Paper Art II 纸艺术II

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纸艺术 II

Paper Art II

ISBN: 978-7-5362-5423-7 Size: 215﹡285mm Pages: 320 Price: 360RMB

What is paper art? The crease and fold paper creates incredible paper installation art etc. This book offers readers a comprehensive introduction of the current paper art design, especially in recent two years. As a book specializing in present paper art design, it collects plenty of works from excellent design teams. This book is divided into three parts: graphic paper art, 3D paper art, and interior paper art. In a word, this book will leave you a deep impression at first sight. It is a path that leads to greatness and success.

纸艺术,像装置、墙壁挂饰、室内装饰、图案等,已经成为我们生活中常 见的艺术形式之一。纸张艺术并不是单纯的一张白纸的艺术,它是一种世界性 的艺术,是多元化的、具有不同色彩的艺术,其中还包括一些场景式的纸张艺 术。好的艺术总能给人展示不一样的情感。这本书中,每一个作品都融合了设 计者的情感观念,甚至是一个故事。而所有的这些只为带给人们对纸张艺术的 思考和创新。

Copyright © Artpower International Publishing Co., Ltd.


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“这件作品是对希腊时期的马赛克艺术的致敬。我们通过将细小的纸张折 叠起来,再现了这种银灰色瓷砖。我们使用了一百个多面体、一个三维的几何 形状巧妙地制作了这件装置。橱窗内部,仿佛是无数细小的纸片如同爆炸一般 分散开来。”

Hermes: Carte Blanche 爱马仕项目 Design Agency: Wanda Barcelona Drawing Artist: Benoît- Pierre Emery

“Our creation is a tribute to mosaic art dating back to Greek antiquity and characteristic of this porcelain dinner service. We have reproduced the platinum tiles of the Mosaïque au 24 service by folding up tiny pieces of paper. The Hermès ex-libris which can be seen at the centre was meticulous work as we made it from a hundred polyhedrons, a three-dimensional geometric shape. On the inside of the window, it is as if a myriad of small pieces of paper have just split into pieces… Explosive!”


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Carte Blanche 全权委托

My paper works are inspired by the tableware Blue d’Ailleurs. Artist: Ferry Staverman Client: Hermès Paris

In 2013 Hermès asked me to make artworks which can be used as stands, using the forms which are present in this tableware. The paper objects are laser cut in white museum cardboard. The 4 objects make a forest of forms. The highest is 1m55. Totally there will be 8 sets of 4 objects which will be showed in different countries.

Materials: white museum cardboard Photography: Photograph by Hermés

这件纸艺作品的灵感来自于 Blue d’Ailleurs 餐具。 2013 年,设计师受 Hermès 委托为其创造一件可以用作展台的艺术作品,

利用这套餐具中所展示的形状。这件纸艺作品是用白色硬纸板进行激光切割而 成。由 4 个物体组合成森林的形状,最高的一个为 1.55 米。整个装置是由 8 组这样的 4 个一组的结构组成,将在不同国家和地区进行展示。


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For The Maison et Objet fair on summer 2013 held in Paris, the traditional Parissian cristal brand Lalique decided to launch their latest luxury Vase inspired by the leaf of the Platan. Fot this they invited us to fill the showroom with a gigantic chandelier-like twister of leaves that was born inside the vase and flew all around the room filling the space with a magical fairy-tale-like ambience.

Lalique 莱丽卡 Design Agency: Wanda Barcelona


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2013 年的夏天,在巴黎召开的展会上,传统巴黎品牌莱丽卡决定推出其最新 的奢华花瓶,其设计灵感来自于法国梧桐叶。因此,他们邀请我们用巨大的吊灯状 的盘旋的树叶填满展厅,这些树叶从花瓶中伸出,延伸到整个空间中,使之充满了 童话般的魔幻氛围。

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Dior Vendome 迪奥凡登

Dior’s exclusive jewelry boutique on Place Vendôme was in its best regalia last Christmas 2013. A spectacularly lush winter garden exquisitely crafted out of the finest paper. There you will find rich rosebushes, bright daisies, bushy hydrangeas and luxuriant ivy, all inspired by Christian Dior’s

Design Agency:

mesmerizing gardens. This floral installation travelled afterwards to Tokyo to dress the following

Wanda Barcelona

expositions of the gardens of Christian Dior.


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迪奥在凡登广场上的奢华珠宝专卖店 2013 年圣诞装置堪称经典。壮观的奢华冬日花园是 由优良的纸张巧妙制作而成。你可以看到富贵的玫瑰丛、鲜艳的雏菊、浓密的绣球花和繁茂的 常青藤,设计灵感全部来自于克里斯汀迪奥的魅力花园。这个花园装置随后被运往东京,点缀 了克里斯汀迪奥之后的展览。


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Peugeot 法国标致

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品牌在标致大街展示了其自成立以来最珍贵的创新。在 2012 年秋季,他们邀请我们 为其在空间中设计了一个名为“运动的情绪”的巨大装置。我们耗时 560 个小时,制作出 2800 只鸟,周围环绕着优雅的标致汽车和 2400 件折纸,组合成了代表品牌的狮子形象, 屹立在巴黎标志性的香榭丽舍大街上。

Design Agency: Wanda Barcelona

In Peugeot Avenue, the brand exhibits their most precious creations since their beginnings. In the autumn of 2012 they invited us to fill their wonderful space with a gigantic Wanda installation named Emotion in motion. We spent 560 hours creating the 2800 birds that surrounded gracefully peugeot’s cars and the 2400 origami that built the proud lion that stood in Paris’ emblematic street Champs Elysee.


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Vetrine
di
Natale – Christmas
Windows

Chris Bosse, director of multinational LAVA, was one of seven

文艺复兴百货公司 —— 圣诞橱窗装置

Laky, Andrea Mastrovito, Satsuki Oishi, Richard Sweeney,

designers from around the world to be commissioned to create a window — others were Kirsten Hassenfeld, Gyngy Margherita Marchioni and Tjep.

Architects:

Client:

Location:

Photography:

LAVA (Chris
Bosse, Tobias
Wallisser, Alexander
Rieck)

la
Rinascente

Milan,
Italy

Filippo
Patrese

The store windows were at la Rinascente at Piazza Duomo, in the centre of Milan, design capital of the world. This was the first time la Rinascente commissioned artists to do Christmas windows. The installation showed how a particular module, copied from nature, can gener at earchitectural space, and how the intelligence of the small estunitdictates the intelligence of the overall system.

Laboratory for Visionary Architecture

Eco systems such as coral reefs 
act a same taphor for

[LAVA] created a window installation

an architecture where the individual components interact

for the famous Italian department store

in
symbiosis to create an environment.

la
Rinascente for its Vetrine
di Natale
 [Christmas
Windows].

Bosse
says: “In urban terms, the smallest homes, the spaces they create, the energy they use, the heat and moisture they

LAVA’s
origami coral refused 1500 recycled and recyclable card board molecules 
and explored the 
intelligence of natural and architectur alsystems. The sculpture played with space by climbing up walls and arching over to create coral caves. Based on the geometrical structures of sea foam
and corals, the colourful reef came to life through dynamic lighting and
 sound.

absorb, multiply into a bigger organi sational system, whose LAVA 为意大利著名的文艺复兴百货公司设计了圣诞橱窗装置。

sustainabilty
depends on their intelligence”.

LAVA 的折纸珊瑚礁使用了 1500 个可回收利用的硬纸板,探索了自然与建筑体系

Current trends in parametric modeling, digital fabrication and

的交互。

material science were applied to the space-filling installation.

装置沿着墙面爬升成弓状结构,如同珊瑚洞穴。以海泡石和珊瑚的几何结构为基础 进行设计,在动态的灯光和音效的衬托下,色彩斑斓的礁石如同有了生命。 克里斯·博斯,LAVA 的总监,是接受委托设计橱窗的七个来自世界各地的设计 师之一,另外几位分别是 Kirsten
Hassenfeld、Gyngy
Laky、Andrea
Mastrovito、

生态系统例如珊瑚礁隐喻了建筑物,单个个体之间的互动 创造出整体环境。

Satsuki
Oishi、Richard Sweeney、Margherita
Marchioni 和 Tjep 设计公司。 克里斯·博斯说:“在城市中,最小的房子,这些空间, 橱窗是为位于米兰大教堂广场的文艺复兴百货公司设计的,在米兰的市中心,是世 界设计之都。此次是文艺复兴百货公司首次委托艺术家为其设计圣诞橱窗。

其使用的能量,其吸收的热量和水分,都将汇入更大的组织系统, 其可持续性决定于每个个体的智能性。”

装置展示了一种模拟自然的独特模块如何形成建筑空间,以及微小的部件如何影响 整体的结构。

装置的设计建造过程采用了参数建模、数字构造和材料科 学。


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