P O R T F O L I O 2015
IDELIA SABRANI 李德丽 Indonesian 01 / 08 / 1993 +62 813 8004 8134 ideliasabrani@yahoo.com
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A B O UT
Conceptual Thinker | Strong Drawing Skills | Excellent Sense in Design |
E D U C AT I O N
2014 – Present Interior Design Jakarta, Indonesia
A C H I EV E M E N T S
2014 Outstanding Student Award Interior Design
2013 – 2014 Interior Design Guangzhou, China
2008 First Place “On-the-Spot”
Jakarta, Indonesia 2011 – 2013 Chinese Language & Literature
2009 – 2011 Fashion Design
Guangzhou, China First Place Featured in The Edge Magazine, Summer 2014 (” Nest of Wholeness”, Design Studio 1 Project)
Jakarta, Indonesia Guangzhou, China 2008 - 2009 High School
Jakarta, Indonesia
Guangzhou, China Jakarta, Indonesia
EXPERIENCE
Apr - Jun 2015 Full-Time Internship as Junior Interior Designer HMP Architects, Jakarta
SEMINARS
2013
Sept 2010 Fashion Show JFW 10/09 Sponsored by the Body Shop Pacific Place, Jakarta
Conference
I NT E R E ST S
Fine Art Culture Travelling Sketching
SKILLS
Languages
Melee
Software
Autocad SketchUp Photoshop Illustrator
Bahasa English Chinese|HSK 5
Sketching Copic Watercolor
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Fashion Graphic Calligraphy Music
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INTERIOR DESIGN ZĞƐŝĚĞŶƟĂů ͮ KĸĐĞ ͮ ϯ DĂdž ͮ WƌŽĚƵĐƚ ͮ &ƌĞĞŚĂŶĚ ƌĂǁŝŶŐ
GRAPHIC DESIGN WƵďůŝĐĂƟŽŶ ͮ ƌĂŶĚŝŶŐ ͮ ĚǀĞƌƟƐĞŵĞŶƚ
FASHION DESIGN ,ĂƵƚĞ ŽƵƚƵƌĞ
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INTERIOR DESIGN ZĞƐŝĚĞŶƟĂů KĸĐĞ ϯ DĂdž WƌŽĚƵĐƚ &ƌĞĞŚĂŶĚ ƌĂǁŝŶŐ
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RESIDENTIAL
DIBARI’S KITCHEN | 2014 INSPIRED BY THE LIFESTYLE AND INTEREST OF THE DIBARI COUPLE IN CONTEMPORARY ARTS AND DESIGN THIS KITCHEN IS INTERPRETED AS GOURMET STUDIO, A SPACE WHERE FOOD EXPERTS CAN EXPERIMENT AND INNOVATE NEW FORMS OF FOOD, APPRECIATING THE ART OF CREATING AND EATING FOOD. WHEREAS THE DINING AREA AS GASTRONOMY GALLERY, A SPACE TO EXPERIͳ ENCE AND EXPLORE THE MASTERPIECES CREATED FROM THE GOURMET STUDIO. BOTH SPACES ARE LINKED TO EACH OTHER, ENABLING PEOPLE NOT JUST TO EAT AND DRINK, BUT ACTUALLY EXPERIENCE THE BEAUTY AND ART K& &> sKZͳ yW>KZ/E'͘
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5 LEGEND
1 OUTDOOR DINING 2 WINE TASTING 3 KITCHEN 4 DINING 5 ART OBJECT DISPLAYING SPACE
FLOOR PLAN (NTS) THE DIFFERENT LEVELS OF FLOORS DIFFEREN TIATE THE KITCHEN AND THE DINING AREA, WHILE THE CONTRASTING MATERIALS LIKE THE STAINED CONCRETE, GLASS, AND THE LIGHT MAHOGANY WOOD TEXTURE CREATE A DYNAMIC FUSION WITHIN THE SPACE. A POP OF RED IS ALSO USED AS A CONTEMPORARY ART EFFECT, LOOKING LESS DULL.
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S O U T H E L E VAT I O N
AXONOMETRIC VIEW
VERTICAL GARDEN / GREEN WALL LOCAT由 ED JUST BESIDE THE DINING TABLE AREA, CREATING A REFRESHING AND NATURAL AMBIENCE INSIDE THE SPACE. HUGE ALINING GLASS WINDOWS ALLOW THE SUN SHINE IN, HENCE IT IS POSSIBLE FOR THE PLANTS TO GROW INDOORS.
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RESIDENTIAL
NEST OF WHOLENESS | 2014 THE SITE IS LOCATED AT ONE OF SINGAPORE’S HDB FLAT. THE TWO STORIES, 230 SQM FLAT ACCOMODATES A FAMILY OF FIVE. THE CONCEPT DERIVES FROM THE LANGͳ ^dZKd, ,/s ͕ D EͳD ͕ E >K^ ^dZh dhZ t, Z ,KE z ^ >/s E Z /^ d, /Z zKhE'͘ LIKE THE BEES, PEOPLE LIVING IN HDB FLATS ARE LIKE A ͞ K>KEz͟ K& ,hD E /E' >/s/E' dK' d, Z͕ ^ W Z dͳ ED ONLY BY CONCRETE WALLS, INSIDE FLATS THAT ARE ^d </E' KE dKW K& EKd, Z t/d,/E E ^ D/ͳ Eͳ >K^ ^dZh dhZ ͘ , &> d^ EKZD >>z > < E dhͳ Z > >/',d/E'͕ E Z EKd ^ ͞KW E͟ ^ ,Kh^/E' hE/d^͘ KW E D E/E' d, KEE d/KE K& E dhZ dK d < W Zd /E^/ >/s/E' ^W ͘ hE>/< d, ^ t,/ , Z ^K / > /E^ d^͕ DK ZE ,hD E & D/>/ ^ > < KDDhE/ d/KE͘ W KW> ' d /E /s/ h >/^d/ AND MORE ENGAGED TO GADGET AND TECHNOLOGIES. THAT IS WHY THE GOAL FOR THE DESIGN IS TO HAVE A &> d d, d Kh> D/E/D/ ^ W Z d/KE͕ d,h^ D y/ͳ D/ /E' ͞KW EE ^^͟ ^K / >>z Θ E dhZ >>z͘
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GROUND FLOOR PLAN (NTS)
FIRST FLOOR PLAN (NTS)
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SECTION A
OPENNESS THIS PROJECT AS INSPIRED BY THE LANGSTROTH HIVES HAS ELEMENTS OF OPENNESS, TOGETHERͳ NESS, UNITY, TRANSPARENCY, AND FUNCTIONALͳ ITY. BREAKING THE ORDINARY, THE USE OF DOORS IS ALMOST ABSENT IN THIS DESIGN, CREATING THE SENSE OF “UNPRIVATE HOUSE”, WHILE STILL HAVING A PROPER CLOSURE FOR PRIVATE ACTIVIͳ TIES. WARM AMBIENCE WILL RESULT FROM THE MIX OF COLORS AND OTHER ELEMENTS REFLECTͳ ING THE PERSONALITY OF THE OWNER, PLUS ADEQUATE SPACE FOR PERSONS WITH DISABILIͳ TIES ON THE FIRST FLOOR. THE NEST OF WHOLEͳ NESS ALLOWS THE FAMILY TO GATHER TOGETHER, COMPLETE AS ONE, WHERE EACH MEMBER CAN HAVE THEIR OWN ACTIVITIES, WITHOUT LACKING INTERACTION BETWEEN EACH OTHER.
SECTION B
SECTION C
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T H E S I T T I N G S TA I R S A UNIQUE FEATURE OF THE FLAT INCLUDES THE SITTING STAIRS. IT HAS A MULTIFUNCTION PURPOSE IN ORDER TO SAVE THE SPACE. IT CAN BE USED AS A SEATING SYSTEM FOR 4 PERSONS, ACTS AS A STORAGE, AS WELL AS, OF COURSE, STAIRS TO CONNECT TO THE UPPER LEVEL OF THE FLAT.
THE READING AREA THE READING AREA ACTS AS A TRANSITION FROM d, : DD/E' Z ΈWh >/ Ή dK d, ZKKD ΈWZ/s d Ή͘ ^ W Z d KE>z z hdZd /E^͕ /d ALLOWS EASY ACCESS FOR THE CLIENT WITH DISABILITIES FROM HIS BEDROOM TO THE OTHER AREAS.
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PERSPECTIVE VIEW OF JAMMING A R E A & S I T T I N G S TA I R S
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OFFICE
WA R N E R & A S S O C I AT E S | 2 0 1 4 ^/'E &KZ E /Ed ZE d/KE >͕ dKWͳK&ͳd, ͳ>/^d s Zd/^/E' ' E z >K d/E' /E ,KE'<KE'͕ d,/^ ϳϬϬ ^YD ^W /^ dhZE/E' /EdK tKZ< W> zͳ 'ZKhE ͘ d, KE Wd DERIVES FROM CONTRAST, t,/ , > ^ dK Z<E ^^ E >/',d͘ d, ,/E ^ CALLS IT YIN & YANG. TWO CONTRASTING ELEMENTS d, d dh >>z KDW> D Ed^ , Kd, Z͘ >> K& d, ^ d,/E'^ > ^ dK d,/E</E' Khd^/ d, Ky͕ t, Z ^ W KW> >t z^ ^ / dK ' d /EEKs d/s / ^͕ t , s dK d,/E< Khd^/ d, Ky͘ /E d, ^/'E͕ t Kd, , s ͞d, Ky͟ E ͞Khd^/ d, Ky͕͟ t,/ , Z KDW> d >z /&& Z Ed͕ hd Z hE/d t/d, ,/Ed K& d, ,/E ^ h>dhZ Θ Zd͘ d, 'K > K& d, ^/'E /^ dK ' d d, >/ Ed d, ^d K& Kd, KEdZ ^d/E' tKZ> ^͘
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FLOOR PLAN (NTS)
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“ THE BOX”
THE RECEPTION AREA IS RESPRESENTED BY MONOCHROͳ MATIC BLACK & WHITE AND A TOUCH OF GOLD. THIS SPACE REPRESENTS “THINKING INSIDE THE BOX”. HINTS OF CHINESE ART & FURNITURES UNITES “THE BOX” WITH “OUTSIDE THE BOX”.
“OUTSIDE THE BOX”
WHITE COLOR ACTS AS THE BASE OF THIS SPACE, WITH CONTRASTING SPLASHES OF COLORS OF FURNITURES HERE AND THERE. THE REST OF THE OFFICE ARE “OUTSIDE THE BOX” AREA, WHERE CREATIVE MINDS ARE LITERALLY THINKING OUTSIDE THE BOX TO CREATE INNOVATIVE IDEAS.
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SECTION A
SECTION B
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CONTRAST DIFFERENT LEVELS CREATE AN EXPERIENCE AS WE ENTER A NEW SPACE , LIKE IN THE MEETING ROOM, OR TRANSITION FROM “THE BOX” TO “OUTSIDE THE BOX” AREA. ASIDE FROM THE COLOR, MATERIALS AND LEVELS, CONTRAST ALSO HAPPEN IN THE LIGHTING. “THE BOX” AREA FEELS MORE SECLUDED AND DARK, SINCE NATURAL LIGHTING IS ABSENT, WHILE “OUTSIDE THE BOX” IS RICH WITH NATURAL LIGHTING THROUGH THE FLOOR TO CEILING GLASS WINDOWS.
PERSPECTIVE VIEW OF MEETING ROOM
PERSPECTIVE VIEW OF KNOWLEDGE HILL (LIBRARY)
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3D MAX
BA L I SAVOY E | 2 0 1 4 THIS PROJECT REQUIRED THE STUDENT TO DESIGN A 2+1 BEDROOM FLAT AND CREATE SEVERAL PERSPECTIVE VIEWS USING 3DMAX APPLICATION. MY DESIGN COMBINES THE SIMPLICITY OF LE CORBUSIER’S VILA SAVOYE WITH BALINESE ACCENT AND AMBIENCE. THESE ARE THE RENDERED VIEW OF THE LIVING ROOM, DINING AREA, AS WELL AS THE LOUNGE AREA.
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PRODUCT
GENDONG CHAIR | 2014 GENDONG MEANS TO CARRY. THIS PIECE OF FURNITURE /^ /E^W/Z z d, /E KE ^/ E dZ /d/KE K& Έh^h >>z DKd, Z^Ή ZZz/E' d, /Z ^D >> ,/> z tZ WW/E' >Kd, ZKhE d, D͘ ͞< /E ' E KE'͕͟ d, z ZZz/E' >Kd,͕ d^ ^ d, D / dK ZZz d, ,/> ͬ z͘ d, dZ /d/KE K& ZZz/E' ,/> Z E t/d, < /E ' E KE' /^ s Zz /DWKZd Ed͕ d, ,/> ' d^ >K^ dK d, DKd, Z͕ && d/E' d, ,/> ͛^ DKd/KE͕ , s/E' /Ed/D d KE t/d, d, DKd, Z͘ t, d / t Ed dK ,/ s /E d,/^ ^/'E /^ d, & > K& :Kz͕ d, t ZDd,͕ d, ' Ed> E ^^ & >d z d, Zͳ Z/ ,/> ͘ d, &hZE/dhZ Z D/E ^ h^ ^ t ^/d KE /d͕ d, E > ^^͕ ' Ed> >Ks K& DKd, Z͘
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PRODUCT
“KASIH” LAMP | 2014 THE CONCEPT DERIVES FROM LOVE, A POWERFUL EMOTION AND ACTION. WHEN ALL THINGS FAIL, LOVE NEVER FAILS. THE LED LIGHT REPRESENTS LOVE, WHILE THE EMPTY BOTTLES ARE PROBLEMS AND THE BARRIERS WE FACE IN OUR DAILY LIVES. THE LIGHT GOES THROUGH ALL THE BOTTLES WITH PERSEVERANCE, AND IT SHINES SO BRIGHTͳ LY AND CONTINUOUSLY, AND IT EVEN AFFECT THE SURROUNDING WITH ITS POWER, EXACTLY PORͳ TRAYING WHAT LOVE CAN DO IF WE ACT IT OUT.
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F R E E H A N D D R AW I N G VA R I O U S | 2 0 1 3 - 2 0 1 5
HAND DRAWN ILLUSTRATIONS RANGING FROM ONE POINT PERSPECTIVE, TWO POINTS PERSPECTIVE, THREE POINTS PERSPECTIVE, HUMAN FIGURES, OBJECTS, CONCEPTUAL DRAWINGS, AND FREEHAND TECHNICAL DRAWINGS. MEDIA USED ARE PENCIL, DRAWING PEN, MARKERS, PASTELS, AND COLOR PENCILS. SOME OF THESE ILLUSTRATIONS ARE DONE FOR SCHOOL PROJECT AS WELL AS LEISURE TIME.
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TWO POINT PERSPECTIVE
OF AN IMAGINARY BAKERY. DRAWN ON A3. MEDIA USED PENCIL, DRAWING PEN, MARKERS, COLOR PENCILS.
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I N T E R I O R I L L U S T R AT I O N & HUMAN FIGURE SKETCH THE INTERIOR ILLUSTRATES A PICTURE FOUND ONLINE FOR SCHOOL PROJECT PURPOSE, WHILE THE BALINESE DANCER WAS SKETCHED DURING LEISURE TIME.
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CONCEPTUAL SKETCHES ON THE LEFT ARE DONE IN MY JOURNAL WITH DRAWING PEN AND MARKERS TO COLOR. KE d, Z/',d Z Dz , E 由 Z tE d ,E/ > DRAWING, JUST TO ILLUSTRATE THE IDEA, AND SKETCHES OF OBJECTS, DONE MOSTLY IN PENCIL AND DRAWING PEN WITH DIFFERENT LINE WEIGHTS.
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GRAPHIC DESIGN Branding WƵďůŝĐĂƟŽŶ ĚǀĞƌƟƐĞŵĞŶƚ
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BRANDING WESIT | 2013
WESIT IS A LOCAL COMPANY BASED IN JAKARTA, FOCUSING ON MODERN, APPEALING YET AFFORD由 ABLE CHAIRS. THE COMPANY NEEDS TO DESIGN THEIR LOGO, BUSINESS CARD, LETTERHEAD, ENVELOPE, PURCHASING FORM, STICKERS, FOLD由 ERS, STAMP, AND THEIR PRODUCT CATALOG. THE KEYWORDS TO EXPRESS THE COMPANY THROUGH THE BRANDING ARE PROFESSIONAL, MODERN, AFFORDABLE, DARING.
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WESIT AS SEEN ON THE RIGHT ARE BRANDING PRODUCTS FOR WESIT COMPANY. THE BLACK AND GRAY SYMBOLIZES PROFESSIONALISM, SERIOUSNESS, AND MODERNITY WHILE THE CONTRASTING YELLOW SYMBOLIZES AFFORDABILITY AND DARING. THE DESIGN IS SIMPLE AND CLEAN, SO THAT THE MESSAGE AND THE BRANDING ITSELF CAN COMMUNICATE THE MESSAGE CLEARLY TO THE CLIENTS REGARDING THE COMPANY.
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P U B L I C AT I O N TEXTURE BOOK | 2013
LEARNING TEXTURES IN PHOTOSHOP CS3 BOOK IS A STEP BY STEP GUIDE FOR NEW LEARNERS TO GET TO KNOW THE TEXTURES OFFERED IN PHOTOSHOP CS3. WITH BEAUTI由 FUL HD PHOTOS OF SANTORINI BEAUTIFUL SIGHTS, LEARNING PHOTOSHOP GETS MORE INTERESTING THAN EVER BEFORE.
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A DV E RT I S E M E N T VA R I O U S | 2 0 1 3 - 1 0 1 4
BROCHURE DESIGNS FOR CHURCH SERVICE ADVERTISEMENT AND SCHOOL PROJECT ADVER由 TISEMENT. APPLICATION USED HERE ARE PHOTO由 SHOP AND ILLUSTRATOR.
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FASHION DESIGN Haute Couture
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HAUTE COUTURE HUMAN SKELETON | 2010
INSPIRED BY THE ORGANIC SHAPES OF HUMAN SKELEͳ TON, PAIRED WITH SIMPLICITY AND NATURAL HUES OF BROWN AND GOLD, COMES THIS COLLECTION OF 3 OUTFITS, 2 WOMEN, AND 1 MEN. THE ELEMENT OF d, ^/'E /^ d, 'K> > ^ Zͳ hd W/ ^͕ ^, W/E' AS CERTAIN PARTS OF THE HUMAN SKELETON ATTACHED TO THE GARMENT ITSELF. THE COLLECTION GOT THE CHANCE TO BE SHOWN IN RAFFLES FASHION SHOW IN GRAND INDONESIA, AS WELL AS JAKARTA FASHION WEEK 2010 AT PACIFIC PLACE.
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HUMAN SKELETON
TECHNICAL DRAWING & ILLUSTRATIONS
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FA S H I O N S H O W AT G R A N D INDONESIA (2010)
PICTURES OF THE COLLECTION ORNA由 D Ed t/d, 'K> > ^ Z由 hd Zz>/ ^ E D ZK/ Zz K& d, KE ^
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HAUTE COUTURE BALI BEAUTY | 2011
THIS COLLECTION IS INSPIRED BY BALINESE CULTURE AND BEAUTY. THE RICH COLORS OF BALINESE SONGKET GAR由 MENTS, ADORN WITH RICH GOLD ORNAMENTS, IS WHAT THE COLLECTION ALL ABOUT. THE TRADITIONAL CULTURE AND ORNAMENTS THEN BEING APPLIED IN A MORE MODERN AND EDGY SILLHOUETTE. THE TOTAL COLLEC由 TION CONSISTS OF 5 GARMENTS.
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