3rd Year Undergraduate Landscape Architecture Student Portfoilo

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2019

HWAMOK KIM Third Year Undergraduate of Landscape Architecture Portfolio


HWAMOK KIM

hwamokkim@cpp.edu (714) 656-7213

WORK EXPERIENCES 2013 - 2015 2016 - 2018 2018 - Current

Paris Baguette, 1659 W Orangethorpe Ave, Fullerton, CA 92833 (Cashier/Shift Leader)

PERSONAL STATEMENT My name is Hwamok Kim. I am a Korean student, who is trying to accomplish my goal and dream by putting all the efforts and passion that I have for my career. I grew up in a Christian household and lived in South Korea for more than a decade. Then I moved to United States of America to study broad when it was time for me to go to High School. I transferred to Cal Poly Pomona University from Junior College after considering about my career options and preferences. At Junior College, I majored in Architect Designer, but due to the technical issue in administration, the system put me in the incorrect major, which turned out to be Landscape Architecture. This, however, created a turning point in my life, considering that I absolutely knew nothing about Landscape Architecture. Nevertheless, I began to realize and see the true beauty of Landscape Architecture throughout these years. Furthermore, I truly liked studio time which provided me meaningful experiences to meet good friends and cooperatively work on projects. Last but not least, it was great to learn landscape architecture in various viewpoints and perspectives by working on the miscellaneous assignments. Afterwards, I figured out that I am truly fond of this major and gave it all my passion. I will be genuinely excited to see myself joining a firm and enjoy my Landscape Architecture major for the rest of my life. Moreover, I foresee that I will be enduring all the challenges and will be open to all the new opportunities to achieve the best outcomes in my career.

2016 - Current

2016 - 2017

Katsuko, 5432 Beach Blvd, Buena Park, CA 906210 (Server) Coffee Code, 7855 La Palma Ave, Buena Park, CA 90620 (Barista)

EDUCATION 2013 - 2015

COMMUNITY INVOLVEMENT New Mexico, Gallup Mission

Mission from Sa-Rang Korean Community Church (SRKCC), Providing Summer Programs including Vacation Bible School (VBS) and door-to-door Evangelism for Native American Tribes, Navajo and Zuni.

SKILLS Fullerton College California Polytechnic University of Pomona

*Adobe Illustrator *Adobe Photoshop *Adobe Indesign *AutoCAD 2018

Major GPA : 3.6

*Google Earth *GIS *Land F/X *Rhino *SketchUp

2018

ACHEIVEMENTS Pesident Honor List 2016-2017 Academic Year 2019 Academic Year (Current)

REFERENCES Lee-Anne Milburn, PhD Rural Studies, Environmental Design and Rural Development, BFA & MLA (Professor for Cal Poly Pomona Landscape Architecture Program)

Gerald Taylor, BSLA & MLA (Lecturer for California Polytechnic University of Pomona Landscape Architecture Program)

Email: lsmilburn@cpp.edu Phone: (909) 869-6814

Email: jotaylor@cpp.edu Phone: (909) 869-6891

Guatemala Mission

Summer Mission from Sa-Rang Korean Community Church (SRKCC), Providing Summer Programs including Vacation Bible School (VBS) and door-to-door Evangelism for Guatemala residents. As Mission team, Visiting Gunpow Village in San Raymundo for VBS, Village in Santa Maria for VBS and building outdoor forge, Volcanic Catastrophe Temporary Shelter in Escuintla and providing goods, and Antigua City for providing foods for homeless people.


Selected Works First Year Works 1. Sensation Ground

Page 1-2

Second Year Works 2. Herbal Destination 3. The Pershing Square 4. Bridging Habitats

3-4 5-6 7-8

Third Year Works 5. 6. 7. 8.

Common Ground Park ConceptualDesign Bio-Retention Design Construction Documents

9 - 10 11 12 13 - 18


SENSATION GROUND

01

Spring 2017 Fundamental Landscape Design LA 103L Basic Design Professor: Philip N. Pregill


Project Goals The goal of "Sensation Ground" is to design ground and the pool utilizing design principles such as line, composition, depth, direction, balance, repetition, and harmony based on the experience of the field trips. Before making physical model, creating study models with different grounds using foam core and chipboard was essential to final model as it helped to visualize the base of the model.

Site Plan

A

A'

Shade Study

Then, creating different types of pool using same materials as the ground was essential learning experience for the pool that goes in to the final model because it helps to understand which pool fits in the ground rather than just adding it to the ground. When making final physical model, first step is to create a depth of the wood with the handsaw.

A

Use chisels to adjust the heights of different elevation of the ground, this step helps to find the destination of water where it access and leave. Second step is to find where to locate sleep or lay, shade or shelter, starts, and stories, fire or cook, sit and observe area, and then create field using trees. Final step is to use resin with dark blue and light blue colorants to express the water stream across the model.

Design Process

Section A-A' 1

Digital + Physical Model Perspective Views 2


HERBAL DESTINATION

02

Winter 2018 Huntington Library, LA 202L Members: Hwamok Kim, Thomas A. Backman, Jiayu Zheng Professor: Keiji Uesugi


FINE

MEDIUM

COARSE

Tarragon

Lemongrass

Sweet Mint

Licorice Root

Oregano

Lemon Verbena

Project Goals The main goals of "Herbal Destination" are creating a resting or stopping point of the Loop Pathway of the Huntington Botanical Gardens, and provide spatial difference from other gardens in order to inform the existence of the Herb Garden for visitor. Creating a more refined and connected pathway from the Desert Garden and Herb Garden, in turn, providing a more pleasant experience within the Huntington Botanical Gardens. Defining programs in Herb Garden was an important factor that may bring people inside of the garden. Also, using fine, medium, and coarse texture of herbs are placed on terraced planting beds that provide new experience to visitors.

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Herbal Destination provides three programs, full educational experience about herbs and how different textures have been utilized throughout civilization, culinary classes learning how herbs have been used for cooking, and the rest stop throughout the new main pathway and enjoy the company of herbs.

N

1”=10’ 0

10’

20’

Thyme

Majoram

Lovage

40’

Culinary Classes (Taste, Culinary Classes (Taste, 0 4‘ 8’ Culinary Classes (Taste, Educational Educational Restoration /Restoration Resting / Resting informative, and Touch) informative, and Touch) Restoration / Resting Full Educational experiences about Full Educational experiences about The design acts as The a rest stopacts as a rest stop informative, and Touch) design Full Educational experiences about

Educational

community The design acts as a rest throughout stop herbs and how difffering can join in in community herbstextures and howhave difffering textures have People can join in inPeople the newthroughout main pathway the new main pathway can civilization. join in in community herbs and how difffering textures culinary classes learning herbslearning have how beenhave utilized throughout throughout the new main and pathway culinaryhowclasses herbs have been civilization. utilized People throughout enjoy the company of herbs. and enjoy the company of herbs. culinary classes learning howbeen herbs have been utilized throughout civilization. used for cooking being beenandused forable cooking and and beingenjoy ablethe company of herbs. EDUCATIONAL RESTORATION / RESTING CLASSES been usedCULINARY for cooking and being able it themselves. to experience to experience it themselves. to experience it themselves.

Plan View

Entrance View

Aerial Perspective View

Mignonette

Heliotrope

Lavender

Horehound

Sweet Bay

Programs

0

4‘

8’ 0

4‘

8’

Basil

East side of the garden consist of fine texture. On West side of the garden has medium to coarse texture herbs. 0

Sections 3

4‘

8’

0

4‘

8’

Overlooking of the Ampitheatre Seating 0

10‘

20’

Digital Persective Views

planting pallete: texture 2 4


THE PERSHING SQUARE

03

Spring 2018 The Pershing Square Competition LA 342 Prof+essor: Rachel Vassar


Project Goals

Succulent/Desert Garden

Huming Bird and Butterfly Garden

This project was based on the Pershing Square Renew Design Competition in Los Angeles. There were several firms participated on this competition such as "Agence Ter and Team", "James Corner Field Operations with Frederick Fisher and Partners", "SWA | Morphosis", and "WHY + Civitas". James Corner Field Operations with Frederick Fisher and Partners's design was selected for the project. The main goal of Pershing Square Renew Design Competition in Los Angeles is to make the Pershing Square open to public and inviting place, considered as "heart of LA" in the future. Based on the sun/shade study, tropical type of plants were planted on South side and desert type of plants were planted on North side.

Seasonal sections 5

Very Low

Mid

Low

Mid - High

Low - Mid

High

Water Use Calculation [(ETO)(0.62) [(PF/IE) x (HA/IE)] + SLA]

Low

(Very Low + Low) [(50.1)(0.62) [(0.2/0.81) x (36185.32/0.81)] + 1]

= 342,658.223

Mid

(Low-Mid + Mid) [(50.1)(0.62) [(0.4/0.81) x (11451.79/0.81)] + 1] = 216,897.698

High (Mid-High + High) [(50.1)(0.62) [(0.7/0.81) x (62356.75/0.81)] + 1] = 2,066,557.137

Tropical/Jungle Garden

Fragrant Garden

Hydrozone Plan

Illustrative Planting Plan

Water Requirements

= 342,658.223 + 216,897.698 + 2,066,557.137 = 2,626,113.058

Seasonal Sun/Shade Study

Reference Images

Digital Persective Views 6


BRIDGING HABITATS

04

Spring 2018 The Rio Hondo Grounds LA 342 Members: Hwamok Kim, Thomas A. Backman, Jihoon Kim, Jiayu Zheng, Minerva Grace Professor: Rennie Tang


Project Goals

Water circulates from the East hexagon to West-North hexagon, that creates different type of habitats.

Vegetations, such as shrubs and trees are placed by habitats of each hexagon.

Today's Rio Hondo Spreading Grounds have a purely functional, non-recreational purpose. The purpose of the project is to design the Rio Hondo Grounds as multifunctionable, sustainable, and dynamic environments. Inviting pedestrians from the street or neighbors who live near Rio Hondo Grounds to activate the space.

N 0 8’ 16’ 1”= 8’

40’

80’

Three hexagons divide into three habitats. One for small insects, one for small mammals, and one for birds. Bridge connects three hexagons together, giving quick access and accessible vantage point for the surrounding area. Including programs such as active, resting, sensory, playful, and shelter, it creates attraction to people who are visiting spreading grounds for biking or walking.

Circulation of Habitats Insects

Noises coming from factories and air plane acrossing the site.

Small Animals Birds Pathway underthe bridge

Human

Pathway on top of the bridge

Circulation

The bridge connects three hexagons and provides shade throughout the site.

North side of those hexagons are getting enough sun exposure.

Site Analysis

Site Analysis

Plan View

Longitudinal Section 7

Digital Persective Views

Physical Model 8


THE COMMON GROUNDS PARK

05

Fall 2018 LLARP CONCEPT DESIGN OPPORTUNITY ID #65 LA 3111L PROFESSOR: LEE-ANNE MILBURN


Project Goals The Maywood Riverfront Park is located in the city of Maywood, Los Angeles, California. The current site of conditions lack of shading areas, educational purpose, connection to Mawood Park, LA River, a bike trail, and recreation areas for visitors. The goal of this project is to develp of a 7-acre park along the LA River at Slauson Avenue, active open space with direct access to trail, and programs for residents adjacent to Maywood River Park. 

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 WILDLIFE HABITATS

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Section A-A’

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Planting Plan

Planting Palette 10


06

07

Fall 2018

CONCEPTUAL DESIGN

Cesar Street Park(ing) Design LA 3111L Professor: Lee-Anne Milburn

BIO-RETENTION DESIGN

Fall 2018

Bio-Retention Area Exercise LA 3111L Professor: Lee-Anne Milburn

This project includes three design concepts for three separate designs of the same site:

Duplex Park

Intimate Park

+

Framing Park

+

CHANGE

+

STRATEGIZE stages

transitional The word "Transitional", utilizing three stripes with different shape that point in one directio, was selected for a design concept that directs to one central point. The design is incorporated using symetrical patterns to influence experience.

accomplish The word "Strategize" was the next designing concept and its respective synonym was "Accomplish". Using the form of the accomplish draws people into the site and strategically provides different spaces in the park to support the overall design.

The word "Change" was another design concept along with the synonym "Stages". In one park, creating intimate spaces with different elevation was key to the design. High Point and Low Point in the site is main idea of the design.

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 

  

’

 

 

 





 

 

 





 ’

’

’

’

’

Example 1

 ”’ 

 ”’ 

’  

NTS

’

 



 

 ”’ ’ 

’ ’

’



 

  

’







’

’

’

’ 

’



    

’ ’

 

’ 

 









   

Plan View 11

’



LP

’ ’ ’ 

LP

’

’

Example 2

’

 ”’ 

’

’

’

12


08

CONSTRUCTION DOCUMENTS

Fall 2018 LA 3611 Professor: Keiji Uesugi

AMPHITHEATER

645.35 FS LIMIT OF PROJECT BOUNDARY

645.35 TP 644.35 BP

647.65 FFE

646.85 TP 645.85 BP

645.35 TP 644.35 BP

648.35 TP 647.35 BP

646.85 TP 645.85 BP

B

645.35 TS 642.85 BS

A

642.85 FS

648.35 TP 647.35 BP

2% EQUIPMENT ROOM

642.85 FS

20'

1

6'

645.85 TS 644.35 BS

6'

647.65 FS

SCALE:1"=5'-0"

6' 645.35 FS

647.65 FS 644.35 TS 642.85 BS

15'

VISITOR CENTER 647.75 FFE

AR

Y

647.35 TS 645.85 BS

N U BO T C O

JE

64 3

SYMBOL

DESCRIPTION

BC BS FG FS TC TS

BOTTOM OF CURB BOTTOM OF STEP FINISH GRADE FINISH SURFACE TOP OF CURB TOP OF STEP

PR

2.0%

M LI

647.65 FS

IT

O

F

8.3%

NORTH

645.54 645.54 8.3%

647.45 FS 647.55 FS

0

10

20

XX FS

30 feet

64 7

6"

SCALE:1"=5'-0"

SCALE: 1"=10'-0"

64 6

64 5

2%

FALL 2018

UESUGI

1'

GRADING CALLOUT

SCALE: 1"=10'

LA 3611

647.65 FFE

647.65 FS

SLOPE GRADE EXISTING CONTOUR LINES (1-FT INTERVAL) PROPOSED CONTOUR LINES

645.59

CAL POLY POMONA | DEPARTMENT OF LANDSCAPE ARCHITECTURE

644.35 TS 642.85 BS 645.85 TS 644.35 BS 647.35 TS 645.85 BS

SECTION B-B': VIEW OF STAGE AND STAIRS

645.64

13

642.85 FS

GRADING LEGEND

645.85 TS 644.35 BS

642.85

64 4

SECTION A-A': VIEW OF STAGE AND AMPHITHEATER

647.35 TS 645.85 BS

D

642.85

LIMIT OF PROJECT BOUNDARY

64 2

64

10'

647.35 FS

644.35 TS 642.85 BS

SCALE: AS NOTED

HWAMOK KIM

LA 3611

FALL 2018

UESUGI

CAL POLY POMONA | DEPARTMENT OF LANDSCAPE ARCHITECTURE

Sheet: L-02 Date: December 10, 2018

Sheet: L-01 Date: December 10, 2018

14


08

CONSTRUCTION DOCUMENTS

Spring 2019 LA 3621 Professor: Keiji Uesugi

VISITOR CENTER OUTDOOR CAFE

LANDSCAPE CONSTRUCTION PLAN LEGEND

GRAY CONCRETE

SYMBOL

6 64

19'

647

1' 6" TALL RAISED PLANTER 68' 1' 6" SEAT WALL

DESCRIPTION

DETAIL #

PAVING

DETAIL #, SHEET #

PAVING WALL

A LIME STONE PAVER L - 02

WALL

647.65 FS

WOOD STRUCTURE 16'

B FLAG STONE PAVER L - 02

41'

C RETAINING WALL L - 02

2.0%

CALLOUT INFO

XX FS 13'

OUTDOOR CAFE

WOOD STRUCTURE

E L - 03

D SEAT WALL L - 02 LARGE 2' 6" TALL RAISED PLANTER

A

LIME STONE PAVER

B

FLAG STONE PAVER

C

RETAINING WALL

D

SEAT WALL

E

WOOD STRUCTURE

CURVED BENCH 28'-3"

LARGE 2' 6" TALL RAISED PLANTER

36'

PERSPECTIVE DRAWING SCALE: AS NOTED

RENDERED WITH SKETCH UP & V-RAY

HWAMOK KIM

LA 3611

FALL 2018

UESUGI

CAL POLY POMONA | DEPARTMENT OF LANDSCAPE ARCHITECTURE

NORTH

Sheet: L-03 Date: December 10, 2018

LANDSCAPE CONSTRUCTION PLAN

0

10

20

30 feet

SCALE: 1"=10'-0"

LA 3621 1"=10'

15

SPRING 2019

UESUGI CHAVEZ

CAL POLY POMONA | DEPARTMENT OF LANDSCAPE ARCHITECTURE

Sheet: L-01 Date: March, 2019

16


6" x 6" POST SIMPSON STONGTLE POST CONNECTION

2"x2" LATTICE @ 5" O.C. 2"x6" JOIST @ 5" O.C. 2"x8" SANDWICH BEAM

24'

LIME STONE PAVER SAND SETTING BED

MARRONE (925) CVBS

SYDNEY PEAK GOLD (136) CVBS

DEPTH CRUSHED AGGREGATE

1' DIA. CONCRETE FOOTING

CONCRETE MORTAL FLAG STONE SAND SETTING BED DEPTH CRUSHED AGGREGATE 95% COMPACTED SUB-GRADE

95% COMPACTED SUB-GRADE CONCRETE MORTAL

CONTINUOUS CONCRETE FOOTING

1" 32

2" 10'

PLATINUM GREY CONCRETE PAVER HDG

A

3" 2" 4" 1" 84

3" 2" 4" 1" 84

PLATINUM GREY 1' CONCRETE PAVER HDG

1'

LIME STONE PAVER

B

SCALE:21"=1'-0"

FLAG STONE PAVER SCALE:21"=1'-0"

4" STONE VENEER STONE COPING

CONCRETE WALL

3" 2" 1 1'-112"

F 3 8"

POST TO FOOTING SCALE:34"=1'-0"

GALVANIZED BOLT

2" x 10" SANDWICH BEAM (2) 6" x 6" POST

GRAVEL FILL FOR DRAIN

4"

6" 1 21"

DRAIN PIPE

5 21"

12" CMU

REINFORCING ACCORDING TO LOCAL CONDITIONS

CONTINUOUS CONCRETE FOOTING

WOOD STRUCTURE PLAN VIEW 3 SCALE:16 "=1'-0"

COAT OF WATERPROOF GALVANIZED WALL TIE

MARRONE (925) CVBS

1" 7'-44

E

24" X 8" CONCRETE FOOTING

3" 2" 1" 54

7 41"

GALVANIZED POST ANCHOR GALVANIZED BOLT CONCRETE FOOTING

8"

10"

C

RETAINING WALL SCALE:21"=1'-0"

2'-8"

D

2'

SEAT WALL

H

SCALE:21"=1'-0"

SCALE: AS NOTED

LA 3621

SPRING 2019

UESUGI CHAVEZ

CAL POLY POMONA | DEPARTMENT OF LANDSCAPE ARCHITECTURE

17

Sheet: L-02 Date: March, 2019

G

BEAM TO JOINT/RAFTER AND LATTICE SCALE:1 21"=1'-0"

POST TO BEAM

SCALE: AS NOTED

SCALE:41"=1'-0"

LA 3621

SPRING 2019

UESUGI CHAVEZ

CAL POLY POMONA | DEPARTMENT OF LANDSCAPE ARCHITECTURE

Sheet: L-02 Date: March, 2019

18



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