Silk Weaving on the Jaquard Loom

Page 1

Silk Weaving

...on the Jacquard Loom


1

Create a Pattern

Jacquard Silk Weaving Process

2

Determine Pattern Repeat (must repeat horizontally and vertically/diagonally)


3

Draw Pattern onto Point Paper

4

Fill in Point Paper According to Desired Weave Structures

Gros de Tours (Basket)

Satin (weft face)

Using multiple weave structures differentiates the texture and color of different parts of the pattern after it is woven. Two opposite patterns create the same weave structure, but the boxes can be filled depending on whether the warp or weft color will be dominant.

Satin (warp face)

Sateen


5

Punch and Correct Pattern Cards

6

Lace Cards

7

Place on Jacquard Loom

The point paper is divided into rows and columns of 8 by 8 squares. The pattern is read horizontally from left to right and each individually box is punched vertically on the pattern card.


8

Weave

Examples of Weave Structure Cross Sections

Lisere

Sateen


Fondazione Arte Della Seta Lisio Florence, Italy


The inspirations behind this pattern were the many common motifs in the decorative symbols and architecture of church windows throughout France and Italy. My objective was to blend these symbols together into a traditional pattern, but create a modern feel through color choice.


I created the pattern on Adobe illustrator and Gros de Tours (Basket) Photoshop and then imported the pattern repeat into a weaving program to digitally set and print it onto point Satin (weft face) paper. I also used this program to fill the point paper with my chosen weave structures. I used four different 4/4 Sateen effects on the pattern: Gros de Tours, 8 Ends Satin(weft face), 4/4 Sateen, and Lisere. Lisere



We hand-punched and corrected 302 cards to create the pattern.


This machine laces each card together through its lacing holes.


The laced cards were then placed on the cylinder on the loom.


Once the cards were on the loom, I finally started to weave! I tried out different colors of silk and wove colorways to see the combinations of the warp and weft colors with the weave structures of the pattern



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