MY SPACE : SIAN PASCALE
ART FORM : MARILYN SUNDERLAND
vol 14 issue 12
total pages 144
december 2015
DESIGN DESTINATION : STRASBOURG
RS 100 HOME-REVIEW.COM
FADD STUDIO classic REVISITED SHROFFLEON FROM VINTAGE TO CONTEMPORARY
OF TWO DESIGN WORLDS A VERNACULAR COMPOSITION BY CANARCHITECTURE
DESIGN AWARDS SPOTLIGHTING the WINNERS of GLOBAL DESIGN LABELS
Photo: Cyrus Dalal
I
t is not easy to add an extension to a structure melding a design ideology of today’s times with a physical reality of yesteryears. Kayzad Shroff and Maria León of Shroffleón manage just that by adding a 1,500 square metre addition (primarily commissioned to protect a collection of supercars) to a 60-year-old Bandra home. Essentially comprised of twin canopies, the geometry of the new feature draws extensively from the context of the old structure, ensuring that it does not stand out as an afterthought. A highlight of the rebuilding is a clever water management system that channels rainwater collected on the facade and canopies that flows towards a collection plate for alternate use. The design duo introduces clever interventions and juxtaposition of elements with great attention to detail and ensures an outcome that seamlessly unites the new with the old. Niel Parekh of CANarchitecture constructed 24 rammed earth walls for a weekend getaway in Surat. The clever use of this ancient technology provides a unique design aesthetic and also lends itself to becoming the de facto identity of this home. Along with the meticulously built mud walls, large spans of clear glass are introduced to compose the skin of the home. Together these materials provide necessary degrees of privacy and engagement with the surrounding landscape. The home has an uncomplicated construct and is very linear in its composition. Evolved as a contextual response to its environs, it is low on maintenance, flooded with natural light, sustainably built, extremely energy efficient and has a design language that is ethical along with being artistic. It looks like Niel Parekh and his team at CANarchitecture have managed to tick all the boxes with this one!
Anish Bajaj, Editor anish@marvelinfomedia.com
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MY SPACE : SIAN PASCALE
ART FORM : MARILYN SUNDERLAND
vol 14 issue 12
total pages 144
december 2015
32 24
DESIGN DESTINATION : STRASBOURG
RS 100 HOME-REVIEW.COM
FADD STUDIO classic REVISITED SHROFFLEON FROM VINTAGE TO CONTEMPORARY
My meditations have had a profound impact on my creative processes and have helped to get me into a creative flow
Sian pascale It’s time to shop at the Christmas markets of Switzerland
20
OF TWO DESIGN WORLDS A VERNACULAR COMPOSITION BY CANARCHITECTURE
DESIGN AWARDS SPOTLIGHTING THE WINNERS OF GLOBAL DESIGN LABELS
Cover Story Using rammed earth walls, CANarchitecture has created a weekend home in Surat which is entirely contemporary in its aesthetic
36 ‘Vintage’ as a theme is re-invented by FADD Studio in a terrace office that reflects not just their design expertise but also their client’s creative sensibilities
44
DEcember
Playing with modern elements to blend in with a vintage look, this project by SHROFFLEóN is an extension built around a 60-year-old family home in Bandra, Mumbai
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50
STRASBOURG A DESIGN DESTINATION
Design firm Henkin Shavit, renovates and reinterprets an old stone house in a contemporary architectural language that embraces the structure’s history
57 By Sonali Patel
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64
Using a vocabulary which is neither starkly contemporary nor traditional, a+t associates have designed a four-storeyed bungalow in Vadodara
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DESIGN AWARDS SPECIAL
77
82 art
87
product
designer
form
Marilyn Sunderland, an artist from Utah uses gourds as her canvas to capture the beauty of her surroundings
Spotlighting the winners of international design labels
91
Textile designer Elisa Strozyk creates delicate, perfectly proportioned works of usable art from a surprising medium - wood
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december
Point Yamu, located on a peninsula on Phuket’s east coast, is a unique poetic landmark designed by Paola Navone that marries style, comfort and luxury
128
123 GREEN PROJECT Dwell Development LLC used cork as a building material to realise the ‘Cork Haus’ in Seattle as a net-zero energy haven
THE MARKETPLACE
132 Functionality, clever creative solutions and aesthetics are the driving principles of AVA Studio’s design philosophy, founded in 2013
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Get your hands on the latest products to hit the market
140 136
Elvy’s shop in New Delhi exudes a sense of sophistication, charm and warmth with its hand-picked collections
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Editor & Publisher Anish Bajaj Creative Director Natalie Pedder-Bajaj
Himali Kothari Freelance Writer It took a few years of meandering aimlessly before Himali Kothari found her calling in writing. She is a freelancer and has written on travel, design, architecture, business and finance and food.
Features Editor Mala Bajaj Assistant Editor Shweta Salvi Sub Editor Rehana Hussain Contributing Writers Chryselle D’Silva Dias Christabelle Athaide Devyani Jayakar Dhanishta Shah Himali Kothari K Parvathy Menon Shruti Nambiar Designers Asif Shayannawar Darshan Palav Snigdha Hodarkar Kunal Bhatia Architect and Photographer Kunal Bhatia is an architect, photographer and travel writer based in Mumbai. He finds inspiration in cities around the world, the people that he meets and fleeting encounters. To experience more of his work visit kunalbhatia.net.
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Editorial & Marketing Mumbai Mr. Rakesh Kini (Head - Marketing) Mr. Ganesh Gurav, Mr. Vivek Jadhav, B-62, Cotton Exchange bldg., Cotton Green, Mumbai 400 033 T 022 23736133 / 23736131 / 23743069 E response@marvelinfomedia.com
CANarchitecture Of Two Design Worlds, Page 24. CANarchitecture is a young collaborative firm initiated by Niel Parekh, Chirag Torawala and Anil Katrodia. Their idea is to create a deliverable system, through team building, open communication and problem solving skills that are geared towards the realisation of the project.
Delhi Ms. Sumita Prakash Flat F 304, Rajasthan C.G.H.S. Ltd, Plot No. 36, Sector 4, Dwarka, New Delhi 110075 Tel 09899179540, Email: sumitabiswas63@gmail.com Chennai Mr. S. Venkataraaman Flat No. 2, 3rd Flr, E-Block, Hansa Garden, 30 Madampakkam Main Rd, Rajakilpakkam, Chennai 600 073 Tel 044 22281180 / 09444021128 Email: svenkat@marvelinfomedia.com Kolkata Mr. Subrata Mazumder 2, Nabapalli (Bidhanpalli). Kolkata 700084 Tel 033 2410 4296 Mob 9831131395 Telefax 033 2410 7605 Email: subrata22@rediffmail.com Publishing Director Mr. R.I. Bajaj Distributed in India by India Book House Pvt. Ltd. 412, Tulsiani Chambers, Nariman Point, Mumbai 400 021. This issue has a total of 144 pages comprising of a 4 page cover and 140 inside pages. We welcome unsolicited material but do not take responsibility for the same. Letters are welcome but subject to editing. All rights reserved. Nothing may beprinted in whole or part without written permission of the publisher. The editors do their best to verify the information published but do not take responsibility for the absolute accuracy of the information. All objections, disputes, differences, claims and proceedings are subject to Mumbai Jurisdiction. Editor Mr. Anish Bajaj. Published and Printed by Mr. Anish Bajaj on behalf of the owner Marvel Infomedia Pvt. Ltd, B-62, Cotton Exchange bldg, Cotton Green, Mumbai 400 033.
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FADD Studio Vintage Revisited, Page 36. FADD Studio was established in 2012, by Farah Ahmed and Dhaval Shellugar who believe that the purpose of design is to push beyond the known. Their philosophy is about revisiting older trends that were set decades ago and reinterpreting them in a fresh and contemporary way.
Dwell Development Energy Superstar, Page 123. Dwell development design+build is a dynamic, boutique, full service firm dedicated to creating ecologically sound, positive additions to Seattle’s urban communities in the US. The firm continues to look deeper with each project to see how it can best improve on efficiency, sustainability, and community enhancement.
Home Review September 2015
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emails + feedback Quintessential Offices An Inspiring Home MY SPACE : SIAN PASCALE
ART FORM : MARILYN SUNDERLAND
vol 14 issue 12
total pages 144
december 2015
DESIGN DESTINATION : STRASBOURG
RS 100 HOME-REVIEW.COM
FADD STUDIO classic REVISITED SHROFFLEON FROM VINTAGE TO CONTEMPORARY
Nowadays young architects and designers are coming up with avant-garde designs. Point in case being this young firm, Studio Nishita Kamdar who have done a marvellous job with the materials, colours and spaces they have created in this penthouse. Kritika Lad By Email
A VERNACULAR COMPOSITION BY CANARCHITECTURE
Work Of Art
Rashida Penwalla Mumbai
DESIGN AWARDS SPOTLIGHTING THE WINNERS OF GLOBAL DESIGN LABELS
Peaceful Aman I loved the way both the Aman resorts were presented in the magazine. It really brings out the beauty and serenity of the two properties. Mohit Chawla By Email
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Sam Harris By Email
I have seen the NTU in Singapore in person and must say it is a work of art. And now seeing it in my favourite design magazine, Home Review is a pleasure to the senses. You have exactly put on paper what the architects have intricately designed; all the details and finishes along with a beautiful description made me imagine that I’m right in the campus.
OF TWO DESIGN WORLDS Let us know what you love and hate about this issue. Mail us at letters@marvelinfomedia.com
I diligently read through the complete office special theme that you had covered. It highlighted the trends, products and upcoming firms in the office setup very comprehensively. I’m deliberating to fashion my office with inputs from your issue. Great work, guys.
PAST & FUTURE
E V E N T S
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PAST & FUTURE
E V E N T S 4 6 NOV TO
Inside World Festival Of Interiors, Singapore
One of the most important events in the global interior design calendar, Inside 2015 saw a host of interior designers and architects flocking to Singapore to learn, connect and exchange ideas. Held alongside World Architecture Festival over a period of three days, the festival highlighted people, projects and developments that have been crucially inspirational in the world of interiors. The alluring factor of the festival is the Inside Awards, an awards programme with a panel of 20 established designers and editors from all over the world, and a super jury of luminaries including Matteo Thun and Sadie Morgn. The coveted award of World Interior of the Year was given to March Studio who designed Hotel Hotel in Australia.
Steelcase, one of the leaders in the office furniture industry and innovative workspace solutions, recently launched its dealer showroom in Ahmedabad. With this launch in the heart of Gujarat, Steelcase hopes to recognise and promptly meet the demands of the changing work culture. The brand is also looking to foster partnerships with premium design schools in the city. Steelcase bases its products on research, especially on the latest findings of Susan Cain who talks about the privacy crisis at workplaces. Thus it will be offering at its showroom private spaces such as the shared private offices which allows people to get away for more focused work or for a confidential meeting.
27Roche NOV Bobois Store Launch, Bengaluru
www.steelcase.com
26BookNOVLaunch Of 50 Amazing Homes In India, Mumbai
The renowned French luxury furniture brand Roche Bobois recently launched its store in Bengaluru. Spread across 7500 sq. ft., the showroom presents the customers with the French way of life, displaying innovative and sophisticated furniture design.
www.insidefestival.com
25Launch NOV Of Steelcase Showroom, Nitco in association with Skyboard have recently launched the book 50 Amazing Homes in India which is the country’s first interactive architectural book. Curated by Ar. Christopher Charles Benninger, the book features 50 exceptional projects by reputed Indian architects. A hardbound coffee table book spanning 464 pages, 50 Amazing Homes in India features 50 standalone homes and contains contributions from leading luminaries from architecture and interior design. The book contains inputs from acclaimed architects such as Sandeep Khosla, Arjun Malik, Pinakin Patel, Manit and Sonali Rastogi and many more.
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www.nitco.in
Steelcase endeavours to create a valuable work experience through its offerings, studying the way people work in spatial, informational and social contexts and turning the findings into its unique products, applications and services.
Among the number of other programmes scheduled at the festival included thoughtprovoking talks by renowned and influential architects shaping global architecture today, as well as exhibitions and live interviews.
Ahmedabad
Each project featured is sure to be distinct from the established norms of home design and represent the diversity in contemporary Indian architecture. The book moreover integrates 50 videos of architects, thus enhancing the reader’s experience of the book.
The Roche Bobois store in Bengaluru features two collections titled Les Contemporains and Nouveaux Classiques. Les Contemporains consists of refreshing contemporary items of furniture whereas Nouveaux Classiques features an updated version of traditional designs with original prints and textures. The store also houses the brand’s Winter Collection 2015, which contains sophisticated furniture and accessories for living rooms, dining rooms, bedrooms and exterior spaces. Some of the items in this collection include arm chairs, sofas, coffee tables, cabinets, bookshelves, mirrors, lighting and more. The customers will be able to customise their furniture in any detail, including the choice of dimensions, colours, woods, leathers and finishes. www.roche-bobois.com
PAST & FUTURE
E V E N T S
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PAST & FUTURE
E V E N T S 2 3 DEC TO
Last year there was an estimate of 235 companies exhibiting their products from 14 different countries including South Korea, Malaysia, Germany, Poland, Turkey, England, Italy, etc. About 25,000 visitors attending the fair included top-level managers, suppliers, traders, investors, experts and end users.
15th CII-NID Design Summit, New Delhi
The product categories roughly include interior design, architecture and design, lighting and smart building, prefabricated houses and modern materials, environmental, furniture and related accessories, etc. www.midex.ir/en The exhibition, entitled The Tales we Tell: Indian Warli Painting is a collaborative project with A Fine Line and seeks to spread awareness in the UK about this tribal art. Now in its 15th edition, the CII-NID Design Summit has proved to be one of India’s leading design events that connects design with business and brings it to new audiences and markets. The summit brings together some of the best minds in the world of design, both Indian and international, to share strategies and solutions with a like-minded audience. The theme this year revolves around the concept of Make in India. The organisers intend to establish in the wake of this national flurry that design has an important role in this endeavour. The summit will discuss the role design can play in enabling business sustainability and growth through innovations in both design and manufacturing. The speakers expected for the summit this year include Jeoren Raijmakers, Senior Director, Philips Design, Health Systems Design Innovation; Simona Maschi, CEO, Copenhagen Institute of Interaction Design; Revathi Kant, Associate Vice President, Design, Innovation & Development, Titan Company Ltd.; and Deepak Menon, Director, Product Experience Microsoft India.
Focusing on the innovative and unique styles of Jivya Soma Mashe and Ramesh Hengadi, the exhibition will showcase the distinctive styles which reflect the changes in community life and the shift in local market and global economies. There will also be a film screened by artist Johnny Magee talking about Mashe’s practice of Warli art and daily life.
10 TO 13 JAN
MIDEX 2016, Tehran, Iran
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India Art Fair is one of South Asia’s premium platforms for modern and contemporary art and serves as a portal to the region’s cultural landscape. The fair seeks to present and promote South Asia’s diversity in the visual arts and provide participants with a platform to engage in innovation. The programme schedule includes a Speaker’s Forum, which will incorporate panels for art criticism, curating, collecting, patronage and cultural policy. In addition to this, the fair has newly included a programme of events and discussions called the Spotlight.
14 NOV TO 3 JULY
Victoria and Albert Museum of Childhood in London will host a rare exhibition on Warli, the traditional Indian art form. The event is scheduled to start from 14th November and last up until 3rd July next year.
India Art Fair, New Delhi
www.vam.ac.uk/moc/exhibitions-anddisplays/the-tales-we-tell
www.ciitechknow.com/Design/index.php
Exhibition Of Warli Art, London
28 TO 31 JAN
The international exhibition of Interior Design, Architecture and Modern House (MIDEX) returns for its 6th edition at the Tehran International Permanent Fairground. The event will provide visitors and companies with an opportunity to display their brands in a large market and connect with others to build a network with potential business partners.
Here, there will be smaller number of speakers, a shorter duration with focus on individual artists, institutions and publications. Scheduled also is a film programme in which Shai Heredia, filmmaker and director of Experimenta which is India’s international festival for moving image art, will screen pioneering film and video art from Asia and abroad. www.indiaartfair.in
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Sian Pascale, a Melbourne based architect/ artist/writer is a powerhouse of talent. Her first work to hold our attention was Pi Ke Puht, a biodegradable terracotta cup that germinates once discarded, and ever since we have watched her work gradually yet consciously evolve into an introspective practice that aims at facilitating sociocultural development. She set up her firm Young Citizens in the year 2013, and currently the studio’s portfolio spreads across the fields of architecture, furniture design and ceramic design. Her claim to fame though, has been the South Mumbai boutique hotel, Abode, that revisits the colonial and art-deco past of the city. She believes that it is time to critically think about the social impact that design can have on people’s life, and work consciously towards diminishing the gaping divide between rural and urban planning and development. Working in India was purely accidental but now, Sian says, she has developed a deep connect with the design and culture of this country. In a candid conversation with us, she reveals her future plans, aspirations and influences.
Interview by Shweta Salvi
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Tell us about your journey from choosing architecture as a profession to finally setting up your own practice? It was all quite serendipitous. I had been a freelance architect and interior designer in Australia for about 5 years before I moved to Mumbai. When I arrived here I started working for a boutique design store and during this time was offered my first small solo project for the charitable organisation Women Weave. This cut my teeth in how building and design runs in India - totally different from Australia!
What’s a design constant when you conceptualise any space or product? Context, craft and meaning. Things that inspire you (apart from design/architecture) that eventually also stimulate your design cells. Anything can set off a design idea for me and to be honest it is rarely a finished design or architectural work. I am inspired by my constant travels, the textures, the fabrics, the way people live and use the streets.
I’m inspired by the art that I see and the art that I produce and the processes involved in creation (I am a ceramic artist amongst other things). I am inspired by everyday objects and crafts people and the way things are made and everyday materials in a place. I am inspired by my yoga practice and meditation practice, by the books that I read and the films that I watch. I am, basically a sponge for my entire experience.
Several months later, I was offered Abode on the dance floor of a wedding. At first I thought I could take on the project whilst still working for someone else, but the project was too big and other work offers started to simultaneously come in, so I had no choice but to take a big risk and head out on my own. That’s how Young Citizens was born.
How has the experience been working in India?
Working in India was amazing because I had a lot of creative control...it is possible to create every single detail in a building from scratch due to the cost of labour.
Working in India was amazing because I had a lot of creative control and was able to design not just interiors but also furniture, fabrics, door handles - it is possible to create every single detail in a building from scratch due to the cost of labour. However, it can also be pretty taxing! At the moment we don’t have an office set up in India as I am in Melbourne, but who knows what the future will bring.
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My meditations have had a profound impact on my creative processes and have helped to get me into a creative flow
What goals have you set for your firm, Young Citizens in the coming years? What kind of work would you like to be associated with? You have collaborated with craftsmen on several projects; how has the experience been working with the artisans?
All projects for an architect have some memories attached to it. Which one is your personal favourite?
I love working with artisans. It takes a special kind of person to be able to work with me though! I really expect fineness in quality and a headspace which wants to explore new things from the craftsmen I worked with. Some really rose to the challenge, were intelligent and creative, and loved the idea of doing something completely new. With these people I have been able to collaborate and do great things I could never have done on my own.
Wow, so many memories... One of the funniest ones for me was while I was building a yoga studio in Versova called Yoga 101. The builder was a total character. He wore only orange robes and never shoes on site (that would be against the law in Australia where there are so many safety rules!) Every time he was paid by my client he would disappear back to his village for several weeks halting all work and making me and my gorgeous client Rinku tear our hair out.
A structure designed by another architect which continues to have an impact on you every time you visit it‌ Anything designed by Bijoy Jain of Studio Mumbai. I think he is pure genius and was my motivation to work in India.
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She would have to constantly call him and cajole him and his workers back on site. The funniest time was when I arrived and he was asleep on a mound of dirt that had arrived in preparation for landscaping.
I think in the future, the projects that I would take on would be within the area of emergency relief, housing for refugees and natural disasters or other community projects. When I was able to see and hear the impact that my work designing a training centre for young weavers at Women Weave had on people, it affected me deeply. The kind of impact you can have on people’s lives is pretty incredible.
What are you currently working on? Right now I have taken a sabbatical from interior design/ architecture and am focussing on my work as a yoga teacher and an artist. You are an avid yoga practitioner... tell us how it has influenced you? As a yoga teacher, yoga naturally flows into every aspect of my life, almost like a filter on a camera, changing the way I look and do things. Yogic principles are part of my design philosophy and can be translated in so many ways - in the yoga sutras Patanjali talks about the yamas - outward observances such as honesty, non-harming and nonstealing, these are simple attitudes that are brought into everyday business and also help me to decide on the types of businesses and people I want to work with. Are they good people? How do they treat their staff?
Do they do work that I believe will have a positive impact on the world? I also ask myself these questions every day! Is what I am doing worthwhile? Am I supporting a craftsperson, keeping an idea alive, giving back to the world in some form? If the answer is no (and it does sometimes happen) then I can’t continue with it. I also look at it in this way; the projects the studio focuses on are categorised into two realms - the social and the contemplative. Social spaces and projects are those that bring people together, create community and actively engage people. Contemplative projects are those that encourage introspective, thoughtfulness and going within. Both these aspects are equally important for balance in life.
My meditations have had a profound impact on my creative processes and have helped to completely free me and get me into a creative flow, without that internal judgement or criticism. This has directly influenced my artwork and design work. sian@youngcitizensdesign.com www.youngcitizensdesign.com
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OF TWO DESIGN WORLDS 24 Home Review December 2015
Using the ancient building technology of rammed earth walls, CANarchitecture has created a weekend home in Surat which is entirely contemporary in its aesthetic. “The client didn’t even want to build this house,” says Neil Parikh of CANarchitecture. This is certainly not an oft heard disclosure. “He only wanted an electrical connection from the local Electricity Board, which wasn’t willing to comply till there was a structure on the site. “ With this starting point, it’s not surprising that this building has the footprint of a studio apartment rather than a sprawling bungalow, in spite of the large site. The structure is placed in one corner of the site, leaving a large private open lawn on one side. There is a gazebo with a vegetable garden on the other side and small private spill out spaces in other areas.
Text By Devyani Jayakar Photographs Puja Kedia
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Constructed near Dumas Beach, Surat, the built area is quite small compared to the landscaped grounds. “We discovered that yellow soil was in abundance on the plot. Fine in texture - unlike black soil which is sticky and lumpy - this is ideal for rammed earth walls, as it gives uniform strength throughout,” says Neil. By the repetitive use of 24 modular rammed earth walls, the home is sustainable and has had little environmental impact. “In fact, we dubbed the project ‘Mud24’,” says Neil. “Building the walls was a meticulous process - it was done piece by piece, allowed to settle over time and bake in the sun - for all 24 of those modular earthen rammed walls.” When finished, rammed earth is about as strong as concrete. Houses built of this material are fireproof, rot resistant, and impervious to termites. By reducing temperature swings that normally occur on hot summer days or cold winter nights, they help to maintain a comfortable temperature within the house.
In this project, an ancient craft has been converted into an art; the inspiration came to Neil from the work of Nari Gandhi. Once the material was selected, the corresponding construction of the structure followed.
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“Its low-lying linear form appears to emerge from the landscape, rather than sit on it,” says Neil. Incorporating generous glass walls which recall Mies van der Rohe’s Farnsworth House, the home has a feeling of being larger than its built mass would suggest. Some spaces appear to have so little by way of walls that they seem to emulate living in a fish tank. In the bedroom, walls are strategically placed to shelter only the bed, while mimicking an outdoor feel in the rest of the room. Neil laughs, “Actually, the rammed earth walls take up 60% of the periphery of the structure, while the glass is restricted to 40%,” he says. “The client loved the idea and the privacy wasn’t compromised because the trees on the site conceal the home from the high rise on the neighbouring plot. The projection of the roof of the structure also cuts off the view of the interiors from prying eyes. The steel cantilevered roof not only acts as a shelter, but as an aesthetical structural element, which appears to float over the double height space. The central ridge of the inverted sloping roof acts as a natural waterfall during rainy seasons. An existing tree on the site was retained and goes through the roof. Site plan of Mud24. Home Review December 2015
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It is an informal, relaxed, restful space that is not straining to be hip. The material palette consists of
mud, steel,
glass and stone, cement sheets on the ceiling.
In trying to build as little as possible while adopting a minimalistic approach, there is only one bedroom in addition to the living room which incorporates an open plan kitchen.
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The cushions on the sofa and the shutters of the kitchen cabinets offer bursts of colour amidst the backdrop of neutrals and the parsimoniously furnished interiors. The flooring is a combination of Jaisalmer, Kota and granite, while the walls are covered in slate. During the day, the spaces are flooded with natural light, the large cantilever of the floating roof ensuring that there is no thermal gain, ably assisted by the insulation offered by the mud walls. After sunset, the illumination within the house comes mainly from LED strip lighting in the ceiling. Outside, the rammed earth walls glow in the warm light of uplighters, the house becoming like a beckoning beacon. Areas for spill out activities with unfussy outdoor seating arrangements for small groups, add to the charm of the space - frequently used by the large family of the client for entertaining as many as 200 guests at a time. Evolved as a response to the context, the house is low maintenance, strongly rooted to the site and is very well connected to the surroundings. Allowing sunlight to interact with the inside and animate the spaces during various times of the day as well as seasons, there is a series of dialogues between the built and the un-built.
Sections of Mud24. Home Review December 2015
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One of the oldest building techniques known to mankind, rammed earth walls have recently acquired a new respectability after their liberal use by Chinese architect Wang Shu winner of the Pritzker prize in 2012 - in several of his projects. Here, CANarchitecture has attained an easy balance between time honoured vernacular architecture and a contemporary idiom. With a non-existent spec sheet, the architect has to satisfy needs which the client may not be aware of himself. “What we’ve achieved is a far stretch from the initial brief given by the client,” says Neil happily. And of course the client got the much awaited power supply from the Electricity Board. niel@canarchitecture.in
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The narrow winding lanes and medieval architecture of the old town of Zurich are best explored on foot, in between jaunts into the city’s Christmas markets.
Christmas Markets of Switzerland TEXT AND PHOTOS BY KUNAL BHATIA kunal@kunalbhatia.net www.kunalbhatia.net Beginning in late November, towns and cities across Switzerland don a decidedly jolly look in preparation of the year end festivities. Squares and streets are lit up, Christmas trees are decorated and heart-warming melodies and carols ring aloud to beat the nip in the air. In the midst of quaint old towns, under twinkling lights and atop white carpets of fresh snow, the christmas markets that spring up across the country are a profusion of colours, tastes and aromas.
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Providing a delightful experience of exploring, feasting and shopping that stretches over many weeks, the markets are held in locations as varied as the grounds of historic cathedrals, by the banks of lakes or high up in the Alps. For those who prefer the buzz of a city, Zurich hosts one of Europe’s largest indoor Christmas market at its train station with artisanal stores from across the country that retail products as varied as wooden figurines and glittery tree-ornaments to hand woven scarves and aromatic candles.
The capital city of Bern hosts two markets within the UNESCO-designated World Heritage Site of its Old Town. One of them is dedicated to arts and crafts such as glass ware, ceramics and leather goods while the other has more traditional Christmas market-fare and local culinary treats such as spiced biscuits and freshly baked gingerbread. A walk through the Old Town reveals picturesque cobblestone streets decked up with fairy lights and miniature Christmas-trees that adorn the windows. To keep the body warm and the spirits high, be sure to sip on many cups of gluhwein - a popular Christmas beverage made by heating red wine and fortifying it with cinnamon, citrus, cloves and other spices.
Baubles, wreaths, fairy-lights, twigs and crystal snowflakes invite customers into this decked-up shop in the Old Town of Bern.
A variety of scented candles and ceramic bells are on display within this stand in the Christmas Market of Bern.
Sparkling lights spread the festive cheer all through this cobblestone street in Zurich.
Local bakers and confectioners prepare fresh mouth-watering goodies right within the Christmas Markets. Home Review December 2015
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The town of Rapperswil holds its Christmas Market in its main square, right at the foot of its historic castle.
A walkway in the lake-side town of Luzern adorned with Christmas lights.
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Shoppers wander through a market amidst decorated trees and charming stands.
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Balance in the profuse use of patterns and colour gives the space an understated elegance. The substantial effect of the floral motifs, vintage accessories like the distressed white desk, screen and stencilled flooring is mitigated by the clear glass panels that give a feeling of endless space.
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VINTAGE REVISITED
‘Vintage’ as a theme is re-invented by FADD Studio in a terrace office that reflects not just their design expertise but also their client’s creative sensibilities.
Text By K Parvathy Menon Photographs Pallon Daruwala
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Whimsical, with lots of flowers, fresh colours and bright sunlight - stepping into La Vie’s office, is like stepping into one of Monet’s canvases, with his words, “I must have flowers, always, and always,” echoing in the background. The 1000 sq ft terrace office, designed by designer duo Farah Ahmed and Dhaval Shellugar, principals at FADD, a Banglore based practice in their usual ‘out-of-the-box’ style, is all about beauty and elegance. La Vie is a company run by a motherdaughter team specialising in decor styling services, themed table decors, theme parties, personalised stationeries and wedding giveaways. Hence it was imperative that the space reflected La Vie’s design sensibilities and the magical experiences they promise their customers. “A terrace garden office with a view is exactly what the La Vie designers wanted,” states Farah Ahmed, talking about the office location which is close to the Ulsoor Lake and has a magnificent view of it. We enter through a garden demarcated by a hedge and a white picket fence, quite reminiscent of an English cottage. A prelude to the interiors, the small garden oozes vintage charm with its green turf, a small garden table and vintage wall lamps mounted on the dark walls flanking the corner.
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The vintage theme lingers on inside in the office, which is not your typical workplace design with cabins, partition walls and desks; instead one large rectangular room is vaguely split into two zones, the director’s desk and reception/ visitors’ area with a custom made wooden screen. Like a manicured English garden, the space is a perfect balance of pastel colours and floral motifs, and a treat to anyone who loves the style. “Birdcages and flowers are the most significant motifs, recalling elements of the La Vie logo.” shares Dhaval Shellugar. Bright floral prints cover the ceilings, selected furniture and also the screen; the remaining furniture and surfaces are coated in pastel shades of yellow, green and blue.
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The feeling of open space achieved due to the glazed panels, mitigates the overwhelming vintage rhapsody, with some help from the walls and floor which deviate from the lingering theme.
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The FADD team wanted to give the flooring a subtle ‘wow’ factor; so they stencilled a delicate customised French lace pattern, which was then given a fading effect to bring in the feeling of an antique space. The walls are allowed to fade away in an un-plastered raw finish; these highlight the ceiling and flooring around them. The team believes that, “If the shell is done right, anything can look nice in it.” They have encased the office in clear glass panels, and devoid of opaque perimeters, there is endless visual continuity in space that flows out of the office, onto the open terrace and into the cosmos itself. Not only is there an illusion of largeness to the space, but abundant sunlight streaming in through these panels brings with it a sunny and pleasant vibe. In the overall decor, the team has avoided dominant or bold elements, and alternatively allowed the whole space as an entity to have an understated elegance. Vintage furniture and accessories take centre stage as the main decorative element, engaging both as singular elements and together as a unit.
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Farah Ahmed elaborates, “We have not cluttered the space with unnecessary accessories and furniture. The upholstery in solids, stripes and prints, is intentionally paired together to create drama.” Drama is at its peak in the washroom, where we see a complete turnaround on the theme - bold stripes of black and white cover the wall, ceiling and floor. “It could be a page from Alice in Wonderland,” explains Dhaval Shellugar, “To break the binary monotony, we added in a vermillion vanity set against the striped surface and clad the opposite walls in a wallpaper that emulates the cross stitched fabric of the vanity”. In all their projects, the FADD Team has given importance to lighting, textures and colour, which they feel is very important in creating a spatial atmosphere. At La Vie, natural light is a part of the design and brightens the floral space, while come nightfall, unique lamps in the quirky vintage theme lend their luminous glow. The hand painted wooden screen adds to the medley of light, colours and textures.
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“If the shell is done right, everything looks nice in it,� say designers Farah Ahmed and Dhaval Shellugar. Eclectic elements, vintage and quirky, have come together in a glass casing to form a space perfectly symbolic to La Vie.
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“A profusion of pastels and patterns” is how Farah and Dhaval describe the space that is exclusively La Vie and symbolic of its work. FADD’s design approach has managed to make use of every niche and corner of the small, compact space filling it up with endless detailing in an uncluttered and understated manner. It takes you to a magical land, just as promised by the designers. farah@faddstudio.com dhaval@faddstudio.com www.faddstudio.com
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Playing with modern elements to blend in with a vintage look, project Orange Extension by SHROFFLEóN is an inspired rendition of an extension built around a 60-year-old family home in Bandra, Mumbai.
Going by the principle that a “good design tends to be a culmination of a creative collaboration - not only between the two of us, but between us, various consultants and the client,” Kayzad Shroff and Maria León came together to set up an architecture and design company called SHROFFLEóN. This young and budding architectural design initiative has been taking on several projects in the field of landscape urbanism, urban design, interior design, architecture and installations. Both, Maria and Kayzad are equipped with a graduate degree from Cornell University, while the latter is also a Teaching Associate at the same university. The latest feather in the cap of this young design firm is project Orange Extension, which is best described as a modern twist to a 60-yearold Bandra home.
Text By Arushi Chaudhary Photographs Sebastian Zachariah/ Photographix
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FROM VINTAGE TO CONTEMPORARY
The design literally grew out of its context – its form being a crystallisation of existing site geometries.
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The extension project covering a 1,500 square metres area and spread over four floors was primarily commissioned to protect the collection of super luxury cars, which are a prized possession of the owner of the house, from the elements of nature. With that objective in mind, the design team conceived the idea of twin extensions to the existing structure in the form of canopies.
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Speaking of the concept behind the formalisation of this design, Kayzad says, “It was our intention to have an addition that whilst respecting the overall aesthetics of the existing structure, reflected the times in which it was built with a contemporary aesthetic - a structure that managed to stand apart from the old - and at the same time one that would have an easy dialogue with the contexts it sits in.” The most critical aspect of the project was the right treatment of interventions, which were executed in the form of sculpted objects in the round. This was achieved by ensuring that a great attention to detail was accorded to every part of the upcoming structure, including its underbelly.
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The highlight of the geometrical aspects is that a visitor gets a full view of the entire extension upon entering the building premises. According to the young architect, the geometry played a crucial part in ensuring that the structure blended well with the existing building and did not stand out as an oddity. Maria explains, “The geometry of the revamped area derived its form completely from the existing context - the physicality being born out of juxtapositions of projections of contextual guidelines. The resulting form is thus one that blends seamlessly and fits snugly into context, all the while maintaining its distinction and celebrating its individuality through a material difference.”
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The Orange Extension is characterised by the presence of grooves of varying widths that run throughout the structure. All the prominent grooves have been further accentuated through lights embedded in them. These grooves also add functionality to the structure by channelling rainwater towards the collection plate, from where it then flows into an adjoining flower bed.
The rainwater collection plate installed in the structure has been kept structurally different from the other elements of the canopy with a view to emphasise its alternate purpose in the design scheme. “The inclusion of the rainwater collection plate was a conscious choice for this project. By doing so, we make evident and distinct the expectations of the plate in relation to the rest of the under belly, thereby reflecting the happenings of the top onto the bottom of the canopies,� says Kayzad.
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A/0-22
ELEVATOR MAIN ENTRANCE
A/3
UP CANOPY 01 0.0 FT
UP
SERVICE ENTRANCE
A/1
CANOPY 02
A/0-21
A/0-21
MAIN GATE
A/0-22
A/2
PLAN @ ROOF LEVEL
Site plan of the Orange Extension.
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Explaining why this element was made an integral part of the project design, Maria adds, “Since this project was commissioned for a home in Mumbai, a city that receives heavy rainfall, and for the sole purpose of protecting the cars from the elements, we felt it was important to make the intentions of this extension explicit through its very design. The rainwater collection plate, along with the geometry of the design and its materiality, contributes toward expressing this singular idea.” The underbelly too has been evolved with extreme attention to detail, with the axis leading to the home accentuated through a lowering of the ceiling. Here too the structure, materials, design and lighting have been carefully handpicked to build a connection with the existing facade. White plastered surfaces, treated random rubble basalt stone walls, wood and glass have been used to render the blend of the old and new entirely seamless. Weathering steel, a material that eliminates the need for painting by forming a stable rust-like patina once exposed to the weather, has been used to give the area a rustic touch. The project, Orange Extension, derives its name from exactly this play of colours.
k.shroff@shroffleón.com www.shroffleón.com The Orange Extension is characterised by the presence of grooves of varying widths that run throughout the structure.
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The narrow courtyard feels open and connected to other spaces thanks to the extensive use of glass. An expandable table designed by Henkin Shavit accentuates the linearity of the room.
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HERITAGE CELEBRATED
Design firm Henkin Shavit, renovates and reinterprets an old stone house in a contemporary architectural language that embraces the structure’s history and integrates into it, the new world in fluid progression. It provides no clue at all to what’s inside, this classic stone façade of the 18th century abode that sits comfortably amidst its neighbours on the cobbled streets of Safed in Israel. But, once you step in, a different world awaits you - renewed and restored by designers Henkin Irit and Shavit Zohar, the spaces are filled with a bespoke, contemporary elegance.
Text By K Parvathy Menon Photographs By Assaf Pinchuk
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The stone facade blends in with its neighbours on the cobbled streets of the old city of Safed in Israel. Hints of a modern dwelling can be seen only in the geometric openings that infuse contemporary elegance.
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When the Israel based design firm, Henkin Shavit took on the restoration project of this 250 year old residence, built in the shape of the Hebrew letter ‘Chet’ (similar to an inverted u), they knew it would inevitably become a dialogue between the old and the new. They understood early on, that it was important not to let either of the factors - the old structure or the current design - to mar or overshadow the other. Before beginning, the team stripped the house to reveal its original features – limestone walls, arches, vaults, niches and even a water well. This was followed by an arduous documentation and study of various formative and material aspects of the site, and only then did they get on to the actual planning and renovation. Well aware, that material choice was going to be detrimental in how the spaces would be perceived, Henkin Shavit, in their trademark ‘more with less’ style, limited the material palette to steel, wood, concrete and glass. This controlled choice, in varied permutations and combinations, enhanced the original structure and also allowed them to push the boundaries in the interiors.
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The original structure spanned five levels and was built around an open courtyard. The courtyard was closed off by building a new wall using locally sourced recycled limestone. Now donning a new flexible identity, the courtyard has become the common space linking the different rooms in the two separate wings.
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Around the new courtyard space, a layout was re-planned to fit current spatial requirements along with the provision of adequate privacy; the designers spruced up this area with custom made furniture and colourful furnishings. States Henkin Irit, “The program now has a kitchen, salon and a dining corner on the ground level, bedrooms and working area at the upper level and part storage and part playroom for the grandkids at the lower level which used to be a wine cellar.”
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The team did not alter the original features like the arches and niches, instead it included them into the design - so one might find a bedroom accommodated in a vault or arched niches becoming the focus of a room. Also in some instances the arches are partly covered to become arch windows. Connecting all these spaces is an original stone staircase in the courtyard that dictates the vertical circulation, through all levels. Intelligence and beauty in architecture are evident in the continuous circulation pattern created by the team, by way of a wood and steel bridge along the stone facade that links the separate wings, and also corresponds with the staircase. Irit and Zohar envisaged a space that would blend two eras together, and chose glass as the major element. The transparent quality of glass ensured a visual continuity and a feeling of lightness in the interiors. Shavit Zohar tells us, “We used expansive planes of glass to accentuate the ample vertical volume of the ancient limestone structure and create partitions without visibly cutting the space.”
Ground floor plan of the Vertical Stone House.
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A long skylight, to ensure abundant light into the windowless courtyard highlights the limited material palette of steel, wood, concrete and glass.
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Colour is restricted to white, drawing attention to the stone walls, and also becoming a backdrop for the contemporary furniture and accessories designed by Henkin Shavit, who follow a ‘total design’ methodology, wherein they believe in taking the client from the first stage to the very end. As the spaces unfold elegantly, emphasising and complementing the volumes are lighting features, which play a critical role in mitigating the effect of the imposing stone walls in the interiors. Another prominent aspect of the restoration is the particular attention paid to the interior and exterior spatial transition. Outside spaces, balconies and decks have been used to connect the different rooms and have been integrated into the design. Team Henkin Shavit believes that “the design of the house presents the ‘old’ via original limestone, arches, vaults and niches, while the ‘new’ gets represented by materials such as concrete, mosaics, steel and tin glass”. It is never easy to reach a conclusive decision when pondering on how to integrate contemporary architecture into an old structure that has remained a ‘constant’ in the rapidly changing world. The right answer is never simple; quiet often it is a complex solution with many parameters. Henkin Shavit, in a style that extols simplicity, has definitely derived the perfect answer in their renewed plan which blends old and new elements to function as a single unifying design for the 250 year old stone house.
studio@henkinshavit.co.il www.henkinshavit.co.il
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DESIGN FOR A PURPOSE
By Sonali Patel
DESIGNQUEST
Design as a career was never planned. It happened because of my wish to make new products every day, unlike what happens in regular engineering and medical colleges. Solving problems of the society through design intervention is what interests me. That’s why I took up Product Design at the MIT Institute of Design, Pune. I believe that several problems around us can be solved by just tweaking a few things; this tweak which we call ‘jugaad’ is the best form of design I think.
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Ignite The Ignite series of lighters are targeted towards the elite.
Bottle Holder The bottle holder has a very simple yet vivid design.
I feel that everyone is a designer in some way or the other, as it is human nature to solve issues around us. After all, problem solving is designing in a way. It’s just that some think about it a little more than others and hence qualify as designers! As a part of my course which dealt with designing for special needs, I chose the traffic police. Despite several types of masks and protective gears, they are seen without them.
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Toothpick Holder The practical design of the toothpick holder makes it easy to use.
Such designs are to the point and solve the issue right away. They always remind me that ‘less is more’. I really believe that thinking simple is always the way out for complicated design issues.
I thought that the solution should be such that it doesn’t cause a hindrance, but protects and reduces the impact of the polluted air and high decibel levels. Thus, I came up with ‘Mask-it’, a small solution to improve the quality of lives of these brave men and women. Another important insight is that the personnel were tying just a handkerchief around their face because it was very comfortable. So I adapted this habit and made a gear which was comfortable, through which they could blow their whistle, supported different hairdos of the women, was washable and also had ear muffs to avoid high decibels. An additional enhancement is their department emblem on it; making it a part of their uniforms. Here are a few of my other group and individual projects. All of these projects have a different perspective and approach.
Through the Hystairia series of stairs, we would want the user to acknowledge this structure. My next project aims at making the age old packaging of Nataraj Hb and colour pencils more interactive. The packaging is a breakaway from the conventional method of packing pencils. We aimed this to be a special edition packet during certain events like Children’s Day or distributing it in rural areas where kids do not have a pencil box as it also serves the same purpose.
Ignite is a series of lighters for the elite. I have chosen the colours, textures and finishes of these lighters according to the target audience. So far in my design journey, I have worked on issues around me. Now I wish to take this learning to a larger level where it can be used to enhance the society we live in. Hope to make this journey more interesting with many more milestones to achieve!
soonali.p@gmail.com
Hystairia Hystairia aims to make the mundane task of climbing an interactive one.
Hystairia is an attempt to change the perspective of the simple staircase in people’s mind from a daily mundane structure to an interactive climb. Stair climbing is often viewed as an energy consuming and boring activity.
Oilo This oil dispenser is inspired by honeypot ants.
Nataraj Pencils Packaging The packaging of Nataraj pencils is such that it serves as a pencil box too.
Oilo was an attempt to enhance the daily chore of dispensing edible oil, through inspiration from nature. Inspired by the humble honeypot ants, this oil dispenser caters to those budding chefs and food enthusiasts who like to explore with cooking.
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A TRIBUTE FOR PROF. MOHAMMAD SHAHEER
With the passing of another giant in the world of landscape and architecture, we are left poorer of a personality who was more than a design professional - a scholar, a beloved teacher and above all an extraordinary gentleman. Photographs AKTC Home Review December 2015
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Humayun’s Tomb Garden Restoration reinforced the idea of a Mughal tomb in a paradise-like garden setting.
The beautifully restored Bagh-e-Babur serves as a remarkable place of refuge in war-torn Kabul.
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As a pioneer of Landscape Architecture in India, Prof. Mohammad Shaheer was also an outstanding teacher to several Indian landscape architects through his tenure at the School of Planning and Architecture in New Delhi (SPA). Professor’s Shaheer’s long association with the SPA had its seeds in the encouragement that he had in turn received from his teacher, Prof. Jhabvala who encouraged him to pursue postgraduate studies in the United Kingdom on the condition that he would return to teach at his alma mater in Delhi. Years later, Shaheer sir reflected upon this as having been a win-win situation! His interests in landscape architecture were not just academic and his remarkable works are many ranging from Rajiv Gandhi’s Samadhi (Vir Bhumi) to Sanskriti Kendra in Delhi. But his brilliance shone through his work for the Aga Khan Trust for Culture which I had the extraordinary privilege of witnessing first hand. His sensitivity in restoring the UNESCO World Heritage Site of Humayun’s Tomb Gardens in New Delhi has set standards for similar undertakings around the world. The painstakingly restored Bagh-eBabur in war-torn Kabul today serves as a refuge in the cradle of nature and the ongoing works of 70-acred Sunder Nursery in the heart of New Delhi to the more recent Qutb Shahi Heritage Park in Hyderabad are on their way to become two of the best parks that India will see. Landscape architecture for Shaheer sir was far from cosmetic; he engaged with a refined definition of environmental design in his work. Moreover, he firmly relied on the strength of his restraint: always choosing elegance over statement, durability over style while maintaining an exacting attitude towards work.
Prof. Shaheer during a site visit to the AKTC’s Nizamuddin Project.
Clients respected him for his integrity and collaborators admired him for the breadth of his knowledge and humility. And for these reasons his practice too was unique. People who worked in his office fondly recollect Shaheer sir’s monthly ritual of personally handing out salary cheques to them which reinforced his personal relationship with his team. Few people are fearless in a quiet, selfassured way as he was. And yet he would not shy from speaking up especially when the stakes were high and clients notorious. But his subversion was not rebellious; it was a response in morality - that rare quality which is considered a privilege of saints and sufis. And in many ways, he was as close to being a sufi as an urban professional can be: happy to be in the shadows only to be called upon regularly to redeem us of our follies. Shaheer sir was also very hands-on when it came to details. “Bad details,” he once said, “are a recipe for disaster.” An unresolved problem was a nagging splinter for him and I remember this once when he drove back to site shortly after having just left in order to try and find a solution for an unresolved detail.
The Sunder Nursery Central Axis echoes of Persian Garden Carpet designs.
In the midst of hard work, humour arising from his wide range of interests would be reassuring of his ease with toil. He could effortlessly invoke Obi Wan Kenobi’s “May the force be with you” and Mirza Ghalib in the same breath; appreciate Joe Sacco and Art Spielgelman’s seminal graphic novels while at the same time remind us of the visual richness of Persian garden carpets and Mandu’s genius. His well-rounded personality was what made him such a revered figure. Hugely respected by his students and collaborators, he did, as a dear friend aptly said, take one last silent exit from the humdrum around him. His peaceful but abrupt departure has left us suspended in disbelief but then he was the kind of person who could touch a life far more intimately than one would like to admit. As is the norm with us mortals, we only shower accolades on deserving souls long after they’ve departed. But our tardiness should bear no reflection of the stature giants such as Shaheer sir will continue to enjoy in our lives. Born in 1948, Prof. Mohammad Shaheer passed away on the 28th of November 2015 at the age of 67 and is survived by his wife, Mrs. Kausar Shaheer, son Kabir and the lasting impressions of a beautiful body of work that many will continue to enjoy perhaps unknowing of the remarkable architect and gentleman that made them real through his ceaseless devotion.
Aftab Jalia Aftab Jalia is an architect and was educated at Pune University, MIT and is presently pursuing his doctoral studies at Cambridge.
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The first floor consists of living and dining room together with the terrace garden and kitchen as one contiguous space. The earthy colour palette has shades of rust and brown, original natural wood, exposed bricks and similar tones in metals such as brass and copper.
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Of Wood and Brick Using a vocabulary which is neither starkly contemporary nor harking back to the past, a+t associates have designed a bungalow in Vadodara spread across four levels, wrapping public and private spaces in a comfortable ambience.
A preference for wood, brick and an earthy feel was part of the brief given by the client. “Moreover, he already had a large stock of wood to be used on the site, so that more or less defined our design,” says Tanvi Rajpurohit of a+t associates. “The name of the bungalow, ‘Nitya’, displayed at the entrance, has been laser cut from a font which we sketched,” discloses Archis Patel, also of a+t associates. A sliding door leads further within. The site was a bare, concrete-lined shell with thick internal walls, all of which were demolished, so as to reallocate spaces according to the specific needs of the family. Some changes were made to the external architecture as well. The ground floor consists of parking, a utility space for the kitchen, accommodation for the household help and a lift which goes all the way up to the third floor.
Text By Devyani Jayakar Photographs Tejas Shah Home Review December 2015
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Connected with the two terrace gardens flanking the informal study, the room maximises the view from the large windows and invites swathes of natural light into the interior. The round plates on the wall are Kashmiri papier mache, hand painted with colour and gold powder.
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The first floor consists of the living and dining room together with the terrace garden and kitchen as one contiguous space. The parent’s bedroom, powder room, puja room and staircase are also located here. The earthy colour palette has shades of rust and brown, original natural wood, exposed bricks and similar tones in metals such as brass and copper. The large handle at the main door has been custom cast from a sheet of brass. From the entrance, a 30 ft high exposed brick wall extending to the top floor is visible, with a back-lit copper art installation of lotuses, the pipes from the AC ducting being used for the stems of the flowers.
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The staircase has been designed with solid wood and MS. “The detailing in the treads where a lip of wood curves upwards to meet the riser, has been designed by us,” says Tanvi.
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A waterbody alongside the staircase holds floating flowers and has been created from the left over wood on the site. The large central light fixture (measuring 7 ft x 2 ft x 18 inches ht) suspended in the stairwell has been fabricated from a copper sheet with cut-outs in the shape of lotuses, their petals folded inwards to let the light glimmer through the apertures. Closer to the main door, a partition of wooden ‘bricks’ screens off the living area. Individually put together, they form a jali through which the light casts an interesting pattern after sunset. All the furniture has been customised in solid wood in Jodhpur, while the polished Australian white flooring in all areas ensures a seamless continuity. The terrace garden is an extension of the living space and is visually connected with the interior. The dining area is located between the kitchen and living area, with Italian marble clad on one wall. Custom designed cabinetry adds character to the space.
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The second floor consists of a family area with a swing, the master bedroom, the daughter’s bedroom and a guest bedroom, all with attached baths. In the master bedroom, the headboard of the bed is in metal, with a laser cut pixel pattern. “Covered with a clear layer of PU, it is protected from corrosion,” says Archis. The wall behind is panelled with veneer, while the shutters of the wardrobes are louvered, imparting a warm woody feel to the room. The seating in purple provides the colour quotient. In the daughter’s room, the wall behind the headboard is the focus of attention, with its display of old-fashioned shutters replicated in a smaller scale. Made of different woods such as sesame, teak and oak, they give the feel of old doors. Across the bed, a picture collage of the daughter traces her growth from childhood to high school; evoking memories it depicts the journey of her life. The third floor has an informal sitting space which includes a small study. Connected with the two terrace gardens flanking the space, the room maximises the view from the large windows and invites swathes of natural light into the interior. The round plates on the wall are Kashmiri papier mache, hand painted with colour and gold powder. The lotus theme wafts through the spaces like a leitmotif, starting from the handle of the front door, to the lotus installation on the wall near the staircase and upwards, to the punctures in the large rectangular light suspended in the stairwell. The staircase unites the floors in more ways than one, with the design of its railing making a strong visual statement. Laser cut patterns have also found favour on various surfaces.
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In the master bedroom, the wall behind the bed is panelled with veneer, while the shutters of the wardrobes are louvered, imparting a warm woody feel to the room. The seating in purple provides the colour quotient.
In the daughter’s room, the wall behind the headboard is the focus of attention, with its display of old-fashioned shutters made of different woods replicated in a smaller scale.
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The design fosters togetherness by bringing people together and giving them places to interact on each floor of the bungalow, without compromising privacy. Not ‘over designed’, or intimidating, this home has provided a relaxed ambience for the family. atassociates.05@gmail.com
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DESIGN DESTINATION
STRAS WHERE Strasbourg is located in the north-eastern region of France, in the Rhine Valley. It is difficult to imagine that this bustling city was evacuated in 1940 and for 10 months it remained completely empty. Today, it is the official seat of the European Parliament and hosts many important European institutions.
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BOURG WHEN
WHY
The region experiences a semicontinental climate with cold winters and warm summers. The best time to visit starts towards the last stretch of spring i.e. May and extends to early autumn i.e. late September. In these months, temperatures are pleasant enough to enjoy the outdoors, though the occasional thunderstorm may play spoilsport.
Its location along the FrenchGerman border means that influences of both cultures are evident here. Starsbourg’s historical city centre was the first one to be entirely classified as a World Heritage Site by UNESCO. This coupled with its beautiful natural environs and year-round cultural activities has made it one of France’s most visited destinations.
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A WORK OF ART Thirty-eight rooms by thirty-eight artists; the conundrum at Hotel Graffalgar is to choose one from the options at hand. Each room was assigned to a graphic artist with a carte blanche to articulate the design and the dÊcor as he or she pleases. In Room 403, the inspiration is landscapes blurred by snow or mist and the result is a dreamy space in a muted colour scheme. Room 103 on the other hand draws inspiration from cats; here the walls are covered in vibrant graphics based on the symbolic relevance of cats. One room is a graphic representation of all that an artist packs in his suitcase while the walls of another carry an artist’s interpretation of a house of ill-repute. The concept ensures a unique ambience for every room and the diversity is dramatic.
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The blend of ideas continues in the common spaces, corridors and stairwells. For these spaces the artists were again not given any specific guidelines except for one directive which was to work together. The result is a space filled with elements each of which draws the eye, yet at the same time come together in a cohesive fashion. The hotel extends its concept from a mere design perspective to a functional one by serving as a space for performances and workshops. Hotel Graffalgar is one of those unique hotels that proves to be more than just a place to rest the head on a pillow.
REACHING FOR THE SKY Amidst the twisty lanes and timber-framed houses in Strasbourg’s old town, towers the Strasbourg Cathedral. At a height of 142 metres, the Cathedral’s single bell tower topped with the spire is visible for miles along the plains and from the Black Forest across the border. No wonder then that Goethe described it as a “sublimely towering, wide-spreading tree of God”. Built from the sandstone from the nearby Vosges Mountains, the Cathedral has a distinctive pink tone. The façade presents the first view of the building and stuns visitors with the intricate statues that are sheltered in the portals and the gigantic rose window at the centre. The façade is an indication of the majestic interiors graced by 4600 stained glass panels, the 19th century astronomical clock which continues to tell the time and the many sculptures and paintings.
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LIVING IN THE PAST It would not be uncommon to step into the store, Polychrome, pause and wonder if one had stepped through a portal to a living room from half a century ago. In fact, that would be the desired effect. The city’s vintage specialist, the space is packed with décor from the 50s, 60s and 70s. Furniture, lamps and lights, and accessories like flip clocks, candlesticks, liquor sets, dinnerware, etc pay homage to that era. The collection made up of established design names as well as painstakingly sourced small vintage items, makes Polychrome an ideal venue to pick up something to perk up a corner or two of your house.
HOLD YOUR HORSES Footsteps have replaced the sound of hooves in Louis XV’s stud farm, with the transformation of the 18th century building into Hotel Les Haras. The erstwhile royal stables now accommodate the Brasserie Les Haras. The high ceiling and open layout accentuates the expanse of the space and draws attention to the elliptical bar in the centre of the room. A dramatic spiral stairway carved from wood leads to the original hayloft, which has now been converted to the main dining area. The furniture upholstered in natural leather and the earthy colour palette draw reference to the original purpose of the building. Text By Himali Kothari
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ELISA STROZYK
Textile designer Elisa Strozyk creates delicate, perfectly proportioned works of usable art from a surprising medium – wood.
Text By Chryselle D’Silva Dias Photographs Courtesy The Designer
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German textile designer Elisa Strozyk has a MA in Future Textile Design from the revered Central Saint Martins in London. Her work has attracted attention not only for her unique designs but also her medium of choice – wood.
Wooden Carpet
With a solid education in textile designing behind her, Strozyk researches ways to “provide wood with textile properties.” This involves experimenting with various woods to make them soft and flexible so they can be interwoven with textile. The ‘half-wood, half-textile’ product has an intriguing texture; hard yet soft, rigid yet flexible. “It looks and smells familiar, but feels strange, as it is able to move and form shapes in unexpected ways,” says Strozyk. Strozyk first designs a flexible wooden surface which is deconstructed into pieces, which are then attached to a textile base. Depending on the weight and stiffness, each surface shows a different behaviour. The wood is cut by laser, and all the tiles so formed are stuck by hand to compose a textile-like surface. The beauty of this is evident in her designs for ‘Wooden Carpet’. Made from veneer off-cuts, each triangular piece has been laser-cut and then bonded onto fabric. It is a painstaking process and the finished product is a mind-blowing amalgamation of futuristic design, environmental sensitivity and playfulness. The carpet can lie flat on the floor like a traditional rug or it can be folded, twisted, turned or even used as a blanket. The wooden carpets are now produced by Boewer and are available in a variety of shades and sizes.
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Wooden Rug
Similarly, the coloured ‘Wooden Rug’ is a wool rug with coloured wooden pieces. The addition of the elegant plum and navy hues makes this design timeless and a classic. Continuing with the wood-textile combination are the ‘Wooden Runners’ and the ‘Plaid’ collection with melancholy fading colours.
Accordion Collection
Wooden Runners
Strozyk’s furniture collection is equally brilliant. The Accordion Collection has cabinets, pendant lights and textiles created in collaboration with artist Sebastian Neeb. “The cabinet consists of a shelf on long legs which is surrounded by a flexible skin. This is made of a combination of veneer wood and textile and can be opened and closed by folding much like an accordion. Using this wooden textile allows for a free and sculptural form.” The Accordion Cabinet changes its appearance and volume depending on whether it is open or closed. Also in collaboration with Sebastian Neeb is the Septagon Bar Cabinet. Made from Beech, Palisander (Brazilian rosewood) and Padouk (a reddish wood from the genus Pterocarpus) on a viscose base, the cabinet has a three-dimensional surface and resembles a wooden crystal. “The inside of the cabinet is covered with a light-sensitive Padouk veneer, whose luminous red colour will fade out with each opening of the cabinet.”
Septagon Bar Cabinet
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Strozyk’s Ceramic Tables, on the other hand, have a different texture altogether. Made from Cordierite, ceramic glaze on a steel/ copper base, each table is unique thanks to the spontaneous pooling of the glazes as they solidify. Strozyk’s experiments with lighting have led to the utterly beautiful Miss Maple pendant lamp, made, again, from her wood-textile. The unique material makes the lampshade flexible and it can be transformed manually into 3D shapes. “While the lamp generates warm light at night the surface outside becomes more evident with daylight and turns the lamp into a sculptural beauty.” The Woven Glass Pendant Lamp is a shimmering bohemian object of desire. “Weaving normally requires a material that is flexible, like yarn which can bend easily. To reach the same effect coloured glass stripes need to be pre-formed in the kiln to allow the process of interweaving different layers of glass. Transparent colour gradients overlap and mix under the influence of light to form a textured glass surface.
Miss Maple
Strozyk’s philosophy stems from believing that “giving importance to surfaces that are desirable to touch can reconnect us with the material world and enhance the emotional value of an object.” Each one of her designs challenges our notions of texture and expectations of what an object must look and feel like. “In the future we will have to deal with more waste and less resources. Therefore it is fundamental to be fully aware about the lifecycles of objects. For me, that means we must use material that is able to grow old beautifully.” Isn’t there a good lesson in there for us all? post@elisastrozyk.de www.elisastrozyk.de
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Ceramic Tables
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Marilyn’s designs are inspired by Nature, especially by the foliage and deep colours of Fall in Utah. Her fluid outlines of flowers, leaves and intertwining stems creeping around the gourd are artistically brought to life with the help of various textural effects and rich russets and ochres.
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art form
Good Gourd! Gourd art involves creating beautiful one-of-a-kind collectibles using hard-shell gourds belonging to the Lagenaria species. Marilyn Sunderland a consummate artist from Utah uses these gourds as her canvas to capture the beauty of her surroundings.
For centuries across Asia, Africa, South America and the United States, inedible gourds have come in handy for a variety of purposes such as containers, utensils, masks, musical instruments, jewellery, dolls and much more. This traditional art form, still alive today, is practised with great zeal and skill by artist Marilyn Sunderland who lives in Utah, USA. A professional artist, Marilyn has a Bachelor’s Degree in Art from the University of Missouri-Columbia and has completed a two-year art course from the Art Instruction, Inc. of Minneapolis, Minnesota. Although she is adept at working with conventional art mediums, the artist confesses that she is most at home with gourds as her canvas, and her praise for these is nothing short of effusive.
With the help of her ultra high-speed carving tool, Marilyn says she takes anywhere between a few days to a few months to finish carving a single gourd.
Text By Christabelle Athaide Photographs David Hawkinson Home Review December 2015
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She says, “The gourd is so versatile, it can be carved like wood, burned with woodburning tools, painted in almost any paint medium such as acrylics, oils, water colours, wood stains and dyes, to name a few. The gourd can be embellished with beads, precious stones, wire, leather, fibres, pine needles, or even left unpainted to show off its own natural colour. The possibilities are endless. The gourd is truly a great canvas for the artist to create whatever his imagination can bring forth.” Marilyn’s imagination, as we learn, is inspired by Nature, especially by the foliage and deep colours of Fall in Utah. Her fluid outlines of flowers, leaves and intertwining stems creeping around the gourd are artistically brought to life with the help of various textural effects and rich autumnal colours. To look at these gourds is to witness the beauty and magnificence of Utah in a miniature size. As a product of Nature, gourds come in all sizes and shapes: eggs, dippers, kettles, baskets, apples, canteens, cannon balls, bottles, snakes and many others and it is often the natural shape of the gourd that determines its future; whether it will be transformed into a lamp, pitcher or bowl. With the help of her ultra high-speed carving tool, Marilyn takes anywhere between a few days to a few months to finish carving a single gourd. She says, “I love the relief effects the carving gives, and I use my painting techniques to enhance the carvings. I usually carve the gourd first, before painting it with oils, acrylics, wood stains or dyes.” Leaves and flowers are recurring elements in her designs and the artist often cuts out individual leaves or flowers from gourds and then attaches them to another gourd to enhance the relief design. Before carving, the gourds are prepared by washing them in a mild detergent and then lightly sandpapering them. The dried-up seeds are scooped out and a polyurethane spray varnish is given to the finished gourd.
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Carving a dried-up, hardened gourd is akin to carving wood, although you need to be careful when working with a thin-shelled gourd. When you carve a gourd, the deeper the shell, the more detail you can get.
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Once the inedible gourds dry up into a hard shell, carving these is similar to carving wood. “The difference in gourd carving is that the outer surface is hard like wood, but once you pierce through the outer shell, the inner shell is softer and needs a lighter touch on the carving tool when carving,” shares the artist. Before Marilyn gets carving, she cleans the gourd with a mild detergent, scoops out the dried-up seeds and sandpapers the shell. Once the carving is complete, the gourd is coated with a pre-stained wood conditioner. It is then finally treated with a polyurethane spray varnish over the whole outer and inner surface. In the past, Marilyn has won several awards for her gourd carvings from the Utah Valley Wood Sculpture Show and the Wood Carvers Show & Competition in Utah. One of her gourds was delivered to President George W. Bush and Mrs. Laura Bush at the White House. Although gourds tend to be a little fragile, Marilyn assures us that the thick shelled ones can have a longer life with the right care. Sharing her plans for the future, the artist says, “I am still active in carving gourds but presently I have a new passion. I have started relief sculpting of horses. The horse has always been one of my fascinations in life and it is great to finally learn how to sculpt one of these fine animals. I love to design, paint and carve so I am always searching for newer avenues for creating art.” marilyn.sunderland@comcast.net www.marilynsunderlandstudio.com The gourd is so versatile, it can be carved like wood, burned with wood-burning tools and painted in almost any paint medium such as acrylics, oils, water colours, wood stains and dyes, to name a few.
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Page 89 THE VICTORIES OF STERNHAGEN
Page 90 RED DOT AWARD
Page 94 iF DESIGN AWARD
DESIGN AWARDS SPECIAL
Page 98 INDIA DESIGN MARK
Page 100 PLUS X AWARD
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Page 102 GOOD DESIGN CHICAGO
Page 104 GOOD DESIGN JAPAN
Page 107 CARYSIL IN CHARGE
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DESIGN AWARDS SPECIAL Text By Rehana Hussain A design label brings about a vast difference to the merit of a product. It guarantees excellence in design, premier quality, innovation, ethics, ergonomics and functionality along with various other factors contributing to take the product to the next level. Products that serve such design labels make a distinct mark for themselves and stand out from the rest by virtue of having passed rigorous jury selection. In the forthcoming pages, we will take you through a vivid design journey of the products, companies and brands that were recently honoured at some of the most widely recognised awards in the world. Our Design Awards Special aims to spotlight such design awards and their products in the building, interior and design domain.
The Red Dot Gala 2015 award night.
We start off with the Red Dot Design Award, which presents the latest developments in design through its globally acknowledged design label - ‘Red Dot’. We bring you various products that have taken the Red Dot home this year. The iF Design Award provides participants with opportunities to achieve worldwide success in product design. Check out the variety of products that have received this accolade. Next up is the India Design Mark, which was initiated by India Design Council, in conjunction with Good Design Award, Japan. We have highlighted the Indian products who have received this design standard of excellence. Plus X Award distinguishes products that are innovative and viable for the future. Take a look at the products that made the cut. For the Good Design Chicago and Good Design Japan awards, we focus on state-of-the-art products that have been bestowed this honour. Continue reading this comprehensive segment to gain insights on the design world’s best.
Winners of the Plus X Award.
The iF Design Award ceremony was held at BMW Welt in Munich.
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Mr. Chirag Parekh, CMD, Acrysil Ltd.
We at Sternhagen had the vision to create new unusual designs and textures as well as the material and manufacturing expertise working with Quartz; EMAMIDesign brought his rich experience in industrial product design. It was a perfect marriage and a true experience of ‘art meets engineering’.
THE VICTORIES OF STERNHAGEN Sternhagen’s art meets engineering philosophy has acquired them numerous awards. In an interview with Mr. Chirag Parekh, CMD, Acrysil Ltd, we understand the vision behind Sternhagen’s successes and much more. Sternhagen seems to be on a winning streak lately, with a number of design awards for its distinctive products. Does Sternhagen follow a specific design philosophy while creating such products? We have been very fortunate to have received the iF and Red Dot award, as well as several nominations at the GDA 2015 and 2016. It tells us that our product design philosophy ‘art meets engineering’ is finding demand in the market. The vision behind the design philosophy is for our customers to be able to identify a Sternhagen product immediately by the outstanding design. The current design trends in the market hardly distinguish each other from brand to brand.
How do you see these victories affecting the future prospects of Sternhagen? The last year has made us very confident that there is demand for new materials and design aesthetic in the bathroom. Sternhagen continues to experiment with new materials and with new manufacturing technologies used on existing materials. Who designs Sternhagen’s products? Is there a special in-house design team for the task or is it outsourced to a design agency? Our award winning and first series of Quartz washbasins was designed by EMAMIDesign in Berlin, Germany. Mr. Arman Emami has won over 52 global product design awards till date.
Which are some of the new products from Sternhagen in the offing? Are there any new categories you are going to enter? One new category we have entered is 3D Quartz Tiles. Used as a highlighter, 3D tiles are a perfect solution to design a statement wall. One of the many reasons they grow in popularity, is that they create shadows and textures in geometric shapes, interacting with the ambient lighting to provide a unique and aesthetic appeal. What can we expect from Sternhagen for further building its identity and positioning in the market? Sternhagen starts 2016 with the opening of the Sternhagen Suite experience centre. The flagship store is part of our strategic approach to increase our presence in the market and to grow stronger relationships with our key customers. www.sternhagen.com
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The Red Dot Design Award spreads the notion of design internationally, awarding the best in product design. The Red Dot is an internationally recognised quality label for excellent design; the recipients of which stand out for their innovation, quality, functionality and various other parameters adjudged by a competent jury. Text By Rehana Hussain
BLUM AVENTOS HK-XS, LIFT SYSTEM Aventos HK-XS is a compact fitting which can be combined with various materials and front thicknesses of stay lifts in high and top cabinets. By means of the mechanical tip-on opening support, furniture items even without handles can be easily and conveniently opened. A stage-less stop and Blumotion dampening provide a smooth movement sequence and allow soft and quiet closing. www.blum.com/in
WALTER KNOLL TAMA, OCCASIONAL TABLE The Tama occasional table conveys a sculptural appeal; its horizontal and vertical expanses show flowing lines full of dynamism. The table tops are made of either exquisite marble or rare onyx marble. With its two levels, the table offers plenty of storage space and defines its environment by being a highly distinctive centrepiece. www.walterknoll.de www.dnmindia.in
CARYSIL BERBEL SKYLINE, CHIMNEY Offering a classic combination of aesthetics and performance, the Berbel Skyline chimney can restyle your kitchen. It can adjusted up to 800 mm from the ceiling and comes with a user-friendly remote control. It is equipped with durable dazzle-free LED hob lighting. www.acrysil.com
VIEGA ADVANTIX VARIO, WALL DRAIN The simple slotted grating made of stainless steel runs centrally along a 20 mm wide drain joint. It ends with a discreet cover plate on both sides. The drain fitting is self-cleaning, which makes removal and maintenance of the odour trap unnecessary. Due to its flat mounting depth of only 25 mm, the wall drainage system allows installation without damaging the masonry. www.viega.com
The Red Dot was awarded to 1,240 products; with 81 entries receiving the Red Dot: Best of the Best honour.
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SAINT GOBAIN SGG MASTER-SOFT, PATTERNED GLASS SGG Master-Soft is a patterned glass that virtually touches and challenges the viewer’s perception as it features a 1 mm deep textured engraving. This texture creates the impression of waves or a textile curtain. The glass lets through enough light to brighten up a space, while providing intimacy and is thus suited for use on the inside and outside of buildings. www.saint-gobain.co.in
BRAVAT AFFABILITY FAUCET, BASIN MIXER The concise geometric column is the core design element of the Affability Faucet. At the gentle touch of a key, the air mixer changes between a soft spray jet and a rippling watercourse. A simple pull-out function provides multi-functionality in bathrooms. www.bravatindia.com
GEBERIT REMOTE FLUSH ACTUATION TYPE 70 This remote flush actuation for toilets can be placed freely up to two metres from the tank, offering maximum flexibility when designing bathrooms. With dimensions of only 50 x 112 mm it is extremely small. Two visually separated operational areas on the plate, which is made of either glass or stainless steel, indicate how to use the water-saving dual flush function. www.geberit.in
GLIFS GMBH THE ALPHA, LAMP The Alpha combines rustic timber, illuminated glass and eye-catching X-ray artwork to create an inventive table lamp. The base is made of upcycled wood from dismantled half-timbered houses in the Black Forest. The glass panel, embedded in the base, shows an X-ray image of a three-dimensional table lamp while a concealed light source illuminates the image. www.glifs.de
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Red Dot jury members include German product design icon Professor Werner Aisslinger and Malaysian-born star designer Jimmy Choo.
DURAVIT CAPE COD Cape Cod is a concisely shaped bathtub with an ergonomic headrest that provides a serene bathing experience. The monolith tub is made of the innovative material DuraSolid A. It is available in freestanding, back-to-wall and left or right corner versions. The bathtub can be equipped with an unobtrusive air whirl system or an integrated sound system that is operated by Bluetooth-compatible devices. www.duravit.in
HANSGROHE RAINMAKER SELECT 460 1JET, SHOWER SET The shower set includes the large surface overhead shower Rainmaker Select 460, the ShowerTablet Select 700 and a hand shower. The ShowerTablet which also serves for placing bathroom accessories is made of glass; so is the surface of the overhead shower. At the push of a button, it selects either overhead or hand shower. An EcoSmart version ensures energy-efficient water consumption. www.hansgrohe.in
TOTO NEOREST RH, SHOWER TOILET The Neorest RH features a warm-water massage and cleansing system. It also disperses electrolysed tap water, which reliably disinfects, deodorises and also removes dirt on the bowl and in the nozzles. A pump-driven water tank, direct pressure from the water pipeline as well as a two-flush system of 3.8 and 3.3 liters provide for environment-friendly usage. www.asia.toto.com
FRANKE CRYSTAL CLV 214, SINK The minimal Crystal sink and its distinctive, coloured glass inserts form a prominent mix of material and colour. Two insert panels, each 6 mm thick and made of shatterproof glass, cover the drain outlet and overflow. The generously dimensioned basin with stringent zero radii and gently declined drip well is encased in a flat stainless steel frame. www.franke.com/kitchensystems/in/en/home.html
Red Dot Design Museum Essen, Germany is playing host to the “Smart Materials and Solutions for better Product Design� exhibition until 10 January 2016.
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MIELE CM 6310, COFFEE MACHINE The ‘One Touch for Two’ function in this fully automatic coffee maker allows the preparation of two coffee specialities simultaneously at the push of a button. Hygiene is given utmost importance: all milk lines are automatically flushed when the machine is switched off, the brew unit can be removed for simple cleaning and many components are dishwasher-proof. www.miele.in
VILLEROY & BOCH ULTIMATE BBQ, PLATTERS Ultimate BBQ includes selected products around the topic BBQ. The collection includes platters in two sizes which are designed with ridges to allow meat juice to drain away from rare or medium grilled steaks. Skewers can easily be hooked in the notches. The large platter offers a separate area for sauces or vegetable garnishes which makes sure that the ingredients do not mix. www.villeroy-boch.com
POGGENPOHL P’7350, KITCHEN FURNITURE The P’7350 departs from the horizontal lines of classical kitchens. This effect is created by an industrial mitring of the front and body. The front merges with the body in the mitre and forms a filigree, vertical line which is emphasised by an aluminium profile in stainless steel optic. www.poggenpohl.com
STIEBEL ELTRON GMBH & CO. KG DHE CONNECT & DHE TOUCH, FULLY ELECTRONIC CONTROLLED INSTANTANEOUS WATER HEATER The innovative user interface of this water heater renders use intuitive and the detachable control element is highly practical. Aside from the user-friendliness of a fully electronic instantaneous water heater, DHE Connect also offers a new multimedia experience of Internet radio and the use of a weather app via Wi-Fi. www.stiebel-eltron.de
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The iF award organised annually in Munich, Germany received over 4500 competition entries from more than 50 countries. Acknowledged internationally as a symbol of outstanding design, the iF logo given to the winners acts as an impetus to their design and business. Text By Rehana Hussain
HANSGROHE AXOR CITTERIO E, BASIN MIXER Axor Citterio E is a family of basin mixers with modern and classical characteristics. Soft and slender mixer handles characterise the entire collection’s design, as in the single lever faucet with its upright joystick handle, or in the 3-hole mixers with their classic cross-handles. This combination of different design elements complements a variety of washbasin styles. www.hansgrohe.in
VITRA MEMORIA BLACK, SANITARY WARE With its functions, aesthetics and diverse colours, the Memoria series is a highly versatile one. Distinctive WC and basin designs offer product alternatives that can be customised with a wide range of colours and gloss or matte finish options. The island included with the basin provides a functional space for faucets and accessories. www.vitra-india.com in.vitra.com.tr
BOSCH HOME APPLIANCES C17KS61N0, BUILT-IN COFFEE MACHINE Defined by a clear, minimalist design, a highlight of this coffee machine is the combination of high-quality black glass with stainless steel. Narrow gaps aid the coffee centre to integrate perfectly into the kitchen. The highresolution, intuitively controlled navigation display enables a fast and simple navigation through the appliance menu. www.boschindia.com
INTERFACE HUMAN NATURE, CARPET TILES COLLECTION The Human Nature collection features the ‘skinny planks’ format (25 x 100 cm carpet tiles) available in a range of five textures and eight colours. Drawing inspiration from the innate human connection with nature, the collection makes use of both visual and haptic materials that reflect the most elementary of floor surfaces - forest floors, grass fields or pebbled beaches. www.interfaceflor.asia
1,124 entries received the iF label at the iF design award night celebration in Munich’s BMW Welt.
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HERMAN MILLER PUBLIC OFFICE LANDSCAPE, OFFICE FURNITURE SYSTEM Public Office Landscape is a collection of office furniture designed to augment collaboration in the workplace. This system is centred around the ‘social chair’, a unique seat that attaches to individual units, inviting multiple people to work together. Social chairs can also connect together to build private meeting areas and public benches. www.hermanmiller.in
GROHE EURODISC JOYSTICK, FAUCET With precisely sculptured lines, Eurodisc offers advanced performance and sleek design. The carefully considered proportions and introduction of a joystick ensure the aesthetic is light and elegant yet robust. Eurodisc is a comprehensive collection, available in a choice of full chrome or white with chrome details. www.grohe.com/in
DURAVIT VERO, BATHROOM FURNITURE The Vero collection of bathroom furniture is an elementary basic model with carefully balanced proportions and a strong design identity. Vertical handles create a striking contrast to the classically modern form. Optional LED ambient lighting below the console accentuates the relaxed atmosphere that the wood surface brings into the bathroom. www.duravit.in
PHILIPS SOLAR INDOOR CONTROL SYSTEM The Solar Indoor Control System is designed for those who have no access to electricity. It provides a green, hassle-free and complete LED lighting solution, from solar energy reservation to energy management and consumption. Offering various battery volumes, it can be solar charged, and reserves clean energy for daily use. Highly efficient LED lamps are waterproof and durable to use. www.lighting.philips.co.in
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100 visionary concepts received the iF Student Design Award 2015, aimed at students and young designers.
ELICA ÉDITH, HOOD Édith is part of the New Evolution range, a line of high-performance lamp kitchen hoods. It is a multi-functional model designed to guarantee the quality of air and light to create a perfect atmosphere in every room: the perimeter extraction system leaves room for a large ceiling lamp that lights the hob uniformly. It is available with two installation methods, wall-mounted or suspended. www.elicaindia.com
VIEGA ECO PLUS, HEIGHT ADJUSTABLE WC ELEMENT ‘Removing barriers, boosting comfort’ is the credo of the Eco Plus WC. The adjustable seat height element works easily like an office chair. It is particularly of advantage to places where several generations live together. The design is a combination of invisible innovative technology and a high-quality minimalist design. www.viega.com
LG HAUSYS DESIGN CENTER ECONO PLUS ‘WOVEN DESIGN’, FLOOR SURFACE Econo Plus is a luxury vinyl tile with a woven structure. Because the thread in the intricate weaving retains its shape and 12 different colours, it has the capability of diverse module designs. The printed metal ink interwoven between the horizontal and vertical weaves in combination with gravure printing creates an enriched reality. It is treated with Bio UV, making it harmless to the human body. www.lghausys.com/in
VILLEROY & BOCH JUST SILENCE, OUTDOOR WHIRLPOOL Just Silence features a clear and minimalist cubist design, both inside and out. The innovative seating concept ensures sufficient legroom and comfort when reclining. With its interchangeable back massage units, the patented JetPak™ technology permits customised hydrotherapy. The integrated LED lighting and touch screen menu control underlines the modern and innovative character. www.villeroy-boch.com
“Clearer forms, understandable functions and interfaces – this is where developments are headed.” - Head juror Fritz Frenkler
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KALDEWEI MEISTERSTÜCK CONODUO, FREESTANDING BATHTUB With the seamless steel enamelled panel, Kaldewei is treading a new path in bathtub design. Being monolithic, the bathtub bears witness to uncompromising design and advanced manufacturing processes. A special drain and overflow fitting with enamelled covers is integrated; while sustainability is ensured by an environmental product declaration. www.kaldewei.us
STERNHAGEN SANI-Q, WASH BASIN Just as in nature no two crystals are of the same shape, no two facets of this centre piece sink are alike. Sani-Q is a patented high-tech Quartz material with silk finish. While the crystal‘s high-gloss top captures the delicate elegance of a brilliantly polished stone, Sani-Q technology allows the crystal to sport finely rounded edges for easy upkeep. www.sternhagen.com
KLUDI E2, BASIN MIXER Clean lines and a thin operating element define Kludi E2. ‘Soft Edge’ is the name for this variation on a modern mixer tap: it snugly fits in the hand, avoids corners and edges, thus giving balanced silhouettes. The handle is a few millimetres thick, revealing how elegantly and yet precisely water can be used. www.kludiindia.com
DONG YANG EASY-TECH CO. LTD. THE STEAMBOY (S4325), HYDRAULIC MATTRESS HEATER The Steamboy hydraulic mattress heater heats the bed without the exposure to electromagnetic fields or risk of fire hazards. It warms the bed by circulating heated water through the soft pad placed atop the mattress. Steamboy is not only safe; it also runs energy-efficiently and quietly. It features an intuitive control panel that gives you precise temperature and runtime customisation options. www.dyeasytec.koreasme.com
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Great design is advantageous and adventurous. India Design Mark is not only a design standard but a symbol which acknowledges such great design. The mark depicts and communicates product excellence leaving manufacturers to strive for the best. The India Design Mark succeeds in promoting an industrial value system based on sustainability. Text By Kanupriya Pachisia
KICH AND MAST DESIGNS KICH LED RAILING, STAIRCASES AND RAILINGS The Kich railing by MaST Designs is an advanced electrical and hardware integration to mediate support and visibility while walking. It is assembled using grub bolts so no fabrication is required at site. Lights are attached to the rails thereby making installation easy. Built on the knock down system it provides symmetric and asymmetric lighting in warm or neutral white shades. www.kichindia.com www.mastdesigns.com
WIPRO CHANCELLOR, OFFICE FURNITURE Chancellor designed by Anindya Dasgupta is flat packed and can be assembled within a few hours. The angular main table and angular modesty, that can be assembled from left over components imparts a unique visual language to it. The innovative back display adds flexibility and is available as an open display box or one with a glass door. It can be placed in multiple combinations. www.wiproel.com
GODREJ INTERIO DFINE, MODULAR OFFICE SYSTEM Dfine by Devesh Mistry, comes in 67 fabric colours and 30 wooden finishes with 300 mm separation between power and data wires aiding in avoiding interference. It has seven configurations that makes the supply chain simpler and installation and service better. Vertical wooden members act as load carriers with slender metal cross members. It avoids the cubicle feel giving your workstation a home-office feel. www.godrejinterio.com
DEBONO FELXCOM ZARA SERIES DESK, DESKING SYSTEM The ultra-modern Zara series designed by Charushree Chaudhary is a composition of high gloss Tigress Teak with black matt finish and satin finish aluminum metallic trims flushed on the edges. The side unit is technologically equipped to conceal wiring systems within a flip up box. The work surface is scratchless and its flexible, contemporary design makes it a preferred modular option. www.debonofurniture.com
India Design Mark is granted by India Design Council and initiated in cooperation with Good Design Award, Japan.
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K-LITE INDUSTRIES SLEEK AJNA BOLLARD, EXTERIOR LIGHTING SOLUTION Composed of an extruded aluminium body, a die cast top, SS hardware, CI grouting plate and PC diffusers it provides low level lighting to your exteriors. Sharmila Kumbhat’s bollard is ingress protected against dust and water and has a high power LED driver. Its conical reflector facilitates symmetric and glare free lighting distribution. It is powder coated and has the simplest assembly mechanism. www.klite.in
MUBHI LIFESTYLE ALLVAZE - LOVE, LIFESTYLE ACCESSORY Abhijit Bansod has used sustainable wood, earth magnets, paper, polypropylene and Etikoppka craft that hails from Andhra Pradesh to assimilate this product. Two conical components are kept together with the help of magnets, adding an element of surprise to see both pieces stay together despite being separated. Miniature Jaipur paintings on each vase enhances the product. Packaging is based on easy splitting and opening. www.mubhi.com
JSL LIFESTYLE PINK BLOOM COLLECTION, LIFESTYLE ACCESSORY A distinctive design by Swati Gakkher transports us back to an age of gracious living. It comes in a perfect blend of form, functionality and comfort. The design is also centered around being Indian and modern, keeping the rich Indian taste in mind. Handcrafted in a combination of stainless steel and rose quarts it is available in dull and glossy finishes. www.jindalstainless.com
DESIGN DIRECTIONS GROEZEE KITCHEN GARDEN SYSTEM, OUTDOOR LIVING ACCESSORY Designed by Satish Gokhale, Nachiket Gole and Falguni Gokhale, Groezee is a simple and innovative kitchen garden system for urban homes. It provides continuous irrigation through capillary action thus making water available on demand for the plants. It is made of linear low density polyethylene which also makes it environmentally friendly. Ideal for growing micro-greens, it is easy to assemble and transport. www.designdirections.net
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With an international and independent panel of judges from 27 industries, the Plus X Award is the world’s largest innovation award for technology, sports and lifestyle. Plus X Award Seals of Approval are conferred upon products judged to possess at least one “Plus X” factor such as new and innovative technologies, extraordinary design and outstanding ergonomic and ecological features. Text By Rehana Hussain
ARTIZE LINEA, BASIN MIXER The minimalist Linea basin mixer sports a combination of style and technology. Its spout swings effortlessly in a graceful arc while controlling the temperature and flow of the water as it moves along its curve. Its smart design ensures that the water falls near the centre of the wash basin, away from its brim. www.artize.in
GROHE F-DIGITAL CONTROLLER, DIGITAL REMOTE CONTROL The Grohe F-digital Controller gives maximum creative freedom in the bathroom and in the kitchen as it can control the shower, bathtub, washbasin or sink - thanks to its wireless, digital technology. It can be fixed at any place and on any surface thus promising ease of use. With technologies like Grohe TurboStat and Grohe StarLight included, high quality is a given. www.grohe.com/in
SAINT-GOBAIN WEBER WEBER.XERM844, TILE CEMENT The two-components tile cement Weber.xerm844 from SaintGobain Weber can score with high quality and functionality. It is waterproof, frost and sulphate resistant, UV and ageing resistant and suitable for indoor and outdoor use. It can be used equally well for sealing, decoupling and laying. The cement is easy to use and reduces the impact sound. www.saint-gobain.co.in
KALDEWEI CAYONO, BATHTUB Steep side walls create a large space interior of the Cayono bathtub even with small outer measurements. The evenly made bottom of the tub offers a large area for comfortably taking showers. High quality materials such as steel enamel as well as the robust surface round off the image of the Cayono. Besides white, further sanitary colours are available, along with pearl effect and an anti-slip finish. www.kaldewei.us
The Plus X award was initiated to strengthen brands, trade and commerce and support consumers in their purchasing decisions.
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KLUDI L-INE S, BASIN MIXER The L-INE S sink single lever mixer delivers high quality, design and functionality. High-quality galvanised chrome elements combined with powder-coated matted white components represent an unbreakable surface, while making the valve a real eye-catcher in every kitchen. Latest powder-coating processes guarantee unchanging colours, even in the ‘workspace’ of the sink. The outlet can easily be removed by hand from its holder. www.kludiindia.com
POGGENPOHL THE FOURTH WALL, KITCHEN The Fourth Wall is a visionary concept in kitchen design, which fascinates with its high quality and functionality. Poggenpohl takes its inspiration from the kitchen of former times, where the arrangement was defined by the functionality. The kitchen combines several areas with each other, internalising the open living area, in which cooking and eating are connected to each other. www.poggenpohl.com
LEICHT XTEND+, KITCHEN ACCESSORY The kitchen equipment Xtend+ gives a new meaning to open, illuminated shelves. The harness mechanism integrated in the rack allows a nearly complete opening of the face blades, which are operated by a remote control. The height adjustable shelves are illuminated one by one, by a wireless power supply. www.leicht.com
VORWERK KOBOLD VR200, VACUUM CLEANER ROBOT This vacuum cleaner robot navigates nearly contactless and gets to hard to reach areas. In addition, it can be controlled manually with the remote control. Thanks to its all-wheel drive, it can detect and overcome thresholds and carpet edges up to 2 cm via laser scanner and ultra sound technology. www.corporate.vorwerk.com
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The Chicago Athenaeum Museum of Architecture and Design and Metropolitan Arts Press Ltd. present the Good Design Awards program each year to facilitate the most innovative and cuttingedge designs from across the globe. The logo creates a revived awareness about contemporary design and honours both product and industry leaders. Text By Kanupriya Pachisia
CARNEGIE ALPHACOUSTIC, BETACOUSTIC AND GAMMACOUSTIC, SHEERS Carnegie’s acoustically absorbent sheers provide design solutions using a breakthrough yarn and technology that notably contributes to sound reduction in a space, all while preserving transparency and elegance. These window textiles, woven with specially engineered Trivera CS polyester, help achieve 40% sound reduction when hung flat and approximately 65% when draped. www.carnegiefabrics.com
HAFELE FREE-SYSTEM FITTINGS, HARDWARE Ideal for cupboard integration and niche applications, flap fittings are gaining popularity with furniture planners and designers owing to its easy installation and simple adjustment techniques. It provides maximum operating convenience with smooth and soft closing action. It also enables optimum flexibility for all common height and weight combinations. www.hafeleindia.com
ARTIZE CONFLUENCE, BASIN MIXER Inspired by the archaic use of bamboo in channeling water from rivers and brooks, Artize’s, Confluence basin mixer is designed to deliver a natural flow of tranquility into your bathroom. It ensures that its unique step-fall dispensing system pours out water without a splash and its carefully calculated angles prevent water retention in the spout thereby catering to save the valuable resource. www.artize.in
MOEN ARRIS, FREESTANDING TUB FILLER Freestanding tubs were listed as one of the top five bathroom design trends in 2013. To capitalise on the increasing demand of this product, Moen introduced its Arris freestanding tub filler. Arris has distinctive styling and crisp, cylindrical and geometric shapes and is available in chrome and brushed nickel. It offers an optimum flow rate, eliminating the wobble that accompanies floor standing fillers. www.moen.co.in
Charles and Ray designed the 5,300 sq ft space for the inaugural installation of the awards in 1950.
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SMEG SPA DOLCE STIL NOVO, HOB The realms of nature and appliances were muddled to unveil Smeg’s new gas hob technology which uses bucolic symbols in the trivets of this new cooktop technology. Unlike traditional hobs it uses a solid ring of fuel injection which provides even heat distribution. Its titanium components prevent wear and tear. Designed in collaboration with Guido Canali, Smeg’s cooktop is a complete eyecatcher. www.smegindia.com
HANSGROHE AG METRIS 2-SPRAY HIGHARC, FAUCET The Metris 2-spray HighArc kitchen faucet comes with a swivel range of 150 degrees. Its locking spray diverter ensures that it returns to its default spray mode upon valve closing. Accoutered with a ceramic cartridge and girded by a double backflow prevention it has a 2.2 GPM (gallons per minute) flow. It is also equipped with a laminar and needle spray. www.hansgrohe.in
SNAIDERO ELLE, KITCHEN Elle’s focal point is the system of aluminium profiles, coated with a material finish, which reinvent the groove concept to open compartments and drawers. It offers various layout options with dedicated components, and various container heights. The kitchen modules create sinuous and elegant volumes. www.snaidero.com
STEELCASE ELECTIVE ELEMENTS, OFFICE FURNITURE This free standing workstation is available in a broad range of rich material finishes. Composite wood veneers, glass storage and modesty panels, metal paint finishes and fabrics create an array of aesthetic options. Its height can be adjusted and flexible installation makes it easily convertable into a private office free standing or wall attached, and open style free standing or panel attached workstation allowing users to freely meet their needs. www.steelcase.com
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Since 1957, Good Design Award has been an exclusive and all-inclusive system of evaluation and approbation in Japan. Several companies from across geographies participate in the competition to compliment the industry through design. ‘G’ Mark, the emblem of the award has been widely accepted to represent great design with creativity and strategy. Text By Kanupriya Pachisia
HITACHI BUILDING SYSTEMS HITACHI HF –1, ELEVATOR Backed by a ‘human friendly’ development concept, the Hitachi elevator HF-1 not only provides a smooth ride but also possesses an interface which allows users to operate it intuitively. Its high ceiling helps reduce pressure from a limited and closed space. The lighting inside changes with the human biorhythm. Its design is aimed at maximising a stress-free and comfortable ride to its users. www.hitachi.co.in
SHARP CORPORATION LIQUID CRYSTAL DISPLAY, DISPLAY SCREEN Free Form Display (FFD) combines non-rectangular display and narrow bezel technology, to expose content until the edges of any screen shape. This technology enables endless forms suitable for any environment or application. It offers great design possibilities beyond the peripheries of a rectangular screen. It not only integrates large scale innovation into a single product but also accommodates design and user interface design. www.sharpindialimited.com
AISIN SEIKI ILY-A, PERSONAL MOBILITY ILY-A is an electric compact personal mobility capable of translating into four different modes based on its usage. It equips an ‘Intelligent Safety Function’ applying robot technology automatically controlling its speed when an object or person is detected in its path. It is a neo-futuristic vehicle developed to expand people’s worlds. www.aisin.com
BOSE WAVE, MUSIC SYSTEM The Bose Wave music system features award winning Bose waveguide speaker technology, for clear, high performance sound. A slim, credit card style remote induces operational convenience. This compact tabletop system comes with a CD player, convenient radio station presets, a clock and dual alarms with gently rising volume, auxiliary input and a headphone jack. It’s a pepped-up music system that fits almost anywhere. www.boseindia.com
Over 59 years of its existence, around 42,000 designs have been recognised by the awards.
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PANASONIC CORPORATION HOMEARCHI, LIGHTING HomeArchi is a flexible home lighting solution used by architects and designers as a design element. It generates rich lighting softened by shadows, prioritizing light quality and fixture design. Its design responds flexibly to changing lifestyles, architecture and technology staying true to HomeArchi’s intent to cultivate a subtle and sophisticated lighting culture, reflecting Japans universal spirit of celebrating shadows. www.panasonic.com/in
TOLI CORPORATION GA-100, TILE CARPET GA-100 series has been installed in various areas such as corporate, hospitality, government and education. It has excellent dimensional stability and durability and also comes with remarkable stain resistance. In addition it also meets the requirements of environmental criteria such as CRI Green Label Plus. As the world’s biggest seller, GA-100 series is well received in the market with its wide range of 126 colours. www.tolifloor.com
YAMAHA MOTOR CO. LTD. FRP POOL, SWIMMING POOL Yamaha’s Fiberglass Reinforced Plastic (FRP) pools are strong yet light weight and resistant to weathering. They are durable, corrosion and accident resistant and also exhibit water tightness properties. FRP pools are characterised by the fact that mass manufacturing techniques enable pool sections to be made in standardised units that facilitate faster installation, easier maintenance and lower costs. www.yamaha-motor-india.com
FUJITSU LIMITED LIVETALK LiveTalk Communication Tool, Software LiveTalk is an ICT (Information and Communication Technologies) tool that helps people with and without hearing impairments to communicate with each other in real time by using a software with voice recognition to enable its users to participate in meetings. Live Talk acts as an immediate translator that displays messages on computer or tablet screens making it easy for users to use. www.fujitsu.com/in
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THE INSIDE TRACK NOW ON APPLE AND ANDROID
DOWNLOAD YOUR FREE COPY* OF THE INSIDE TRACK AND STAY CONNECTED All you need to do is download the free Magzter app. Apple users can download Magzter from the App Store. Android users can download Magzter from Android Market. Try it out today.
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* Limited Period Offer
Latino chimney
Mr. Sanjeev Dayal, Vice President Sales and Marketing, Acrysil Ltd.
How has Carysil evolved as a company to a globally recognised brand? Due to our quality, workmanship and global offices, we have become a global brand in the recent past. We are exporting to about 45 countries, we are marketing it as Carysil in the Eastern and South Asian countries; otherwise we are selling our goods as OEM (original equipment manufacturers) and the larger market for us right now in granite sinks as OEM is UK, Germany and USA.
Polo D 200 sink
CARYSIL IN CHARGE Carysil’s growth chart has been remarkable in the recent past. We speak to Mr. Sanjeev Dayal, Vice President - Sales and Marketing, Acrysil Ltd. to know the latest undertakings at Carsyil. What are the factors that make Carysil’s products stand out for the discerning Indian consumer? Carysil stands for quality, aesthetics and class - these make Carysil an interesting product category, which has been liked by top-end Indian consumers because our products generally stand out. This is because of the workmanship that we follow, our R&D and factories. This becomes a classy combination, so our products are rated very high. Please tell us something about the latest products from Carysil in the sinks and kitchen appliances segments. We have recently launched a microwave with ‘composite feature’ where the temperatures don’t need to be manually set. While cooking food, everything is pre-customised, which is good for customers who are not good in the kitchen.
Chimneys such as the recently launched Latino are available with 1-2 brands at an expensive price of over Rs. 45,000, while Latino is relatively low in cost. Though we have always projected our brand in the top league, we try to keep the price in check. We have launched Polo D 200, an 80% granite sink in the premium segment. It has features like steel balls on top of the drain board which provides even spacing between sink and utensils, thus giving durability. The USP is that it is scratchproof, hygienic and it stands out in terms of looks as it comes in 6-7 colours. In the appliances category, we have a built-in BBQ which is a requirement in a modern kitchen.
Carysil has seen a steady trajectory of growth in the past few years. Where do you see Carysil five years down the line? Carysil has already spread across Asia and other parts of the world. But in Asian markets, we wish to strengthen our bases in China, Singapore, Bhutan, Nepal, Bangladesh, Pakistan and other neighbouring countries. As an OEM in the other parts of the world, we would like to go in much deeper, while we are planning to export to another 15-20 countries. In the next five years, Carysil should approximately be a 1000-crore brand. Carysil has received accolades for its design in the past. How has it enhanced the brand’s image? With the best design and manufacturing base, we have the finest products. This has enhanced the brand’s image and because we are exporting to European countries that already have the best manufacturing facilities. This clearly indicates that the products we manufacture are the best in terms of aesthetics, quality and price. www.acrysil.com Home Review December 2015
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Glass blowing is a fascinating art. Ask Zuby Johal, who experienced a child-like excitement when she saw a lamp blower at work for the first time. “I got a formal start in glass design as a student of Industrial Design at the National Institute of Design, Ahmedabad. Little did I know that this class would open the door to a medium I would long to explore for the rest of my life! “ She reminiscences, “I watched in fascination like a small child as the lamp worker melted glass rods and then from a shapeless mass created beautiful forms. It was spellbinding. From then on, I knew glass was something I wanted to do.” The seeds of Studio Avtar (named after her mother) were sown back then. Rajiv Subba, also an NID alumnus, constitutes the other pillar of the studio.
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a 'glass' apart TEXT BY DHANISHTA SHAH
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The duo set up the ideal team - from their highly qualified and motivated design staff to collaborations with designers and artists to produce unique glass collections. 
 It is interesting to note that contrary to popular practice, where one starts small and then goes big, they started doing large-scale glass installations and then went on to design smaller products. “I was always very fascinated with scale. I wanted to create large-scale installations and art pieces,� she shares.
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“My first break was when I was approached by Adani Power, Mundra to design an installation depicting the nature of fire in context to energy flow. The satisfaction and elation I felt was so gratifying that I had become greedy to experience it over and over again. In India, large-scale glass installations are rare to be seen,” she explains. The studio explored the potential of installations almost completely, and that has been a great boost. They now want to address the gap in the market when it comes to glass home decor products. “While there are various retail as well as online stores selling glass products, there is a lack of combining authenticity of glass craft with innovative technologies and creative craftsmanship. I want our products to become a small taste of luxury that everybody desires to own,” explains Zuby. The studio also produces mixed media products with diverse materials like bamboo, teak wood, metal, marble, granite fiberglass, silicone, cloth, copper, brass, shisham wood, ceramic etc. Glass blowing has it’s share of challenges. Formal education is required to understand various techniques and temperatures required in handling glass. Practical knowledge is vital in creating pieces and communicating with craftsmen. The scientific glass industry of India has skilled artisans and craftsmen and bringing that segment into the world of decorative and functional objects has been something that the studio has tackled. But, a lot of challenges have to do with with perception and psychology of the buyers. The belief that Indian glass is not as good in quality in comparison to murano or Bohemian glass is one that she has often encountered. The studio constantly attempts to break this notion as good quality glass can be produced in the country where craftsmanship and skill is of the highest quality.
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“Glass, by its nature, is organic and unpredictable hence each piece has its own quality,” explains Zuby. Respecting this intrinsic quality of the material, the studio attempts to search the commonality in glass and nature. Refusing to rest on the grand scale laurels, Studio Avtar is pushing the boundaries further. In the pipeline is a collection of glass furniture. “We have used massive blown glass pieces with diverse materials to create these unique pieces of art. Functionality and technology hVE been a pivot as we have explored things like sensors and solar panels,” reveals Zuby. This may be the next step, but the long term vision is clear - their aim is to transform glass into breathtaking light and design experiences and share the intense beauty of glass art with the world. Having explored different scales and dimensions in glass making is not enough. Studio Avtar is destined for bigger things. “In the coming years I would like to build up a studio where artists and people could come and learn this art form and explore the material. The space would be open to all, as I believe each one of us is a born artist. In my imagination it would be a crazy place with a lot of hustle bustle, laughter and creativity,” concludes Zuby.
Studio Avtar Currently the Studio is at Narayan Nagar, Paldi in Ahmedabad as well as White Field in Bengaluru. Contact: +91 9902750055, +91 8042002461, +91 7567159322 www.studioavtar.com
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Point Yamu is located on a peninsula on Phuket’s east coast, a 25-minute drive from the international airport. The distinctive limestone outcroppings of Phang Nga Bay that include hundreds of islands - most of them forested, uninhabited and ringed by coral reefs (and are UNESCOprotected), envelope the resort in their natural splendour.
Point Yamu by COMO features 79 guest rooms and suites, including 26 private pool villas. The resort sits ensconced in the landscape, with panoramic views of the bay unfolding from each of the guest accommodations. Point Yamu has been designed by Paola Navone, a world class interior and furniture designer based in Milan, with a client roster including Armani, Knoll International, Alessi, Driade and Molteni. The resort reflects her modern design aesthetic combined with traditional Thai and local techniques. Over the course of two years (which included multiple research trips to Thailand to gather inspiration), Navone transformed the existing structure that was built by architect Jean-Michel Gathy into a unique poetic landmark that marries style, comfort and luxury.
Text By Natalie Pedder-Bajaj Photographs courtesy Point Yamu by COMO
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PARADISE FOUND
Located on an outcrop overlooking the Andaman Sea, views of the dramatic limestone karsts of Phang Nga Bay have been maximised from every nook and cranny at Point Yamu.
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Speaking about this project, Navone says, “I share with COMO the idea that luxury today can be an appreciation of simplicity and respect of traditions in a contemporary and unaggressive environment. At Point Yamu there is so much of what I love doing in my work - mixing things that come from different centuries and continents, promoting craftsmanship using everyday things in a nonconventional way, and a fascination for imperfect shapes.�
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Located on an outcrop overlooking the Andaman Sea, views of the dramatic limestone karsts of Phang Nga Bay have been maximised from every nook and cranny. The lobby, restaurants and bar have all been designed as open spaces to capitalise on this jaw dropping panorama. An absence of windows brings the outside environment into the main building, blurring the lines between natural and manmade. The most dramatic spectacle though is from the pool area, where the undulating 100m infinity pool allows for a 180 degree view of the lolling azure seascape. The rooms and suites, dotted with furnishings in turquoise and orange, breathe in the scents and colours of the surroundings and seem to pop against the all-white interiors - that include white stone walls, white chairs and cushions, white bamboo sheets and counter surfaces spread with white matt tiles! Teak wood sourced from northern Thailand has also been used in the bed frames and chairs. The bathrooms are like aquariums of calm cobalt blue with liquescent glazed mosaic tiles. This palette also threads through to the 27 (one, two and three bedroom) pool villas specially designed for both couples and families. The majority of furnishings have been made using traditional techniques by Thai artisans, whose hands and inspirations have also contributed to the numerous textures found throughout the resort. The best example of this is the hotel’s lobby, where the walls are dressed in an incredible mosaic of wood pieces. The ceiling lamps are fashioned like hand-woven lobster traps, while the pillars are made from hand-cut mosaic tiles. There is also an installation, a modern centrepiece inspired by Buddhist temples, made of low rise Thai tables and traditional handcrafted items from Phuket and nearby Burma. Clay and aluminium bowls, bamboo vases and a temple bell bedeck this space. The lobby lounge area includes oversized chairs and cushions, all designed by Paola Navone for Gervasoni.
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Other design elements that embrace traditional Thai building techniques encompass the wooden ‘fish scale’ wall (inspired from a traditional roof) in the Thai restaurant, Nahmyaa. A large pair of mosaic goldfish dominates one wall, perfectly complementing the bright orange tones of the chairs. The goldfish theme has been emphasised throughout Nahmyaa’s design, with pendant lamps hanging from the ceiling that have been shaped like fish bowls. The gold leaf walls in the inner dining section create a beautiful contrast to the dark brown of the wooden fish scale design. Navone has used a lot of ceramic work throughout the resort, a skill nurtured in Northern Thailand. From the ceramic topped poolside tables in navy blue, turquoise and white, to the handmade dinnerware (greyish blue in Nahmyaa and white with black patterns in La Sirena) – they have all been produced according to her designs in Chiang Mai. She has also used ceramic blocks in rooms and suites to mirror the sculptured shapes used in typical Sino-Portuguese buildings found around Phuket.
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“Thailand is a weaving country, baskets are all over. You can find them in the streets, in the markets,” says Navone, who chose to use rattan umbrellas dangling above the tables at La Sirena. Rattan has also been wrapped around the walls and buffet counter in this Italian restaurant, echoing Navone’s Mediterranean history. La Sirena is a melting pot of European concepts, with the blues and whites of the sofas, chairs and tables reminiscent of the Greek islands. Plates that have been imported from Germany, hang from the wall like intricate paintings of a Pinacoteca or gallery.
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The outdoor terrace is modelled after a pergola overlooking the Amalfi Coast, while the pizza oven is a pinnacle shaped Mediterranean lighthouse wrapped with turquoise mosaic tiles. The dining sofas are pure white paired with turquoise armchairs, while other seating has been made from woven plastic rattan or wood in white or navy blue.
The rooms and suites, dotted with furnishings in turquoise or orange, breathe in the scents and colours of the surroundings and seem to pop against the all-white interiors.
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The bathrooms are like aquariums of calm cobalt blue with liquescent glazed mosaic tiles. This palette also threads through to the 27 private pool villas specially designed for both couples and families.
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The private dining room is uniquely striking, with a huge entrance orange door setting the tone. The handle is particularly striking, using a large Buddha hand in a ‘Vitarka Mudra’ gesture. The allwhite room is dominated by a long white 20-seater marble table and three huge white glass chandeliers. The white marble floor, white chairs and hand-cut painted mosaic wall tiles, all seem to sparkle and come to life in the soft candle light. This collaboration is the perfect balance of COMO’s signature clean lines and pared back contemporary style amalgamated with Navone’s eclectic, colourful approach and the use of local materials. The result is a dazzling palette of bright aquamarines and burnt oranges, infused with Thai artisanal techniques that are made to mirror Thailand’s Buddhist culture and the colourful influence of Phuket’s Peranakan philosophy. But the scene that stays imprinted in your mind long after you’re home is the spectacular rolling expanse of the Andaman Sea caressed by the flawless sunset beyond. pointyamu@comohotels.com www.comohotels.com/pointyamu
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The home is compliant with the discipline of a Passive House set-up.
GREEN PROJECT
Energy Superstar
Dwell Development LLC entered the uncharted American territory of using cork as a building material to realise the ‘Cork Haus’ in Seattle as a net-zero energy haven.
Text By Shruti Nambiar Photographs Courtesy Tucker English
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The home’s siding has been constructed out of cork, an unusual choice in the United States.
Davis was “adamant that the house be small and have a light environmental footprint, while still feel comfortable, modern and luxurious.”
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For uninterrupted fresh air supply is a heat recovery ventilation system (HRV) that jettisons stale air from the insides of the home and helps keep things daisy fresh.
A puncture-resistant envelope of insulation ensures zero loss of natural heat.
Passive structures don’t seem to be a particular rarity in the Columbia City neighbourhood of Seattle, so, ‘Cork Haus’, conceptualised and realised by local firm, Dwell Development LLC, and completed in January 2015, becomes one of the latest additions to this sustainable landscape. But what distinguishes it from its environment-conscious ilk members is its ingenious use of cork as a building material, an aesthetic the design team picked up especially from the construction legacy of the Portuguese.
The cork siding not only makes this home a visually compelling structure but also becomes one of the critical features that make up its green credentials.
“Cork, an unconventional building material in the United States, has been used in other parts of the world for centuries due to its longterm durability and carbon negative properties. The low maintenance 3-inch thick cork panels don’t need to be painted, stained or treated and provide additional insulation,” attests the team.
Completing this solid package is the Prosoco Cat-5 air barrier system and the triple-glazed high-performance European windows and doors. In the interest of uninterrupted fresh air supply is a heat recovery ventilation system (HRV) that jettisons stale air from the insides of the home and helps keep things daisy fresh.
Cork’s legendary durability and hydrophobia are perfect fits for the needs of this home, exposed as it is to the rainy, windy climes of the Pacific Northwest. Its highly insular character also fulfils the home’s ‘Passive House’ ambitions by becoming a solid exterior envelope that clamps down heat transfer to naught.
The biggest salvo in favour of a ‘Passive House’ status here may be the insulation envelope, but the overall sustainability credit of the home is also ably helped along by the energy-saving set-up. The impressive solar technology paraphernalia installed here includes a solar panel array, mini-split heating and cooling, a heat pump water heater, and a south-facing built-up to maximise solar gain. This plan has garnered the home a RESNET (Residential Energy Services Network) HERS (Home Energy Rating System) Index rating of 0 or Net Zero, meaning that the home breaks even on energy production and spending; has example-setting low energy bills with minimal temperature fluctuations; and ultimately has a rather small carbon footprint. It is also a Built Green 5-Star certified home, which Dwell Development exclusively commits itself to building.
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The 1,711 sq ft overall swathe of the project includes 3 sunlight-flushed bedrooms and 2 bathrooms, and some wistful balcony spaces that face lovely views.
All this heavy-duty attention to environment-consciousness didn’t thankfully dampen the design team’s interest in elegant interiors. The 1,711 sq ft overall swathe of the project includes 3 sunlight-flushed bedrooms and 2 bathrooms, and some wistful balcony spaces that face lovely views. Countertops made from 85% recycled materials were sourced from local supplier Novu Stone. The bathrooms sport 70% recycled porcelain tiles. The beautiful hardwood flooring throughout has been realised with sustainably harvested fir.
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The Cork Haus is a Built Green 5-Star certified home.
The charm of the home, however, is in the little details - in the light streaming in from the mullioned windows, and the parallel lines of shadows they throw onto the walls and floors; in the interior scheme, which skips over bright colours to embrace white, brown, and black; and in the geometry-loving furniture and accessories that are intelligently laid around. All these elements in combination make this home a minimalist, queerly-European space that conjures up the liveliness of beach houses. Cork Haus breaks the mould in green architecture in the country of its location, especially by boldly exploring the possibilities of building with cork. Having built this first net-zero energy speculative home in Seattle, Dwell Development has also positioned itself as a market-leader in the local sustainability market.
anthony@dwell-nw.com www.dwelldevelopment.com
Cork Haus breaks the mould in green architecture in the country of its location, especially by boldly exploring the possibilities of building with cork.
The solar technology paraphernalia includes a solar panel array, mini-split heating and cooling, a heat pump water heater, and a south-facing built-up to maximise solar gain.
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Bamboo Brushes
‘Clean Mouth, Clean Conscience’ is the tag line of the company, Brush With Bamboo making bamboo brushes. This product was long needed as there is no other object being used world-wide that is as polluting as the plastic toothbrush. We start the day with it and finish with it and throw it at the end of its life which could be as short as a fortnight. Over 4.7 billion plastic toothbrushes are produced every year worldwide and all of these are non biodegradable and will be around for thousands of years after we throw them away. Rohit Kumar and his friend Rohit Sachdev of the firm Brush With Bamboo urge you to make the switch today to bamboo brushes. This pair was inspired to create the perfect plastic-free toothbrush. While they haven’t yet found a way to create a brush that is a 100 per cent plastic-free, they’re getting close. This is because the bristles which are nylon do not seem to have a good enough sustainable substitute. Yet, by using the bamboo brush we do bring down the use of a non degradable material by a good 95 percent.
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Brush With Bamboo manufactures the most eco-friendly toothbrush in the market today and even guarantees a full refund if you do not fall in love with it. Plastic never biodegrades because it is not a part of nature’s food chain. To use and dispose of plastic toothbrushes is a habit that cannot sustainably continue. The bamboo brush has a lovely curved handle and its length makes it comfortable to use. Also these are made out of one solid piece as the use of any adhesive was not desired.
The box that the bamboo brush comes in too is made of recycled paper, and does not contain any glue. It’s held together by tabs instead of adhesive. Rohit says that was a real concern when choosing cardboard boxes. The box also has empty window cutouts instead of plastic windows.
Inside the box, the brush is wrapped in a corn-based compostable plastic wrapper. The bamboo brush website also has information about the proper disposal of the toothbrush once it wears out (including clever ways to reuse the handle) and other environmental information.
These bamboo toothbrushes too are made in China just like the regular non biodegradable plastic toothbrushes. Bamboo grows in abundance in China and the owners of this earth friendly company visit the facilities where the toothbrushes are made from time to time to ensure that the conditions under which they are manufactured are adequate. Incidentally this company also sells some more useful eco friendly products like bamboo straws and stainless steel lunch boxes and dinnerware. www.brushwithbamboo.com
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Baatli Co.
Upcycling, also known as creative reuse, is the process of transforming byproducts, waste material, useless and unwanted products into new material or products. The aim clearly is to keep objects away from the ever growing dump-yards at the end of their use.
“Eco-friendly and green design solutions are making a splash, changing the way people think about art and decor. One of the big trends catching up fast in the Indian interior decor ecosystem is ‘upcycling’,” says Ritika Varshney, founder, Baatli Co.
Started in May 2015, by Ritika Varshney, a self-taught artist, Baatli Co. has been making one of a kind bottle-lamps, centre-pieces and vases from discarded alcohol bottles. What began as an experiment has been growing at a rapid pace, catching the fancy of youth across the country. Today, Baatli Co. has already upcycled over a 100 glass bottles and turned them into these beautiful must-have lamps which are all hand-painted and customisable. www.facebook.com/baatlico
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Starck
DURAVIT’S CLASSIC BLACK AND WHITE COMBINATIONS Black and white is a classic colour contrast. It stands for pure opposites and elegant timelessness. The more limited the colour palette, the greater the importance of high-quality materials and finishes. High-gloss décors create extravagant highlights against a black-and-white backdrop. This strong contrast creates a sense of calm within a room. In the bathroom, Duravit’s black furniture finishes are an ideal combination with their classic white ceramics. With his furniture series, Philippe Starck uses the contrast of light and dark to create something purely aesthetic. The vanity units in high-gloss black with their spacious drawers can be combined with both Starck 1 vanity basins and wash bowls from the Starck 2 line. The black base celebrates the organic form of the Starck 2 models and places the spotlight firmly on the flowing silhouette. The stylish black painted finishes of the PuraVida furniture harmonise particularly well with white ceramics and give the interior a unique, high-quality look. PuraVida is all about gentle forms and an understated elegance. PuraVida
Starck
Ceramics may shine in pure white but black introduces a highly individual look. Vero is the only bathroom range by Duravit to have a washbasin, toilet and bidet in black. Straight-lined and timeless, this classic with its pure form is perfect for black-and-white colour schemes.
PuraVida
tel: 079 66112300 respond@in.duravit.com www.duravit.in Vero
Starck
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Functionality, clever creative solutions and aesthetics are the driving principles of AVA Studio’s design philosophy. Established in 2013, the studio’s scope of work ranges from individual spaces to retail and hospitality design as well as creating furniture and lighting fixtures for each project. Founder and architect Alina Vadera believes that the relationship with the client is fundamental in any service based industry. “You have to be able to speak the same language on that given project and there has to be a certain level of trust,” she says. At AVA studio each project is approached by first grasping the concept and then building a story around it to create evocative spaces. Daylight floats through the glass storefront and brightens up the interiors of the Ogaan boutique in Delhi’s fashionable Khan Market. It is a smaller space compared to the brand’s expansive flagship store, but what it lacks in size it makes up in style. Alina says, “The brief was to create a space where the garments and accessories are showcased through installations to add a sense of fun to the process of shopping, yet keeping the palette and backdrop quiet.” This has been achieved by sticking to a colour scheme that does not deviate much from white and a muted grey.
The steel cage system that takes over the walls and ceilings lends an edge to the design and comes in handy to hang or place accessories. The pillars clad with mirrors add breadth to the boutique and are functional. Cement floor, stucco walls and the detailing with lacquered metal lend a vintage ambience to the store that is in sync with the elegance that the brand is synonymous with.
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Small details like potted plants hung on the wall and books scattered on side tables add to the cosy vibe. The lighting, too, has been carefully planned to focus on the collection at display without overshadowing it. According to Alina, design plays a crucial role in a retail space like Ogaan where the merchandise is the main draw. “Each product needs to be displayed in a certain manner, in certain lighting and in a certain sequence that best defines it,” she elaborates. The Studio was at the helm of affairs in designing their Emporio Mall outlet too.
Bhane is an online fashion retail brand that started with the concept of keeping fashion simple. Having quickly shot up the list of popular online stores, when the brand recruited AVA Studio to create its offline presence, the work was cut out for Alina and her team. “Our concept was to bring Bhane offline. Having a huge online presence, we conceptualised a space that was inspired by their website - clean, casual and flexible,” she says. The Bhane store at Meharchand Market reflects all these attributes. Hollow metal boxes in different sizes are suspended and stacked upon one another to create striking geometric arrangements that can be easily shifted around to suit the need. Alina explains the thought process behind the concept, “Our intervention was in designing a distinct modular system that could be put in any space or place with the prime function of displaying and storing garments.”
Text by Himali Kothari Photographs Courtesy AVA Studio
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The design is minimalist and the floor space is dedicated entirely to the merchandise. Except for the floor, which is laid with smoky grey tiles, white is the predominant colour, an ideal backdrop to make the apparel stand out. A spiral staircase that curves to the upper levels adds a quirky design element to the otherwise clean setup. The façade which is largely made up of floor-to-ceiling windows accentuates the openness and warmth of the space. Alina stresses on the importance of layout in retail spaces, “Circulation and the way the user moves through the space is our prime focus. We try to build the layout and placement of the garments or accessories in a way that is easily available and attainable.”
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The large bay windows and intelligent use of lighting heralds the location of the Delhi Club House from a fair distance. The clients and the team at AVA brainstormed to come up with the concept of an adda, something that would be reminiscent of the Delhi Gymkhana Club or the Delhi Golf Club, but, infused with an Indian contemporary twist. It was agreed to use this as the guiding principle.
The concept took a tangible form by incorporating terrazzo chequered flooring, dark wood panels, tennisgreen paint, brass trim accents and leather upholstery in the execution of the design plan. Alina’s favourite design element is the circular columns painted in tennis-green. “They divide the space to form different zones for seating while giving a charming character to the space,” she says. The interiors at Delhi Club House create a distinct vibe of the good old times within the modern context. While look and ambience are crucial factors in the experience of dining out, there are other background aspects that need to be taken into consideration. Alina says, “As the kitchen is the most important function of a restaurant, we work very closely with the kitchen consultants on giving the required space for optimised use without compromising on the design. The HVAC and ventilation system is equally important so that the restaurant ambience isn’t affected.” At the Delhi Club House, AVA Studio has struck a fine the balance between functionality and appearance. studio@a-vastudio.com www.a-vastudio.com
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Wherever one looks, one can see little clusters of beautiful objects put together in a casual yet eye-catching way.
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Retail Therapy
Cataloguing Luxury Quite often these days, we hear of dĂŠcor stores going the e-retail way. In a surprising and successful move, Elvy spread its wings over the Indian dĂŠcor market first as a catalogue-based store which expanded into e-retail, before launching its brick and mortar avatar. Text By Dhanishta Shah Photographs Elvy
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The ceiling is one more element that shines thanks to the beautiful textured work. Eclectic luminaires at different points in the store add their own unique charm.
Entrepreneurs and visionaries Vandana and Lovy Khosla conceived and set up Elvy Lifestyle in March 2006. It ventured into the Indian market with its first-of-its-kind exclusive lifestyle shopping catalogue and expanded its wings in the e-commerce industry. Next, it launched brick and mortar stores for its customers to be able to experience a first-hand touch and feel of its products. The new store is located in a prime area in Delhi. “MG Road is the hub of all home décor stores so we wanted Elvy to be there as well,” explains Vandana Khosla, Creative Director of Elvy. It aims to maintain the niche statement that it has made in the past few years with its hand-picked collections. Each item speaks for itself and strives to match the standard that Elvy has set.
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“The store aims to present its customers a lavish welcome, and has a rich feel to it. It showcases some of our most delightful collections of décor pieces and accessories which are sure to enchant the customers,” says Lovy Khosla, Founder and Managing Director. The sense of classy sophistication and simple charm that is so very evident within the store starts right at the door… or rather the window! With big French windows that offer a canvas for display, Elvy welcomes the customer, with the rightful promise of more beautiful things inside. The store exudes warmth and elegance. Maybe, this has to do with the striking wooden flooring that is spread to a great extent across the area, or, perhaps, it is the choice of warm brownish tones on the walls that set the mood.
A closer look reveals that the items are organised quite aptly and neatly grouped category-wise.
The choice of white for the furniture and racks stands out against the browns used heavily on the floor, walls and ceiling. The open space flows freely with the products displayed in a sophisticated manner and the free-floor plan works for the space. Wherever required, racks and shelves provide natural partitions without blocking the openness and fluidity of the area. The products are displayed all around the store either on the custom-made shelves or on rich furniture pieces that also serve as visual accents. Wherever one looks, one can see little clusters of beautiful objects put together in a casual yet eye-catching way. A closer look reveals that the items are organised quite aptly and neatly grouped category-wise.
The store is replete with quirky as well as sophisticated pieces that are exclusive in their appearance and high on versatility.
The ceiling is one more element that shines thanks to the beautiful textured work. Eclectic luminaires at different points in the store add their own unique charm. Everything here spells luxury at its best and the displayed collections are not short of breathtaking either. Right from beautiful décor pieces to categories which include serving, kitchen, bar, office, games, bath, outdoor, travel, teens and juniors, the store is replete with quirky as well as sophisticated pieces which cater to varied tastes. Exclusive in their appearance and high on versatility, there is something here for everyone.
Everything here spells luxury at its best and the displayed collections are not short of breathtaking either.
The Khoslas are excited about the comprehensive product range offered by the store. For instance, they are taking the very concept of bath accessories to a different level. “We have targeted those customers for whom bath is not just about hygiene but about rejuvenation. Our premium bath accessories take a step forward to enliven your bathing experience,” they explain. They have also noted that customers take a lot of interest in outdoor décor these days. “Our bird baths are doing quite well. The lanterns and ‘mashals’ are hot sellers,” they note. Elvy is one of the few stores to stock fireplaces and pits, quite a surprising thing in a country where the ‘fireplace’ culture does not really exist.
Comfort of luxury shopping is what they set out to do when the brand’s products were sold only through catalogues, or online. Even now, after the store launch, the basic and intrinsic philosophy remains the same. “We have worked hard to match the expectations of our customers and offer them something very exclusive. With the new store, we want to further increase our reach and cater to the diverse tastes of our customers by offering them an international way of living. The store’s look and feel is what sets it apart and we are very excited about the response it will generate among the customers,” concludes Vandana. www.elvy.in
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THE MARKETPLACE Somany Launches Its Somany Stone16
Somany has recently launched its product Stone16, a range of outdoor floor tiles available in 16 mm and have double the thickness of an ordinary tile. This range of thicker, high-performance, engineered Durastone is designed to cater to the outdoor requirements of tiling. This new product is easy to lay and provides excellent performance which guarantees resistance to load, anti-skid finish and convenient maintenance. Somany Stone16 is suitable to be used in all kinds of outdoor areas such as gardens, terraces, paths, pool sides and driveways. These naturally inspired stone textured tiles can bring any surface alive with their breath-taking aesthetics. The product is available in subtle tones of beiges and greys. www.somanyceramics.com
VitrA Introduces Its Nest Trendy Series
VitrA has introduced a new range of highly modular family bathroom furniture called Nest Trendy. This series is designed by Pentagon Design, a leading Finnish design agency. Nest Trendy series by VitrA draws inspiration from the needs and desires of every member of the family and is backed with VitrA’s aesthetics and advanced technology. The series offers family-sized comfort with a wealth of features right from the child step, night lights to the laundry cabinet and easy to reach storage areas.
It also offers the heat gauge of the digital bathroom mixer that displays water temperature with great accuracy for extra comfort and safety. Equipped with smart functionality the Nest Trendy series offers a digital display that allows the users to keep a track of the water flow and total water used, enabling more efficient savings. With a wide range of functional products designed along new generation modularity, Nest serves the needs of every member of the family. www.vitra-india.com
Contemporary Furniture Collection By Houseproud.in Furniture at home can often seem boring due to lack of options. Houseproud.in is an online portal that brings customers a spectacular, hand-picked selection of top-brand and designer home decor and kitchen products at sensational prices. Houseproud.in presents its consumers with a wide range of rustic yet contemporary Indian furniture. With bold bright colours and distress wooden textures, the products borrow their essence from traditional rural and fashionable urban ideas.
Houseproud.in has an array of products in this category ranging from side tables, chairs and shelves to frames and other decorative pieces. The collection has bold colours to give the home a vibrant, energetic and young vibe. www.houseproud.in
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THE MARKETPLACE Bathroom Door Handles By Ozone
Joyce By Villeroy & Boch The products on offer include stackable App bowls available in three heights to keep order in the bathroom. The round App bowls can be combined in several ways with each other to suit the bathroom. They are available in many colours including white, Peru terracotta, warm-yellow Sahara, Curaçao and fuchsia Florida. www.villeroy-boch.com
The Joyce collection by Villeroy & Boch offers a range of Apps for the bath space. Gone are the days when white ceramics and tiles established the tone for the bathroom. Now colourful designs are here to make your bathrooms livelier and more cheerful.
Besides hygiene and aesthetics, a bathroom should also have a door that is easily operable, secure and safe. Heeding this requirement, Ozone has introduced its new range of bathroom door handles in a variety of designs.
The Joyce collection enables you to design the bathroom as per your own wishes, needs and moods. The Apps available are removable, functional accessories which lets one personalise the bath space.
Häfele Launches Refrigeration Technologies From Liebherr Liebherr provides different temperature zones required for various kinds of food to be stored and preserved in the refrigeration unit – all in the same unit. This is achieved with the most sophisticated electronics and refrigeration technology available today.
The bathroom door handles come in plate type designs without key holes, since a bathroom door should not be locked like other room doors due to safety reasons. These handles are equipped with mortise lock body along with only soft closing latch bolt. The handles come with baby latch lock for bolting or locking the door from the inside when in use. The door handles are created in different designs to suite varying requirements according to interior décors and are safe for children. Available in chrome and satin nickel finishes, in keeping with the latest trend, Ozone door handles can go with all types of doors whether they are antique, wooden, modern or a regular door. www.ozone-india.com
Even in case of a power cut, the Liebherr refrigerators and freezers can hold their optimum temperature for up to 48 hours. Liebherr’s products include its side-by-side freestanding refrigerator that presents large capacity storage solutions specially designed taking into account the Indian food consumption system.
Häfele introduces Liebherr, one of the leaders in finest refrigeration in India. Liebherr’s engineering excellence provides the widest range of freezers, refrigerators and wine cabinets across the globe.
Its 3 zone freestanding wine cabinet and under-counter wine cabinet, on the other hand, are ideal for storing wines for long periods of time to allow them to mature to absolute perfection. www.liebherr-appliances.com Home Review December 2015
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THE MARKETPLACE LED Bollards By K-Lite
Grandeur Launches Amalfi Full Kitchens The specialty of the range is the straight-line aluminium groove built into the head of the door, which completes the linear design while maintaining the functionality of a handle. Available in natural aluminium, burnished aluminium, or lacquered in the same colour as the doors, the handles are fully customisable, intrinsically integrating with the overall design. The range also offers double-height loft units for creating customisable lofts to create storage space. www.grandeurinteriors.com
K-Lite has recently introduced its efficient and cost-effective LED bollards with rotationally symmetrical illumination for ground surfaces. The photometric design of these luminaires is based on LED that has been integrated with K-Lite’s precision reflector module. What makes these bollards so distinct is that they have been recently awarded the IMark at this year’s India Design Mark. The LED bollards by K-Lite include the products Vera and Ajna, with the latter receiving the award. Consistent implementation of new technological developments combined with the highest technical and structural quality has resulted in these unique bollards. These luminaires are characterised by their high luminous efficiency, extremely long service life and the uniformity of the degree of luminance. www.klite.in
Grandeur brings to India the Amalfi Full range by Italy’s premier kitchen brand Del Tongo, created to introduce a new design paradigm to kitchen spaces. Designed by Centro Ricerca e Sviluppo at Del Tongo, the Amalfi Full range consists of neat, clean and straight-line character on the outside. While on the inside, it provides wide, functional spaces as great storage options.
Outdoor Furniture By Ficus Fine Living Ficus Fine Living has recently released its new collection of outdoor furniture. Associated with renowned brand The Great Eastern Home, Ficus Fine Living draws inspiration from nature to create a style that seamlessly blurs the boundaries between the outdoors and indoors, and merges materials, textures, colours, forms and finishes in ways that are contemporary yet timeless.
Every outdoor furniture piece offered is created using special materials like outdoor metals, cast aluminium, hardwoods, etc. making it suitable for any weather conditions. The outdoor collection includes trunks, chairs, tables, benches, chests, lounger, racks, shelves and diwans. The wooden furniture gains expression from a great lineage of master carpenters like Kevar Anwar Bhai, whose painstaking attention to the details exudes a sense of grace, style and best durability. www.ficusliving.com
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THE MARKETPLACE
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THE MARKETPLACE
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