HYUNSEUNG
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A R C H I T EC T U R E P O R T F O L I O
02
TABLE OF CONTENTS
01
HARMONY WORKS
02
THE DYNYNAMIC PASSENGER
03
SINGLE FAMILY HOUSE
04
RODENTS MUSEUM
05
MOBILE DWELLING
06
INSIDE/OUT
07
HAND C/DRAFTING
08
PHOTOGRAPHY
Housingworks headquarters & performing center in NOHO, Manha an
Mul -purpose cultural center in Kingsbridge, Bronx
Revitalizing home for a modern family
at Central Park East
Design build workshop
Computa on & Fabrica on workshop
Spring 2016
Fall 2015
Spring 2015
Spring 2014
Summer 2015
Spring 2014
03
04
Design Studio 6 Instructor/ Alan Bruton
HARMONY WORKS
Housingworks Headquarters + John Lurie Music Hall Housing Works NYC is a healing community of people living with and affected by HIV/ AIDS. Their mission is to end the dual crises of homelessness and AIDS through relentless advocacy, the provision of life saving services, and entrepreneurial businesses that sustain our efforts. In the interest of consolida on, the new headquarter will bring together the Housing Works sca ering service branches. John Lurie, as a nonprofit funds itself through hos ng high-end performance event, and the Timber Products supplier sponsor this project.
Site Client Programs
59 Bleecker St, New York, NY NOHO Historic District Housingworks Offices, Clinics, Storages, Bookstore, Cafe, Performance Hall
05
CONCEPT
Bleecker St
uo-7 - Ŋ -=- ; ; "|
Prince St
Current HQ 0’
96’
192’
Proposed Sites Determined Site
06
Client Housingworks
Muse John Lurie
Material Mass Timber Industry
Context NOHO Historic Site
Housing Works has provided a comprehensive array of services to more than 20,000 homeless and low-income New Yorkers living with HIV/AIDS. Their suppor ve services include but are not limited to housing, healthcare, meals and nutri onal counseling, mental health and substance use treatment, job training, and legal assistance. Their self-sustaining business model includes Thri Shops, Bookstore Cafe and Catering.
John Lurie (born Dec 14, 1952) is an American musician, painter, actor, director, and producer. The selected music shows his intricate yet simply ins nc ve playing style. As I analyze the series of improvisa onal melody and the tribal rhythm by researching acous cs and harmonics, certain mathema cal propor ons have been found. Using those numbers, the architecture of Housing Works derives its harmonic and poe c base.
When harvested responsibly, wood is arguably one of the best tools architects and engineers have for reducing greenhouse gas emissions and storing carbon in our buildings. This project expands the discussion of where we will see wood and specifically Mass Timber products in the future of the world’s skylines. We are surrounded by a building material that is manufactured by nature, a material that is renewable, durable and strong.
Landmarks Preserva on Commission (LPC is responsible for protec ng New York City’s architecturally, historically, and culturally significant buildings and sites by gran ng them landmark or historic district status, and regula ng them once they’re designated. Since the building site is located in the NOHO Historic District, the design of the new building was found to be appropriate to the character of the historic district.
07
MUSIC ANALYSIS
Music Analysis / Rhythmic Varia ons 08
Men with S cks / 4’ 25” John Lurie Na onal Orchestra “The Inven on of Animals” (2014) Saxophone, Percussions
0 Ini al Interpreta on
1 Linear Percussion Rhythm Beat
2 Planar Saxophone Melody Harmony
3 Par Collage 09
Bo om
p To t gh Ri
t on Fr
Front Music Analysis / Harmonic Varia ons 10
Music Analysis in 3D Model 11
PITCH & WAVELENGTH STAIRS & FLOOR HEIGHTS The selected music shows his intricate yet simply ins nc ve playing style. As I analyze the series of improvisa onal melody and the tribal rhythm by researching acous cs and harmonics, certain mathema cal propor ons have been found. Among the series of pitches in main chord, 'Perfect Forth' harmony has been used frequently, which correspond to 4:3 propor on in wavelength. This can be matched with stairs and floor heights in ver cal arrangement. Using those numbers, the architecture of Housing Works derives its harmonic and poe c base.
Floor Type 1
A2
17
9’ 11”
Floor Type 2
E2
23
13’ 5”
Floor Type 3
B1
31
18’ 1”
24’
B1
18’
E2 12’
13’ 5”
A2
Wavelength
9’ 11”
6’
Pitch
12
A1
55 Hz
A2
110 Hz
A3
220 Hz
A4
440 Hz
A5
880 Hz
A6
1760 Hz
Freq
Note G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3
n 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28
Hz … 55.0 58.3 61.7 65.4 69.3 73.4 77.8 82.4 87.3 92.5 98.0 103.8 110.0 116.5 123.5 …
Pitch
Key No.
Freq
Note A1 B1 D2 E2 F2 F#2 A2 B2
n 13 15 18 20 21 22 25 27
Hz 55.0 61.7 73.4 82.4 87.3 92.5 110.0 123.5
Pitch
Key No.
Avg. W.L. (inch)
B1 E2 A2 A1 E2 B2
15 20 25 13 20 27
215.7 161.6 121.1 242.2 161.6 107.9
Interval Class
Wavelength m
ft … 20.47 19.32 18.24 17.22 16.25 15.34 14.48 13.66 12.90 12.17 11.49 10.84 10.24 9.66 9.12 …
6.24 5.89 5.56 5.25 4.95 4.67 4.41 4.16 3.93 3.71 3.50 3.31 3.12 2.94 2.78
in 245.67 231.88 218.87 206.58 194.99 184.04 173.71 163.96 154.76 146.08 137.88 130.14 122.83 115.94 109.43
Key No.
High 243.94 217.33 182.75 162.81 153.68 145.05 121.97 108.66
Low 240.37 214.14 180.07 160.42 151.42 142.92 120.18 107.07
5 … A D G C F A# D# G# C# F# B E A D
7 … A E B F# C# G# D# A# F C G D A E
…
…
Perfect Perfect Fourth Fifth
Wavelength @ c* Avg 242.15 215.74 181.41 161.62 152.55 143.99 121.08 107.87
Chord Variations
Chromatic Scale 4:3 3:2
A7
3520 Hz
Variations by Interval Class
17
Number of 7” Risers
18’ 1”
23
Primary Chord
31
Pitch
4:3
3:2 A
B E
E
A B
Floor Height Variations / 7 inch riser 1 Riser No. 31 23 17 34 23 15
2 Total Rise 217 161 119 238 161 105
3
No.
Rise
25 20 15 35 23 16
175 140 105 245 161 112
No.
Rise …
27 20 13
189 140 91
13
Ground Floor 14
BOOKSTORE, CAFE
CLINICS, ADMIN
6th Floor
MUSIC HALL
Roo op
15 OUTDOOR GARDEN DN
UP
DN
5th Floor
DN
DN
void above DN UP
DN
VW 58 <RX /( &/ 8 % GR QRW WDON DERX QG 5 <RX 8/( '2 127 W ),*+ WDON VW 5 < DER RX GR QR 8/( 7 XW ),*+ &/8 % W WDON 7 DERXW ), QG 5 <RX ' *+7 8/( WDON D &/8 % 2 127 ERXW ),*+ UG 58/( ,I V 7 OLP S WDSRPHR QH VD\ V RXW W RYHU WK 5 2QO\ WZ KH ILJKV VWRS RU JRHV 8/( WK 5 2QH IL R JX\V WR D IL W LV 8/( JKW DW D WK 5 1R VKLUWV JKW 8/( WLPH WK 5 QR VKR J )L 8/( KDYH WR KWV Z LOO JR R HV Q DV O WK 5 RQJ DV WKH\ ,8/( I WKLV LV \RXU ILUVW QLJKW &/8 % \RX +$9 ( WR ILJKW DW ),*+7
8/( R QRW WDON DERXW ),*+ 7 VW 5 <RX G &/8 % QG 5 <RX 8/( 27 DERXW ),*+ 7 ' 2 1 WDON &/8% V D\V VWRS RU JRHV V RPHRQH 8/( U G 5 ,I ILJKW LV RYHU OLPS WDSV RXW WKH 8/( WZ R JX\V WR D ILJKW WK 5 2QO\ /( L JKW DW D WLPH 2QH I WK 58 /( QR VKRHV 1R VKLUWV WK 58 WK 58 )LJKW /( V Z LO O JR RQ DV ORQJ DV WKH\ KDYH WR \RXU ILU VW QLJKW DW ),*+7 ,I WKLV LV WK 58/( &/8 % \RX + $9( WR ILJKW
VW 58/( <RX &/8 % GR QR W WDO QG 58 N DER < / X( '2 1 R XW ),*+ WDO27 N DE VW 58 <RX GR 7 RXW ),*+7 /( QRW WDON &/8% DERX QG 5 <RX W ),*+7 '2 127 8/( WDON DERXW ),* &/8% UG 5 , +7 8/( I VRPH RQH VD LO PS WD SV RXW \V V WK 5 2QO\ RYHU WRS RU JRHV 8/( WKH ILJ WK 5 2QH I WZR JX\V KW LV 8/( LJKW DW WR D I WK 5 1 R VKLUWV D WLPH LJKW 8/( WK 5 QR VK )LJKWV 8/( KDYH WR Z OL O JR RHV RQ DV WK 5 ORQJ D ,I WKLV 8/( V WKH\ &/8% LV \RXU IL \RX +$9( U VW QLJK WR ILJKW W DW ),* +7
RX GR QRW WDON DERXW ),*+ 7 VW 5 <8/( &/8% 8/( QG 5 <RX N7 DERXW ) ,* + 7 WDO2 ' 2 1 & /8% 8/( QH VD\V VWRS RU JRHV UG 5 ,I VRPHR WKH ILJKW LV RYHU OLPS WDSV RXW \ WZR JX\V WR D ILJKW /( 2QO WK 58 H ILJKW DW D WLPH /( 2Q WK 58 /( U WV QR VKRHV 1R VKL WK 58 WK 58/( R RQ DV ORQJ DV WKH\ )LJKWV ZLOO J KDYH WR I WKLV LV \RXU ILUVW QLJKW DW ),*+7 WK 5 ,8/( &/8% \ RX +$ 9( WR ILJKW
UP DN
2nd Floor
READING, STUDYING
3rd Floor
OPEN OFFICE
4th Floor
CLINICS
VW 58/( <RX & /8 % GR QR W WDON DER QG 58 <RX '2 /( 1 XW ),*+ WDO27 VW 5 N DE 8/( <RX GR QR 7 RXW ),*+7 &/8 W WDON % DERXW QG ),*+7 5 <RX '2 127 WDON D &/8 8/( % ERXW ),*+ UG 58/( 7 ,I VRPHR OLPS WDS QH VD\V VWR V RXW W WK 5 2QO\ WZ 8/( RYHUKH ILJKW LV S RU JRHV WK 5 2QH IL R JX\V WR D IL 8/( JKW DW D WK 5 1R VKLUWV WLPH JKW 8/( WK 5 )L JKWV QR VKR 8/( Z LOO JR R HV KDYH WR Q DV O WK 5 , RQJ DV WKH\ I WKLV LV \RXU ILUVW QLJKW 8/( &/8% \RX +$9 ( WR ILJKW DW ),*+7
8/( R QRW WDON DERXW ),*+ 7 VW 5 <RX G &/8 % 8/( ' 2 1 QG 5 <RX N DERXW ),*+ 7 WDO27 &/8% U G 5 ,I 8/( VD\V VWRS RU JRHV VRPHRQH ILJKW LV OLPS WDSV RXW WKH RYHU 2QO\ /( WZ R JX\V WR D ILJKW WK 58 2QH /( ILJKW DW D WLPH WK 58 /( QR VKRHV 1R VKLUWV WK 58 )LJK /( WK 58 WV Z OL O JR RQ DV ORQJ DV WKH\ KDYH WR WKLV LV \RXU ILU VW QLJKW DW ),*+7 8/( WK 5 ,I &/8% \RX + $9( WR ILJKW
DN
UP
UP
UP
DN
DN
DN
DN
DN
void above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
VW 58 /( GR QRW & / <RX 8 QG % WDON DERX 5 <RX 8/( '2 127 WDON DER W ),*+ VW 5 <RX GR QR 8/( 7 XW ),*+ &/8 % W WDON DERXW 7 QG 5 <RX ) ,* +7 8/( ' WDON D &/8 % 2 127 ERXW ),*+ UG 58/( ,I VRPHR 7 OLPS WDS QH VD\V VWR RYHU V RXW W KH ILJK WK 5 2QO\ WZ S RU JRHV 8/( R JX\V WR D IL W LV WK 5 2QH IL 8/( JKW DW D WK 5 JKW 8/( 1R VKLUWV WLPH WK 5 8/( )L QR VKR KDYH WR JKWV Z LOO JR R HV Q DV O WK 5 RQJ DV WKH\ I WKLV LV \RXU ILUVW QLJKW ,8/( &/8 % \RX +$9 ( WR ILJKW DW ),*+7
void above
\RXU ILU VW QLJKW DW ),*+7 ,I WKLV LV WK 58/( &/8 % \RX + $9( WR ILJKW
8/( R QRW WDON DERXW ),*+ 7 VW 5 <RX G &/8 % QG 5 WDON 8/( 27 DERXW ),*+ 7 ' 2 1 <RX &/8% VD\V VWRS RU JRHV 8/( V RPHRQH U G 5 ,I RYHU OLPS WDSV RXW WKH ILJKW LV 8/( WZ R JX\V WR D ILJKW WK 5 2QO\ 2QH I /( LJKW DW D WLPH WK 58 1R VKLUWV WK 58 /( QR VKRHV WK 58 )LJKW /( V Z OL O JR RQ DV ORQJ DV WKH\ KDYH WR
Plan arrangement on each floor laid on the melody grid based oï¬&#x20AC; of harmonic propor on of pitches. With ver cal voids connec ng certain levels, each floor has a unique spa al interac on ver cally.
PLAN DRAWINGS
A
A'
Floor Height & Corresponding Pitch
93’ 3” A2
83’ 4” E2
69’ 11”
B1
51’ 10” E2
38’ 5” A2
28’ 6” A2
18’ 7”
Bleecker St
Jones Alley
B1
0'
12'
24'
Sec on A-A' 16
MUSIC HALL
TERRACE
ELEVATOR
CLINICS & ADMIN CLINICS OFFICE READING
BOOKSTORE
CAFE
MAINTANENCE
Program Diagram
Rooftop
Clinics Admins
Clinics Admins
Administration Conference Room
Online Sales/ Office Meeting Rooms Bookstore/ Reading Rooms Terrace
Bookstore/ Cafe Event Hall
Online Sales/ Storage Bleecker St. Station (6)
Storage Maintenace
VERTICAL CIRCULATION
Ver cal Circula on
Since the floor arrangement of Housing Works is derived from its harmonic interpreta on of the music, the ver cal circula on, par cularly staircase on South and East corner, plays significant role throughout the building. 17
MATERIAL TRANSITION ALONG BLEECKER STREET
24'
Sec on B-B' 18
Timber
Lafaye e St
Broadway 0'
White Terraco a
B'
Copper & Cast Iron
B
Adjacent white Terraco a building to the project site is the only work of architect Louis Sullivan in New York City, and it is the notable landmark in SOHO that tells the history of architecture in the city. From the corner of Bleecker Street and Broadway, this mber building represents the material transi on of modern architecture.
48' 6 Bleecker St
19
20
Physical Model with Structural Skeleton
Interior perspec ve
21
22
Design Studio 5 Instructor/ Carlo Enzo Frugiuele
THE DYNAMIC PASSENGER
Hybrid Subway Sta on; blending folklore with hyper modernity The studio program is to design an hybrid subway sta on at the elevated 231 and Broadway 9 line in the Bronx. The building is a facility which will expand the transporta on factor into the integra on of hotel, oďŹ&#x192;ce space, retail, dining and entertainment areas. Truly a bridge between interior design, architecture and urban design, the project will look at the threshold quali es of this very special area of the Bronx, which connects, Manha an, Riverdale, and Van Cortland park around a bustling and dynamic Spanish flavored neighborhood.
Site User Programs
240th Street Subway Yard Riverdale, Bronx Pessengers, Residents and Visitors Transporta on Hub, Community Center, Theaters, Gym, Pool, Commercial Area 23
SITE ANALYSIS
24
2
3 4
1
2
3
4
1
Site Plan
25
N
Hybrid Plan with Sec on 26
Transit System 10 min walk
5 min walk
Bus
5 min drive
Subway
Car
1 1024’ 1/512” = 1’
Transit Buffer Analysis 27
Subway
Entertainment Relaxing(open) Dining
Sports
Spectate
Site Planning
Massing Studies / Folding Models
28
29
N
0'
30
96'
192'
Movie Theater
Food Court Subway Depot
N
Outdoor Terrace / Cafe, BBQ
Sports Complex / Basketball Court, Gym Office
N
31
N a
b’
b
c
c’
a’
sec on a-a’
32
1/64” = 1’ section c - c’
1/64” = 1’ section b - b’
64’
128’
33
34
35
36
2015 Spring _ Design Studio 4 Instructor/ Mitchell Owen
SINGLE FAMLY HOUSE
Revitalizing home for a modern family What does family mean? What will home mean in near future when everyone can communicate without physically being together? As personal tech devices have highly developed and they allow people to do almost everything with their finger ps, so much things just happen by touching screens and clicking bu ons. I see that our world is ge ng superficial and so many things are ge ng neglected. So is family. Therefore, I tried to emphasize the role of physical interac on among family members and to make space purposeful so that people can focus on their physical body and spa al experiences rather than the non-spa al world beyond the finger ps. Site User Programs
Hypothe cal Site located in urban residen al area Single family 3 Bedrooms, 2 Bathrooms, 1 Guest Room Dining Hall, Living Room 37
ng
lizi
cia
so
reg ro u
ng lizi
pin
gb
a
ern int
od
mi
y
ng
lin
g
38
ou tw ard co nt ac t
Program Arrangement
Internalized Community
the World
Connec ng Core
Ground Floor
Second Floor 39
2
1
5
3 4
Steps to Internalize 7 8
0’
40
6
25’
50’
First Floor Plan
0 1 2
arriving / entering shedding contact to the world
3 4 5
strolling nourishing swea ng
6 7 8
mingling medita ng res ng (guest)
13
9
10
11
12
13
studying (outwards)
9 10
washing / bathing mingling
11 12
medita ng res ng
Second Floor Plan 41
42
Sec on a - a’
Sec on b - b’ c’
b
a’
a
c
b’
Sec on c - c’ 43
Interior Circula on Sequence 44
45
46
2014 Spring _ Design Studio 2 Instructor/ Carlo Enzo Frugiuele
RODENTS MUSEUM
Rethinking of rodents in urban environment Star ng from a portable "device" for urban transporta on carrying a living animal, this project expands its scale to pavilion and beyond to museum for animals. Rodents, mostly rats, are notorious in New York City, whereas some kinds of rodents, such as hamsters and capybaras, are popular pets. And you can't think of Central Park with out squirrels. With all these mixed impression of rodents in NYC, a museum only for rodents will provide good understanding of the speices. Visiors will explore the museum as if they enter the natural habitat of hamsters.
Site User Programs
Central Park East at 66th Street Northern end of the Central Park Zoo Visitors, Educators, Researchers Museum, Gallery, Research Center, Classrooms, Theater 47
RODENTS
48
1
MAMMALS
RODENTS 2,277 SPIECIES
MUROIDS 1,300 SPIECIES
2
3
1 About 40% of all mammal species are rodents, and Muroids are the largest superfamily of rodents, including mice, rats and hamsters. 2 Rodents are characterized by a single pair of incisors. 3 Rats maintain an overhead binocular field at the expense of constant fusion.
EYE MOVEMENTS & MOVING ROUTE TO DESTINATION 49
PLAN
ELEVATION
nocturnal diurnal
50
51
Ground Floor
2nd Floor
3rd Floor 52
4th Floor
5th Floor
6th Floor 53
54
55
56
57
58
2015 Summer _ Design & Build Workshop Instructor/ William Haskas
TOUCHING ME SOFTLY
Mobile Dwelling for Modern Nomad MOBILE LIVING, which posits the ques on, how can we u lize technology to encounter housing differently while reac ng to frequently changing social + economic shi s? The project was completed in 10 days, while invi ng student par cipants to inves gate material pale es, component prototyping, and fabrica on methodologies to transform the dwelling into a intelligently inhabitable environment for living. Touching Me So ly - is approximately 5’ wide x 8’ long x 7’ tall. The nomadic House comfortable sleeps 2 and generates 1000 wa s of power per day. The dwelling literally unpacks to facilitate mul ple func ons of “need” and “luxury”. Working Site User Programs
Perrysburg, NY Small Family Mobile dwelling includes sleeping, ea ng and res ng
59
60
White Sail Nylon Interior
6” Wide Lauan Interior Panel 1x6 Wood Spider Structure Substructue Assembly 1/4” Lauan Exterior Panels (190 Custom Stained)
© Jonathan Yates / plusFARM
SYSTEM 61
62
STAY
ACTIVE © Jonathan Yates / plusFARM 63
Grasshopper Defini on
B24
A24
2 B2
2 A2
B23 B2 1 A2 1
A23
B4
A2 0
A4
B2 0
B0 B2
B1
B3
A0 A3
A1
Consolidated Object from Five DiďŹ&#x20AC;erent Surfaces 64
A2
2014 Spring _ Digital Fabrica on Workshop Instructor/ William Haskas
INSIDE OUT
Fabrica on & Computa on using Rhino + Grasshopper Its aim is to explore the quali es of surface materials such as metal, paper, and plas cs through complex pa ern manipula on in the context of digital fabrica on thinking and techniques. Over the course of four sessions students will design + fabricate their own project that will provide an experience in the use of basic design tools, equipment, and emerging digitally-driven technologies such as parametric rule-based design, assembly techniques, and itera ve design processes. Workshop will conclude with open gallery recep on. The workshop is being conducted by the School of Constructed Environments faculty member, William Haskas. Tools
Rhinoceros 5, Grasshopper, Paneling Tool
Schedule
4 Sessions + Fabrica on & Installa on Feb 18th ~ Mar 11th, 2014
Programs
Parametric Responsive Surface
65
CRAFTING / DRAFTING
66
Circula on & Spa al Analysis
Rufer House (1922, Adolf Loos)
Rufer House is considered to be the first example of the new style of Raumplan. Raumplan was very diďŹ&#x20AC;erent from its predecessor Free Plan in its internal spa al organiza on. 67
Plan & Sec ons / Plas c Model Kit, Graphite on Bristol 68
Rearranged Plan View / Plas c Model Kit, Graphite on Bristol 69
Traï¬&#x192;c & Accessibility Analysis for Boat House Academy in Dobbs Ferry, NY 70
Scribed Relief/ Boat Building for Boat House Academy in Dobbs Ferry, NY 71
Wire works
iPhone Amplifier / Bicycle Parts, Lamp Covers, Tubing 72
Material & Mass Studies / So & Hard Wood Sheet Metal & Plas c, Waxed String, Tubing, Plaster
73
Material Interroga on & Synthesis / So wood, Plaster 74
Surface Model / Chipboard, Museum Board, Plaster 75
Surface Model / Bristol Board
Surface Model / 3-ply Veneer, Vaccum Molding 76
Surface Model / Bristol Board, Piano Wire 77
ARCHITECTURE PHOTOGRAPHY
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mistasohn@gmail.com +1 917 975 2754