Sale 789 | Post War and Contemporary Art

Page 108

ARTIST INDEX ARTIST NAME

GLOSSARY OF TERMS LOT

Aichele, Wolfram . . . . . . . . . . . . . . . . . . . 11-12 Baum, Don. . . . . . . . . . . . . . . . . . . . . . . . . . 85 Bertoia, Harry . . . . . . . . . . . . . . . . . . . . . . . . 65 Boxer, Stanley . . . . . . . . . . . . . . . . . . . . . . . . 14 Brown, Roger. . . . . . . . . . . . . . . . . . . 5-6, 75-76 Brzozowski, Tadeusz. . . . . . . . . . . . . . . . . . . . 31 Calder, Alexander. . . . . . . . . . . . . . . . . . . 62-63 Carone, Nicholas. . . . . . . . . . . . . . . . . . . . . . 30 Chadwick, Lynn . . . . . . . . . . . . . . . . . . . . . . . 36 Csernus, Tibor. . . . . . . . . . . . . . . . . . . . . . . . 48 de Saint Phalle, Niki. . . . . . . . . . . . . . . . . . . . 83 Dunham, Carroll. . . . . . . . . . . . . . . . . . . . . . . 81 Dzubas, Friedel . . . . . . . . . . . . . . . . . . . . 19-20 Fetting, Rainer. . . . . . . . . . . . . . . . . . . . . . . . 59 Finch, Spencer. . . . . . . . . . . . . . . . . . . . . . . . 13 Gates, Theaster. . . . . . . . . . . . . . . . . . . . . . . 26 Goode, Joe. . . . . . . . . . . . . . . . . . . . . . . 16-17 Green, Jonathan. . . . . . . . . . . . . . . . . . . . 49, 82 Grooms, Red. . . . . . . . . . . . . . . . . . . . . . . . . 84 Hanson, Philip. . . . . . . . . . . . . . . . . . . 4, 73-74 Hepworth, Barbara. . . . . . . . . . . . . . . . . . . . . 34 Hirst, Damien. . . . . . . . . . . . . . . . . . . . . . . . . 38 Holzer, Jenny . . . . . . . . . . . . . . . . . . . . . . . . . 39 Jacobshagen, Keith . . . . . . . . . . . . . . . . . 23-24 Jarr, Alfredo. . . . . . . . . . . . . . . . . . . . . . . . . . 40 Jenkins, Paul. . . . . . . . . . . . . . . . . . . . . . 21-22 Kawashima, Takeshi. . . . . . . . . . . . . . . . . 68-69 KAWS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 Kentridge, William . . . . . . . . . . . . . . . . . . . . . 27 Lassaw, Ibram. . . . . . . . . . . . . . . . . . . . . . . . 64 Llona, Ramiro. . . . . . . . . . . . . . . . . . . . . . . . . 71 Lostutter, Robert . . . . . . . . . . . . . . . . . . . . . . 45 Meadmore, Clement. . . . . . . . . . . . . . . . . . . . 66 Messager, Annette. . . . . . . . . . . . . . . . . . . . . 37 Moore, Henry. . . . . . . . . . . . . . . . . . . . . . . . . 35 Morley, Malcolm. . . . . . . . . . . . . . . . . . . . 28, 60 Mutal, Lika. . . . . . . . . . . . . . . . . . . . . . . . . . . 70 Nevelson, Louise. . . . . . . . . . . . . . . . . . . 72, 80 Nilsson, Gladys . . . . . . . . . . . . . . . . . . 3, 50-51 Nutt, Jim. . . . . . . . . . . . . . . . . . . . . . . . . . . . 79 Paschke, Ed. . . . . . . . . . . . . . . . . . . . . 1, 41-44 Pfaff, Judy. . . . . . . . . . . . . . . . . . . . . . . . . 9-10 Pomodoro, Arnaldo. . . . . . . . . . . . . . . . . . . . . 67 Raffael, Joseph . . . . . . . . . . . . . . . . . . . . . . . 29 Ramberg, Christina. . . . . . . . . . . . . . . . . . . . . . 2 Ramos, Mel. . . . . . . . . . . . . . . . . . . . . . . . . . 46 Richter, Gerhard. . . . . . . . . . . . . . . . . . . . . . . 25 Rovner, Michal. . . . . . . . . . . . . . . . . . . . . . . . 61 Saar, Betye . . . . . . . . . . . . . . . . . . . . . . . 57-58 Seery, John . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Simon, Pauline. . . . . . . . . . . . . . . . . . . . . . . . . 7 Smith, David . . . . . . . . . . . . . . . . . . . . . . . . . 32 Steinberg, Saul . . . . . . . . . . . . . . . . . . . . 18, 77 Surdo, Bruno. . . . . . . . . . . . . . . . . . . . . . . . . 47 Thompson, Bob . . . . . . . . . . . . . . . . . . . . 55-56 Wei, Zhu . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 Wilke, Hannah. . . . . . . . . . . . . . . . . . . . . . . . 15 Witkin, Isaac . . . . . . . . . . . . . . . . . . . . . . . . . 33 Yarde, Richard. . . . . . . . . . . . . . . . . . . . . 53-54

106 P O S T WA R A N D C O N T E M P O R A R Y A R T

ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist. ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category. STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist. CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil. STYLE OF . . . FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist. MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artistand of a later period. AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width.


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.