ARCHITECTURAL PORTFOLIO UNDERGRADUATE SELECTED WORKS HITESHREE SNEHAL NARENDRA JADEJA
HITESHREE SNEHAL
NARENDRA JADEJA
12TH OCT 2001
An individual who is keen to explore her dreams and limits. Always trying to achieve the best of whatever she does by constantly competing with herself and open to change for self growth. She feels that nature has the most acceptable designs for humankind. She strongly believe that patience and good observations can make any design shine.
EDUCATION
UNDERGRADUATE
• 2024 - BACHELORS OF ARCHITECTURE (UNDERGRADUATE)
SIR J. J. COLLEGE OF ARCHITECTURE/ CGPI : 8.32
SCHOOLING AND JUNIOR COLLEGE
• 2019 - HIGHER SECONDARY EDUCATION
G. R. PATIL COLLEGE OF SCIENCE, COMMERCE AND ARTS
• 2017 - SECONDARY EDUCATION
ST. THERESE CONVENT HIGH SCHOOL / 93.64
TECHNICAL SKILLS
•
•
•
SOFT SKILLS
• CREATIVE THINKING
• COMMUNICATION
• WRITING
• LEADERSHIP
• TIME MANAGEMENT
• PROBLEM SOLVING
• COLLABORATIONS
COURSES/ WORKSHOPS/ ELECTIVES/ EXHIBITIONS
1. ARCHITECTURAL IMAGINATION – HARVARD UNIVERSITY (AUG 2021)
2. ADOBE PHOTOSHOP 2021 ULTIMATE COURSE(OCT,2021)
3. KNOW YOUR RIGHTS- AN INTIATIVE BY VIVEL AB SAMJHAUTA NAHIN (OCT, 2021)
4. DESIGNERS KNOW YOUR DUTIES: LIVE WORKSHOP WITH MICHAEL FOLEY (SEPT, 2021)
5. AUTODESK REVIT WORKSHOP CONDUCTED BY ARCHIBIM DESIGN SOLUTIONS- PDPU (FEB, 2021)
6. URBAN SKETCHING WORKSHOP – URBAN SKETCHERS MUMBAI
7. USE OF SOLAR ENERGY – PROF. ANAND BHAVE
8. EARTHQUAKE RESISTANT STRUCTURES – PROF. KETAN RAMI
9. SMART CITIES – MANAGEMENT OF SMART URBAN INFRASTRUCTURES – EPFL(SEPT 2022)
10. ARTS AND HERITAGE MANAGEMENT - UNIVERSITÀ BOCCONI (SEPT 2022)
11. VISUAL ELEMENTS OF USER INTERFACE DESIGN (UI)CALIFORNIA INSTITUTE OF THE ARTS (AUG 2022)
12. CONSTRUCTION PROJECT MANAGEMENT - COLUMBIA UNIVERSITY (SEPT 2022)
COMPETITIONS
• IN TOP 6, INTERNATIONAL RYLA-ADVAIT 3.0 FOR ARCHITECTURE STUDENT (JUNE, 2021) - TEAM OF 6
• SOS VILLAGE DESIGN : FACULTY MEDAL BY SIRJJCOA (JULY,2021) INDIVIDUAL
• PRIMARY HEALTH CARE CENTRE : FACULTY MEDAL BY SIRJJCOA (JULY, 2020) – INDIVIDUAL
• SPACE MATRIX: DESIGNATHON (AUG,2022)
• SHINDLER – ELEVATOR CAR DESIGN (SEPT 2020)
ART AND SPORTS
NATIONAL
YOGA, JUDO ETC.
IN SKETCHING, PORTRAIT, PAINTING IN DIFFERENT MEDIUMS, DANCING, BADMINTON ETC.
13. LEONARDO-CINQUECENTO EXHIBITION| CURATOR : MUTANSIR DALVI
LITERATURE
READING AND WRITING HINDI / ENGLISH / MARATHI
SPEAKING HINDI / ENGLISH / MARATHI / GUJARATI
UNDERSTANDING HINDI / ENGLISH / MARATHI / GUJARATI / KUTCHHI
SPECIAL ACHEVEMENT
BEING YOUNGEST PARTICIPANT ALL INDIA RANK 9TH FOR 6 KMS INDIAN NAVY OPEN SEA SWIMMING COMPETITION (NOV, 2016)
ARCHITECTURE
• FEATURE VIDEO ON MUMBAI CITY USING PREMIERE PRO
• PHOTOS AND 3D RENDERED IMAGES, WALK THROUGH & ANIMATION VIDEOS OF PERSONAL PROJECTS
TRAINED SWIMMER FOR MORE THAN 7 YEARS AND PARTICIPATED IN STATE AND
LEVEL COMPETITIONS.
PLAYED DIFFERENT SPORTS COMPETITION FOR VOLLEY BALL,
INTERESTED
This portfolio is a collection of works since the beginning of my architecture studies in Sir JJ College of Architecture. It displays a variety of skills, from digital aspects to physical modeling and capabilities. I explore and experiment with numerous materials, forms and presentation styles, which is inherent for a young student in architecture. I look forward to gain practical knowledge in this field.
COME AND EXPLORE WITH ME AS I TAKE YOU ON A JOURNEY OF MY PORTFOLIO.
INDEX 01. ARCHITECTURAL DESIGN 1. INSTITUTION DESIGN (SEM 6) 2. COMMERCIAL COMPLEX (SEM 5) 3. MANDI DESIGN (SEM 4) 02. ALLIED DESIGN 1. INTERIOR DESIGN 2BHK FLAT(SEM 3) 2. LANDSCAPE - 25M X 25M PLOT DESIGN(SEM 5) 3. WORKING DRAWING –(SEM 6) 03. EXTRACURICULAR WORK 1. COMPETITIONS 1. THE revival-rotary youth leadership awards (RYLA) 2. SWARN-LATA -music institute, kalina 2. EXHIBITION 3. WORKSHOPS 4. PAINTINGS 5. CAPTURES 6. MODEL MAKING 7. ELECTIVES Everything starts from my dreams.
This subject has always helped me to bring
and contribute a
01. ARCHITECTURAL DESIGN
C O N T E N T S
1. INSTITUTION DESIGN (SEM 6) 2. COMMERCIAL COMPLEX (SEM 5) 3. MANDI DESIGN (SEM 4)
my imaginations to reality
metamorphic design experience to others.
01. SUDIKSHA DESIGN INSTITUTE, CBD BELAPUR, NAVI MUMBAI Site : sector 23, Nerul, Navi Mumbai
ADMIN AND
INSTITUTION DESIGN / ARCHITECTURAL DESIGN / 01 BACHELOR IN DESIGN (B. DES.) 4 YEARS ANIMATION FILM DESIGN 16 GRAPHIC DESIGN 16 PRODUCT DESIGN 16 TEXTILE DESIGN 16 TOTAL 16X4 4 YEAR COURSE 64X4 256 MASTER OF DESIGN (M. DES.) 2.5 YEARS ANIMATION FILM DESIGN 6 GRAPHIC DESIGN 6 PRODUCT DESIGN 6 TEXTILE DESIGN 6 TOTAL 6X4 4 YEAR COURSE 24X2 48 TOTAL STUDENTS ON CAMPUS EVERYDAY 256+48 304 PROGRAM BRIEF:01. SUDIKSHA DESIGN INSTITUTE, CBD BELAPUR, NAVI MUMBAI Site : sector 23, Nerul, Navi Mumbai 1. Vision of this NID is to fulfill all the required needs in regards to create the best design education by innovation, research with sustainable products and services to make quality of life better and safer. 2. Mission is to change the living lifestyle on campus by proper planning of open, semi-open and closed spaces to make it feel homely and meet the challenges of life by design environmentally friendly design.
LIBRARY BLOCK AUDITORIUM RECREATIONAL BLOCK ACADEMIC ZONE WORKSHOP BLOCKS RESIDENTIAL ZONE PARKING ZONING DIAGRAM
BALANCE Suryanamaskar and the yoga asanas are a blessing bestowed to mankind by the ancient sages who devised practical methods to tame the body and mind for higher spiritual and material pursuits. It helps keep the spine and body muscles strong and flexible enough for good mental and physical growth. YOGIC UNDERSTANDING FOCUS GRAVIT Y CONTA CT CHALLE NGE ADJUSTM ENT ARCHITECTURAL FEATURES CANTILEVER BALCONY SYMMETRY ASYMMETRY INVERSION STRENGTH GROUNDED /RECLINING TWISTS OPENER YOGIC UNDERSTANDING SUSP ENSI ON GRAV ITY CIRCU LATIO N PERSPECTI VE CHALLENGE ARCHITECTURAL FEATURES ROOF SHADING SUSTAINABLE SYSTEMS SKYLIGHT CIRCULATION STAIRS SLOPE YOGIC UNDERSTANDING STABILITY STRENGTH POWER ENERGY MIN. CONTACT ARCHITECTURAL FEATURES FOUNDATION STRUCTURE CIRCULATION COLUMN SOLID WALLS YOGIC UNDERSTANDING STABILITY STRENGT H POWER ENERGY MAX. CONTACT ARCHITECTURAL FEATURES FLOOR LEVELS COURTYA RD HORIZONTALIT Y FLOOR MATERIALS YOGIC UNDERSTANDING IN AND OUT NEUTRALIZING COMPRESSI ON BALANCIN G RELEASE ARCHITECTURAL FEATURES TRANSITE RHYTHM S ROOMSWALKWAYS YOGIC UNDERSTANDING GRADUAL FLEXIBILIT Y LIGHTNES S RELEASE ARCHITECTURAL FEATURES CORRIDO RS AMPHITHEATRE ORGANIC/FLEXI BLE SHAPESENTERIES INSTITUTION DESIGN / ARCHITECTURAL DESIGN / 02 FORM DEVELOPMENT
INSTITUTION DESIGN / ARCHITECTURAL DESIGN / 03 AMPHITHEATRE VIEW PASSAGE VIEW FRONT VIEW FRONT VIEW GROUND FLOOR PLAN FIRST FLOOR PLAN ROOF PLAN
The institutional entry connect to admin area, visitors zone, workshop buildings and the main entry to academic zone All of this has been alloted with one parking on the opposite side of the road.
Administration block is such placed that one can easily drop and park there vehicles To admin block we have connecting library that has an small green outdoor space as sound, visual, and smell buffer between the blocks as both have different types of activities happening 1 being noises and other being a quiet space.Normal r.C.C Construction with brick cladding and smooth concrete finish paint is used.
INSTITUTION DESIGN / ARCHITECTURAL DESIGN / 04
INSTITUTION DESIGN / ARCHITECTURAL DESIGN / 05 NORTH ELEVATION EAST ELEVATION SOUTH ELEVATION PASSAGE WAY VIEW STUDIO VIEW ISOMETRIC VIEW
02. VYOMAMRAUTAM
4.
VYOMAMRUTAM SIGNIFIES
THE VASTNESS OF THE SPACE BY ACTUALLY BREAKING THE VISUAL BOUNDARY FOR PEOPLE WITHIN AS IF WE ARE LOOKING TO SKY, FROM HIGHER LEVELS.
COMMERCIAL COMPLEX/ ARCHITECTURAL DESIGN / 06 02. VYOMAMRAUTAM 1. ISSUE OF PRIVACY DUE TO MID-RISE BUILDINGS. 2. SITUATED BESIDE HIGHWAY, PRIVACY OF SITE DECREASE. DUE TO PRESENCE OF 30 M WIDE ROAD, SPACE IS WASTED IN GIVING HUGE SETBACK AS WELL. 1. THE SITE IS SURROUNDED BY LOT OF COMMERCIAL AND GOVERNMENT BUILDINGS AND HAS MANY UPCOMMING PROJECTS WHICH INCLUDES AIRPORT, RAILWAY STATION, PORMENADES, WATER TAXIS ETC. 2. AS THE SITE HAS PRIME LOCATION IT BECOMES CENTER OF ATTRACTION FOR ALL THE RETAIL OWNERS AND INVESTORS. 3. IT IS CONNECTED TO 34BA ROAD CONNECTED TO THE HIGHWAY THAT CONNECTS TO ULWE.
SITE NEIGHBORHOOD HAS 2 RAILWAY STATION (I.E. BELAPUR STATION WITHIN 2KM RADIUS AND PROPOSED SAGAR SANGAM RAILWAY STATION.)
COMMERCIAL COMPLEX/ ARCHITECTURAL DESIGN / 07 GROUND FLOOR PLAN FRONT VIEW UPPER FLOOR VIEW BASEMENT PLAN FIRST FLOOR PLAN 3RD FLOOR PLAN AND ABOVE SECOND FLOOR PLAN FRONT PEDESTRIAN ENTERANCE VIEW
COMMERCIAL COMPLEX/ ARCHITECTURAL DESIGN / 08 FRONT ELEVATION (SOUTH WEST) SECTION AA’ ENTRY VIEW BALCONY VIEW 2ND INTERAL VIEW BALCONY VIEW GREEN SPACES VIEW BALCONY VIEW
GRAIN MANDI AT BHANDGAON,
03. INTERMIABLE
DAUND, PUNE
PEDESTRIAN MOVEMENT
MOVEMENT
PARKING SPACE
1. VEHICULAR AND PEDESTRIAN MOVEMENT ARE KEPT SEPERATED FROM EACH OTHER.
2. PEDESTRIAN MOVEMENTS ARE RESTRICTED IN NORTH AND EAST.
3. WHEREAS VEHICULAR MOVEMENTS ARE RESTRICTED IN SOUTH AND WEST OF SITE.
4. PARKING FOR TRUCKS ARE PROVIDED TO THE EXTREME SOUTH NEAR THE VEHICULAR ENTRANCE.
5. PARKING FOR CARS AND TWO WHEELERS ARE PROVIDED NEAR THE ADMIN BLOCK AND PAVILION TO THE EAST.
VEHICULAR ENTRY MANDI DESIGN / ARCHITECTURAL DESIGN / 09 02. INTERMIABLE GRAIN MANDI AT BHANDGAON, DAUND, PUNE 1. APMC’S ARE ALWAYS GOING TO EVOLVE WITH TIME AS THE DEMAND AND SUPPLY CHAIN OF THE COUNTRY CHANGES. 2. IN THE COMING TIMES THE SUBMARKETS ARE GOING TO TURN INTO APMC’S AND LOWER APMC’S TO HIGHER ONES. 3. THE DESIGN OF APMC IS MORE ABOUT MAKING ONE FUNCTIONAL MODULE AND REPEATING OVER AND OVER AGAIN UNTIL REQUIRED BECAUSE THERE IS REPETITION OF FUNCTION THROUGH IT. 4. THE SIMPLEST 2D GEOMETRY IS A STRAIGHT LINE. WHEREAS A SIMPLE 3D GEOMETRY IS A FLAT SURFACE. 5. PEOPLE OF VILLAGE ARE GENERALLY TERMED AS THE ROOTS OF THE COUNTRY AS THEY LIVE STRAIGHTFORWARD LIFE WHICH MAKES THEM STRONG IN ALL ASPECTS. 6. BEING STRAIGHTFORWARD DOESN’T BRING IT ALL FOR STABILITY A CERTAIN AMOUNT OF FLEXIBILITY IS IMPORTANT. 7. PEOPLE OF VILLAGE ALWAYS MERGE WITH OTHERS. THEY LIVE THEIR LIFE, OUT OF COMFORT. 8. THEY ALWAYS HAVE A SCOPE TO EVOLVE BY SURROUNDINGS, PEOPLE, GOVERNMENT, NATURE, OCCUPATION ETC. 9. THUS ALWAYS REMEMBER “ A TREE THAT DOESN’T BEND IS EASILY BROKEN”.
VEHICULAR
WIND PATH • MAJOR WINDS ARE FROM WEST (9/12 MONTHS) • WINDS FROM EAST (3/12 MONTHS) SUN PATH • EAST TO WEST VIA SOUTH • HIGH SOLAR RADIATIONS ARE FOUND IN WEST AND SOUTH SIDE OF THE SITE GROUND FLOOR PLAN GROUND FLOOR PLAN WITH PURLINS ROOF PURLIN MEMBERS PLACED IN BOTH THE DIRECTION OVERLAP OF ROOFS MAIN COLUMNS OF PAVILION 1.1M X 1.1M MEMBERS PROJECTING FROM THE MAIN COLUMN TO SUPPORT THE ROOF STRUCTURAL FRAME GROUND FLOOR PLAN WITH COLUMNS
MANDI DESIGN / ARCHITECTURAL DESIGN / 10 NON- AUCTION DAY MANDI PLANAUCTION DAY MANDI PLAN ROOF PLAN REFLECTED ROOF PLAN BACK ROAD VIEWS
MANDI DESIGN / ARCHITECTURAL DESIGN / 11 GALA SECTION S SECTION THROUGH PAVILION LOADING UNLOADING PLATFORM SECTION THROUGH GALA PEDESTRIAN ENTRY SECTION AA’
MANDI DESIGN / ARCHITECTURAL DESIGN / 12 DETAIL AT A DETAIL AT B B
MANDI DESIGN / ARCHITECTURAL DESIGN / 13 “SUSTAINABILITY IS A POLITICAL CHOICE, NOT A TECHNICAL ONE. IT’S NOT A QUESTION OF WHETHER WE CAN BE SUSTAINABLE, BUT WHETHER WE CHOOSE TO BE”- BY GARY LAWRENCE AVOIDANCE OF THE DEPLETION OF NATURAL RESOURCES IN ORDER TO MAINTAIN AN ECOLOGICAL BALANCE IN PURSUIT OF GLOBAL ENVIRONMENTAL SUSTAINABILITY. INTERNAL VIEWS SOUTH ELEVATION WEST ELEVATION EAST ELEVATION SOLARPANEL VIEW LOADING/ UNLOADING PLATFORM VIEW GREEN SPACE VIEWS
C O N T E N T S 02. ALLIED DESIGN 1. INTERIOR DESIGN 2BHK FLAT(SEM 3) 2. LANDSCAPE - 25M X 25M PLOT DESIGN(SEM 5) 3. WORKING DRAWING –(SEM 6) Architecture speaks of time, details make sure that it endures eternal.
FURNITURE LAYOUT
FLOORING LAYOUT
INTERIOR DESIGN 2BHK/ ALLIED DESIGN / 01
1. INTERIOR DESIGN 2BHK FLAT(SEM 3)
INTERIOR DESIGN 2BHK/ ALLIED DESIGN / 02 SECTIONS 1. INTERIOR DESIGN 2BHK FLAT(SEM 3)
My site is located very next to subhash bridge to right and riverfront garden to left. It also has a constant passage going on at the northern part of site. The park beside me had a very simple outline of design and as this site majorly provides view to the river .Going with the design flow was a better approach to go.
park
had multiple passages and green spaces defining both
and interconnection at the same time. As to my understanding the major requirement of the site was to understand the user
in what the user is about to do once he/she
to the
1. The user of the building are people of all age group as the locality includes various residential and commercial complexes.
2. This space can have multiple uses such as the site has a history and so the space can be used for seasonal exhibitions. Various exhibitions could happen on types of flowers, plants and different tree varieties.
3. Majorly people always like to sit and enjoy to view so various sitting space for group and individual could be created.
4. The pavements are just on the northern side as they are continued from the landscape to left.
5. The different colored trees are kind off visually appealing and are local trees so the maintenance is least.
6. This site act as a view for various other sites to the opposite of river.
LANDSCAPE-25M X 25M PLOT DESIGN / ALLIED DESIGN / 03
The
landscape brief
segregation
as
is invited
space . AA’ SECTION AA’
2. LANDSCAPE - 25M X 25M PLOT DESIGN (SEM 5)
3.WORKING DRAWING
We where told to redesigning Semester 5’s “Commercial Complex Design” were. I with my respective faculties revisited all the drawings and planning aspect to make this design workable.
We figured out each and ever aspect including floor plans, elevations and sections with necessary details. We discussed various product details to be used, understanding on-site procedures, hurdles and making respective changes at each and every stage.
CENTERLINE
SETTING OUT PLAN
BASEMENT PLAN
PLAN
WORKING DRAWING / ALLIED DESIGN / 04
SECOND FLOOR PLAN
TYPICAL FLOOR PLAN
GROUND FLOOR PLAN
FIRST FLOOR PLAN
WORKING DRAWING / ALLIED DESIGN / 05
SECTION AA’
STRUCTURAL PLAN
SECTIONS AND ELEVATIONS WORKING DRAWING / ALLIED DESIGN / 06
WORK
C O N T E N T S 03. EXTRACURICULAR
1. COMPETITIONS a. THE revival-rotary youth leadership awards (RYLA) b. SWARN-LATA -music institute, Kalina 2. EXHIBITION 3. WORKSHOPS 4. PAINTINGS 5. CAPTURES 6. MODEL MAKING 7. ELECTIVES It gave me the window to explore my capacities and experience things outside regular circumstances.
A) RAYLA- THE REVIVAL
Rotary youth leadership awards (Rayla) is an intensive leadership experience organized by rotary clubs and districts where you develop your skills as a leader while having fun and making connections . this entry was by a team of 5 students. “Redesign your own institution” was the brief given by the jurors and we were given 5 days to come up with conceptual solution which culminated with online jury.
Post jury -in top 6 - team of 5
Teachings:
1. Experienced communicate with people within India and outside India
2. Understood different set of designs and approaches
3. Learned from community leaders, inspirational speakers, and peer mentors through there lectures.
4. Problem solving experience by discussions with group members, mentors etc.
1.COMPETITION
THE REVIVAL / EXTRACURICULAR WORK / 01
B) SWARN-LATA -MUSIC INSTITUTE, KALINA
Swarn-Lata is a tribute to Nightingale of India- Late Lata Mangeshkar and a proposal to upcoming music institute in Kalina campus of Mumbai. This entry was in group of 3. Major learnings include: Understanding and combining large and small scale spaces together by understanding the needs of each space. SWARN-LATA -MUSIC INSTITUTE, KALINA/ EXTRACURICULAR WORK / 02
SWARN-LATA -MUSIC INSTITUTE, KALINA/ EXTRACURICULAR WORK / 03
A) LEONARDO CINQUECENTO
EXHIBITION|
This exhibition was conducted by students in first year to mark the 500th anniversary of polymath Leonardo Da Vinci. Through thorough research and analysis of his work, panels were put up which represented his qualities, works and vision for the future.
B) SHELTER
In partnership with des châteaux en l’air, Sir JJ college of architecture, region grandest, Strasbourg city in france, the French institute in India, and the embassy of France in India; we present SHELTER – a participative installation inspired by the concrete and philosophical experience of the 19th century American author henry David Thoreau.
The installation is created on site by inviting the general public to interlock cardboard modules of identical shape and size without using tape or glue. Thus, understanding how the Structure can and use to stand in past.
2.EXHIBITION
CURATOR : MUTANSIR DALVI
EXHIBITION/ EXTRACURICULAR WORK / 04
VIGILANCE AND THE AID
ACEDGE GENDER NEUTRALITY
DESIGN
This workshop was conducted by Michael Foley who guided us through the subject matter, research, and analysis, and at the end of which we were asked to submit a gender -neutral design.
INTRODUCTION
A product should be ‘OF’ the people, ‘BY’ the people and ‘FOR’ the people.
A sensitive design is one which revolves around it’s user’s needs, inclusive of their comfort and point of view and does not discriminate one based on their gender, caste, creed, religion etc.
Even in the 21st century we overlook the general needs of people from every walk of life… Hence we propose 2 products for the upcoming metro subways at Hutatma Chowk in Mumbai, viewing through the lens of accessibility, safety and hygiene. While ‘The Aid ‘tries to address the issues of wayfinding and visibility, ‘The Vigilance’ is an all-round product taking care of its user’s hygiene, safety and accessibility.
WORKSHOP/EXTRACURICULAR/05
3.THE
PAINTINGS/ EXTRACURICULAR/06 4.PAINTINGS
CAPTURES/ EXTRACURICULAR WORK / 07 5.CAPTURES
MODELS/EXTRACURICULAR/08 6.MODELS
7.ELECTIVES 1. ORIGAMI -SHRIKANT BHINDE This elective skill has helped me create architectural design patterns which are free standing along with understanding light and shadows. ELECTIVES/EXTRACURICULAR/09 Thankyou!! Hiteshree Snehal Narendra Jadeja 4th year undergraduate +91-7977766193 hiteshreejadeja98@gmail.Com https://www.linkedin.com/in/hiteshreejadeja-2613a1240 LINK TO WALKTHROUGHS AND DOCUMENTATIONS –https://drive.google.com/drive/folders/1OgPY5-cCJ3pHEhU37XO1fY5Fxotd1hxo?usp=sharing (MUST WATCH)
