1 9 2 0
POR T F O L I O INT ER I OR AR C H I TEC TUR E S AR AH L AM
PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO
PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO
PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO
PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO
PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO
PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO
PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO
PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO
PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO
PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO
PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO
01 02 03 04 05 Table Of Contents
RE-IMAGINE Studio Works
H o s p i Te l
IID A Competition
BUNS H I Studio Works
Single House Intership
Tiger Sugar Intership
01 RE-IMAGINE Los Angeles, CA Media: SketchUp, Luminous
Project Description
The new Getty Images gallery and image consuling office brings family and friend together in enjoying professionally catured photographs that paint the beauty of everyday life. Instead of browsing for photographs online, anyone can come into the store to shop the gallery by using the ramp that wraps around the building to take a journey accompanied by pictures and images. Print images have transformed the way we communicate our stories, that is why we purposely chose to use CMYK inspired sherwin william paints to reflect that innovation in communication.
PRODUCED BY AN AUTODESK STUDENT VERSION
103'-2" 98'-2 1/2" 16'-4"
16'-4"
8'-2 3/4"
16'-6"
7'-1"
09 A-301
103
105A
04
STORAGE CABINETS
10'-7 1/2"
10'-9 1/2"
101
01
4'-3"
102
5'-7 1/2"
1'-9"
13 A-403
09 A-301
02
8'-0"
31'-8 1/2"
01
01 01
3'-5 1/2"
01
107
106
01 01 3'-0" 5'-6"
02
6'-8 1/4" 104
14'-0"
12'-11"
01
22'-9"
3'-0"
11 A-308
02
01
111 23'-2"
STORAGE CABINETS 02
01 # A-0.0.0
13 A-301
20'-9 3/4"
13 A-401
17'-7 1/4" 12'-7 1/4" 5'-0"
13 A-303
13 A-306
24'-9 1/4"
58'-6"
2'-1 1/2"
42'-1 1/2"
13 A-304
# A-0.0.0
101A
01 01
UP
4'-0"
01
5'-0"
PRODUCED BY AN AUTODESK STUDENT VERSION
01
STORAGE SHELVES
(N) OPEN FLOOR LANDING OVERHEAD
2'-0"
105 B
EQ
8'-11"
EQ
3'-0"
4 1/2"
7'-8 3/4"
12'-0"
1'-3"
(N) CONFERENCE ROOM OVERHEAD 101B
# A-0.0.0
03
UP
2'-0"
3'-5 3/4"
(E) STUD WALL
4'-0 1/4"
UP
14'-9"
NORTH
1 ST Level Foor Plan 1ST LEVEL FLOOR PLAN SCALE: 1/4" = 1'-0"
4'-0"
STORAGE CABINETS
29'-4 1/2"
101D
101C
9'-4 1/2"
3'-5 3/4"
1'-0"
UP
4'-1"
PRODUCED BY AN AUTODESK STUDENT VERSION
13
STORAGE SHELVES
UP
7'-0"
7'-4 1/2"
RIVER ROCK TERRANIUM UNDER STAIRS
01
24'-10"
16'-2"
(N) RAMP
PRODUCED BY AN AUTODESK STUDENT VERSION
J 8'-1 1/4"
25'-5 1/4"
13'-11"
48'-8 1/4"
5'-2 3/4"
2'-0"
4 1/2"
7500 G BURBA
6'-4 1/4"
9 A-308
4'-5 3/4"
202
11'-7 1/2"
5'-0"
01 02
11'-7 1/2"
6'-8 1/2"
01
"
'-7
R5
R4
'-0
02
BUILT-IN STORAGE 5"
"
"
6'-0"
5'-0"
'-5
R5
UP 11 A-308
3'-0"
7'-9"
7'-10 1/2"
6'-8"
5'-2 1/2"
13'-10 1/4"
3'-9" 203
15 A-307
6'-10" 2'-2 3/4"
01 16'-8"
01
36'-7 1/2"
01
40'-0 1/2"
3'-3 1/4"
24'-9 1/4"
27'-8 1/2"
6'-10 1/2"
57'-5"
01
201
01
206
01
12'-11 1/4"
01 201
01
01
UP
01
7'-3 3/4"
The drawin represente property o be used o the specifi prepared a consent of
14'-1 1/2"
UP
01
UP
12'-4 3/4" SELFIE WALL
UP
9'-10 1/4"
3'-11 1/2"
Written dim scaled dim and be res conditions discrepanc
The drawin general sc performan necessaril required fo the constr work indic required fo
JOB NO.
8'-1 1/4"
PAGE
2N FL NORTH
2 ND Level Foor Plan 13
2ND LEVEL FLOOR PLAN SCALE: 1/4" = 1'-0" PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
SLIDING GLASS WALL
PAGE
4959 E YORK BLVD LOS ANGELES, CA 90042
GETTY IMAGES LA
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
JAH
7500 GLENOAKS BOU BURBANK, CA 91510
---
JOB NO:
104
PT
PT
PT
PT
5
4
3
2
NO.
DATE
ISSUE
BUILT - IN BENCH 38" x 48" 33"
101 B
BS 1
PAGE TITLE:
Interior Elevations
Elevation 1 PRODUCED BY AN AUTODESK STUDENT VERSION
13
PAGE NUMBER:
A-3.1
Elevation 2
SCALE: 3/8" = 1'-0" PRODUCED BY AN AUTODESK STUDENT VERSION
202
ALL LIGHTS ABOVE THE RAMP 10' ABOVE FINISH FLOOR
4959 E YORK BLVD
Written dimensions shall have precedence over scaled dimensions. The Contractor shall verify and be responsible for all dimensions and conditions on the jobsite and report any discrepancies to Architect. The drawings and specifications indicate the general scope of work and required technical performance of the building systems and do not necessarily indicate or describe all the work required for full performance and completion of the construction contract. Based on the scope of work indicated Contractor shall furnish all items required for the proper execution of the project.
GETTY IMAGES LA
The drawings and specifications and designs represented hereby are and shall remain the property of the Architect, and no part thereof shall be used or reproduced for any purpose other than the specified project for which they have been prepared and developed without the written consent of the Architect
The drawings and specifications a represented hereby are and shall property of the Architect, and no p be used or reproduced for any pu the specified project for which the prepared and developed without t consent of the Architect
Written dimensions shall have pre scaled dimensions. The Contract and be responsible for all dimensi conditions on the jobsite and repo discrepancies to Architect.
The drawings and specifications in general scope of work and require performance of the building system necessarily indicate or describe al required for full performance and the construction contract. Based work indicated Contractor shall fu required for the proper execution
GREEN WALL
JOB NO:
WOOD FIXTURE WALL
NO.
FC 1
---
ISSUE
BS 1
BUILT- IN TABLE 36" x 36"
Elevation 2 PAGE TITLE:
Interior Elevations PAGE NUMBER:
A-3.
Elevation 3 SCALE: 3/8" = 1'-0" PRODUCED BY AN AUTODESK STUDENT VERSION
13
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
JAHN
4959 E YORK BLVD LOS ANGELES, CA 90042
PRODUCED BY AN AUTODESK STUDENT VERSION
SCALE: 3/8" = 1'-0"
PRODUCED BY AN AUTODESK STUDENT VERSION
Section 1
13
Section 1
PRODUCED BY AN AUTODESK STUDENT VERSION
GETTY IMAGES LA
7500 GLENOAKS BOULEVARD BURBANK, CA 91510
The drawings and specifications and designs represented hereby are and shall remain the property of the Architect, and no part thereof shall be used or reproduced for any purpose other than the specified project for which they have been prepared and developed without the written consent of the Architect Written dimensions shall have precedence over scaled dimensions. The Contractor shall verify and be responsible for all dimensions and conditions on the jobsite and report any discrepancies to Architect. The drawings and specifications indicate the general scope of work and required technical performance of the building systems and do not necessarily indicate or describe all the work required for full performance and completion of the construction contract. Based on the scope of work indicated Contractor shall furnish all items required for the proper execution of the project.
JOB NO:
PRODUCED BY AN AUTODESK STUDENT VERSION
NO.
DISPLAY WALL + OFFICE INSIDE
WOODEN COFFERED CEILING
---
ISSUE
DATE
PAGE TITLE:
Sections PAGE NUMBER:
13
A-4.0
Section 1 SCALE: 3/8" = 1'-0" PRODUCED BY AN AUTODESK STUDENT VERSION
r p b
p c
ACCOUSTIC CEILING TILE
c d
g p n r
r
104
PT
PT
PT
PT
3
4
5
6
101 B
BUILT - IN BENCH 38" x 48" 33"
BS 1
CUSTOM CUT PANELITE WITH 21" MULLION
Section 2 Section 2 SCALE: 3/8" = 1'-0" PRODUCED BY AN AUTODESK STUDENT VERSION
13
02 HospiTel AMBULATORY SURGERY CENTER (ASC) CHARLOTTE, NORTH CAROLINA Media: Revit, AutoCAD
Project Description
Design an ambulatory surgery center environment for a new technology hospital in Charlotte, North Carolina for more than thousand of patients a day, in the future. By using sustainable design, it not only benefits the environment and the wellbeing of the users but is also financially affect the community. To create a space that a spalike feel and sense of calmness and well-being for patients to reduce their stress, natural materials, such as, wood can provide a relax and comfortable space. By increasing efficiency and create a seamless patient experience, the new facility would be flexible and allow for growth due to the changing landscape of healthcare from voumebased care to value-based care.
Foor Plan
HospiTel is the integration of hospital and hotel, which is inspired by modern hotels. Hotel provides people a temporary place to rest and to restore energy for next day’s activity. It provides people who are working outside a temporary “home” to stay and gives traveler a place to rest comfortably. The main idea and goal for the HospiTel is to take away the stress that patient would have in the hospital while experiencing the service and atmosphere of the hotel, which then will facilitate a patient’s restoration mentally and physically faster and quicker.
RCPT
Section
03 BUNSHI JAPANESE RESTAURANT Media: Revit, AutoCAD, Photoshop
Project Description
800 Traction Ave, Los Angeles, CA 90013 The focus in this design is to consider the dining experience. Origami is the main concept that I have used for this design. Origami is one of the traditional arts that have a long history in Japan. By using origami in this restaurant, it acknowledges the Japanese cultural and Japanese Americans in the Art District. This concept will remind people of the history of Japanese Americans and lead more people to understand Japanese Americans’ art history in Los Angeles.
Foor Plan
Materials
Project Description
The whole dining experience shall allow consumers to feel the specific emotions in different spaces in the restaurant and encourage an interactive experience with the interior design and the foods. Overall, all spaces that have been created are to give people an calm, interactive, joyful and natural feeling, which allow consumers to understand the traditional Japanese culture and the history of Japanese Americans.
Origami Gallery
Dining Room
Tea Room
Sake Bar
Project Description
Color is one of the important influencers of mood in this design. Blue is a color that represents “loyalty� in Japanese cultures. Therefore, Japanese people like to use the blue color for the objects that they think are related to loyalty and, in my design, the blue color is used in the sushi bar area. The dining room is designed to use red as the main color. Red represents happiness and joyfulness. Using red in the dining area expresses that the meal always brings happiness and joy to the consumers after they eat. Green represents nature and is relaxing. In the tea room, the green is being used in the furniture and the flooring, which allows people to feel the nature by using vision and interaction within their experience. White represents purity. In the origami gallery, white is the main color. By using the white color in the gallery, people feel calm after they go into the gallery and will not be affected by the outside environment. Moreover, people will pay more attention to the art because the color white gives a good contrast for the artwork in this environment.
Section
Sushi Bar
04 Single House 1 Bathroom , 2 Bedroom Media: Revit, AutoCAD, Photoshop
Project Description
Los Angeles, CA 90013 The focus in this design is to provide a comfortable place for a new marriage couples. The color of the house will be focused on navy, white and purple, also with wood as a main material.
â…Š 166'
PROPOSED FLOOR PLAN NORTH
04 Tiger Sugar Hacienda Heights, CA Media: Revit, AutoCAD
Project Description
The concept of this project is to create a relaxe and comfortable place for consumers who will enjoy buying drink. In the design, I was trying to create a theme that relate to the name of the shop by using wood and marble are the primary materials.
Foor Plan