Every phenomenon can be experienced in two ways.
These two ways are not arbitrary, but are bound up with the phenomenondeveloping out of its nature and characteristics:
Externally-or-inwardly.
The street can be observed through the windowpane, which diminishes its sounds---so that its movements become phantom-like. The street itself---------I as seen through the transparent (yet hard and firm) pane seems set apart, existing and pulsating as if “beyond.” As soon as we open--------the door, step out of the seclusion and plunge into the outside reality, we become an active part of this reality and experience its pulsation with all our senses.
The constantly changing grades of tonality and tempo of the sounds wind themselves about us, rise spirally and, suddenly, collapse. Likewise, the movements envelop us---by a play of horizontal and vertical lines---------bending in different directions, as colourpatches pile up and dissolve into high or low tonalities. The work of Art mirrors itself-------upon the surface of our consciousness.
However,-------its image extends beyond, to vanish from the surface without a trace when the sensation has subsided. A certain transparent, but definite glasslike partition, abolishing direct contact from within, seems to exist here as well. Here, too, exists the possibility of entering art's message, to participate actively, and to experience its pulsating-life with all one's senses.
Aside from its scientific value, which depends upon an exact examination of the individual art elements, the analysis of the art elements forms a bridge to the inner pulsation of a work of art. The general viewpoint---------of our day, that it would be dangerous to “dissect” art since such dissection would inevitably lead to art's abolition, originated in an ignorant under-evaluation of these elements thus laid bare in their primary strength.
It is the track made by the movingpoint; that is, its product.----It is created by movement-specifically through the destruction of the intense self-contained repose of the point. Here, the leap out of the static into the dynamic occurs.
The line is, therefore, the greatest antithesis to the pictorial protoelement-the point. Viewed in the strictest element.
strictest sense, it can ---------------------------------be designated as a secondary
The simplest form of the straight line is the horizontal.
this corresponds
In the human imagination, to the line----------upon which the human being stands or moves.
The horizontal line is also a cold supporting base which can be extended on the level in various directions.
Coldness and flatness are the basic sounds of this line, and it can be designated as the most concise form of the potentiality for endless cold movement.
This is the straight line whose-----tension represents the most concise form of the potentiality--------for endless movement.
“ direction.” which is also determined
determined by the “ movement.”
프로젝트: 조형원리×해시태그
기간: 2023.04-05
수업: 디지털그래픽1
지도: 김나무 교수님
참여작가: 현승욱. 최윤정. 김어진. 김민지. 김하영. 박수진. 신지원. 조재희. 심현아. 최윤주. 최지율. 김나현. 한예지. 황동하.
서명: DZBZDZB. FROM LINE TO LINE TO LINE TO초판 1쇄: 2023.05.03
펴낸이: 조재희
연락처: WOGLW18@GMAIL.COM
펴낸곳: 국립한경대학교 디자인건축융합학부
편집: 조재희
디자인: 조재희
인쇄 및 제본: -
© 조재희 & 국립한경대학교 디자인건축융합학부
이 책에 수록된 글과 도판의 저작권은 해당 저작자와 국립한경대학교 디자인건축융합학부에 있습니다.
도판과 글을 사용하기 위해서는 사전에 저작권자의 허가가 필요합니다.
THIS PHOTO BOOK IS ABOUT REPETITION OF VARIOUS LINES COLLECTED BY FABULOUS PHOTOGRAPHER FROM HKNU DIGITAL GRAPHIC CLASS 2023-1. EACH PHOTO WAS RECREATED BY DESIGNER, JAEHEE C, FROM A HER NEW PERSPECTIVE.