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Good Neigh-bors: How Collaboration Saved the Challis Herd

BY HEATHER HAMILTON-POST

“What girl isn’t a horse girl? I don’t know any,” laughs Andrea Maki, who is a visual artist and photographer, as well as the founder of Wild Love Preserve. “I have always used my work as a tool to help spread awareness for different causes. In 1999, I had this exhibition that featured wild horses in eastern Washington. In 2005, I was looking to do a follow up body of work, and things were shifting, at that time, with regard to wild horses and their protections. And I found myself putting my artwork aside and doing what I could in the ways that I know how to help spread awareness and garner support for the issues,” she explains.

THE CHALLIS HERD is made of multiple families, between 175 to 250 horses in all, and truly something to behold--a mix of cavalry horses, Indian ponies, and draft horses turned out.

Photo by Elissa Kline

Like Maki, Elissa Kline is a photographer, though she thinks of herself as something of a reluctant advocate. Initially drawn to the wild horses that roam the 168,700 acres managed by the Bureau of Land Management because, after witnessing a roundup, a friend encouraged her to photograph them, Kline resisted, in part because she knew it would break her heart. She was right--but instead of looking away, Kline felt compelled to act after spending time with the wild horses on the range.

The Challis Herd is made of multiple families, between 175 to 250 horses in all, and truly something to behold--a mix of cavalry horses, Indian ponies, and draft horses turned out. It is easy to see the draw for all kinds of artists, but taking on the national wild horse issuesfelt too big for Kline, who focused her efforts on the Challis Herd. “So I thought ‘I can document their lives as they are now, because I know that’s going to change for them. So from 2004 to 2009, I would go out to document the horses. And it was wonderful for me, but there was this feeling of like, when’s it gonna happen?” Kline says.

When the roundup, which utilized helicopters, happened, Kline was traumatized. “I knew these horses--knew who belonged together and who just had a new baby. I knew that old stallion who ran 11 miles when it was 101 degrees. It was devastating, and I’m sure I had PTSD for a year,” she says.

But Kline knew she could take pictures. “I used to say to the horses, ‘I’m not going to hurt you. I just want to show people how beautiful you are, and maybe I can help you stay here.’ I did not think I could save the horses, but I was giving a talk at the Ketchum library, maybe a month after the roundup, and a woman came up to me and asked what she could do to help,” she says. Working together, they ultimately adopted what turned out to be 31 horses who lived on Idaho pasture for three years, eventually relocating to a sanctuary on thousands of acres in central California.

Growing up, Kline wanted horses, but her family couldn’t afford them. “So now, the big joke is that my family never had money for a horse when I was a little girl, but I ended up with horses to raise money for,” she laughs.

And as Kline’s horses moved to California, Maki transitioned her work to Idaho (she lives in Washington), where she set out to problem solve for the horses she’d grown to love in 2010 while she rested in Ketchum following her mother’s hospitalization and her dog’s surgery.

“I found out what was going on, and I thought, OK, this is what I do. I manage projects and find solutions. I thought it would take a month

“The model that we’ve created in Idaho is very much a model that has been viewed and followed for other wild horse regions in other states. It has garnered national attention because WE’RE TAKING CARE OF OUR OWN AT HOME. That’s something to be proud of,” Maki says.

or six weeks. And it turned out, it was just sort of the introduction to what was to come,” she explains.

She says that she did (and still does) act in the role of mediator, working with different stakeholders to forge a path forward that prioritized the well being of the horses but was agreeable to the BLM and ranchers in the area. Maki explains that she came from a position of wanting the horses to be left alone, but she acknowledged the complications of their existence on public lands. Together, they agreed to try native Porcine Zona Pellucida (PZP), an immunocontraceptive that curbs reproduction in a variety of species. Maki hoped it would eliminate the need for the same roundups that traumatized Kline and others.

The vaccine, which is biodegradable and reversible, works--but there were still horses to deal with. So Wild Horse Preserve adopted every horse made available by the BLM from the 2012 roundup. Maki explains that she raised the money and coordinated adoptions, which had to follow BLM guidelines. Now, the horses live on 400 plus acres as a family band. They too receive PZP, and, to help prove that it works, Maki didn’t geld some of the males. They’ve kept their numbers down, and Maki has succeeded in her goal of letting wild horses continue to be wild on their native turf.

In 2019, the BLM held a roundup--the first in seven years. Previously, they were being held every three. Maki says she knew there would be another roundup, since slowing population growth takes time. She was onsite as the horses were gathered, which she acknowledged was hard. Still, the key continues to be cooperation, and Maki says that fluid, productive communications with the BLM, environmentalists, and ranchers, whom she says are some of her greatest supporters, are responsible for the success they’ve experienced.

“The model that we’ve created in Idaho is very much a model that has been viewed and followed for other wild horse regions in other states. It has garnered national attention because we’re taking care of our own at home. That’s something to be proud of,” Maki says.

Now, Andrea Maki and Wild Love Preserve is working to address the horses that have not been adopted from the 2019 roundup, fundraising for a permanent location. Elissa Kline has returned to her IdaHome after 11 years, where she’s allowing herself to regroup and pause for breath, though she’s anxious to begin photographing the Challis Herd again.

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