Catalogue of Publications Autumn 2015 Music Theatre Cultural History
HOLLITZER Verlag
HOLLITZER Verlag – a division of HOLLITZER Group (est. 1849) – is a Vienna-based publishing house that specializes in academic publications in the fields of music, theatre and cultural history. From 2015 onwards following music book series (in german language) are going to be published by HOLLITZER Verlag: – Anklaenge. Wiener Jahrbuch für Musikwissenschaft, edited by Christian Glanz and Cornelia Szabó-Knotik – Eisenstädter Haydn-Berichte, edited by Internationale Joseph Haydn Privatstiftung Eisenstadt – Johann Joseph Fux Werke, edited by Österreichische Akademie der Wissenschaften – Mozart-Studien, edited by Manfred Hermann Schmid – Musikkontext. Studien zur Kultur, Geschichte und Theorie der Musik. Veröffentlichungen des Instituts für Analyse, Theorie und Geschichte der Musik an der Universität für Musik und darstellende Kunst Wien, edited by Manfred Permoser and Cornelia Szabó-Knotik – Österreichische Musikzeitschrift. Ein europäisches Forum, edited by Europäische Musikforschungsvereinigung Wien – Richard Strauss-Jahrbuch, edited by Internationale Richard Strauss-Gesellschaft in Wien
Tughra of Sultan Mahmud II.
Constanze Mozart was a strong- minded woman and of critical support to her beloved husband. AGNES SELBY
CONSTANZE,
Constanze Mozart was possessed of a fine voice and sang in public performances of a number of Mozart’s works, both before and after his death. Her business acumen was such that after his death she was largely responsible for keeping his music before the public, organis ing concerts, securing the accurate publication of many of his works, and acquiring patronage from the aristocracy. Importantly, this book restores the reputation of a woman much maligned by history. Agnes Selby is an Australian writer living with her family in Sydney.
Mozart’s Beloved
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Agnes Selby Constanze, Mozart’s Beloved. 2013 | revised edition
ISBN 978-3-99012-115-3 (WG 1597) 272 pages | 17 × 24 cm English Softcover € 39,90 (A/D) | CHF 42,00
also available as e-book € 19,99 (A/D) | CHF 21,00
Autumn 2015 Hollitzer Verlag 3
The first extensive biography and thematic catalogue of the composer Gottlieb Muffat. Gottlieb Muffat was the most important composer of keyboard music in Vienna in the first half of the eighteenth century. He served as organist at the Viennese imperial court for over half a century and was responsible for teaching several members of the imperial family. This book explores both his career and quotidian existence and presents much hitherto unknown information about other members of this musical family.
ALISON J. DUNLOP
The Life and Works of
Gottlieb Muffat (1690–1770)
Alison Dunlop (1985–2013) worked at the Don Juan Archiv Wien and was a freelance musicologist and translator. She published articles on various aspects of early keyboard music and source studies.
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Alison J. Dunlop The Life and Works of Gottlieb Muffat (1690–1770). A Documentary Biography. Catalogue of Works and Sources. 2013 ISBN 978-3-99012-084-2 (WG 1597) 600 pages | 17,5 × 24,5 cm English Hardcover with dustjacket € 82,50 (A/D) | CHF 100,00
also available as e-book € 49,99 (A/D) | CHF 12,00
4 Hollitzer Verlag Autumn 2015
sician, whose egiments, and
SPECULA SPECTACULA
2
FRANTISˇEK JOSEF BENEDIKT DUSÍK The Biography of an Eighteenth-Century Composer
FRANTISˇ EK JOSEF BENEDIKT DUSÍK
mployed as an g role in the instrumental ene works of
M ATJAZˇ B ARBO
M AT JAZˇ B ARBO
osef Benedikt ily in Cˇ áslav e he went to he stayed in rtant musical usical theatres .
This biography introduces readers to an almost forgotten musician and composer who praised Napoleon.
HOLLITZER
After studying in Prague, František Josef Benedikt Dusík went to northern Italy. In the last decade of the eighteenth century he stayed in Ljubljana where he became one of the most important musical figures. He performed as a musician in several famous Italian musical theatres of that time, from La Scala in Milan to San Benedetto in Venice. He wrote operas, church compositions, instrumental pieces, and foremost, symphonies, which represent the first Slovene works of that genre. Matjaž Barbo ( * 1965) is full professor at the Department of Musicology at the Faculty of Arts of the University of Ljubljana and has lectured at various universities (Graz, Brno, Leipzig, Salzburg). His research focuses on music from the eighteenth century to the present, especially music connected with Slovenian cultural life. Besides that, his research interests include aesthetics and sociology of music.
WISSENSCHAFTSVERLAG
8-3-99012-002-6
Matjaž Barbo František Josef Benedikt Dusík. The Biography of an Eighteenth-Century Composer. 2011 | Specula Spectacula 2 ISBN 978-3-99012-002-6 (WG 1597) 152 pages | 17 × 24 cm English Softcover € 24,90 (A/D) | CHF 31,00
also available as e-book € 9,99 (A/D) | CHF 11,00
Autumn 2015 Hollitzer Verlag 5
A focus on Ottoman Empire and European Theatre between 1756 and 1808, the time of W. A. Mozart and Sultan Selim III.
OTTOMAN EM PIRE AND NIA
EUROPEAN T HEATRE
EUROPEAN THEATRE I
I THE AGE OF MOZART AND SELIM III (1756 – 1808)
W. A. Mozart (1756–1791) and Sultan Selim III (1761–1808): These historical DON JUAN ARCHIV WIEN is an independent research personalities, whose life-spans institute for opera and theatre history in Central and Mediterranean Europe from the beginnings tofigures the nineoverlap, were towering of teenth century. their time: Mozart as an extraordinary Don Juan is an important figure in cultural and theatre composer and Selim III as both a history, originating in Spain in the early seventeenth century, becoming increasingly in Europe and since the politician andwidespread a composer. Inspired by late eighteenth century continuously disseminated overseas. theThestructure of opera, the forty-four numerous traces of this theatrical triumphal procession are being systematically are catalogued and documented by contributions arranged in eight the DON JUAN ARCHIV WIEN. A particular focus is sections. Topics covered Lorenzo da Ponte and W. A. Mozart’s Don Giovanniin (Pra-Act I–5 1787) – its genesis and premiere, the performances aregue, among others “The Stage of involving its authors, and its reception. Politics”, “Diplomacy and Theatre”, DON JUAN ARCHIV WIEN is a member of several in“Mozart and ‘Turkishness’” ternational organisations, such as SIBMAS and IAML, andand collaborates with archives, libraries, museums, and research “Sultan Selim III: A Man of Letters institutions – particularly in Vienna, Salzburg, Prague, Floand Rome.The archive fosters academic and artistic andrenceArts”. exchanges on both a regional and international level
through numerous events like conferences, workshops,
edited by
M ICHAEL H ÜTTLER · H ANS E RNST W EIDINGER
dialogue meetings, lectures, and notably the series of Michael Hüttler ( * 1966) has been conducting symposia Ottoman Empire and European Theatre, which research forsince Don Archiv has been held 2008.Juan In addition, the DONWien JUAN since ARCHIV WIEN2010 has presented research in the form of 2001. Since he itshas been head of the that are generally published by HOLLITZER thenpublications founded HOLLITZER Verlag. Wissenschaftsverlag. Hans Ernst W eidinger ( * 1949) studied law, classical languages, theatre studies The book series “Ottomania” researches the cultural transbetween the Ottoman and Europe a focus andfersart history in Empire Vienna andwithfounded on the performing arts. the Don Juan Archiv Wien in 1987.
Michael Hüttler / Hans Ernst Weidinger (eds.) Ottoman Empire and European Theatre I. The Age of Mozart and Selim III (1756–1808). 2013 | Ottomania 1 ISBN 978-3-99012-065-1 (WG 1586) 1036 pages | 17,5 × 24,5 cm English Hardcover with dustjacket € 82,50 (A/D) | CHF 87,00
also available as e-book € 49,99 (A/D) | CHF 53,00
6 Hollitzer Verlag Autumn 2015
An exploration of the relationship between Western artists and Turkish-Ottoman culture.
OTTOM AN EMPIR E AND OT TO MAN IA 3
E U RO P E A N T H E AT R E
O T T O M A N E M P I R E AND E U RO P E A N T H E AT R E I I
M ich a e l Hü t t le r ∙ H a ns Er nst Wei di nge r
II THE TIME OF JOSEPH HAYDN: FROM SULTAN MAHMUD I TO MAHMUD II (r.1730–1839)
Twenty-seven contributions by renowned experts shed light on DON JUAN ARCHIV WIEN is an independent research the mutual influences that affected institute for opera and theatre history in Central and Mediterranean Europe from theOttoman beginnings to the nineteenth European and society century. and art in the eighteenth century. Don Juan is an important figure in cultural and theatre Ottoman artists have been interested history, originating in Spain in the early seventeenth century, increasingly widespread in Europeas and since the as inbecoming European culture, well late eighteenth century continuously disseminated overseas. Western playwrights, composers and The numerous traces of this theatrical triumphal procession are being systematically catalogued and documented by the visual artists in the Turkish-Ottoman DON JUAN ARCHIV WIEN. culture. The articles reflect the growth DON JUAN ARCHIV WIEN is a member of several ofinternational research insuchthe area of cultural organisations, as SIBMAS and IAML, and collaborates with archives, libraries, museums, and research transfers between the Ottoman institutions – particularly in Vienna, Salzburg, Prague, Florence and Rome. archive fosters academic and artistic Empire andThenon-Ottoman Europe, exchanges on both a regional and international level through asnumerous expressed in music, theatre and events like conferences, workshops, dialogue meetings, lectures, and notably the series of symposia Ottoman the visual arts. Empire and European Theatre, which has been held since 2008. In addition, the DON JUAN ARCHIV WIEN has presented its research in the form of publications that are published by
edited by
Michael Hüttler ∙ Hans Ernst Weidinger
Michael Hüttler ( * 1966) has been conducting HOLLITZER Wissenschaftsverlag. research for Don Juan Archiv Wien since The book series “Ottomania” researches the cultural transfers 2001. Since 2010 he has been head of the between the Ottoman Empire and Europe with a focus on the then founded HOLLITZER Verlag. performing arts. Hans Ernst W eidinger ( * 1949) studied law, Michael Hüttler and Hans Ernst Weidinger (eds.): studies Ottoman classical languages, theatre Empire and European Theatre, vol. 1: The Age of Mozart and and art history in Vienna and founded Selim III (1756–1808), 2013 (= Ottomania 1) the Don Juan Archiv Wien in 1987. Bent Holm: The Taming of the Turk: Ottomans on the Danish Stage 1596–1896, 2014 (= Ottomania 2).
13.5.2014 19:07:06
Michael Hüttler / Hans Ernst Weidinger (eds.) Ottoman Empire and European Theatre II. The Time of Joseph Haydn: From Sultan Mahmud I to Mahmud II (r.1730–1839). 2014 | Ottomania 3 ISBN 978-3-99012-068-2 (WG 1586) 736 pages | 17,5 × 24,5 cm English Hardcover with dustjacket € 77,00 (A/D) | CHF 81,00
also available as e-book € 44,99 (A/D) | CHF 48,00
Autumn 2015 Hollitzer Verlag 7
The image of Ottoman harem and seraglio in British, French and South East European literature and theatre.
OTTOM AN EMPIR E AND
E U RO P E A N T H E AT R E III IMAGES OF THE HAREM IN LITERATURE AND THEATRE
O T T O M A N E M P I R E AND E U RO P E A N T H E AT R E I I I
Michael Hüttler ∙ Emily M. N. Kugler ∙ Hans Ernst Weidinger
OT TOMANIA 5
On May 3, 1810, George Gordon, Lord Byron, swam like the mythic Leander DON JUAN ARCHIV WIEN is an independent research from Sestos on the European side institute for opera and theatre history in Central and Mediterranean Europe from the to beginnings to the on the of the Hellespont Abydos nineteenth century. Asian shore. The hero of his poem DON JUAN ARCHIV WIEN is a member of several Don Juan has lived in “feminine international organisations, such as SIBMAS and IAML, and collaborates with libraries, museums, and disguise” in archives, the sultan’s harem for research institutions – particularly in Vienna, Salzburg, more thanandaRome. century. Nineteen Prague, Florence The archive fosters academic and artistic exchanges on both a regional and international international contributors explore level through numerous events like conferences, workshops, dialogue meetings, lectures, and notably the series of historical conceptions of the Ottoman symposia Ottoman Empire and European Theatre, which has harem and seraglio in British, French been held since 2008. and South East European sources The book series “Ottomania” researches the cultural transfersthe betweenlate the Ottoman Empire and Europe with from seventeenth toa the focus on the performing arts. nineteenth centuries. Michael Hüttler and Hans Ernst Weidinger (eds.): Ottoman Empire and European Theatre, vol. 1: The Age of Mozart and
edited by
Michael Hüttler ∙ Emily M. N. Kugler Hans Ernst Weidinger
Selim III (1756–1808), 2013.( * (= 1966) Ottomania has 1) Michael Hüttler been conducting research for Don Juan Archiv Wien since Bent Holm: The Taming of the Turk: Ottomans on the Danish 2001. Since 2010 he has been head of the Stage 1596–1896, translated from the Danish by Gaye then founded HOLLITZER Verlag. Kynoch, 2014. (= Ottomania 2) Emily M. N. Kugler ( * 1979) is Assistant Michael Hüttler and Hans Ernst Weidinger (eds.): Ottoman Professor of British Literature at Howard Empire and European Theatre, vol. 2: The Time of Joseph Haydn: University. She currently working From Sultan Mahmud I to is Mahmud II (r.1730–1839), 2014. 3) focused on women, slavery, on(=p Ottomania rojects and imperial networks. Walter Puchner: Das neugriechische Schattentheater Karagiozis, Hans Weidinger ( * 1949) studied law, 2014. (=Ernst Ottomania 4) classical languages, theatre studies and art history in Vienna and founded the Don Juan Archiv Wien in 1987. 13.5.2015 12:15:30
Michael Hüttler / Emily M. N. Kugler / Hans Ernst Weidinger (eds.) Ottoman Empire and European Theatre III. Images of the Harem in Literature and Theatre. 2015 | Ottomania 5 ISBN 978-3-99012-071-2 (WG 1586) 488 pages | 17,5 × 24,5 cm English | Hardcover with dustjacket € 77,00 (A/D) | CHF 81,00
also available as e-book € 44,99 (A/D) | CHF 48,00
8 Hollitzer Verlag Autumn 2015
rnrial een of old ven
T H E TA M I N G OT TOMANIA 2
T H E TA M I N G O F T H E T U R K
the een ean nies ent ical atic
Bent Holm
Be n t Hol m
atre da on ing with age
For centuries the figure of “the Turk” spread fascination and fear – in the theatre of war and on stage.
OF
THE TURK OTTOMANS ON THE DANISH STAGE 1596–1896
From the staging of “the Turk” as a diabolical player in royal ceremonies ofDONearly modern times, to the appeaJUAN ARCHIV WIEN is an independent research institute for opera and theatre history “Turkish” in Central and rance of harmless entertainMediterranean Europe from the beginnings to the nineteenth century. figures in the late nineteenth ment cDon entury. Artistic, Juan is an important figure in theatrical cultural and theatre and history, originating in Spain in the early seventeenth century, theo l ogical conceptions co-act in becoming increasingly widespread in Europe and since the late eighteenth century continuously disseminated overseas. paradoxical ways against a backdrop The numerous traces of this theatrical triumphal procession ofare pragmatic connections being systematically catalogued and documented by the with DON JUAN ARCHIV WIEN. the O ttomans. The book elucidates, DONthe JUAN first ARCHIVtime, WIEN is a three member of centuries several for international organisations, such as SIBMAS and IAML, and ofcollaborates cultural history as and articulated in with archives, libraries, museums, research institutions – particularly in Vienna, Salzburg, Prague, dealings b etween the Kingdom of Florence and Rome. The archive fosters academic and artistic exchanges on both a regional international level through Empire Denmark andandthe Ottoman numerous events like conferences, workshops, dialogue meetings, in lectures, and notably the series of symposia seen a general European context. Ottoman Empire and European Theatre, which has been held since 2008. In addition, the DON JUAN ARCHIV WIEN
translated from the Danish by Gaye Kynoch
has presented its research in the form of publications that are Bent Holm ( * 1946) was until 2014 associate published by HOLLITZER Wissenschaftsverlag. professor at the Institute for Arts and Cultural The book series “Ottomania” researches the cultural Studies, University of Copenhagen. Research transfers between the Ottoman Empire and Europe with a travels led him to Italy, France and India. focus on the performing arts. He published interdisciplinary studies on Michael Hüttler and and Hansdramaturgical Ernst Weidinger (eds.): Ottoman historical issues. Empire and European Theatre, vol. 1: The Age of Mozart and Selim III (1756-1808), 2013 (= Ottomania 1)
21.5.2014 9:43:00
Bent Holm The Taming of the Turk. Ottomans on the Danish Stage 1596–1896. Translated from the Danish by Gaye Kynoch 2014 | Ottomania 2 ISBN 978-3-99012-118-4 (WG 1586) 348 pages | 17,5 × 24,5 cm English Hardcover with dustjacket € 55,00 (A/D) | CHF 58,00
also available as e-book € 39,99 (A/D) | CHF 42,00
Autumn 2015 Hollitzer Verlag 9
TheMA is a peer-reviewed open-access research journal dedicated to the history of performing and visual arts.
012
Vol I/1, 2012 ISSN 2307-440X T h eM A Vol I / 1, 2012
7-440X
au,
TheMA – Open Access Research Journal for Theatre, Music, Arts – specializes in the critical and trans- disciplinary historical study of artistic production and reception in various artistic genres including literature, theatre, music, painting, sculpture, and architecture. While Middle, Central and Mediterranean Europe before 1900 is TheMA’s principal area of focus, it welcomes contributions on other regions or periods. The first issue presents three research papers, a note (which TheMA refers to as a “fragment”), and a book review. The papers all address the subject of transcultural encounters as imagined in drama and opera from the last quarter of the eighteenth century – a time of incisive cultural and social change in many a place, including Europe east of the Alps.
30
Don Juan Archiv Wien
Michael Hüttler / Matthias J. Pernerstorfer / Hans Ernst Weidinger (eds.) TheMA: Open Access Research Journal for Theatre, Music, Arts. 2012 | TheMA Vol. I/1, 2012. ISBN 978-3-99012-103-0 (WG 1586) 96 pages | 17 × 24 cm English Softcover € 14,90 (A/D) | CHF 16,00
also available online www.thema-journal.eu
10 Hollitzer Verlag Autumn 2015
The lengthy dominance of south-eastern European countries by empires resulted in a unique cultural m emory.
Vol. II/1–2, 2013
ISSN 2307-440X
ISSN 2307-440X TheMA Vol. II/1–2, 2013
Vol. II/1–2, 2013
Building cultural memory in south-eastern Europe at the eve of modernity Guest editor: Tatjana Marković
Belgrade on Stage
se of the “German”
n vasari and his ‘Dictionary struction ian majolica pottery a la
Kotzebue’s Bela’s Flucht (1813)
els of the Srpsko akademsko y ‘Balkan’) from Zagreb,
oman-Islamic ‘art 08–1913) on the‘public
ISBN 9783990121450
The second issue of the journal TheMA is dedicated to the formation of cultural memory through theatre, music and arts in south-eastern Europe in the eighteenth and nineteenth centuries, over a wide geo graphical and chronological context. The papers consider the process of memory building both within the region and on the region. Along with the centres of our chosen perspec tive – Belgrade, Ljubljana, Zagreb, as well as Sarajevo – the focus is broadened to include the imperial spaces among which the given societies constructed their national identities: the Austrian Empire, that is, the Austro-Hungarian Empire, the Kingdom of Hungary, then the Ottoman Empire, the Kingdom of Italy and its predecessors, the Kingdom of Prussia; even Great Britain was fascinated by entangled Balkan history.
Don Juan Archiv Wien
Tatjana Marković (guest ed.) Building cultural memory in south-eastern Europe at the eve of modernity. 2013 | TheMA Vol. II/1–2, 2013. ISBN 978-3-99012-145-0 (WG 1586) 104 pages | 17 × 24 cm English Softcover € 14,90 (A/D) | CHF 16,00
also available online www.thema-journal.eu
Autumn 2015 Hollitzer Verlag 11
How can we define the referential systems by which music is determined and through which music gets its meaning?
MUSIC AND ITS REFERENTIAL SYSTEMS
edited by M AT JA Zˇ B A R B O · T HOMAS H OCHRADNER
HOLLITZER WISSENSCHAFTSVERLAG
The authors allocate the place of music to the field of aesthetic autonomy or describe its specific sign system(s). Special attention is focused on the systems of musico logical contextualization and the meaning/understanding of music in different historical and/or functional contexts, from traditional liturgical chant up to recent compositions. Various contributions in the collec tion are dedicated to the relation between music and film. Matjaž Barbo ( * 1965) is full professor at the Department of Musicology at the Faculty of Arts of the University of Ljubljana. His research interests include aesthetics and sociology of music. Thomas Hochradner ( * 1963) is head of the Department of Musicology at the Mozarteum University Salzburg. His research mainly deals with the history of music of the seventeenth to the twentieth centuries, e specially referring to musical philology and reception of music.
Matjaž Barbo / Thomas Hochradner (eds.) Music and its Referential Systems 2011 | Specula Spectacula 3 978-3-99012-004-0 (WG 1597) 336 pages | 17 × 24 cm English Softcover € 24,90 (A/D) | CHF 31,00
also available as e-book € 9,99 (A/D) | CHF 11,00
12 Hollitzer Verlag Autumn 2015
A useful tool for numismatists and any reader interested in understanding Roman life through coinage. CRISTIAN GĂZDAC
FRANZ HUMER
LIVING BY THE COINS Roman Life in the Light of Coin Finds and Archaeology within a Residential Quarter of Carnuntum
The excavations in a quarter of the former “civilian” Roman town of Carnuntum were carried out according to new methodologies, as n owadays it is a desideratum to create numismatic corpora that should gather as much information as possible about each coin, not only from a numismatic point of view but also from an archaeological one. Thus, the style of publication of coins – with a large scale of archaeological units (e. g. Roman streets, dwellings public edifices) and their stratigraphy – was chosen in order to provide as much information as possible about each coin; in doing so we try to provide scholars with material and evidence that may help them to obtain a realistic picture of monetary circulation. Similarly, the coin as seen t hrough an archaeological context may serve for a better understanding of the dating of archaeological phases. Christian Găzdac / Franz Humer (eds.) Living By The Coins. Roman Life in the Light of Coin Finds and Archaeology 2013 978-3-99012-092-7 (WG 1559) 372 pages | 21,5 × 30,5 cm English Hardcover € 39,90 (A/D) | CHF 42,00
also available as e-book € 24,99 (A/D) | CHF 27,00
Autumn 2015 Hollitzer Verlag 13
Antonio Baldassarre (Hg.) Gegen die diktierte Aktualität. Wolfgang Rihm und die Schweiz. Für Wolfang Rihm zum 60. Geburtstag. 2012
GEGEN DIE DIKTIERTE AKTUALITÃT
Wolfgang Rihm und die Schweiz FŸr Wolfgang Rihm zum 60. Geburtstag Herausgegeben von Antonio Baldassarre
978-3-99012-193-1 (WG 1559) 178 pagine | 17,5 × 24,5 cm testi in italiano copertina rigida € 14,90 (A/D) | CHF 16,00
IL CREPUSCOLO DI UNA FAMIGLIA FIORENTINA NELL’OTTOCENTO
Keine Revolution kommt ohne Musik aus, und dennoch wird dieser Zusammenhang selten thematisiert. Das gilt insbesondere für das „tolle Jahr“ 1848. Der Bedarf an Revolutionsmusik war groß: jede Kompagnie einer Nationalgarde oder Akademischen Legion wollte ihre eigenen Lieder und Märsche. Diese erklangen bei Aufzügen, Fackelzügen, Fahnenweihen, in den Straßen, auf den Barrikaden, in Konzerten und sogar in den Salons. Auch bekannte Lieder wie das studentische Fuchslied oder die Kaiserhymne wurden in den Dienst der Revolution gestellt. So gut wie alle Komponisten dieser Zeit (darunter auch einige Komponistinnen) beteiligten sich an der Produktion einschlägiger Werke, viele MusikerInnen an deren Ausführung, wenngleich so mancher sich in der nachrevolutionären, neoabsolutistischen Phase wieder davon distanzierte. Auch die Konzert- und Theaterprogramme reagierten musikalisch auf die politischen Ereignisse. Im Zentrum der Untersuchungen steht Wien, doch wird der musikalischen Seite der Revolution auch in Graz, Klagenfurt, Triest, Ljubljana, Zagreb, Novi Sad, Budapest, Pressburg, Prag und in Lombardo-Venetien nachgegangen.
What happens when we place music – its performance, its ability to create group coherence, its creative influence – at the center of our historical investigations rather than at the margins? […] This remarkable volume […] offers a range of intellectually exciting comparative, cultural, and transnational approaches to the study of music in 1848/49. It also proposes several highly promising avenues for future research and analysis. Above all, the essays here demand that we rethink the ways we have interpreted the society of mid-nineteenth-century and the revolutionary moment in Europe as a whole.
978-3-99012-237-2 (WG 1559) 648 pagine | 17,5 × 24,5 cm testo in italiano copertina rigida € 49,90 (A/D) | CHF 53,00 Pieter M. Judson, Department of History and Civilization European University Institute, Florence
16.4.2015 21:00:50
ISBN 978-3-99012-127-6
R. Buland / B. Edtmaier (Hg.) Günther G. Bauer, ein „Ewigspielender“. Schauspieler, Rektor, Spiel- und Mozartforscher. 2014 | Veröffentlichungen zur Geschichte der Universität Mozarteum Salzburg 5 978-3-99012-136-8 (WG 1597) 344 Seiten | 17,5 × 24,5 cm Deutsch | Hardcover € 27,50 (A/D) | CHF 29,00
Musik und Revolution Die Produktion von Identität und Raum durch Musik in Zentraleuropa 1848/49
Die Produktion von Identität und Raum durch Musik in Zentraleuropa 1848/49
GLI ULTIMI VESPUCCI
978-3-99012-081-1 (WG 1597) 136 Seiten | 16,5 × 24 cm Deutsch Hardcover € 19,90 (A/D) | CHF 21,00
Barbara Boisits (Hg.)
Barbara Boisits (Hg.)
Italo Baldini Gli ultimi Vespucci. Il crepuscolo di una famiglia fiorentina nell’Ottocento. 2015 | La Toscana navigatrice 1
Ita lo Ba ldin i
Musik und Revolution
di Elena, l’avvincente sorelle – Giovanna, della casata, la quale, declino che ci porta a 75, si spegne nella sua
Associazione PRO MUSICA Firenze (a cura di) 25 anni di musica a Lamole. L’eredità culturale di Padre Valente Gori. 2015 | Cintoia ∙ Greve ∙ Chianti 3
Vol. III/1–2, 2014 ISSN 2307-440X
TheMA is a peer-reviewed open-access research journal dedicated to the history of performing and visual arts. It specializes in the critical and trans-disciplinary historical study of artistic production and reception in various genres including literature, theatre, music, painting, sculpture, and architecture.
CONTENT
Barbara Boisits (Hg.) Musik und Revolution. Die Produktion von Identität und Raum durch Musik in Zentraleuropa 1848/49. 2013 978-3-99012-127-6 (WG 1593) 672 Seiten | 17,5 × 24,5 cm Beiträge in Deutsch und Englisch Hardcover € 79,00 (A/D) | CHF 83,00
Vol. III/1–2, 2014 TheMA Vol. III/ 1–2, 2014
la primogenita Elena mento combattivo e una figlia naturale. Ameriga Vespucci, ha diplomatici, nobili e n ad Arthur Wellesley ontessa Apponyi, da lcuni. ente l’Italia, l’Europa venticinquennale da l’ultima generazione
Further information available on www.hollitzer.at
GLI ULTIMI VESPUCCI
a famiglia fiorentina arco di tutto il XIX ono ricostruire grazie e desunte dai giornali
Books in other languages
ISSN 2307-440X
Traduzioni, adattamenti e adozioni. Tradurre il teatro del Sei e Settecento oggi a cura di Camilla M. Cederna
Camilla M. Cederna
universitario in Francia
Camilla M. Cederna (a cura di) Traduzioni, adattamenti e adozioni. Tradurre il teatro del Sei e Settecento oggi. 2014 | TheMA Vol. III/1–2
Paola Ranzini: Ricchezze manifeste o latenti nelle traduzioni di Patrizia Valduga e Cesare Avaro di Lamberto Puggelli (1996) e Marco Martinelli (2010)
Rainer Buland / Bernadette Edtmaier (Hg.) _______________________________________________________________________
Günther G. Bauer, ein „Ewigspielender“ Schauspieler, Rektor, Spiel- und Mozartforscher
_______________________________________________________________________
Musi k h istor iog raph ie(n) herausgegeben von M ichele Calella und Nikolaus Urbanek Bericht über die Jahrestagung der Österreichischen Gesellschaft für Musikwissenschaft Wien — 21. bis 23. November 2013
Piermario Vescovo: The taming of the shrew Verona, Padova e Venezia
ISBN 9783990121924
Christian Glanz / Anita Mayer-Hirzberger (Hg.) Musik und Erinnern. Festschrift für Cornelia Szabó-Knotik. 2014 978-3-99012-175-7 (WG 1593) 350 Seiten | 17,5 × 24,5 cm Beiträge in Deutsch und Englisch Hardcover € 39,90 (A/D) | CHF 42,00
14 Hollitzer Verlag Autumn 2015
Don Juan Archiv Wien
ALMANACH DER R UNIVERSITÄT MOZARTEUM MOZA ARTEUM SALZBURG G STUDIENJAHR S TUDIENJAHR 20 2013/14 013/14
978-3-99012-192-4 (WG 1586) 136 pagine | 17 × 24 cm testi in italiano libro tascabile € 14,90 (A/D) | CHF 16,00
Wolfgang Gratzer (Hg.) Almanach der Universität Mozarteum Salzburg. Studienjahr 2013/14. 2014 | Veröffentlichungen zur Geschichte der Universität Mozarteum Salzburg 6 978-3-99012-183-2 (WG 1591) 224 Seiten | 17 × 24 cm Deutsch | Softcover € 14,90 (A/D) | CHF 16,00
Franz von Heufeld
Franz von Heufeld Lustspiele. hg. v. Johann Sonnleitner 2014 | Texte und Studien zur österreichischen Literaturund Theatergeschichte 5
der Universität Mozarteum, im Hinblick auf ihre Substanz ausführlich dokumentiert und aus heutiger Sicht beurteilt werden. Die Beiträge des vorliegenden Bandes lassen in Wort und Bild seinem breit gefächerten Wirken nachspüren, seine Persönlichkeit im Fokus der kulturellen Szenen Salzburgs fassen, die er so nachhaltig mit bewegte und bestimmte – zuletzt, ab 1959, als Präsident der Akademie für Musik und darstellende Kunst „Mozarteum“.
978-3-99012-130-6 (WG 1152) 532 Seiten | 13 × 21 cm Deutsch Hardcover mit Schutzumschlag € 25,30 (A/D) | CHF 27,00
M
Eberhard Preußner (1899–1964)
stritten bestehen und können nun, aufgrund der Durchsicht seines Nachlasses im Archiv der Universität der Künste Berlin und eines umfangreichen Aktenbestandes im Archiv
1
Th. Hochradner / M. Schwarzbauer (Hg.)
zentralen Lebensinhalt wurde. Auch wenn der ‚Preußner-Hof‘ inmitten des Hauptgebäudes dem schmucken Neubau gewichen ist: Preußners Leistungen bleiben unbe-
ISBN 978-3-99012-041-5
Herausgegeben von Johann Sonnleitner
Thomas Hochradner / Michaela Schwarzbauer (Hg.)
Eberhard Preußner (1899–1964) Musikhistoriker, Musikpädagoge, Präsident
16.11.11 22:58
Frank Huss Joseph Haydn. Das unterschätzte Genie. 2013
Forschungen, das Leben dieses ungewöhnlichen Komponisten anschaulich darstellen und durch Hinzuziehung teilweiser noch Genies in einem neuen Licht zeigen.
Der Autor Geschichte und Germanistik an der Universität Wien. Er schrieb eine Reihe von historischen Sachbüchern. Derzeit unterrichtet er als Lehrer an einem Wiener Gymnasium und arbeitet nebenbei als
978-3-99012-041-5 (WG 1597) 264 Seiten | 17,5 × 24,5 cm Deutsch Hardcover € 24,90 (A/D) | CHF 27,00
II
umschlag_komplett.indd 1
Joseph Haydns (1732 -1809) große Bedeutung als Schöpfer der Wiener Klassik ist heute unbestritten und es ist längst an der Zeit, dass er aus dem Schatten Mozarts und Beethovens heraustritt.
Thomas Hochradner / Michaela Schwarzbauer (Hg.) Eberhard Preußner (1899 –1964). Musikhistoriker, Musikpädagoge, Präsident. 2011 | Veröffentlichungen der FSM 1
F
Eberhard Preußner – geschätzt als Musikwissenschafter und Musikpädagoge seiner Generation – war vor allem auch ein genialer Administrator, dem das Schicksal der Musikhochschule, später der Akademie Mozarteum über Jahrzehnte hinweg zum
Lustspiele
Reinhart Meyer Schriften zur Theaterund Kulturgeschichte des 18. Jahrhunderts. hg. v. Matthias J. Pernerstorfer 2012 | Summa Sumarum 1
R ei n h a rt M ey er
SCHRIFTEN ZUR
T H E AT E R- U N D K U LT U R G E S C H I C H T E D E S 18 . J A H R H U N D E RT S Herausgegeben von M at t h i as J. Per n er stor fer
JOSEPH HAYDN Das unterschätzte Genie
ISBN 9783990121030
HAYDN__COVER.indd 1
18.9.2013 14:16:01
978-3-99012-110-8 (WG 1597) 196 Seiten | 17,5 × 24,5 cm Deutsch Hardcover € 24,90 (A/D) | CHF 27,00
Matthias J. Pernerstorfer (Hg.) Theater – Zettel – Sammlungen. Erschließung, Digitalisierung, Forschung. 2012 | Bibliographica 1 WALTER PUCHNER (geb. 1947 in Wien) studierte
D ON JUAN ARCHIV WIEN OT TOMANIA 4
Theaterwissenschaft an der Universität Wien und habilitierte ebenda (1977). In den Jahren 1977–1989 lehrte er an der
TH EATE R – Z E TTE L – SAM M LUNG E N Erschließung, Digitalisierung, Forschung
Universität Kreta. Von 1990 bis 2011 war er als Vorstand des Instituts für Theaterwissenschaft an der Universität Athen
978-3-99012-019-4 (WG 1586) 912 Seiten | 17,5 × 24,5 cm Deutsch Hardcover mit Schutzumschlag € 55,00 (A/D) | CHF 58,00
Forschungsinstitution, 4
Mittelmeer verbreiteten Spieltätigkeit. Dieses fachlich scheinbar periphere Phänomen
an der Universität Wien, Gastprofessuren in Wien und Graz,
führt den Untersuchenden sehr bald schon in zentrale Bereiche von Theaterwissenschaft
sowie zahlreiche Vorträge an europäischen und amerikanischen
und Neogräzistik, wobei Walter Puchners Arbeit eine langjährige Lücke schließt, da die
Universitäten. 1994 wurde er zum korrespondierenden
griechische Forschung aufgrund der Sprachschranke schwer zugänglich und überdies
Mitglied der Österreichischen Akademie der Wissenschaften
sehr verstreut ist. Die umfangreiche Literatur rund um das Schattentheater weist zudem
ernannt, 2001 wurde ihm das Österreichische Ehrenkreuz für
bedeutende Urteilsdivergenzen auf, die vom „Epiphänomen türkischer Provenienz“ bis
Wissenschaft und Kunst verliehen.
zum „einzig echten griechischen Volkstheater“ reichen. Diese Ansätze macht der Autor zum
DA S N E U G R I E C H I S C H E S C H AT T E N T H E AT E R K A R AG I OZ I S
ein alphabetisches Verzeichnis der namentlich bekannten Volkskünstler, ein Verzeichnis
sowie die Bibliographie zum Thema. Das Nachwort zur Neuauflage von 2014 sorgt für eine detaillierte Präsentation des heutigen Forschungsstandes und ist unmittelbar mit einer Auswahlbibliographie 1972–2012 gekoppelt.
herausgegeben von M ATTH IAS J. P ERN E RSTORFER
978-3-99012-080-4 (WG 1586) 368 Seiten | 17,5 × 24,5 cm Deutsch Hardcover mit Schutzumschlag € 39,90 (A/D) | CHF 42,00
M
Dominik Šedivý (Hg.) Salzburgs Musikgeschichte im Zeichen des Provinzialismus?
2
Dominik Šedivý (Hg.)
Salzburgs Musikgeschichte im Zeichen des Provinzialismus? Die ersten Jahrzehnte des 19. Jahrhunderts
F ISBN 978-3-99012-146-7
M
Dominik Šedivý (Hg.) Salzburgs Musikgeschichte im Zeichen des Provinzialismus? Die ersten Jahrzehnte des 19. Jahrhunderts. 2014 | Veröffentlichungen der FSM 2 978-3-99012-146-7 (WG 1593) 384 Seiten | 17,5 × 24,5 cm Deutsch | Hardcover € 29,90 (A/D) | CHF 32,00
und
naler Organisationen wie SIBMAS und IAML, und arbeitet
mit zahlreichen Archiven, Bibliotheken, Museen und Forschungsinstitutionen – vor allem in Wien, Salzburg, Prag,
Florenz und Rom – zusammen. Durch die Veranstaltung von
Tagungen, Vorträgen, Workshops und Forschungsgesprächen unterstützt das Archiv den Austausch akademischer und
künstlerischer Zugänge auf regionaler als auch internationaler Ebene. Besonders hervorzuheben ist die Symposienreihe Ottoman Empire and European Theatre, die seit dem Jahr 2008 veranstaltet wird. Die Reihe „Ottomania“ widmet sich den kulturellen Transfers zwischen dem Osmanischen Reich und Europa mit besonderem Fokus auf die darstellenden Künste. Michael Hüttler and Hans Ernst Weidinger (eds.): Ottoman Empire and European Theatre, vol. 1: The Age of Mozart and Selim
978-3-99012-152-8 (WG 1559) 268 Seiten | 17,5 × 24,5 cm Deutsch Hardcover mit Schutzumschlag € 39,90 (A/D) | CHF 42,00
III (1756–1808), 2013.
Bent Holm: The Taming of the Turk: Ottomans on the Danish
Stage 1596–1896, translated from the Danish by Gaye Kynoch, 2014.
Michael Hüttler and Hans Ernst Weidinger (eds.): Ottoman
Empire and European Theatre, vol. 2: The Time of Joseph Haydn: From Sultan Mahmud I to Mahmud II (r.1730–1839), 2014.
Bookjacket Ottomania 4.indd 1
F
Opern-
Das DON JUAN ARCHIV WIEN ist Mitglied internatio-
ISBN 978-3-99012-152-8
Als Folge von Eroberung, Säkularisierung und Bedeutungsverlust wurden zu Beginn des 19. Jahrhunderts in Salzburg gewohnte Verhältnisse tiefgreifend umgestaltet. Entsprechend nachhaltig waren die Konsequenzen auch für das kulturelle Leben der Stadt, dessen musikalische Seite bislang nur lückenhaft erforscht war. Im vorliegenden Band beleuchten nun siebzehn ausführliche Beiträge die Zeit nach den politischen Umbrüchen bis zur Gründung des Domusikvereines und des Mozarteums. Thematisiert werden das fortgeführte geistliche Musikleben nach der Säkularisierung, das Leben und Werk zeitgenössischer Komponisten in und aus Salzburg, aber auch das allmähliche Entstehen des Mozartkultes in der Stadt. Im Rahmen dieses Überblicks entsteht ein umfassendes Bild über das vielfältige Musikleben, dessen Details und neue Erkenntnisse überraschen und zahlreiche hergebrachte Ansichten über diese ‚Zeit des Übergangs‘ korrigieren.
der
Don Juan werden im Rahmen des DON JUAN ARCHIV
DA S N E U G R I E C H I S C H E S C H AT T E N T H E AT E R K A R AG I OZ I S
Arbeit zusammengefaßt und in eine erweiterte Problemsichtung gestellt. Ein Anhang bringt
sich
Die theater- und kulturgeschichtlich bedeutende Figur des Don Juan findet ausgehend vom Spanien des frühen
WIEN systematisch dokumentiert und katalogisiert.
Die Arbeit gliedert sich in einen historischen und einen hermeneutischen Hauptabschnitt. selektiv mit einzelnen Problemfeldern. In einem dritten Teil werden die Ergebnisse der
die
Theatergeschichte Zentral- und Mediterran-Europas von den
Welt bekannt. Die zahlreichen Spuren der Ausbreitung des
Ausgangspunkt seiner Untersuchung.
Ersterer nimmt das Zeitkontinuum zur methodischen Achse, zweiterer beschäftigt sich
Walter Puchner Das neugriechische Schattentheater Karagiozis. 2014 | Ottomania 4
Das DON JUAN ARCHIV WIEN ist eine private
OT TOMAN I A
Das neugriechische Schattentheater ist der letzte Zeuge einer einst im ganzen östlichen
8.9.2014 21:11:28
H er bert Sei fert
t e x t e z u r m u s i k d r a m at i k i m 17. u n d 18. j a h r h u n d e rt au f s ät z e u n d Vo rt r äg e Herausgegeben von M at t h i as J. Per n er stor fer
Herbert Seifert Texte zur Musikdramatik im 17. und 18. Jahrhundert. Aufsätze und Vorträge. hg. von Matthias J. Pernerstorfer 2014 | Summa Summarum 2 978-3-99012-178-8 (WG 1593) 1088 Seiten | 17,5 × 24,5 cm Beiträge in Deutsch, Englisch und Italienisch Hardcover mit Schutzumschlag € 88,00 (A/D) | CHF 93,00
Autumn 2015 Hollitzer Verlag 15
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Cover-image: Detail of “21 novembre 1853 – Notula di Funzioni, Spese e Copie ‘per l’interesse della nobile sig.ra Ameriga Vespucci ed occorse per il contratto di sponsali stipulato fra essa ed il sig. conte Artus Talon’” (Biblioteca Planettiana di Jesi, Archivio Colocci Vespucci) reproduced in: Italo Baldini: “Gli ultimi Vespucci”. Graphic design: Gabriel Fischer CHF-Prices are recommended retail prices. | Misprints and printing errors reserved.
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