Life In Theatre and
Liverpool’s Royal Court proudly present
r Written and D irected by Stephen Fletche
Souvenir Programme
By Nicky Allt • Production created and originally directed by Bob Eaton • Director Howard Gray Lighting Designer Ian Scott • Sound Designer Kate Harvey • Video Designer Jamie Jenkin
29 July 2022 - 3 September 2022 Tickets from £14
0151 709 4321 liverpoolsroyalcourt.com /royalcourtliv @royalcourtliv @royalcourtliv
Welcome To
Hi and welcome to Liverpool’s Royal Court and Mam I’m ’Ere! This show made its debut in 2012 when Stephen produced it over at Central Hall. It felt like a Royal Court Show that was happening in a different building so when Stephen and I met in September 2014 with the idea of co-producing the show here, the deal was done in minutes. It would have been a tragedy for the theatre to miss out. The 2015 run of the show was one of our most successful, more than 22,000 people came pouring through the doors in search of a great disco night out. The script was hot stuff, full of laughs and the cast were full of energy. Every night the audience were on their feet singing, dancing and laughing along so it was always a case of when, not if, it was coming back. And it did, in 2018, and because that was another huge success, the plan was to bring it back in 2020. The pandemic put paid to that but here we are in 2022 and our third run of Mam.
A big thank you to Stephen Fletcher for his hard work, commitment, and passion he has shown is an example to us all. This show has been his baby for 10 years and all of us here at the Court our grateful for his creativity and the trust he has in us to deliver this show in style. There’s also quite a team working behind the scenes here at the Court, from the workshop where they built the set and Marie created the costumes, the marketing and box office teams sorting the tickets, to the front of house and kitchen staff making sure you are all fed and watered. It takes a lot of people to create a great night out. But a party is only as good as the people who come to it so thanks to you for continuing to support what we do here. Enough from me, it’s time to get the curtain up and get down tonight in our very own Boogie Wonderland!
The cast has changed with each run and we are incredibly lucky in this city to have a large number of talented people who love performing here. This production welcomes back Alan Stocks and says hello to Kacey Ainsworth, here at the Court for the first time. Mia Molloy takes on the role of choreographer and our remaining three divas Tasha, Molly and Shannon, while new to this show, have been part of our theatre engagement programme, performing in the award-winning Terriers and Eve’s Story. Add them to the original cast, throw in a fabulous band led by Howard Gray and you’ve got the recipe for a great show.
Kevin Fearon Executive Producer Liverpoool’s Royal Court
Liverpool’s Royal Court and Life In Theatre present
Mam! I’m ‘Ere! Written and Directed by Stephen Fletcher • Designed by Mark Walters Lighting Design by Ian Scott • Sound Design by Kate Harvey Starring Starring Kacey Ainsworth, Mollie Cranmer, Michael Fletcher, Lynn Francis, Lindzi Germain, Natasha Gooden, Shannon McFadden, Mia Molloy, Andrew Schofield, Hayley Sheen, Alan Stocks and Liam Tobin
Cast Interview How does it feel to be back with the cast and working on Mam? And Kacey - how are you looking forward to working with them? Lynn Francis: Considering we have waited two years for this because of the pandemic and it getting postponed so much, it’s absolutely fantastic to be with everyone again and seeing all my old mates. This is one of those shows where you don’t feel like you’re working, you’re just having fun on stage with your friends. Lindzi Germain: It’s just lovely to be back isn’t it! It’s nice to be doing a full on all singing, all dancing musical so we’ve actually have to do a bit of training for this. And it’s lovely to be with my best mates here.
Kacey Ainsworth: I’m a bit slow because everyone else has done it, they’re all really brilliant and then I kind of go ‘uhh how do we do this’ so I’m catching up, I’m getting there. So on the first performance if you see them all shove me around on stage then just know I’m learning. How has the show changed from the last time it was one? Lynn: Obviously we’ve got the new cast members who always put their own stamp on things. It’s still the same show in the script but the different people playing certain characters just add something new to it. Lindzi: Because we were in the original cast, we were the same as you Kacey - I couldn’t do it! We just jumped in and put our own stamp on it.
Left to right: Lynn Francis, Lindzi Germain, and Kacey Ainsworth
Kacey, how will you put your own stamp on the part of Brenda? Kacey: For starters I’m a Southerner so that creates a little difference and it’s quite nice to come in and have completely new ideas, having not seen it. I think sometimes if you see something you kind of get a bit worried about changing it but because I haven’t seen it at all it’s all new to me and it’s all really fresh. I’ve seen so much stuff at the Royal Court, I’ve seen both of these brilliant women do their stuff and I just couldn’t wait to be here with them so when it came up it was just too good of an opportunity. I do get to do a scouse accent but just don’t pelt things at me, don’t shout at me, don’t throw stuff! Lindzi: And that’s just the cast she’s talking about!
What is the best and most rewarding part about being a mam? Lynn: The most rewarding thing is that you feel responsible for another human being and when that human being turns out to be such a special person it makes you even better. You’re like ‘woah, I made that person’. I say that because my actual daughter is in this show and both my children are just the greatest gift and I think we all take it too much for granted, motherhood is a gift. You know, not everyone thinks they’re going to be a mother if they want to, it doesn’t always happen that way. So I think we don’t appreciate it as much as we should. Lindzi: For me it’s very apt to ask this question, it’s my daughters 21st today, she’s a baby. For me out of everything that I do because I’m so busy, it’s the greatest job in the world being a mum. I love it. Kacey: I think it depends what day you’re asking me about how great motherhood is because sometimes it’s said through gritted teeth. But I think the thing about being a mum is that you never stop being that. Everyone always talks about the stages, they say, ‘when they’re that oh it gets easier’. I don’t think it gets easier, it just gets different problems or different things to overcome. What it does it is stops you being selfish as a person, somebody else now comes first, your kids come first always. Lindzi: Yeah we always put ourselves second fiddle or last. But now it’s our time to shine! What is the best gift you’ve ever received for Mother’s day? Kacey: I think mine is when the kids have made it for me, like if they’ve done something or made it in school. Even just making a card at home rather than going out and buying one that says ‘you’re the best mum in the world’. They’ve drawn or
New cast members Liam Tobin and Kacey Ainsworth at the script readthrough
made it, I think that’s always really good. Also when you don’t have to tell them it’s Mother’s Day, that’s always really nice! Lynn: As they get older, spending time with them and them giving their time to you on Mother’s Day, that’s always great because you know they’re yours then for the day after them being with their own families. Lindzi: I’m putting her present in the bin cause I want something bought and I don’t want to spend time with mine, I’m going out on the ale because we’re scouse and we do Mother’s day properly! What’s your favourite song in the show? Lindzi: I think mine is ‘Enough is Enough’ because it’s a big empowering song for women, we get to play with umbrellas as props and it a full on all singing, all dancing song. We get to be just the three of us being the three mams together! Lynn: I think for me it’s ‘Wishing on a Star’ because my daughter’s singing it and I just stand in the wings waiting to come on, listening to her and I’m trying not to cry because it just gets me every time.
Kacey: I don’t know yet because we haven’t gone through the whole thing but at the moment I’m just looking forward to bumping into everyone when I’m trying to dance ‘Boogie Wonderland’. What can the audience expect from the show? Lindzi: It’s a disco party! It’s absolutely fabulous, bring your 80s disco gear and come and dance within the aisles with us! It’s fast, it’s funny and it’s a great laugh. We’ll take you on holiday to Wales with us and we’re going to find out who this kid belongs to. Kacey: It’s uplifting, all singing, all dancing and fun, its real fun. You’ll know all the songs so you can join in so how brilliant is that, why would you not want to come and see it! Lynn: Laugh, cry, reminisce. Its happy, sad, it’s got everything. It’s got drama! Escape for a while, get away from whatever is going on at home and outside right now. Come and have a laugh, you will be toe tapping, singing, and it will take you back to your youth as well!
Stephen Fletcher Director Welcome to Mam! I’m ‘Ere! In 2012, I put together a synopsis for this show. I hosted an anxious read-through of it in my flat with some of the people you’ll see on stage today and afterwards, over a pint in town, we all agreed to do the show and signed up to it. With fingers crossed, and no clue what I was about to take on, I found a dilapidated 900-seater venue on Renshaw Street and set to work. Having only enough money to pay for the venue hire and rehearsal wages, we set about creating this brand-new show and its homemade, polystyrene set in a disused office block in the fledgling Baltic Triangle, and Mam I’m ‘Ere was born. It was a tough but rewarding process and despite massive competition and a few warning shots being fired along the way, we managed to hook 11,000 people to come and see us that Christmas. It was unreal. Ten years on, and with a pandemic
thrown in for good measure, this is now the show’s third co-production with The Royal Court. I will be forever grateful to those family and friends who supported and encouraged me back then, especially the director of both the original Mamma Mia movie and musical, Phyllida Lloyd, who I was fortunate enough to work with years earlier, who gave her blessing to our original production.
Mam! I’m ‘Ere! at Grand Central Hall, 2012
This is very much a family show- in more than one sense. The majority of the characters are either named after my nephews or other close family memberseven a caravan is numbered after our old house. My multi-talented and amazing brother, Michael, is in the show; gorgeous Hayley Sheen shares the stage with her lovely Mum, Lynn Francis; our wonderwoman, Lindzi Germain, is probably sat with her daughter, Abbie, who works here as a dresser; and over the years this
show (and this theatre) has given so many different performing artists and creatives the chance to shine...at home! I’d like to thank the wonderful cast, creatives, wardrobe (Marie!!), stage management, set-builders, scenicpainters and band for putting the show together in just two weeks; Howard Gray, our wonderful MD; our fabulous choreographer, Mia Molloy, who has stepped up at short notice- I’m so proud to see her grow in such confidence and ability. I also want to welcome some of the originals back to the Mam family Alan Stocks who has had us in stitches in rehearsal- we’ve missed you Alan- and the incomparable Andrew Schofield, who is one of this city’s greatest talents and such a special friend to me.
Stephen and Michael Fletcher in Mam! I’m ‘Ere! , Liverpool’s Royal Court, 2018
I’d also like to welcome some of the new faces to the show; our divas, Molly, Tasha and Shannon, who are now all part of the Royal Court family in their own way; Liam Tobin who makes me laugh every day (whether he means to or not); and in particular Kacey Ainsworth who has looked on at the Royal Court from afar and had fancied having a go on this stage one day. Once we found the chance for her to join in the fun she grabbed it with such warmth, ease, and openness. I hope you feel welcome, Kacey. It’s been so lovely to work with you. Finally, I’d like to thank my Dad, Peter Fletcher, and my friend (and honorary Dad) Peter White, for believing in me all those years ago and having more faith in me than I had in myself. I’d like to dedicate this production to all the people who have left us since the last time our show was on this stage in 2018. Especially my Uncle Brian. Have a great time in Boogie Wonderland, everyone. Thanks for coming! Hands in the bucket if you want a sequel? Stephen Fletcher Director, Writer and Producer of Life in Theatre Productions
The Mam! I’m ‘Ere! audience, Liverpool’s Royal Court, 2018
What the fee fi fo fum are you waiting for?
11 November 2022 to 21 January 2023 Tickets from £14
0151 709 4321 liverpoolsroyalcourt.com /royalcourtliv @royalcourtliv @royalcourtliv
Talent Development
Liverpool’s Royal Court continues on its journey to work towards talent development across the city
Maurice Bessman
Music Access All Areas
Boisterous Stage Write
There is no doubt Liverpool is renowned for its wealth of talent but we, along with the rest of our city’s theatre organisations and institutions, recognise we need to do more to ensure we are accessible, engaging and aspirational if we are to be truly representative and inclusive of the communities we serve. It is a long-term continuing process and funding is key as is working together with the theatres across the region. Over the past three years we have laid down the foundations, initiating our plans for meaningful and real change. This includes the theatre’s programming, engagement, accessibility and relationships with artistes, communities, creatives, individuals, institutions, organisations, Schools/FE. We are working towards ensuring our talent development programmes are applicable, realistic and robust. Listening and engaging in the first instance to a wide cross section of creatives and communities – recognising and taking ownership of our failure to be fully inclusive and to take a proactive approach to ensure there is inclusivity and diversity across the sector A brief look at a few of our talent development projects so far:
Community Music AAA (Access All Areas) is a partnership project together with three grassroots organisations: Positive Impact, Capoeira For All, and Catalyst performing arts supported by funding from Youth Music. Children and young people aged 6 – 25 can access free musical instruments, musical theatre, hip hop, dance, singing, drama and performance
Raw Talent Young people from our youth theatre continue to have access to auditions and employment opportunities – during the past 3 years, 6 young people have been cast in Terriers, written by Maurice Bessman touring to schools and venues across the country. More recently working with Fury films, 120 young people aged 15 – 25 from across the city took part in audition workshops for the film of Terriers at Fire Fit in South Liverpool, MYA’s Space in Bootle and The Vibe in Huyton. 8 young people will be working with the Director to support the script development.
Mentoring This is a pilot programme supported by PH Holt Trust and Curious Minds – eight mentors from the creative industries have been paired with mentees – providing support, guidance and shadowing opportunities in acting, marketing, production, directing, writing, set design, and music skills. This talent development initiative will support eight young black, asian and minority artistes and creatives develop their skills as they progress through the industry.
Programming Our Boisterous Theatre strand of programming brought us a main house production of Bouncers, in August and September introducing four new actors to the main house stage – and new audiences to the theatre. The Alternative Black Cabaret Showcase – now a regular bi-monthly show presenting some of the best black comedians and singers on the circuit and with a platform to showcase emerging and existing local talent. Co-production with Red Ladder last September/October, with a cast of professional actors and 20 members of our community choir. Stagewrite – our new writing classes/workshops to encourage and support new writers to develop their work to full production. We continue on our journey with a number of other talent development initiatives in progress as a matter of priority to ensure we remain accessible, adaptable and continually listen and learn. It will take time and investment and with your continuing support for all we do. We will make a difference.
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A fresh, new, innovative and relevant youth theatre company based at the iconic Royal Court Theatre designed by young people for young people. The Royal Court Youth Theatre delivers a range of opportunities free of charge for young people aged 11 – 25 from every part of the City. If you are interested in a career in the arts or just looking for something to do, come along to one of our sessions or workshops. You will learn about everything from acting to stage management; fundraising to writing scripts.
Do you know a young person who has a passion for theatre, acting, singing, dancing or writing? Tell them to complete an expression of interest form by visiting liverpoolsroyalcourt.com/youth-theatre Alternatively you can call 0151 702 5892 or email education@royalcourttrust.org Everybody is welcome at the Royal Court Youth Theatre, there are no auditions or waiting lists to join.
The
Eleanor Rathbone Foundation
Production Shots
All photos from previous productions of Mam! I’m ‘Ere! at Liverpool’s Royal Court
Cast & Company
Cast Kacey Ainsworth Mollie Cranmer
Brenda Singing Diva
Michael Fletcher
Charlie
Lynn Francis
Mandy
Lindzi Germain
Julie
Natasha Gooden
Dancing Diva
Shannon McFaddon
Dancing Diva
Mia Molloy
Singing Diva
Andrew Schofield
Dave
Hayley Sheen
Sally
Alan Stocks Liam Tobin
Teddy Alfie
Band Ben Gladwin
Keys
Greg Joy
Drums
Mike Woodvine
Guitar
Company
Set by Liverpool’s Royal Court
Stephen Fletcher Writer and Director
Mick Bawden Workshop Manager
Howard Gray Muscial Director
Johnathan Defty Carpenter
Mia Molloy Choreographer
Michael Gray Carpenter
Mark Walters Designer
Mick Gunnigle Carpenter
Ian Scott Lighting Designer
Jennifer Baron Head Painter
Kate Harvey Sound Designer
Christopher McCourt Painter
Marie Jones Wardrobe Supervisor
Lena Kennard Painter
Matt Masson Technical Manager
Abbie Jones Painter
Sean Gannon Production Manager
Emma Sharpe Painter
Andrew Lock Resident Stage Manager
Rhiannon Hodgson Painter
Steph Carter Deputy Stage Manager James Haining Chief LX Jonothan Tringham Sound Op Liam McGrath Sound No. 2 Alicia Southerton Crew
Thanks Liverpoool’s Royal Court would like to thank: Barry at Colourcreate Envision
Cast Biographies
Kacey Ainsworth
Michael Fletcher
Brenda
Charlie
Television Credits:
I am so excited to be back with my brother’s baby Mam! I’m ’Ere! - after
Sliced (Dave); Grantchester (ITV); Moving On (BBC); The Worst
the last few years we’ve had it’s the tonic we all need.
Witch (Netflix); Call the Midwife (BBC) Casualty (BBC); The
Michael trained at The Liverpool Institute for Performing Arts.
Wright Way (BBC); Midsomer Murders (Bentley Productions); The Moonstone (BBC); Rock Chips (BBC); Holby Blue (BBC); Hotel Babylon (BBC); Eastenders (BBC); The Beggar Bride (BBC); The
After graduating he became a top 20 finalist for the ITV1 Search For A Superstar with Andrew Lloyd Webber. He didn’t win like...
Accused (BBC).
As well as performing, Michael is Company Manager of Gifford’s Circus
Theatre includes:
in Stroud.
Lava (Soho Theatre); Sweeney Todd (Liverpool Everyman); Holes
His theatre credits include:
(Nottingham Playhouse); Feed the Beast (Birmingham Rep/New
Scouse in Scouse Sleeping Beauty; Mikey in Royal Court Selection
Wolsey Theatre; Stephen Joseph Theatre); Calendar Girls (National
Box, Ringmaster and Singer in The Feast (Gifford’s Circus); Will in Pete
Theatre Tour); Steel Magnolias (ATG); Carrie’s War (Apollo West End);
Price Is Dead (Royal Court Theatre Liverpool); The Huntsman in The
Attempts on Her Life (Royal Court); Sleep With Me (Royal National
Scouse Snow White (Royal Court Theatre Liverpool); Lead Vocalist
Theatre); Serving It Up (Bush Theatre); Pale Horse (Royal Court
and Ring Master in Xanadu and The Feast (Giffords Circus UK tour);
Upstairs) and Woyzeck (RSC).
Buttons in The Scouse Cinderella, Joseph in The Scouse Nativity
Film credits include:
(Royal Court Theatre Liverpool); Man 1 in Revolt. She Said. Revolt
Lynne and Lucy (BBC); Mother (Townley Productions); We The
Again (YEP Everyman Theatre); Jonny Hamlet In Roll Over Beethoven
Kings (Elemo Films); Hip Hip Hooray (Lyndsey Miller); Girl From Rio
(Belgrade Theatre); Boris in Scouse of the Rising Sun (Royal Court
(Casanova Pictures); Topsy Turvey (Thin Man Films). Kacey won most
Theatre Liverpool); Si in Mam! I’m ‘Ere (Life in Theatre Productions-
popular actress at the National Television Awards in 2002.
Royal Court Theatre Liverpool); Ensemble in Something Wonderful
Radio credits include:
- A Celebration of Rogers and Hammerstein (Hope Mill Theatre);
Torchwood (Big Finish); Dr Who (Big Finish).
Boris in Pharaoh Cross The Mersey (Royal Court Theatre Liverpool); Joseph in One Night In Istanbul Theatre and Arena Tour (Alterean Media Ltd); Boris/ Kawolski in Scouse of the Antarctic (Royal Court Theatre Liverpool); Paul McCartney- Yellow Submarine Tour (Italy
Mollie Cranmer Singing Diva
Tour - Erasmus Theatre); Eddie in The Sunshine Boys (Life In Theatre Productions) Beast in Beauty and the Beast (Stafford Gatehouse Theatre); Pete in Departure Lounge (The Unity Theatre and Edinburgh Fringe Festival); Man 1 (Songs For a New World- The Unity Theatre).
Mollie graduated from Liverpool Theatre School in 2017. Since graduating Mollie has performed in Her Benny at the Royal Court Liverpool, toured with the play Invisible and with the Royal Court Liverpool in Terriers, played the lead in new musical Piramania at the the Gatehouse in London and the Edinburgh Festival and appeared in three pantomimes. She recently appeared in a BBC 3 drama earlier this year and was due to be a part of the UK tour Fat Friends The Musical which was sadly cancelled due to covid. Mollie is extremely grateful to be joining the talented cast of Mam! I’m ’Ere! and can’t wait to get started!
Theatre credits whilst training include: Molina (Kiss of The Spiderwoman); Henry Etches (Titanic the Musical); Saturninus (Titus Andronicus); Roger (The Danny Crowe Show); Various (A Clockwork Orange); Billy Bigalow (Carousel); Action (West Side Story); Nanki Poo (Hot Mikado); Mordy (Three Sisters on Hope Street); Gertie (Fuddy Meers)
Rising Sun, Pharoah ‘Cross The Mersey, Scouse Nativity, Mam I’m ‘Ere, Sex In Suburbia (tour), YNWA (Royal Court and tour), A
Lynn Francis Mandy
Fistful of Collars, Little Scouse on the Prairie, Her Benny, The King & I, King Lear, Our Bessie, Reds & Blues, Scouse Cinderella, Lost Soul 2 and Achy Breaky Bride. Peter Pan, Cinderella, Snow White, Robin Hood and Babes In The Wood.
Liverpool born Lynn trained at Sandown College.
TV and film credits include:
Since leaving college she has worked continually in theatre, television
Tin Star with Tim Roth. Bella in Clink (5Star), The Way We Are
and film. Theatre credits include: Desperate Scousewives 1 & 2,
(Feature film), Lynda La Plante’s Above Suspicion (ITV), Les’ Liverpool
Psychic Sybal (Theatre Royal St Helens), Four Girls In A Caravan
(BBC), Bodies II (ITV), Common As Muck (ITV), Emmerdale (Yorkshire
(Theatre Royal St Helens), Waiting For Gateaux (touring), Tuppence
TV), Prime Suspect (ITV), Dave Kirby’s 15 Minutes That Shook The
to Cross the Mersey (Liverpool Empire, 2005 and 2007), By The
World, Gwladys in Reds & Blues: The Ballad of Dixie & Kenny,
Waters Of Liverpool (Liverpool Empire and touring), What Was
Adam (Short film) and Shooting Fish (short).
it Like in the War Nan? (Unity Theatre), Oliver (Neptune Theatre
Writing credits include:
Liverpool), Ebony’s Album (Neptune Theatre Liverpool), Accidental
The Royal, Mother’s Pride, Lindzi Germain Merseymouth stand up
Death of an Anarchist (Bluecoat Theatre), Her Benny (Liverpool
show, Women With Balls.
Empire), Midsummer Nights Dream (touring), My Fair Lady (touring), The Royal, The Salon, Reds And Blues - The Musical, Ladies Day and Hitchhikers Guide To Fazakerly (Royal Court Liverpool), Lennon’s Banjo (Epstein Liverpool). Television and Film credits include: Reds and Blues: The Ballad Of Dixie and Kenny (Miracle Productions UK), Colour Blind, a film directed by Lenny Henry, Charlie Noades RIP (film), The Lie is Dead (feature film), One Fine Sunday (short film), Dead Drunk (short film), Dave Dot, Demo Man (BBC), No Marks (Channel 4), I’ve Got a Bad Feeling About This (Haphazard Productions) Lynn has appeared in various pantos across the country including Empress of China: Aladdin (Southampton and Runcorn), Fairy Godmother in Cinderella (Southport), Genie of the Lamp in Aladdin (York), and the Wicked Queen in Snow White (Torquay and Runcorn).
Lindzi Germain Julie Lindzi is one of our city’s well known character actors and is one of the Royal Court’s regulars - so much so she doesn’t even take her stuff home any more! Theatre credits include: The Scouse Sleeping Beauty, Ellen & Rigby, Royal Court Selection Box, Night Collar, Council Depot Blues, Lost Soul, Down Our Street, The Royal, A Midsummer Night’s Dream, Twopence To Cross The Mersey, Alehouse, The Entertainer, Bon Voyage, Beserker Boys, Virgin Express, Desperate Scousewives, Merry Ding Dong, Scouse Pacific, Scouse of the Antarctic, Scouse of the
Voiceover work includes: Lindzi is the voice of Atomic Olga in the brand new computer game Evil Geniuses 2. Lindzi is one of the presenters on The Guide Liverpool and has her own vlog page Mersey Mouth. In May last year Lindzi set up a private wall on Facebook just for women called Peri/Meno Queens. It’s a place for women to learn, educate, laugh and cry to love and to support each other while going threw what can be the most horrendous time of there lives The Menopause. To date she has over 5,000 members! Lindzi recently opened her own nutrition club with her husband Darren: CNC Nutirition Club, building a healthier, happier community. Insta: CNCNutrition Facebook: CNCNutritionClub
Cast Biographies Since graduating credits include; Snow White in Snow White and the Seven Dwarfs (Epstein Theatre);
Natasha Gooden Dancing Diva
Princess Jill in Jack and the Beanstalk (Epstein Theatre), Diva/Sally in Mam! I’m ’Ere! (Life In Theatre Productions/ Royal Court Theatre, Liverpool); Mrs Williams/Windmill Dancer in Liverbird Song- The Liverpool Blitz Musical (The Epstein Theatre); Show Girl for Ken
A part of the 2012 Olympics opening ceremony as a professional
Dodd’s The Happiness Show (The Floral Pavilion Theatre, New
dancer, X Factor with JLS & One Direction, Mish B ‘Home Run’ Music
Brighton and The Southport Theatre); Sister Mersey/Ensemble in
Video, Ministry Of Sound advert; The House The Garage Built (UK
Scouse Pacific (Royal Court Theatre, Liverpool); Dorothy in The Wizard
tour) as a dancer with Diversity, performed on Strictly Come Dancing,
of Oz (Regal Entertainment, St Helens Theatre Royal); Cinderella in Pop
Got To Dance Sky1 finalists with girl crew Boadicea.
Up Panto (Life In Theatre Productions/Playhouse Liverpool); Princess
West End/Theatre shows include:
Aurora in Sleeping Beauty (St Helens, Theatre Royal); Cinderella in
Some Like it Hip Hop (UK Tour - Zoonation Kate Prince Company);
Cinderella (The Atkinson Theatre).
Into The Hoods Remixed (UK Tour - Zoonation Kate Prince Company); Varmints (Sadlers Wells Theatre); Message In A Bottle (European tour - Zoonation Kate Prince Company); BWG (Touring UK, New York,
Wildabeast in Jack Whitehall’s Getting Around Tour (Liverpool Echo Arena), Dancer for Hatty Keane in the JLS Goodbye Tour (Various arenas).
Germany & Taiwan - Boy Blue Entertainment Company, Kenrick H2o
She has also worked overseas for Grayboy entertainment on board P&O
Sandy); Eve’s Story (Royal Court Theatre Liverpool); NeverLand
Australia as Lead Vocalist/Dancer.
(Tuckshopdancetheatre - Lauren Tucker).
Mia is delighted to be back performing in Mam! I’m ’Ere!’ this summer alongside making her debut as choreographer. Enjoy the show !!
Shannon McFadden
Insta- miamolloy__
Dancing Diva Shannon graduated in 2019 from Rare Performers College, Liverpool. She has worked from a young age performing at the launch of Stella Sport Adidas Collection, BBC One Live Performance With Will Young. Shannon also performed at 3 of the Liverpool business/retail awards nights and has performed in two plays called Flesh and The 7 Acts of Mercy with lead roles on Liverpool, Manchester and London stages. Since graduating Shannon has been working with the Royal Court touring the play Terriers & Eve’s Story, playing both supporting
Andrew Schofield Dave Andrew has appeared in Blood Brothers in 1983 at the Liverpool Playhouse and in the subsequent transfer to the Lyric Theatre in London’s West End. He also appeared as George in Of Mice and Men at the Old Vic, London in 2005.
and lead roles. Shannon is grateful to become a part of the Mam! I’m
Theatre credits include: Brick Up The Mersey Tunnels as Dickie
‘Ere! cast and is excited to start performing with the talented creative
Lewis; Smigger in Lost Soul in 2007 and 2008; Brian in Good Golly
artists involved in this production. Enjoy the show!
Miss Molly; Moey in the Alan Bleasdale comedy On The Ledge; Paul Sheldon in Misery; the Traveller in Eight Miles High; Danny in Council Depot Blues; Joe in Night Collar; JJ in The Flags and Mr Briggs in Our Day Out - The Musical. He performed all of these roles at the
Mia Molloy Singing Diva / Choreographer
Royal Court Theatre, Liverpool. Since then he has appeared in A Life In The Theatre, The Sunshine Boys and Mam I’m ‘Ere (Life in Theatre Productions); Dreaming of a Barry White Christmas (Echo Arena) Royal Court Selection Box, Ellen & Rigby and The Scouse Sleeping
Mia has been performing since a very young age. When she was 14 she was cast by Willy Russell as Amy Chandler in the original production of Our Day Out - The Musical, at Liverpool’s Royal Court. This is what then led her on to pursue her passion in musical theatre and acting,
Beauty (Liverpool’s Royal Court). Film credits include: Sid and Nancy, Distant Voices, Still Lives, Three Businessmen, Hamlet, Revengers Tragedy, Under The Mud.
where she trained for 3 years at The Liverpool Theatre School graduating
TV credits include: Scully in Alan Bleasdale’s Scully. He has also
in Professional Musical Theatre with distinction in 2015.
appeared in three more Bleasdale series, as Peter Grenville in GBH
in 1991, Jake’s Progress in 1995 and in Melissa in 1997. Other TV
Ghost Boat, Blue Blood, Wire in the Blood, The Plan Man, Rome,
credits include Maisie Raine; Sharpe; Murphy’s Law; Boys from the
Merseybeat, This Little Life, Auf Wiedersehen Pet, City Central,
Blackstuff; Liverpool Nativity for BBC Three; Fifteen Minutes That
Dad, Drop the Dead Donkey, Murder in Mind, North Square,
Shook The World; Cilla; Moving On; Loco; Tin Star, Help.
Sins, Dockers, This Life, Wycliffe, Grushko, The Day Today, Soldier
This is for Eileen Ennis - a great friend and a true blue.
Soldier, Conviction, Between the Lines, Sweet Nothing and You Me And Him amongst others. He recently filmed an episode of Vera to be televised next month. Film credits include:
Hayley Sheen Sally
Memory of Water, The Birthday Girl, Under Suspicion, Trigger Puller, The Pond and Look At Me I’m Beautiful. Radio credits include: Tartuffe and The Ladykillers.
Hi I’m Hayley and I’m delighted to be playing the role of Sally in Mam! I’m ‘Ere! for the second time. Credits include: Fairy Snowdrop in The Scouse Sleeping Beauty,
Liam Tobin
Hayley in The Selection Box, Snow White in The Scouse Snow
Alfie
White, Sally in Mam I’m ‘Ere, Cinderella in The Scouse Cinderella, Faryl in Golden Oldies, Eve in Adam and Eve & Steve, Blue Girl in Shout the Mod Musical.
Previous work at the Royal Court: The Scouse Sleeping Beauty,
This one is for my nephew who will be arriving into the world during the
Homebaked, Selection Box, Pete Price is Dead, Lost in
run of the show.
Colomendy, The Menlove Avenue Murder Mystery and Slappers & Slapheads. Other Theatre includes: Miracle On 34th Street (Liverpool Playhouse), Sweeney Todd (Liverpool Everyman), Benny (Gilded Balloon Edinburgh
Alan Stocks Teddy
Fringe), Paint Your Wagon, A Clockwork Orange, The Big I Am, Fiddler on the Roof, Conquest of the South Pole, The Sum, Romeo & Juliet (Liverpool Everyman Rep Company), The Hobbit (Dukes Lancaster), Hamlet (Clwyd Theatr Cymru), Clybourne Park,
Alan trained at RADA.
When the Rain Stops Falling (Unity Liverpool/Said & Done), A
Theatre credits include:
View From The Bridge (Liverpool Playhouse), One Flew Over the
Measure for Measure, The Two Gentlemen of Verona and the
Cuckoo’s Nest, Brief Encounter , Dead Funny (Torch Theatre), A
Merchant of Venice (Royal Shakespeare Company); Twelfth Night
Midsummer Night’s Dream & She Stoops To Conquer (Torch
(Lyric Belfast); End of the Food Chain (Stephen Joseph Theatre) and
Theatre/Mappa Mundi), Cider With Rosie & The Merchant of Venice
Nervous Breakdown (Warehouse Theatre). He recently toured Tartuffe
(Theatre Royal Bury St. Edmonds), Gods Official (West Yorkshire
on an ETT national tour, A Barry White Christmas (Liverpool Echo
Playhouse and, a European tour of Pygmalion (American Drama Group).
Arena). Dennis in Calendar Girls (touring). Credits for the Everyman & Playhouse include: Midsummer Nights Dream, Hope Place, Twelfth Night, Held, A Streetcar Named Desire, Tartuffe, Flint Street Nativity, Sleeping Beauty, Love at a Loss, ‘Tis Pity She’s A Whore, Wild Wild Women, Trojan Women and Dead Heavy Fantastic. Merry Ding Dong, Little Scouse On The Prairie, Scouse Pacific, A Fistful Of Collars, Funny Money, Night Collar, Reds And Blues The Musical, Slappers And Slapheads, Ladies Night, Mam! I’m ‘Ere! , Father O’Flaherty Saves Our Souls and Scouse of the Rising Sun (Royal Court Liverpool). Television credits include: Moving On, Phone Shop, Casualty 1907, Kingdom, Robin Hood,
Screen work includes Then & Now, Hollyoaks, Emmerdale, Coronation Street, The Royal, Heartbeat, The Cops, Seeing Red, The Second Comingand the feature film Al’s Lads.
Company Biographies Stephen Fletcher
Howard Gray
Director
Musical Director
Stephen trained at LIPA. As well as his work as an actor, he is also producer of Life In Theatre Productions in Liverpool, is the writer and director of Mam! I’m ’Ere! was a recent Artistic Advisor to The Liverpool Everyman/Playhouse.
For the Royal Court, Howard has been the Musical Director for
Onstage Theatre credits include: A Life in the Theatre, The Sunshine Boys, The Last 5 Years, Mam! I’m ’Ere! (Life In Theatre Productions); A Streetcar Named Desire, Willy Russell’s Breezeblock Park (Liverpool Playhouse); Eric’s and Dead Heavy Fantastic (Liverpool Everyman); The Scouse Cinderella, The Scouse Nativity, Lennon, Our Day Out, Scouse Pacific, Little Scouse On The Prairie, Stags and Hens 30th Anniversary Remix, Noises Off!, Special Measures, and Canoeing For Beginners (Royal Court, Liverpool); 57 Hours in The House of Culture (The National Theatre Studio); Up on the Roof (Oldham Coliseum / The New Wolsey); Hamlet, Rosencrantz And Guildenstern Are Dead and A Midsummer Night’s Dream (Liverpool Shakespeare Festival); Cinderella (Liverpool Empire); Mary Stuart (The Donmar and West End); The Safari Party (The New Vic); Comfort (Old Vic); 7 Stories (Etcetera); 100% Bullet Proof (Soho Theatre); John Godber’s Teechers (Dubai); Betwixt: The Musical (The King’s Head); Top of the Heap / Cassanova Returns (Cardiff Global Search For A New Musical Festival); The Wild Party (Edinburgh Fringe); She Loves Me (LIPA) and Falsettoland (NSTC/Edinburgh Festival).
Homebaked,Lennon, Our Day Out, You’ll Never Walk Alone, Eight Miles High, Sons Of The Desert, Council Depot Blues, Reds And Blues, Brick Up The Mersey Tunnels, The Scouse Nativity, Maggie May, The Scouse Cinderella and Scouse Pacific amongst many others. He has also directed two Royal Court Christmas shows Pharaoh ’Cross The Mersey and Scouse Of The Antarctic and subsequently tours of One Night In Istanbul and Celtic The Musical. He has been associate artist at the Octagon Theatre in Bolton and was musical director for Blonde Bombshells Of 1943, a co-production with Hampstead Theatre, which won the Manchester Evening News Best Production for 2006. The show has subsequently toured nationally and internationally. Other work at the Octagon includes: Looking For Buddy, Little Voice, Once Upon A Time In Wigan, Oh What A Lovely War, The Song Of Singapore, Danny, Champion Of The World, and I Just Stopped By To See The Man. At the Coliseum Theatre in Oldham: Bread And Roses, The Ladykillers, Our Gracie, Close The Coalhouse Door, Martha, Josie And The Chinese Elvis, Dick Barton Special Agent, Union Street, Women On The Verge Of HRT, Private Lives, Feed, The Road To
TV Credits include: Emmerdale, The Liverpool Nativity, BRITZ, All About Me, Kerching, Ricky’s Joke Shop, Heartbeat, Hollyoaks and Coronation Street.
muiscals and pantomimes.
Stephen is also a regular voice for BBC Radio 4, various awards events including BAFTA, and is a member of the Old Vic New Voices Company.
Other work includes any number of pantos at the Liverpool Everyman
His directing work includes: NHS The Musical (Theatre Royal Plymouth); Making It! (Liverpool’s Royal Court Studio); Scouse Sleeping Beauty, Scouse Snow White, Ellen & Rigby, Pete Price is Dead, The Royal Court Selection Box (Liverpool’s Royal Court) The Pop-Up Panto, Mamet’s A Life In The Theatre, Neil Simon’s The Sunshine Boys, and Jason Robert Brown’s Broadway musical, The Last 5 Years- all winning culture and theatre awards- as well as a new cabaret show, Fabaret. His sell-out, one-woman show (co-written by actor and writer, Cath Rice), Our Bev’s Christmas Cracker, won the Echo’s theatre award, and he wrote, produced and directed the disco musical, Mam I’m ’Ere!, under his own production company, Life in Theatre Productions. During lockdown Stephen co-wrote the web series This is Our Bev, and crowdfunded the money for a Pop-Up Panto schools’ tour which employed local freelancers and entertained hundreds of children in the region. He is developing a new musical with Liverpool band, Space. Follow Stephen on Twitter @SteFletcher1
Nab End, Sweet Charity, and Brassed Off. Also a hatful of rock’n’roll At the New Vic in Stoke: A Taste Of Honey, The Admirable Crichton, and Spring And Port Wine amongst many others. and Harrogate Theatre. Howard has worked on two of Dave Kirby’s films, Fifteen Minutes That Shook The World and Reds And Blues. Plus productions at Opera North, the West Yorkshire Playhouse, Royal Exchange, Theatre Clywd, Coventry Belgrade, Worcester Swan, York Theatre Royal, Lancaster Dukes, Live Theatre Newcastle and Stephen Joseph Scarborough.
Mark Walters
Ian Scott
Designer
Lighting Designer
Mark is a British theatre set and costume designer who trained at Rose
Trained at Mountview.
Bruford College, London.
Productions for the Royal Court include:
In 2005 Mark was appointed Head Of Design at the Queens Theatre in
Scouse Pacific, The Menlove Avenue Murder Mystery, Lost Soul
Hornchurch working alongside artistic director Bob Carlton on over 30
2, My Fairfield Lady, Maggie May, The Miracle of Great Homer
productions. During his time here he has also worked with writer and
Street, The Royal, The Scouse Nativity, Lonesome West, Down
director Chris Bond on his place Sweeney Todd, The Heather Brothers
The Dock Road and in co-production with Lodestar and the Liverpool
on their new musical Camp Horror, and was nominated for Best Set
Shakespeare Festival; Macbeth and A Midsummer Night’s Dream.
Design on the new actor musician version of The Rocky Horror Show.
Other theatre credits include: Xanadu (Giffords Circus); By The Waters
Mark has also designed nine in-house pantomimes to date.
of Liverpool (Pulse Records); Up ‘n’ Under and Frozen (fingersmiths);
In 2008 Mark was also appointed Resident Designer at the Royal Court
Reasons To Be Cheerful, Peeling and Blasted (Graeae); Silk…The
Theatre in Liverpool. During his time here he worked closely with writer
Eternal Road (Century Theatre, Beijing); Duet for One (Birmingham
Willy Russell on his shows Shirley Valentine, Stags And Hens The
Rep; Lee Dean & Daniel Schumann); A Skull in Connemara and All
Remix, and a new version of Our Day Out The Musical. Other designs
My Sons (Nottingham Playhouse); Marco Polo and Messiah (Bergen
include Merry Ding Dong, A Fistful Of Collars, Scouse Pacific, A
National Opera); Fish Eye (Theatre Alibi); The Solid Life of Sugar
Nightmare On Lime Street, Reds And Blues The Musical, Lucky
Water (Graeae; Theatre Royal, Plymouth; National Theatre); Owen
Numbers, You’ll Never Walk Alone, Little Scouse On The Prairie,
Wingrave and Where The Wild Things Are (Aldeburgh Festival);
The Salon, Sons Of The Desert, Sex In The Suburbs and recently
Fawlty Towers Live (Roslyn Packer Theatre, Sydney); Flat Stanley
Mam I’m ‘Ere.
(Polka; West Yorkshire Playhouse); The Drummer Boy of Waterloo
Mark started his design career as an associate designer at the Courtyard Theatre in Hereford where he spent over five years working with artistic director Jonathan Stone. Mark has a close association with Wakefield Theatre Royal and has worked with writer and director John Godber on All The Fun Of The Fight and Sculptures Surprise tour as well as many other shows. Other set and costume designs include Hot Flush UK tour, Our House UK national tour and many other shows, nationally. Mark has also designed 10 pantomimes for the Adam Smith Theatre into Kirkcaldy. Mark has become well known for his pantomime designs up and down the country over the past 15 years Mark has designed set and costumes for over 40 pantomimes. Into 2010 Mark formed Glitter, a new pantomime set, costume and props hire company. This unique company has a vast portfolio of Mark’s designs and is now supplying to theatres and theatre companies throughout the UK. www.glitterpantomimes.co.uk
and The Happy Prince (Jubilee Opera); The 39 Steps (Criterion Theatre); Our Friends Up North (Northern Stage); The Joke, The Summer House and The Victorian in the Wall (Will Adamsdale; Fuel); My Name is… (Tamasha); Oh! What a Lovely War and Frogs (National Theatre); Curlew River (White Light Festival, New York; UCLA Berkeley; St. Giles, Barbican); Animal Farm (West Yorkshire Playhouse) and Observe The Sons Of Ulster Marching Towards The Somme (Abbey Theatre, Dublin).
Kate Harvey
Marie Jones
Sound Designer
Costume Supervisor
A list of sound credits include:
Marie studied fashion and then moved on to theatre costume
Corporate/Outdoor : Labour, Conservative, NUT, TUC and many more conferences. Various exhibitions. Symphony in the Park (Hoghton Tower) Liverpool Theatre Festival (Bill Elms Productions). TV: Stan James World Match Dartsplay (Sky Sports), Strictly Ballroom (ITV), Danny La Rue (BBC), Spirit of Shankly (Granada DVD). Cruises : P&O World Cruises, Island Cruises, Celebrity.
interpretation at Mabel Fletcher College. Marie’s work as a freelance costumier has included costumes for Oldham Coliseum, The Royal Exchange, West Yorkshire Playhouse, Jimmy McGovern’s film Liam, Beyond Friendship for Mersey Television and the many pantomime dames who have appeared on the Everyman stage. She has worked extensively at the Liverpool Everyman and Playhouse and has recently been employed as full time Wardrobe Supervisor. Most recently Marie’s work at the Everyman and Playhouse has included:
Arena : Hot Ice (Stageworks Worldwide Productions); You’ll Never
Much Ado About Nothing, The Electric Hills, The Flint Street
Walk Alone (Alterean Media and Liverpool FC).
Nativity, The Tempest, Unprotected, Billy Liar, Who’s Afraid
Music: The Christians, Chesney Hawkes, Sinita, Slade, Bad Manners,
of Virginia Woolfe, Urban Legend, Fly, Breezeblock Park, The
Toyah, Limahl, Cream UK Tour, Petula Clarke, Bobby Crush, East 17,
Entertainer, Still Life And The Astonished Heart, Ma Rainey’s
Liberty X, Jane McDonald.
Black Bottom, The Anniversary, Dr Faustus, The May Queen,
Comedy: Jason Mansford, Peter Kay, Roy Walker, Norman Wisdom, Jim Bowen, Brian Conley, Brendan O’Carroll, Paddy McGuiness.
Cruel Sea and All My Sons. Marie’s other credits include: Brick Up The Mersey Tunnels, Lost Soul, Good Golly Miss Molly, Stags and Hens - The Remix, On
Live Theatre: Aladdin and Sleeping Beauty (King Georges Hall,
The Ledge, Misery, Eight Miles High, Council Depot Blues,
Blackburn); Mystique (Stageworks); Original TV Comedians
Night Collar, Dirty Dusting, Shirley Valentine, Our Day Out - The
(Blackpool Opera House); Paul Zerdin (Paradise Room Blackpool);
Musical, The Salon, Funny Money, Merry Ding Dong, A Fistul
Flags (Royal Exchange, Manchester); Mam I’m Ere (Life in Theatre);
Of Collars, Lucky Numbers, Lennon, Scouse Pacific, You’ll Never
Eight Miles High, Council Depot Blues, Bouncers, Night Collar,
Walk Alone, Little Scouse on the Prairie, Reds And Blues - The
Our Day Out, Shirley Valentine, Reds and Blues, Lennon, Noises
Musical, Ladies Day, Bouncers, Scouse Of The Antarctic, Pharaoh
Off, Canoeing for Beginners, Lost Soul, Golden Oldies, The Royal,
‘Cross The Mersey and Down The Dock Road for Royal Court
Scouse Nativity (Royal Court Liverpool); Twopence To Cross The
Liverpool, Brouhaha International Street Festival, Working Class Hero on
Mersey and By The Waters of Liverpool (Pulse Records); SHOUT!
the recent Imagine DVD, Costume Supervisor for many shows at LIPA,
(Max Emmerson Productions); Out of Order and It Runs In The
The Splash Project at MYPT and Twopence To Cross The Mersey
Family (Ray Cooney Comedy Company); Bang Bang (A production
at the Liverpool Empire.
for John Cleese at Mercury Theatre, Colchester); Omnibus (Unity Theatre); Judy and Liza National Tour (Produced by Royal Court Liverpool); Midsummer Nights Dream (Filter Theatre Company/Lyric Hammersmith); Grimm Tales (Dukes Theatre Lancaster); Homebaked (Red Ladder Theatre Company); Beauty and the Beast (Dukes Theatre Lancaster); Something about George (Something About Productions); Insane Animals (HOME MCR).
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