Analog Studies: the graphic transcript
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Left: Harry GarcĂa, c.2010
(photographer, Aura Sosa)
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21: connectivity project pasteboard, c.2006 (photographer unknown) 22: Harry crafting analog models for his first series of connective diagrams. c. 2006. Photo, Daniel Arenas.
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23: analog model with 11 pins, c.2009 (photographer unknown) 24: Harry GarcĂa and venezuelan designer Cristina Lagorio working on the ZigZag 5 pins model. 2006. Photo Daniel Arenas. 25: construction view from the vox studio in New York, c.2007 (photographer unknown) 26: opposite page: The 5 pins ZigZag analog model. 2006. Photo Harry GarcĂa.
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27: Study for “the analog model with 11 pins�. Vectorized image. C. 2007.
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28: 7 vector-hubs and a dark one, c.2006. 29: medium, small and large circumferences. vectorized image from analog model. 2007.
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30 30: angles and circumferences, vectorized render. 2007
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31: big white dots arragement, c.2006 32: Decending path vectorized render from analog exercise / angle view. (date unkouwn) 33: Abstraction from circular pins. c.2007
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34: colour counter effects in orange, 2007 35: colour counter effects in blue, 2007 “The orbit of human vision has widened and design has annexed fresh territories that were formerly denied to it.” H. García. c.2006
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36: Designer Claudia Chwe & Harry revising design pieces. New York City, 2010. 37: Harry GarcĂa, New York City, April 2010. (photo Aura Sosa.) 38: Korean-Argentinian designer Claudia Chwe showing proposed logos for PADF. (photographer unknown) C.2009
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39: Harry worked in a small desk at his office in New York surrounded by markers, sketck boards and an eclectic array of visual influences. 40: Designer Cristina Lagorio in one of the “analog studies” session. New York, 2006. 41: Harry’s curiosing with a camera, c.2008 (photographer unknown) 42: James García, the oldest of two sons with his wife Keri Lynn. c. late 2010, Old Bridge New Jersey.