210x210 warhol rev4 by Haynes Fine Art

Haynes Fine Art of Broadway est 1971

Our Specialists & The Haynes Fine Art Team

or 45 years we have actively searched for paintings worldwide for trade and private clients alike. Our vast knowledge of British and European Art has amounted from our experience within our specialist fields.

Tony Haynes is the eldest son of the late renowned international dealer, Tony Haynes Senior. Tony specialises in 19th to 21st Century British and European art. He opened the family’s first gallery back in 1988 and the rest, as they say, is history. This successful string to the Haynes family bow has now gained international recognition for the gallery and has trade and private clients calling upon Tony’s 35 plus years’ experience in retail, trade and auction acquisitions. Mark Shaw joined the team in 1993; a perfect compliment to the Haynes Fine Art sales team and considered a member of the Haynes Family. His valuable contributions and vast network of contacts, both in the UK and overseas, has helped to shape one of the world’s most respected fine art gallery brands. Mark Shaw has been a Senior Director of Haynes Fine Art for many years.

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Haynes Fine Art has handled many important paintings which are now housed in museums worldwide, including; • • • • • • • • •

The National Gallery, London J. Paul Getty Museum, Los Angeles The Victoria and Albert Museum, London Philadelphia Art Gallery The Louvre, Paris The Overbeck-Gesellschaft Museum, Germany National Gallery of Art, Washington Norton Simon Museum of Art, Pasadena,California Leicester Art Gallery, England amongst numerous others

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. . . named as one of the top five privately owned galleries in the world . . .

The Daily Telegraph

Mark Lambert became a Director of Haynes Fine Art in April 2008. With his depth of art history knowledge and a rare and valuable good eye for fine art, he now has an enviable client base that turn to him year after year for advice on both purchases and restoration/framing requirements. Douglas Chomè Wilson carries the title of Fine Art Valuer and is at the forefront of the Haynes Fine Art valuation and research team. Douglas followed his passion for paintings into the field of fine art in 1978. Douglas started his career in the West End of London where for over ten years he worked for, amongst others, the Richard Green Gallery.

Following that, he was Head of Victorian Paintings at Phillips Auctioneers and Bonhams Auctioneers. With his wealth of knowledge he is a valued member of the Haynes Fine Art brand. Harry Warner began working with Tony Haynes Senior in 2000. Harry has been responsible for acquisitions at Haynes Fine Art for a number of years. He worked closely with Tony Haynes Senior and now with Tony Haynes Junior in Broadway, scouring the globe to locate stock for both the Haynes family trade and retail operations. Harry is very much an integral member of the Haynes Team and can be seen at the gallery exhibitions and events. Wanda Ottlinghaüs-Marsters joined the team back in 1999 and got the Haynes engine room truly organised and running smoothly. Wanda works closely with Mark Shaw and Tony Haynes Junior on the day to day running of the gallery, overseeing client requests and updating new stock acquisitions along with her colleague Vicky. Vicky Rimell began at Haynes Fine Art in 2005 and is a valued member of the team, working with Tony Haynes Junior, Mark Shaw and the rest of the team on gallery operations, exhibitions and overall administration to keep things on track. All seven of the Haynes Fine Art team have, between them, over 140 years’ experience behind them and with that have gained acclaim from the two leading British Trade Associations - BADA and LAPADA.

Haynes Fine Art & Picton House T

he history of Picton House’s present owners, Haynes Fine Art, is naturally less antiquated than the house itself. Established in 1971, Haynes Fine Art, a family run business, quickly became the largest dealers in fine art outside of London. With up to twenty four million pounds worth of stock we are able to offer the serious collector and trade a vast selection of works by important artists. The galleries have built up a strong reputation for selecting major pieces by key British artists such as John Atkinson Grimshaw, Arthur John Elsley, Joseph Farquharson, Heywood Hardy, Sir William Russell Flint, David Shepherd, Edgar Hunt, Sidney Richard Percy and Alfred de Breanski Snr to name but a few. Moreover, continental names such as Fredrik Marinus Kruseman, Petrus Van Schendel, Edouard Cortes, Antoine Bouvard Snr, Eugene Galien Laloue, Delphin Enjolras, Antonietta Brandeis and Georges Croegaert are always well represented.

Not to mention the exciting contemporary collection by artists such as Andy Warhol, Banksy, L S Lowry, Kyffin Williams, Helen Bradley, Brian (Braaq) Shields, Ken Howard, Claude Venard, Harold Riley, Campbell Archibald Mellon, Mary Fedden, Dorothea Sharp, Edward Seago and Donald McIntyre. The Haynes Family have always strived to offer not only a wide selection of world-class images but also to show a wide range of prices to suit most pockets. With prices starting from £1,800 and ranging up to £500,000. There are a wonderful array of subjects to choose from with all categories covered in depth and all beautifully displayed throughout the twelve stunning showrooms Picton House offers. Also displayed is an extensive range of quality period hand carved marbles, fine furniture with tables, chairs, davenports and desks shown in potential room settings. With the assurance of our long-standing reputation within the International Fine Art Market and our close links with the two leading trade associations, BADA and LAPADA, you can buy with complete confidence.

PICTON HOUSE GALLERIES Britain’s Largest Provincial Dealer in Quality 16th-21st Century Paintings 42 High Street, Broadway, Worcestershire, WR12 7DT Opening Times: Monday to Saturday 9.30am - 5.30pm Tel: +44 (0) 1386 852 649 • Fax: +44 (0) 1386 858 187 email@haynesfineart.com • www.haynesfineart.com Fairs & Mobiles Tony Haynes: 07831 893 465 • Mark Shaw: 07710 108 891 Mark Lambert: 07796 956 661 • Douglas Chomé Wilson: 07775 805 777 Front Cover:

HAYNES FINE ART HAYNES FINE ART

New Gallery opening soon 70 Pimlico Road • Belgravia • London • SW1W 8LS

‘Marilyn - Invitation, 1981’, Silkscreen printed in colours on wove paper ~ Signed with black marker, Printed by Castelli Graphics Announcement for ‘Andy Warhol: A Print Retrospective, 1963-1981’, held at Castelli Graphics, New York, 21 November – 22 December 1981, Provenance: Property of a North Yorkshire Private Collector, Published by Castelli Graphics, New York; Printed by Colour Editions Inc., Miami, Paper size: 12 x 12 inches, Ref 13374

Synopsis

POP ART

op art is now most associated with the work of New York artists of the early 1960s such as Andy Warhol, Roy Lichtenstein, Claes Oldenburg and James Rosenquist, but artists who drew on popular imagery were part of an international phenomenon in various cities from the mid1950s onwards. Following the popularity of the Abstract Expressionists, Pop’s reintroduction of identifiable imagery (drawn from mass media and popular culture) was a major shift for the direction of modernism. The subject matter became far from traditional ‘high art’ themes of morality, mythology, and classic history; rather, Pop artists celebrated commonplace objects and people of everyday life, in this way seeking to elevate popular culture to the level of fine art. Perhaps owing to the incorporation of commercial images, Pop art has become one of the most recognizable styles of modern art. ANDY WARHOL ORIGINAL DRAWINGS

aynes Fine Art are proud to present this extremely rare collection of original one-off drawings by the celebrated Pop artist Andy Warhol.

Although best known for his silkscreen paintings, Andy Warhol was also an excellent draughtsman. Drawing was a constant part of his artistic practice. As a child he took classes at the Carnegie Museum of Art, and he won several awards for drawings he produced in high school. At Carnegie Institute for Technology (now Carnegie Mellon University), where Warhol earned a degree in pictorial design, his offbeat, nontraditional and sometimes irreverent drawing style did not always meet his professors’ academic standards. At one point they forced him to do extra work over the summer to remain in good standing at school. Upon graduation, Warhol moved to New York to begin his commercial design career. In the 1950s Warhol used a “blotted line” technique to develop a signature style for his illustrations. Blotted line combines drawing with very basic printmaking, and it enabled Warhol to create a variety of illustrations along a similar theme.

The process had many complex components. First, Warhol copied a line drawing onto a piece of non-absorbent paper, such as tracing paper. Next he hinged this piece of paper to a second sheet of more absorbent paper by taping their edges together on one side. With a nib pen, he inked over a small section of the drawn lines. He then transferred the ink onto the second sheet by folding along the hinge and lightly pressing or “blotting” the two papers together. Larger drawings were made in sections, and completing a large blotted line drawing took time and multiple pressings. The process resulted in the dotted, broken and delicate lines that are characteristic of Warhol’s illustrations. Warhol often coloured his blotted line drawings with watercolour dyes or applied gold leaf. He also used handcarved rubber stamps to create patterns. He employed all of these techniques in his burgeoning success as a commercial illustrator such as his award-winning and whimsical designs for I. Miller shoes or the high end leather company Fleming Joffe. During the decade he also filled many sketchbooks with freehand drawings—mostly done in ballpoint pen—of friends and still-life objects. While making a name for himself in New York, Warhol participated in the exciting metropolitan cultural life of the city. Despite his success as a commercial artist, Warhol longed to be known as a fine artist. He went to dance and opera performances, galleries, museums, and the New York Public Library, where he researched images that he later transformed in his work. In 1956, he left the United States for the first time and traveled around the world—visiting Japan, Cambodia, India, Egypt and Italy. After this enlightening experience, Warhol decided that his ambitions exceeded the bounds of the commercial art world. For the first time since his student years, he returned to painting on canvas. He began to make friends in the contemporary art world of downtown Manhattan—this scene embraced new forms of all arts, including dance, performance and film.

rguably what we have here are some of the original ideas that lay the very foundations to the Pop art movement.

An opportunity to see Warhol’s developing ideas at their conception. At every point they reveal his very own hand shaping the forms before the ideas were made into screenprints or, as the case with some of these, remain hidden away in his studio. Original Warhol limited edition prints can be found of these originals making these priceless additions for any serious discerning collector.

he portraits, celebrity snapshots, couples, nudes, painting ideas, party photos, still lifes and outdoor scenes that make

up each selection demonstrate the range of Warhol’s aesthetic

interests and the reach of his curious and far-roaming eye. The Polaroid portraits reveal the artist’s profound and frank engagement with the personality in front of his camera – be it a celebrity, a beauty, a tycoon or a socialite – while the gelatin silver photographs reveal his extraordinary compositional skill, his eye for detail and his compulsive desire to document the time in which he lived. Warhol often used these photographs as the basis for commissioned portraits, silkscreen paintings, drawings, and prints. He published three books, one posthumously, featuring his black and white photographic work: Andy Warhol’s Exposures (1979), America (1985) and Andy Warhol’s Party Book (1988). Together with the photographic exhibitions that began in the early 1990s, they offer the public a glimpse into Warhol’s photographic practice.

“I’VE NEVER MET A PERSON I COULDN’T CALL A BEAUTY.” - ANDY WARHOL

Provenance: Originates from the Estate of Andy Warhol, and thence, the Andy Warhol Foundation for the Visual Arts. This work comes with a certificate of provenance and an entry into the Catalogue Raisonné held by the Warhol Foundation.

‘The Jacksons & Don King’ Unique gelatin silver print ~ Dated ‘DEC 07 1983’ verso ~ 8 x 10 inches Ref 13463

‘Simon Le Bon’ Unique gelatin silver print ~ Dated ‘Apr 29 1982’ verso ~ 10 x 8 inches Ref 13457

‘Ozzy Osbourne & Andy Warhol’ Unique gelatin silver print ~ Executed circa 1982 ~ 8 x 10 inches Ref 13465

‘In the Bottom of my Garden’ Ink and graphite on paper ~ 11.25 x 8.5 inches Ref 13464b

‘The End - In the Bottom of my Garden’ Ink and graphite on paper ~ 11.25 x 8 inches Ref 13464a

‘Fireworks’ Ink and tempera on paper ~ Drawn circa 1954 ~ 18 x 14 inches Ref 13462

‘Female Figure’ Ink on paper ~ Drawn circa 1954 ~ 24 x 17.75 inches Ref 13460

‘Monkey’ Ink on paper ~ Drawn circa 1956 ~ 18 x 12.5 inches Ref 13231

‘Bird’ Ink on paper ~ Drawn circa 1956 ~ 11 x 11.5 inches Ref 13228

‘Rochas’ Black ballpoint pen and ink on paper ~ Drawn circa 1954 ~ 7 x 8.75 inches Ref 13234

‘Queen of Hearts’ Ink on paper ~ Drawn circa 1954 ~ 12 x 9.75 inches Ref 13456

‘Cow’ (1971) Screen print in colours on wallpaper ~ Signed and dated 1979 ~ 46.5 x 30 inches Ref 12631