portfolio Holly Huang Interior Designer
resume
Holly Huang
Education Sept. 2012 - May 2015 :
Sept. 2009 - Jun. 2012 :
California College of the Arts (CCA), San Francisco
Interior Designer
Bachelor of Fine Arts Anticipated Graduation May 2015
Date of birth: March 14th 1991 Local address: 72 Fairview Ave Daly City CA, 94015 United States Email Address: tchuang0314@gmail.com Contact: (510)384-7448
Seattle Community College, Seattle, WA
General Education Transfered to California College of the Arts, Sep 2012
Experience Jun. 2013 - Aug. 2013 :
Chun Ying Interior Decoration, Taiwan
Job Position: Intern Drawing 2D AutoCAD files Monitoring Along with Project Designer on Job Sites File Organization and Selecting Materials
Skills Operating System :
Mac/Windows
Design Software :
Rhino Photoshop Illustrator 3dMax In-Design Sketchup AutoCAD Revit
Basic Software/Other :
Microsoft Office/ Grasshopper Plug-in for Rhino
Fabrication :
Model Making/ Wood Working/ Plaster Work/ Laser Cutting/ CNC Milling/ 3D Printing/ Ceramic Making
Exhibition/Award May 2014 :
Best of Show Spring 2014
Oct. 2013 :
The Young Designer’s Show 2013
Fall 2013 :
CCA CCA Interior Design Program
Museum Craft and Design CCA Interior Design Program Features
Nominie for Jury Prize
CCA Tools and Technology Model Created by Rhino with Grasshopper Plug-in
Fall 2012 :
Nominie for Jury Prize
Fall 2011 - Spring 2014 :
Faculty Honors Scholarship
Language Mandarin Chinese fluent English fluent
CCA Studio 1 Collage
CCA Financial Aid
Affiliations Membership of IIDA since 2014
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contents
Projects forcast
spring 2014
smartbart spring 2014
mist
spring 2014
Digital Fabrication/ Materiality digital fabrication fall 2013
table for two cups spring 2014
soft bricks fall 2014
photography studio fall 2013
dancing studio fall 2012
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forcast
The San Francisco ferries provides business professionals, local families and those visiting the city a more relaxing experience than the traditional car, bus, or train. Forecast Ferry emphasizes on San Francisco’s unique weather conditions and reflecting these throughout the boat by installing a digital screen panel on the ceiling, we will bring an entirely new brand image to the ferries. Along to help brand SF Ferry, graphic stucture on the exterior can be clearly seen from far away. Interior lighting will also play an important role in branding the ferries, with the colors reflecting the current weather conditions. Long hallways stretching through the ferry will connect the spaces as well as pull the wind throughout the boat to give passengers a rush of fresh air. In the very middle of the ferry, a two story gallery space can be rented out to show the artistic side of San Francisco.
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plan
Plan_Top Deck
Plan_Main Deck
08 Plan_Lower Deck
ART
BIKE STORAGE
Translucent Panel
ENGINE ROOM
One furniture module has two orientation of seating. Each space is defined by how the furniture module is placed and which orientation the person is faced towards. How the user situates their body position creates individual seating space and group seating space with always having a table on their side or front to work on. The addition of translucent panel can further define private space.
RESTROOM
SUN DECK
ART CAFE ART
section & diagrams
Exterior Space
CAPTIAN
BENCH
SIBIGKHTE STORAGE SEEING
SUN DECK
Interior Space
Scale 1/4” = 1’0”
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furniture diagram Bar stool
Individual seating
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Individual seating with translucent panel
Combination seating
Group seating with translucent panel
Conference room
Two person seating
Two person individual seating
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smartbart
A Smart Bart that is customized for your every need. With technology rising, we propose an app that serves your needs on Bart. From booking the seating, buying tickets, and adjusting seating height to also reminding when to get on and off the Bart, the app makes riding public transportation more personal. Not only can you book ahead of time you can also choose the configuration of the seating from individual seating to multiple party seating. Some of the features of Smart Bart is that from the phone app, the table and chairs can be adjusted to fit your height. Other than personal adjustments of height, when you book your seating you can also choose the color of the light on the seats and table to identify where you sit. For people who does not have a smart phone, there is the option of fixed seating in one of the bart cars.
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long section & diagrams
Booking
station to station seating reservation group reservation
Personal Adjustment seat adjustment table adjustment personalize color lighting
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Information
about bart information real time schedule
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Smart phone app functions
Detail Drawings of Table/Seating system
Detail Drawings of Standing Table/Seating system
Detail Drawings of Panel
Seating arrangement diagram
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plan & diagrams
B
A
B
A
C
C A B
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A
A
B
There are three main system modules within smart bart. System A can function as a chair to sit on or a small table when the person is standing. System B can function as a table or seating depending on the number of people and their orientation. System C can function as the back of the chair when combined with the seating function of system B or a privacy panel when combined with the table function of System B. By being able to adjust the height and use of these systems, the seating arrangement can be customized to each individual or group need.
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mist
The goal is to mimic the mist atmosphere and create a light, clean, and fast transit system for San Francisco Muni riders with unique seating design. We propose a new monorail system that feeds on renewable energy with designed seating for all types of demographics. Although providing seven less seating than the current muni, we opened up more space for bikers and a more comfortable environment for people to stand, sit, and temporary work on Mist Muni. By using white translucent and transparent material for the furnishing in the interior and cover for the exterior skin, the transit system can blend in with the iconic foggy weather in San Francisco. One seating module can serve as both the function of a seat and also a place to lean against or a standing work station to provide stabilization and personal space. With a monorail system, traffic can be avoided and muni can be more punctual. The overall project is to provide a safe, eco-friendly, and functional muni system that blends in with diverse weather and different people of San Francisco.
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perspective diagram & model
Group seating
Individual seating/ Disablility/ Bike
Individual seating
One Module
Each module creates three individual personal space, one seat (D), one leaning seat (C), and one standing/sitting seat (A). Depending on the user’s activity the user can choose to fold up or fold down the tables and chairs or just simply lean against the folded chair. Because of the way the module is designed and placed, when two modules are placed side by side or behind another, they create a shared space for more than one person (B). For the short time span that people spend on Muni, a one to four person workspace is enough for people to quickly use their cell phone, read a book, or use their tablets.
D C A
B Model Photo
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Circulation improvement
Mist Muni
Detail drawing of furniture
Circulation diagram
plan section & diagram
Existing Muni
Section A
A
A
Plan
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photography studio The site location of this project is 2044 Fillmore Street, San Francisco, California. This project embodies the study of three conditions: open, filter, and generated. By opening up the space through the manipulation of the floor height, the space appears to be visually larger with defined areas. Natural skylight enhances the lighting of the main staircase and the common room. Metal perforated screens creates a divider for the rooms and also filters the light throughout the space. Generated lighting occurs between the metal screens to enhance a dramatic effect for the photography studio.
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rendering & program diagram
Enclosed Stair
Stairways
Studios
Studio 3
Bathrooms
Main Staircase
Common Room Media Classroom
Gallery & retail
Bathrooms
Studio 1
Gallery
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Common room & work space
Retail and media classroom
Work Space
Studio 2
Retail
Reception
sections & render Section D
Section A
Conceptual Model
Section C
Section B
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detail drawing
plans & sectional render Photography Studio
Location: 2044 Fillmore Street, San Francisco, CA The study of three condition: open, filter, and generated. Ground Floor 1/4” = 1’-0” Scale
A
B
C
D
A
B
C
A
D
B
C
D
ENTRANCE DN
UP
UP
DN
Fillmore
Fillmore
DN
DN
DN UP
E
UP
Holly Huang Course: Studio 3 Instructor: Alan Tse Fall 2013 Junior Year
E E
UP
ENTRANCE
Basement Floor 1/4” = 1’-0” Scale
DN
DN
UP
Ground Floor 1/4” = 1’-0” Scale
DN
DN
Top Floor 1/4” = 1’-0” Scale
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dancing studio
This studio incorporates three activities: dance, read, and sleep. The location of the studio sits on top of the classroom near the back of California College of the Arts. Using the advantage of the large windows in the corner, the folding of the stage top reveals different shades of grey from the sunlight.
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plan & section
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digital fabrication Software: Rhino with grasshopper plug-in
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Iteration A
Iteration B
Iteration C
0.5 in
1 in
2 in
4 in
Detail drawing
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Module A x6
Module B x3
Module C x3
2D component pieces
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table for two cups The project is to design, prototype, and fabricate a small coffee table consisting of a carved out 3D form and interlocking 2D pieces. Two systems and components within one table. The table top is fabricated by a CNC machine and the material is out of plywood. The bottom 2D pieces are compressed wood with maple veneer and is also cut by a CNC machine. The exercise before this was How To Wrap Five Eggs. They serve as an inspiration for the 2D and 3D components for the coffee table.
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how to wrap five eggs: inspiration for 2D pieces
how to wrap five eggs: inspiration for 3D component
62 degrees
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soft bricks Material exploration with ceramics Collaborator; Hoang Thong Nguyen
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process
Material: paste (slip + molochite) x fabric Tools: laser cut jigs x heat gun x pins
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study models
diagram & process photos
1 5/6”
Foam for weight reduction
2”
Mold to form the wall of the brick (12” x 6” x 3”)
6” Fabric tools of extrusion (threshold)
12”
One Module
By combining the words given; oscillate, stutter, and threshold, we explored ways to create a field of bulged texture by using paste and fabric. Because paste is the state of a thick liquid matter, we embraced the property and used gravity as a method to extrude the material through fabric. The reason to choose fabric was because of the elasticity and weaving structure that allows the paste to penetrate through and avoid the cracking when it dries.
Support to hold the fabric
Support dowels control the form
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Holly Huang
(510)384-7448 tchuang0314@gmail.com