Hanna Hissa Architectural Portfolio

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hhissa9@outlook.com

480.797.6003

linkedin.com/in/hanna-hissa Portfolio | issuu.com/hhissa

EDUCATION

2020 - 2025

2016 - 2020

PROFESSIONAL

June 2024 - Dec. 2024

Dec. 2022 - Jan. 2023 May - August 2023

HONORS

2024 2023

2022, 2023

2020 - Present

2022 - Present

2020 - 2024

2020 - 2024

ACTIVITIES

2023 - 2024

2023 - Present Fall 2022

2022 - Present 2019

2007 - Present

SKILLS

REFERENCES

The University of Kansas | Lawrence, Kansas | GPA 4.0

Master of Architecture

Graduate Certificate in Urban Design

Barrington High School | Barrington, Illinois | GPA 4.625

National Honors & National Latin Honors Society

Skidmore, Owings & Merrill (SOM) Chicago, IL | Urban Design Intern

Developed city guidelines and spatial framework plans for the city of Makkah, Saudi Arabia and in the UAE. Early proposal work for new CASL center in Chicago.

DLR Group Chicago, IL | Architectural Design Intern

Designed student housing and developed K-12 Health Life and Safety plans. Instructed over 3D Printing for the office, and analyzed AI rendering software.

AIA Kansas Design Excellence Award | U.S. Embassy in Tokyo Project

American Galvanizer’s Association Excellence in Hot-Dip Galvanizing Award

Civic Contribution category for Fall 2022 Pollinator Pavilion Design-Build

KU Architecture Student Portfolio Awards | 3rd + 4th Year Recipient

School of Architecture Dean’s List | GPA above 3.75

Phi Kappa Phi Honor Society | Member

KU Excellence Scholarship | Recipient

2020 Gygi and von Wyss Foundation Scholarship | Recipent

Faculty Search Committee | Undergraduate Student Body Representative Mentorship Collaborative | First, Second, & Third-Year Studio Mentor

Design Build Pavilion | Kansas Children’s Discovery Center

Topeka, Kansas | Designer, site coordinator, and construction team member.

AIAS | Active member

Habitat For Humanity | Women Build Project, Lake County, IL

Construction team member

Girl Scouts of the United States of America | Lifetime member

Silver and Bronze Award Recipient

3D Modeling | Rhino, SketchUp, Revit, Physical modeling

2D Drafting | AutoCAD, Hand drafting. ArcGISPro

3D Printing | Cura, Ultimaker machines

Rendering | VRay, Lumion, Enscape, Veras, LookX Graphics | Illustrator, Photoshop, InDesign

Jae D. Chang, PhD | Professor, Associate Chair of Architecture

The University of Kansas School of Architecture & Design jdchang@ku.edu

Kapila D. Silva, PhD, AIA(SL) | Professor, Associate Dean for Community Excellence

The University of Kansas School of Architecture & Design kapilads@ku.edu | 785.864.1150

Keith Van de Riet, PhD, NCARB | Interim Chair | Professor of Architecture

The University of Kansas School of Architecture & Design kvdr@ku.edu | 917.202.5413

U.S. EMBASSY IN TOKYO, JAPAN Consular, Main Chancery, and Secure Grounds design

CULINARY ARTS COMMUNITY

Mixed-Use Dwelling and Academy

KANSAS CITY DESIGN EDUCATION CENTER

Student and Public AEC Center

POP-UP BOOTH

Vinyl, CD, and Cassette Shop

CONTEMPLATION CHAPEL

Non-Denominational Chapel

PERSONAL WORK

DSLR Photography POLLINATOR PAVILION Design Build | Built Work

UNITED STATES EMBASSY IN TOKYO, JAPAN

SPRING 2024 | CIVIC

Partner: David Tauser Professor Kapila Silva Tokyo. Japan

400,000 sq. ft.

Situated off the shores of the Tokyo Bay, this embassy achieves safety for workers, visitors, and ambassadors alike.

In recent history, the U.S. Department of State’s Bureau of Overseas Buildings Operations (OBO) has dedicated itself to designing, renovating, and establishing U.S. Embassies worldwide that are more than a standard office. The design process aims to create a building that demonstrates the United States’ technological advancement and respect to the host country.

Render by: David Tauser

DESIGN AWARD 2024

EXISTING EMBASSY

THE GREATER CONTEXT

The site is situated off the mainland of Greater Tokyo in accordance with OBO’s goal of shifting future U.S. Embassies away from city centers. The new site is also largely popular with tourists coming to the city via cruise ship, and those staying for the Olympics. It offers a tremendous view of the skyline to the north, and Mt. Fuji to the west.

SHINJUKU CITY
CHIYODA CITY
SHIBUYA CITY
MINATO CITY
MEGURO CITY
SETAGAYA CITY
SHINAGAWA CITY
TOKYO STATION
CHUO CITY
ODAIBA
SITE
SUMIDA CITY
KOTO CITY
EDOGAWA CITY
TOKYO BAY
CHIBA

Site Boundary

20-foot No Vegetation Zone

100-foot No Occupied Build Zone

15-foot-tall Anti-Climb Base Floor

Main Controlled Access Compound (MCAC)

Consular Controlled Access Compound (CCAC)

Service Controlled Access Compound (SCAC)

SITE PLANNING FOR SECURITY

U.S. Embassies are required to meet the following security measures: a no-tall-vegetation zone within 20’ of the perimeter wall with width for guard walks, a separate public, ambassador, and service entry checkpoint, a 100’ no-occupied-building zone from the wall, an Anti-Climb design for the first 15’ of the structure, and a strict control of the public path once past the CCAC.

designed to mimic the venacular architecture

designed to mimic the venacular architecture

Roof
Roof designed to mimic the venacular architecture
Heavy Stone
Light Median
Textured Roof
Roof

Seismically Isolated Foundation

Building Up Existing Public Infrastructure

Highlight Views Towards Greater Tokyo

Southern-Oriented Solar Panels and Sun Path

Storm Surge + Tsunami Water Collection Area Utilized as Perimeter Wall

CONCEPTS FROM CONTEXT

A majority of the design solutions are a result of the challenges presented by the site. Low buildings typically perform better under seismic activity, and in the event of a tsunami or storm surge off of the bay, the Moat is designed as a catch-all “ha-ha” style wall. This ensures any major water influxes will be captured and networked into the city’s underground flood system.

Modern embassy design strives to demonstrate an efficient and environmental design, hence the systems that work together to make this building overall Net Zero.

The Main Chancery Lobby with Post One Security and Conference Center outside of the restricted access zone.
Rainwater Harvesting Via Roof Slope System
Pedestrian Access by Sidewalk from Train Line and into Park
Noise Buffer Via Southern Vegetation
Daiba Elevated Train Line Connection to Mainland
Vehicular Access Points
On-Site Rain Garden
View of the Main Chancery, MCAC, and CCAC entrance from Daiba Train Line. Note the view to Mt. Fuji.

The Main Controlled Access Center (MCAC) is where VIPs and Ambassadors enter into the compound. Their procession is grand and allows for direct access to the Chancery Building from a vehicle. The Consular Controlled Access Center (CCAC) is the public entrance. It is separated by a distinguished gate that is accessible via the park and Equinox Promenade, away from vehicular traffic as a means of creating a safe and pleasant pedestrian arrival sequence.

DETAIL A 3/16” = 1’-0”

DETAIL C 3/16” = 1’-0”

10” x 6” x1” HSS with EonCoat Corrosion Protection

Gusset Plate and Bolts Connected to Round HSS HSS to Gusset Plate Bracing Member Round HSS Bolted End Plate Connection

Round HSS 8.000 x 1.000 with EonCoat Corrosion Protection

W12x40 Wide Flange Beam with EonCoat Corrosion Protection

M13-1.5 x 66 mm Steel Bolt

5/8” Steel Plate with EonCoat Corrosion Protection

1” Custom Steel Plate Stiffener with EonCoat Corrosion Protection

1 5/8” Lateral Steel Plate with EonCoat Corrosion Protection Steel Plate Stiffener with EonCoat Corrosion Protection

Gusset Plate Bracing Cleat

Gusset plate Splice Hinge

Square HSS

5” x 5” x 1/2” with EonCoat Corrosion Protection

DETAIL B 3/16” = 1’-0”

DETAIL D 3/16” = 1’-0”

DETAIL E 3/16” = 1’-0”

W12x40 Wide Flange Beam w/ Corrosion Protection

Gusset Plate and Bolts Connected to Round HSS

Round HSS 8.000 x 1.000 with EonCoat Corrosion Protection Round HSS Bolted End Plate Connection

HSS to Gusset Plate Bracing Member w/ Corrosion Protection

M13-1.5 x 66 mm Steel Bolt with EonCoat Corrosion Protection

Parapet Drip Flashing

Thermal Break Pad Insulation

12” x 12” x 1” Steel Plate with EonCoat Corrosion Protection

Vapor Barrier

Stainless Steel Cladding

2” EPX Rigid Insulation

Vapor Barrier

2’ x 15’ x 1/8”

Japan, known for its vigorous earthquakes, has unique requirements for construction. In order to maintain the safety factor of the embassy, blast-resistant, self healing concrete is the main structural material. The footings are responsible for seismically isolating the building during an earthquake, and act as large shock absorbers at the foot of each column. The grid is a bit smaller and shorter than conventional construction due to higher structural efficiency during seismic activity as well.

The perimeter of the building is surrounded by an open cavity that accounts for any above-grade swaying that occurs during an earthquake. Seen below is a detail of the grate that covers these openings for pedestrians. When there is an earthquake, the grates “pop” upwards and fall back into place because of the spring tension. This minimizes damage to the stone, and provides a catch for the water filling the moat as well.

INTERSTITIAL SPACES

Using historic Japanese gardens as inspiration, the interior courtyards are designed to give workers respite and provide a moment of Zen in the workplace. These gardens line prominent and main walkways, as well as being visible from most vantage points in the building. The circulation pattern around them ensures a stroll that is a pleasant and secure way to take a break.

Ha-Ha walls are intended to be “invisible” from an average vantage point, and in this case the water eliminates the need for the 10-foot perimeter wall because it acts as a moat. This moat, however, is also a catchall for surge caused by tsunamis, because the site is situated on the Tokyo Bay. This solution is the least disruptive in terms of views, and a less hostile-looking approach.

THE “HA-HA” WALL 2.0

Historic Japanese floor plans follow a very rigid hierarchy in order of rank. The most remote areas are the least accessible and far more difficult to get to as a visitor. We translated these principles into an orientation that applied to our floor plan, and moved all historically exterior circulation patterns to the inside, for security of staff.

Analysis of historic Nijo Castle layout shows
Analysis
Historic Japanese Floor Plan

INTERIOR SPACES REFLECTING CULTURE OF THE PLACE

It is important that the interior spaces reflect as much of the respect and homage to the host city as possible. In order to achieve this, a selection of stone, wood, plaster, and shoji paper was used. A careful balance of traditional and contemporary gives the feeling of Japanese design, while upholding U.S. standards for embassy design.

The Ambassador’s office looking north towards Greater Tokyo.
The Ambassador’s office looking north towards Greater Tokyo.
The Art Gallery and Courtyard View within the Main Chancery inside the restricted access zone. Prominent feature of the Ambassador’s processional walk to their quarters.
The Main Chancery Lobby with Post One Security and Conference Center outside of the restricted access zone.

The main shared spaces circulate the interior gardens and offer spaces for respite. The garden instills a sense of calm and function as the focal point from all buildings within the Chancery. The cafeteria and conference rooms offer a curated garden view to enhance the quality of the interior space. KEY SHARED SPACES

Thanks to Prof. Kapila D. Silva, The U.S. Overseas Bureau of Operations , BNIM, Burns & Mcdonell, DLR Group, and AirFixture, my partner David Tauser and I were awarded the 2024 AIA Kansas Design Excellence Award for our embassy. It would not have been possible without the guidance and care from those who took the time to help us through this design challenge and allowed us to create a diplomatic, sustainable response to the program.

DESIGN

BRIGHTWATER EAST CULINARY ARTS COMMUNITY

FALL 2023 | MIXED-USE URBAN DWELLING

Professor Andrew Modrell Bentonville, Arkansas

121,000 sq. ft.

Mixed-Use Culinary Arts School, Test Kitchen Restauarant, and Urban Dwelling for Locals and Students

This project aims to invigorate the urban fabric of Bentonville by combining a culinary arts school and test kitchen restaurant with dwellings. The goal is to foster memorable shared experiences by creating a program centered around food and give Bentonville a new destination location for both locals and tourists.

Access

PARCEL 1

8th

PARCEL 2

PARCEL 6

PARKING KEY

Parking Lot/Entrance

Adjacent

Under-Greenway Roads

PARCEL 5

The larger greenway plan was originally drafted by a team of three: Hanna Hissa, Isaac Decker, and Ashlyn Caldwell. After designing the overall infrastructure, it was divided into seven plots of land for studio members to select as their designated building site. All parcels connect to the overarching infrastructure in unique manners and each plot presents their own benefits.

Elevated Greenway

Adjacent Parks

Creek + Retention Pond

In order for this infrastructure to be successful, it had to become an appealing amenity for the user groups we focused on. In doing so, we aimed to create third spaces and smaller gathering spaces within the larger plan to harbor community events while maintaining an eco-friendly approach that used greenspace both as a tool and as an aesthetic decision. FRAMEWORK GOALS + VISION

Graphics by Hanna Hissa
PARCEL 4 In Residential Fabric Art District Adjacent Personal Site
Walmart World Headquarters

INFORMED FORM DECISIONS

During the iterative stage of form-making, I went through thirty variations based on three broad, explorative versions. The first made use of “letter” buildings in the shape I and C, the second explored linking different programmatic buildings through bridges, and the third explored stepped forms that could create unique outdoor conditions.

“I” and “C” Forms

Linked Forms

Stepped Forms

High-Visibility Learning Environment Destination Test Kitchen Restaurant

Uniting Demographics Through Food

Shared Spaces to Blur the Social Boundaries

Below Greenway Parkiing

On-Site Greenspace

Circulation

Transparency/Views

Shaded Transparency

Mixed Use

GOAL INFLUENCES

While creating these iterations, each form took into consideration to initial goals mentioned to the left. It was important that the forms responded to these and fostered environments that were condusive to creating spaces that fit the user needs. In doing so, they also had to respond to the larger framework goals and ensure that the greenway access point was welcoming and inviting.

DESIGNING IN BENTONVILLE, AR

The area of Bentonville, Arkansas is a highly active and outdoor community. In order to activate the site, which currently stands as an empty lot adjacent to the new Walmart World Headquarters, the initial design of the framework incorporates a pedestrian-centric greenway. This gives people arriving off of trails or dweilling in the surrounding buildings the chance to experience the outdoor culture Bentonville is known for.

The design of a culinary arts school, destination restaurant, and apartment-style living aim to act as a destination for visiting tourists as well as for locals. The goal is to tie this district to the historic downtown area and encourage dense, urban growth that shows how exciting and beneficial it can be to move away from the single family home model that currently dominates the Bentonville area.

ACTIVATING THE GREENWAY

The greenway is a unique infrastructure that allows for anything service, parking, or car related to take place underneath the pedestrian areas. This not only minimizes unsightly parking lots, but also minimizes the exposed impervious surfaces that would otherwise create runoff and stormwater retention problems.

The activity along the greenway aims to invite visitors to explore the buildings and their mixed uses in the area. It also aims to connect to the outdoor trails, adjacent museums, and concert venue space. This creates a hub of activity for the people in Bentonville to explore and have communal experiences with one another.

As seen in this section, the upper block that spans across the two lower ones is where the culinary facility is housed. The restaurant on the top floor allows the public to have a culinary experience like no other in Bentonville. Originally, this was home to the residences, but it felt isolated formatted like a hotel. By placing the residences on the lower blocks, it grounds the units and gives them access to the outdoors and neighbors through shared spaces.

The lower blocks are dedicated to housing mechanical and parking, as well as the dwelling components. The public-facing elements on the ground level aim to activate the greenway and invite the public to explore the space.

LEVEL 00 | BASEMENT + PARKING

1: Bike Storage

2: Staff Lockers

3: Storage Lockers

4: Staff Parking

5: Cold Storage

6: Dry Storage

7: Solar + Geothermal Room

8: Water + MEP

9: Electricity Room

10: Loading BOH

LEVEL 01 | GREENWAY

1: Public Cooking Classes

2: Cafe & Bakery

3: Resident Mail

4: Apartment Admin

5: Studio Apartment

One Bed Apartment

Two Bed Apartment

Three Bed Apartment

Outdoor Seating + Grill

LEVEL 02 |

RESIDENTIAL FLOOR

1: Studio Apartment

One Bed Apartment

Two Bed Apartment

Three Bed Apartment

Commons

GREENWAY GROUND PLAN

These floors are where the culinary school lives. One of the goals was to create a learning environment that is highly visible, so that people who are passing by are a part of the learning experience as well. In order to respond to this, the layouts flow around central rooms that have glass walls looking into the cooking and demonstration spaces. The top floor is home to the test kitchen restaurant “Alchemy,” where guests walk past the kitchen on the way to the dining area and become a part of the process. The external shading fins open to the north and grow the higher up the occupant gets in order to highlight the views and daylighting in the space.

PLAN KEY

1. Reception

2. Culinary Kitchen

3. Demo Class

4. Seasonal Kitchen

5. Admin

6. Resource Library

7. Bake Shop

8. Student Commons + Urban Spice Garden

9. Electrical + MEP Access

10. Bar

11. Production Kitchen

12. Restaurant Dining Room

13. Private Chef Rooms

STRUCTURAL DIAGRAM

Due to complicated code-related issues within the culinary school, the upper block is made of one large steel truss. The lower forms are mass timber in order to provide a more homely environment for those living within the apartments. The greenway functions as one large intrinsic green roof, and therefore is cased in concrete. This applies to the parking levels as well.

ECOLOGICAL DIAGRAMS

The major ecological decision of the project is rooted in the upper block’s facade system. The north-opening fins allow for consistent, year-round daylighting as well as solar harvesing to power the building. The rainwater collection system takes advantage of the fin shapes and siphons it down into cisterns for greywater recycling. The blue roof systems ensure the flat roofs of the lower block do not become large heat sinks too.

Steel Truss
Polycarbonate Fins
Steel Framing and Bar Joists
Concrete Cores
Mass Timber
Concrete Podium

6:00 PM December 21

6:00 PM June 21

12:00 PM June 21

12:00 PM December 21

6:00 AM December 21

6:00 AM June 21

Photovoltaic glass integrated into roof fins and angled for optimal seamless solar harvesting

Solar heat gain prevention through blue roof system

Lifted “block” to allow East - West crossbreeze to cool building

sloped towards roof drains

Blue Roof system collects and holds stormwater

On-Site water cisterns retain stormwater and recycle into building as greywater

Fins

MEP + EGRESS DIAGRAMS

The systems that support the programs within the building service each section semi-independent of one another. This ensures that residents have direct unit access, and consistent air handling, while the complicated needs of the culinary school and restaurant are still met.

EGRESS KEY

Egress Core | Service to All Floors

Elevator Core | Service to All Floors

Egress Core | Service to Residential Floors

Egress Exit Route

Entrance/Exit

MECHANICAL KEY

Fresh Air Supply

Return Air

Culinary Exhausts

Cooling Loop

Heating Loop

VAV Branch

Geothermal

Venting through Fins

VAV System

Main Air Intake and Fan Rooms

Forced Air System

Four-Pipe Fan Coil in Units

Solar-Heated Water Tank

Geothermal Wells

Alchemy Test Kitchen Restaurant Dining Room | Level 05

The entire building aims to create food-centric experiences, and these two locations highlight this element.

The restaurant, located on the 5th floor, is operated by students in order to gain the hands-on experience while still in school. The “alchemy” of this restaurant comes from its rotating menu and test-kitchen setup that allows students to explore the culinary arts within the practice. The fins on the exterior are the most open and allow for guests to see out towards the greenway, trails, and downtown area.

The lower render highlights the visibility aspect that is important to the design of the culinary arts facility. It demonstrates how the circulation paths make use of the daylighting and centralize the main programming for well-organized spaces within the elongated upper block.

The open nature of the space allows for students and visitors to become a part of the learning experience, while providing a new perspective on what a learning environment can look like.

KANSAS CITY DESIGN EDUCATION CENTER

SPRING 2023 | EDUCATIONAL MUSEUM CENTER

Professor Jae Chang

Kansas City, Missouri

90,000 sq. ft.

Design Education Center for Students and Public to Learn About KC and its AEC Global Impact.

This project focused on creating a design center, education space, fabrication shop, gallery, flexible auditorium, and AIA Kansas City office HQ. Its urban context takes advantage of the to-be-built park over the existing highway that currently bisects the city and educate guests about Kansas City’s rich history.

DEFINING KANSAS CITY

The project is situated in a prime area of Kansas City, one that will see future development and revival of the downtown district. This area is the junction between the arts, entertainment, and a restaurant district that come together to make up the heart of KC. The location of the site is an opportunity to create a building that contributes to local activity and identity.

In present day, the proposed park depicted above does not exist, and instead is highway I-670 that bisects the city and creates uninviting conditions for tourists and residents alike. By covering this highway, the park will reconnect the city and create opportunities for future development to flourish in this district.

CREATING A LANDMARK

While the building serves an overall educational programming, its prime location demands it becomes compelling for both visitors and pedestrians passing by. The sculptural component of the brick is easily distinguishable to those who are aware of Kansas City’s strong industrial background, while also appearing as a feat of engineering to those who look closer.

Though it may seem impractical, brick is a vital design element to Kansas City. By using a traditionally stacking material in an unconventional manner, it demonstrates Kansas City’s advancement in AEC design and willingness to revisit and explore the tools humanity has been building with for centuries.

ENTRANCES

Architecturally note entrances by subtracting them from the main form. The main public entrance is the on most park-facing side.

Main St. + Street Car

Park + Greenspace

Entertainment, Power + Light District

The design center is placed on the site of a future park covering the existing highway that currently bisects Kansas City. The north side of the side opens up to the park and takes advantage of the major roads and streetcar route for visitor traffic. It serves local high schools as well as being within walking distance of the Power and Light district that is very pedestrian-heavy.

Future Development Highway I-670 Underpass

S. Truman Rd.

SOLAR PROTECTION

The facade acts as a shade device for the primary west glass facade, and the exposed glass skylight and fourth floor glass use integrated BIPV technology to harvest energy from the sun.

GREEN SPACE

The green space acts to connect the building back towards the park and the blue roof system acts as a means of collecting rainwater for efficient onsite runoff prevention and grey water collection.

PROGRAMMING

The east building is dedicated to fabrication and separated for acoustical reasoning. The main building integrates the public walkway through the educational floor without direct access for safety.

CIRCULATION

Yellow = Egress | Blue = Student Path Red = Public Path | Green = Service

VIEWS

The north-facing sides of the building are primarily glass for consistent daylight. It is also intended to guide the visitor’s gaze towards the skyline and the park.

The ground floor and entrances are oriented as to guide the public and student visitors along different paths, with the primary entrance being the most parkfacing side, and the student entrance being located next to the drop off. The fabrication shop is in its own structure as to assist with acoustical complications from machinery.

GROUND 01

12. Model Displays

Storage and Garbage

Restrooms

Student Drop-Off 17. Student Entrance

18. Student Floor Entry

19. Material Library Viewport

20. Storage and Custodial

Public Entrance
Admin Desk
Fab Lab Access
Public Elevator
Service Elevator
Loading Dock
Fabrication Shop Tools
Fabrication Studio
Fab Lab Entrance
CNC Router Room
Hologram Display Hall

SPATIAL PLANNING

The floor plans are organized as to separate student facilities from the public areas while still allowing for visual connections between floors. The rest of the programming directs visitors towards the rooftops for a view of the Kansas City skyline, and education about Kansas City’s history and global impact at the same time.

DETAIL B | 1/8 = 1’0” DETAIL A | 1/16 = 1’0”

The hanging facade that acts as a shading device for the western glass wall provides insight in section as to how this is constructed. The roof and ground details exemplify how the building makes use of runoff and stormwater for collection and reuse throughout the building as greywater.

DETAIL C | 1/16 = 1’0”

INTERIOR SPACES

The lobby is the public-facing aspect that welcomes visitors into the space through gallery exhibits that demonstrate Kansas City’s impact on the AEC industry on a global scale. The opportunity to see future technology such as the automated material library are also geared towards public to demonstrate how the AEC industry is embracing and using new techniques for problem solving, which are then applied on a global scale. The fabrication lab is visible from the street and offers the chance for the public to take interest in STEAM programs.

Level 01 lobby view

ROOFTOP EXPERIENCE

The top floor of each building offers a north-facing view of the Kansas City skyline as well as a public greenspace. It gives a typically privatized experience back to the public and creates a destination that guides visitors through a space they can learn from.

FLEXIBLE SPACES

The fourth floor features an auditorium that seats 200, but can convert into different configurations on an asneeded basis. The ability to open this space up makes this level rentable and able to host far more events than lectures, which can encourage public engagement and create new connections.

PORTABLE VINYL & CD POP-UP SHOP

SPRING 2022 | COMMERCIAL

Professor Jae Chang

Overland Park, Kansas 19’ x 10’ x 9’

Pop-Up Vendor Selling Vinyl, CDs, and Cassettes in Tandem with Local Market Days.

This project focused on creating a pop-up booth designed for the future that was portable and involved new technology. With the resurgance in popularity of vinyls today, I projected that vinyls, CDs, and cassettes would regain popularity in a similar fashion in the future. Therefore, I decided my pop-up shop would sell analog music in a world that, by then, would nearly be entirely digital.

TO THE FUTURE

The future nostelgia for tangible music is on the rise in popularity again. No matter how far technology advances, there will always be a fascination with the novelty of a physical copy, which is why this booth, though designed for the high-tech future, distributes vinyls, CDs, and cassettes. It is intended to travel to farmers markets and other community events and make use of

local suppliers as its means of stock. The rest is completely automated. Since the theme of music is so strong, it was important to draw from other nostelgic products that allowed people to listen to physical copies of music. The main inspiration was a boombox and its multi-faceted operations. The modernization of this design came through materials.

This pop-up was designed to be viewed from all angles. The back window, notably UV reflective glass for safe storage of the vinyls, allows those passing by to watch the retrieval arm in motion. The lighting is meant to draw those walking by around to the front to further explore the booth and encourage customers to stop inside.

02

03 Simplify and modernize the form using speaker and boombox materiality for a less literal derivation.

01 Initial inspiration came from the design of a traditional boombox.
Convert said boombox into an occupiable volume.

USER INTERACTION

Inside the pop-up, there are a number of robotic arms that retrieve vinyls, CDs, and cassettes. The main record retrieving robot extends in between the LED displays to grab the desired record, which will shuffle towards an opening automatically so that the arm can grab it. The customer can also preview music and interact with the booth via touch screen both in the main section and in the isolated sound booth for the best experience. The LED displays allow the record collection to be interchangeabe and updated as desired. Perspective section

LED Album cover screen displays

Automated record player

Automated CD retrieval system

CD display case

User interface

Tempered Glass

Sound booth user interface

Automated record retrieval system

Automated record player

Automated cassette retrieval system

Cassette display

2021 | SPIRITUAL

Professor Kent Spreckelmeyer

Pioneer Cemetary, Lawrence, Kansas

900 sq. ft. 1/4” = 1’0” scale

Non-Denominational Wooden Chapel.

This project focuses on creating a place of contemplation and inspiration for the west side of the KU campus. This chapel serves to host a wide range of ceremonies and rituals. This structure aims to host a universal sense of repose, hope, and solitude. Because the site is located next to a major road, it will also serve as a major visual object and landmark for visitors entering the college campus.

CHAPEL
FALL

EVOLUTION OF FRAMEWORK DESIGN

This chapel underwent several iterations of framework. Such a small structure needed to have an equal blend of support and light allowance in order to have sanctity in the space without sacrificing beauty. The first rendition took heavy inspiration from the nature of a flying buttress. By merging a truss with this traditional and supportive shape, the framework stood as functional with a strong presence. The following iterations toned this feature down by manipulating the main truss into a complex A-frame, which successfully preserved the integrity of the building with visual interest still in play.

The final frame needed to be able to grow and shrink with the building width and height. It also needed to allow for mutiple, repetitive points of connection in order to link the frames in a cohesive manner.

ITERATION 1 Flying buttresses

ITERATION 2

Triangulated A-Frame

ITERATION 3 Modified A-Frame

ITERATION 4 Final Frame Design

DETAIL, SYMBOLISM, AND LIGHT

While designing the body of the chapel, it was important that a ratio of 1:3 was preserved. Since three is oftentimes seen as a “holy” number, the building width and height reach their most narrow point at the 1/3 mark, and expand from there. The tallest point at the front, middle point at the back, and lowest point in between are all related to each other through this ratio. The same can be said about the width of the chapel in which the front is the widest and most prominent feature of the building,

the back entrance is the second widest as the second most important area, and the middle is the most narrow in order to allow for the visitor to experience the relief and grandiosity when walking through the “pinch“ along the main axis. The ceremonial space is architecturally distinguishable by the window details and spire-like point that features an interlocking of the frame system to further develop visual interest and recognition of this space as the most prominent. Light is a common theme across religions.

Since the chapel does not belong to a specific group, it was important to include this motif that would speak to a variety of people. The frame system creates an interesting path for sunlight inside the structure. The axis of light follows suit with the axial form of the chapel and encourages the visitor to walk down the path, into the space. The additional prominence of more light in the ceremonial space further sends the message of the significance of this area in the chapel and acts as the focal point for the visitors.

Northwest side detail at 1/4” = 1’0” scale

POLLINATOR PAVILION

FALL 2022 | DESIGN BUILD

Professor Keith Van de Riet Kansas Children’s Discovery Center Topeka, Kansas

Trailhead and Educational Prarie-themed Pavilion at the Kansas Children’s Discovery Center.

This studio spent a semester designing and building a steel pavilion in Topeka, Kansas. We worked in groups tasked with different divisions of work that needed to be completed at an expedited rate to finish the project within the the semester.

Student Team: Ashlyn Caldwell, Cameron Ernst, Cole Erlemeier, David Tauser, Emily Flachs, Emme Schatz, Hanna Hissa, Katie Drummond, Landon Dinkel, Sophey Shutt, Tiyani Han, Yuchuan Shi.

Photo by: Kansas Children’s Discovery Center.

Iterations of roof patterns my initial group came up with for our schematic design called the “Butterfly Pavilion.”

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FINALIZING THE DESIGN DIRECTION

After the initial pitch, the museum decided to move forward with a different group’s idea. After this was chosen, we all came back together as one large group to begin developing this design into a buildable structure. The first group of four then became those who focused on the solar and radiation studies to see how much and where the shading would need to be located. The second group focused

on creating a construction document set to submit for permits and update as the digital model became more robust . The third group would focus on the structural connections and regularizing them for the sake of fabrication. This is the group I was a part of that resulted in the most changes from original concept to final output. The fourth group would then focus on the roof tile design. Many

iterations and variations were physically mocked up and tested for patterning and scale before the final shape was picked. The goal was to aid in the structure’s dynamic appeal while being regular and provide enough coverage to act as solar shelter, especially during peak business hours in the summer.

Model built by David Tauser & Emme Schatz
One X-Y oriented sheet of expanded sheet metal plus...
one tilted sheet of expanded sheet metal...
equals
pattern
constructive and deconstructive interference known as a “moire.”

PERSONAL RESPONSIBILITIES

While in the structural connection group, I worked one on one with structural engineers from McClure Engineering to make our napkin sketch of cantilievers come to life. They assisted with proper sizing of our connections as well as working with us to choose which connection design would be the most structurally sound. In addition, we worked with and toured a number of other companies in the Kansas area listed below. This gave us insight into how best to design for ease of fabrication while also understanding the extent of our materials.

PLANNING FOR PEAK ACTIVITY

The summer months are the most popular for the museum, so our solar studies primarily concerned the summer solstice data and how the area would be shaded then. At peak business hours, midday, there is minimal direct sunlight on the slab under the pavilion.

Photo of the finished project’s connections.

The engineers and I refined the structural connections to appropriately fit the cantilievered beams in a structurally sound manner. The foundations also had to act as large counterweight anchors and developed into pier footings connected to slabs that would be held in place by the earth. It was my job to keep the 3D model up to date with any new decisions. Another group refined the roof tile shape and gave the focal point of the project a dynamic appeal.

Roof tile shape.
Rafter profile.

COMPREHENSIVE DESIGN

As the structural elements were solidified, many of the final design choices like finishes, color, seating, and shading were put in place directly based on the context of the site. The overall shape became derived from the Kansas state bird, the Western Meadowlark, and its wing and color pattern.

Preserved prairie trail entrance

Yellow powdercoated steel mesh to mimic the museum’s entrance as the prairie entrance

Native Kansas limestone blocks as trail markers and benches

Galvanized steel to protect against the elements and mimic steel on museum facade

Angled columns reflected in the pavilion

Existing yellow-tinted glass that generates playfulness and signals the entrance

Iconic roofline that visually ties the museum to the pavilion

CONSTRUCTION & FABRICATION

Once we broke ground, one team focused on preparing the site, and the other began fabrication of all the pieces. Teams split into working on the column assemblies, rafter assemblies, roof tiles, and rebar.

With the pieces fabricated, it was time to apply finishing coats of galvanizing to protect the steel from the elements, and layers of powdercoating to add the pop of color we were looking for. Once finished, site installation began and the project was near its end.

By the end of the fall 2022 semester, we completed the Pollinator Pavilion and officially opened it to the public. In spring of 2023, our team won the American Galvanizer’s Association Excellence in Hot-Dip Galvanizing award in the Civic Contribution category. This nationwide competition awarded projects that demonstrate strong achievement in the use of hot-dip galvanizing in a project design and concept.

PERSONAL WORK

SPRING 2021 - | PHOTO

Hanna Hissa DSLR and Film Photography Varied Locations

Collection of Photography Works

As a hobby, I enjoy photographing the symmetrical, the bizzare, and the details of the world around me. Featured here are a few of my most recent photographs that play with texture, still life, depth, and architectural detail.

Downtown Lawrence, Kansas

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