THE PARTFORRESTCOLLECTIONLIFETIMEOFFENNII 8 SEPTEMBER 2022
THE COLLECTIONLIFETIME OF FORREST FENN PART II SALE 1072 8 September 2022 10am ET | Cincinnati Lots 1–182 PREVIEW September 7 | 10:00am - 4:00pm September 8 | 8:00am - 10:00am PROPERTY PICK UP HOURS Monday - Friday | 9:00am – 4:00pm By Sale513.871.1670appointment1072atHindman’s NEW location 5030 OAKLAWN DRIVE, CINCINNATI, OH 45227 All property must be paid for within seven days and picked up within thirty days per our Conditions of Sale. CONTENTS The Lifetime Collection of Forrest Fenn, Part II Lots 1-182 4-85 Hindman Team 86 Inquiries 87 Conditions of Sale 89 Upcoming Auction Schedule 93 FRONT COVER Lot 174 All lots in this catalogue with a lower estimate value of $5,000 and above are searched against the Art Loss Register database To view the complete catalogue, sign up to bid, and read our Conditions of Sale, visit hindmanauctions.com or the Hindman App. All bidders must agree to Hindman’s Conditions of Sale prior to registering to bid. DEN 1057930 FL AB3688 GA AU-C003121 IL MOOH444.0005212019000131STL107286 Download the Hindman App for iOS and Android © Hindman LLC 2022
Many remember Forrest as an avid collector, adventurer, businessman, and author, but he was also a strong, loving patriarch with a passion for history and the West. Forrest started collecting at an early age, walking the Texas plains and mountains of Montana looking for arrowheads. He loved the history, lore, and lure of ancient places and the people who lived there. Anyone privileged enough to visit the Fenn home was immediately struck by the rare and impressively sized Puebloan ceramic jars lining the upper shelves of his office den and his iconic wall of hourglass shaped strike-a-light bags. This collection exemplifies a lifetime of dedication and connoisseurship for Native American art and all things surrounding the West. We are honored to present these objects to you, and we hope that you enjoy the “thrill of the chase”.
THE COLLECTIONLIFETIME OF FORREST FENN PART II Lots 1–182
1 Hudson Bay Trade Silver Armband ca engraved1800 with the Hudson Bay coat of arms and motto Pro pelle cutem (a pelt for a skin); hallmarked Montreal diameter 3-3/4 inches x height 2-3/4 inches $1,000 - 1,500 2 English Fur Trade Era Silver Plated Gorget 18th engravedcenturywith the English crown length 4-1/4 inches x width 3-7/5 inches $800 - 1,200 4 THE LIFETIME COLLECTION OF FORREST FENN
3 1809 James Madison Silver Peace Medal drilled twice for attachment 62 mm and 34 mm $5,000 - 7,000 4 1837 Martin Van Buren Silver Peace Medal pierced through for suspension and strung with large, faceted cobalt beads diameter of medal 62 mm, 66.2 dwt. $2,000 - 3,000 Lot 3 Reverse Lot 4 Reverse 5FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
Probably from the Northern Cree, this pouch is decorated with a woven quill band at the opening. The fuchsia-dyed quillwork around the middle is an aniline color, an artificial coal tar dye developed in the 1840s. This piece probably was made just after 1850 (Hanson 1994: 253). Published: Spirits in the Art (Hanson 1994: 253, plate 263) Ex H.B. Bompas Collection (July 12, 1937) $3,000 - 5,000
6 THE LIFETIME COLLECTION OF FORREST FENN
5 I & H Sorby Dag Knife Blade 19th $1,500lengthstampedcenturyontang11inches-2,500
This style of bag... is often identified as a knife sheath. The rounded end and gathered middle, however, are typical of eastern and northern gun cases. This bag bears an uncanny resemblance to the pistol bags in which new arms were regularly shipped to America. During the War of 1812, an American officer commented that he knew the pro-British Indians just had received new weapons because their guns were still in cloth cases.
6 Northern Cree Quilled Hide Knife Sheath mid-19th thread-sewncenturysmoke-tanned hide; having finely quilled strip around opening which is further decorated using larger blue beads and quillwrapped fringe overall length 18 inches
7 Wrought Iron Strikers 19th century lot of 3, includes one made of a file lengths 2-1/4 inches - 3-1/2 inches $300 - 500 8 Prairie / Great Lakes Trade Silver Ear Bobs 19th century 50 count, lengths range from 1/2 inch - 2 inches Published: Spirits in the Art (Hanson 1994: 255, plate 265) $500 - 700 9 Dutch Clay Trade Pipes, Found at Fort Orange, Albany, New York ca 1620 lot of 2, lengths 6-1/2 inches and 5-1/2 inches $500 - 700 7 8 9 7FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
This is a pair of upper-Missouri-style men’s slippers, most likely made by the Arikara. One is turned to show the sole of buffalo rawhide, cut to the white man’s preferred pattern. (Hanson 1994: 141) Published: Spirits in the Art (Hanson 1994: 141, plate 144) With a copy of a letter dated 1865, referencing the gifting of this pair of moccasins. - 1,200
$800
10 Ho Chunk Decorated Wood Pelt Stretcher fourth quarter 19th century crescent-shaped cutouts with engraved outlining; red pigment; inked collection history on verso overall length 12-3/4 inches x width 4-1/2 inches Ex Wilford Chandler Collection; Ex Joe Rivera Collection $2,000 - 4,000 12 Upper Missouri Beaded Hide Moccasins third quarter 19th century thread and sinew-sewn, one with recycled parfleche sole; beaded abstract geometric design in colors of cobalt, white, translucent green, translucent red, translucent marigold, pea green, and greasy yellow length 9-3/4 inches
12 10 8 THE LIFETIME COLLECTION OF FORREST FENN
11 Seneca Black Tanned Quilled Moccasins third quarter 18th century thread and sinew-sewn; brightly quilled vamps, with linear designs; quilled cuffs, edged with red cloth and beaded with white seed beads length 9-5/8 inches To the right is a pair of Iroquois moccasins, probably of Revolutionary War vintage, but possibly from as early as the French and Indian War. (Hanson, 1994: 252) Published: Spirits in the Art (Hanson 1994: 252, plate 262) $8,000 - 10,000 9FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
European Upper Missouri Wax Figures, Modeled After Karl Bodmer’s Mandan mid-19th century lot of 2 male figures; heights 17-1/2 inches and 17-1/4 inches
When Prince Philip Maximilian of Germany brought the painter Carl Bodmer to America in 1832, they traveled west to the Rocky Mountains on a mission to document the natural history and native peoples of the area. Two years later Maximilian returned home with 427 of Bodmer’s watercolor paintings under his arm… He was welcomed by an immense interest in what he had seen and done in the new world.
10 THE LIFETIME COLLECTION OF FORREST FENN
13
These two male dolls, which were made as three-dimensional reproductions of some of Bodmer’s Indian portraits, are faithful to the clothing styles of the Mandan and other tribes that he Invisited.1945 these dolls were acquired by the Trapp Hagen School of Fashion in New York, which later deaccessioned them. The lance, arrows, and feather fan have been restored Published: Historic American Indian Dolls (Fenn 2007: 106-109, plate 33) $6,000 - 8,000
14 Osage or Delaware Hide Doll ca thread-sewn1800 hide body, with embroidered eyebrows and mouth; doll wears tin and copper earrings, floral calico blouse with three buckles, navy trade wool skirt, and red and gold cotton leggings with hide Published:heightmoccasins10-1/8inches Historic American Indian Dolls (Fenn 2007: 138, plate $4,00048)- 6,000 15 Nuu-chah-nulth Wood Doll early 20th century seated figure wears a patterned cotton cloth tunic and carved and painted hat height 4-5/8 inches Ex Amundsen Collection $400 - 600 11FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
16 Blackfeet Beaded Hide Vest late 19th thread-sewncenturysoftly tanned hide beaded in colors of light blue, greasy yellow, red white-heart, pink, pea green, and translucent green; studded with tacks and brass buttons length 22 inches x chest 17 inches The vest... shows the floral tradition that developed across Canada west to the Pacific coast and north to the Subarctic. This style originated in the seventeenth and eighteenth centuries in the East where French nuns and settlers taught fancy embroidery and weaving to the Hurons and disaffected Iroquois. These people migrated west. Many Iroquois men worked in the Rocky Mountain fur trade. In the 1820’s, some Iroquois women were captured by the Blackfeet and lived with them. Thus the Iroquois spread their adopted art style across the continent. This vest probably dates to the 1890’s and has an interesting decorative pattern of iron tacks that are clinched on the back to hold them in place (Hanson, 1994: 55). Published: Spirits in the Art (Hanson 1994: 55, plate 54) $6,000 - 8,000 12 THE LIFETIME COLLECTION OF FORREST FENN
17 Metis Quilled Hide Vest fourth quarter 19th century thread-sewn and quilled on front with imagery of birds and flowers; mother-of-pearl buttons length 21 inches x chest 17 inches Published: Spirits in the Art (Hanson 1994: 55, plate 53) $2,000 - 4,000 18 Prairie Beaded Wool Leggings fourth quarter 19th century thread-sewn and beaded with colors of pumpkin, pony trader blue, and white; decorative brass buttons length 16 inches $400 - 600 13FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
19 Apsáalooke Imitation Bear Claw Necklace, with Trade Beads third quarter 19th century 19 mountain sheep horn pendants carved to mimic grizzly bear claws are strung on a hide thong with Venetian black and white “skunk” beads necklace length 19 inches; average pendant length 5 inches Ex Putt Thompson, Montana $2,000 - 4,000 20 Northern Plains Shell Breastplate late 19th century cow horn disks, small shell, brass, and faceted cobalt beads overall length 23 inches x width 13 inches $1,000 - 2,000 21 Plains Bone Hairpipes late 19th century lot of 51, average length 4 inches $200 - 400 21 20 19 14 THE LIFETIME COLLECTION OF FORREST FENN
22 Plains Copper Armbands third quarter 19th century pair, internal circumference 6 inches x width 2 23$600inches-800 Athapaskan Loom Quilled Belt first quarter 20th century brightly quilled with alternating butterfly and stacked diamond design length 23 Published:inches Spirits in the Art (Hanson 1994: 258, plate 267) $1,000 - 1,500 24 Sioux Quilled Hair Drop fourth quarter 19th century with quilled cross design overall length 27-1/2 inches $1,000 - 2,000 24 23 22 15FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
25 Cheyenne Beaded Hide Leggings, with Lizards fourth quarter 19th century sinew-sewn softly tanned hide; decorated using glass beads in colors of cobalt and white; large red white-heart, blue padre, and dew claws on fringe length 35 inches While green represented the earth, yellow symbolized the sun, the deity that sustained Plains Indian culture. Every Plains tribe used both colors, but green was more common on the Southern Plains while yellow was dominant among the Cheyennes north and Thesesouth...Cheyenne leggings have dainty lizards beaded on the batwing flaps. They are a prayer that the warrior wearing the leggings will be as quick and elusive as the lizard that darts to and from, seldom seen and difficult to catch. White heart beads are used as pendants to define the shape of the leg. The side and bottom fringes are tinted green, perhaps to represent the horizon (Hanson 1994: 60). Published: Spirits in the Art (Hanson 1994: 60, plate 60) Converging Streams: Art of the Hispanic and Native American Southwest (Wroth & Gavin, 2010: 183, plate 45) Ex Joseph Henry Sharp Collection $6,000 - 8,000 26 Cheyenne Beaded Hide Leggings fourth quarter 19th century sinew-sewn softly tanned hide, with yellow and red pigments; small glass beads in colors of cobalt, white, and rose decorate ankles; interior with additional red pigment overall length 20-1/4 inches $1,000 - 1,500
16 THE LIFETIME COLLECTION OF FORREST FENN
27 Hidatsa Doll, with Beaded and Quilled Dress fourth quarter 19th century thread-sewn cotton body with hide head and beaded facial features; yoke is accented with beaded lanes in colors of white, greasy yellow, and translucent red; further embellished with a necklace resembling a peace medal, and a wood and glass mirror board height 14-1/4 inches Published: Historic American Indian Dolls (Fenn 2007: 5455, plate 8) Spirits in the Art (Hanson 1994: 131 & 132, plate 131 & 131a) $8,000 - 10,000 17FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
28 Sioux Beaded Hide Doll ca thread1900and sinew-sewn softly tanned thick hide; beaded using colors of light blue, red, greasy yellow, cobalt, and white; yoke of dress with yellow pigment; long triple-strand bead earrings finish with an abalone shell drop height 20-1/2 inches Ex Nina Meyers Collection $2,000 - 3,000 29 Sioux Doll, with American Flags late 19th century thread and sinew-sewn cloth body with hide head; dress features a fully beaded yoke with flag and rainbow; cinching the dress at the waist is a beaded belt, complete with awl case, sewing kit, and turtle fetish height 16-1/4 inches $3,000 - 5,000 18 THE LIFETIME COLLECTION OF FORREST FENN
Historic American Indian Dolls (Fenn 2007: 138, plate 48) Spirits in the Art (Hanson 1994: 131, plate 131) $3,000 - 5,000
19FOR ADDITIONAL IMAGES AND
DETAILS VISIT HINDMANAUCTIONS.COM
30 Sioux Beaded Hide Doll fourth quarter 19th century beaded eyes and mouth are accented with red paint; fringed dress has yellow pigment and is decorated with lanes of periwinkle seed beads; tacked harness leather belt and drop height 13 Published:inches
31 Sioux Beaded Doll, with Necklace fourth quarter 19th century navy trade wool dress dotted with white glass beads; quilled choker, tooth necklace, concha belt with drop, and beaded hide boot moccasins height 15-1/2 inches A striking feature on this doll is the necklace made of fifty-two teeth from a small, carnivorous animal, maybe a weasel. Each tooth is separated by a white seed bead, and the necklace is fastened in back by a handshaped shell button. (Fenn 2007: 72) Published: Historic American Indian Dolls (Fenn 2007: 72-73, plate $6,00017)- 8,000 LOT
32 Sioux Doll, with Red Trade Wool Dress fourth quarter 19th century height 13-1/4 inches
20 THE LIFETIME COLLECTION OF FORREST FENN
Published: Historic American Indian Dolls (Fenn 2007: 112-113, plate 35) $2,000 - 4,000 33 Cheyenne Beaded Hide Dress, with Brewer Made Doll fourth quarter 19th century AND late 20th century dress is thread and sinew-sewn with beaded yoke and remnants of red pigment height 13 inches In 1976 I found this nice old dress in an antique shop, but it came without a body. The problem was solved a few years later when Bill and Cathy Brewer, the great restoration experts, made a doll for me....So that no one in the future would think she is as old as the dress, I wrote the Brewers’ names on the back of her right leg. (Fenn 2007: 126) Published: Historic American Indian Dolls (Fenn 2007: 126-127, plate 42) Spirits in the Art (Hanson 1994: 136, plate 136) $600 - 800
34 Cheyenne Beaded Doll fourth quarter 19th century thread-sewn cotton body with hide head; dress beaded in colors of red white-heart, cobalt, greasy yellow, and white height 10-1/4 inches Published: Historic American Indian Dolls (Fenn 2007: 122123, plate 40) $2,000 - 4,000 35 Cheyenne Doll, with Painted Dress fourth quarter 19th century thread-sewn cloth body; face with beaded eyes and mouth accentuated by painted designs; dress with yellow, red, and blue pigments height 14-1/2 inches Published: Historic American Indian Dolls (Fenn 2007: 74-77, plate 18) Spirits in the Art (Hanson 1994: 134, plate 134) $3,000 - 5,000 21FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
36 Apsáalooke Male Doll fourth quarter 19th century thread-sewn hide doll with an elongated torso; traditional pompadour hairstyle; beaded features and button earrings; clothed with a beaded hide vest layered with a calico tunic height 17-3/4 inches Published: Historic American Indian Dolls (Fenn 2007: 48-49, plate 5) Collected by Frank Cody, Buffalo Bill’s brother (noted on tag) $6,000 - 8,000 22 THE LIFETIME COLLECTION OF FORREST FENN
23FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
38 Apache Doll, with Sunrise Tunic late 19th century wood body and cloth head; cotton cloth skirt and hide tunic with fringed edges, further embellished with tin cones, buttons, and a line of beads height 11 Published:inches
37 Apache Doll late 19th thread-sewncenturymuslin doll with hair pulled back in a hair bow; hide dress is painted with orange and yellow pigments, accenting the diamond cutouts along the sleeves and lower edge, backed with a red cloth; further embellished with three rows of tin cones; finishing the doll’s appearance are the cactus kicker moccasins, coated with yellow pigment and decorated with a triangular pattern on the underneath of the toe Another thing that makes this doll different is that she wears a muslin petticoat under a calico underdress, both of which are gathered to provide fluff. The underdress peeks out from under her buckskin dress...(Fenn 1994: 94) height 14-1/4 inches Published: Historic American Indian Dolls (Fenn 2007: 94, plate 27) Spirits in the Art (Hanson 1994: 210, plate 211) $6,000 - 8,000
Historic American Indian Dolls (Fenn 2007: 96-97, plate $3,00028)- 4,000
39 Sioux Quilled Hide Moccasins ca thread1900and sinew-sewn on soft hide; navy trade wool cuff having pinked edges; brightly colored quilled vamps length 10 inches $1,000 - 1,500 40 Sioux Fully Beaded Buffalo Hide Moccasins fourth quarter 19th century sinew-sewn with fully beaded geometric design in colors of pea green, white, navy blue, translucent burgundy, red whiteheart, and faceted brass; yellow pigment on tongues length 11-1/2 inches Published: Spirits in the Art (Hanson 1994: 64, plate 66 and 67) $3,000 - 5,000 41 Sioux Beaded Hide Moccasins fourth quarter 19th century thread and sinew-sewn, cuff’s edged with a red patterned cotton cloth; beaded in colors of navy blue, pea green, and red white-heart against a white Published:lengthbackdrop10inches Spirits in the Art (Hanson 1994: 70, plate 72) $2,000 - 3,000 24 THE LIFETIME COLLECTION OF FORREST FENN
42 Sioux Beaded Hide Moccasins fourth quarter 19th century sinew-sewn and beaded in colors of periwinkle, and translucent green on a white backdrop length 9-5/8 inches $1,000 - 1,500 43 Single Cheyenne Beaded Hide Moccasin third quarter 19th century sinew-sewn, having beaded geometric designs in colors of navy blue, greasy yellow, red white-heart, and light pink on a sky blue background length 11 inches Ex E. Irving Couse Collection; Ex Joseph Henry Sharp Collection $200 - 400 44 Blackfeet Beaded Hide Moccasins fourth quarter 19th century thread and sinew-sewn; cuffs edged with red patterned cotton; geometric design beaded in colors of cobalt, yellow, and red white-heart on a pea green background length 10-3/4 inches Published: Spirits in the Art (Hanson 1994: 71, plate 74) $800 - 1,200 25FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
45 Kiowa Child’s Beaded Hide Moccasins late 19th century thread and sinew-sewn on hide coated with yellow and red pigment; beaded lanes in colors of white, translucent green, translucent burgundy, translucent navy blue, and red white-hearts; braided fringe dusters length 4-1/8 inches Ex Richard Pohrt Collection, Michigan $500 - 700 46 Kiowa Beaded Hide Moccasins fourth quarter 19th century thread and sinew-sewn; hide with yellow and red pigment; remnants of fringe dusters; beaded in colors of white, pea green, navy blue, and red lengthwhite-heart10-1/2 inches Published: Spirits in the Art (Hanson 1994: 68, plate 70) $3,000 - 4,000 47 Kiowa Beaded Hide Moccasins late 19th century thread and sinew-sewn soft hide; body and cuffs coated in yellow and red pigment; twisted hide dusters line the back while hide fringe adorns the outer edge of vamps; beaded lanes in colors of translucent blue, greasy yellow, greasy pink, and red Published:lengthwhite-heart10-3/4inches Spirits in the Art (Hanson 1994: 67, plate 68) $1,500 - 2,500 26 THE LIFETIME COLLECTION OF FORREST FENN
$4,000 - 6,000 27IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
48 Kiowa Beaded Hide Moccasins late 19th century thread and sinew-sewn with remnants of hide fringe dusters; gourd stitched beaded lanes; cuffs and tongue with green pigment length 10 Published:inches Spirits in the Art (Hanson 1994: 69, plate 71)
$3,000 - 5,000
49 Kiowa Beaded Hide Moccasins fourth quarter 19th century thread-sewn on softly tanned hide; solitary beaded design on vamps and a single lane edging cuffs length 9-1/4 inches $1,000 - 2,000 50 Comanche Beaded Hide Moccasins fourth quarter 19th century thread and sinew-sewn on soft, thick hide; beaded lanes of cut beads line the sole, vamps, tongue, and cuffs; a line of brass tacks placed in center of lengthvamps 10-3/4 inches
The last pair in the row, probably Comanche, resembles the Osage-style moccasin being made in Indian Territory around the turn of the century (Hanson 1994: 68) Published: Spirits in the Art (Hanson 1994: 68, plate 70)
FOR ADDITIONAL
51 Comanche Beaded Hide Moccasins late 19th thread-sewncenturysoft hide with twisted hide dusters at heel; vamps have two parallel beaded lanes housing rows of tacks and a line of tin cones; tongue features a beaded medallion with feather and cross design length 10-3/4 inches Published: Spirits in the Art (Hanson 1994: 67, plate 69) $6,000 - 8,000 28 THE LIFETIME COLLECTION OF FORREST FENN
52 Kiowa Beaded Boot Moccasins fourth quarter 19th century thread-sewn hide coated with yellow pigment; repeating painted black stripes decorate the back; front with beaded lanes accentuating by domed German silver buttons; beaded abstract medallion accents the vamps height 19 inches; moccasin length 9-1/2 inches $4,000 - 6,000 53 Kiowa Beaded Boot Moccasins fourth quarter 19th century thread and sinew-sewn soft hide coated in yellow pigment; twisted hide fringe along lower edge of cuffs; two rows of domed German silver buttons height 18 inches, moccasin length 9 inches $4,000 - 6,000 29FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
54 Comanche Beaded Hide Boot Moccasins fourth quarter 19th century thread and sinew-sewn; hide coated in yellow, green, and red pigment; beaded lanes house two rows of German silver tacks height 18-1/2 inches; moccasin length 8-1/4 $3,000inches - 5,000 55 Comanche Beaded Hide Boot Moccasins late 19th thread-sewncenturyhide coated with yellow and green pigment; decorated with a beaded medallion on the vamps and beaded lanes housing rows of German Silver heighttacks16-1/4 inches; moccasin length 8 inches $4,000 - 6,000 30 THE LIFETIME COLLECTION OF FORREST FENN
56 Northern Plains Beaded Hide Tobacco Bag fourth quarter 19th century sinew-sewn and beaded with colors of red whiteheart, green, dark blue, cut brass, and white; throat coated with green pigment; lower edge with triangular tabs and long fringe overall length 27 inches Published: Spirits in the Art (Hanson 1994: 121, plate 123) $3,000 - 5,000 57 Sioux Beaded Hide Tobacco Bag late 19th century thread and sinew-sewn; beaded using colors of red white-heart, dark blue, pea green, greasy yellow, and overallbrasslength 34 inches $1,500 - 2,500 58 Sioux Beaded Hide Tobacco Bag fourth quarter 19th century sinew-sewn and beaded using colors of cobalt, red white-heart, white, and cut brass; pinked triangular tabs along lower edge overall length 24-1/2 inches Published: Spirits in the Art (Hanson 1994: 121, plate 123) $2,000 - 4,000 31FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
60 Metis Cree Beaded Bandolier Bag fourth quarter 19th century thread-sewn wool; having a floral design on strap and pouch using an assortment of colors; silk and cotton ribbon edging; backed with polished cotton overall length 35-1/2 inches x width 10-1/4 inches
25 inches x width 9 inches
Published: Spirits in the Art (Hanson 1994: 259, plate 268) $1,500 - 2,500
Published: Spirits in the Art (Hanson 1994: 259, plate 268) $2,000 - 4,00059Northwestern Beaded Octopus Bag ca thread1900and sinew-sewn red trade wool designed with floral elements; tabs dotted with pink glass overallbeadslength
This bag... is known today as an octopus bag because of the four pairs of long tabs at the bottom. In the nineteenth century, such bags were called fire bags since they were used to store flint, steel, and tinder. The bag style apparently originated around the Canadian side of the Great Lakes and was probably developed by the mixed-blood Metis...
The style spread across the continent. Late nineteenth century photographs show the octopus bag in use among the Tlingits on the Pacific. It also enjoyed favor as far north as the Subarctic. This example, with its asymmetrical beaded design, was probably made around the Great Slave Lake by a Slavey woman about 1900 (Hanson 1994: 259).
32 THE LIFETIME COLLECTION OF FORREST FENN
61 Southern Cheyenne Painted Hide Shield fourth quarter 19th century cover is made from softly tanned thin hide cover painted in colors of yellow, red, black, and green and depicting a battle scene; paired dew claws and dyed imagehorsehairiscentered and features a galloping stallion and Cheyenne warrior with lance, the warrior wears a long feathered headdress and holds a shield; an enemy warrior (possibly Ute) has his bow and arrow drawn and quiver slung across his back, his hip/abdomen being punctured by the lance of the Cheyenne; below the central image lies a second enemy, outstretched with rifle in one hand and two wounds received to the thigh and knee diameter 15 inches Published: Converging Streams: Art of the Hispanic and Native American Southwest (Wroth & Gavin, 2010: 184, plate 164) $40,000 - 60,000 33FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
62 Yankton Sioux Beaded Hide Quiver, with Arrows third quarter 19th century sinew-sewn and beaded on both sides in colors of white, red white-heart, pea green, and cobalt; opening edged with cotton; with nine metal-tipped quiverarrowslength 22-3/4 inches; average arrow length 25 Published:inches Spirits in the Art (Hanson 1994: 43, plate 42) $8,000 - 10,000 34 THE LIFETIME COLLECTION OF FORREST FENN
63 Mandan-Hidatsa Painted Wood Quirt third quarter 19th century having thick hide lashing coated in red pigment and embellished with light blue and red whiteheart glass beads and red wool; sinew-sewn buffalo hide wrist strap overall length 42 inches; length of quirt 19-3/4 Thisinchesquirt... was part of the regalia of the MandanHidatsa Lumpwood Society, a warrior fraternity... red horse tracks on one side, to indicate successful horse-stealing raids, and diagonal stripes on the other side, to record coups counted on enemies (Hanson 1994: 39) Published: Spirits in the Art (Hanson 1994: 39, plate 38) $3,000 - 5,000 35FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
64 Northern Plains Elk Antler Quirt, with Decorations third quarter 19th century crossed and semi-circular detailing on upper portion; harness leather lashing with red trade wool; thread and sinew-sewn buffalo hide wrist strap beaded in colors of greasy yellow, red whiteheart, and translucent green overall length 31 inches; length of antler and wrist strap 17 Published:inches Spirits in the Art (Hanson 1994: 39, plate 38) $5,000 - 7,000 36 THE LIFETIME COLLECTION OF FORREST FENN
65 Kiowa Hickory Bow second half 19th century length 54-1/2 inches The far-right bow is Kiowa. It is shown here from the belly side. It is made of hickory, a favorite wood often hauled in by traders from Missouri to the Plains tribes, who paid as much as a buffalo robe for a cured piece of hickory big enough for a bow. The dark area at the top end is a smoke stain. Published: Spirits in the Art (Hanson 1994: 44 & 45, plate 43) $600 - 800 66 Plains Recurve Wood Bow fourth quarter 19th century length 42-3/4 inches $500 - 700 37FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
67 Sioux Catlinite Tomahawk Pipe Bowl, with Horse fourth quarter 19th century length 5-1/2 inches x width 5 inches $2,000 - 4,000
68 Western Great Lakes Figural Catlinite Pipe Bowl ca T-shaped,1900 with the bowl carved into a human head; stem of bowl inscribed with arrows; keel pierced through length 5 inches x height 2-1/4 inches Published: Spirits in the Art (Hanson 1994: 116, plate $1,000120)-1,500
38 THE LIFETIME COLLECTION OF
69 Western Great Lakes Twisted and Decorated Pipe Stem, with Inlaid Catlinite Bowl second quarter 19th century elongated twisted stem with rectangular cutouts; pictographic carvings on one side; opposite with inked collection number UYE4 1830; bowl is heavily decorated with lead inlay overall length 28 inches; stem length 24-1/4 inches; bowl length 5 inches x height 3 inches This stem is probably from the Western Great Lakes. The series of small incised carvings probably form a prayer in pictographs. Such messages are often encountered among the Ojibwas. The sinuous fluted spirals are, of course, carved; but some people believe wrongly that the stem was twisted to form this shape. This piece could well date before 1800 (Hanson 1994: 116). Stem is Published: Spirits in the Art (Hanson 1994: 116-117, plate 120) $5,000 - 7,000 FORREST FENN
71 Plains Tacked Pipe Stem, with Copper Wire Wrapping third quarter 19th century thin stem decorated with brass tacks, red dyed horsehair, and copper wire wrapping length 23-1/4 inches Published: Spirits in the Art (Hanson 1994: 116, plate 120) $4,000 - 6,000 70 Eastern Sioux Quilled Pipe Stem, with Catlinite Bowl third quarter 19th century stem wrapped with quillwork in colors of white, blue, red, green, and yellow; silk ribbon additions; L-shaped bowl decorated with concentric rings overall length 26 inches; length of stem 21-1/2 inches; length of bowl 5-1/4 inches x height 3 inches Published: Spirits in the Art (Hanson 1994: 116-117) c.f. Straight Tongue: Minnesota Indian Art from the Bishop Whipple Collections (Casagrande and Ringheim 1980: 58, figs. 28, 29, 32) $3,000 - 5,000 39FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
72 Sioux Carved and Painted Pipe Stem, with Catlinite Bowl fourth quarter 19th century cylindrical stem carved with four balls and three “cages”; painted in red and yellow; T-shaped catlinite bowl with beveled anterior projection overall length 28-1/2 inches; length of stem 24 inches; length of bowl 6 inches x height 4-3/4 inches Published: Spirits in the Art (Hanson 1994: 118-119) $6,000 - 8,000 73 Plains Tacked Mirror Board fourth quarter 19th century decorated with 17 brass tacks; inset circular mirror; verso with chip-carved roundel length 10-1/2 inches x width 4-1/4 inches $2,000 - 4,000 40 THE LIFETIME COLLECTION OF FORREST FENN
74 Apsáalooke Tacked Wood Mirror Board fourth quarter 19th century thick beveled mirror set in a pronged board studded with 35 brass tacks length 11-1/4 inches x width 4-1/2 inches Ex Putt Thompson, Montana $1,500 - 2,500 75 Apsáalooke Painted Mirror Board fourth quarter 19th century painted in red and blue and studded with approximately 134 brass tacks; center mirror is a Victorian-era mounted compact with lithograph length 18-1/4 inches $6,000 - 8,000 41FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
76 Buffalo Skull, with Arrowhead second half 19th century flint arrow lodged above left eye socket length 19 inches $4,000 - 6,000 77 Northern Plains Painted Buffalo Hide Robe fourth quarter 20th century faint, yet colorfully painted design includes a village on the edge of a buffalo hunt, with men on foot and horseback charging a herd of lengthbuffalo73 inches x width 60 inches $5,000 - 7,000 42 THE LIFETIME COLLECTION OF FORREST FENN
78 Sioux Beaded Knife Sheath, with Knife fourth quarter 19th century thread and sinew-sewn, with buffalo parfleche liner; beaded geometric designs in colors of translucent green, greasy pink, greasy yellow, navy blue, cobalt, and red white-heart; knife blade marked LANDERS FRARY & CLARK sheath length 9-5/8 inches; knife length 11 inches Published: Spirits in the Art (Hanson 1994: 25, plate 24) $3,000 - 5,000 79 Cheyenne Beaded Knife Sheath, with Knife third quarter 20th century made from recycled buffalo hide parfleche; sinewsewn beaded panel in colors of greasy yellow, greasy pink, and cobalt; hide fringe line the lower edge of beaded panel; knife with horn handle; unmarked blade sheath length 11-1/4 inches; knife length 12-5/8 $6,000inches - 8,000 43FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
Northern Plains Tacked Knife Sheath, with Knife fourth quarter 19th century crafted from harness leather and set with 148 brass tacks; knife handle with pewter star inlay on either side sheath length 12-1/4 inches; knife length 10-3/4 inches $4,000 - 6,000
Published: Spirits in the Art (Hanson 1994: 26, plate 25) $2,000 - 4,00081
80 Sioux Beaded Knife Sheath, with Knife late 19th century crafted from harness leather; edges laced with hide thongs; blade marked STEEL WORTH AND SONS CUTLERS .... FIELD sheath length 10-1/4 inches; knife 12-1/8 inches
82 Assiniboine Knife Sheath, with Knife late 19th century rawhide sheath with triangular cutout and coated in red pigment; copper rivets and laced with hide along the outer edge; includes an unmarked knife with wood handle sheath length 13 inches; knife length 14-1/8 inches
Published: Spirits in the Art (Hanson 1994: 25, plate 24) Ex Richard Pohrt, Sr. Collection; Mentioned in published description as ... obtained 50 years ago from an Assiniboine named Strong at Ft. Belknap, Montana. (Hanson 1994: 25) $1,500 - 2,500
44 THE LIFETIME COLLECTION OF FORREST FENN
Spirits in the Art (Hanson 1994: 258, plate 267) $500 - 700
45FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
Published: Spirits in the Art (Hanson 1994: 26, plate 25) $3,000 - 4,000 85 Athapaskan Beaded Hide Dag Knife Sheath late 19th thread-sewncenturyandbeaded using colors of white, light blue, rose, greasy yellow, and faceted cobalt; edged with pattern cotton and bear fur overall length 19 inches; length of sheath 9-1/2
Spirits in the Art (Hanson 1994: 26, plate 25) $3,000 - 5,000 84 Apsáalooke Beaded Parfleche Knife Sheath fourth quarter 19th century painted in colorful geometric designs; edges lined with red trade wool and a beaded lane in colors of pea green, greasy pink, cobalt, and greasy blue overall length 30 inches; sheath length 14 inches
83 Apsáalooke Beaded Parfleche Knife Sheath fourth quarter 19th century painted in red pigment on the front and edged with red trade wool; beaded linear and geometric designs along the edge and flap in colors of pea green, navy blue, periwinkle, white, red white-heart, and greasy orange length 13
Published:inches
Published:inches
89 Plains Knife, with Figural Wood Handle second half 19th century length 13-1/2 inches $300 - 500 86 Apsáalooke Beaded Knife Sheath, with Standing Rock Agency Issued Russell Knife harnesslate leather liner laced together with beaded cover; handle of knife branded STANDING ROCK AGENCY USII, guard marked RUSSELL sheath length 10-3/4 inches; knife length 15-1/4 $2,000inches - 4,000 88 Resharpened Butcher Knives 19th century lot of 2, lengths 10-5/8 inches and 11-1/4 inches $200 - 400 87 Heavily Resharpened Butcher Knives 19th century lot of 3, lengths 20-1/4 inches, 10-3/4 inches, and 16-5/8 inches $400 - 600 46 THE LIFETIME COLLECTION OF FORREST FENN
90 Heavily Resharpened Butcher Knives 19th century lot of 4, includes: one with heavily shaped handle set with bead eyes; blade with heavily worn stamp possibly reads ONIARICK length11-3/8 inches a butter knife, blade marked TILLOTSON SHEFFIEN length 7-1/2 inches a heavily resharpened blade with blunt end; not lengthmarked6-3/4 inches one blade marked IRON length 7-5/8 inches on blade not marked length 7-7/8 inches $300 - 50092 Early Plains Dag Knife 19th century wood handle with brass guard; starburst designs around copper pins length 12 inches $400 - 600 91 Russell Green River Work Antler Handled Knife 19th bladecenturymarked RUSSELL GREEN RIVER WORKS length 9 inches $200 - 400 47FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
93 Plains Tacked Telescope and Case fourth quarter 19th century tacked harness leather strap overall length 27-3/4 inches Joseph Henry Sharp painted a portrait of Bill Jones, a fullblood Gros Ventre army scout who wore a virtually identical telescope case with tacked strap around his neck. Sharp wrote that when Jones came into his studio and saw the finished portrait, he demanded five dollars because he couldn’t sleep. Sharp asked why, and the Indian replied, “You painted me with my eyes open. How do you expect me to sleep with my eyes open?” (Hanson 1994: 28) Published: Spirits in the Art (Hanson 1994: 28, plate 27) $6,000 - 8,00094 Kiowa Honing Stone in Hide Sheath fourth quarter 19th century sinew-sewn utilitarian hide case with short fringe and inked collection number; quartz honing stone overall length 10 inches; case length 6 inches; stone length 5-1/2 inches $500 - 700 48 THE LIFETIME COLLECTION OF FORREST FENN
95 Kiowa-Apache Utility Belt fourth quarter 19th century
harness leather belt with attached wet stone case, awl case, beaded strike-a-light bag, mirror, knife and sheath, beaded fetish, and two pouches overall length 35-1/4 inches
49FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
The strike-a-light bag, in classic Kiowa hourglass shape, contains a well-worn flint hide scraper that is still thickly covered with dried grease. The second awl case contains two matching bone awls tied together with string. The last container is an undecorated strike-a-light pouch. The belt itself is an old cowboy-style cartridge belt with the loops removed. The buckle is made from a pair of saddle cinch rings. (Hanson, 1994: 78) Spirits in the Art (Hanson 1994: 78, plate 82) The Mystic Warriors of the Plains (Mails, 1995 edition: 463, illustrations b-h) Ex Fred Harvey Collection $10,000 - 15,000
The belt… was purchased from the Kiowa Apache chief, White Man, about 1890.
Illustrated:
Published:
The pouch on the left contains two cow horns. One is filled with cloth tinder; the other contains round lead balls. The awl case has a wooden-handled awl with a fine, round, metal blade apparently made from a large needle. Also attached are a lizard amulet and a knife and sheath. In the center back is a round trade mirror.
96 Plains Tacked Belt second half 19th century length 41-1/4 inches $1,000 - 2,000 97 Kiowa Girl’s German Silver Belt fourth quarter 19th century seven domed German silver conchas are tied to harness leather belt using hide thongs; first concha is decorated with concentric rings and cutouts overall length 22 inches Published: Spirits in the Art (Hanson 1994: 76, plate 80) $2,000 - 3,000 98 Kiowa Beaded Dispatch Case third quarter 19th century sinew-sewn commercial leather; front beaded in colors of light blue, white, cobalt, and green; verso with manuscript collection label: Mail Pouch owned by Indian Blanco Charley U.S. Mail Carrier between White C-[illegible] and Fort Stanton, New Mexico. Obtained from Friedrich Shuth Waterbury Conn. length 9 inches x width 6-3/4 inches Ex Mike Kokin, Santa Fe, New Mexico $4,000 - 6,000 99 Sioux Painted Parfleche Case, with Mirror fourth quarter 19th century brightly painted in yellow, blue, green, and black; with tin cone and bead embellishments; heavy rectangular mirror inside length of case 5 inches x width 6 inches From the Studio of E.I. Couse, Taos, New Mexico $2,000 - 4,000 97 99 98 96 50 THE LIFETIME COLLECTION OF FORREST FENN
100 Kiowa Beaded Awl Case, with Awl fourth quarter 19th century sinew-sewn harness leather; beaded cap in colors of translucent burgundy, white, and greasy blue; awl has been created from a filed down knife length 6 inches $1,000 - 2,000
101 Kiowa Beaded Awl Case fourth quarter 19th century sinew-sewn harness leather, with beaded geometric design in colors of translucent burgundy, navy blue, and white; twisted hide fringe wrapped with tin overallspacerslength 12 inches $1,500 - 2,500
102 Cheyenne Beaded Hide Awl Case fourth quarter 19th century sinew-sewn harness leather, with edge beading in colors of white, black, greasy blue, navy blue, and light blue; further decorated with tin cones filled with dyed horsehair overall length 15-1/2 inches
51FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
Published: Spirits in the Art (Hanson 1994: 93, plate 101) $1,000 - 2,000
103 Apache Beaded Buffalo Hide Awl Case fourth quarter 19th century thread-sewn on soft, thick hide coated with yellow pigment; beaded lanes accentuate the curves of the case; rows of tin cones are attached by hide thongs overall length 17-1/2 inches $3,000 - 5,000 104 Apache Beaded Hide Awl Case third quarter 19th century sinew-sewn on softly tanned hide; a silver brooch decorates the lower end and a brass spread eagle button adorns the top overall length 19 inches All of these cases have metal cones, beadwork, and attractive leather shapes. The third case has an early Eastern Woodland-style silver brooch as decoration on the bottom tab. (Hanson 1994: 209) Published: Spirits in the Art (Hanson 1994: 209, plate 210) $3,000 - 5,000 52 THE LIFETIME COLLECTION OF FORREST FENN
HINDMANAUCTIONS.COM
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Published:inches Spirits in the Art (Hanson 1994: 88, plate $3,00094)- 5,000 107 Kiowa Beaded Strike-a-Light Bag, with Striker fourth quarter 19th century sinew-sewn and beaded using colors of white, cobalt, rose, and pony trader blue; brick-stitched heart charm; tin cone fringe; striker contained within overall length 17 inches; bag length 6 inches x width 3-1/4 $3,000inches - 5,000
FOR ADDITIONAL
105 Apache Beaded Hide Strike-a-Light Bag fourth quarter 19th century thread and sinew-sewn thick hide; having glass beads in colors of rose, white, greasy yellow, dark blue, and translucent green; fringe with tin cones overall diameter 6 inches Apache strike-a-light pouches seem to come in two silhouettes - rectangular, as the two above, and circular. This latter shape, also is seen among the Comanches as a representation of a peyote button. Perhaps there is a connection between the Apache and Southern Plains tribes relating to the procurement of peyote buttons from the Mexican deserts. There is also a curious parallel between the medium to dark colors of the beads preferred by the Apache and those used by the Kiowas and Comanches (Hanson 1994: 208).
106 Kiowa Beaded Strike-a-Light Bag fourth quarter 19th century having an hourglass form; sinewsewn harness leather and beaded in colors of translucent burgundy, cobalt, white, and sky blue; tin fringe framed with long German silver tubular beads overall length 30 inches; bag length 5-1/2
Published: Spirits in the Art (Hanson 1994: 208, plate 209) $1,000 - 1,500 53IMAGES LOT DETAILS VISIT
108 Kiowa Beaded Strike-a-Light Bag fourth quarter 19th century
elongated hourglass form; sinew-sewn commercial leather and beaded using colors of pony trader blue, translucent green, rose, white, and greasy yellow; opposite has an image of a house; tin cone fringe with twisted hide wrapped with German silver beads and coated in green pigment; decorated German silver button overall length 18-1/2 inches; length of bag 6 inches x width 3-1/4 inches $6,000 - 8,000
Published: Spirits in the Art (Hanson 1994: 89, plate 95) $2,000 - 2,500 110 Kiowa Beaded Strike-a-Light Bag third quarter 19th century
sinew-sewn harness leather beaded using red white-heart, cobalt, light blue, and white; domed German silver button; tin cone fringe overall length 10 inches; length of bag 4-1/2 inches x width 3 inches
sinew-sewn harness leather with hourglass form; colorfully beaded on front and back in colors of red white-heart, navy blue, greasy yellow, greasy green, light blue, white, greasy pink, and translucent forest green; tin cones line upper and lower edges; longer hide thongs wrapped in tin and with crossshaped tin pendants overall length 13 inches; bag length 5-1/2 inches x width 3-3/4 inches
Published: Spirits in the Art (Hanson 1994: 87, plate 92) $3,000 - 5,000
54 THE LIFETIME COLLECTION OF FORREST FENN
109 Kiowa Beaded Hide Strike-a-Light Bag fourth quarter 19th century
111 Kiowa Beaded Strike-a-Light Case fourth quarter 19th century thread-sewn harness leather; beaded in colors of pony trader blue, translucent apple red, white, cut black, cut cobalt, and red white-heart; tin cone fringe hangs from closing flap and lower edge of bag; longer hide thongs have tubular German Silver beads and diamond-shaped pendants overall length 13-3/4 inches; bag length 5-1/2
Published: Spirits in the Art (Hanson 1994: 86, plate 92) $5,000 - 7,000
112 Kiowa Beaded Strike-a-Light Bag fourth quarter 19th century sinew-sewn and beaded in colors of rose, white, and pony trader blue; tin cones and twisted hide overallfringe length 19 inches; bag length 5-1/2 inches x width 3-1/2 inches
113 Kiowa Beaded Strike-a-Light Bag fourth quarter 19th century sinew-sewn harness leather; beaded in colors of light blue, rose, red white-heart, pink, and cobalt; tin cone fringe is attached using cotton twine overall length 6-3/4 inches x width 3-1/4 inches
55FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
Published:inches Spirits in the Art (Hanson 1994: 87, plate 92) $3,000 - 5,000
Published: Spirits in the Arts (Hanson 1994: 87, plate 92) $4,000 - 6,000
116 Kiowa Beaded Strike-a-Light Bag fourth quarter 19th century sinew-sewn harness leather beaded with a geometric design in colors of translucent burgundy, goldenrod, and white; engraved German silver button attached to opening flap; tin cone fringe is framed by longer hide thongs dotted with beads overall length 11 inches; bag length 4-1/2 inches Published: Spirits in the Art (Hanson 1994: 88, plate 94) $4,000 - 6,000
114 Kiowa Beaded Strike-a-Light Bag fourth quarter 19th century thread and sinew-sewn harness leather; designs on front and back are brick-stitched using small glass beads in colors of rose, pony trader blue, white, and translucent green; tin cones and long twisted hide fringe coated with yellow pigment overall length 16 inches; bag length 6 inches x width 3-1/4 inches $3,000 - 5,000
115 Kiowa Beaded Strike-a-Light Case fourth quarter 19th century sinew-sewn harness leather and beaded using colors of white, red white-heart, light blue, dark blue, and “exploding” pony trader blue; rows of tin cones and twisted hide fringe overall length 9 inches; length of bag 5-1/4 inches x width 3 inches Ex Dennis Lessard Collection $1,500 - 2,500
56 THE LIFETIME COLLECTION OF FORREST FENN
Published: Spirits in the Art (Hanson 1994: 88, plate 93) $1,000 - 1,500
119 Central Plains Beaded Strike-a-Light Bag fourth quarter 19th century possibly Cheyenne or Arapaho; sinew-sewn commercial leather beaded with colors of white, cobalt, rose, and pea green; tin cone fringe and button made from a dime length 6 inches x width 4 inches
118 Cheyenne-Arapaho Beaded Strike-a-Light Bag fourth quarter 19th century sinew-sewn harness leather; beaded with triangular designs in colors of translucent burgundy, light blue, pony trader blue, cobalt, white, and greasy yellow; tin cones line the lower edge and closing flap; long twisted hide thongs are strung with tubular German silver beads and terminate with rocker engraved German silver pendants overall length 12-1/4 inches; bag length 5-3/8 Published:inches Spirits in the Art (Hanson 1994: 88, plate 94) $5,000 - 7,000
Published: Spirits in the Art (Hanson: 89, plate 96) $2,000 - 4,000
57FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
117 Kiowa Beaded Strike-a-Light Bag, with Striker fourth quarter 19th century diminutive form; with an hourglass form made of sinew-sewn harness leather; stacked diamond beaded design in colors of translucent red, pony trader blue, yellow, and white; tin cone fringe further decorated with sky blue pony beads and brass bead accents; striker contained within overall length 9-1/4 inches; bag length 3-3/4 inches; x width 2-3/4 inches
120 Arapaho Beaded Strike-a-Light Bag third quarter 20th century sinew-sewn harness leather having an elongated hourglass form; beaded using colors of red white-heart, cut black, greasy yellow, pea green, periwinkle, and translucent forest green; large domed German silver button attached to opening flap; longer twisted fringe with German Silver wrappings frame double row of tin cones overall length 11-1/2 inches; bag length 5 inches $3,000 - 5,000 121 Southern Plains Beaded Buffalo Hide Strike-aLight Bag fourth quarter 19th century sinew-sewn thick hide beaded in colors of white, dark blue, red white-heart, and pumpkin; triangular tabs hang from lower edge and are decorated with a single brass tack; brass beads are strung to closing hide thong overall length 7-1/2 inches x width 2-3/4 inches Ex Harry Thomas Collection $1,000 - 2,000 122 Sioux Beaded Hide Strike-a-Light Bag fourth quarter 19th century sinew-sewn and beaded in colors of apple redwhite heart, cobalt, cut brass, light blue, and white; copper cone fringe with brass military button and lengthcoin 6 inches x width 4 inches Published: Spirits in the Art (Hanson 1994: 91, plate 99) $3,000 - 5,000 58 THE LIFETIME COLLECTION OF FORREST FENN
An argument rages among the experts about how to differentiate between the work of these two [Kiowa and Comanche] tribes. The Comanche seem to have preferred white or green backgrounds and simpler designs. With strikea-light bags, they may have continued to use the older, rectangular shape into the twentieth century. However, intermarriage and constant interchange of designs and artifacts have rendered differentiation nearly impossible, unless tribal origin was carefully documented at the time the object was acquired (Hanson 1994: 89)
124 Fort Peck Assiniboine-Sioux Beaded Hide Strike-a-Light fourth quarter 19th century sinew-sewn and beaded using colors of red white-heart, greasy yellow, pea green, and light and dark blue; tin cone fringe and German silver beads; old collection labels on verso overall length 11 inches; bag length 5 inches x width 3-1/4 inches This example is from the Fort Peck AssiniboineSioux reserve in Montana. The beaded tabs, rectangular shape, and long tails are Sioux characteristics, while the central design and spotstitch technique are usually seen on Assiniboine items (Hanson 1994: 90). Published: Spirits in the Art (Hanson 1994: 90, plate 98) $1,500 - 2,500
125 Apsáalooke Beaded Hide Pouch fourth quarter 19th century sinew-sewn and beaded using colors of translucent green, light blue, pumpkin, white, dark blue, and rose; brass button closure length 4-1/2 inches x width 3 inches
Published: Spirits in the Art (Hanson 1994: 113, plate 118) $500 - 700
59FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
Published: Spirits in the Art (Hanson 1994: 89, plate 95) $1,500 - 2,500
123 Southern Plains Beaded Hide Strike-a-Light Bag fourth quarter 19th century possibly Comanche, sinew-sewn thick hide and beaded using colors white, red white-heart, dark blue, black, greasy yellow, pink, and pea green; further embellished with tin cone fringe and an 1838 Liberty Head Large Cent coin overall length 7 inches
126 Pueblo Warrior Bandolier mid-19th century 13 strands of twisted hide cord; wood flute and hide charm with petrified wood are attached on either overallsidelength 41-1/2 inches c.f. Handbook of the North America Indians: Southwest, Vol. 9 (Sturtevant ed. 1979: 402, figure $6,0007)- 8,000 127 Pueblo Warrior Bandoliers mid-19th century lot of 2, includes: one with four strands of twisted hide, bound with a hide wrapping; dew claw and bone charms are attached on either side length 21 inches another made with twisted and braided hide cord length 19 inches $2,000 - 4,000 60 THE LIFETIME COLLECTION OF FORREST FENN
128 Navajo Bandolier Bag early 20th century crafted from harness leather, the strap and edge of flap decorated with domed fluted silver buttons; the center of the flap sits a fluted domed concha, set with a turquoise stone overall length 37-1/2 inches
129 New Mexican Arrows second half 19th century lot of 4, average length 32 inches
The four longer arrows are believed to have been made by early Spanish colonial New Mexicans. They have hardwood shafts and are much longer than normal Indian arrows. The black paint around the nocks is curious, as are the four sinew wrappings that affix each feather to the shaft. The top arrow point is made from obsidian and the bottom three from old, green bottle glass. All are crudely flaked as to convince one that they are not Indian made. The shafts have no markings, and the points are lashed in such an unusual manner. Each sinew is tied diagonally across the point in front of the shaft. They are also glued in with pitch (Hanson 1994: 182) Published: Spirits in the Art (Hanson 1994: 182 & 183, plate 183) $800 - 1,200
61FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
This style of bag was originally a man’s hunting pouch that held bullets, flints, and other firearms paraphernalia. The prototype of its design, included the concha to help weigh down the flap and the decorative buttons on the strap, most likely came from the Spanish. After muzzle-loaders went out of fashion, men continued to wear such pouches as a convenient pocket or a place to carry a talisman (Hanson 1994: 170) Published: Spirits in the Art (Hanson 1994: 170, plate 172) $3,000 - 5,000
130 Pueblo Painted Buffalo Hide Shield mid-19th century concave form, crafted from 1/2-inch-thick buffalo hide; painted abstract design in colors of yellow, black, and red diameter 19-1/2 inches this shield has been repainted several times during its long life. The uppermost coat may represent a diving eagle or other bird of prey, head down and wings folded, splitting the sky and spreading blood with its destructive beak (Hanson 1994: 179). Published: Spirits in the Art (Hanson 1994: 179, plate 180) $15,000 - 25,000 62 THE LIFETIME COLLECTION OF FORREST FENN
63FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
This cap, which was worn on social occasions, was made in the early part of this century. It was given to Forrest in 1958 by an elderly Apache woman who said it had been made and used by her father.
Upon his death, the hat was retired to a shelf in her house and was not touched for many years. A close inspection reveals an exterior that is much faded with time, while the interior remains pristine with the original strong, brown color of the felt looking new (Hanson 1994: 193).
Published: Spirits in the Art (Hanson 1994: 193, plate 193) $600 - 800
131 Western Apache Felt Cap early 20th century height 4-1/2 inches x diameter 7-1/4 inches
“Apache Campaigns - Fort Huachuca - U.S. Army.” in Huachuca Illustrated: A Magazine of the Fort Huachuca Museum (1999: 106–107).
$4,000 - 6,000
132 Copper Tobacco Canteen, Commemorating Apache Scout Kayitah fourth quarter 19th century crafted of copper, featuring a U.S. cavalry button on the lid and a central copper button with the inscription: Fort Bowie 4th Cavalry US Army Scout SGT Kyetena 1886 length 3-1/2 inches x width 3-1/4 inches Kayitah (Chiricahua Apache, 1856-1934) scouted for the U.S. Army during the Geronimo Campaign in 1886. Along with Lieutenant Charles Gatewood and another Apache scout, Martine, Kayitah played an instrumental role in Geronimo’s final surrender on September 4th. After faithfully serving the U.S. Army, Kayitah and the Apache scouts were sent to Florida and imprisoned at Fort Pickens alongside Geronimo and his band. Upon his release, Kayitah moved to the Mescalero Apache Reservation in New Mexico where he lived out the remainder of his life.
64 THE LIFETIME COLLECTION OF FORREST FENN
133 Pair of Early Mexican or Southwestern Powder Horns second quarter 19th century lot of 2, includes: one with scrimshawed spread-winged eagle and anchor design; faint and illegibly etched name with date 1842; powder measure attached by hide thong length 7-5/8 inches another simply decorated with two engrailed bands and a row of brass tacks length 13 inches
134 Pair of Early Mexican or Southwestern Powder Horns second quarter 19th century lot of 2, includes: one with scrimshawed cross-hatching, and triangular and diamond designs at the spout, center, and butt; the butt engraved P.I. N.A 1839 length 10-1/4 inches one with engrailed banded decorations and a row of brass tacks along the upper edge length 10-1/2 inches
$800 - 1,200
$800 - 1,200
135 Southwestern Shot Pouch and Powder Horns second half 19th century leather shot pouch with carved bird and geometric decorations; two powder horns attached with braided leather thongs, the top with pointillist engraved name and date: OEISTH 1883 A.S; also attached by leather thongs are a carved and engraved antler powder measure and a frisson pick overall pouch length 32 inches; powder horn lengths 7-3/4 inches and 11-1/4 inches $2,000 - 4,000 134 133
135
136 Pueblo Heishi and Turquoise Necklaces first half 20th century lot of 2, includes: a single-strand-necklace strung with rolled turquoise spaced with white heishi, featuring a carved jet pendant necklace length 26-1/2 inches, drop length 14-3/4 inches, pendant length 1-3/4 inches x width 2-1/8 ainchessingle-strand necklace strung with heishi and turquoise tabs necklace length 38-1/2 inches $600 - 800 137 Pueblo Child’s Wood Cradleboard late 19th century terraced board and bentwood visor length 25 inches x width 9-1/2 inches $600 - 800 65FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
138 Apache Figural Basketry Olla fourth quarter 19th century with 13 human figures and bands of vertical rain height 18-1/4 inches x diameter 17-1/2 inches This impressive basket depicts a river with people, trees, and animals along its course. Standing 19 inches tall, it is one of the ollas “captured” by Colonel John Bullis about 1880. Bullis wrote home to his family that he and the doughty Seminole scouts had “swept into the village and captured 6 big Apache ollas filled with grain.” Some anthropologists claim that Apache storage jars were made only for sale because they apparently are never seen in old photographs of Apache wickiups. Colonel Bullis’ testimony and collection should disprove such a theory. (Hanson 1994: 201) Published: Spirits of the Art (Hanson 1994: 201, plate 201) $8,000 - 10,000 66 THE LIFETIME COLLECTION OF FORREST FENN
139 Apache Polychrome Pictorial Basket ca profusely1900 decorated with 48 dogs and six humanoid figures height 12-1/4 inches x diameter 10-1/2 inches Published: Spirits of the Art (Hanson 1994: 207, plate 208) $4,000 - 6,000 140 Apache Basket ca designed1900 with a variety of vertically oriented geometric elements height 13-1/2 inches x diameter 11 inches Published: Spirits of the Art (Hanson 1994: 200, plate 200) $6,000 - 8,000 67FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
141 Jeddito Black-on-Yellow Pottery Bowls AD 1300 lot of 2, includes: one with checkered interior height 3-1/2 inches x diameter 8-1/2 anotherinches having Sikyatki-style winged heightelements4inches x diameter 9 inches $400 - 600 142 Salado Polychrome Pottery Bowl pre-1500 A.D. cream and black on red; interior designed with stylized avian figure height 4-1/4 inches x diameter 9-1/2 $300inches- 500 143 Ancestral Pueblo Black-on-White Bowl and Ladle pre-1500 A.D. lot of 2, includes: a heightbowl 2-1/2 inches x diameter 4-3/4 lengthainchesladle 8-1/4 inches x diameter of scoop 4-1/2 inches $300 - 500 144 San Lazaro Pottery Bowl ca Glaze1650Eand F transitional; interior with cross; geometrics on outside of heightrim 3-1/4 inches x diameter 8 Harlow,Published:inchesFrancis and Dwight Lanmon “The Colored Pottery of San Lazaro Pueblo” in Secrets of San Lazaro Pueblo (Fenn 2004: 292, bowl 28) $1,500 - 2,500 144143 142141 68 THE LIFETIME COLLECTION OF FORREST FENN
145 San Lazaro Pueblo Pottery Jar withpre-1500horizontal handles and painted sunburst design height 2-1/2 inches x diameter 2-3/4 Published:inches The Secrets of San Lazaro Pueblo (Fenn 2004: 321, jar 174) $600 - 800 146 San Lazaro Pueblo Partial Pottery Rim $500heightpre-15005inches-700 147 San Lazaro Pueblo Pottery Jar Rim heightpre-15005-1/4 inches x diameter 111/2 Published:inches The Secrets of San Lazaro Pueblo (Fenn 2004: 324, vessel 50) $500 - 700 148 Group of San Lazaro Pueblo Pukis and Broken Bowls lotpre-1500of8,including two with deep ash largestlayers piece length 13-1/4 inches $1,000 - 1,500 148147 146145 69FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
149 Early San Lazaro Pueblo Black-and-White Pottery Sherds and Rim Pieces lotpre-1350of29, largest length 4-1/8 inches $600 - 800 150 San Lazaro Pueblo Pottery Rim Pieces lotpre-1500of14, longest 4-1/4 inches $600 - 800 151 Collection of San Lazaro Pueblo Pottery Sherds, Many with Human, Dragonfly, and Avian Effigies lotpre-1500of23, longest 4-1/4 inches $600 - 800 152 San Lazaro Pueblo Artifacts lotpre-1500of15, includes: 2 gaming pieces 1 spindle whirl 1 flint drill 1 drilled turquoise pendant 1 broken turquoise bead 1 shell pendant 1 shell bead 2 oliva shells 1 broken shell 1 obsidian point 1 broken pottery effigy, possibly a dog 1 drilled and perforated pottery largestpendantdiameter 2 inches $400 - 600 70 THE LIFETIME COLLECTION OF FORREST FENN
153 San Lazaro Pueblo Pottery Pieces $400length1length1longest2diameter1longest4lotpre-1500of9,includes:humaneffigysherds1-5/8inchesspindlewhorl1-3/4inchesgamingpieces1-5/8inchessherdwithavianeffigy3-3/4inchesbrokenpipe1-3/4inches-600 154 Collection of San Lazaro Pueblo Pottery Artifacts 4lotpre-1500of9,includes:humaneffigypottery sherds longest 1-1/2 inches 1 spindle whorl diameter 2-1/4 inches 2 gaming pieces longest 1-3/8 inches 1 pottery sherd with avian effigy length 3-7/8 inches 1 broken pie length 2-1/2 inches $400 - 600 155 San Lazaro Pueblo Fibrolite Full Groove Axes lotpre-1500of5,lengths 3-7/8 inches, 3-1/2 inches, 2-3/4 inches, 4 inches, and 5-1/4 inches $600 - 800 156 San Lazaro Pueblo Hardstone Mano and Metate lotpre-1500of2,lengths 11-1/4 inches and 6 inches $150 - 300 71FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
157 San Lazaro Pueblo Highly Polished Hardstone Mano $100lengthpre-15008inches -200 158 San Lazaro Pueblo Fibrolite Full Groove Axe lengthpre-15006-1/2 inches $300 - 500 159 San Lazaro Pueblo Bone Artifacts, Personal Finds by Forrest Fenn lotpre-1500of12, includes: 2 flutes, one with painted banded elements lengths 4 inches and 5-1/2 inches 4 longestawls 4-1/2 inches 6 longestbeads 4-3/8 inches $600 - 800 160 Spanish Colonial Artifacts, Found at San Lazaro Pueblo 17th century lot of 33, includes: 6 awls / needles 2 musket balls 2 horseshoe nails 2 buttons 2 fish hooks 2 horseshoe pieces 1 strike-a-light 1 key 1 piece of chainmail 1 broken knife 12 assorted fragments longest 3-1/8 inches $600 - 800 72 THE LIFETIME COLLECTION OF FORREST FENN
161 Collection of Prehistoric and Spanish Colonial Artifacts, found at San Lazaro Pueblo lotpre-1700of80, includes: small pottery bowl drilled pottery sherds broken points animal bones and teeth flaked Apacheburnedgamingobsidianpiecescorntearstones 162 Collection of Spanish Colonial Artifacts, found at San Lazaro Pueblo lotpre-1700of17, includes: 2 tallestbells 1-3/4 inches 1 horseshoe fragment length 3 inches 1 bit shank fragment length 2-3/4 inches 1 candlestick holder Published: The Secrets of San Lazaro Pueblo (Fenn 2004: 161, fig. 46) height 1-1/4 inches 12 assorted artifacts longest 3 inches $400 - 600 163 Spanish Retablo, Dona eis Requiem early 19th century carved of wood with a scrolling frame housing a fiery painted scene with three figures; the reverse is painted with Dona Eis Requiem length 9-1/4 inches x width 7 inches $300 - 500 turquoisescrapers beads piececrystalsshellsof assortmentmicaof Spanish Colonial longestartifacts5-3/4 inches $1,000 - 1,500 73FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
164 Massive Ohkay Owingeh Blackware Pottery Storage Jar ca height193524 inches x diameter 20 inches Published: Spirits in the Art (Hanson 1994: 237, plate 74$4,000247)-6,000THELIFETIME COLLECTION OF FORREST FENN
165 Ohkay Owingeh Pottery Storage Jar first half 19th century large, spherical highly polished jar height 17 inches x diameter 18-1/2 $3,000inches - 5,000 166 Ohkay Owingeh Blackware Pottery Jar having1900-1920aglobular body and fluted rim height 9-1/2 inches x diameter 10-1/2 inches Included is a note of identification from the late Francis Harlow, renowned authority on the evolution of Puebloan ceramic styles, with commentary, Very nice finish. $3,000 - 5,000 75FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
167 Hano Polychrome Pottery Jar ca having1900large form and painted with eagle tail and wing heightimagery13-1/4 inches x diameter 13-1/2 inches Included is a note of identification from the late Francis Published:Harlow. Spirits in the Art (Hanson 1994: 228, plate 235) $8,000 - 10,000 76 THE LIFETIME COLLECTION OF FORREST FENN
168 Hano Polychrome Pottery Storage Olla ca large1900form and designed with hooking and winged elements height 13-1/2 inches x diameter 13 inches Included is a note of identification from the late Francis Published:Harlow. Spirits in the Art (Hanson 1994: 227, plate 234) The decorative style is Hano polychrome. Hano, like Polacca, is a town on First Mesa; it was settled by immigrants from San Lazaro in New Mexico (Hanson 1994: 226). $8,000 - 10,000 77FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
169 Zia Pottery Dough Bowl ca heavy1900and large form; decorated with a band of geometrics height 10-1/2 inches x diameter 18-1/2 inches Included is a note of identification from the late Francis Harlow, with commentary, Zia Polychrome Dough Bowl / Faint evidence of separate red banding / circa 1900 maybe a bit earlier. Published: Spirits in the Art (Hanson 1994: 230, plate 238) $4,000 - 6,000 170 Zia Pottery Dough Bowl ca large1910form having a slight out-turned rim; painted with floral and geometric elements around rim height 9 inches x diameter 17-1/2 inches $4,000 - 6,000 78 THE LIFETIME COLLECTION OF FORREST FENN
171 Zuni Polychrome Frog Jar ca having1940a bulbous body and scalloped rim; four applied frogs are placed on shoulder and separated by butterflies height 9 inches x diameter 10-1/2 inches Included is a note of identification from the late Francis Published:Harlow. Spirits in the Art (Hanson 1994: 225, plate 231) $2,000 - 4,000 172 Kewa Polychrome Pottery Jar, with Birds first quarter 20th century round body with flared rim; body decorated with three heighthummingbirds8inchesxdiameter 8-1/2 inches $800 - 1,200 173 Kewa Pottery Pitcher ca painted1935with two wide-eyed birds height 9-1/4 inches x diameter 6-1/2 inches Published: Spirits in the Art (Hanson 1994: 219, plate 222) $1,000 - 1,500 79FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
174 San Ildefonso Polychrome Pottery Jar ca possibly1900-1905thework of Crescencio Martinez (1879-1918), large globular form and having two strap handles; painted with six unique birds height 15-3/4 inches x diameter 13-1/2 inches Included is a note of identification from the late Francis Harlow, with commentary and suggested attribution: San Ildefonso Polychrome, circa 1900-1905 / Could be painted by Crescencio / Very handsome. Published: Spirits in the Art (Hanson 1994: 234, plate 243) $8,000 - 10,000 80 THE LIFETIME COLLECTION OF FORREST FENN
175 Tunyo Polychrome, San Ildefonso Pottery Jar ca double-handled1910 jar painted using rich colors of deep red and black; interior of rim further decorated with scalloped band height 10 inches x diameter 13-1/2 inches Included is a note of identification from the late Francis Harlow, with commentary: Tunyo Polychrome / circa 1910 / San Ildefonso / Lots of Cochiti and Tesuque influence / in form and layout / and black rim top. $2,000 - 3,000 176 Cochiti Pottery Figure, Opera Singer ca tall,1900thin figure; painted with a cross necklace, concha belt, and rain clouds on shoulders height 19-1/4 inches $1,500 - 2,500 81FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
177 Early Cochiti Pottery Storage Jar ca large,1850ovoid form painted with sharp, angular designs; pitch repair towards heightbase 16-1/4 inches x diameter 1-3/4 inches Included is a letter of identification from the late Francis Harlow: 8 May 1979 The attached photograph, stamped with my seal, illustrates a fine Cochiti Pueblo Storage jar, about 40 cm tall, probably made about 1860 A.D. This typical example demonstrates a rather unusual mend, accompanied with a pitch-lined material, probably by the Indians themselves shortly after the vessel was fired. The exterior slip extends over the rim top and approximately 5 cm down inside. There is no red or black pigment on the rim top, so far as I could see when I examined the jar on 7 June 1978. Published: Spirits in the Art (Hanson 1994, 216, plate 217) $10,000 - 15,000 82 THE LIFETIME COLLECTION OF FORREST FENN
178 Large Cochiti Pottery Storage Jar ca height192017 inches x diameter 18 inches Included is a note of identification from the late Francis Harlow. Published: Spirits in the Art (Hanson 1994: 215, plate 216) The horizontal scratches on the neck were caused during use. It was standard practice to keep mice and other vermin out of a storage jar by inverting a bowl over the top. Such bowl covers abraded the design, but left an interesting ethnographic record of how the pot was used (Hanson 1994: 215). $15,000 - 20,000 83FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
179 Cochiti Pottery Storage Jar height 21 inches x diameter 21-1/2 inches Published: Spirits in the Arts (Hanson 1994: 213, fig. 212) $15,000 - 20,000 84 THE LIFETIME COLLECTION OF FORREST FENN
180 Cochiti Pottery Jar mid-20th decoratedcenturyonbody and rim with boxed and angular heightgeometrics 9-1/2 inches x diameter 10 inches $400 - 600 181 Cochiti Pottery Olla ca spherical1890 body painted with four birds under arcing heightbands 14-1/2 inches x diameter 15 inches Included is a note of identification from the late Francis Published:Harlow Spirits in the Art (Hanson 1994: 217, plate 219) $3,000 - 5,000 182 Mata Ortiz Pottery Olla ca globular1900 form with rounded base; three large birds with a flower are placed within larger medallions height 14-1/2 inches x diameter 16-1/2 inches $1,000 - 1,500 85FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
Native American Art DANICA FARNAND VICE PRESIDENT, SENIOR SPECIALIST @HINDMANAUCTIONS.COMDANICAFARNAND513.666.4935 ERIN @HINDMANAUCTIONS.COMERINRUST513.666.4947SPECIALISTRUST ALYSSA D. @HINDMANAUCTIONS.COMALYSSAQUINLAN3DEVELOPMENTCHIEFEXECUTIVEQUINLANVICEPRESIDENT,BUSINESSOFFICER12.447.3272 MOLLY E. GRON, J.D. SENIOR VICE PRESIDENT DIRECTOR, TRUSTS & ESTATES @HINDMANAUCTIONS.COMMOLLYGRON312.334.4235 TIM LUKE CAI, BAS, MPPA, ISA-AM DIRECTOR, APPRAISALS & VALUATIONS @HINDMANAPPRAISALS.COMTIMLUKE561.833.8053 KRISTINATLANTA VAUGHN VICE BUSINESSPRESIDENTDEVELOPMENT SENIOR DIRECTOR DENVER@HINDMANAUCTIONS.COM303.825.1855BUSINESSCHRISTINEDENVERCLEVELAND@HINDMANAUCTIONS.COM216.292.8300BUSINESSCARRIECLEVELANDCINCINNATI@HINDMANAUCTIONS.COM513.666.4987BUSINESSVAUGHNCINCINNATIATLANTA@HINDMANAUCTIONS.COM404.800.0192SMITHDEVELOPMENTMANAGERPINNEYDEVELOPMENTMANAGERBROSKIDEVELOPMENTMANAGER BUSINESSPAMDETROITIACOBELLIDEVELOPMENT DIRECTOR PALMBEACH@HINDMANAUCTIONS.COM561.833.8053BUSINESSSARAHMIAMI,NAPLES@HINDMANAUCTIONS.COM239.643.4448BUSINESSELIZABETHNAPLESMILWAUKEE@HINDMANAUCTIONS.COM414.220.9200BUSINESSSARAMILWAUKEEDETROIT@HINDMANAUCTIONS.COM313.774.0900MULLOYDEVELOPMENTDIRECTORRADER,PHDDEVELOPMENTDIRECTORPALMBEACHROYDEVELOPMENTDIRECTOR SAN KATIEDIEGOGUILBAULT, G.G. VICE BUSINESSPRESIDENTDEVELOPMENT DIRECTOR WASHINGTONDC@HINDMANAUCTIONS.COM202.853.1638BUSINESSVICEMAURAWASHINGTONSTLOUIS@HINDMANAUCTIONS.COM314.833.0833BUSINESSANNAST.SCOTTSDALE@HINDMANAUCTIONS.COM480.546.5150BUSINESSLOGANSCOTTSDALESANDIEGO@HINDMANAUCTIONS.COM858.442.6104BROWNINGDEVELOPMENTDIRECTORLOUISSHAVERDEVELOPMENTDIRECTORD.C.ROSSPRESIDENTDEVELOPMENTDIRECTOR Estates, Appraisals & Business Development WES @HINDMANAUCTIONS.COMWESCOWAN513.871.1670VICE-CHAIRCOWAN 86 THE LIFETIME COLLECTION OF FORREST FENN
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If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Hindman LLC and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.
Conditions of Sale
It is highly recommended that all prospective bidders either view the sale via our online catalogue or contact Hindman LLC for further images or to schedule an appointment to view objects in person. Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.
Bidding at Auction
Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com.
Hindman LLC can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Hindman LLC and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.334.4232 for further information.
Shipping Arrangements
All bidders with Hindman LLC must read and agree to Conditions of Sale posted in this catalogue prior to bidding at an auction. Viewing Auction Items
Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; and twenty-five percent (25%) of the hammer price on each lot sold for less than $5,001, with a minimum commission of $75 per lot sold. If your property fails to reach the reserve price agreed upon between you and Hindman LLC, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.
Bidding Increments
GUIDE FOR PROSPECTIVE SELLERS
Condition Reports
Live Bid Online
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The standard bidding increments are: $0 - $500 $25 $500 - $1,000 $50 $1,000 - $2,000 $100 $2,000 - $5,000 $250 $5,000 - $10,000 $500 $10,000 - $20,000 $1,000 $20,000 - $50,000 $2,500 $50,000 - $100,000 $5,000 $100,000 - $200,000 $10,000 Above > $200,000 At Auctioneer’s Discretion
If you are unable to attend an auction, you may place an absentee bid, either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. An absentee bid is the highest price you are willing to pay exclusive of buyer’s premium and applicable sales tax. Hindman LLC will exercise absentee bids at no additional charge. Absentee bids are always confidential, and bids are executed at the lowest price possible by the auctioneer according to reserves and competing bids.
In-House Bidding Our auctions are free and open to the public with no obligation for attendees to bid. Registration requires your full contact information, photo identification, credit card information, your signature and agreement to the Conditions of Sale.. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.
88 THE LIFETIME COLLECTION OF FORREST FENN
Evaluation of Property
We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.
Guide
Standard Commission Rates
GUIDE FOR PROSPECTIVE BUYERS
Absentee Bidding
Telephone Bidding
You may register telephone bid requests either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. Upon registering for a telephone bid, you will be called on the day of the auction by a Hindman representative approximately five lots before your item is scheduled to be sold. They will communicate to you the bidding activity and will relay your bids to the auctioneer at your discretion. Please note we can only accept telephone bids for lots with a low estimate of $300 or above unless otherwise noted online. Telephone bids may be requested up to 2 hours prior to the auction start time. Updated 4/8/22 for Prospective Sellers and Buyers
The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes.
We offer pre-auction viewings, either scheduled or by appointment, that are free of charge. If you believe that the catalogue description or condition reports are not sufficient, we suggest you inspect a lot personally or through a knowledgeable representative before you bid on a lot to make sure that you accept the description and its condition. We recommend you hire a professional adviser if you are not familiar with how to address the nature or condition of an object. Hindman has several salerooms throughout the country and the location of sales, or individual items may vary. It is important to check with our website and be aware of where each lot is located, for both viewing and for shipping purposes.
These Conditions of Sale set out the terms upon which Hindman LLC (“we,” “us,” or “our”) sells property by lot in this catalogue. You agree to be bound by these terms by registering to bid and/or by bidding in our auction.
New bidders must register at least twenty-four (24) hours before an auction and must provide us with documentation of their identity.
2. CONDITION
1. LOT DESCRIPTIONS AND WARRANTIES
4. ESTIMATES
3. RETURNING BIDDERS
Estimates of a lot account for the condition, rarity, quality, and provenance of the object and are based upon prices realized for similar objects in past auctions. Neither you nor anyone else may rely on our estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium, any applicable taxes, and any other applicable charges.
C. DURING THE AUCTION 1. BIDDING IN THE AUCTION (a) Live Auctions. We will appoint an individual auctioneer to administer a live auction. The auctioneer may accept bids from (a) written bids left with us by bidders before the auction; (b) bidders in the saleroom; (c) telephone bidders; and (d) Internet bidders, including bidders through third-party bidding sites. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding. (b) Online Auctions. The auctioneer will accept bids from Internet bidders, including bidders through third-party bidding sites. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding.
(a) The bidder and/or purchaser is not subject to trade sanctions, embargoes or any other restriction on trade in the jurisdiction in which it does business as well as under the laws and regulations of the United States, and is not owned (nor partly owned) or controlled by such sanctioned person(s) (collectively, “Sanctioned Person(s)”); (b) Where you are acting as agent, your principal is not a Sanctioned Person(s) nor owned (or partly owned) or controlled by Sanctioned Person(s); and (c) The bidder and/or purchaser undertakes that none of the purchase price will be funded by any Sanctioned Person(s), nor will any party be involved in the transaction including financial institutions, freight forwarders or other forwarding agents or any other party be a Sanctioned Person(s) nor owned (or partly owned) or controlled by a Sanctioned Person(s), unless such activity is authorized in writing by the government authority having jurisdiction over the transaction or in applicable law or regulation.
7. CREDIT CARD AUTHORIZATION HOLD
Our description of a lot, any statement of a lot’s condition, and any other oral or written statement about a lot—such as its nature, condition, artist, period, materials, dimensions, weight, exhibition or publication history, or provenance— are our opinion and shall not to be relied upon by you as a statement of fact. Except for the limited authenticity warranty contained in paragraphs E and F below, we do not provide any guarantee of our description or the nature of a lot.
(c) Timed Auctions. Bids may only be submitted on our website between the dates and times specified in the lot’s description. Your bid is submitted once you place and confirm your bid amount. You agree that a bid is final once it is placed and that you may never amend or revoke your bid. You are fully responsible for any errors you make in bidding. Bidding generally opens at or below the low estimate and increases in steps (bidding increments) to be determined in Hindman’s sole discretion.
1. GENERAL We reserve the right to reject any bid. By participating in the sale, you represent and warrant that:
Conditions of Sale 89FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
3. VIEWING LOTS
If you are bidding as an agent on behalf of another person, your principal must be a registered bidder and must provide us with written authorization allowing you to bid. You, as the agent, shall accept personal liability to pay the purchase price and all other sums due unless we have agreed in writing before the auction that you are acting as an agent on behalf of your principal and that we will only seek payment from your principal.
A. BEFORE THE AUCTION
B. REGISTERING TO BID
6. OUR BIDDING SERVICES We offer the following bidding services as a convenience to our clients, subject to these Conditions of Sale. We shall not be responsible for any error, omission, or failure, human or otherwise, in providing these services.
When you register to bid you may be asked to provide us with a valid credit card number. You authorize us to verify the validity of the credit card by placing a temporary authorization hold on the card that will remain until it falls off, usually within 2 to 7 days.
The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold “AS IS,” in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot’s condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition and may not include all faults, inherent defects, restoration, alteration, or adaptation. Likewise, images in our catalogue may not depict a lot accurately, as colors and shades may appear different in print or on screen than on physical inspection. We are not responsible for providing you with a description of a lot’s condition in the catalogue or in a condition report.
5. BIDDING IN THE SALEROOM If you wish to bid in the saleroom, you must first acquire a bidding paddle at least thirty (30) minutes before the auction.
4. BIDDING FOR ANOTHER PERSON
We may, in our sole discretion, withdraw a lot from auction at any time prior to or during the sale and shall have no liability to you for our decision to withdraw.
(a) Individuals must provide photo identification (driver’s license, non-driver ID card, or passport) and, if not shown on the photo identification, proof of current address (a current utility bill or bank statement). (b) Corporate clients must provide a Certificate of Incorporation or its equivalent bearing the company’s name and registered address, together with documentary proof of directors and beneficial owners. (c) Trusts, partnerships, offshore companies, and other business entities must contact us in advance of the auction to discuss our requirements. If we are not satisfied with the information you provide us in our bidder identification and other registration procedures, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller. New bidders may be required to provide us with a financial reference and/or a deposit before we allow them to bid.
2. NEW BIDDERS
(c) Written Bids: You can find a Written Bid Form at the auction location, or online at www.hindmanauctions.com. We must receive your completed Written Bid Form at least twenty-four (24) hours before the auction. We will endeavor to execute written bids at the lowest possible price consistent with the reserve. If you make a written bid on a lot that does not have a reserve and there is no higher bid than yours, we will bid on your behalf at approximately fifty percent (50%) of the low estimate or, if lower, the amount of your bid. The first written bid we receive of those for identical amounts will be given priority over other bids.
If you have not bought anything from us recently, then we may require you to register as a new bidder, as described in the paragraph above. Please contact us at least twenty-four (24) hours prior to the auction.
5. WITHDRAWAL
(a) Phone Bids: You must contact us at least twenty-four (24) hours prior to the auction to arrange a phone bid. We will accept bids by telephone for lots only if our staff is available to take the bids. We agree that we may record telephone (b)bids.Internet Bids: You can bid in our live sales via our bidding platform or through third-party bidding sites.
4. TRANSFERRING OWNERSHIP TO YOU
(b) If you do not collect any purchased lot within thirty (30) days following the auction, we may, at our sole option, (i) charge you storage and insurance costs; (ii) move the lot to another Hindman location or to a third-party warehouse, whereupon we will charge you transport costs, insurance costs, and administration fees for doing so, and you will be subject to the third-party storage warehouse’s standard terms and responsible for paying its standard fees and costs; or (iii) sell the lot in any commercially reasonable way we think (c)appropriate.Inaccordance with applicable state law, if you have paid for the lot in full but you do not collect the lot within the time specified by the law of the state where the auction takes place, we may charge you state sales tax for the lot.
3. BIDDING ON BEHALF OF THE SELLER
3. MAKING PAYMENT
You will not own the lot and title will not pass to you until we have received full payment in good funds of the purchase price, even in circumstances where we have released the lot to you.
2. AUCTIONEER’S DISCRETION
(b) We can cancel the sale of the lot and sell the lot again, publicly or privately, on such terms as we believe appropriate, in which case you must pay us any shortfall between the amount you owe us and the resale price, plus all costs, expenses, losses, damages, and legal fees we incur due to the cancellation.
Unless we have agreed otherwise with you, the risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) when you collect the lot; or (b) the end of the thirtieth (30th) day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse.
If you fail to pay us the purchase price in full in good funds by the due date, we will be entitled to do one or more of the following (as well as enforce any other rights and remedies we have by law) at our sole discretion: (a) We can charge interest from the due date at a rate of up to one and one-half percent (1.5%) per month on the unpaid amount due.
(a) You must collect purchased lots within thirty (30) days of the auction. We can assist in making shipping arrangements by suggesting art handlers, packers, transporters, or experts, but you must arrange all transport and shipping with them, and we are not responsible for their acts, failure to act, or neglect. Hindman has several salerooms throughout the country and the location of sales, or individual items may vary. It is important to check with our website and be aware of where each lot is located, for both viewing and for shipping.
(b) We will only accept payment from the registered successful bidder. Once issued, we cannot change the buyer’s name on an invoice or reissue the invoice in a different name.
(f) We can reject any bids made by or on behalf of you in future auctions or require you to provide us with a deposit before accepting any bids.
(a) Immediately following the auction, you must pay the purchase price, consisting of the hammer price, plus the buyer’s premium, plus any applicable duties and sales, use, or other applicable taxes. Payment is due no later than by the end of the seventh (7th) calendar day following the date of the auction, which we refer to as the due date.
(d) Nothing in this paragraph is intended to limit our rights under paragraph D(6).
(a) The shipping of a lot is affected by United States export laws or the import laws of other countries. If you are outside the United States, then local laws may prevent you from importing a lot. You alone are responsible for seeking advice prior to bidding and meeting the requirements of any law or regulation applying to the export or import of a lot.
2. TAXES
7. SHIPPING, COLLECTION, AND STORAGE
(iii) Personal checks: You must make these payable to Hindman LLC, and they must be drawn from US dollar accounts from a US bank. The property will not be released until the check has cleared and the funds are received by us.
(g) We can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest, or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us. (h) We can take any other action we deem necessary or appropriate.
(iv) Credit card: Credit card payments may not exceed $10,000 and a convenience fee of 3% will be added to each credit card payment. (v) ACH Bank Transfer (d) You must quote your invoice number when making a payment. All payments sent by post must be sent to Hindman LLC, 1338 West Lake Street, Chicago, IL 60607, ATTN: Client Accounting Department.
The successful bidder is responsible for any applicable taxes, including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. A sales or use tax is dependent upon a number of factors, including, but not limited to, our volume of sale and the place of delivery of the lot, regardless of the nationality or citizenship of the successful bidder. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or where it is picked-up in person. We collect sales tax in states where legally required.
90 THE LIFETIME COLLECTION OF FORREST FENN
4. SUCCESSFUL BIDS AND INVOICES
D. AFTER THE AUCTION 1. THE BUYER’S PREMIUM In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots, we charge twenty-five percent (25%) of the hammer price up to and including $400,000; twenty percent (20%) of any amount in excess of $400,001 up to and including $4,000,000; and twelve percent (12%) of any amount in excess of $4,000,001. If the bidder bids through a third-party platform the bidder agrees to pay us a surcharge equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium.
Subject to paragraph C(2), the contract of sale between the seller and the successful bidder is formed when the final bid is accepted and the auctioneer’s hammer strikes. The successful bid price is the hammer price, and we will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we shall not be responsible for telling you whether your bid was successful. You should contact us immediately after the auction to find out the success of your bid in order to avoid having to pay storage charges. Please note that Hindman will not accept payments for purchased lots from any party other than the purchaser, unless otherwise agreed between the purchaser and Hindman prior to the sale.
5. TRANSFERRING RISK TO YOU
6. YOUR FAILURE TO PAY
8. EXPORTING, IMPORTING, AND ENDANGERED SPECIES
The auctioneer shall have absolute discretion to (a) admit a bidder into or remove a bidder from the saleroom or online auction; (b) accept or refuse any bid; (c) change the order of the lots in the auction; (d) move the bidding backward or forward; (e) withdraw any lot from the auction; (f) divide any lot or combine any two or more lots; (g) reopen or continue the bidding even after the hammer has fallen; and (h) continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot in the event that there is an error or dispute related to bidding or the application of the reserve, whether during or after the auction. You must provide us with written notice within three (3) business days of the date of the auction if you believe that the auctioneer has accepted the successful bid in error. The auctioneer will consider the claim and decide in good faith if the sale of the lot is final, whether he/she will cancel the sale of the lot, or whether he/she will reoffer and resell the lot. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way affect our ability to cancel the sale of a lot under other applicable provisions of these Conditions of Sale, including the rights of cancellation set forth in sections B(1), D(6), E(2), and G(1).
The auctioneer may, at his/her sole option, bid on behalf of the seller up to one bidding increment before the reserve by making either consecutive or responsive bids. The auctioneer will not identify these as bids made on behalf of the seller. If a lot is offered without reserve, the auctioneer will open the bidding at a set increment lower than the lot’s low estimate and will solicit higher bids from that amount. If there are no bids on a lot, the auctioneer may deem the lot unsold.
(e) We can reveal your identity and contact details to the seller.
(c) You must pay for lots in US dollars in one of the following ways: (i) Wire transfer. (ii) Bank checks: You must make these payable to Hindman LLC, and we may impose other conditions. Once we have deposited your check, property cannot be released until five (5) business days have passed.
(c) We can pay the seller the amount due to them, in which case you acknowledge and understand that we will have all the seller’s rights to pursue you for such (d)amount.Wecan hold you legally responsible for the amount you owe us and bring legal proceedings against you to recover the amount owed by you, plus other losses, interest, legal fees, and costs as allowed by law.
(b) Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife—such as, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood—may be subject to export controls in the US and import controls in other countries. You should check the relevant wildlife laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the United States, import the lot into another country, or ship the lot between states. Your purchase of a lot containing endangered and other protected species of wildlife is at your own risk, and you shall be
(e) It does not apply where scholarship has developed since the auction, leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion.
(b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the Heading). It does not apply to any information other than that in the Heading, even if it is shown in UPPERCASE type.
2. OUR LIMITED AUTHENTICITY WARRANTY
The gemological laboratories only report on the improvements or treatments known to them at the date they make the report.
5. WATCHES AND CLOCKS
(f) It does not apply if the lot can only be shown not to be authentic by a scientific process that, on the date we published the catalogue, was not available or generally accepted for use, was unreasonably expensive or impractical, or was likely to have damaged the lot.
(g) Its benefit is only available to the original buyer shown on the invoice for the lot, issued at the time of the sale, and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest, or restriction by anyone else. The benefit of this limited authenticity warranty may not be transferred by the original buyer to anyone else.
(h) In order to make a claim under the limited authenticity warranty, you must (i) give us written notice of your claim within one (1) year of the date of a live auction or three (3) months from an online only auction ; (ii) at our option, pay for and provide us with the written opinions of two recognized experts in the field, mutually agreed upon by you and us, confirming that the lot is not authentic (we reserve the right to obtain additional opinions at our expense); and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale. (i) Your only right under this limited authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price, nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages, or expenses.
(c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water-resistant cases may not be waterproof, and we recommend you have them checked by a competent watchmaker before use. (d) Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile skin. When straps are shown for display purposes only and are not for sale. We may remove and retain the strap prior to shipment from the sale site. Please check with the department for details on a lot with such a strap.
You warrant to us and the seller that (a) the funds you use for payment are not connected with any criminal activity, including tax evasion, and neither are you under investigation, nor have you been charged with or convicted of money laundering, terrorist activities, or other crimes; (b) where you are bidding on behalf of another person, (i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money91
(d) It applies to the Heading as amended by any saleroom notice.
(d) For jewelry sales, estimates are based on the information in any gemological report. If no report is available, assume that the gemstones may have been treated or enhanced.
For each lot, the seller gives a warranty that the seller (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot or the right to do so by law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph D(3) above) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages, or expenses. The seller gives no warranty other than as set out above, and as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller that may be added to this agreement by law, are excluded. No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the seller’s warranties or creates an additional warranty on behalf of the seller with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.
6. YOUR WARRANTIES
3. ADDITIONAL WARRANTY FOR BOOKS If the lot is a book, then we give an additional warranty to the original buyer shown on the invoice for the lot issued at the time of the sale in the following (a)circumstances:Wewillrefund the purchase price to the original buyer if we, in our sole discretion, are convinced that the book is defective in text or illustration, subject to the following terms: (i) This additional warranty does not apply to (A) the absence of blanks, half titles, tissue guards, or advertisements; or damage in respect of bindings, stains, spotting, marginal tears, or other defects not affecting the completeness of the text or illustration; (B) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps, or periodicals; (C) books not identified by title; (D) lots sold without a printed estimate; (E) books that are described in the catalog as sold not subject to return; or (F) defects stated in any condition report or announced at the time of sale.
(ii) To make a claim under this additional warranty, you must give written details of the defect within twenty-one (21) days of the date of the sale and return the lot within twenty-one (21) days of the date of the sale to the saleroom at which you bought it in the same condition as at the time of sale.
4. JEWELRY (a) Colored gemstones (such as rubies, sapphires, and emeralds) may have been treated to improve their appearance through methods such as heating and/or various clarity enhancements. These methods are considered common by the international jewelry trade but may make a gemstone more fragile and/or cause the gemstone to require special care over time.
(c) It does not apply to any Heading or part of a Heading that is qualified. “Qualified” means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the definition of “qualified” provided in paragraph H, below. Qualified Headings are not covered at all by this limited authenticity warranty.
(iii) Paragraphs E(2)(b), (c), (d), (e), (h), and (i) also apply to a claim under this additional warranty. (c) No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the additional warranty for books or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.
(b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue.
(a) It will be honored for claims notified in writing within a period of one (1) year from the date of a live auction or three (3) months from an online only auction. After such time, we will not be obligated to honor the limited authenticity warranty.
Our limited authenticity warranty, which lasts for one (1) year from the date of a live auction or three (3) months from an online only auction, is that the lots in our sales are authentic as defined in paragraph H, below. You must notify Hindman regarding concerns of authenticity in writing within one (1) year of the date of a live auction or within three (3) months of the date of an online only auction. Following receipt of that written notification, subject to the terms below, Hindman will refund the purchase price paid by the client. The terms of this limited authenticity warranty are as follows:
E. WARRANTIES 1. SELLER’S WARRANTIES
(j) No employee or agent of Hindman is authorized to make a representation or provide additional information, whether orally or in writing, that amends the limited authenticity warranty or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.
responsible for any scientific test or other reports required for export from the United States or for shipment between states. We will not cancel your purchase and refund the purchase price if your lot may not be exported, imported, or shipped between states, or if it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to import, export, and/or interstate shipping of a lot containing endangered and other protected species of wildlife.
(a) Almost all clocks and watches are repaired in their lifetime and may include parts that are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights, or keys.
FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
(b) All types of gemstones may have been improved by some method. You may request a gemological report for any item that does not have a report if the request is made to us at least three (3) weeks before the date of the auction and you pay the fee for the report. (c) We do not obtain a gemological report for every gemstone sold in our auctions. When we do get gemological reports from internationally accepted gemological laboratories, such reports are described in the catalogue. Reports from American gemological laboratories describe any improvement or treatment to the gemstone. Reports from European gemological laboratories describe any improvement or treatment only if we request that they do so, but they do confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree on whether a gemstone has been treated, the amount of treatment, or whether that treatment is permanent.
2. RECORDINGS
(f) If, despite the terms in paragraphs F(a)–(e) or E(2)–(3) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses.
1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained herein, we can cancel a sale of a lot if (i) any of your warranties in paragraph E(4) are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation.
(e) We have no responsibility to any person other than a buyer in connection with the purchase of any lot.
(d) Our written and telephone bidding services, online bidding services, and condition reports are free services, and we are not responsible to you for any error, omission, or failure of these services.
We may videotape and/or audio record proceedings at any auction. We will keep any personal information confidential, except to the extent that disclosure is required by law. If you do not want to be videotaped, you may decide to make a telephone or written bid or bid online instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction.
3. COPYRIGHT
We own the copyright in all images, illustrations, and written material produced by or for us relating to a lot, including the contents of our catalogues, unless otherwise noted therein. You cannot use them without our prior written permission. We make no representation and offer no guarantee that the buyer of a lot will gain any copyright or other reproduction rights.
4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is invalid, illegal, or impossible to enforce, that part of the agreement will be treated as being deleted, and the rest of this agreement will not be affected.
6. PERSONAL INFORMATION We will hold and process your personal information in line with our privacy policy at www.hindmanauctions.com.
7. WAIVER No failure or delay to exercise any right or remedy contained herein shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy.
H. authenticGLOSSARY : a genuine example, rather than a copy or forgery of (a) the work of a particular artist, author, or manufacturer, if the lot is described in the Heading as the work of that artist, author, or manufacturer; (b) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (c) a work of a particular origin or source, if the lot is described in the Heading as being of that origin or source; or (d) in the case of gems, a work that is made of a particular material, if the lot is described in the Heading as being made of that material. buyer’s premium: the charge the buyer pays us along with the hammer price. catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice. due date: has the meaning given to it in paragraph D(3)(a). estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range, and high estimate means the higher figure. The mid estimate is the midpoint between the two. hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot. Heading: has the meaning given to it in paragraph E(2). limited authenticity warranty: the guarantee we give in paragraph E(2) that a lot is authentic other damages: any special, consequential, incidental, or indirect damages of any kind or any damages that fall within the meaning of “special,” “incidental,” or “consequential” under local law. purchase price: has the meaning given to it in paragraph D(3)(a). provenance: the ownership history of a lot. qualified: has the meaning given to it in paragraph E(2), subject to the following (a)terms:“Cast from a model by” means, in our opinion, a work from the artist’s model, originating in his circle and cast during his lifetime or shortly thereafter.
(b) “Attributed to” means, in our opinion, a work probably by the artist.
(c) “In the style of” means, in our opinion, a work of the period of the artist and closely related to his style. (d) “Ascribed to” means, in our opinion, a work traditionally regarded as by the (e)artist.“In the manner of” means, in our opinion, a later imitation of the period, of the style, or of the artist’s work.
(f) “After” means, in our opinion, a copy or after-cast of a work of the artist.
saleroom notice: a written notice posted next to the lot in the saleroom and on www.hindmanauctions.com, which is also read to prospective telephone bidders and provided to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale or before a particular lot is auctioned.
UPPERCASE type: type having all capital letters.
laundering and sanctions laws, you consent to us relying on this due diligence, you will retain for a period of not less than five (5) years the documentation evidencing the due diligence, and you will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for payment are connected with or the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation for, or have been charged with or convicted of, money laundering, terrorist activities, or other crimes.
(c) WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE. EXCEPT AS REQUIRED BY LOCAL LAW, ANY WARRANTY OF ANY KIND IS EXCLUDED BY THIS PARAGRAPH.
5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer your rights or responsibilities under these terms unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities.
8. LAW AND DISPUTES This agreement, and any noncontractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot will be governed by the laws of Illinois. You and we agree to try to settle the dispute by mediation submitted to JAMS, or its successor, for mediation in Illinois. If the dispute is not settled by mediation within sixty (60) days from the date when mediation is initiated, then the dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in accordance with its Comprehensive Arbitration Rules and Procedures or, if the dispute involves a non-US party, the JAMS International Arbitration Rules. The seat of the arbitration shall be Illinois, and the arbitration shall be conducted by one arbitrator, who shall be appointed within thirty (30) days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958.
reserve: the confidential amount below which we will not sell a lot.
warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct. Update 1/1/22
F. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees about any lot other than as set out in the limited authenticity warranty or in the additional warranty for books, and as far as we are allowed by law, all warranties and other terms that may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E(1) are their own, and we do not have any liability to you in relation to those warranties.
(b) We are not responsible to you for any reason (whether for breaking this agreement or for any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us, or other than as expressly set out in these Conditions of Sale.
G. OTHER TERMS
Detail Lot 61 Upcoming Auction Schedule SALE 1072 THE LIFETIME COLLECTION OF FORREST FENN, PART II SEPTEMBER 8 | CINCINNATI | LIVE + ONLINE SALE NATIVE1073AMERICAN ART, SESSION I SEPTEMBER 9 | CINCINNATI | LIVE + ONLINE SALE IMPORTANT1075 JEWELRY SEPTEMBER 13 | CHICAGO | LIVE + ONLINE SALE AMERICAN1060 FURNITURE, FOLK & DECORATIVE ARTS SEPTEMBER 14-15 | CINCINNATI | LIVE + ONLINE SALE JAPANESE1078& KOREAN WORKS OF ART SEPTEMBER 22 | CHICAGO | LIVE + ONLINE SALE CHINESE1077AND HIMALAYAN WORKS OF ART SEPTEMBER 23 | CHICAGO | LIVE + ONLINE SALE AMERICAN1057 & EUROPEAN ART SEPTEMBER 27 | CHICAGO | LIVE + ONLINE SALE AMERICAN1055 & EUROPEAN ART ONLINE SEPTEMBER 27 | CHICAGO | ONLINE SALE POSTWAR1058& CONTEMPORARY ART SEPTEMBER 28 | CHICAGO | LIVE + ONLINE SALE CASTING1123SPELLS: THE GERTRUDE ABERCROMBIE COLLECTION OF LAURA AND GARY MAURER SEPTEMBER 28 | CHICAGO | LIVE + ONLINE SALE PRINTS1059&MULTIPLES SEPTEMBER 29 | CHICAGO | LIVE + ONLINE SALE ASIAN1079WORKS OF ART ONLINE SEPTEMBER 30 | CHICAGO | TIMED SALE WATCHES1085 OCTOBER 12 | CHICAGO | LIVE + ONLINE SALE IMPORTANT1108 JEWELRY DECEMBER 13 | CHICAGO | LIVE + ONLINE 93FOR ADDITIONAL IMAGES AND LOT DETAILS VISIT HINDMANAUCTIONS.COM
Western & Contemporary Native American Art November 1, 2022 10AM MT | DENVER ALEXANDRIA DREAS Associate Specialist, Western Art & Wildlife Art alexandriadreas@hindmanauctions.com303.825.1855 HINDMANAUCTIONS.COM Fritz Scholder (Luiseño, 1937-2005) Horse and Rider Estimate: $60,000 - 80,000
2022SEPTEMBER8|IIPARTFENN,FORRESTOFCOLLECTIONLIFETIMETHENO.1072