Heather Sutherland Interior Design Portfolio by Heather Sutherland

H J Sutherland

Heather Sutherland Master of Interior Design Candidate First Professional Hjsuther@gmail.com | www.hjsutherland.com

Table of Contents Curriculum Vitae CV & Contact Info

4-5

Research

Defining the Academic Studio Model

Natural Dyed Wool Personality in Relation to Ideal Working Spaces Gelatin Based Bioplastic

8 - 11 12 - 13 14 - 15 16 - 19

Objects

Temporal Time Oh Gee! Room Partition System

22 - 25 26 - 27

Crystal Palace Truss System

Waffle Wall

Objects Tiled Screen MC3 Construction Documents

29 30 - 31

Design

Blind Apron - A bourbon distillery & speakeasy

34 - 39

C.ollection of M.usical U.nits

40 - 41

Light & Dark, Line & Void

42 - 45

MC3 - collaborate, cowork, community

46 - 53

Heather Sutherland 3818 Southway Dr #102 hjsuther@gmail.com Austin, TX 78704 www.hjsutherland.com (512) 496-8793

Education: August 2014 - Present: University of Texas at Austin, Master of Interior Design I Candidate May 2007: Graduate of Loyola University New Orleans, Bachelor of Fine Arts

Professional and Academic Research:

Spring 2017: Social Interiors: Engaging Objects and Environments, Book Proposal, Research Assistant to Tamie Glass Fall 2016: “Defining the Academic Studio Model.” Independent Research Prep for a Master of Design Studio Summer 2016: “Space of Best Fit.” Joint Interior Design Research Project with Tamie Glass and Lindsay Graham. Research Assistant to Tamie Glass. Fall 2015: UTSOA Materials Lab, Research of Natural Dyes and Methods, Co-Researcher with Claudia Rodriguez August 2015: 2015 Tallinn Architecture Biennial, ISSSStudio, Bioplastic Research and Production Assistant to Igor Siddiqui

Presentations and Community Involvement:

Fall 2015 - Fall 2016:: University of Texas at Austin, History of Interior Design I & II, Guest Lecturer October 2015: Austin Tinkering School, Meet a Material, Edible Materials Lab Presentation, Guest Presenter April 2015: thinkEast, Edible Materials Lab Exhibition, Gelatin Based Bioplastic Presentation, Co-presenter with YingQian Zhuang Fall 2012: Texas Folklife, “Stories from the Deep,” Kealing Middle School Explore Austin, (Yarn) Bombing our School, Interviewee and Installation Team Fall 2009 - Summer 2011: Organizer for Knotty Knitters, Knitting and Crochet Club.

Professional and Academic Memberships:

February 2016 - Present: Tau Sigma Delta Honors Society (Mu Chapter), Member January 2016 - Present: American Society of Interior Designers, Student Member October 2015 - Present: International Interior Design Association, Student Member. October 2015 - April 2016: ISSUE, UTSOA’s annual, student run publication, Selection Committee September 2015 - Present: Ampersand, Student chapter for IIDA and ASID, Member

Professional Experience:

December 2016 - January 2015: Kasita - Freelance Researcher *Researched transportation industries for trends, innovations, and industry-specific material sources. January 2015 - Present: UTSOA Teaching Assistant - Construction II: Interior Design (Spring 2016 & 2017), Environmental Control I (Fall 2016), Materials Lab (Spring 2016) *Lead tours, lab sessions, and reading discussions. *Assist with grading assignments, developing labs and exams, organizing tours and speakers and meeting with students. February 2015 – August 2015: Ecology Action - Intern *Performed research on issues of sustainability, community outreach, and waste diversion. *Worked on recruitment for the Austin Materials Marketplace, a project supported by the City of Austin and run in collaboration with the USBCSD. September 2014 – December 2015: UTSOA: Lectures & Exhibitions – Mebane Gallery Assistant *Assisted with installation and de-installation of professional exhibitions. October 2009 - June 2015: Framing Manager at Michaels Arts & Crafts

Leadership and Recognition:

Winter 2016: 1st Place Graduate Student Winner in the IIDA Texas Oklahoma Chapter 2015 Tuition Reimbursement Scholarship Summer 2016: 1st Place Winner of the Benjamin Moore and ASID Workplace of the Future Scholarship Spring 2016: Sound Building with Distinction, Design VI Technical Studio Spring 2016: Semi-Finalist in the IIDA Austin Student Showcase Competition Fall 2014 - Present: Dean’s Ambassador for The University of Texas at Austin: School of Architecture Winter 2010 - Spring 2011: Knitting Technical Advisor and Social Media Organizer for “A Knitted Wonderland” at the Blanton Museum Spring 2007: Presented the Outstanding Bachelor of Fine Arts Award and the Outstanding Service Award by the Visual Arts Department Spring 2007: Recommended for International Sculpture Competition

Dynamo eQuest Grasshopper Sketchup

3D Printing 3DS Max 123DMake AutoCAD

Climate Consultant InDesign Office Revit

Crochet Illustrator Premier Pro Rhino

Excel Laser Cutting Photoshop Windows & Mac

Research Ideas. Exploration. Results. These projects consider a range of subject matter, from a sustainable alternative to plastic, to a look at historical and contemporary academic studio models. These projects explore an idea, a material, a process. They are a beginning. They answer questions, but leave space for further study.

100% 83.3% 66.7% 44.4% 22.2%

Analog Ideation 8

100% 72.2% 55.6% 44.4% 38.9% 5.6% 8

Analog Production Highest Desired Level of Interaction with the Environment While Performing Studio Activities

“Defining the Academic Studio Model” Fall 2016 Tamie Glass Semester-long Independent Research Project

Through an independent research project, I explored contemporary academic studio models and historical precedents as a means to find future studio model possibilities. As part of the research, I surveyed current undergraduate and graduate students in the University of Texas School of Architecture about their studio space practice. Questions ranged from present day studio usage to future oriented “ideal” studio design. Questions were designed to offer alternative studio models pulled from workplace design, like coworking and activity based design, to determine what level of interest or resistance UTSOA students have to new studio models.

39% Artist Studio

16.7% Contemporary Design Studio

11.1% Collaborative Hub

11.1% Makerspace

11.1% Traditional Design Studio

5.6% Coffee Shop

5.6% Private Nook

0% Coworking Lounge

From Left: New York School of Interior Design. d. school. Stanford. Techshop Austin. Yale University, Art & Architecture Building, WeWork Chicago WeWork Austin. WeWork Austin.

Don’t Take Away My Desk!

Assigned Studio Professor Variety Reserveable Flexible Studiomates Dedicated Desk Most Critical

Moderately Critical

Least Critical

Ranked elements by criticality to the studio experience

When asked to pick the work space they would feel most comfortable completing their studio work in, the Artist Studio was the favored choice. Artist Studio’s Spatial Attributes ◦ • Individual work areas open to surrounding environment ◦ • Vertical surfaces for pinning up ◦ • Access to daylight along the perimeter ◦ • Flexible electrical outlets ◦ • Ability to personalize space ◦ • Light colored walls and floors which keeps the space bright.

When asked to rank a set of elements in order of criticality to their studio experience, 84% of respondents ranked Dedicated Desk as the third or higher most critical element. Having a desk ranked as the most critical element overall.

Natural Dyed Wool

Fall 2015 Jen Wong Six Week-Long Partner Project at the Materials Lab (Partner - Claudia Rodriguez) Through working at the Materials Lab, I participated in a wool dyeing research project. While I performed the preliminary research on wool dyeing processes and natural dye materials, my partner and I jointly processed the wool and created dye baths. We experimented with both hot and cold dye baths and a range of natural dye materials, including berries, the skins of fruit and vegetables, and spices. The research culminated in a workshop on felting by Laura Grenard, where I gave a short presentation on our research with natural dyes.

Production

Dye materials 12

Turmeric hot dye bath

Brown and white wool dyed with: 1. Avocado Skin Hot Dye Bath 2. Chopped Beets Hot Dye Bath 3. Blackberry Hot Dye Bath 4. Indigo Hot Dye Bath, Double Dip 5. Turmeric and Indigo Hot Dye Bath 6. Turmeric Cold Dye Bath

Personality in Relation to Ideal Working Spaces Fall 2015 Tamie Glass Semester Project

My overarching goal was to develop a design criteria, based on the LEED system, to score office environments and coworking spaces on how inclusive their work environments are for employees across the full Extraversion spectrum. To determine the design criteria basis, I created a survey to identify Extraversion and Introversion personality traits, using surveys that identify the Big Five facets of personality and specific sub-traits that may be specific to comfort and needs in office environments. The survey then asked respondents about their ideal work environment for focus oriented tasks in order to find correlations between personality and spatial needs. I tested the survey on a small sample group at a local coworking site, Vuka.

Q.3 “What level of physical enclosure around your work environment would allow you to complete individual, focus work most successfully?”

Q.5 “How visible do you want to be to others in order to complete individual, focus work most successfully?

Fully Visible Semi-Visible 14

Partially Visible/ Semi-Hidden Partially Hidden

Fully Hidden

The Big Five Extraversion

Neuroticism

Conscientiousness

Openness

Agreeableness

Adventurousness Orderliness Anxiety Self-consiousness Friendliness Excitement-Seeking Gregariousnss

Extraversion Levels of Surveyed Vuka Members

Low

Moderately Low

Moderately High

High

Fully Visible Semi-Visible Partially Visible/ Partially Hidden Semi-Hidden Fully Hidden

Desired Levels of Visibility of Surveyed Vuka Members 15

Gelatin Based Bioplastic

Spring 2015 Igor Siddiqui Semester Long Partner Project (Partner - YingQian Zhuang) Through a semester long studio entitled, The Edible Materials Lab, my partner and I explored the physical properties, limitations, and digital possibilities of gelatin based bioplastic. We learned how to control its properties through varying additives, achieving ranges of transparency and flexibility. Curing methods produced widely diverse results, from light, airy foams to rigid, imprinted patterns. Physical transformation of the cured material was also explored, including laser cutting, etching, layering, and shaping through self-adhesion. The entire studioâ&#x20AC;&#x2122;s work was exhibited at thinkEast, part of the citywide Fusebox festival. For the exhibition, my partner and I digitally designed and fabricated a prototype which demonstrated the range of properties of bioplastic. I also created a sample set which could be easily handled by the public.

Sample disks showing color and opacity/transparency range

**Photo credit: Igor Siddiqui

Properties (Left to Right): Transparency, Opacity, Pattern Imprinting, Laser Cutting & Shaping

Effect of heat on partially cured sample**

Sample sheets showing a range of properties** 17

Prototype showing digital design possibilities and physical properties of gelatin based bioplastic 19

Object Paper. Ink. Metal. Plastic. These projects are siteless, client-less, program-less, but not without context. These projects may be in support of research, a presentation, a semester-long studio design, a prototype, or simply an exercise in learning a new skill. While often part of a greater whole, these objects have a sense of completeness, wholeness.

Proposed effect to gelatin based bioplastic due to exposure to heat and moisture 23

Temporal Time Spring 2015 Igor Siddiqui Three Week Project

Final design

Following a semester long study into Gelatin-Based Bioplastic, I took advantage of its thermoplastic qualities by producing “Temporal Time,” a wall clock prototype designed for the bathroom which will soften and deform when exposed to heat and moisture. Using a parametric design tool, Grasshopper, and basing forms on flower petals, I generated multiple designs for potential clocks and fabricated the highlighted form. By celebrating a limitation of bioplastics, its susceptibility to moisture, these floral forms will wilt and “decay” over time, invoking a sense of impermanence in a material that is traditionally designed to outlast life.

Initial shape formation 24

Prototypes exposed to heat and moisture

Parametric designs based on seven petal shapes 25

Oh Gee! Room Partition System Spring 2015 Tamie Glass One Month Partner Project (Partner Amy Witte)

The Widget - an insert in door knob kits - takes the place of a square knot in traditional macramĂŠ in this prototype for a proposed room partition screen system. The final design would consist of tubular steel rods and flanges to connect to the ceiling and floor. Using my previous knowledge of macramĂŠ, I designed the screen and constructed the prototype while my partner digitally rendered the screen and components in Rhino.

Finished prototype using 120 widgets, hemp thread and wooden dowels 26

Finished prototype

Production process photos

Perspective of installation of 10â&#x20AC;&#x2122;x10â&#x20AC;&#x2122; room divider. Labor and Material Cost: $4,600 (Perspective room rendering by me, Screen rendering by Witte) 27

Crystal Palace Truss System Fall 2014 Benjamin Ibarra Sevilla Five Week Project

Hand-drawn technical drawing for a group presentation on the 1851 Crystal Palace. Using the original plates of construction documents by Sir Joseph Paxton as source material, this drawing shows the interior structural system including the second story walkway and the rain gutter system.

Waffle Wall Spring 2015 Danelle Briscoe Three Week Project

From a catalogue of forms I generated in Rhino using a combination of operations, I selected one form to translate into an interlocking tectonic structure.

Tiled Screen Spring 2015 Danelle Briscoe Two Week Project

Modular wall system designed for C-House using a parametric design tool, Dynamo. A scaled 5â&#x20AC;&#x2122;x5â&#x20AC;&#x2122; section was 3-D printed. 0'

16'

MC3 Construction Documents Spring 2016 Tamie Glass One Month Project within a Semester Long Studio

As part of a semester long studio for a coworking space, using Revit I created a full set of construction documents, as well as schedules, and specifications.

TRUSS - PT-1

GYP BD PT-2 1' - 6 3/4" GLS CURTAIN WALL

0' - 8 1/4"

0' - 9 3/4" 1' - 9 3/4"

13' - 9 3/4" GYP BD PT-3

CL-1

PT-13

1' - 4"

PT-9 PT-8

VINYL DECAL ON GLS

CO-LAB ZONE 2

ELEVATION_CO-LAB WOODEN SLAT WALL 1/4" = 1'-0"

PT ON WD DOOR

9' - 3"

OH 01 9' - 3"

TOS Level 1 0' - 0"

JAM ROOM 5

Elevation: Co-Lab Wooden Slat Wall

METAL WIRE

0' - 8 1/2"

GYP BD PT- 10

3' - 0 1/4" 0' - 7" 1' - 1 1/4"

0' - 3"

PT-8

0' - 7" 1' - 7"

1' - 7"

1' - 2"

1' - 1 3/4"

REC WD SLATS

1' - 7 1/2"

DUCT - PT-1

EXISITING STEEL TRUSSES PT-1

DUCT PT-1

CURTAIN - FA-1

SUSPENDED GYP BD CEILING PT-3

WD RAFTERS 4X10

ID 6.00

DUCT

PL-1

LOUNGE

GYP BD PT-6 WW-1

GEM 1 3

CO-LAB ZONE 2

LL-3

Sim

REC WD SLATS

6' - 11"

1 A101

9' - 3"

10' - 8"

PL-2

1 SECTION_ NORTH FACING LONGITUDINAL BUILDING SECTION 3 3/16" = 1'-0"

2' - 10 1/2"

LL-1

9' - 6"

GYP BD - PT-2

10' - 8"

12' - 10" FL-1

0' - 7 1/4"

LL-1

LL-1 GLASS CURTAIN WALL

CUSTOM STEEL COUNTER

KITCHEN 13

ID 6.00 32' - 0"

L. Meeting 4

2' - 8 1/2"

Restrooms

1 A101

0' - 6"

29' - 7 1/2"

7' - 7 1/2"

34' - 0"

31' - 0 1/4"

5' - 8"

2' - 6"

17' - 7 3/4"

0' - 7"

WALL HT 7'

2' - 10 1/4" +/19' - 9 1/4"

6' - 5 3/4"

3' - 5 1/4"5' - 0 3/4" 5' - 1 1/4" 5' - 0 3/4" 5' - 1 1/4" 4' - 10 3/4" 4' - 9 1/2"

Private Desks 27

OPERABLE PIVOT PARTITIONS, TYPE B

10' - 4"

6' - 3 1/4"1' - 4 1/2"

11' - 10"

18' - 10"

NIC

60 .00 째

Gem 2 22

57'- 2 1/4" +/-

Sim

Booth Zone 23

10' - 8" +/-

Social Zone 12

3' - 1 3/4" 0' - 8"

6' - 11"

5' - 4"

2P RM 2 15

Library 21

1' - 9"

4' - 9"

Sim

11' - 4 3/4"

2P RM 3 16

24' - 5"

Printer Rm 10

1' - 0 1/4"

째 .00 60

2' - 5"

4' - 9"

5' - 5"

NOOK SEAT HT 2'6"

---

14' - 3"

7' - 10 1/4"

Kitchen 13

1' - 4 1/4"

Nook 1 17

4' - 9"

P. Booth 2 9

4' - 10 3/4" 1' - 6"

Nook 2 18

4' - 8 1/4"

2P RM 1 8

Quiet Zone 20

2' - 1 1/2"

3' - 8 3/4"

2' - 10"

Nook 3 19

2' - 6" 3' - 4 1/4"

2' - 4 1/2"

P. Booth 1 7

2' - 3 3/4"

3' - 3 3/4" 2' - 8 1/2"

Jam Room 5

0' - 3"

3' - 2"

2' - 1 3/4" 17' - 7 1/4"

6' - 5 1/4"

2' - 5 1/4"

2' - 11 3/4" 0' - 8 1/2" 4' - 4 1/4"

1' - 10 3/4"

Office 3 26

Office 2 25

34' - 0"

22' - 7 1/4"

7' - 11"

14' - 4 1/2"

3' - 1"

Storage 6

Storage 2 11

3' - 4 1/4"

5' - 4"

6' - 5 1/4"

2' - 3" 6' - 8 1/4" +/-

10' - 11 1/2"

19' - 1 1/2"

7' - 7 1/2"

5' - 1 1/4"

4' - 6 1/4"

2' - 6 3/4"

1' - 2"

OPERABLE PIVOT PARTITIONS, TYP A

8' - 10"

째 .43 55

Gem 1 3 235 SF

0' - 4 1/4"

57' - 1 1/4"

1' - 4 3/4"

Sim

11' - 3"

22' - 8 1/2"

1 A101

3 ID 6.00

CoLab Zone 2

1' - 9 1/2"

Lounge 1

6' - 0 3/4"

11.46째

NIC

6' - 8 1/4"

1' - 3 3/4" 10' - 3 1/4"

7' - 4"

3' - 0 1/4"

4' - 5"

3' - 10" 7' - 1 3/4"

8' - 5 3/4"

25' - 6 3/4"

2' - 2 1/4"

4' - 7"

Patio 14 0' - 3 1/4"

32' - 0"

10' - 9 1/2"

32' - 0"

6' - 5 3/4"

ID 6.00

32' - 0"

8' - 1 3/4"

25' - 3 1/4"

10' - 3 1/2" 0' - 5 1/4"

2 ID 5.00

1 ID 5.00

11 1

3' - 6 3/4"

0' - 0" 9' - 3 3/4" +/-

Office 1 24

NIC

LAN

Partition Plan

13 ---

PL-2

9' - 6"

9' - 5 3/4"

PL-1

WW-1

SUSPENDED GYP BD CEILING - PT-2 DUCT & TRUSSES - PT-5

FILZ FELT HANGING PANELS

PL-2

0' - 6 3/4"

SUSPENDED ACOUSTIC FELT PANELS - FA-4

GYP BD PT-7

1' - 4 3/4" PL-1

PL-3

PL-1

9' - 6"

1' - 3 1/2" WW-1

SUSPENDED GYP BD CEILING - PT-4

0' - 8 3/4"

OLDING DOORS

SUSPENDED ACOUSTIC FELT PANELS - FA-4

9' - 6"

ID 6.00

WALL WASH DOWNLIGHT

0' - 8 3/4"

11' - 6"

T & TRUSSES - PT-1

OH 01 9' - 3"

PL-2

TOS Level 1 0' - 0"

CUSTOM STEEL BAR

REC WD SLATS

QUIET ZONE 20 CUSTOM NOOKS

---

GEM 2 22

1 A101

Sim

LIBRARY 21

CUSTOM STEEL BAR

BOOTH ZONE 23

Section: North Facing Longitudinal Building Section 31

Design Place. Client. Program. These projects are grounded in reality, constrained by site, responsive to the program requirements. They vary in scale, from an alleyway wide, two story building to an 8700 sf existing commercial lease space. They respond to the needs of both organic clients - employees and guests who love the art of bourbon distilling, and inorganic clients - 18th and 19th century antique music boxes that need a quiet background to let their details shine.. These projects are full of context and content.

Main Lounge in the Blind Apron facing the Viewing Lounge 35

Blind Apron - A bourbon distillery & speakeasy Fall 2016 Ada Corral & Camille Jobe Semester long studio project

The Blind Apron is a bourbon distillery designed for a pre-existing warehouse in the new redevelopment in south Austin, the Yard. By day, the space functions as a craft-batch bourbon distillery that is open to the public for tours and tastings. By night, a secret side entrance leads to a hidden nightclub where you can experience the lifestyle of the prohibition era while getting glimpses into the bourbon making process. Through a series of layered views and reveals, you and the still are transformed into actors on a multi-level stage.

9,3 /281*(

67$*(

9(67,%8/(

6725$*(

%$5

(;,67,1* &2))(( 6+23

:20(1 6 5(675220

9,(:,1* /281*( /281*(

0(1 6 5(675220

Second Floor | Blind Apron Speakeasy | Entrance on Northwest Wall 36

Copper patina pattern exploration

â&#x20AC;&#x153;Aged Copper Pattern Seriesâ&#x20AC;? Copper patina image distorted and layered to produce an abstract pattern

Pattern Translucency Study

Early study model of viewing lounge with Aged Copper Pattern 37

Curtain designing process

Space usage by activity Speakeasy

Speakeasy Patron

Bourbon Production

Distillery Tour Visitor

Services and support

Employee

Section C | Relationship between still and speakeasy 38

Final curtains rendered

Vignettes: Viewing Lounge | VIP Lounge | In Main Lounge Looking Towards the Entrance 39

Collection of Musical Units Fall 2015 Nerea Feliz 8 Week Project

C.M.U. is a temporary exhibition design for the Visual Arts Center in Austin, TX. The exhibit displays 18th and 19th century music boxes housed in a modular display system. Using Charlotte Perriand’s “Biblioteque a Plots” as a precedent study, the primary system functions as both the staircase and the vehicle for displaying, in addition to defining the circulation and viewing areas. Interlocking concrete modules cantilever off each other, using the gallery walls as the supporting structure. The secondary system of bronze boxes are inset in the carved niches of the concrete modules, displaying the music box collection. With recessed lighting reflecting off the soft bronze surface, the music boxes appear to glow from within.

40 First floor, facing staircase and salon-style display

Collection Display Modules

Collection Display: “Aggregation: Salon-style Display”

Interlocking Cantilevered System 41

Light & Dark, Line & Void Summer 2014 Smilja Milovanovic-Betram Five Week Project

Light & Dark. Line & Void is a proposal for a two artist sculpture gallery in a 17’ wide alleyway. Jean Tinguely’s “Hannibal II”, is a large, heavy, black metal sculpture with loud, clanging mechanical moving parts while Arthur Ganson’s “Meditation Series 1-3” are delicate, thin wire sculptures with hand-operated handles. Contrasting the light verticality of Ganson’s work with the heavy horizontal planes of Tinguely’s, vertical louvres on the east facing windows allow light to stream in while light penetrates the basement through voids cut into the 1st floor and roof above. The eye is drawn from below ground by the horizontal lines cut into the walls and elevated by the vertical lines of the suspended staircase. A circuitous route allows each sculpture area to be experienced both within as participant and without as observer through apertures cut into the walls and floor.

Longitudinal elevation, Facing South 43

Exterior patio and balcony, East end

Overlooking Jean Tinguelyâ&#x20AC;&#x2122;s sculpture, Stairs from lobby

Handmade model, Longitudinal elevation, Facing South

Plan, Tinguelyâ&#x20AC;&#x2122;s gallery and first floor

Plan, Lobby and second floor

Latitudinal cross-sections, (Left to Right) Lobby, Tinguely gallery and viewing room, Atrium with suspended staircase and view of Ganson gallery on second floor 45

MC3 - collaborate, cowork, community Spring 2016 Tamie Glass Semester-long Studio Project

The mission of MC3 was to create a coworking space for music industry professionals in Austin, Texas as a means of elevating the professional level of the Austin music scene, increase innovation, and provide an affordable place to work. MC3 was designed to optimize privacy, encourage community and collaboration, and do so through sustainable means. Itâ&#x20AC;&#x2122;s a place for all work types, task types, and extraversion levels that elevates shared working spaces over private spaces, separates activities into zones, and provides quiet respite areas for focus tasks or moments by yourself.

46 The Co-Lab Lounge

ollaborate owork ommunity 17.

18. 16.

20.

15. 14. 11.

19.

21.

12. 7.

13.

8. 3.

4. 6. 3 1.

2. 5. 10.

The Social Hub

The Co-Lab

11. Outdoor Patio 12. Kitchen 13. Social Lounge .

1. Lobby 2. Lounge 3. Collaboration zone 4. Meeting Room 5. Conference Room 6. Large Gem Meeting Space 7. Phone Booths 8. Two Person Meeting Rooms 9. Printer Room 10. Storage

The Library

14. Private Nooks 15. Quiet Zone 16. Library 17. Booth Zone 18. Private Oﬃces 19. Dedicated Desk 20. Small Gem Meeting Space 21. Two Person Meeting Rooms

The Activity Types Work

Refueling

Gathering

Services

Eﬀort to Complete a Project or Task

Activities that Relax, Refresh, Nourish, or Energize

Group Interactions that Require Deﬁned Spaces

Activities that Support or Fascilitate the Main Functions of a Space.

THE PROGRAM

THE LIBRARY

The Library - Custom wall nooks looking into semi-enclosed nooks

“Introverts make up 1/3 of the work force” - Susan Cain, Quiet: The Power of Introverts in a World That Can’t Stop Talking

A space for everyone - seating for every work style

Custom semi-enclosed nooks

Custom enclosed nooks

Custom covered booths

Library Seating

Early design sketches

Co-Lab Tables

Social Hub Tables

THE DETAILS

The Co-Lab: 5000K

Mosa Tiles Cradle to Cradle Certiﬁed

Custom Steel Reception Desk

3-Form EcoResin Bella Acoustic Tiles Acrylic Panels Inside Privacy Booths

REF.

Polished Concrete Flooring

Time Lapse of Two MC3 Member’s Space Usage: 50

THE ZONES

The Social Hub: 6500K

The Library: 3000K

4x10 Dimensional Lumber Slat Ceiling

Reclaimed Wood Slat Wall

Character Line Carpet Tile

3-Form EcoResin Acrylic Panels

Filz Felt Matrix Hanging Panels

Scale: 1/8”=1’

Judy, Manager, Extrovert

Bruce, Accountant, Introvert

THE CO-LAB

The Co-Lab lounge facing gem meeting space; Gem construction documents

BAY 6 L4B BAY 1 L3

TIER 2

L4A

L4B

L6A

L6B L7

2' - 11 1/4" 4' - 8 1/2"

L2B

L4B BAY 5

L2B

L1 L1

L4A L1

L5 12' - 4 1/4"

L2A

TIER 1

BAY 2

L4B

L1 L5 L5

TIER 3

L4A

L4B

L4A

4' - 8 1/2"

L4A L5

L2A

L4B

BAY4

BAY 3 3

ELEVATION LEFT 1/2" = 1'-0"

ELEVATION TOP 1/2" = 1'-0"

Heather Sutherland Master of Interior Design Candidate First Professional Hjsuther@gmail.com | www.hjsutherland.com