Helen Wright Interior Design Portfolio

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HELEN WRIGHT | INTERIOR DESIGN PORTFOLIO



ABOUT ME | HELEN WRIGHT

SKILLS REVIT AUTOCAD SKETCHUP

EDUCATION

HAND DRAFTING

Washington State University | Pullman, WA | 2015-Present

HAND RENDERING ADOBE INDESIGN ILLUSTRATOR PHOTOSHOP MICROSOFT WORD POWERPOINT

• Current cumulative GPA of 3.8. • Pursuing an undergraduate degree in Interior Design • Part of ASID during the 2016-2017 school year. • Submitted my rug design to the International RugVista competition. • Currently aiding the presidential campaign of RogersParchem. • Assisted with social media relations for Alpha Omicron Pi.

CONTACT PHONE: CALL OR TEXT (206) 307-9587

EMAIL HELEN.WRIGHT@WSU.EDU

ADDRESS 820 NE CAMPUS ST PULLMAN, WA 99163

DESIGN PHILOSOPHY The social aspect of Interior Design is often where I draw creativity from. As designers, we have the ability to bring people together through the built environment. Design is the rope that binds people together, creating connections and encompassing all parts of our lives. It is those relationships we develop that make us who we are, and my goal is to aid in that growth through design.


TABLE OF CONTENTS

THE WRIGHT LAW OFFICE

1

3

13.18

IIDA TRADESHOW BOOTH 1.6

2

THE HAMILTON GALLERY & RESIDENCE 7.12


ADDITIONAL WORKS

6

31

THE BESSE RESIDENCE

4

19.24

5

WSU BEAR RESEARCH FACILITY 25.30



1

1

IIDA TRADESHOW BOOTH

Size: 300 square feet Location: Germany Skills Used: Revit Hand Sketching Year: 2018

This booth is a result of an annual competition IIDA holds for students and professionals. The task was to build a 300 square foot booth for IIDA to present at the Orgatech tradeshow in 2018. Keeping with the “look� of IIDA, the furniture is specified from Vitra, materials are white, and there are only a few pops of color having to do with concept. Rendering of NE corner


2 IIDA is the International Interior Design Association with a focus on global reach. Everything they do is built around making sure Interior Design professionals, students, and built environment users have access to every opportunity possible. They want positive community interaction and growth within the design community, and accomplish that through their outreach programs and support.

Blocking Diagram

East Elev.

South Elev.

3d View


2’ - 0”

4’ - 0”

12’ - 0”

3

0’ - 10”

8’ - 0”

” 24’ - 3” Floor Plan 1/8” = 1’0”

N

8’ - 0”

The overall size of the booth is 291 square feet, just under the maximum size for the project. With large door openings on the north and south sides of the building, circulation and interaction is encouraged. The open ceiling lets in light and does not make the space feel as if you are enclosed in a box, which is the same impact visitors get from the linear strips cut out of each wall. North Elev.


4

Keeping with the concept of “outreach”, the colorful paint strips on the floor, ceiling, and walls reach outside of the booth, drawing the visitors in. Once inside, the visitor is guided to a different station depending on the color they choose to follow. The blue strips lead to learn more and expect more, the orange strips lead to read more and grow more, and the yellow strips lead to discuss more and say more.

3d View

Each station’s name and activity is connected to the ideals of IIDA. They have noted these as important to them and their company, and are reflected in this booth.

Lilt Lounge Chair

Petty Side Table

Scoop Stool


5


6


22

7

HAMILTON GALLERY & RESIDENCE

Size: 4,000 square feet Location: Spokane, WA Skills Used: Hand Sketching Hand Detailing Hand Modeling Year: 2017

Final Model NTS

The challenge of this project was to create a mixed used space for a middle-aged couple and their aging parents, as well as an artist’s studio and gallery. It was to be built in an existing space that once acted as an elementary school gym. Aging in place had to be taken into consideration in the parent’s home, and universal design was followed in the entire building due to differing sight abilities.


8

Space Planning Scanned by CamScanner

Floor Plan Level 1, 1/16” = 1’0”

N

Floor Plan Level 2, 1/16” = 1’0”

N

The first floor contains the gallery, studio, and both residences. The second floor makes up the rest of the main residence and gives the residents a chance to view their gallery show from above.


9

RESIDENCE

Both residences share a common vestibule, but have their own separate entrances for privacy. With the exception of restrooms, kitchens, and bedrooms, the two residences have a connection allowing both couples to interact through their living, dining, and laundry spaces. The elderly couple’s residence is focused on aging in place, while the middle-aged couple’s residence is focused on Universal Design.

Materials

Residential Living Area

Kitchen Elev. W.

Residential Restroom

Residential Entry


10

GALLERY & STUDIO

Both the gallery and studio are fully ADA accessible. The studio has flexible interior walls and daylight can be controlled. The studio has storage space and is connected to the gallery and residence. The artist this space was designed for is Laurel MacDonald, a regional artist.

concept sketch

Studio

Gallery

Art By Laurel MacDonald

Concept Sketch


11


12


32

13

THE WRIGHT LAW OFFICE

Size: 6,500 square feet Location: Sedona, AZ Skills Used: Revit Autocad Year: 2017 This project was a Revit learning opportunity in which we had to construct a law office. The floor plan was drawn in Autocad, then exported to Revit and built up from there. While the building shell, interior walls, and most furniture were already planned out, we had to create our own second floor mezzanine and choose the materials, lighting, and furnishings.

Exterior View


14

SPECIALTY TILES 8'-6" AFF. SOFFIT

3' - 8"

Kathleen Ryan 3260 W Main St. Sedona, AZ 928-509-7295

10' - 5"

3' - 0" 3' - 0"

2' - 5"

Judy Theodorson 283 NW Grand St. Sedona, AZ 928-402-5928

3' - 8"

GWB on Mtl. Stud 8' - 6" A.F.F.

GWB on Mtl. Stud 9' - 0" A.F.F.

3' - 8" Kai Davies 1953 S Elm St. Sedona, AZ 928-018-1927

4' - 7"

4' - 5" 1' - 9"

8'-6" AFF. SOFFIT

OPEN TO ABOVE

GWB on Mtl. Stud 10' - 0" A.F.F.

3' - 10"

1' - 9"

8" 1/

GWB on Mtl. Stud 8' - 6" A.F.F.

1' x 5' USG Celebration Ceiling Panel Donn Fineline DXF Grid 8' - 6" A.F.F.

1' x 5' USG Celebration Ceiling Panel Donn Fineline DXF Grid 8' - 6" A.F.F.

1' - 4"

1' - 11"

2' - 2"

4' - 8"

1' - 4" GWB on Mtl. Stud 8' - 6" A.F.F.

8'-6" AFF. SOFFIT

1

RCP Level 1 1/4" = 1'-0"

L2X4

TROFFER LIGHT 2X4 PARABOLIC - 277V LIGHTING_OUTSIDE_SIMES_S.7360W_LOBBY

T2

LIGHTING-PENDANT_MOUNT-DELRAY_LED-KLP31

T3

SUSPENDED -LUTRON_IVALO-ROTARE: 25W T5

T4

LIGHTING-PENDANTVIBIA-RHYTHM_2130HORIZONTAL-10 _MIXED_STICKS : 2180_ 58 WAVES PENDANT LIGHT - LINEAR - 1 LAMP : 48" 120V

N

LIGHTING FIXTURE SCHEDULE

Type Mark

Family and Type Lighting-Wall_Mount-Lutron_Ivalo-L_ale: Warm White

LT1

T1

Level 1 RCP 1/16” - 1’0”

GWB on Mtl. Stud 8' - 6" A.F.F.

TYPE TROFFER LIGHT 2X2 PARABOLIC - 277V

LT2

Lighting_Outside_SIMES_S.7360W_Lobby: Lighting_Outside_SIMES_S.7360W_Lobby Lighting-Suspended-Lutron_Ivalo-Rotare: 54W T5 High Output

LT3

Pendant Light - Linear - 1 Lamp: 48" - 120V

LT4

Lighting-Pendant-Vibia-RHYTHM_2130-Horizontal-10_Mixed_Sticks: 2130-14 Wave LT5 Lighting-Pendant_Mount-Delray_Lighting-Kone3-Small_Opal_LED-KLP31: Refer to Catalog TL2X2 Troffer Light - 2x2 Parabolic: 2'x2'(2 Lamp) - 120V

TL2x4

Troffer Light - 2x4 Parabolic: 2'x4'(2 Lamp) - 120V

Assembly Description

OmniClass Title

Ball Initial ast Color Illumin Luminous Luminous Los Temper s ature Lamp Flux Intensity Efficacy ance

Electrical Data

Wattage

Count

Lighting Equipment General Luminaries, Non 149 Directional lm/W Luminaries for External Lighting 65 lm/W Lighting Equipment Direct/Indirect 149 lm/W

3 lx

332 lm

26 cd

2700 K

LED

Power Connection 120 V/1-7 VA

2W

16 lx

1843 lm

147 cd

3000 K

230 V/1-0 VA

28 W

75 lx

8800 lm

700 cd

3500 K

Power Connection 120 V/1-125 VA

59 W 26' - 8"6

Lighting Fluorescent

108 lx

3150 lm

1003 cd

1 LED 54W T5 HO T-12

120 V/1-40 VA

40 W

4

15 lx

1778 lm

141 cd

3040 K

Power Supply 120 V/1-44 VA

12 W

3

12 lx

1380 lm

110 cd

3500 K

General Luminaries, Non Directional Downlights

79 lm/W 149 lm/W Lighting Equipment Specialized Lighting by Location 149 or Use lm/W Lighting Downlights 65 Fluorescent lm/W Lighting Downlights 79 Fluorescent lm/W

0.88 4230 K

W27

99

22 lx

2600 lm

207 cd

0.88 4230 K

T-12

216 lx

6300 lm

2005 cd

0.88 4230 K

T-12

120 V/1-80 VA

9W

15 13' - 4"

40 W

18

80 W

12

B.O. FOOTING -6' - 0"

Exterior Elev. S. 1/32” = 1’0”

Project number Date

14 De

Drawn by Checked by

A4.1 Scale

0' - 0"

Reception

Law Office Pro Level 1 Reflec Ceiling Plan

ROOF

LEVEL 2 Floor Plan

Connector for Electrical Power 120 V/1-24 VA 120 V/1-40 VA

Wright Law

4

LEVEL 1 Floor Plan

Conference Room

Description FINAL SUBMITTAL

N

LIGHTING LEGEND SYMBOL

No. 1

1' - 11"

3' - 8"

PRODUCT DESCRIPTION

DJS USG GEOMETRIC WEDGE 3 1/4" WEDGE

SPECIALTY TILES 2' - 2"

7' - 8"

CEILING TYPE MATERIAL LEGEND

GWB ON MTL. STUD 1'x5' CELEBRATION CEILING TILE 2x2 ACT SYSTEM 2x4 ACT SYSTEM DJS USG TOPO 3D 4PANEL DOWN8

8'-6" AFF. SOFFIT

9' - 9"

GWB on Mtl. Stud 10' - 0" A.F.F.

Special features include frosted glass to separate conference rooms, a specialty wedged ceiling tile pattern in the large conference room, and a custom reception desk in the lobby.

L2X2

T5

3' - 8"

GWB on Mtl. Stud 9' - 0" A.F.F.

-2

E MARK

Jenna Scott 506 NE Oak St. Sedona, AZ 86336 928-443-2652

4' - 4"

GWB on Mtl. Stud 11' - 6" A.F.F.

10' - 4" 3' - 8"

7'

2

2' x 2' ACT System 9' - 0" A.F.F.

4' - 4"

LL SOFFITS ARE 2'-0" UNLESS OTHERWISE NOTED. GHTING FIXTURES ARE ALIGNED TO CEILING GRID ESS OTHERWISE NOTED. MENSIONS ARE TAKEN FROM CENTER OF LIGHT URES TO WALL FACES. GHTING FIXTURES IN 101, 106, 107, AND 108 ARE IDISTANT UNLESS OTHERWISE NOTED.

E MARK

2' x 2' ACT System 9' - 0" A.F.F.

1' x 5' USG Celebration Ceiling Panel Donn Fineline DXF Grid 9' - 0" A.F.F.

ERAL NOTES

B G1 T1 T2 1

http://hwrightdesign.wixsite.com

3' - 8"


15

Cabinet Detail 1 1/8” = 1’0”

Reception Light Fixture

A circular pattern in two different wood patterns is used to break up the space. The reception desk and staircase are the focal points of the lobby when first entering. Both the first floor lobby and second level mezzanine have space for clients to wait with seating. Challenges faced during this project include learning what elements need to go into schedules and legends, how to make lighting turn on, learning how to properly place floor, ceiling, and wall finishes, and how to create extrusions as well as what can and cannot be done in a BIM system. Entry/Reception

Toilet Room Detail 1/16” = 1’0”

Cabinet Detail 2 1/8” = 1’0”


16

11'1-1’2” 2 23/32"

13' - 6 23/32" 13’6”

FINISHED CEILING LINE LIVING WALL

GLASS SIGN WITH WOOD LETTERING

8' - 6"

1' - 9"

PT1

CUSTOM RECEPTION DESK WITH GLASS TOP AND WOOD BASE

FINISHED FLOOR LINE

Lobby Elev. N. 1/64” = 1’0” PT4

Custom Lobby Sign

Material Selection The custom reception desk and lobby sign were created using extrusions and modeled in place. The desk contains a living wall feature accompanied by glass and wood. The lobby sign is composed of different woods and glass.

Custom Reception Desk

“Happy” Reception Seating


17


18


42

19

THE BESSE RESIDENCE

Size: 2,000 square feet Location: Colfax, WA Skills Used: Hand Drafting Hand Drawing Hand Modeling Sketch Up Revit Year: 2016 The Besse Residence is a second-story home for an aging couple. The man is in a wheelchair, therefore ADA needed to be taken into consideration as well as aging in place and Universal Design. The couple had multiple requests such as separate bathrooms, ample space in their living, dining, and kitchen are to entertain guests and cook in, and a second apartment space on the second floor that could be rented out. This was a great opportunity to be introduced to hand rendering as well as ADA regulations. Portion Of Residential Floor Plan 1/4” = 1’0”

N


20

RESIDENTIAL KITCHEN

Special considerations had to be taken into account in this residential ADA kitchen. The countertops were lowered to 30”, there needed to be 5’-0” turnarounds in the kitchen and dining area, a burn guard underneath the sink, task lighting, and a 6” toekick.

Parti Design The concept and parti came from a childhood memory of running around a tree. That feeling of movement and freedom should be something easily accessible to all. Kitchen Perspective


21

The couple hosts a monthly Gourmet Group, inviting between 10-15 of their friends to cook and enjoy a meal in their home. Their Great Room was something important to them in order to be able to host their friends. The dining table is expandable and chairs can be added, there is space at the end of the table for a wheelchair, and there is plenty of room in the kitchen for the couple and their guests to cook and interact in each space.

Dining Room Perspective The entire north face of the building is composed of brick and was kept that was on the interior walls as well to preserve the history of the building.

Space Planning

Scanned by CamScanner

Building Section 1/8” = 1’0”

N


22

RESIDENTIAL RESTROOM Just like the residential ADA kitchen, the bathroom has different requirements. A roll-in shower with a bench was specified as well as transfer room next to the toilet, a tilt-able mirror, sliding door, burn guard, easy-pull handles, and lowered countertops. Material Selection

Bathroom Floor Plan 1/16” = 1’0”

Birds Eye Bathroom View N

N


23


24


52

25

WSU BEAR RESEARCH FACILITY

Size: 20 acres Location: Pullman, WA Skills Used: Hand Sketching Hand Modeling Photoshop Revit Year: 2017 Working with the WSU Wildlife Ecology students and Landscape Architects, the WSU Bear Research Facility was reinvented. There are currently 13 grizzly bears located on the WSU campus in a facility far too small for them. The goal was to relocate the bears to an unused site across the street and provide them with 20x the space and a fully functioning facility. With almost 20 acres of space for the bears to freely live and play, their health, wellbeing, and quality of life will be vastly improved. In addition, the staff safety will be increased and the visitor experience will be enhanced.

Site Plan 1/128” = 1’0”

N


26 The whole facility includes biophilia and puts the visitor in the position of a bear. With natural water features, dirt and grass substrate inside the visitor center, and the opportunity to get close-up with the bears, the visitor gets the opportunity to better understand grizzlies and their natural habitat. The viewing deck for visitors is covered in a natural-looking substrate so the bears do not feel as if they are being stared at. Additionally, it keeps children from attempting to climb in and everyone from throwing trash inside.

Level 1 Floor Plan 1/16� = 1’0� N

Exterior Entry Perspective

Exercise Yard Perspective


27

Material Selection Visitor Center Perspective The new site is located on a plot of land owned by the Nez Perce Indian tribe. In respect to them, their original artwork is hung around the new visitor center and facility to bring attention to their rich culture and heritage. In the visitor center, there is a large viewing window where visitors can experience the bears close up, as well as a rooftop viewing deck open during the warm seasons. There are two life-size bear pelts on the wall and in a cave for visitors to interact with and feel and bronze bear paws in front of the viewing window for an immersive visitor experience. Artwork Selection

Interactive Bear Cave


28

WSU BEAR RESEARCH FACILITY

Space Planning

Parti Design

The concept for the Research Facility came from a bears eye. When visiting the current facility, the bears did not have direct visibility to the visitors and vice versa. Bears are very visual creatures, so visibility is something that would be key to enhancing their quality of life. The shape of eye was taken and rotated multiple times to create the simple parti for this design. The furniture and finishes were all kept very natural and neutral to enhance the sense of biophilia and a “green� space located indoors.

Furniture Selection

Space Planning


29


30


62

31

ADDITIONAL WORKS John Lennon In Pencil

Red Stag In Watercolor

Eyes In Watercolor

Cher In Pencil And Marker


THANK YOU. HELEN WRIGHT INTERIOR DESIGN PORTFOLIO

PHONE: (206) 307-9587 EMAIL: helen.wright@wsu.edu ADDRESS: 820 NE Campus St. Pullman, WA 99163


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