Jumping the Broom
Bb Instrument
Swung, Half-time feel h = 90
Ben Norton
G¨%
F¨%
mf
[D¨7]
G¨% G¨7½
CŒ„Š7
GŒ„Š7
6
A¨%
A‹7
G¨% G¨7½
D7
CŒ„Š7
Double-time feel q = 180
GŒ„Š7
GŒ„Š7
G¨%
11
G¨%
G¨%
F¨%
[D¨7]
A¨%
1.
A B¨Œ„Š7 A¨Œ„Š7 G¨Œ„Š7 C7
15
A‹7
D7
GŒ„Š7
G‹7
19
B¨Œ„Š7
22
C¨‹7
A¨Œ„Š7
C¨‹7
25
A‹7
μ
C7 G‹7 A‹7 G¨Œ„Š7
C¨7½
F¨Œ„Š7[âÀ] F¨Œ„Š7[âÀ]/E¨ F¨Œ„Š7[âÀ]
Copyright 2012 Ben Norton
2.
2
Solos Half-time feel h = 90 1stX Double-time feel q = 180 2ndX
B G¨% F¨%
27
G¨%
A¨%
CŒ„Š7
mp 1stX; f 2ndX
G¨%
G¨7½
A‹7
D7
GŒ„Š7
31
F¨%
G¨% G¨7½
G¨%
CŒ„Š7 GŒ„Š7 G¨%
36
GŒ„Š7
A¨%
C GŒ„Š7 F¨Œ„Š7 AŒ„Š7 G¨Œ„Š7
41
A‹7
D7
GŒ„Š7
C¨Œ„Š7
C¨‹7
p
cresc.
G¨Œ„Š7
E¨Œ„Š7
A¨Œ„Š7
FŒ„Š7
47
f
mp
B¨Œ„Š7
B¨‹7
53
1.
f
F¨Œ„Š7 2.
56
f
cresc.
F¨‹7
μ
F¨Œ„Š7[âÀ] F¨Œ„Š7[âÀ]/E¨ F¨Œ„Š7[âÀ]
3
D G¨Œ„Š7 59 E¨Œ„Š7 A¨Œ„Š7 FŒ„Š7 mf
E B¨Œ„Š7 A¨Œ„Š7 G¨Œ„Š7 C7 G‹7 A‹7 C¨‹7
63
B¨Œ„Š7 A¨Œ„Š7 G¨Œ„Š7 C7
67
μ
F¨Œ„Š7[âÀ] F¨Œ„Š7[âÀ]/E¨ F¨Œ„Š7[âÀ] A‹7 C¨‹7 C¨7½
70
G‹7
Half-time feel h = 90
F B¨Œ„Š7 A¨Œ„Š7 G¨Œ„Š7 C7
G‹7
B¨Œ„Š7 A¨Œ„Š7
G¨Œ„Š7
C7
A‹7
C¨‹7
73
G‹7
A‹7
C¨‹7 C¨7½
77
G CŒ„Š7
81
B¨Œ„Š7
A¨Œ„Š7
D7
A‹7
C¨‹7
D¨‹7
CŒ„Š7 B¨Œ„Š7
A¨Œ„Š7
D7
A‹7
C¨‹7
D¨‹7 D¨7½
85
H Double-time feel q = 180
4
G¨Œ„Š7[âÀ] G¨Œ„Š7[âÀ]/F G¨Œ„Š7[âÀ] A¨Œ„Š7 G¨Œ„Š7
89
A‹7
93
A¨Œ„Š7 G¨Œ„Š7
F¨Œ„Š7
B¨7
F‹7
G‹7
F¨Œ„Š7
B¨7
F‹7
G‹7
I B¨Œ„Š7 A¨Œ„Š7 G¨Œ„Š7 C7 G‹7 A‹7
97
A‹7
A7½
C¨‹7
101
B¨Œ„Š7 A¨Œ„Š7
G¨Œ„Š7
C7
G‹7
A‹7
rit.
C¨‹7
C¨7½
J G¨Œ„Š7
F¨Œ„Š7[âÀ] F¨Œ„Š7[âÀ]/E¨ F¨Œ„Š7[âÀ]
105
E¨Œ„Š7
A¨Œ„Š7
G¨Œ„Š7
E¨Œ„Š7
FŒ„Š7
108
A¨Œ„Š7
FŒ„Š7
111
Quarter-time Feel, Ballad h = 45
K 115
G¨%
p
125
133
142
G¨7½
149
GŒ„Š7
152
CŒ„Š7
A‹7
L G¨%
166
174
D7
F¨%
GŒ„Š7
G¨%
GŒ„Š7
D7
A¨%
5
A¨%
G¨%
G¨%
G¨%
Half-time q = 90
157
F¨%
G¨7½
CŒ„Š7
A‹7
M B¨Œ„Š7 A¨Œ„Š7
GŒ„Š7
6
G¨Œ„Š7
182
G‹7
206
FŒ„Š7
216
E¨Œ„Š7
218
C¨7½
F¨Œ„Š7[âÀ] 211
G¨Œ„Š7
201
C¨‹7
A¨Œ„Š7
195
G‹7
A‹7
189
C7
A‹7
Double-time q = 180
N
G¨Œ„Š7
F¨Œ„Š7[âÀ]
C7
B¨Œ„Š7
C¨‹7
F¨Œ„Š7[âÀ]/E¨
E¨Œ„Š7
A¨Œ„Š7
mf
A¨Œ„Š7
G¨Œ„Š7
FŒ„Š7
7
221 O GŒ„Š7 F¨Œ„Š7 AŒ„Š7 G¨Œ„Š7 C¨Œ„Š7 C¨‹7
p
f
cresc.
G¨Œ„Š7
E¨Œ„Š7
A¨Œ„Š7
1. B¨Œ„Š7
FŒ„Š7
B¨‹7
227
mp
f
cresc.
2. 233 μ F¨Œ„Š7 F¨‹7 F¨Œ„Š7[âÀ] F¨Œ„Š7[âÀ]/E¨ F¨Œ„Š7[âÀ] f
P G¨Œ„Š7 E¨Œ„Š7 A¨Œ„Š7 FŒ„Š7
237
mf
G¨Œ„Š7
E¨Œ„Š7
A¨Œ„Š7
FŒ„Š7
241
Half-time feel h = 90
Q F¨%
245
F¨%
249
F¨7½ B¨Œ„Š7 FŒ„Š7 [C¨7] F¨%
D%
G¨%
C7 FŒ„Š7
G‹7
8
Double-time feel q = 180 F¨%
253
F¨%
257
[C¨7] G¨% C7 FŒ„Š7 G‹7 D%
F¨%
F¨7½
B¨Œ„Š7
FŒ„Š7
F¨Œ„Š7 B¨7 F‹7 G‹7 A‹7 R A¨Œ„Š7G¨Œ„Š7 B¨7 A¨Œ„Š7 G¨Œ„Š7 F¨Œ„Š7 μ F‹7 G‹7 265 S A‹7 A7½ DŒ„Š7[âÀ] DŒ„Š7[âÀ]/D¨ DŒ„Š7[âÀ] 269 261
DŒ„Š7[âÀ] DŒ„Š7[âÀ]/D¨ DŒ„Š7[âÀ] 271 273 F¨Œ„Š7[âÀ] F¨Œ„Š7[âÀ]/E¨ F¨Œ„Š7[âÀ]
F¨Œ„Š7[âÀ] F¨Œ„Š7[âÀ]/E¨ F¨Œ„Š7[âÀ]
274 G¨Œ„Š7[âÀ]G¨Œ„Š7[âÀ]/F
G¨Œ„Š7[âÀ]
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