Architecture Portfolio Hugo Alves Rebelo by Hugo Alves Rebelo

CURRICULUM Born

1 April 1995, Matosinhos Porto Portugal

Contact

351 917065334 hugoalvesrebelo18@gmail.com

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HUGO A LV E S R E B E L O ARCHI

SET 2013 » NOV 2019

Recently graduated Architect from the Faculty of Architecture of the University of Porto.

JUL 2017 » DEC 2017

Full scollarship to became part of an exchange program at the Pontifical Catholic University of Santiago Chile where he worked with the architects Germán Squella, Alex Brahm and Luis Izquierdo who evaluated his project with a maximum qualification, 7 out of 7, which determined his work to be selected for the end of semester exhibition.

NOV 2019

Dissertation: KNOWING HOW TO SELL ARCHITECTURE? an approach to the reality of design competitions led by Dr. Architect Marta Rocha. Considered an experted with the evaluation 19 out of 20 by the Dr. Architects Luís Pedro Silva and Nuno Brandão Costa.

ARCHI

E X P E R I E N C E

MAR 2016 » MAY 2016

Participation in his 1st competition sponsored by Pladur entitled Reabilitar para Habitar where was ranked 2nd in the 1st stage.

01 NOV 2017 » 15 DEC 2017

Co-working with Izquierdo & Lehmann Architectos Santiago do Chile in an academic competition promoted by UPinmobiliario which aimed at its subsequent construction.

JAN 2018 » MAR 2018

Participation in a competition promoted by the Institution Kaira Looro that called for the development of a Cultural Center in Sehdiou, a city at Senegal.

FEB 2018 » JUN 2018

5 month Internship at OAB Carlos Ferrater in Barcelona.

APR 2018 » JUN 2018

Design competition sponsored by reThinking that called for the development of an Artist House in Ibiza.

JUL 2018

He worked as Assistant Manager of the Drawing Team at Open House Porto.

JUL 2018

Full Scholarship to attend Porto Academy Workshop with Adamo Faiden Buenos Aires.

AUG 2018 » SET 2018

Began the development of the proposal for the reThinking Global Warming Center architecture competition.

AUG 2018 » JAN 2019

Collaboration with Nuno Brandão Costa for the Chambord inachevé competition: L’utopie à l’œuvre, promoted by Domain National du Chambord; curated by Dominique Perrault.

NOV 2018

Worked at Mass Lab in the 1st and 2nd phases of a project for the Helsinky Housing Reform Competition that took 2nd place.

FEB 2019 » APR 2019

Working with Francisca Penteado on the proposal Triangulações Suspensas for the 29th Ed of Pladur Competitions, awarded with the 2nd prize on the local category and with the 1st Place in the Special Iberian BIM Award.

MAY 2019

Assistant Professor FAUP at the Workshop Ressources, patrimoine, matière à projet; organized by Professor Aurelie Husson of the Faculty of Architecture of Nancy.

ARCHI Language Skills

Software Skills

Other Skills

Portuguese - Native

English - B2 Certificate / C1

German - A1.1

Spanish - C2 MCER

French - 3 years middle school

Autocad 2D/3D

Sketchup 3D + Vray

Rhino

Adobe Photoshop

Adobe Indesign

Revit

Adobe Illustrator

Sony Vegas Video Editor

Office Suit

Hand drawing Sketch

Photography

Working Under Pressure

Rendering Habilities

Graphic Design

Model Making

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Nuno BrandĂŁo Costa Arquitectos OAB Carlos Ferrater Izquierdo & Lehmann Architectos SQUELLA Arquitectos

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Honorable Mention International Competition

‘CHAMBORD INACHEVÉ 1519-2019, L’UTOPIE À L’ŒUVRE’ ARCHITECTURE COMPETITION co-working with Nuno Brandão Costa

This work proposal relies on two great time travels. The first one took us to 1519, the year of foundation of the Château de Chambord, where we came across two renaissance visionaries whom we considered to have been the main architects of the castle: the French king Francis I and the Italian polymath Leonardo da Vinci. This encounter led us to pursue their visions for the castle and compare them with what was eventually built. Today, in 2019, we are architects of an utopian version of the Château of Chambord, reimagined from ideas that were lost in time or that were abandoned when confronted with reality: this new castle is based on the one currently existing, nevertheless questioning and transforming its typology and landscape, further reinforcing the ideas of center and symmetry, which we recognize as fundamental principles in renaissance and humanistic architectural designs. Symbolically, we also materialized King Francis I’s dream of making an island out of the castle, reaffirming the underlying idea of Utopia. The second time travel, prompts us to 2519, where we ponder the next five hundred years of existence. Looking over current environmental problems — pollution, global warming, climate change, sea level rise, population growth — and their future repercussions, we come to the conclusion that human survival on this planet is uncertain. For this reason, our proposal for this contest is a plan for a global scale city, modeled according to Château de Chambord’s geometric proportions and equipped with mechanisms able to deal with the future environmental problems. In this sense, we designed a city to be built in five hundred years; a floating and wandering city of the oceans; which is not bound by geographical limits; which collects and transforms the planet’s garbage into building material; which is self-sustaining; and which celebrates the memory of the Château de Chambord.

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1ST Prize Pladur BIM Iberian _ 2nd Prize Local oPorto

‘ARQUITECTURA PARA VIVIR’ ARCHITECTURE COMPETITION co-working with Francisca Penteado

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GLOBAL WARMING CENTER ARCHITECTURE COMPETITION co-working with Francisca Penteado

A bubble floating in the Arctic, is an idea that comes from the thermal stability of igloos, respect for fragile ice and the most innovative materials. We propose a capsule of the future that does not rest on ice, but instead moves for the most convenient itinerary for research. The helmet is a refuge and its transparent dome, the â&#x20AC;&#x153; ojo vigilante â&#x20AC;?. Often, the capsule will return to its port, which in addition to an observation and sample collection gateway, is also a small clean energy factory that feeds the sustainable capsule.

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KAIRA LOORO ARCHITECTURE COMPETITIONS SEDHIOU CULTURAL CENTER

A LOOK INTO CULTURE A LOOK INTO CULTUR In this project we intent to create an iconic image in a landscape where the architect’s role is almost invisible. The approach can be translated into 3 layers:

Clay brick walls. The curved and stable design allows the conformation of all the necessary spaces with the lowest amount of material. In the plane, little hollows open up through some bricks’ emptiness, providing inside lighting and helping a natural and permanent ventilation; The bamboo structure, totally independent of the walls, is supporting the large “umbrella” roof; The straw roof, combined with a bamboo substructure. It’s the unifying and most remarkable element of the design. It works as a large waterproof vegetable leaf that rises in its tips forcing rainwater to flow to a single drainage point - the courtyard.

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COLLECTIVE DWELLING ARCHITECTURE COMPETITION co-working with Izquierdo & Lemhann

Arica; Chile

PROJECT: HIGH SCHOOL oPORTO RUA CAMPO 24 DE AGOSTO

4 rd year’s purpose was develop a public equipment. This time, it should be

drawn an high school, on ‘Campo 24 de Agosto’. The concept of the my project lives between the concrete wall and the light steel volume. The intersection of the conceptual idea with the superb construction detail, and the imposing language of the structure, gives to the city the new language and identity that she needs

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PLAN GROUND FLOOR

drawings made in scale 1:100

VIEW OF THE POLI /RESTAURANT

VIEW OF THE CANTEEN

PLAN 2 ND & 3

PLAN 1 ST FLOOR

FLOOR

PLAN FLOOR 02 & 03

PLAN FLOOR 01

PLAN -1 ST FLOOR

STUDY OF THE CLASSROOM SCALE 1:20 & 1:10

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2nd Prize Local oPorto

‘REHABILITAR PARA HABITAR’ ARCHITECTURE COMPETITION co-working with Francisca Penteado

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HAND_MADE

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PROJECT DRAWINGâ&#x20AC;&#x2122;S m ade in SCALE 1:200

HAND_MADE

CONSTRUCTION & STRUCTURES made in SCALE 1:50

DRAWINGâ&#x20AC;&#x2122;S

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PROJECT: CITY PARK’S BAR 1 st year.

The beginning. My first contact with the concept “design”. The purpose was designing a bar to be implanted at the city park, near the beach. Everything were made by hand. Project and presentation. The program was divided into 2.5 x 2.5 mts modules, and each student could distribute them according to the conceptual genesis sought for the project.

oPORTO CITY PARK

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PROJECT ‘ERICEIRA CHAPEL’ 4

SAN SEBASTIAN CHAPEL; ERICEIRA

In rd year History course, “History of the Portuguese Arquitecture”. We studied a religious equipment that hasn´t been developed by any History department in Portugal. We chose a chapel in Ericeira, known as Chapel of San sebastian of Ericeira whose main interests about this piece of arquitecture is its chronological uncertainty and its centralized plan.

H I S T O R Y travelNOTEBOOK

2016

2017

HISTORY IV

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