~ CHAPTER TWO DECLAN HOLLYWOOD

A breeze ruffled my hair. My shoes scraped along the edge of the roof, toes pointed toward miles of empty air. Five stories up, the city looked different, the department stores and hotels jutting up like jagged teeth beside dusty one-story buildings. The light shimmered with heat, the mountains just a faraway olive smudge, hazy on the horizon. Sweat slid down my neck as I dug a fi nger into the collar of my costume—a three-piece suit wrapped around what had to be thirty pounds of cotton batting. How did anybody breathe in this city? Even in January, the air felt yellow and thick, sticking to my lungs.

Down at street level, the cops jockeyed to push back a crowd of tourists so excited by an actual movie shoot they’d whipped up into a frenzied mob. They hadn’t realized they were being used, that no one would shoot on top of one of the most stylish buildings on Hollywood Boulevard— where the hucksters, grifters, con men, and fools outnumbered the stars ten to one—unless they were after spectacle.

“The longest drop in Hollywood history!” The director made sure everyone in that crowd knew it. They’d put out a call to newspapers, reporters: Come witness it, a real stunt. Moviegoers had gotten wise to camera tricks and quick editing, taking the shock out of stunts, but everyone knew you couldn’t fake a sixty-foot fall: a real body, real distance, real danger. That jolt of reality was what audiences wanted, which made it what the director wanted, and that was why production spent a week calling up, and getting laughed at by, every stunt man in the city, until they had no choice but to put out an open call. And the only person dumb enough to respond to the ad was . . . me. “Great opportunity for you! Will lead to lots more work!” I’d been hearing it all day, and then there’d be an uncomfortable silence, the kind that said . . . if you survive.

“C-Collins? You set?” They’d sent an assistant director up to the roof with me, but mostly he’d been clutching at the parapets, his face some shade between I’m going to throw up and I’m going to pass out.

I pulled my eyes away from the ugly horizon and glanced over at him.

“If I said no, would you just give me a push?”

It was a joke, but he blanched, his legs trembling like he could no longer rely on them, as though, this high up, gravity transformed into something you couldn’t trust, a loyal pet that suddenly bared its teeth.

“One minute!” Sixty feet below, someone shouted up at me with a bullhorn, and the assistant director, needing to feel useful, echoed back, “That’s one minute, Collins.”

I looked down. Far below, there was a messy sandwich of cardboard and feather mattresses and plywood that would catch me. At least, that was what I’d been told. I’d never actually done anything like this before. The only stunts Pep had managed to find for me in the last eight months involved background bar fights or twelve hours getting drenched with fake rain on fake ships.

All right. Maybe this was a mistake. Maybe whatever blacklist waited for me on the other end of “Nope, I’ll pass, actually,” was better than staying in an industry that dropped desperate nobodies sixty feet onto

Hollywood Boulevard with nothing more than a hundred dollars and some crossed fi ngers. Pep could fi nd me another job . . . once he started speaking to me again. Or even better, we could get out of this stupid, hot city, where you didn’t matter unless you had a list of screen credits or a million dollars, and go back home to the crowded house on Valencia Street—

“Action! Stunts! Go!”

“Go!” the assistant director repeated, but before he’d gotten the word out, my body reacted, doing the thing it was meant to do before my mind could say, “Now, wait a sec.”

My toes flexed, springing me into the air, high in an arc over absolutely nothing, and for a fraction of a fraction of a second, a moment that felt like a hundred years, I hung suspended, arms outstretched, toes pointed, body free, hot wind in my face like a hiss of breath, and then— the fall.

Just three seconds.

One—head down, air rushing past, fl ickering flashes of windows, wide-eyed staring faces

Two—fl ip and twist, face up, cottony clouds, deep blue sky

Th ree—screaming wind, gasping from the crowd—

FWOOSH!

Wood splintered in sharp cracks, feathers swirled in the air like snow, and for a second all I could do was lie in a pit of debris, breathing hard and blinking up at the bright California sun. Then: “Cut!” and pandemonium broke out; faces looming over me, hands reaching, a thousand voices asking, “Is he alive?”

“Did he make it?”

“I can’t believe he did it!”

The relief that broke out on everyone’s faces was so desperate that I knew right away no one had expected to pull a warm, breathing, unbroken kid from that mess. They set me down, patting me like they weren’t sure I was real, as I blinked out at the roaring crowd.

“Good boy! Good boy!” A flushed face appeared, a hand clapping my shoulder, and I realized it was the director when he turned around and shouted to the spectators, “Sixty feet, ladies and gentlemen! The longest drop ever! And you can see it again on the big screen in Falling for Thieves, out this April from Silver Wing Studios!”

I looked back up at the building, the neon KRESS sign far away and pale in the sunlight, my heart pounding fast like I’d gotten away with something. They’d set up a makeshift dressing room for me, a canvas tent on the wide sidewalk, but when I tried to move, one crew member clutched at me, eyes wild. He was shouting about a doctor, getting a doctor, and even though I kept telling him I was fine, his fi ngers gripped my arm like he worried I might explode into a million pieces.

“DUKE!”

The crowd parted—no easy feat, because even at eighteen, Pep barely came up to most men’s shoulders. But what he lacked in height he made up in volume, running off the anxious crew member like a sharp-taloned rooster before throwing an arm around me.

“Hey, that looked pretty good.” He leaned in with a raised eyebrow. “Th ink you got another one in you? I could slip the cameraman a fiver, say there was a glare, get you double pay.”

What he meant was get us double pay. Pep was my oldest friend, but in a city like Hollywood, friendship usually came with some sort of business transaction, which was another way to say he worked as my manager.

“Hellooooo!”

Before I could respond to him, a woman popped into our path, holding a notepad and wriggling her fi ngers. “Say, that was some swan dive! Th ink you’ve got a tick to chat? The Reel Picture readers would love to hear what it takes to be a real-life stunt man!”

She gave me a look like she was dangling a juicy bone in front of a starving dog; any extra in this city would kill—truly, kill—for a feature in Reel Picture.

“Nope,” I said, giving my tie a hard yank, and Pep, laughing nervously, slid between us.

“Josepe Perez! Mr. Collins’s manager, nice to make your acquaintance!” He had his hand out and his hat off, and, figuring I wasn’t needed anymore, I pushed past him into the tent.

In the dim, gold-colored light under the canopy, I struggled to shuck off my costume while I listened to Pep diving into the latest version of his pitch. He’d been perfecting it for close to a decade now, walking the fi ne line between talking me up and selling me out. Before “Declan Collins, stunting sensation,” there’d been “Kid Duke, teenaged prizefighter,” and before that he’d tried pitching me to carnivals as the “Incredible, Unbreakable Boy.” Even as kids together in the Mission, no bigger than pair of puppies, he’d tell anyone who’d listen, “My friend Declan is SO STRONG he could take on any one of you!”

But then, that was Pep, always pushing, always trying to get me to do just a little more than I’d agreed to.

“Where would you be without me, Duke?” he liked to ask, with a grin and a punch on the shoulder. I knew exactly where I’d be: like the other kids we grew up with, a job at one of the factories or tanneries, the occasional ball game at Seal Stadium, my days spent within the boundaries of our neighborhood. Pep made it sound like prison, but I wasn’t so sure.

You knew who you were in a place like the Mission. People knew you, your reputation, and judged you for your character instead of what you could do for them. If five folks like that existed in Hollywood, I’d jump off a building twice as high.

I’d only managed to slip off my tie and unbutton my shirt before I heard Pep’s voice rise.

“. . . not just stunts, but act, too! I’ve got him set up with a screen test—”

Screen test? I pushed open the flap, startling the reporter.

“Uh, ’scuse me, Mr. Perez, sir, but you are talking out your ass,” I said, trying to pull off my jacket. “You know I don’t act. You know I don’t want to act. You know I only agreed to even come here because you said I wouldn’t— What’s the matter with this damn thing?” The jacket was stuck on something, and I fi nally gave it a hard tug free, taking my shirt with it. I looked up to see the reporter staring at me—my torso bare except for the roll of padding around my stomach—with wide eyes.

“What is that?”

“Come on, like you’ve never seen—” My words broke off as she lifted a trembling fi nger, and I glanced down . . .

A piece of wood, three or four inches thick, stuck out from the cotton batting, somewhere in the area of my left kidney. Without thinking, I yanked it free, the reporter letting out a gasp so sharp I thought she might pass out, but instead of bloody, jagged edges, the end of the wood had turned blunt, like someone had tried to hammer it into concrete. I suddenly remembered the white-faced crew member, the one anxious to get me to a doctor.

“It’s . . . It’s, uh . . .”

“You should be dead!” The color had drained from her face, her eyes as big as dinner plates, but before I could say anything else, Pep had whisked the wood out of my hand and out of sight, then clapped me on my shoulder.

“Hey, looks like it’s a good day to play the lottery, huh? Declan Collins, the luckiest stunt man in Hollywood!” He all but shoved me back into the tent, shouting over his shoulder, “Now remember: it’s Collins with two l ’s, and I’m Josepe Perez!”

A second later he’d joined me under the canopy, a loopy grin on his face like a speeding train had missed him by an inch.

“That was close. Th ink she’ll write about you?”

“She better not.” I held up the jacket and wriggled a fi nger through the hole the wood had made. “Look at this! I told you this job was a bad idea.”

“You worry too much. And anyway, this job was a GREAT idea! After today, I’m going to need a secretary to handle your offers. Just picture it!” He stretched out his arms, like he was building some grand marquee in the sky. “ ‘Declan Collins, stunt man, leading man!’ ”

I unwound the sweaty rolls of cotton and tossed them right at Pep’s face. “You promised we’d stick around this city for a year, tops. You’ve only got five more months—”

“Plenty of time! Now polish your awards speech, Duke, ’cause we’re going to the moon!” He had that grin I’d seen a million times before, full of dreams about everything we were going to do, together, all the doors that would open, the money and the fame and the power.

Pep fit right in here, where it seemed like everyone from our landlady to the corner grocer believed they were one good day away from stardom, if they just stuck around, tried harder, met the right person.

But the whole thing left me cold. Hollywood made me think of quicksand, a whirlpool, sucking people in. How many washed-up actors spent their days panhandling on the corner of Wilcox and Hollywood

Boulevard? The lines for the soup kitchens south of Sunset stretched around the block. It was a two-city town: a dream world of glittering parties and expensive clothing and elegant restaurants, and a nightmare of desperate hopefuls and the monsters who preyed on them.

Pep was a good salesman, but he hadn’t sold me. I wasn’t going to stay. What would the prize be? Money? Fame? Who really wanted fame? Crowds of strangers desperate for a piece of you, reporters looking to rip you up, would-be “friends” always after a few favors.

The truth was I came here because there were only so many places in the world that would pay you to survive stupid things, and Hollywood was the closest.

Pep launched into his arguments, but I was ready for him.

“Acting pays more!”

Not after today. I’d earned a hundred dollars to jump off that building and, more importantly, a reputation for doing the kind of stunts no one else would. I was on my way to a steady stream of work. I could get maybe a couple hundred dollars a week, and that was enough to satisfy any decent fella.

“Lots of pretty girls on movie sets!”

I’d already gotten onto enough movie sets to know those girls didn’t give a hoot about a lowly stunt man. If they only cared about me once my name had moved up the call sheet, I didn’t want to meet them.

“It’s safer!”

As soon as he said that, we both burst out laughing. True, I didn’t know any stunt men with gray hairs—but getting hurt was one thing I didn’t have to worry about.

Shove me down a set of stairs, set me on fire, drag me from a galloping horse, throw me from a runaway train: I’d live. I’d survive, pop up without a broken bone, without a bruise, without a scratch. I couldn’t even catch a cold. Couldn’t explain it. Didn’t know why. Pep was the only person in the world who had any idea what I could really do, and I figured he was also the only person in the world to see it as an opportunity.

That alone made it worthwhile to be his friend, to follow him through his craziest schemes, even all the way to Hollywood. But I had to draw the line somewhere.

“Come on. I did the fall. It’s gonna lead to more work, I know it. Let’s just make our money, then we can get out of here and go back home.”

“Home?” He sounded disappointed. “Duke, don’t you want to be famous?”

“Didn’t you hear that crowd?” I asked with a grin. “I’m already a star.”

“Yeah, sure.” He snorted out a laugh. “A falling star.”