Jumping the Broom
Eb Instrument
Swung, Half-time feel h = 90 D¨%
C¨%
[A¨7]
Ben Norton
D¨% D¨7½
GŒ„Š7
DŒ„Š7
mf
Double-time feel q = 180
6
E¨%
F¨‹7
D¨% D¨7½
A7
GŒ„Š7
DŒ„Š7
DŒ„Š7
D¨%
11
D¨%
D¨%
C¨%
[A¨7]
E¨%
1.
F¨‹7
15
A FŒ„Š7 E¨Œ„Š7
A7
DŒ„Š7
D¨Œ„Š7
G7
D‹7
F¨‹7
G¨‹7
18
FŒ„Š7 E¨Œ„Š7 D¨Œ„Š7 G7 D‹7 F¨‹7
21
μ
25
G¨‹7
G¨7½
C¨Œ„Š7[âÀ]C¨Œ„Š7[âÀ]/B¨ C¨Œ„Š7[âÀ]
Copyright 2012 Ben Norton
2.
2
Solos Half-time feel h = 90 1stX Double-time feel q = 180 2ndX
B D¨% C¨%
27
D¨%
E¨%
GŒ„Š7
mp 1stX; f 2ndX
D¨%
D¨7½
F¨‹7
A7
DŒ„Š7
31
C¨%
D¨% D¨7½
D¨%
GŒ„Š7 DŒ„Š7 D¨%
36
DŒ„Š7
E¨%
C DŒ„Š7 C¨Œ„Š7 F¨Œ„Š7 D¨Œ„Š7
41
F¨‹7
A7
DŒ„Š7
G¨Œ„Š7
G¨‹7
p
cresc.
D¨Œ„Š7
B¨Œ„Š7
E¨Œ„Š7
CŒ„Š7
47
f
mp
FŒ„Š7
F‹7
53
1.
f
2. C¨Œ„Š7
56
f
cresc.
C¨‹7
μ
C¨Œ„Š7[âÀ] C¨Œ„Š7[âÀ]/B¨ C¨Œ„Š7[âÀ]
3
D D¨Œ„Š7 59 B¨Œ„Š7 E¨Œ„Š7 CŒ„Š7 mf
E FŒ„Š7 E¨Œ„Š7 D¨Œ„Š7 G7 D‹7 F¨‹7 G¨‹7
63
FŒ„Š7 E¨Œ„Š7 D¨Œ„Š7 G7
67
μ
F¨‹7 G¨‹7 G¨7½ C¨Œ„Š7[âÀ] C¨Œ„Š7[âÀ]/B¨ C¨Œ„Š7[âÀ]
70
D‹7
Half-time feel h = 90
F FŒ„Š7 E¨Œ„Š7 D¨Œ„Š7 G7
D‹7
FŒ„Š7 E¨Œ„Š7
D¨Œ„Š7
G7
F¨‹7
G¨‹7
73
D‹7
F¨‹7
G¨‹7 G¨7½
77
G GŒ„Š7
81
GŒ„Š7 FŒ„Š7
FŒ„Š7
E¨Œ„Š7
A7
F¨‹7
G¨‹7
A¨‹7
E¨Œ„Š7
A7
F¨‹7
G¨‹7
A¨‹7 A¨7½
85
H Double-time feel q = 180
4
D¨Œ„Š7[âÀ] D¨Œ„Š7[âÀ]/C D¨Œ„Š7[âÀ] E¨Œ„Š7 D¨Œ„Š7
89
F¨‹7
93
E¨Œ„Š7 D¨Œ„Š7
C¨Œ„Š7
F7
C‹7
D‹7
C¨Œ„Š7
F7
C‹7
D‹7
I FŒ„Š7 E¨Œ„Š7 D¨Œ„Š7 G7 D‹7 F¨‹7
97
F¨‹7
F¨7½
G¨‹7
101
FŒ„Š7
E¨Œ„Š7
D¨Œ„Š7
G7
D‹7
F¨‹7
rit.
G¨‹7
G¨7½
J D¨Œ„Š7
C¨Œ„Š7[âÀ] C¨Œ„Š7[âÀ]/B¨ C¨Œ„Š7[âÀ]
105
B¨Œ„Š7
E¨Œ„Š7
D¨Œ„Š7
B¨Œ„Š7
CŒ„Š7
108
111
E¨Œ„Š7
CŒ„Š7
Quarter-time Feel, Ballad h = 45
115 K D¨%
p
125
133
142
149
DŒ„Š7
152
GŒ„Š7
F¨‹7
DŒ„Š7
E¨%
A7
D¨%
D¨%
D¨7½
C¨%
5
Half-time q = 90
L D¨%
157
166
A7
174
C¨%
DŒ„Š7
D¨%
D¨%
D¨7½
E¨%
GŒ„Š7
F¨‹7
M FŒ„Š7 E¨Œ„Š7
DŒ„Š7
6
D¨Œ„Š7
182
189
E¨Œ„Š7
D‹7
206
G¨7½
G¨‹7
D¨Œ„Š7
201
D‹7
F¨‹7
195
G7
F¨‹7
G¨‹7
Double-time q = 180
C¨Œ„Š7[âÀ]/B¨
C¨Œ„Š7[âÀ]
G7
FŒ„Š7
D¨Œ„Š7 B¨Œ„Š7 E¨Œ„Š7 N
211
C¨Œ„Š7[âÀ]
mf
CŒ„Š7
216
B¨Œ„Š7
218
E¨Œ„Š7
D¨Œ„Š7
CŒ„Š7
7
221 O DŒ„Š7 C¨Œ„Š7 F¨Œ„Š7 D¨Œ„Š7 G¨Œ„Š7 G¨‹7
p
D¨Œ„Š7
cresc.
f
B¨Œ„Š7
1. FŒ„Š7
E¨Œ„Š7
CŒ„Š7
F‹7
227
mp
f
cresc.
C¨‹7 C¨Œ„Š7[âÀ] C¨Œ„Š7[âÀ]/B¨ C¨Œ„Š7[âÀ] f
233
2. C¨Œ„Š7
μ
P D¨Œ„Š7 B¨Œ„Š7 E¨Œ„Š7 CŒ„Š7
237
mf
D¨Œ„Š7
B¨Œ„Š7
E¨Œ„Š7
CŒ„Š7
241
Half-time feel h = 90
Q C¨%
245
C¨%
249
C¨% C¨7½ FŒ„Š7 CŒ„Š7 [G¨7]
A%
D¨%
D‹7
G7
CŒ„Š7
8
Double-time feel q = 180 C¨%
253
C¨%
257
[G¨7]
A%
C¨%
C¨7½
FŒ„Š7
CŒ„Š7
G7 CŒ„Š7 D‹7
D¨%
R E¨Œ„Š7 D¨Œ„Š7 C¨Œ„Š7 F7 C‹7 D‹7 F¨‹7 265 μ E¨Œ„Š7 D¨Œ„Š7 C¨Œ„Š7 F7 C‹7 D‹7 261
F¨‹7 F¨7½ 269
AŒ„Š7[âÀ] AŒ„Š7[âÀ]/A¨ AŒ„Š7[âÀ]
C¨Œ„Š7[âÀ] C¨Œ„Š7[âÀ]/B¨ C¨Œ„Š7[âÀ]
274
D¨Œ„Š7[âÀ] D¨Œ„Š7[âÀ]/C
S
AŒ„Š7[âÀ] AŒ„Š7[âÀ]/A¨ AŒ„Š7[âÀ] 273 C¨Œ„Š7[âÀ] C¨Œ„Š7[âÀ]/B¨ C¨Œ„Š7[âÀ] 271
D¨Œ„Š7[âÀ]
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