Furniture Design

5. Pürkesdorf Dining room armchair (1904-05)

F U R N I T U R E DESIGN

Perhaps often overlooked as one of the first modernist furniture designers, Hoffmann’s radical design style and philosophy challenged traditional furniture conventions in the late 19th and early 20th century, and has undoubtedly played a significant role in shaping modern and contemporary design style we know today. Much like the majority of his work, his adherence to strict geometric aesthetics but with also an awareness for functional responsibility is the difference between Hoffmann and his contemporaries and is what sets him apart as one of the true forefront modernist furniture designers. This became a trademark for Hoffmann’s designs, particualrly recognised in his archetectural work during the early 20th century.

5. The Pürkesdorf armchair, designed in 1904-05, was made for the foyer of the Pürkesdorf Sanatarium, in which Hoffmann was also the architect. This significant piece Reflects the geometrical motifs and monochrome palette typical of the Weiner Werkstätte; it was considered as audacious in style by the Austrians.

4. The iconic Kubus chair (1910) is a prime example of Hoffmann’s unique devotion to the square and its clean, simple geometric forms. The Kubus chair First appeared at an exhibition in Buenos Aires; its structure is made from hardwood and upholstered in luxury fullgrain Italian leather. Its characteristic tactile cubes that make up its aesthetic, are precision stitched and piped, creating a thick cushion body. Its strict and formal geometric composition consisting entirely of square and rectangles allows its form to flow seamlessly and easily on the eye.

As part of the Weiner Werkstätte, the Kubus chair was also significant as it demonstrated how Hoffmann could create something which would otherwise be an uncomfortable shape inviting to sit on. Despite having been created over a century ago, the Kubus chair is still under production and still standing valid among today’s designs.