P O R T F O L I O S T A C E Y ’ s
S O L O
P R O J E C T
P O R T F O L I O S T A C E Y ’ s
S O L O
P R O J E C T
‘ T HE CO ALE S CE ’
HONG (S TA CE Y ) HE NG | 500 330201 T U TOR T HOM A S S T R OMB ER G
B DE S 2026 A r c hitec t ur e S t udio 2A
“E sc ape T he Or dinar y ” T his por tfolio showc a se t he weekly pr oce s s of t he de sign t hr ough t he f ir s t seme s ter of S tudio 2A , t he modif ied wor k , r ef ined de sign, and mor e tow ar ds t he t r ans for mat ion of c oncept into f inal de velopment of t he de sign.
TA BLE OF C ON T EN T S
P H A SE 0 1 C o nc e pt Develo pme nt “ Hi s to r y o f ma nk i nd d welv ing in to t h e w il d n e s s ”
P7-P32
P H A SE 0 2 Ref i ne d De i s gn N a r r at i ve “ W he n t he t wo me e t s ”
P33-P56
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P H A SE /
C o nc e pt Develo p m e n t
His tor y of ma n k in d d welv ing into t he w il d n e s s
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I N T R O DUC T I O N & C O NC E P T U A L F R A ME W O R K
T he s pace is loc ated at 142 Clar ence S t r eet , whic h is ident if y in a dense ur ban c onte xt in Sydne y CBD, t he Met r opolit an Ar e a. Due to it s loc at ion natur e, t he s pace pr ov ide s a c le an br ief of oppor tunit ie s and we ak ne s s whic h ac t a s a for m to t ar get t he de sign appr aoc h for de veloping t he t wo por gr ams : Museum of Anthropolog y and Animal Shelter
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(C anine).
M y f ir s t impr e s sion of t he site allow s me to quic k ly nav ig ate and di ve into t he s tor ie s of t he site and c oncept . F ollow ing up w it h t he ac t i v ite s ar ound t he ar e a, my init ial ide a w a s to pic k t he playf ulne s s and f un ac t of t r ans for ming soap bubble s into t he fr ame wor k of my ent ir e pr oce s s . T he soap bubble s cr e ate v ar iet ie s of for m whic h e xpr e s sed t he s tor y bet ween humank ind and animal in ter ms of how t he t wo shar ed similar for m of c onnec t ion since t he be ginning of bir t h of t he E ar t h.
To c onc lude, t he sc heme s is to cr e ate a s pace of for m whic h s pe ak s up t he s tor y for it self : how mank ind have been inter ac t ing and t r ans for ming w it h animal , t he ide a of dome s t ic at ing dog s for s pecif ic pur pose s , whic h later on r e ac h to t he c oncept of cr e ating a f un and playf ul s pace whic h enc our age people to adopt mor e puppie s .
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C O NC E P T U A L MO DE L
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C O NC E P T U A L MO DE L
T hr ougout t he pr oce s s , t he t wo pr ogr ams of Museum of Ant hr opol g y and Animal S helter s t ands alone a s e ac h r e s pr e sent ing a s one bubble s . W hile e x aming and ob ser v ing how t he t wo or mor e bubbble s inter ac t , t he be -
A s we k now, bubble s only la s t a s long a s we c an imagine, t her efor e for some we c an see some bubble s e xplode s and some c ompr omise. F or s pecial c a se, some
cr e ate
e xt r aor dinar y for m whic h t hen r e s ponse to t he sc heme in whic h t he s pace e xpr e s s t he nar r at i ve it self. Mor e and mor e iter at ions have been e xplor ed to ident if y c le ar ly t he ab s t r ac t of t he me aning s of t he s pace, h ence cr e ating a mot if and c ar r y t hr ough an ar c hitec tur al nar r at i ve.
W hen t he t wo pr ogr ams meet , w ill t he s pace cr e at ing a me aning f ul bond?
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hav iour s of t he bubble s is f ight ing for e ac h own s pace.
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C O NC E P T U A L MO DE L ( A F T E R M AT H )
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C O NC E P T U A L MO DE L ( A F T E R M AT H )
Fr om t he pr oce s s , ink s/w ater c olour have been added into t he bubble s to delude it s natur e : t he t r ans par enc y. In t his sense, once all t he bubble s have been e xplod@STACEYPROJECTS
ed and befor e dis appe ar ing into t hin air, t he ink s lef t an impr e s sion of t he bubble s , t hen somehow for m t he im pr int s of t he for m. In c ompar ison to t he r e se ar c h and his tor y of human e volut ion (or t he ant hr opool g y of na tur e), human have slow ly r e volut ionali ze, r ec ons t r uc t , and r e -f or m t he s t r uc tur e of t he e ar t h: t he societ y, ec onomy, polit ic s , and many mor e. Conceptually t he histor y and t he pr oce s s over lap e ac h ot her, hence cr e at ing t he t heor y of it s for m.
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T HE C O ALE S CE M E T HO D
P er sonally, in t his pr oce s s I decided to wor k w it h my ins t inc t in whic h at f ir s t I r eponse to t he for mat ion of s pace in whic h t he t wos bubble s c ollided and shar ed e ac h ot her s pace. T he s pher e s when c ollided for med new geomet r y
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shape ( Vor onoi ), in ter m of t his , t he c oncept is ident if ied a s t he c ohor t of bubble s t r anslat ing it s me aning a s t he t wo pr ogr ams , Museum of Ant hr opolo g y and Animal S helter.
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T IM ELI N E T R A N S L AT E D A S F O R M
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Hi S TO RIC AL E V EN T S
T he for mat ion t r ans for med t hr ough t he met hod of t r anscending fr om small bloc k s to lar ge bloc k s or a mixtur e of bot h ( bubble s s pace) r e s ponse to t he his tor ic al per s pec t i ve in whic h t he his tor y por t r ay sit self a s a t imeline wher e some per iod ha s mor e his tor y or e vent s oc c ur ed dur ing t hat s pecif ic of t ime while ot her t ime s t her e wer e not or ar e not many e vent s oc c ur or not at all .
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C O NC E P T U A L C O L L A G E
T h e m e: T im e & O ve r l a p
In t his c onceptual c ollage, t he pr ojec t aims to e xplor e t he ide a of @STACEYPROJECTS
inter c onnec t ion bet ween human and animal in t he t heme of T ime & O ver lap. In c ompar ison w it h t he model , t he c ollage shar ed similar it ie s in whic h bot h se ar c h for t he ident it y of t his c onnec t ion. T he c ollage e xpr e s se s ab s t r ac t fe atur e s of t he pr ogr am suc h a s ancient objec t s , impr int s , human and animal ( puppie s) whic h t hen pos sibly c ate gor ise s f unc t ions of e ac h pr ogr am. Bot h v isual c ol lage and model aid a s tools to f ur t her inve s t ig ate or que s t ion for ar c hitec tur al solut ions , pr oposing a s pace a s t hemat ic pat ter ns fr om t his r ec ur r ing mot if into ar c hitec tur al nar r at i ve.
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C O NC E P T U A L C O L L A G E
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S I T E CO N T E X T 1 : 2 0 0 0 BI RDE Y E P E R S P EC T I V E
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SI T E AN ALY SIS 1:1000
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SUN SH ADI NG & SU N L IGH T O V ER ALL CO N T E X T R O AD T R AF FIC
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@STACEYPROJECTS P ar allel Exploded Axonometr ic Dr aw ing
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P H A SE 1 INI T I AL DE SIGN MUSEUM OF AN T HR OP OL OG Y & ANIM AL SHELT ER
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I T ER AT IO N S P R O C E S S & E VA L U AT I O N
Fr om Week 1- 4, t he e v a lu at ion of for m is ver y imp or t ant a s a pa r t of t he pr oce s s . F ir s tly, my int iia l w a s adjus t ing a nd wor k ing w it h 2 geom et r ie s for m , howe ver, c ar r ying on w it h one geom et r y ( Vor onoi F or m) ha s b een dec ided in r e s ponse to t he c oncept and a s well a s t he na r r at i ve.
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@STACEYPROJECTS M y init ial iter at ion is wor k ing w it h 2 geomet r ie s a s der i ved fr om c oncept ( bubble s). A c c or ding to feedbac k/ br ief, wor k ing w it h one geomet r y and maint ain t he for m ( Vor onoi ) t hr oughout t he de sign is ver y cr ucial in ter ms of r ef lec t ing to t he ide a a s a whole.
Re -c onsider t he for m to be mor e pr ac t ic al , a s how w ill t he s pace be used. S lanted f loor s is pos sible, but how about a mor e r ef ined slope.
M y init ial pr ogr amming of s pace w a s c onsdier ing t he s pace a s a for m of bonding bet ween t he t wo pr ogr ams inter ac t w it hin one s pot . L ater on, t he s pace w a s r e -c onsider and bonding c oncept w a s placed r andomly w it hin t he de sign.
Cont inue to wor k w it h Vor onoi a s c lus ter for m t hr oughout t he s pace, e a sier to ins t all t he s t air s , pr ogr amming, f ac ade, etc .
F ollow ing fr om t he c oncept , c ont r aa s t ing t he for m a s a mixtur e of dif fer ent si ze s or r andom vor onoi needed to be adjus t .
Re -c onsider ing t he bonding for m a s sc atter ed and c lus ter c oncept .
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I T ER AT IO N S P R O C E S S & E VA L U AT I O N
F ir s t ly, t he geom et r ie s w a s not a s r a ndom a s in t he s e d iagr a m s , keeping hte sha pe s a s in t he s a m e r e s p ons e to t he c oncept fr om w hic h t he bu bble s oc c ur to have v a r iet ie s of si ze s if a c r u c ia l pa r t of t he d e s ign. T hose sm a ll bloc k s at t he gr ou nd le vel w a s later s et u p a s a m u seu m pla ce w her e obj ec t s w ill b e d is p lay c r e at ing at m os pher ic a nd im m er si ve s p ace for v is itor s .
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@STACEYPROJECTS P H A SE 1 DE SIGN F ORM
Re -cr e at ion fr om t he pr e v ious de sign, t he de sign now follow w it h r andom and differ ent si ze s of Vor onoi Sy s tem. A s noted in t he r ed c olour, some of t he s pace/for m have been selec ted to for m void w it hin t his building.
T Hough t he for m r ecr e ated t he ide a of t he de sign and c ar r y t he nar r at i ve, but c ould t he s pace be f ur t her selec t i ve.
T he pr oce s s c ont inue and c ar r y t he narr at i ve and mot if od t he de sign c oncept , a s shown in t he ne xt diagr am.
T he s pace ha s been modif ied, only t he s pace whic h ha s been selec ted, for m t he f unc t ion of t he de sign c oncept .
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F UNC T I O N & P R O G R A MM AT I C P L A N N I NG
Mus eum r equir e s le s s s pa ce t ha n t he a nim a l shel ter, howe ver a f ter c onsider ing a ll t he ser v ice/ s er v iced s p a ce s , t he t wo pr ogr a m s s pa ce di v ision s omehow b a la nce s e a c h ot her ou t . T he m eet ing p lace oc c ur s m os tly at t he gr ou nd le vel , a nd t he d i v is ion of s pa ce s pr e a d ou t fr om pu blic s pa ce into mor e p r i v ate s pa ce a s t he height inc r e a se s .
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SPACE ESTIMATION
Central Research Area
Main Function Puppy Training/Interaction (Bonding Space) -Approx. 25-30 People/Animal(Puppies) 100-120 m2
Library Resources
Workshop
Workshop -Approx. 10-15 People/Animal(Puppies) 20-30 m2 per room
Kitchen
Museum -Approx. 20 People/Animal(Puppies) 20-25 m2 per room
Puppy’s Habitat
Secondary Function Puppy’s Habitat -Approx. 100-200 Animal(Puppies) 50-120 m2 of space
Puppy Training/ Interaction (Bonding Space)
Seating
Private Toilet
Admin’s Office Staff
Seating
Archive of Museum & Storage -Approx. 3-5 people 15-20 m2 of space
Seating
Reception -Approx. 2-3 people 5-10 m2 of space Public Toilet
Reception
Flow/Circulation Function Museum
Entrance
Archive of Museum Storage
Walk Paths (Stairs/Slope/Briges) -Approx.
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Lift -Approx. 10-20 m2
MINDMAP PLANS MUSEUM
HALL/EXHIBITIONS ENTRANCE MEETING SPACE
LECTURER HALL CENTRAL RESEARCH AREA
GUEST SEAT
MOA ARCHIVE WORK
MUSEUM
) ET CENTRAL RESEARCH (V AREA GUEST SEAT E TRG G EN N IN MOA ARCHIVE WORK C I L OM IN A RO A EA R IC /G R A HALL /T LECTURER ED TH P M BA O H M R S GE A OO K A R R EXND O TO I W S
Entrance
N HALL/EXHIBITIONS O CE ET MEETING SPACE TI A L C SP TOI ENTRANCE A R ING IC TE AT UBL IN SE P
Museum
ENTRANCE MEETING SPACE RECEPTION OFFICE STAFF PUBLIC TOILET
Seating
Puppy’s Habitat
WORKSHOP AREA
Puppy Training/ Interaction (Bonding Space)
STORAGE
Seating
INTERACTION/TRAINING
Seating
SEATING SPACE
Workshop
PUPPY’S HABITAT
Central Research
KITCHEN STORAGE - FOOD/EQUIPMENTS
COURTYARD - OUTDOOR EXAM MEDICAL CENTRE (VET)
INDOOR BATH/GROOMING
SPACE PLANNING
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SELECTIVE OF FORMS
Public Space
Private Space
Admin Office/ Staff
Puppy Habitats
Museum Entry of Place
Central Research Area
Workshop
Archive Of Museum
Puppy Training/ Bonding/ Interactive Area
Shared Space
Excess from Clarence Street
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Main Circulation
More Space for Sunlight/Wind to Circulate
Sunlight/Wind Entering Space
Central Research Area
Diagramatic Planning in Section 1:200
Puppy Habitats
Wide Views Natural Lights
Sunlight/Wind Entering Space
Puppy Training/ Bonding Area
Air Circulation
Workshop
LIGHTWELL
LIGHTWELL
Reception
Library Resources Space
Admin Office/ Staff
Archive Of Museum
Reception
ENTRY
UNDERGROUND Museum Entry of Place
*Seperate Vertical Circulation Division of Space
Diagramatic Planning in Section 1:200
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F UNC T I O N & P R O G R A MM AT I C A R R A NG E ME N T
T he b uild ing c onsis t s of f i ve inter na l f loor s u sing hor i zont al a nd inv isible sepa r at ion tec hniqu e s ; t he d i v is ion her e c a n be seen t hr ough t he t wo c ompo nent s of s t a ir s , w hic h a r e t he cent r a l c omponent and r and om s t a ir s c omponent . T he cent r a l s t a ir le ad s v is ito r s fr om one le vel to a not her, w hile t he r and om s t a ir s c omponent br ing s v isitor s fr om one
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vor onoi s p a ce into a not her f u nc t iona l s pa ce. T he se s t air c omp onent s help c r e ate t he s pa ce fr om pu blic ar e a into mor e pr i v ate a r e a a s seen fr om t he gr ou nd f loor to r oof f loor. T he c ont inu at ion of t he se c irc ulat ion also g i ve s oppor tu nit ie s for v isitor s to e x p lor e t he s pa ce in w hic h t he y a r e c u r iou s a bou t .
In or d er for t he bu ilding to f u nc t ion, t he s t r u c tu r a l c omp onent s of t he bu ilding c onsis t of a s teel pipe s t r uc t ur al s y s tem , c onc r ete or gla s s w a ll s y s tem s , and s teel cr os sing s t r u c tu r e s . O ver a ll , t he se s y stems ar e alr e a d y natu r a lly for m ed, hence t he inters ec t ion of s pa ce su c h a s se at ing a r e a s have a lr e a d y b een cr e ate d for u ser s . T he se se at ing a r e a s inc lu de t he low he ight s pipe s w hic h a llow for pos sible f unc t ions .
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@STACEYPROJECTS P E R S P EC T iV E T HRE S HO L D MO MEN T S
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@STACEYPROJECTS P E R S P EC T iV E T HRE S HO L D MO MEN T S
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02
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P H A SE /
Ref i ne d De s ign N a r r at i ve
W hen t he t wo meet s
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PAR T 1
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P H A SE 2 INI T I AL DE SIGN P R E SEN TAT ION MUSEUM OF AN T HR OP OL OG Y & ANIM AL SHELT ER
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PUPPY HABITAT 01
PUPPY HABITAT 02
PUPPY HABITAT 02
ADMIN/OFFICE
WORKSHOP AREA PUPPY TRAINING AREA
RECEPTION
DISPLAY AREA
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MUSEUM
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PAR T 2
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P H A SE 2 R E FINED DE SIGN MUSEUM OF AN T HR OP OL OG Y & ANIM AL SHELT ER
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CIR CUL AT ION COMP ONENS
P UP P Y H A BI TAT S
IN T ER A C T I V E SPA CE W ORK SHOP
P UP P Y H A BI TAT S
OFFICE
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PAR T 2
CIR CUL AT I O N & R E- P R O G R A MMI NG
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Cent r al s t air c omponent s is r eplaced by ele v ator in s te ad a s it incr e a sed mor e f low in cir c ulat ion and is c on veniently ac ce s s able to v isitor s . W hile ‘R andom’ s t air s c omponent r emain t he s ame.
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P IP E S T RUC T UR E
T h r o ughou t t he pr o ce s s , t he s t r uc t ur al fo r m o f t hi s bu i ldi ng i s e x t r ac ted f r om t he
EN
s p i r e d fr om S o u F uji moto ’ s S er p ent ine P a-
TR
Y
‘ Vo r onoi ’ bu bble s c oncept ual mod el . In -
v i l i o n, t he pr oje c t ai m s to cr e ate a s p ace d e s igne d for f le xi ble, mult i-p ur p os e s o c i a l s pace s . S o m e par t of t he s p ace ’ s p lan i s to e nc ou r age v i si tor s to inter ac t and i d e nt i f y t he s pace i n di f fer ent w ay s .
S o m e of t he se s t r u c tur e s ar e at low h ei ght s whi c h allow s t he p os s ib ilit ie s for s e at i ng/ r e s t i ng ar e a s a s well a s s p ace for p u p p i e s to r u n ar o u nd while cr e at ing t his p l ayf u l e nv i r onme nt at t he s ame.
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WALL C OMP O N EN T
T he S t ai r c a se i s e mbed d ed p r i v ately ins id e t he bu i ldi ng to show c ont r a s t ing b et ween
i ng at m os phe r i c i nt r od uc t ion to t he s ite.
TR EN
W hi le t he w i de e nt r ance cr e ate s an inv it-
Y
pr i v ate / pu bli c and o p en or c los ed s p ace s .
L a s t bu t not le a s t , t he f ac ad e r e s emb le s t he s t r u c tu r al ele ment s ins p ir ed f r om t he bu bble s c ar r y i ng t he s ame mot if of t his c once ptu al i de a t hr oughout t he p r ojec t .
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L O NG SEC T IO N A 1:250
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L O NG SEC T IO N A 1:250
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G R OUND FL OOR P L AN 1: 200
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FI R S T FL OOR P L AN 1: 200
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SEC O ND FL OOR P L AN 1:200
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T HI RD FL OOR P L AN 1: 200
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F OUR T H FL OOR P L AN 1: 200
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SP ECI AL T H ANK S TO : T U TOR T HOM A S S T R OM B E R G
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GUE S T CRI T IC S:
P H A SE 0 1 : N I CK W O 0 LLE Y P H A SE 0 2 : M AT T H E W MINDRUP R O S S A N DE R S ON
F or your c ont r ibut i on an d fe ed b ac k s on my p r oj e c t!
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P R ECENDEN 01 CONCEP T U AL GR OU N D I NG S ou Fujimoto, S er pe n ti n e G al l er y Pav i l i on, L on don, 2 0 1 3
E ze z. 2021. “ S e r pe n t in e G a l l e r y P av il ion 2013 by S ou F uj im oto - S e r pe n t in e G a l l e r ie s ” . S er pe n t in e G a l l e r ie s .
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ht t p s ://w w w.s e r pe n t in e g a l l e r ie s .or g/w h at s-on /s e r pe n t in e - g a l l e r y -pav ilion -2013- s ou-f uj im oto/.
P R ECENDEN T 02 P R OGR AM/ FU NC T I ON L ebbeus Woo ds , High Hou se s, S ar aj e vo, Bosnia and Her ze gov i n a, 1 9 9 5
E ze z. 2021. “High Hous e s - Hidde n A r c h ite c t ur e ”. Hidde n A r c h ite c t ur e. ht t p:// h idde n a r c h ite c t ur e.n et / h igh -h ous e s /.
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P R ECENDEN T 03 M AT E RI ALI T Y / T E X T U RE M enos é Mais and João M en d e s R i b ei r o, Ar quipélago, Conte mp or ar y A r t s Ce n tre, Ribeir a Gr ande, P or t ug al , 2 0 1 4
E ze z. 2021. “A r quipél ago C on te mpor a r y A r t s C e n t r e / Joã o Me n de s R ibe ir o + Me n o s é M a i s Ar quite c tos ”. A r c h D a ily.
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ht t ps ://w w w.a r c h d a ily.c om /597622/a r quipel ago-n il -c on te mpor a r y -a r t s-c e nt r e -m e n os-e -m a is-a r quite c tos-j oa o-m e n de s-r ibe ir o-a r quite c to.
P R ECENDEN T S 04 F ORM/GEOM E T RI E S Fr a nk G ehr y, Gugge n h e i m M u seu m B i l b ao, Ba sque C o unt r y, Sp ai n , 1 9 9 7
E ze z. 2021. “ T h e G ugge n h e im Mus e um B il ba o | Fr a n k G eh r y - A r c h 2O.c om ”. A r c h 2O. c o m . ht t p s ://w w w.a r c h 2o.c om /gugge n h e im -m us e um -bil ba o-fr a n k- geh r y /.
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B IB L IO G R A P H Y
B O O K S & C ON T E X T
H ugh e s , Rob er t . T h e S h oc k of t h e New : A r t a nd t he C e nt u r y o f C ha nge Up d ate d a nd e nl . ed. L on d on : T h am e s & Hu d son , 1 9 9 1 . Ching, Fr an c i s D . K . A r c h i te c t u r al G r a p hi c s 4 t h e d. New Yo r k : J o hn W i l e y, 2 0 0 3 . Balmon d, C ec i l , Jan n u zzi . S m i t h , a nd C hr i s t i a n. B r e ns i ng. I nf o r m a l 2007.
Mu ni c h ; : P r e s tel ,
Mills , Cr i s s B . D e sig n i ng w i t h M od el s : A S t u d i o G u i d e to Ar c hi te c t u r a l P r o c e s s Mo d el s . 3 . A uf l . Hob oken : W i l e y, 2 0 1 1 . F enton , Josep h . , K e n K ap l an , L eb b e u s . Wo o d s , Mi ke C a d wel l , Mi c ha el S i lve r, a nd Ma r y Ann R ay. P amp h l et A r c h i te c t u r e 1 1 -2 0 . New Yo r k : P r i nc eto n A r c hi te c t u r a l P r e s s , 2 0 1 1 . G oldhagen , S ar ah W i l l i am s . , an d L o u i s I . K a hn. L o u i s K a hn ’ s S i t u ate d Mo d e r ni s m New H ave n , C T: Yal e Un i ver si t y Pr e s s , 2 0 0 1 .
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