SDI design log

Page 1

A-SCHOOL UNIVERSITY OF VIRGINIA

HANGXING LIU 2017 SUMMER DESIGN INSTITUE




2017 - SDI 7th Jul - 6th Aug, Summer Design Institute

CAMPELL HALL, SCHOOL OF ARCHITECTURE, UNIVERSITY OF VIRGINIA

Many thanks to our dedicated instructors and supportive TAs. Thank you for carrying us through this intensive month, Leena, Tat, Alejandra, Seth, Ben, Austin, Bonnie ,Zihao and Scott. Without you, we could not make it.

HANGXING LIU MLA CANDIDATE 2019 434.422.2992 HL5EJ@VIRGINIA.EDU


/ hybridize /

/ extract /

/ translate /

/ situate /

CASE STUDY: MORIYAMA HOUSE

01

UNITS

15

LANDFORM SKETCH

31

SITE DIAGRAM

41

CAD TRACING

03

SUPER UNITS

16

LANDFORM WORKSHEET

32

SITE PLAN

43

CATALOG

05

OPERATION

17

LANDFORM AXON & SECTION

34

PROCESS DIAGRAM

46

DESIGN STRATEGIES

06

DEVELOPMENT

23

LANDFORM MODEL

35

AXON & CONCEPT DIAGRAM

48

CATALOG: DEFINED COURT YARD

07

SITE COLLAGE

25

LANDFORM MODEL CONTOUR

36

DIAGRAM

49

PERCEPTED SPATIAL EXPANSION

09

INVENTION

29

WATER FLOW SPEED MAPPING

37

SECTION

50

MISALIGNMENT IN SECTION

10

SITE SECTION

39

ATMOSPHERIC COLLAGE

52

SPATIAL EXPERIENCE

11

54


WEEK - 01 EXTRACT


BY USING PALM SIZE BASE LAYER MAP, WE ARE ABLE TO TRACE THE DRAWING OVER AND OVER AGAIN AT A HIGH PACE. IN THIS WAY, WE CAN FULLY ENGAGE OURSELVES WITH THE DESIGN PROPOSAL AND START TO EXPLORE THROUGH THE DESIGN PROCESS. WHAT IS MORE IMPORTANT IS THAT DUE TO THE LIMITED SCALE OF THE DIGRAM WE ARE ALLOWED TO DRAW AT, WE REALLY NEED TO FOCUS ON ONE POINT AT A TIME. THUS CERTAIN LESS RELEVANT INFORMATION HAS TO BE DEEMPHASIZED IN ORDER TO CLARIFY OUR ARGUMENT. YOU ALWAYS NEED TO DEEMPHASIZE CERTAIN THINGS TO EMPHASIZE WHAT YOU REALLY WANT THE VIEWER TO CONCENTRATE ON.


case study: moriyama house

MORIYAMA HOUSE ARCHITECT - RYUE NISHIZAWA OHTA-KU, TOKYO, JAPAN 2005

| 2017 SUMMER DESIGN INSTITUTE | WEEK 01: EXTRACT

1 | 20


SOURCE: OFFICE OF RYUE NISHIZAWA, HTTP://WWW.RYUENISHIZAWA.COM

2 | 20


case study: moriyama house

cad tracing: floor palns and section

- BASEMENT FLOOR PLAN

- GROUND FLOOR PLAN

- FIRST FLOOR PLAN

- SECOND FLOOR PLAN

- BASEMENT FLOOR PLAN

SITE AREA: 290.07 m2 BUITL AREA: 130.06 m2 TOTAL FLOOR AREA: 263.08 m2 0

1

2

site area: 290.07 m2 built area: 130.06 M2

3

MORIYAMA HOUSE, JAPAN, totalTOKYO, floor area:2005 263.08 M2 ARCHITECT: NISHIZAWA SITE AREA: 290.07RYUE m2

4m

BUITL AREA: 130.06 m2 TOTAL FLOOR AREA: 263.08 m2 0

| 2017 SUMMER DESIGN INSTITUTE | WEEK 01: EXTRACT

3 | 20

1

2

3

4m


4 | 20


case study: moriyama house

catalog: misalignment / alignment elements

TRANSPARENT OPAQUE TRANSLUCENT FLEXIBLE

- ground floor

| 2017 SUMMER DESIGN INSTITUTE | WEEK 01: EXTRACT

- first floor

- second floor

5 | 20


DESIGN STRATEGIES: alignment with in misalignment

- attraction

- intimacy

- intimacy

- stair arrangement

- stair arrangement

- stair arrangement

6 | 20


case study: moriyama house

catalog: DEFINED COURT YARD

transparent opaque translucent flexible court yard roof space

- ground floor

| 2017 SUMMER DESIGN INSTITUTE | WEEK 01: EXTRACT

- first floor

- second floor

7 | 20


SOURCE: OFFICE OF RYUE NISHIZAWA, HTTP://WWW.RYUENISHIZAWA.COM

8 | 20


case study: moriyama house

percepted spatial expansion: alignment within misalignment

TRANSPARENT OPAQUE TRANSLUCENT FLEXIBLE

- ground floor

| 2017 SUMMER DESIGN INSTITUTE | WEEK 01: EXTRACT

- first floor

- second floor

9 | 20


SOURCE: OFFICE OF RYUE NISHIZAWA, HTTP://WWW.RYUENISHIZAWA.COM

10 | 20


case study: moriyama house

misalignment in section:

section a-a

enclosed roof space

misalignment in section

privacy+activity+interaction

height of volumes

| 2017 SUMMER DESIGN INSTITUTE | WEEK 01: EXTRACT

11 | 20

privacy + skylight

spatial experience: expansion


THE ROOF SPACE FROM STREET SOURCE: EL CROQUIS VOL 139 SANAA 2004-2008

THE ROOF SPACE FROM INSIDE OF THE HOUSE CROQUIS VOL 139 SANAA 2004-2008

12 | 20


case study: moriyama house

spatial experience through staircase

court yard

stairs

transparent

| 2017 SUMMER DESIGN INSTITUTE | WEEK 01: EXTRACT

13 | 20

opaque interior

surrounding

space

neighborhood


SOURCE: OFFICE OF RYUE NISHIZAWA, HTTP://WWW.RYUENISHIZAWA.COM

14 | 20


WEEK - 02 HYBRIDIZE


FROM WEEK ONE’S CASE STUDY, 3 SPATIAL UNITS WERE EXTRACTED. THEN WE ARE TEAMED UP WITH ANOTHER STUDENT WITH THE SAME PROJECT TYPE. BY MANIPULATE THE UNITS USING THE METHOD OF COMBINATION, AGGREGATION, SCALE, ROTATION, WE GRADUALLY LEARN HOW SPACE IS CRAFTED AND HOW THEY ARE LINKED TOGETHER. THROUGH COMBINING ALL THESE METHOD, WE ARE AT THE SAME TIME STARTING TO THINK ABOUT THE SPACE ORGANIZATION, SUCH AS BALANCE AND RHYTHM. FURTHER BY INSERTING OUR CHOSEN COMBINED UNITS INTO A DESIRABLE SITE, WE ALSO START TO THINK ABOUT HOW OUR PROPOSAL SITS IN THE CONTEXT.


project: caracas towers

units: space units extracted from case study

unit 1

unit 2

unit 3

unit 4

| 2017 SUMMER DESIGN INSTITUTE | WEEK 02: HYBRIDIZE

15 | 20


super units: project a + project b

super unit 1

super unit 3

super unit 2

super unit 4

16 | 20


project: caracas towers

operation: aggreagation a1

| 2017 SUMMER DESIGN INSTITUTE | WEEK 02: HYBRIDIZE

17 | 20


operation: aggreagation a2

18 | 20


project: caracas towers

operation: aggreagation b1

| 2017 SUMMER DESIGN INSTITUTE | WEEK 02: HYBRIDIZE

19 | 20


operation: aggreagation b2

20 | 20


project: caracas towers

operation: scale a

| 2017 SUMMER DESIGN INSTITUTE | WEEK 02: HYBRIDIZE

21 | 20


operation: scale b

22 | 20


project: caracas towers

development

| 2017 SUMMER DESIGN INSTITUTE | WEEK 02: HYBRIDIZE

23 | 20


24 | 20


project: caracas towers

| 2017 SUMMER DESIGN INSTITUTE | WEEK 02: HYBRIDIZE

25 | 20


site collage 26 | 20


project: caracas towers

| 2017 SUMMER DESIGN INSTITUTE | WEEK 02: HYBRIDIZE

27 | 20


material selection - roof

material selection - structure

material selection - garden

section

28 | 20


project: caracas towers

invention: water collector & indicator

| 2017 SUMMER DESIGN INSTITUTE | WEEK 02: HYBRIDIZE

29 | 20


30 | 20


WEEK - 03 TRANSLATE


TEMPORAL, PHENOMENAL, SOCIAL AND PHYSICAL CHARACTERISTICS ARE OFTEN DIFFICULT TO RECORD IN ORTHOGRAPHIC PROJECTION. AS SUCH, INVENTIVE NOTATIONAL SYSTEMS AND MODELING TECHNIQUES CAN WORK TO REVEAL COMPLEX AND SUBTLE QUALITIES EMBEDDED IN THE PHYSICALITY OF OUR LANDSCAPE. BY CREATING A NOTATIONAL SYSTEM, WE ARE ABLE TO RECORD OUR FIELD WORK AND OBSERVATIONS FROM SITE VISITS.


Landform workshop

landform sketch: material and micro lanform

| 2017 SUMMER DESIGN INSTITUTE | WEEK 03: TRANSLATE

31 | 20


UNITS & SUPERUNITS UNIT

PLAN

SECTION +

HYBRID SUPERUNITS SUPERUNIT SECTION -

PLAN

VOLUME + OR -

HYBRID SUPERUNIT 1 SUPERUNIT 2

CONTOUR

+ 0.77359 3

SECTION

ATTEMPT 1

SPHERE

SECTION

- 0.494439 3

ATTEMPT 2

CONE

IN

PYRAMID

IN

SCALE

- 0.5

OPERATION 3

ROD

IN

SECTION

x2 OR x0.5 (in x,y,z)

- 0.58525 3

DRUMLIN

RECT. PRISM

IN

x2 OR x4 (in z only)

+ 6.4 3

IN

GRADIENT x1.2 each time

+ 1.3226668 3

CRESCENT

TORUS + BALL

IN

DENSITY OPERATION

-0.512847 3

IN

-1.2133414 3

CROSS

IN

- 0.504 3

CROSS 2

IN

SLOPE

OPERATION

SECTION

1:2 SLOPE (22.5 )

- 0.7906716 3

IN ZIG ZAG

SECTION

x2 OR x0.5

VOLUME OPERATION

- 0.77023887 3

IN

WATER VOLUME

4 IN

3

landform worksheet

32 | 20

H LANDFORM AX


Landform workshop

UNITS & SUPERUNITS PLAN

SECTION +

HYBRID SUPERUNITS SUPERUNIT SECTION -

PLAN

VOLUME + OR -

HYBRID SUPERUNIT 1 SUPERUNIT 2

CONTOUR

+ 0.77359 3

SECTIO

ATTEMPT 1

UNIT

SPHERE

SECTION

- 0.494439 3

ATTEMPT 2

CONE

IN

PYRAMID

IN

SCALE

- 0.5

OPERATION 3

ROD

IN

SECTIO

x2 OR x0.5 (in x,y,z)

- 0.58525 3

DRUMLIN

RECT. PRISM

IN

x2 OR x4 (in z only)

+ 6.4 3

IN

GRADIENT x1.2 each time

+ 1.3226668 3

CRESCENT

TORUS + BALL

IN

DENSITY OPERATION

-0.512847 3

IN

-1.2133414 3

CROSS

IN

- 0.504 3

CROSS 2

IN

3

ZIG ZAG

SLOPE

OPERATION

SECTIO

1:2 SLOPE (22.5 )

- 0.7906716 IN

VOLUME OPERATION

- 0.77023887 3

IN

WATER VOLUME

4 IN

3

landform worksheet

| 2017 SUMMER DESIGN INSTITUTE | WEEK 03: TRANSLATE

SECTIO

x2 OR x0.5

33 | 20

LANDFORM


landform model axon & section

34 | 20


Landform workshop

landform model

| 2017 SUMMER DESIGN INSTITUTE | WEEK 03: TRANSLATE

35 | 20


landform model contour

36 | 20


Landform workshop

WATER FLOW SPEED mapping FLAT MEDIUM ROUGH

| 2017 SUMMER DESIGN INSTITUTE | WEEK 03: TRANSLATE

37 | 20


WE DEFINE THE SURFACE ROUGHNESS WITH 3 CATEGORY, FIRST ROUGH, SUCH AS DENSE VEGETATION,MEDIUM, LAWN AND BUILDINGS FOR EXAMPLE, AND SMOOTH, SUCH AS ASPHALT AND SIDE WALK. ALSO WE USE THE DENSITY OF THE PATTERN TO INDICATE THE SLOPE OF THE SURFACE. THE STEEPER THE DENSER IT IS. IN THIS WAY WE COULD FIGURE OUT THE SPEED OF THE WATER FLOW ON THESE SURFACES. THE SMOOTHER AND STEEPER THE SURFACE IS THE FASTER THE WATER FLOW SPEED.

38 | 20


Landform workshop

| 2017 SUMMER DESIGN INSTITUTE | WEEK 03: TRANSLATE

39 | 20


site section

40 | 20


WEEK - 04 SITUATE


TOPOGRAPHY COMBINED WITH AMERICAN’S ICONIC RESIDENTIAL DEVELOPMENT WAY WHICH IS DEAD END ROAD CREATE A LOT OF DISCONNECTED POINT IN CHARLOTTESVILLE DOWNTOWN AREA. PEDESTRIAN CONNECTION ARE RUDELY CUT OFF. IN HOPING TO INCREASE DENSITY TO THE CURRENT DEVELOPED AREA WHILE CREATE NEW AND CONVENIENT CONNECTION BETWEEN DISCONNECTED POINTS, WE PROPOSED A NEW RESIDENTIAL DEVELOPMENT METHOD.


final project

POTENTIAL SITES

PARK

INDUSTRIAL

CREEK

MIX

| 2017 SUMMER DESIGN INSTITUTE | WEEK 04: situate

COMMERCIAL

RESIDENTIAL

PARKING LOTS

41 | 20

GRASS


SITE DIAGRAM

42 | 20


final project

| 2017 SUMMER DESIGN INSTITUTE | WEEK 04: situate

43 | 20


SITE PLAN

44 | 20


final project

| 2017 SUMMER DESIGN INSTITUTE | WEEK 04: situate

45 | 20


PROCESS DIAGRAM

46 | 20


final project

| 2017 SUMMER DESIGN INSTITUTE | WEEK 04: situate

47 | 20


CONCEPT DIAGRAM

48 | 20


final project

CIRCULATION

PRIVACY

| 2017 SUMMER DESIGN INSTITUTE | WEEK 04: situate

SYMMETRY / ASYMMETRY

STRUCTURE

49 | 20


MISALIGNMENT

50 | 20


final project

| 2017 SUMMER DESIGN INSTITUTE | WEEK 04: situate

51 | 20


SECTION

52 | 20


final project

SECTION

| 2017 SUMMER DESIGN INSTITUTE | WEEK 04: situate

53 | 20


ATMOSPHERIC COLLAGE

54 | 20


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