LKLD June 2022

Page 28

WORDS Kelly Sanford

PHOTOGRAPH Photos Provided

The Lady on the Wall The Lady on the Wall has stood sentinel over Third Street for almost seven years, watching with piercing eyes and windswept locks of ivy hair; chic, silent, and compelling. She has born witness to a massive revitalization and an artistic revival in this southwest sector of Downtown Winter Haven, the likes of which are only just the beginning. She has watched as businesses like Grove Roots Brewing, The Bike Shop and N+1 Coffee, Barrel 239, Haven Coffee Roasters, and Lucille’s have opened their doors to the community. Maybe you’ve noticed her while driving through town? Or you’ve stopped to have your photo taken in front of her iconic image. Perhaps you’ve wondered about her origin. Why is she here? Where did she come from? Who does her hair? The truth is, The Lady on the Wall has quite the story to tell. Hers is a story of beauty, transformation, art, and collaboration, and it is finally ready to be told.

High School in 1997 and moved to Winter Haven shortly after where he has lived for the past 24 years. He intended on enlisting in the military but ended up meeting someone in the cosmetology field and his life took a very different turn. “Hair was certainly not at all on my radar,” Larence continued, “but I was taken with the energy and artistry involved. A large part of the hair industry is definitely a visual art form based around geometry and angles and, of course, color theory.” Larence felt it was a great opportunity and decided to earn his cosmetology license. It was a decision that would quickly lead to owning Spectrum Studio and designing not one, but two locations for the salon. “When we settled on the [first] location in the arcade on Central across from the Ritz, I was in creative bliss,” said Larence. “The Waddell’s owned the building at the time and asked me to present my plans.” Once the plans were approved, Larence began working on his first large-scale redesign. “I was very into modern and contemporary design, so the direction was already predetermined and natural,” he explained. “In that time there was a blend of inspiration for me: certainly Gene Leedy’s work, and of course Frank Lloyd Wright, also Paul Rudolph, Mies van der Rohe, and Le Corbusier.”

It begins with the meeting of two artists: Kenneth Treister, an accomplished Master with a career that spans decades, and William Larence, a young man only beginning to make his way in the art world. Their fateful introduction and ongoing friendship would lead to the first “living mural” in Winter Haven and pave a path for the renaissance to come. TWO ARTISTS

There was an element of simplicity in his design with a concentration on contrast and details. It was minimalistic and modern and the first of its kind in the area. Larence exposed the original brick bones of the building, used metal and birch wood on the ceiling, smooth and rough-textured concrete throughout, and added pops of color along with his signature greenery arrangements. He created a space that would captivate everyone who entered, including the wife of a renowned artist.

Kenneth Treister is well known in the art scene; a quick Google search of his name reveals a plethora of his works and achievements. On March 5, 1930, the artist was born in Flushing, Queens, and his parents moved to Miami Beach, Florida, shortly after his birth. While he is best known for the Holocaust Memorial he designed, sculpted, and constructed in Miami, his portfolio is vast and extensive. He is an architect, architectural historian, painter, sculptor, horticulturist, photographer, author, lecturer, and a Fellow of the American Institute of Architects. This prolific artist spent most of his life in Coconut Grove and moved to Central Florida with his wife, Helyne, about twenty years ago, where he continues working at the age of 92. It was Helyne that introduced Treister and Larence by booking an appointment for the artist at Spectrum Studio, a salon owned and designed by Larence. It was an introduction that would eventually become a catalyst for Larence to comprehend his creative potential fully.

THE MEETING Larence first met Treister 17 years ago. “His beautiful wife, Helyne, started coming into the studio from a referral when we were on Central,” Larence said. “She raved about the design of the studio and insisted I meet Ken and booked him an appointment.” Larence was unfamiliar with Treister’s work but looked forward to meeting him as he knew he was an artist and architect. He felt an instant connection. “It wasn’t until after our first interaction and conversation and truly connecting with Ken that I really researched him and was amazed,” he said. From that point on, the two would discuss art every four to six weeks while Larence cut Treister’s hair. “I always had my sketchbook at my station waiting,” recalled Larence. “We would have great conversations about architecture and design, and Ken would always ask for a pencil and a piece of paper to sketch an idea or concept for me based on those conversations.” The two discussed Larence’s plans and ideas for Spectrum Studio’s growth and design moving forward. “He was a great inspiration that I cherished and felt I needed in that moment of my artistic development,” said Larence.

William Larence was born on February 19, 1979, in Winter Haven, Florida. Due to his father’s military career, he spent his youth traveling the globe, living in Las Vegas, Shreveport, and Athens, Greece. Larence visited many historical sites and museums and credits his view of the Parthenon as a young child with igniting an artistic spark in his heart. “I’m completely convinced that these experiences in those formative years have most certainly played a major role in my artistic development and passions,” Larence said. This development and passion would continue throughout his life. Larence’s family returned to Central Florida during his junior year of high school. He graduated from Haines City

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