Monitor Audio Silver RS ◆ £1,900 (approx) ◆ 01268 740580 ◆ www.monitoraudio.com
Silver service from Monitor Audio Precious metals collide as our very own audiophile Alvin Gold reviews the Silver
O
ne of Britain’s best-known specialist loudspeaker brands, Monitor Audio was among the
first to introduce some key technologies,
RS series from Monitor Audio
most famously the metal dome tweeter
RATINGS Highs: A great all-rounder; suitable for music and film soundtracks Lows: FX surrounds are weak compared to the other speakers
– the distant ancestor of the very model used in this system. The Silver RS range is strictly
SPECIFICATIONS ITEM RS6 Drive units
Enclosure type Frequency response Sensitivity Power handling Dimensions Weight RS LCR Drive units Enclosure type Frequency response Sensitivity Power handling Dimensions Weight RS FX Drive units Enclosure type Frequency response Sensitivity Power handling Dimensions Weight RSW12 Drive units Enclosure type Frequency response Power Dimensions Weight
DETAILS
★★★
Rears
mainstream in its appeal. The technology
Bass
★★★½
is contemporary, if not cutting-edge.
OVERALL
★★★★
The finishes are wood effect vinyl wrap, albeit of good quality. The styling of the
1 x 150mm C-CAM bass, 1 x 150mm C-CAM bass/midband, 1 x 25mm Gold Dome C-CAM tweeter Bass reflex, front & rear vented 38Hz – 30kHz 91dB/m @ 2.83V 120W 850(h) x 185(w) x 250(d) mm 18kg 2 x 150mm C-CAM bass/midrange, 1 x 25mm Gold Dome C-CAM tweeter Bass reflex, rear vented 45Hz – 30kHz 91dB/m @ 2.83V 120W 185(h) x 500(w) x 200(d) mm 8.5kg 2 x 150mm C-CAM bass/midrange, 1 x 25mm Gold Dome C-CAM tweeter Sealed (IB) 60Hz – 30kHz 89dB/m @ 2.83V 100W 290(h) x 285(w) x 130(d) mm 4kg 300mm pulp cone Bass reflex, rear vented 21Hz – 120Hz (variable) 500W 340(h) x 340(w) x 370(d) mm 25.5kg
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HCC131.monitor 68
★★★★
Fronts/centre
driver surrounds is on the brash side;
All loudspeakers – or speaker systems
leaving the front baffle covers in place
– have a degree of technical merit (or
helps, but there is a small but significant
otherwise). But loudspeakers can be judged
loss of transparency and clarity when the
by other than standards of absolute literal
tweeters are obscured.
accuracy. Loudspeakers have character.
The speaker that sets the tone for this
Perhaps this shouldn’t be, but in reality every
system is the RS6, the main left/right,
part of the audio chain has its own foibles,
which is the smaller of two floor-standing
and so do the engineers entrusted with the
models in the range. It is a two-way
task of recording the source material in the
design, which means it has a tweeter, a
first place. So literal, absolute neutrality,
mid-range unit that also covers the bass,
is not always what is required.
and a similar driver which is limited to the
And so it is here. This is one of those
bass only. This is a simple and popular way
cases where likeability comes ahead of
of increasing the cone’s radiating area
technical proficiency. Not that there is much
devoted to the lowest frequencies – where
wrong with the package technically. In most
larger generally means better – while
respects the Silver RS6 package is very
using a smaller, lighter and more
capable, but there are some identifiable
responsive engine for the mid-range,
colourations and ‘boxy’ type effects, and
where these qualities are needed most.
the treble can sound a little sharp at times.
Other models in this system include the
The tonal balances, overall, are fairly
RS-LCR, a D’Appolito design with two mid/
neutral, with a mild rising response trend
bass units flanking the tweeter. The rear
into the treble. The basic RS6 floor-stander
effects speaker is a wall-hugger with a
gives the system a firmly grounded bass,
single bass driver and two tweeters, which
however, and the subwoofer is a star,
can be switched between bipole and
thanks mainly to its very solid construction
dipole radiation patters.
and sealed (unvented) construction, which
Last but not least, the subwoofer is an
means a very tight and tuneful bass, and
extremely heavy sealed-enclosure design,
the very muscular motor system. There
equipped with a 30cm driver and a 500W
have been no short cuts here, and with the
amplifier Class D amplifier.
ability to tune the bass to suit personal
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Speaker System
‘This is a high value system capable of painting soundtracks on a large scale’
raw edge-of-the-seat battle scenes, with
cinema speaker than in a multichannel
explicit image steering, and the way the
music playing role, where it fails to
muscular stuff combined with the excellent
integrate fully with the other speakers,
(and well-recorded) musical score. Similarly,
and can sound more coloured, presumably
the slo-mo titles sequence from Apocalypse
because the tweeter is well off the listening
Now reproduced with tremendous stomach-
axis. But it is possible to specify the system
churning stature and drive, and essentially
with RS1 direct radiating rear speakers,
free of the rather boxy, resonant quality of
which is like a reduced size RS6 physically,
some competing systems.
and almost certainly sonically too.
tastes, the overall low frequency balance
volume levels without strain or obvious
can be adjusted to match your system and
change in sonic character, and this remains
room with greater transparency than usual
the case even with relatively low power
positively to the touchy-feely musical
Conclusion
at this price level.
amplifiers, thanks to the higher-than-
numbers in Moulin Rouge, while
Overall, and despite some minor
average sensitivity, and the superior current
Pleasantville, which relies on natural
imperfections, this is a high value system
Bold and vital
pulling-power associated with the 6 Ohm
speech placement and intelligibility, is
capable of painting soundtracks on
What sets this package apart from some of
nominal impedance. This might cause some
helped here by the RS LCR centre
a large scale, even in large rooms,
its main competitors, however, is its sheer
under-endowed amplifiers to run a little hot
speaker’s bold tonality and good
and with relatively modestly power
listenability. There is a boldness and vitality
or even trigger the output protection
integration with the RS6.
amplification in charge. Physical
about the sound that suggests some very
circuits, though this didn’t happen on test.
The surround RS FX switchable directivity
presentation is on the loud side too,
Auditioned with The Thin Red Line, the
helps the system adapt to the size and shape
but the plain dark detachable covers
design process. It can also be driven to high
results were often exciting, particularly in the
of the listening room, but it is a better home
will come to the rescue here ■
Remove the two brass jumpers if you’re bi-wiring
The rears can be switched between bipolar and dipolar configuration
A 500W amp drives the subwoofer’s 300m cone
The distinctive gold dome tweeter is an MA trademark
well-informed listening went into the
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This is a system that can also respond
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