Portfolio

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portfolio Holly Huang Interior Designer


resume


Holly Huang

Education Sept. 2012 - May 2015 :

Sept. 2009 - Jun. 2012 :

California College of the Arts (CCA), San Francisco

Interior Designer

Bachelor of Fine Arts Anticipated Graduation May 2015

Date of birth: March 14th 1991 Local address: 72 Fairview Ave Daly City CA, 94015 United States Email Address: tchuang0314@gmail.com Contact: (510)384-7448

Seattle Community College, Seattle, WA

General Education Transfered to California College of the Arts, Sep 2012

Experience Jun. 2013 - Aug. 2013 :

Chun Ying Interior Decoration, Taiwan

Job Position: Intern Drawing 2D AutoCAD files Monitoring Along with Project Designer on Job Sites File Organization and Selecting Materials

Skills Operating System :

Mac/Windows

Design Software :

Rhino Photoshop Illustrator 3dMax In-Design Sketchup AutoCAD Revit

Basic Software/Other :

Microsoft Office/ Grasshopper Plug-in for Rhino

Fabrication :

Model Making/ Wood Working/ Plaster Work/ Laser Cutting/ CNC Milling/ 3D Printing/ Ceramic Making

Exhibition/Award May 2014 :

Best of Show Spring 2014

Oct. 2013 :

The Young Designer’s Show 2013

Fall 2013 :

CCA CCA Interior Design Program

Museum Craft and Design CCA Interior Design Program Features

Nominie for Jury Prize

CCA Tools and Technology Model Created by Rhino with Grasshopper Plug-in

Fall 2012 :

Nominie for Jury Prize

Fall 2011 - Spring 2014 :

Faculty Honors Scholarship

Language Mandarin Chinese fluent English fluent

CCA Studio 1 Collage

CCA Financial Aid

Affiliations Membership of IIDA since 2014

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contents


Projects forcast

spring 2014

smartbart spring 2014

mist

spring 2014

Digital Fabrication/ Materiality digital fabrication fall 2013

table for two cups spring 2014

soft bricks fall 2014

photography studio fall 2013

dancing studio fall 2012

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forcast

The San Francisco ferries provides business professionals, local families and those visiting the city a more relaxing experience than the traditional car, bus, or train. Forecast Ferry emphasizes on San Francisco’s unique weather conditions and reflecting these throughout the boat by installing a digital screen panel on the ceiling, we will bring an entirely new brand image to the ferries. Along to help brand SF Ferry, graphic stucture on the exterior can be clearly seen from far away. Interior lighting will also play an important role in branding the ferries, with the colors reflecting the current weather conditions. Long hallways stretching through the ferry will connect the spaces as well as pull the wind throughout the boat to give passengers a rush of fresh air. In the very middle of the ferry, a two story gallery space can be rented out to show the artistic side of San Francisco.

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plan

Plan_Top Deck

Plan_Main Deck

08 Plan_Lower Deck


ART

BIKE STORAGE

Translucent Panel

ENGINE ROOM

One furniture module has two orientation of seating. Each space is defined by how the furniture module is placed and which orientation the person is faced towards. How the user situates their body position creates individual seating space and group seating space with always having a table on their side or front to work on. The addition of translucent panel can further define private space.

RESTROOM

SUN DECK

ART CAFE ART

section & diagrams

Exterior Space

CAPTIAN

BENCH

SIBIGKHTE STORAGE SEEING

SUN DECK

Interior Space

Scale 1/4” = 1’0”

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furniture diagram Bar stool

Individual seating

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Individual seating with translucent panel

Combination seating

Group seating with translucent panel

Conference room

Two person seating

Two person individual seating


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smartbart

A Smart Bart that is customized for your every need. With technology rising, we propose an app that serves your needs on Bart. From booking the seating, buying tickets, and adjusting seating height to also reminding when to get on and off the Bart, the app makes riding public transportation more personal. Not only can you book ahead of time you can also choose the configuration of the seating from individual seating to multiple party seating. Some of the features of Smart Bart is that from the phone app, the table and chairs can be adjusted to fit your height. Other than personal adjustments of height, when you book your seating you can also choose the color of the light on the seats and table to identify where you sit. For people who does not have a smart phone, there is the option of fixed seating in one of the bart cars.

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long section & diagrams

Booking

station to station seating reservation group reservation

Personal Adjustment seat adjustment table adjustment personalize color lighting

|

|

Information

about bart information real time schedule

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Smart phone app functions

Detail Drawings of Table/Seating system

Detail Drawings of Standing Table/Seating system

Detail Drawings of Panel


Seating arrangement diagram

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plan & diagrams

B

A

B

A

C

C A B

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A

A

B

There are three main system modules within smart bart. System A can function as a chair to sit on or a small table when the person is standing. System B can function as a table or seating depending on the number of people and their orientation. System C can function as the back of the chair when combined with the seating function of system B or a privacy panel when combined with the table function of System B. By being able to adjust the height and use of these systems, the seating arrangement can be customized to each individual or group need.


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mist

The goal is to mimic the mist atmosphere and create a light, clean, and fast transit system for San Francisco Muni riders with unique seating design. We propose a new monorail system that feeds on renewable energy with designed seating for all types of demographics. Although providing seven less seating than the current muni, we opened up more space for bikers and a more comfortable environment for people to stand, sit, and temporary work on Mist Muni. By using white translucent and transparent material for the furnishing in the interior and cover for the exterior skin, the transit system can blend in with the iconic foggy weather in San Francisco. One seating module can serve as both the function of a seat and also a place to lean against or a standing work station to provide stabilization and personal space. With a monorail system, traffic can be avoided and muni can be more punctual. The overall project is to provide a safe, eco-friendly, and functional muni system that blends in with diverse weather and different people of San Francisco.

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perspective diagram & model

Group seating

Individual seating/ Disablility/ Bike

Individual seating

One Module

Each module creates three individual personal space, one seat (D), one leaning seat (C), and one standing/sitting seat (A). Depending on the user’s activity the user can choose to fold up or fold down the tables and chairs or just simply lean against the folded chair. Because of the way the module is designed and placed, when two modules are placed side by side or behind another, they create a shared space for more than one person (B). For the short time span that people spend on Muni, a one to four person workspace is enough for people to quickly use their cell phone, read a book, or use their tablets.

D C A

B Model Photo

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Circulation improvement

Mist Muni

Detail drawing of furniture

Circulation diagram

plan section & diagram

Existing Muni

Section A

A

A

Plan

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photography studio The site location of this project is 2044 Fillmore Street, San Francisco, California. This project embodies the study of three conditions: open, filter, and generated. By opening up the space through the manipulation of the floor height, the space appears to be visually larger with defined areas. Natural skylight enhances the lighting of the main staircase and the common room. Metal perforated screens creates a divider for the rooms and also filters the light throughout the space. Generated lighting occurs between the metal screens to enhance a dramatic effect for the photography studio.

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rendering & program diagram

Enclosed Stair

Stairways

Studios

Studio 3

Bathrooms

Main Staircase

Common Room Media Classroom

Gallery & retail

Bathrooms

Studio 1

Gallery

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Common room & work space

Retail and media classroom

Work Space

Studio 2

Retail

Reception


sections & render Section D

Section A

Conceptual Model

Section C

Section B

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detail drawing


plans & sectional render Photography Studio

Location: 2044 Fillmore Street, San Francisco, CA The study of three condition: open, filter, and generated. Ground Floor 1/4” = 1’-0” Scale

A

B

C

D

A

B

C

A

D

B

C

D

ENTRANCE DN

UP

UP

DN

Fillmore

Fillmore

DN

DN

DN UP

E

UP

Holly Huang Course: Studio 3 Instructor: Alan Tse Fall 2013 Junior Year

E E

UP

ENTRANCE

Basement Floor 1/4” = 1’-0” Scale

DN

DN

UP

Ground Floor 1/4” = 1’-0” Scale

DN

DN

Top Floor 1/4” = 1’-0” Scale

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dancing studio

This studio incorporates three activities: dance, read, and sleep. The location of the studio sits on top of the classroom near the back of California College of the Arts. Using the advantage of the large windows in the corner, the folding of the stage top reveals different shades of grey from the sunlight.

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plan & section


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digital fabrication Software: Rhino with grasshopper plug-in

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Iteration A

Iteration B

Iteration C

0.5 in

1 in

2 in

4 in

Detail drawing

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Module A x6

Module B x3

Module C x3

2D component pieces

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table for two cups The project is to design, prototype, and fabricate a small coffee table consisting of a carved out 3D form and interlocking 2D pieces. Two systems and components within one table. The table top is fabricated by a CNC machine and the material is out of plywood. The bottom 2D pieces are compressed wood with maple veneer and is also cut by a CNC machine. The exercise before this was How To Wrap Five Eggs. They serve as an inspiration for the 2D and 3D components for the coffee table.

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how to wrap five eggs: inspiration for 2D pieces


how to wrap five eggs: inspiration for 3D component

62 degrees

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soft bricks Material exploration with ceramics Collaborator; Hoang Thong Nguyen

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process

Material: paste (slip + molochite) x fabric Tools: laser cut jigs x heat gun x pins

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study models


diagram & process photos

1 5/6”

Foam for weight reduction

2”

Mold to form the wall of the brick (12” x 6” x 3”)

6” Fabric tools of extrusion (threshold)

12”

One Module

By combining the words given; oscillate, stutter, and threshold, we explored ways to create a field of bulged texture by using paste and fabric. Because paste is the state of a thick liquid matter, we embraced the property and used gravity as a method to extrude the material through fabric. The reason to choose fabric was because of the elasticity and weaving structure that allows the paste to penetrate through and avoid the cracking when it dries.

Support to hold the fabric

Support dowels control the form

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Holly Huang

(510)384-7448 tchuang0314@gmail.com


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