HELENE DENISE Architecture Porfolio 2019
HELENE DENISE ARCHITECT 15.03.1993
helenedenise76@gmail.com
+33 6 16 76 22 30
Paris
E D U C AT I O N
WORK EXPERIENCE
MASTER OF PUBLIC POLICIES
POSITIVE ACTION IN HOUSING
International Humanitarian Action
Project developer / Glasgow / 5 months / 2019
University Paris 12 / 2018-2020 ARCHIPEL MASTER OF ARCHITECTURE
Architect / Paris / Part time / 2018
ENSA la Villette / Paris / 2016-2018 Erasmus at Oslo School of Architecture / 2017 BACHELOR OF ARCHITECTURE ENSA Normandy / Rouen / 2011-2014 FRENCH HIGH SCHOOL DIPLOMA Le Havre / Science Section / with Honors
VO L U N T E E R I N G EDUCATION CENTER PROJECT Scarcity and Creativity / Kenya / 5 months / 2017 Conception and construction of an education center within a team of 15 students. COMMUNITY CENTER PROJECT In Transit Studio / Lebanon / 2017 Project design phase for the Palestinian camp Burj Al Shamali within a team of 10 students. URBAN WORKSHOP IN A SLUM OF HUAYCAN ENSAPLV / Slum of Huaycan, Lima, Peru / 2017 Architectural and participative survey.
INTERESTS PAINTING, LITTERATURE, GEOPOLITICS
SO-IL Intern Architect / New York / 1 year / 2015-2016 SOU FUJIMOTO Intern architect / Tokyo / 6 months / 2015
SKILLS Software Photoshop, InDesign, Illustrator, Rhinoceros, V-ray, Revit, Sketchup, Autocad Training Global CCCM Cluster - Camp Management Online Course Language English : fluent, TOEFL IBT: 95 / C1 Spanish : basic, A2
AC ADE M IC WOR K MASTER THESIS “Innovative migrations: The migratory phenomenon, its effects on the urban space and on the architectural initiative spirit.” ENSAPLV / Paris / 170 p. / 2018
SCHOOL
EDUCATION CENTER 2nd year of Masters - Design Build studio Scarcity and Creativity Exchange in AHO Norway and Kenya - Autumn 2017 - 3 months The Scarcity and Creativity Studio (SCS) is a design build studio whose focus is on the translation from drawings to building. The studio’s main aim is to expose students to the full architectural process, from interacting with clients to building their designs. The program for this building was for a classroom and a small library/study area, in a rural part of Kilifi, Kenya. These requirements plus the study of comfort in an equatorial climates, the vernacular architecture of the area, and the available local materials have been the factors that have shaped this project. The site was located in a natural clearing amongst vegetation. The climate required a shaded but very open space through which the breezes could flow freely. The classroom is separated from the library by a shaded courtyard, open, on one side, towards the school’s common outdoor area, and to the other side a natural outdoor teaching area under an enormous tree. The 10% slope of the site is used to create a stepped classroom to facilitate student contact with the teacher, and to drain the roof into two 5000 litres water tanks. The two main contributions that this project makes are social and typological. The classroom and library built by SCS are a significant contribution to free education in a country in which even state education costs cannot be afforded by a significant portion of the population. The costs of the building materials were funded through donations from architectural firms in Oslo. Tutor: Christian Hermansen - christian.Hermansen@aho.no
Section
Plan
Section
URBAN INTEGR ATION Diploma project - Spring 2018 - 4 months
The origin of this diploma project’s problematic is the current migratory crisis in Europe. In this context, the welcome of the refugees is a political and urban challenge for Europe. In France, there is an insufficiency in term of refugee policies, which leads to the proliferation of a precarious urban planning. There is an interference from the government regarding the importance of the migratory flow. Today it is the rejection, the negation and not the hospitality that prevails in the urban space. The few efforts injected in hosting refugees are concentrated in the phase of emergency. But nothing is really thought for the long-term integration of the refugees. Most of the time, they are left to their own ressources, to find accommodation, to work. However it is during this post-emegency period that takes place the real stake for integration, to not reproduce processes of segregation, and manage to get positive effects from this migration. This project is the scenario of a social and urban experiment, in the context of the Paris region. It is not a model, but an example of a possible sustainable solution, to show the migration as an asset. The site is located close to an emergency center, in a city politically favourable to the project, seeking for new housing solutions and economic re-energization. The project is a mixed program of housing, urban farming, economic activities, services and community spaces. It is intended for a population of refugees, mixed to the local population, to encourage integration. The program, evolutionary, host with dignity the refugees, brings a new economic dynamism and encourages the personal and professional initiatives. It is an asset for all his inhabitants, as well as for the city. The program of the interethnical housing is made of coliving, private appartment, private houses, common spaces ‌ The aim of the project is to bring back its hospitable potential to the city and to include and use the migration in the process of urban re-energization. Tutor: Bendicht Weber - bendicht.weber@orange.fr
INSTALLATION
EMERGENCY HOUSING
PROJECT
EMERGENCY
INDEPENDENCE
ARRIVAL MIGRANT
INTEGRATION
CULTURAL CONTRIBUTION
SOCIAL AND URBAN EXPERIMENT
NEW HOUSING
REFUGEES INTEGRATION
BAGNEUX PREFECTURE ET OFPRA CADA
INITIATIVES AND PRODUCTION
SOCIAL AND SOLIDARITY ECONOMY
CENTRE DE PREMIER ACCUEIL
DENSIFICATION
URBAN STRATEGY DIAGNOSTIC DU BATI EXISTANT DIAGNOSTIC
DEUXSTRATEGIES STRATEGIES DE DEVELOPPEMENT URBAIN TWO
REPARTITION EN QUATRE POLES D’ACTIVITES FOUR CLUSTERS
TABLE RASE ET DENSIFICATION
ENTREE DE VILLE A REQUALIFIER
CONTINUITE COULEE VERTE
LIEN CENTRE COMMERCIAL
DENSIFICATION PAVILLONAIRE ET OUVERTURE DE L’ILOT
EXISTANT
A DETRUIRE
A REHABILITER
A REHABILITER
NOUVELLE CONSTRUCTION
PRODUCTION
COMMERCIAL
ASSOCIATIF
AGRICOLE
SOCIAL MIX ADAPTABILITY COMMON SPACE
+ 300 INHABITANTS - 120 REFUGEES - 180 LOCALS AND STUDENT
+ 2000 m²
+ 7700 m²
RETAIL
+ 900 m²
- EMERGENCY HOUSING - COMMUNITY CENTRES
ASSOCIATION
+ 750 m²
+ 2200 m²
- WORKSHOP - FABLAB
PRODUCTION
+ 700 m²
- HALLE - RETAIL SPACES
- 150 ACCOMODATION
HOUSING
= SEGREGATION = CULTURAL DIVIDE = LACK OF INTERRACTIONS
- GREENHOUSE - STORAGE HOUSE
- URBAN FARMING
STORAGE
FARMING
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COLIVING
GREENHOUSE
ROOFTOP
COMMON PASSAGEWAY
LOGGIA
REMOVABLE SHUTTERS
ACTIVITES
PRIVATE HOUSING
SKYLIGHT GREENHOUSE INTERMEDIATE FLOOR
FARMING HOUSE PARK
MISE EN ABYME GEOMETRIE 1st year of Masters - Architectural studio -STRUCTURE Group of three students, with Pauline Gueydon and Louise De Beauvais - Autumn 2016 - 3 months The theme of this studio was “the pattern”. The site of the project is located on the crossroads Pleyel in Saint-Denis. Its irregularity questions the geometry of the shape. The trapeze contains five identical triangles, the duplication of those allowed us to work on the assets and constraints of triangular architecture. The structure is hybrid and made of five structural cores and of “hat rack” poles in the continuity of the drawing. A structural grid of fifteen meters reveals a “mise en abyme” of the plot of land. An inhabited, continuous staircase, winds the building, creating open spaces with different points of view. We chose to design offices and coworking spaces, as well as a parking lot on the ground floor and in the basement. This mixed program is connected by the concept of the continuous inhabited stair,
STRUCTURE
GEOMETRIE
Tutor: Edouard Ropars - edouard.r.ropars@gmail.com
PRO- PROGRAMME GRAMME
CONCEPT CONCEPT
escaliers central continu
Geometry and structure escaliers central continu programme mixte
programme mixte co-working
co-working
pépinière d’entreprises
pépinière d’entreprises
formation café
formation café
mise en abyme parking
parking
Program and continuity
R+3
R+1
Ground floor
Exploded axonometric
Perspective section
INHABITED BRIDGE 1st year of Masters - Architectural studio - Group of two students, with Pauline Gueydon - Spring 2017 - 3 months Located on the Parisian ring road, Porte de Vincennes. The position of the site, the lacks of an airport and the crossing between Paris and its suburb, all the symbols of global nature, diversity and speed we questionned us on the current societal transfers. Our society becomes more individual, uberized. The borders between professional and personal life is abolished, the workers take their independence. The work is not sedentary anymore and the hotel is not anymore a place to sleep but it is a place that we use culturally and professionally. The building is an inhabited bridge mixing coworking, hotel and cultural events. Two “blade� of building are linked by multiple bridges, opened on a central patio, All the technical areas are located in the structure, and a double skin facade allows intermediate outdoor spaces, The structure is designed with 4 wooden gantry combined with steel cables. The ground floor, semi public, is designed as a landscape, extension of the street, Tutor: Thibaud Babled - thibaud.babled@babled.fr
Aerial view
R+3
R+1
Ground floor
Transversal section
Longitudinal section
VAL-DE-REUIL 3rd year of Bachelor - Urban studio - Group of two students, with Agathe PÊrès - Spring 2014 - 3 months Analysis and implementation of an urban renewal program in the city of Val de Reuil. Val de Reuil is a new city built on a principle of pedestrian slab, with parking on the lower level. But this slab does not work in an urban perspective and divides the city into two parts. The project proposal is to extend this principle of slab and try to solve this problematic. The solutions are in the redevelopment of this slab, strengthening its visibility and its reconnection with the rest of the lower town. A reflection is made on the way to inhabit this slab, thanks to a principle of social diversity, evidenced by an assembly of collective and intermediate housing.
Intermediate
Collective
Impassable green
Private green spaces
Public green spaces
Services and retail
Intermediate housing
Collective housing
Extension of the slab
Tutor: Antoine Viger Kohler - antoine.vigerkohler@rouen.archi.fr
Master plan
Section
Dalle Level
L ANDSCAPE 3rd year of Bachelor - Architectural studio - Group of two students, with Valentin François - Autumn 2013 - 3 months Project to establish an exhibition pavillon, in a natural site along the river and between two norman villages influenced by vernacular architecture. The spirit of the project is based on the use and the misuse of thatch, the local material, as well as its lightweight and reversible structure. It is a work focused on the thickness of material, light, visual escapement and internal-external relations, all of this thanks to the assembly of a steel structure with thatched panels, taking the shape of the roof of the traditional tchatched houses. Tutor: HervÊ Rattez - herve.rattez@rouen.archi.fr
selected office
WORK
PARIS SACL AY (FUJIMOTO) Competition First Prize - Paris - Winter 2015 The future shared teaching building is, by essence, a place of gathering and sharing. Our reflection is expressed through two major ideas: Build on the strategic position of BEM on the Saclay campus, and propose a building with generous ambitions, a strong carrier symbol values. The dynamics of the BEM is around these intermingling: the sharing and meeting. We want to install this place for sharing, this mixed use project in the heart of the service of teaching, research and student life. In coherence with the natural and urban landscape in which it is integrated, TRANSITION DU BEM AU GREEN it is a frank and assumed entity that articulates urbanism and porosity: an AFFRANCHISSEMENT DES LIMITES DEDANS DEHORS open building in its context, that brings the landscape within it. The BEM is also the place of rapprochement for several schools in a spirit of sharing: the Ecole Polytechnique, the Mines-Telecom Institute AgroParisTech, ENSTA ParisTech, ParisTech and ENAE IOGS LOGO here are united under one roof in a building with a strong identity.the Ecole Polytechnique, the Mines-Telecom Institute AgroParisTech, ENSTA ParisTech, ParisTech and ENAE IOGS here are united under one roof in a building with a strong identity. five schools on a tree - five schools under the same roof
RENCONTRER, PARTAGER - DANS LES ARBRES
TRANSITION DU BEM AU GREEN AFFRANCHISSEMENT DES LIMITES DEDANS DEHORS
five schools on a tree - five schools under the same roof
LOGO
RENCONTRER, PARTAGER - DANS LES ARBRES
UN NOUVEAU LIEU DE RASSEMBLEMENTS : LES CINQ ECOLES SOUS UN MEME TOIT
HANGAR 0 (ARCHIPEL) Competition First Prize - Le Havre - Spring 2017 The association LH-Ø wishes to invest the Hangar 0, to make a laboratory of the transition, a place of experiment, production, exchange and training. The project of LH-Ø is to gather in this symbolic place, the local actors of the ecological transition within a Co-operative of Collective Interest ( SCIC). Several initiatives were identified by the association: PERMAC, platform of reuse of building materials is one of the most symbolic. This platform arouses the interest of numerous local partners. The site will also welcome a restaurant associative, spaces of kitchen gardens, workshops and participative construction sites. This project is designed on the concept of the permaculture, which is based on the sobriety of the ways and the resources as well as the circularity of flows and the exchanges. LH-Ø base its conviction on the idea which these solutions are to be found among those carried by the local inhabitants, by giving them back the power to improve their living conditions.
Pépinière de l’économie circulaire
Plateforme de réemploi Ateliers partagés
Energie renouvelable
Agriculture urbaine
Boutique
HANGAR Ø
Aquaponie Transport fluvial
Apiculture
Espace de formation Restauration bio et locale
panneaux photovoltaiques capteur de la PAC
apports solaires serre nappe d’eau
échanges thermiques
PAC
géothermie naturelle bassin
ART MILL (SO-IL)
Sea access
View to Port
Art storage Permanent collection Gallery
Temporary collection Gallery
View to West bay
Secured Museum zone Learning Centre Permanent collection Gallery
Competition - Doha - Qatar - Autumn 2015
Mosque
Permanent collection Gallery
Commercial Tenants
Permanent collection Gallery
Sea access
Sea access
Per A
Commercial Tenants
View to Port
View to Port
Pedestrian Access to the Museum
Art Loading
INSIDE-OUT//07 VIP Can a museum be more than a repository of objects? Can the Art Mill be a platform where the accumulation of historiesPortfolio and cultures becomes a cataof Spaces Gallery Experience lyst for the emergence of new narratives about art, culture, and society? The building is a portfolio of interconnected The galleries are placed into five flex View to Corniche
Art storage
View to MIA
View to MIA
Art storage
Access to underground parking
Permanent collection Gallery
Temporary collection Gallery
Permanent collection Gallery
Temporary collection Gallery
Sea access
View to MIA Park
View to West bay
View to West bay
Secured Museum zone
Secured Museum zone
Learning Centre
Perm colle Ga
Permanent collection Gallery
Commercial Tenants
Permanent collection Gallery
Commercial Tenants
Performing Arts Auditorium
Permanent collection Gallery
Commercial Tenants
Commercial Tenants
3112 m2
3330 m2
Pedestrian Access to the Museum
View to Corniche
Mosque
Permanent collection Gallery
Mosque
Permanent collection Gallery
View to MIA
Pedestrian Access to the Museum
View to Corniche
View to MIA
interior and exterior spaces, all with distinct spatial qualities and character that trigger diverse activities and create informal opportunities for interaction. 3900 m2
Sea access
View to MIA
Sea access
View to West bay
Rather than a singular, representational icon, we see the future Art Mill as an urban ensemble to accommodate a multiplicity of conditions, a clear framework that offers cohesion and order. Its spatial organization allows independence of its evolving parts while fostering a close interrelationship among them. As an overarching move,a series of pliable canopies spans over a tapestry of interior and exterior spaces. 2300 m2
3330 m2
Art Loading
V
volumes that can be further subdivide The temporary exhibitions volume is pla adjacent to the art loading for efficie The gallery circulation can both conn the galleries into a single story and al for them to be visited independently.
3620 m2
Access to underground parking
Commercial Tenants
Sea access
View
View to Corniche Art storage
Temporary collection Gallery
Sea access
View to West bay
View to Port
Secured Museum zo
Art Loading
Art storage
Access to underground parking
Permanent collection Gallery
Temporary collection Gallery
VIP
View to MIA Park
View to West bay
Permanent collection Gallery
Commercial Tenants
Mosque
Commercial Tenants
Secured Museum zone
Pedestrian Access to the
Learning Centre
View to Corniche
Permanent collection Gallery Commercial Tenants
View to MIA
Mosque
Permanent collection Gallery
Permanent collection Gallery
Performing Arts Auditorium
As an urban node, the building is welcoming, open, and fundamentally tied into the fabric of the city and the daily life of its citizens. Its openness reducINSIDE-OUT//07 VIP es the threshold between inside and outside making art the first thing one encounters. VIP Portfolio of Spaces Gallery Experience Accessibility Openness Art Loading Sea access
Commercial Tenants
View to Port
Pedestrian Access to the Museum
Art Loading
Loading
View to Corniche
View to MIA
View to MIA
Art storage
cess to underground parking
Access to underground parking
Sea access
Permanent collection Gallery
Temporary collection Gallery
Sea access
View to Port
View to MIA Park
A Park
Art Loading
Art storage
View to West bay
Learning Centre
Permanent collection Gallery
Commercial Tenants
Sea access
Art Loading
Permanent collection Gallery
Performing Arts Auditorium
Learning Centre
Commercial Tenants
Sea access
3112 m2
3330 m2
The building is a portfolio of interconnected interior and exterior spaces, all with distinct spatial qualities and character that trigger diverse activities and create informal opportunities for interaction.
Permanent collection Gallery
Commercial Tenants
Mosque
Permanent collection Gallery
View to MIA
2300 m2
View to MIA Park
Access underground parking View toto West bay
Sea access
Secured Museum zone
Learning Centre
Permanent collection Gallery
Sea access
Secured Museum zone
Permanent collection Gallery
Commercial Tenants
Permanent collection Gallery
Art Loading
Commercial Tenants
Art Loading
Access to underground parking View to MIA
View to Corniche
View to Corniche Art storage
View to West bay
Openness
Learning Centre Learning Centre
Commercial Tenants
Mosque
Permanent collection
Permanent collection Gallery
Gallery View to MIA Park
Gallery Experience Commercial Tenants
Art Loading
View to MIA
Art Loading
View to MIA
Upper Floors
View to MIA
View to MIA
Access to underground parking
View to Port
Art Loading
Sea access Art storage
View to MIA
View to MIA
Sea access
Access to underground parking
The procession through th at the top floor ofVIPthe silo terrace and the members visitors can look back in building and across the sit
Permanent collection Gallery
Temporary collection Gallery
View to MIA Park
Sea access
View to West bay
Art Loading
Secured Museum zone
Learning Centre
Art Loading
Access to underground parking
Permanent collection Gallery
Permanent collection Gallery
Commercial Tenants
Sea access
Access to underground parking
Mosque
Permanent collection Gallery
Performing Arts Auditorium
Art Loading
Commercial Tenants
View to Port
Access to underground parking
Openness
Art Loading Gallery Experience The building volumes are broken down Trucks can access the VIP
Art Loading
View to MIA
Art storage
Temporary collection Gallery
View to West bay
Access to underground parking
Pedestrian Access to the Museum
View to Corniche
and aligned, creating maximum porosity and highlighting views across the site.
View to MIA
Access to underground parking
Permanent collection Gallery
View to MIA Park
Learning Centre
Permanent collection Gallery
Mosque
Permanent collection Gallery
3900 m2
Performing Arts Auditorium
View to MIA
View to MIA
Access to underground parking Sea access
Permanent collection Gallery
Temporary collection Gallery
Art Loading
View to MIA Park View to West bay
3620 m2
3330 m2
Art Loading Art storage
Art Loading
2300 m2
Pedestrian Access to the Museum
View to Corniche
3112 m2
Access to underground parking
Commercial Tenants
View to Port
Base VIP
The building is accessible 24 hours a day. The tenant spaces as well as the theater and educational programs can be accessible independently from the galleries and beyond the typical museum hours. The theater is placed close to the drop off, has a dedicated access from the underground garage. VIP 3330 m2
Secured Museum zone
Permanent collection Gallery
24 Hour Cycle
Sea access
museum storage and loading bay on the back of the site at the ground floor level, from a designated route. Commercial Tenants
Sea access
Access to underground parking
VIP
The galleries are placed into five flexible The building can be accessed on two volumes that can be further subdivided. levels. Visitor parking and services are The temporary exhibitions volume is placed located underground, while art loading, adjacent to the art loading for efficiency. sea access and drop off are strategically The gallery circulation can both connect placed across the ground level. The park the galleries into a single story and allow continues into the site and reinforces ART MILL for them to be visited independently. pedestrian access. stage two international design competition
3620 m2
2300 m2
Art Loading Access to underground parking
Performing Arts Auditorium
Access to underground parking
Accessibility View to Corniche
Performing Arts Auditorium
Pedestrian Access to the Museum
View to Corniche
3330 m2
View to MIA Park
Permanent collection Gallery Performing Arts Auditorium
Pedestrian Access to the Museum Pedestrian Access to the Museum
Commercial Tenants
3112 m2
3900 m2
Art Loading
Sea access
View to Corniche
Permanent collection Gallery
Mosque
Commercial Tenants Commercial Tenants
Mosque
Permanent collection Gallery
Permanent collection Gallery
Permanent collection Gallery
Learning Centre Permanent collection Gallery
VIP
View to MIA Park
View to MIA Park
Secured Museum zone Secured Museum zone
Secured Museum zone
Permanent collection Gallery
Access to underground parking
Access to underground parking
Sea access Commercial Tenants
View to West bay
Permanent collection Gallery
Sea access
Permanent collection Gallery
Temporary collection Gallery
Access to underground parking
View to MIA
Temporary collection Gallery
Permanent collection Gallery
Art Loading View to West bay
View to MIA
Art storage
Art Loading
View to MIA
Temporary collection Gallery
View to Port
Pedestrian Access to the Museum
Access to underground parking Art Loading
Pedestrian Access to the Museum
Art storage
Performing Arts Auditorium
VIP
The building is a portfolio of interconnected interior and exterior spaces, all with distinct spatial qualities and character that trigger diverse activities and create informal opportunities for interaction.
Performing Arts Auditorium
View to Port
Commercial Tenants
View to Port
Mosque
Sea access
3330 m2
Permanent collection Gallery
Learning Centre
Permanent collection Gallery
Access to underground parking
Portfolio of Spaces
Mosque
Permanent collection Sea access Gallery
Commercial Tenants
View to MIA Park
View to West bay
Sea access
Portfolio of Spaces INSIDE-OUT//07
Access to underground parking Permanent collection Gallery
Temporary collection Gallery
Permanent collection Gallery
Temporary collection Gallery
3330 m2
Art Loading
View to MIA
Art Loading
Art storage
3620 m2
View to MIA
View to MIA
View to Port
Performing Arts Auditorium
3900 m2
Art storage
The galleries are placed into five flexible are broken The building be accessed on two The proc The building volumes down canTrucks can access the museum stor volumes that can be further subdivided. levels. Visitor parking and services are back of at the thesit to and aligned, creating maximum porosity and loading bay on the The temporary exhibitions volume is placed located underground, while art loading, terrace and highlighting views across the site. the ground floor level, from a designa VIPoff are strategically adjacent to the art loading for efficiency. sea access and drop visitors route. The gallery circulation can both connect placed across the ground level. The park building the galleries into a single story and allow continues into the site and reinforces for them to be visited independently. pedestrian access. View to Corniche
Pedestrian Access to the Museum
View to Corniche
Art Loading
Pedestrian Access to the Museum
Permanent collection Gallery
Commercial Tenants
Access to underground parking
View to Port
Secured Museum zone
Uppe
Mosque
Permanent collection Gallery
View to MIA Park
View to West bay
VIP
Secured Museum zone
Access to underground parking
Permanent collection Gallery
Temporary collection Gallery
The und off zone behind access t above.
Secured Museum zone Learning Centre Permanent collection Gallery Commercial Tenants
Permanent collection Gallery
Art Loading
Mosque
Access to underground parking
Permanent collection Gallery
Performing Arts Auditorium
Commercial Tenants Pedestrian Access to the Museum
VIP Openness
Art Loading
View to Corniche
View to MIA
View to MIA
24 Hour Cycle
Basement
The building is accessible 24 hours a day. The tenant spaces as well as the theater and educational programs can be accessible independently from the galleries and beyond the typical museum hours. The theater is placed close to the drop off, has a dedicated access from the underground garage. VIP
The underground parking off zones can be reached behind the site and allow access to the programs above.
Sea access
The building volumes are broken down and aligned, creating maximum porosity and highlighting views across the site. Sea access
Trucks can access the museum storage and loading bay on the back of the site at the ground floor level, from a designated route.
3330 m2
3112 m2
Art Loading 3900 m2
Access to underground parking
3620 m2
2300 m2
3330 m2
View to Port
ART MILL
Art Loading Art storage
Access to underground parking
stage two international design competition Temporary collection Gallery
Permanent collection Gallery
Art Loading Access to underground parking
View to MIA Park
INSIDE-OUT//06
TEAM X
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OUTSIDE-IN//05
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1. Entrance building 2. Permanent galleries 3. Temporary galleries 4. Special exhibition space 5. Access to underground parking 6. Art loading 7. Back of house
8. Conservation lab 9. Drop off zone 10. Learning zone 11. Performing Arts 12. Restaurant 13. Retail 14. Commercial tenants
15. Mosque 16. Staff workspace 17. View towards the West Bay 18. Courtyards 19. VIP access to members lounge 20. Outdoor performance
ART MILL
stage two international design competition
20
TEAM X 5
We chose to not use collage or rendering to represent the project. The images are made from photography of models. Art, people, vegetation, canopy and background are physical models and objects, Photoshop was only use to adapt the temperature of the pictures, an to clean a little bit the model.
MODELS Models made during my masters and my internships. 1, Model of “la Halle”, a frame canvas with poles and steel cables. I used an elastane fabrics, sewing threads and wood for the pools. 2. With SO-IL. Fabrication of a presentation model of “Amant”,a private arts complex in Brooklyn, New York–for display in the “Cooper Hewitt Triennial: Beauty.” For the exhibition, we wanted to show a concept model consisting of a wood frame and casted plaster shells. Finding these materials too fragile for display in a busy public museum and international freight, I worked closely with a project manager to explore design options that were less precarious while still conveying the ideas of ambiguity and fragility. Intense design research including a visit to television production studios at CBS and many design studies led to a brushed bronze frame and a matte white Polyethylene terephthalate shells. 3, With SO-IL, Model of the Chaoyang project, a 5 floor gallery including a library and a VIP room. 4. Masters project, mise en abyme.
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