidesignstudio.com
Market : South Miami, FL
Cozy Salazar Interiors 7 8 6 . 6 1 5 . 4 7 9 0 | i n f o @ c oz y s a l a z a r . c o m c oz y s a l a z a r . c o m
Market : Calabasas, CA
Market : San Fracisco, CA
Julia Wong Designs
Karlee Coble Elevated Interiors
8 1 8 . 2 2 3 . 8 8 8 6 | i n f o @ j u l i aw o n g d e s i g n s . c o m j u l i aw o n g d e s i g n s . c o m
206.335.8446 | karlee@karleecobleinteriors.com karleecobleinteriors.com
Market : Los Angeles, CA
Market : Los Angeles, CA
FORM Design Studio
Dorothy Alon
31 0 . 933 . 5390 | fo rm - d e si gn st u d i o . co m studio@form-designstudio.com
310-409-6051 | sopheadesigns.com info@sopheadesigns.com
Market : San Francisco, CA
Market : San Fracisco, CA
Helaine Tregenza Interior Design
Hafsa Burt
831 . 595 . 4 570 | h e l a i n e @ m e . co m hel ainetregenzainteriordesign.com
4 1 5 . 702 . 1 609 | h ba a rch i t ec t s . co m hburt@hba architects.com
Market : Denver, CO
Market : Chicago,IL
Andrea Schumacher
Michael Miller
3 03 . 4 58 . 6 4 62 | a n d re a s c h u m ac h e r i n t e r i o r s . c o m s h ow ro o m @ a n d r e a s c h u m ac h e r . c o m
3 1 2 . 2 7 9 . 2 7 76 | c e n ta u r i n t e r i o r s . c o m i n f o @ c e n ta u r i n t e r i o r s . c o m
Market : Manhattan, NY
Market : Long Island, NY
Kelly Dunn
Chasity Centeno
1 4 8 4 . 7 8 8 . 9 7 8 9 | fat h o m d e s i g n c o m p a n y . c o m i n f o @ fat h o m d e s i g n c o m p a n y . c o m
1 631 - 838 - 7899 | ri e s e d e s i g n . co m hello@riesedesign.com
Market : Honoluli, HI
Jule Lucero 805 . 807 . 8954 | D e si gn @ j u l e l u c e ro d e si gn . co m Julelucerodesign.com
THE AMAZING RACE TO SPACE FROM SPACE SIMULATIONS TO STARGAZING EXPEDITIONS, ASTROTOURISM IS HITTING A FEVER PITCH. HERE ARE THE BEST EXPERIENCES TO INFINITY AND BEYOND. BY LAURA SCHREFFLER
Per aspera ad astra means “through adversity to the stars.” And when it comes to space travel, yes, it’s been a struggle. But no more. The Orbital Assembly Corporation (OAC) will open the first commercial space station operating with artificial gravity by 2025, while Space Perspective will become the first space launch operator to launch from the Space Coast Spaceport, located adjacent to NASA’s Kennedy Space Center, and will offer a luxurious six-hour trip inside Spaceship Neptune — 100,000 feet into space, to the tune of $125,000 — when it launches in late 2024. And now that Sir Richard Branson and Amazon titan Jeff Bezos have headed into orbit, with Tesla and SpaceX founder Elon Musk soon to follow, astrotourism is travel’s latest buzzword. While we mere mortals may not make it to outer space as quickly as the world’s wealthiest, those who have the funds can stay at some five-star hotels with stargazing experiences and even play at space travel with Orbite’s new astronaut orientation training in France. Here, we deep dive into the cosmos to unearth some of the best experiences for those who can’t head to the stars themselves…yet.
TRAVEL
PHOTO COURTESY OF JOHAPLAY/SHUTTERSTOCK.COM
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@hauteliving HAUTE LIVING 105
ORBITE
PLAY
Experiential travel has been an upward trend for many years, and there’s no experience more unique than astronaut training. Civilians with deep pockets can pay to play at going to space with a new program from Orbite, a company founded by French hospitality giant and video game creator Nicolas Gaume as well as Jason Andrews, a major player in the aerospace start-up world. Guests indulge in a series of activities that not only simulate going into the galaxy but also prepare them for it, led by director of spaceflight training Brienna Rommes (who actually prepared Sir Branson, among others, for his own orbital journey) while staying and playing in a luxurious way. Below is a sampling of what Orbite, which will be constantly evolving and changing until its super-secret dedicated space complex opens in the U.S. in 2024, offered during its inaugural voyage. Altogether, the four-night three-day training is truly out of this world and sets the bar high for future civilian space-preparation experiences. orbitespace.com
PHOTOS COURTESY OF MAGALI MARICOT/LA CO(O)RNICHE/ORBITE
The crux of the Orbite experience is space training itself. The team prepares you for the galaxy beyond in the best of ways, with immersive lectures and seminars led by a team of VIP experts (for privacy purposes, we must keep their names secret, but let’s just say they’re exceptional and elite members of the space community), combined with a VR experience to showcase the different types of aircrafts available to astronauts and civilians so you can follow in the footsteps of Branson, Bezos and company. Then, there is a simulation of what said experiences might be like, thoughtfully designed by a leading space psychologist as well as an Air Zero G experience of astronaut-like weightlessness, followed by a 4G flight to experience the pressures and rigors of skyrocketing into space, which allows guests to test themselves physically and monitor their fear by engaging in a series of aerial tricks —and even fly a plane themselves.
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TRAVEL
STAY
DINE
Dinner reservations at La Co(o)rniche are hard to come by, as much for the spectacular sunset view as its lengthy cocktail and wine list and seafood-heavy menu, but the pièce de résistance of Orbite’s culinary offerings is an afternoon catered by the Ducasse Counseil. With this partnership between three-Michelin-starred chef Alain Ducasse and the National Center for Space Studies and the European Space Agency, “special event” meals are prepared for astronauts only; civilians have not, thus far, been allowed to see, never mind taste, the fare fitted into these doppelganger caviar tins. However, during a Michelin-starred food lab, Ducasse’s team offered a sneak peek into gourmet space food, offering a side-byside comparison of the same freshly prepared and prepackaged meal, which here included blue lobster with organic quinori; buckwheat with tandoori, radishes and bell onions; and cod with piquillos and black rice from Camargue. Post-presentation, guests were treated to two of five existing magnums of G.H. Mumm cuvee 1969, the same year (non-coincidentally) as the moon landing.
LA CO(O)RNICHE
La Co(o)rniche is magical. Located on the French coast of the PilatPlage area, overlooking the Bassin d’Arcachon and leaning against the highest dune in Europe with views of Cap Ferret just three miles away from Bordeaux, there’s definitely a French Riviera vibe here, though with a laid-back, elite sensibility that’s completely its own. As redesigned in all white by icon Philippe Starck, the rooms offer up modern seaside glamour and still manage to pay homage to the oyster farming the area is known for. Its history as a former 1930s hunting lodge — a neo-Basque house sheltering under the pine trees — is a beautiful reminder that the past and present can merge seamlessly. lacoorniche-pyla.com
@hauteliving HAUTE LIVING 107
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For those who can’t make it to space, star-gazing is still an exceptional treat. Here are the hotels offering some of the best packages in the world to the stars and beyond!
TRAVEL
SONEVA JANI
CONRAD BORA BORA NUI
Beautiful Bora Bora, a dreamy destination in French Polynesia known for its white sand beaches, sparkling turquoise waters and relaxed island ambiance, is one of the world’s most lauded honeymoon hot spots. Any love affair written in the stars should be celebrated with a romantic stargazing experience, and here, it’s incredible. From your pool deck villa on the private island of Motu To’opua (which also has a second private inlet just for hotel guests), spend a few hours gazing up at the stars through the lens of the resort’s powerful Sky Watcher Classic 200P telescope, all while enjoying a bottle of Billecart Salmon champagne and some personalized sweet treats. Then spend the next day snorkeling, kayaking, paddle boarding, opening coconuts, braiding coco leaves, playing the ukulele or learning Tahitian. Or just sleep in and enjoy that romantic South Pacific vibe. conradhotels3.hilton.com/en/hotels/french-polynesia/ conrad-bora-bora-nui-PPTBNCI/index.html
ANANTARA KIHAVAH MALDIVES
Time spent at Anantara Kihavah Maldives includes great adventure and discovery — swimming with manta rays, underwater dining, a private cinema under the stars — and now the night sky, too. The aptly named SKY houses the Maldives’ only overwater observatory, combined with a unique luxury cocktail bar with ocean views from every angle, a resident storytelling “Sky Guru” and, most important, the most powerful telescope in the region: a research-grade 16-inch Meade LX200, mounted on a giant field tripod. Sip on a glass of champagne or a custom island-inspired cocktail while resident astronomer Ali Shameem (a student of astronomy greats such as Giovanni Benjamin of the University of Padua’s department of physics and astronomy, and astronaut Buzz Aldrin) points out the pale yellow rings of Saturn or the counter-rotating zones and belts of Jupiter that vary in width, color and intensity from year to year, or — his favorite sight — the Omega Centauri, a globular cluster in the Milky Way. The Maldives’ location just above the equator means the stars of both hemispheres are visible from Anantara Kihavah. When coupled with minimal light pollution and open skies, this place is, well, out of this world. anantara.com/en/kihavah-maldives
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PHOTOS COURTESY OF (CLOCKWISE FROM TOP LEFT) SONEVA JANI, JOHN KINCAID/CONRAD BORA BORA NUI, ANANTARA KIHAVAH MALDIVES
Barefoot luxury has never been better embodied than by the Soneva brand, which prides itself on offering just that at its plethora of properties in the Maldives and Thailand. At Soneva Jani, in the Noonu Atoll of the Maldives (which, like the rest of the company’s gorgeous luxury retreats, is 100 percent carbon-neutral), every indulgence is met, such as a stay in an overwater bungalow with a personal water slide, catching a classic flick on a big screen in the ocean, sunset dolphin cruises, and now the So Starstruck astronomy dinner. At the state-of-the-art, Bond-inspired overwater observatory, guests can sit back and enjoy great food and drinks while the in-house astronomer takes them on a journey through the night sky (using a 16-inch telescope that rises from the floor of the starlight platform overlooking the Indian Ocean). The entire experience — which includes a four-course meal with wine pairings — lasts for three absolutely magical hours. soneva.com/resorts/soneva-jani
PHOTOS COURTESY OF (CLOCKWISE FROM TOP LEFT) DOOK PHOTO/LEOBO NATURE PRESERVE, TCUNNIFFE/WILDERNESS SAFARIS, RACHID DAHNOUN
LEOBO PRIVATE RESERVE
South Africa’s Leobo Private Reserve, overlooking the Palala Valley, isn’t just one of the best places to go on safari — it’s also one of the best for stargazing. The Waterberg Observatory’s fully automated copper-colored dome houses two different types of telescopes: a 20-inch corrected Dahl Kirkham for star, planet and nebulae-gazing, and an eight-inch Hydrogen Alpha for looking directly into the sun. Because of Leobo’s remote location, there is virtually no light pollution, so it’s possible to see objects down to magnitude 7.4 (the limit of the human eye is normally magnitude 6). As designed by award-winning architects Silvio Rech and Lesley Carstens, the Observatory is a masterpiece. The state-of-the-art house is the ultimate luxurious stay for the starry-eyed, thanks to a heated infinity pool, rooftop jacuzzi, double-storied library and massage beds. There are unique touches here as well, such as a steel-engineered roof that supports a covered veranda, a wildebeest-hide ceiling and an immense hippo-skeleton chandelier that hovers over the sandstone dining table. The Observatory is also serviced by a butler, maid and chef, who is personally flown in to create epicurean cuisine tailored to each guest’s preference. Additionally, those who book this retreat are offered thermal imaging equipment for nighttime game viewing, four quad bikes, two 700cc racing quad bikes and an electric camouflage golf buggy, as well as activities such as a starlight safari with a local astronomer, target shooting with sniper rifles, bass fishing and use of the estate’s private chopper. leoboprivatereserve.com
LITTLE KULALA
On 27,000 acres of pristine desert landscape in the heart of Namibia’s Sossusvlei Desert lies Little Kulala, a certified Dark Sky Reserve. With 11 suites, each with its own sleep-out deck and star bed, this resort offers truly unparalleled stargazing. The Namib is known for its clear night skies, and with no light pollution, Little Kulala is the ideal spot from which to see the Milky Way stretching overhead, alongside Magellanic Cloud bursts and thousands of groupings of stars seen in few other places. Wilderness Safaris guides lead nighttime sky explorations so guests get a deeper understanding of the constellations and planets they’re seeing. It’s a special spot, to be sure, and one that includes daytime adventures such as hot-air ballooning excursions over the vast desert landscape (ending with an Out of Africa champagne breakfast), game drives through the Namib and an Olympus photo hub experience, where guests can use full sets of Olympus camera equipment to work on their landscape and wildlife photography skills. wilderness-safaris.com/our-camps/camps/little-kuala
MONTAGE HEALDSBURG
Montage Healdsburg, a new addition to California’s wine country, is maximizing its potential by unveiling an exceptional new astrotourism experience. The $95,000 Sky’s the Limit package includes two nights in the resort’s three-bedroom Guest House, a 4,600-square-foot hideaway with sprawling views of Mount St. Helena and the Alexander Valley, as well as a private dinner for up to six people. Then guests head to nearby Santa Rosa to take a private tour of the Robert Ferguson Observatory, the largest observatory in the western United States (with several telescopes to prove it, including a 40-inch reflector telescope and a two-meterlong refractor telescope with an eight-inch front lens), located in Sugarloaf Ridge State Park. Last, guests receive a personalized two-hour photography session with acclaimed astrophotographer Rachid Dahnoun — who has has earned a spot on the Nikon 100 List — to create a night sky image to take home. montagehotels/healdsburhealdsburg an ideal location for stargazing, surrounded by a protective ring of hills that decrease the light pollution from nearby cities.
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CELEBRATING EMMY NOMINEE WILLIAM H. MACY IN LOS ANGELES
HAUTE LIVING CELEBRATED AN EARLY RELEASE OF ITS OCTOBER Los Angeles issue with cover star and current Emmy nominee William H. Macy at Hyde Sunset Kitchen + Cocktails during 2021 Emmy week on September 16. Macy showed up solo on his motorcycle, making a ninja-like entrance and slipping into the party quietly. He was shown to the bar, where he ordered one of his own custom cocktails — he is a brand ambassador and co-owner of Woody Creek Distillers and performs as his alter ego, Willie Creeks. After a welcome address from Haute Living senior vice president April Donelson, Devon Pryor, city director at Louis XIII, had Macy do the ceremonial opening of a bottle of Louis XIII, a cognac that ages for 100 years. Guests including Haute Living cditor-in-chief Laura Schreffler, Chanel Green and Ernest Dukes, Austin Hurst, K.C. Chohan, Price Arana, Ninah Turner and Megan McClelland, stylist Monty Jackson, Ashkan Rajaee and Tara-Jane Flynn and Gavin B. Keilly sat down for dinner. The evening was capped by a speech from eOn Brands cofounder Austin Hurst. 3
1. K.C. Chohan, Price Arana , Ninah Turner and Megan McClelland 2. William H. Macy poses with his Haute Living cover 3. Devon Pryor pours Louis XIII 4. Macy with eOn Brands cofounder Austin Hurst 5. Macy and Haute Media Group editor-inchief Laura Schreffler 6. Gavin B. Keilly and Tara-Jane Flynn
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ROLLS-ROYCE AND CELEBRATE MILO VENTIMIGLIA
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1. 1 Hotel executive chef and former Top Chef star Chris Crary 2. Dr. Garth Fisher 3. Sean Lee, president and CEO of Rolls-Royce Motor Cars Americas Martin Fritsches and Haute Media Group cofounder Seth Semilof 4. The scene at 1 Hotel West Hollywood 5. Ventimiglia poses next to his Haute Living cover 6. Milo Ventimiglia and Haute Media Group editor-in-chief Laura Schreffler 7. Barbara Guillaume, Schreffler and Sean Grumman 8. Rebecca Marks, Grumman, Ventimiglia, Guillaume, Gina Hoffman, Deanna Harris, Eric Kranzler and Russ Cundiff 9. Lyndsey Hogan, Benjamin Montgomery, Lloyd Balbier and Georgina Day of Zegna 10. Semilof, Ventimiglia and Fritsches 112 HAUTE LIVING hauteliving.com
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HAUTE LIVING CELEBRATED THIS IS US STAR MILO VENTIMIGLIA with an intimate celebration at 1 Hotel West Hollywood on July 28. The evening was presented by the BMW-owned auto brand Rolls-Royce; president and CEO of Rolls-Royce Motor Cars Americas Martin Fritsches sat next to Ventimiglia during the event. Haute Media Group publisher and cofounder Seth Semilof said a few words thanking and introducing Ventimiglia, who was dressed in head-to-toe Zegna, before the intimate group began to eat. Top Chef star Chris Crary, then executive chef at 1Hotel West Hollywood, prepared a meal that catered to the vegetarian actor, with items including beet Wellington, an arugula and pear salad and a blackberry and peach cobbler for dessert. Other notable guests at the soiree included Haute Media Group editor-in-chief Laura Schreffler, surgeon to the stars Dr. Garth Fisher, Sean Lee, and Georgina Day, Lyndsey Hogan, Benjamin Montgomery and Lloyd Balbier of Zegna.
PHOTOS COURTESY OF VIVIEN KILLEA/GETTY IMAGES FOR HAUTE LIVING
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+WEALTH WIZARD
Haute Living talks with Michael Kosnitzky, private wealth law partner, about the current climate in wealth management and his holistic philosophy.
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“MY FATHER, WHO WAS ONE OF THE MOST LIBERAL GUYS THE GOOD LORD EVER CREATED, IS PROBABLY
turning over in his grave knowing that I made a profession out of protecting the billionaires of the world.” So says Michael Kosnitzky, cochair of the private wealth law practice group at Pillsbury, Winthrop, Shaw, Pittman LLP, a 153-year-old law firm that has represented the wealthy for generations. His primary role is to represent ultrawealthy individuals, families and family offices and help them to properly assess risks and then mitigate those risks. He advises some of the world’s most well-respected individuals, families and privately held businesses, using a holistic risk-assessment approach to the law. “Paraphrasing F. Scott Fitzgerald, the rich are very different,” Kosnitzky says. “They are a unique facet of our society that requires a completely different mindset in order to properly provide advice and counsel. They are often significantly affected by changes in government policies and will likely be very impacted by the tax law and other changes proposed by the Biden administration.” Here, he discusses the current administration and its policies’ potential effects on his clients, how to choose the right private wealth lawyer, and his general philosophy about his practice. Haute Living: What exactly does your job and practice entail? Michael Kosnitzky: We deal with the ultra-wealthy — both generational and the newly wealthy — holistically as a practice area. Most law firms have a siloed approach: everyone is focused only on his or her specific area of knowledge. Of course, Pillsbury has all types of experts in its offices around the world, but the primary difference is how we deploy our expertise. We start with trying to understand and assess our clients’ business, investment, charitable and personal goals and objectives and then offer thoughtful solutions to help them reasonably achieve these goals and objectives. These often-complicated solutions many times require a multidisciplinary approach to the law, and tax risks are but one risk to be considered in the analysis. In doing our assessment, we need to offer multiple solutions, and our solutions must consider the associated costs, complexity and risks. But our most important job is to identify, assess, articulate and then mitigate risks of all kinds to our clients. These include income and estate tax risks, but they also include things like employee risks, civil and criminal litigation risks, creditor risks, divorce risks, general business risks, investment risks, securities law risks, reputational risks and many others. Private wealth lawyers who only focus on income and estate tax-related risks do a disservice to their clients, and this is why Pillsbury deploys a holistic and multidisciplinary approach to the ultra-wealthy. All of our attorneys, no matter their specific expertise, are tasked with being the first responder or general contractor to our clients. HL: How do you feel the iden administration has a ected and will a ect the ultra wealthy? MK: I’ve written and spoken quite extensively on this topic, and my comments are not limited to just income and estate tax matters or just to the Biden administration but rather the entire plethora of issues the wealthy will face in a changing political environment that seems dead set on demonizing them. We are seeing an extremely painful and unhealthy dynamic in the United States and around the world as it relates to the ultra-wealthy. My clients can’t even give their money away without being criticized for doing so. The criticism that Mark uckerberg received a few years ago and that Jeff Bezos recently received in a similar vein is, in my judgment, disgraceful. People who earned their money legally should be allowed to spend it as they choose. As I’ve already discussed, my primary strategic responsibility as an attorney who represents wealthy individuals and families is to identify, assess, articulate and then mitigate legal risks. I try to identify them before they occur so that my clients can mitigate the effects before they become a problem or before they get caught on, as I describe it, the “cusp of change.”
PHOTOS COURTESY OF OLIVIER LE MOAL/SHUTTERSTOCK.COM (THIS PAGE), MICHAEL KOSNITZKY (OPPOSITE)
PARTNERS
BY MARY GIBSON
Michael Kosnitzky, Kamal Hotchandani and John Utendahl
Paraphrasing Wayne Gretzky, I try to know where the puck or in this case the law is going, not only where it is today. Under current law, you do not pay tax if you hold assets in a nontaxable vehicle or if you do not have a taxable event. So many of our strategies mitigate tax risks by creating vehicles that are not subject to current taxation, like certain types of insurance structures and qualified retirement plans, or create monetization transactions that don’t involve a current taxable event, like certain types of borrowing and derivative transactions. The tax proposals recently released by the Biden administration already include things like a substantial increases in the corporate and individual income tax rates, the reduction of the capital gain versus ordinary income rate arbitrage, taxing promotes/ profit interests at ordinary income rates if not held for five years, the permanent inability to freely deduct business expenses against capital gains and qualified dividends both in the year the business expenses are incurred and in future years if carried over, the elimination of the exclusion for qualified small business stock gains, the taxation of transfers to irrevocable grantor trusts and the inclusion of assets held in such trusts in the grantor’s estate at death, a reduction by about half of the estate tax basic exclusion amount, and elimination of estate tax valuation discounts for nonbusiness assets, among others. It is not clear whether any or all of these provisions will become law, and if they do, whether they might be retroactive to 2021 rather than prospective and applying in 2022, though the 5 percent capital gain rate increase and the elimination of the exclusion for qualified small business stock are specifically stated as being retroactive to September 13, 2021. Perhaps we should look at this as the glass being half full rather than half empty, because of the things that are not in Biden’s proposal that could have been, like a wealth tax, market-to-market taxation, the complete elimination of the estate tax unified credit, the taxation of gains at death or the elimination of the step up in basis at death, the elimination of bonus depreciation for private aircraft and the application of the 12.4 percent Social Security tax to income above $400.000. HL: What should be considered when choosing a private wealth lawyer? MK: The ultra-wealthy rightfully demand responsiveness and are accustomed to getting their way. They also sometimes surround themselves with people who tell them what they want to hear. An experienced and competent private wealth lawyer must not tell a client what he or she wants to hear, but rather what he or she needs to know. These are sometimes difficult conversations, but they are necessary nonetheless. There is certainly no “right” lawyer for all situations, but finding a private wealth lawyer who is very responsive, and a good listener and communicator, with the confidence to tell you what you need to know and who will not engage in groupthink is likely to be your best hire. A good private wealth lawyer should also help you identify and then limit your legal exposures and think and plan for the long term. We need to guide our clients not just where the law is now but where we believe it will be, and not allow them to be caught on the cusp of change. Unfortunately, the road is strewn with the ultra-wealthy who did not see change coming fast enough to correct future behaviors, or they reacted to their past behaviors far too late to mitigate the risks caused by them.
PHILANTHROPY
THE CHARITABLE GAME PHILANTHROPIST JAMIE TISCH ON CO-CHAIRING THE ASPEN ART MUSEUM’S VIRTUAL ARTCRUSH BENEFIT — AND WHY SHE’S DRIVEN TO GIVE BACK. BY LAURA SCHREFFLER
Haute Living: Tell us about your involvement with ArtCrush and what you hoped the event would achieve. Jamie Tisch: This year’s ArtCrush was a huge success, raising more money than ever before! I’m always excited to help raise money for the Aspen Art Museum. Outside of incredible museum programming, the institution has wonderful programing for schools in a 250-mile radius that would otherwise not have access to art. HL: Were there any specific pieces you had your eye on from this year’s live auction? JT: I am sad to say I was outbid on the Vaugh Spann, the Rita Ackerman and the Mary Weatherford. I have to up my game next year! HL: Tell us about the vision behind Pitkin Projects and what shoppers can expect. JT: [When I co-chaired the benefit], I was inspired and knew it was time to take on a new project. I reached out to Lisa Eisner, [Edie Parker founder] Brett Heyman, David Netto, Gregory Parkinson, Salon 9 Design, Meredith Darrow, Friedman Benda and many more incredible talents with the goal of fostering a collaborative design-concept gallery environment. The doors opened in July 2020 with a plan to continue 120 HAUTE LIVING hauteliving.com
through Labor Day. We were overwhelmed by the reception! By the end of August, I decided that the concept deserved to live on as its own entity. HL: With travel on pause during the pandemic, how were you able to curate the global pieces for the shop? JT: Travel has been on pause, but artists’ work has not. I have worked via FaceTime with most of them, abroad and in the States. I am able to walk them through to show them how their work would live organically in our space. I have also been able to do many virtual studio visits, which has worked well. HL: Why do you give back? Why is it so personally important to you? JT: Giving back is extremely important to me and has been for decades. I cofounded the Women’s Cancer Research Fund, which is a program of the Breast Cancer Research Foundation. The WCRF mobilizes the influential entertainment community to raise critical funds. I am working on something new for WCRF that several Pitkin Projects vendors have said they would like to participate in. It’s still in the early stages, but I’m excited to have a way to combine two things that I care deeply about. HL: When did you start collecting art, and why? JT: I started collecting contemporary art when I moved to Los Angeles. It’s there where I met with some amazing artists who inspired me. Each showed me a different perspective on how to look at things and perceive art, everything ranging from my upbringing in the South to today’s current events. HL: What to you is the greatest luxury in life, and why? JT: The greatest gift in life is being able to travel and spend time with my family.
PHOTO COURTESY OF NICK TININENKO/JAMIE TISCH
PHILANTHROPY IS IN JAMIE TISCH’S DNA. THE COFOUNDER
of the entertainment industry’s Women’s Cancer Research Fund (WCRF) sat down with Haute Living to discuss her involvement with the Sotheby’s-presented ArtCrush 2021 (an auction, online this year, that benefitted the Aspen Art Museum, with a curated selection of over 45 works by some exciting modern artists), her love of Aspen and why she decided to open her concept gallery Pitkin Projects there, and why, most of all, she’s driven to give back.
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Johnathan Schultz Works of art in precious metals and stones thejohnathanschultz.com
