HIROTO TANABE
SCI-Arc M.Arch 1 Works 2019 - 2021
Universidad Vertical The departure of the project comes from the urban context of Mexico City with the surrounding environment. When the architecture is taken place into an urban environment, architecture no longer becomes just an object but an enhancer to generate the urban activity. The lattice structure for the envelop will become not only the facade of the building but also the urban pocket in each void to reconcile the extension of urban context. This lattice structure is composed of 7' x 11' rectangular module. 2 in 1 floor and entirely modularized as a basic formula of this project. Depending on the depth of this module system, the way its use creates flexible planning. One is a pocket of library, one becomes public balcony, another might be a workshop place or independent study room as well as student's accommodation. These pockets of environment is the key element to sustain the relationship between micro and macro scale in Mexico City.
Lotus Roots Factory What makes a piece of leaf become a grass carpet? and how does a series of grass create the landscape? This is the project for designing a new factory in Vitra Campus in Switzerland. The program of this building is a factory area, exhibition area, and contemplation area on each floor respectively. We began to think of how homogeneity came out of a series of heterogeneity to respond to the complex programs. Heterogeneity is a sort of a single identity that is predominant and idiosyncratic. We started to work with just a 30’ x 30’ x 60’ cubic volume. By boolean operations, we create a heterogeneous piece that is no longer a box. However, once it all comes together, it becomes a unified single object which gives only a sense of continuity and homogeneity in total. It was a challenge to accumulate the complex program and required fulfillment into one single building with designing an integrated space of experiences.
Bath House
Mass and void are fundamental sources of creating a concept of space of
architecture. Here the void space will be a primarily space where the visitor mainly focus on to come and entertain such as pool area, gathering hall and, entrance, cafe, hotelroom, building core, and to name a few. -While the massive volume could be a secondary area such as functional area, storage, bathroom, machinery area, system room and so forth. The idea was to create a featured structure of amber stone which enprisons the creature. The confituration of tracing line of creature can be the interior space that constitutes the public baths connected to hte physical interaction of exterior shell. In so doing, a series of interior volume are created by a solid form of the profile lines.
Precident Study The main focus of this precident study is about the relationship between mass and void. The research target was Trajan bath in Iran. As it can be seen, there are many pocket space, longitudinal square, half circle area were found, which create a spacialorientation. Here are 4 patterns found in the left page. From them, The prerequisite discovery is the implementation of urban bath house in a way how to enter the building,what is connected to the main hall, how the pocket space functionally works and what can be a main area of this
building and how this main area defines as a most proirotized space spatially.
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Throwback
A New Geneology
The Dual City
Designing the site as a Neo Inhabitation Platform In the beginning of this project, the given site was in the middle of the desert, Mojavi Desert neighboring the city. It was as a condition of tabla lasa to rethink the integrated city-planning to redefine what is posssible for the furture city as a pragmatic environmental and infrastructural, strategic masterplan to make the huiliation efficient, smart, integrated and productive way of desgining the lively platform. The space is servicing for comfort as well as representing a complex aesthetics. The light filtering through the gigantic thermal mass and thousands of pipes and ducts authorizes the spatial relationship between light and shadow, creating the priviledge moment. Since the location is in the middle of the desert, the essential requirement for housing is to provide the residents with protection from the severe sunlights, moistureless and intense heat weathering condition as well as control for the liveable environment and amplifying spatial diversity.
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199 .03
SnowflakingFrame Raven Structre
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arametarised geometry helps to arrange the shape with unitized organization of the project. According to the numerical data of each parameter such as an angle of assembly, a length Frame Structre Ƥ ǡ Frame Structre Ƥ Ǥ ͙͛͠Ǥ͝ arametarised geometry helps to arrange the shape w the weight is 620g only for the steel tubes. The overall scale of ized organization of the project. According to the nu datashape of eachwith parameter arametarised geometry helps to arrange the unit-such as an angle of assembly, a ͙͛Ǥ͚ ͠Ǥ͠ ͟Ǥ͞ Ǥ Ƥ ǡ ized organization of the project. According to the numerical Ƥ Ǥ ͙͛͠Ǥ ͚Ǥ͝ ͙͝Ǥ͝ the weight is 620g only for the steel tubes. The overall data of each parameter such as an angle of assembly, a length ͙͛Ǥ͚ ͠Ǥ͠ ͟Ǥ͞ ing process in relate to the size of the installation. Besides all nu Ƥ ǡ ͚Ǥ͝ ͙͝Ǥ͝ merical data appear to be the measurement for the construction ing process in relate to the size of the installation. Beside Ƥ Ǥ ͙͛͠Ǥ͝ merical data appear to be the weight overall scale ofthe measurement for the const so that once the construction starts, the production system is sois 620g only for the steel tubes. The so that once the construction starts, the production syste ͙͛Ǥ͚ ͠Ǥ͠ ͟Ǥ͞ Ǥ ƥ ǡ ƥ ǡ the parametric control. ͚Ǥ͝ ͙͝Ǥ͝ the parametric control.
P
1251.60
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ing process in relate to the size of the installation. Besides all numerical data appear to be the measurement for the construction so that once the construction starts, the production system is so ƥ ǡ the parametric control. 0.9
199 .03
38
7
2
0.7
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Frame Structre
Param
Number of the unit Size Angle o Arrangement of each u
P
Number of the unit on a elipse Size of a elipse Angle of each unit Arrangement of each unit (Z axis)
The Paven Pavilion
1274.78
1274.78
1274.78
Parametarized by
arametarised geometry helps to arrange the shape with unitized organization of the project. According to the numerical data of each parameter such as an angle of assembly, a length Ƥ ǡ Ƥ Ǥ ͙͛͠Ǥ͝ the weight is 620g only for the steel tubes. The overall scale of ͙͛Ǥ͚ ͠Ǥ͠ ͟Ǥ͞ Ǥ ͚Ǥ͝ ͙͝Ǥ͝ ing process in relate to the size of the installation. Besides all numerical data appear to be the measurement for the construction so that once the construction starts, the production system is so 3DUDPHWDUL]HG XQLW DUUDQJHPHQW PDNHV RYHUDOO UHVXOWV ÁH[LEOH WR DGMX ƥ ǡ Parametarized by the parametric control. Number of the unit on a elipse Size of a elipse Site: Katakuri no Yado Angle of each unit Arrangement of each unit (Z axis)
A shelter, The Paven Pavilion purpose is to create a calm view and in the spiral’s center of gravity around which it all balances. Without the eye, there would be no balance, no life. A spiral is balance-in-motion made visible and its role in nature is transformed. Thinking of the universe moving and transforming in spirals become never bare the straight lines. Created a single unit of double hexagonal objects is parametrically arranged in ellipse.
Hiroto Tanabe Design Studio
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Regarding the material selection, the research into various materials suggested the mirror as optimal for the harmony in the landscape that allows the viewer to participate in the time lapse and chronological changes that 198 .97
occur as the season changes and experience the light and shadows. The Paven Pavilion is one cell, one part of a
endless path of spiral transformation.
6
0.9
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single organism and they are linked as one energy field. The conscious energy system of the Raven Pavilion whirls into a configuration as other natural energies do along spiral lines of force, unfurling inot life along an
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3DUDPHWDUL]HG XQLW DUUDQJHPHQW PDNHV RYHUDOO UHVXOWV ÁH[LEOH WR DGMXVW
Parametarized by The dimension of a unit of hexagonal piece Number of the unit on a elipse Size of a elipse Angle of each unit Arrangement of each unit (Z axis)
Primarily Structure
X, Y axis angle comes out by para-
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metric data to assemble
1907
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199 .03
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0.9
199 .03
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l h f n o
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T.O. CENTRE OBJECT
X, Y axis angle comes out by parametric data to assemble
T.O. WING
1251.60
1274.78
1251.60
0.9
Horizontal Line
489
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489
Horizontal Line
Triangular panel: support structure for the entire system of installation
Triangular panel: support 489 structure for the entire system of installation
199 .03
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7595
1274.78
Horizontal Line
5688
1274.78
X, Y axis angle comes out by parametric data to assemble
2
0.7
36
T.O. FOOTING
Triangular panel: support structure for the entire system of installation
B.O. FOOTING
4449.25
199 .03
y
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0.9
8817
.72
7
1274.78
1274.78
7
199 .03
0.9
4367.75
Y1
Y2
0 36
Y3
Hiroto Tanabe Design Studio
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X, Y axis angle comes out by parametric data to assemble
1907
T.O. CENTRE OBJECT
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0.9
1274.78
1274.78
198 .97
1251.60
38
T.O. WING
Horizontal Line
The dimension of a unit of hexagonal piece
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489+HLJKW DQJOH OHQJWK RI HDFK SURÀOH GHÀQH WKH IHDVLELOLW\ RI WKH SURMHFW
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7595
Hiroto Tanabe Design Studio Triangular panel: support structure for the entire system of installation
T.O. INITIAL WING
7
2871
0.9
199 .03
38
2
0.7
36
38
6
0.9
T.O. FOOTING
198 B.O. FOOTING
1274.78
The dimension of a unit of hexagonal piece
Hiroto Tanabe Design Studio
4360
+HLJKW DQJOH OHQJWK RI HDFK SURÀOH GHÀQH WKH IHDVLELOLW\ RI WKH SURMHFW
+HLJKW DQJOH OHQJWK RI HDFK SURÀOH GHÀQH WKH IHDVLELOLW\ RI WKH SURMHFW
5840
3040
13240
8/10
X1
X2
X3
Hiroto Tanabe Design Studio
X4
5/10
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CONSULTANT
390
250
390
385
CONSULTANT
1100
CONSULTANT
CONSULTANT
135
2320
320
390
390
6145
390
2100
390
850
390
CONSULTANT
オフィスデザイン
内装：コンテナ リノベーションデザイン 東京都町田市小野路町2987-1
1200
1200
1200
1050
3600
1050 2100
Schematic Design
オフィスの外構デザインとインテリア デザインにおける建築コンサルティン グ、 コンセプト、インテリアデザイン
1/50
1010
250
CONSULTANT
CONSULTANT
2100
CONSULTANT
CONSULTANT 6145
可動式ファサードのメカニズム
Operable Facade
135
2320
320
CONSULTANT
0
The project was about re-design of facade for the office building. The original
オフィスデザイン
955
wall was made out of ACL panel. The idea was to attach the supplemental additional structure to reinforce the tolerance of the building with movable facade system. Using the adjustable wall rather than the closed wall is because the location was relatively moisturized by the forest behind. The operable facade sustains the airflow to circulate the inner and outer environments.
955
955
内装：コンテナ リノベーションデザイン 東京都町田市小野路町2987-1
2865
Schematic Design
オフィスの外構デザインとインテリア デザインにおける建築コンサルティン グ、 コンセプト、インテリアデザイン
1/50
：565mm x 565mm GL
Interior Deisign for office
1
2
THE ANTI -STUDIO
TOP OF SLAB
TOP OF SLAB
Daniela Cadavid Lauren Hanna Kaita Saito Hiroto Tanabe
5/8" GYPSUM WALLBOARD, PAINTED FINISH
HEAD
0' - 6"
5/8" GYPSUM WALLBOARD, PAINTED FINISH
THE ANTI
5/8" GYPSUM WALLBOARD, PAINTED FINISH
18" CONCRETE WALL
MIXED -USED RESIDENTIAL
Table / Windows
0' - 8 1/2"
COMMERCIAL SPACE 3
STAIR
1499 S. Robertson Boulevard Los Angeles, CA 90035
PLAN
COMMERCIAL SPACE 2
COMMERCIAL SPACE 3
5/8" GYPSUM WALLBOARD, PAINTED FINISH 2 SHEETS
5/8" GYPSUM WALLBOARD, PAINTED FINISH
BASE OF SLAB
FLEXIBLE SEALANT
WALL ASSEMBLY - W4
2
1 1/2" = 1'-0"
MIXED RESIDEN
1499 S. Robert Los Angeles
BASE OF SLAB
SILL
4
Daniela Lauren Kaita Hiroto
5/8" GYPSUM WALLBOARD, PAINTED FINISH
THE OW
WALL ASSEMBLY - W2 1 1/2" = 1'-0"
THE OWNER
No.
Desc
TOP OF SLAB CONCRETE SLABB ON STEEL DECK
No.
Description
Date
FILL VOIDS WITH APPROVED FIRE STOPPING MATERIAL PER UL ASSEMBLY
TOP OF SLAB
TOP OF SLAB
1/2" MAX SEALANT COMPLETELY FILL GAP ABOVE GYPSUM PANELS WITH USG SHEETROCK BRAND ACOUSTICAL OR SMOKE-SOUND SEALANT
HEAD
STEEL TRUCK STUD MECHANICALLY FASTEN 24" O.C. MAX 0' - 6"
GLASS FIBER INSULATION (OPTIONAL) 5/8" GYPSUM WALLBOARD, PAINTED FINISH
18" CONCRETE WALL
8" CONCRETE WALL
0' - 8 1/2"
PLAN STUDIO SPACE 1
CORRIDOR
KITCHEN/LIVING SPACE 2
REST ROOM
5/8" GYPSUM WALLBOARD, PAINTED FINISH 2 SHEETS
5/8" GYPSUM WALLBOARD, PAINTED FINISH 2 SHEETS
BASE OF SLAB
BASE OF SLAB
COMMERCIAL SPACE 2
COMMERCIAL SPACE 3 STEEL TRUCK STUD MECHANICALLY FASTEN 24" O.C. MAX 1/2" MAX SEALANT COMPLETELY FILL GAP ABOVE GYPSUM PANELS WITH USG SHEETROCK BRAND ACOUSTICAL OR SMOKE-SOUND SEALANT
SILL
WALL ASSEMBLY - W5
5
3
1 1/2" = 1'-0"
WALL ASSEMBLY - W3 1 1/2" = 1'-0"
5/8" GYPSUM WALLBOARD, PAINTED FINISH
1
BASE OF SLAB
WALL T
A-0
WALL ASSEMBLY -W1 1 1/2" = 1'-0" Date Scale
3 A-6.2
ROOF 45' - 0 1/8"
THE ANTI -STUDIO
SPANDREL CURTAIN WALL
Daniela Cadavid Lauren Hanna Kaita Saito Hiroto Tanabe
Complex Civic Building - 2 residencial Space and Commercial Space
MEGA GRID SKIN 5/8" GYPSUM BOARD INTERIOR WALL
COVER PAGE MIXED -USED RESIDENTIAL
CONCRETE SLAB THIRD FLOOR 30' - 0"
G-0.0
1499 S. Robertson Boulevard Los Angeles, CA 90035
2 A-6.2
6
GALVANIZED STEEL Date GUARDRAIL
1
1
A-4.2
A-4.1
Scale GALVANIZED STEEL HANDRAIL
6
5
4
3
2
1
THE OWNER
121' - 6 1/4"
MEGA GRID SKIN
100' - 4" 21' - 2"
20' - 0"
20' - 5 1/4"
20' - 8 3/4"
SPANDREL CURTAIN WALL
18' - 0"
ROOF 45' - 0 1/8"
3' - 6"
OUTDOOR BALCONY
No.
Description
5/8" GYPSUM BOARD PANEL
Date
1 A-6.2 CONCRETE SLAB
CONCRETE SLAB
SECOND FLOOR 15' - 0"
SECOND FLOOR 15' - 0"
BEDROOM 2 307 206 SF
SKIN
OUTDOOR PATIO 304 953 SF
24"
KITCHEN/LIVING SPACE 1 303 442 SF
BEDROOM 1 300 484 SF
W12X58 BEAM
MEGA GRID SKIN
84"
8' - 7"
THIRD FLOOR 30' - 0"
4 A-6.2
RESTROOM 1 202 64 SF
5/8" GYPSUM BOARD DROP CEILING
STUDIO SPACE 1 201 620 SF
4 A-4.5
EXTERIOR SPACE 1 208 682 SF
203.1
SPANDREL CURTAIN WALL
SECOND FLOOR 15' - 0"
COMMERCIAL SPACE 3 103 691 SF
COMMERCIAL SPACE 2 102 397 SF
GALVANIZED STEEL GUARDRAIL
3' - 6"
3 A-4.4
15' - 0"
STUDIO SPACE 2 204 504 SF
15' - 0"
LOBBY SPACE 207 250 SF
INTERIOR RAMP
COMMERCIAL SPACE 1 101 256 SF
6 A-6.2
PARKING 103.4
102.3
GROUND LEVEL 0' - 0"
GROUND LEVEL 0' - 0"
GROUND LEVEL 0' - 0" 7 A-6.2
LONGITUDINAL SECTION 1
LONGITUDINAL SECTION 3/16" = 1'-0"
A-4.3
0' - 3 1/2"
3
Date Scale
3/16" = 1'-0"
WALL SECTION 1 3/4" = 1'-0"
THE ANTI-STUDIO 1
2
3
4
A-3.4
5
Daniela Cadavid Lauren Hanna Kaita Saito Hiroto Tanabe
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T
1
1
1
A-4.1
A-4.2
1
MIXED-USED RESIDENTIAL
2
3
1
4
A-3.4
5
6
1 A-4.2
A-4.1
100' - 14" 18' - 0"
20' - 8 3/4"
20' - 5 1/4"
20' - 0"
21' - 2"
1499 S. Robertson Boulevard Los Angeles, CA 90035
W1
R1
001 103.4
6' - 0"
2
A-3.3
R1
R1
R1
R1
R1
R1
10' - 1 1/2"
10' - 1 1/2"
10' - 1 1/2"
R1
R1
R1
A
200.4 204.A
W1
204.B
W1
W1
W1
001
206.1
W2
13' - 9 1/2"
0' - 9"
W1
200.3
W1 5' X 2 ' 6" A D A D E S K
5' X 2' 6" A D A D E S K
202.1
A-4.3
W2 2
A-3.1
1
A-3.1
W2
205.1
STUDIO SPACE 2 204 504 SF
W1
STUDIO SPACE 1 201 620 SF
C
W2
W3
RESTROOM 206 68 SF
OFFICE 205 61 SF
W1 RESTROOM 1 202 64 SF
R1
10' - 1 1/2"
Date
6' - 0"
S
HALLWAY 104 630 SF
Description
B
1
3' - 5 1/2" 3' - 5 1/2"
R1
1
No.
200.2
ELEVATOR
R1
A-3.3
DN
EXIT SIGN
SLOPED WALL CORRIDOR 200 476 SF
200.1
W3
W1
1 A-4.3 W1 STAIRS
203.1
No
208.1
UP
204.1
001
B
C DN
W2
2 A-7.1
10' - 1 1/2" A-3.3 D
LOBBY SPACE 207 250 SF
W1
31' - 9 1/2"
COMMERCIAL 102.3 SPACE 2 102 397 SF
R1
DN
6' - 11 3/4"
STAIRS
W1
RAMP LANDING
FIRE SPRINKLER
1
EXTERIOR SPACE 1 208 682 SF
RAMP LANDING
11' - 0 1/4"
6' - 0"
R1
R1
9' - 10 1/2"
6' - 7 1/4"
6' - 8 1/4"
S
R1
COMMERCIAL SPACE 3 103 691 SF R1
6' - 0"
102.1
R1
103.1
R1
R1
S
5' - 1 1/4"
10' - 1 1/2"
R1
5' - 1 1/4"
10' - 1 1/2"
R1
5' - 1 1/4"
R1
6' - 6 3/4"
R1
S
103.2
10' - 1 1/4"
6' - 7 1/2"
25' - 4"
6' - 0"
6' - 0"
COMMERCIAL SPACE 1 101 256 SF R1
6' - 7"
6' - 7 1/4"
001
6' - 7"
9' - 10 3/4"
102.2
ELEVATOR
THE OWNER
A
1
DN
A-3.1
D
RAMP LANDING MEGA GRID SKIN
MEGA GRID SKIN
2
1
A-3.2
A-3.2 1
RCP - GROUND LEVEL
A-3.2
N
3/16" = 1'-0"
E ANTI -STUDIO
REFLECTED CEILING PLAN FIXTURES 3/16" = 1'-0"
S
Daniela Cadavid Lauren Hanna Kaita Saito Hiroto Tanabe
1
2
3
1
4
A-3.4
A-4.1
5
A-2.1
RCP-GROUND LEVEL
1
RECESSED INTERIOR LIGHT
Date
SMOKE DETECTOR
Scale
THE ANTI-STUDIO
3/16" = 1'-0"
Date
Scale
1
A-4.2
2
3
4
20' - 8 3/4"
20' - 5 1/4"
EXIT SIGN
300.A
R1
R1
R1
R1
2' - 9 1/2"
4' - 9"
R1
BEDROOM 1 300 484 SF
R1
S
R1
R1
W1
R1
R1
R1
3' - 6"
OFFICE 205 3' - 11 1/4" 61 SF R1 205.1
RESTROOM 206.1 206 3' - 8 1/4" 68 SF R1
R1
No.
Description
Date
RESTROOM 1 301 71 SF
W1
ELEVATOR
001 W3
7 A-7.4
301.1 304.1 1
STAIRS
306.1 W1
W1
W1
B
307.1
300.1
W1
A-4.3
001
A 2 A-7.3
W2
RESTROOM 2 306 84 SF W1
S
R1
KITCHEN/LIVING SPACE 2 305 468 SF
W3
305.B
OUTDOOR PATIO 304 953 SF
13' - 9 1/2"
R1
S
R1
W1
11' - 10 1/2"
6' - 6 3/4"
4' - 2 3/4"
202.1
THE OWNER
A
7' - 11 1/4"
4' - 8 3/4"
9' - 11 3/4"
R1
7' - 11 1/4"
4' - 9 1/4"
S
6' - 0"
Date
STUDIO SPACE 1 201 620 SF
R1
6' - 11 3/4"
R1
001
R1
4' - 9 1/4"
R1
4' - 9"
R1
4' - 8 3/4"
ELEVATOR
R1
4' - 9 1/4"
7' - 6"
304.2
6' - 0" 203.1
304.3
C 2
DN
C
OFFICE/STUDIO SPACE 302 359 SF
A-3.1
A-4.3
001 303.A
BEDROOM 2 307 206 SF
W1 W1
W1
MEGA GRID SKIN
1 A-3.3 1 A-3.1
3 A-7.1
303.B W2
302.1
W2
W2
D MEGA GRID SKIN
MEGA GRID SKIN
2
1 A-3.2
1 A-3.2
RCP - SECOND FLOOR N
1
REFLECTED CEILING PLAN FIXTURES 3/16" = 1'-0" RECESSED INTERIOR LIGHT
ALL SECTION 1
S
A-4.4 3/4" = 1'-0"
SMOKE DETECTOR
N
A-2.2
RCP-SECOND FLOOR 3/16" = 1'-0"
1
W2
D
A-3.2
B
1
STAIRS
KITCHEN/LIVING SPACE 1 303 442 SF
6' - 11 3/4"
200.4
FIRE SPRINKLER 7' - 6"
305.A
21' - 0 1/2" R1
CORRIDOR 200 476 SF
200.3
200.2
THE OWNER
1
21' - 2"
11' - 0 1/4"
21' - 0 1/2" R1
S
2' - 8 1/4"
21' - 0 1/2" 10' - 11 1/2"
2
20' - 0"
1499 S. Robertson Boulevard Los Angeles, CA 90035
1499 S. Robertson Boulevard Los Angeles, CA 90035
A-3.3
1
100' - 14"
A-4.1
18' - 0"
6
A-4.2
1
MIXED-USED RESIDENTIAL
MIXED -USED RESIDENTIAL
A-3.3
5
A-3.4
1
Description
3/16" = 1'-0"
Daniela Cadavid Lauren Hanna Kaita Saito Hiroto Tanabe
6
1
N
SECOND FLOOR
1
1
Date Scale
3/16" = 1'-0"
THIRD FLOOR 3/16" = 1'-0"
A-3.1