Ignacio vallejo almerĂa
portfolio ETSAM 2018
IGNACIO VALLEJO ALMERÍA
CV Ignacio Martín Vallejo Almería 01.12.1994 Madrid ignaciovallejoalmeria@hotmail.com 0034 669855352
EDUCATION 2001 - 2013 2013 2013 2013 - ongoing 2016 - 2017 2018
Primary School, Highschool in Deutsche Schule Madrid (German School of Madrid) Deutsche Allgemeine Hochschukreife, Abitur (1,9/6)*; Deutsche Schule Madrid Selectividad Española (12.1/14); UNED Bachelor in Architecture, Superior Tecnical School of Architecture of Madrid (ETSAM); Universidad Politécnica de Madrid (UPM) MADRID Bachelor in Architecture, Technical University of Munich (TUM) MUNICH Bachelor in Architecture and Architectural Engineering, Seoul National University(SNU) SEOUL
OTHER 2012 Scholarship ‘Madrid Rumbo al Sur’ by the Comunity of Madrid 4-week Volunteering travel in Cameroon 2014 Course ‘Architecture and City in the Societies of the Third Milenium’ Prof. Luis Férnandez-Galiano; Caixa Forum (Madrid) 2015 Architecture Guide Open House Festival (Madrid) 2017 Architecture Guide Open House Festival (Madrid)
LENGUAGES SPANISH
GERMAN ENGLISH FRENCH KOREAN
- - - - -
Mother Tongue Bilingual Fluent Medium Basic
PROGRAMS AUTOCAD
RHINOCEROS PHOTOSHOP ILLUSTRATOR INDESIGN SKETCHUP
OFFICE PACKAGE RHINO TEDA EXCELL MAPLE ARCGIS GRASSHOPPER
PUBLISHED WORK 2015 2016 2016 2016 2017
TTT. Trabas Tramas Trazas (Retiro-Vicálvaro) V.A. ISBN: 978-84-943792-9-1 Learning From Greece UD. Campo Baeza V.A. ISBN: 978-84-945750-9-9 Agua. UD. Jesus Aparicio. V.A. ISBN: 978-84-944528-4-0
Süddeutsche Zeitung Nr. 286 10/11.12.2016 (online: www.sz.de/hdk)
Tierhaus. LT-Band 44 Structural Design (TUM). V.A. ISBN: 978-3-938660-35-5
EXHIBITIONS
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2014 2014 2017 2017 2017 2017 2018
Materia y Espacio Workshop. Superior Technical School of Architecture of Madrid With Honors Architectural Design. Superior Technical School of Architecture of Madrid Jahresschau Technical School of Munich. Oskar von Miller Forum (Munich) Neue Stadt- Räumlich Strategien für St. Lorenz Landeskirchliches Archiv (Nürnberg) Neue Stadt- Räumliche Strategien für St. Lorenz Offenes Büro (Nürnberg) Victoria Square Project (Rick Lowe). Athens New Urban Scenarios. Dokumenta 14. (Athens) Becoming. Spanish Pavilion Biennale di Architettura di Venezia (Venice)
CONTENT
PORTFOLIO // 2018
ACADEMIC PROJECTS P. 4 P. 14
I.
BABEL
ATHENS: NEW URBAN SCENARIOS
II. CANNIBALISM
MADRID: RE-EDIT MONUMENTAL P. 28 P. 38 P. 42 P. 44 P. 46
III. STONE&STEEL
NÜRNBERG: FOYER ST. LORENZ
IV. DEMOCRATIC MECHANISM
MÜNCHEN: HAUS DER KUNST
V.
THE SEAGULLS
TRENTO: SWIMMINGPOOL COVER
VI. THE GUARDIAN
WAKKANAI: LIGHTHOUSE
VII. THE TRASURE CHEST
DELPHI: ARCHEOLOGICAL MUSEUM P. 52
VIII. HABITAT
OKINAWA: SHELTER IN MANGROVE P. 58
IX. NILPFERDHAUS
MUNICH: BUILDING FOR THE ZOO P. 60
X. 분홍색!
SEOUL: THE CITY OF JOY ARTISTIC PROJECTS P. 64
I.
VIKTORIA’S PORTRAIT I&II
VIKTORIA’S SQUARE PROJECT
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Babel
BABEL
Exhibitions: Jahresschau 2017 Oskar von Miller Forum München 02.08.2017-13.08.2017
ATHENS: NEW URBAN SCENARIOS
ACADEMIC PROJECT. XL Spring 2017 Technische Universität München. TUM Chair of Urban Design and Regional Planning Prof. Sophie Wolfrum Prof. Sophia Dona #Grade A (10) In collaboration with Jiaming Chen
Athens, the city of democracy, philosophy and science. The birthplace of the western culture and the seed of the never ending search for Europe. A city located between two continents, it serves as a bridge for the east and the west. This city has been whipped by a long economic crisis that has pushed the city to its limits. The country has been sold to be able to face the debts it had acquired; the harbour, the airport no longer belong to the Greek people. Furthermore on the other side of the sea Ares razes a whole country, pushing its inhabitants to the dangerous sea and to the costs of Athens. In the centre of the city this new habitants try to find their new life in a strange country. This creates a conflict with the former Athenians, which are star-
ting an Exodus towards the outskirts of the city, in new areas. Athens has eagerness for Architecture. But how can Architecture help to improve the situation of Athens? A traditional Architecture, directly related with construction can no longer help improving the dramatic situation of the city. Without enough money, and debts watching over the city, it makes no longer sense to construct more spaces. With 30 percent of the houses vacant, Athens is not asking for new buildings, but for a better organization and new ideas to develop the
Therefore architecture has to change its attitude towards the world. Architecture is not only about space, art or design. Architecture has to focus on the people it serves. We, as architects, have to appreciate the spaces that already exist and try to improve our cities with the minimum effort and investment. Reuse existing spaces. Redefine existing strategies. Reimagine existing societies. Rethink existing concepts. Architecture needs to change and flow with the times to be able to serve the society. The project aims to improve urban conditions in the centre of Athens by appealing to different social groups. The concept is to activate the neighbourhood of Victoria with strategic interventions, which use the values of the place. The projects concept is to activate the neighbourhood with strategic interventions that can use as a starting point the spatial qualities of the area, by elaborating site specific elements, activating spaces and bringing different social milieus together. Five already in the area existing gifts are activated and reformulated to answer to the actual needs of the inhabitants.
neighbourhoods of the city.
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creation of a cooperative in the neighbourhood
Buying or dotanion of empty apartments
Use of the money for further development of projects
Development of the five Gifts for social integration
ATHENS: NEW URBAN SCENARIOS
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BABEL
ATHENS: NEW URBAN SCENARIOS
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BABEL
ATHENS: NEW URBAN SCENARIOS
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#01
#02
#02
#04
#00
#03
#04
#05
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IGNACIO VALLEJO ALMERÍA #01 The Residence - Airbnb [Hera]
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BABEL
ATHENS: NEW URBAN SCENARIOS
PORTFOLIO // 2018
#02 The Activator - Market [Demeter]
#04 The Courtyard - Public Space [Athena]
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IGNACIO VALLEJO ALMERÍA #03 The Safe House - Women Centre [Artemis]
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BABEL
ATHENS: NEW URBAN SCENARIOS
PORTFOLIO // 2018
#05 The Rooftop - City Plaza Hotel [Hebe]
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CANNIBALISM
CANNIBALISM
Exhibitions: Open Day Superior Technical School of Architecture 20.12.2017 (ETSAM, UPM)
MADRID: RE-EDIT MONUMENTAL
ACADEMIC PROJECT. L Fall 2017 Universidad Politécnica de Madrid. ETSAM Studio 8. Architectural Design UD. Prof. La Puerta Prof. Nieves Mestre Prof. Álvaro Martín Fidalgo #Grade B (7,5)
THE CLIENT Robert Zellinger de Balkany is principal promoter of mostly all shopping malls in the European continent. In Spain he founded the “Sociedad General Inmobiliaria de España”, owner of more than 25 shopping malls in the country. The society is rulled by the very same son-in-law of the former king of Spain. THE SUBJECT (MONUMENT) From all the shopping malls owned by society, “Plaza Norte 2”, the one with the most pompous architecture, is located in the outskirts of Madrid. Mostly all the shopping malls of the society have been designed by the London based architectural firm Chapman Taylor SL. In its construction, no expense has been spared, using luxurious materials from diverse and distant sources. The building tries to combine on the one hand the lavish and decadent styles of the past with high technology and functionality of contemporary architecture. It stands out the architectural system of the glazed roof, composed of 6302 pieces of glass, which integrates in its structure the necessary mechanisms to operate the complex (surveillance, natural and artificial lighting, fire safety, cleaning, smoke control, etc.) . Despised by some and loved by others, the set presents undoubted virtues, which have been hidden under tons of marmor stone. THE CONTEXT Online commerce is gaining rapidly ground to the traditional act of shopping in shopping malls. This fact endangers the imperium built by Robert de Balkany throughout Europe. It is predictable, that by the end of 2030 a big amount of physical shops will have closed especially in the giant shopping palaces that dominate the roads.
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Little by little, these palaces will lose their users until they are completely abandoned and forgotten. The palaces will remain as witnesses of a lost and decadent civilization. How can the promoter act in such a situation? THE PROTOCOL The protocol “Cannibalism” searches another option for this situation. A process of analysis and concretion of the architectural ecosystem of the building will be carried out, understanding the value and function of each one of the elements, to elucidate which is the foundation of this new monumentality in the suburbs of the city of Madrid. Through a series of precise and concrete actions, it will proceed to a controlled dismantling of every architectural element. The whole process will be carried out through its most emblematic element: the glazed roof. The building will devour itself from within until it has processed all the architectural elements available. In a further step this elements will be sold independently so that the promoter is able to get back the majority of the initial investment. Finally, the naked structure will be sold, so that it can hold once it has been exorcised and cleaned new functions in the future, such as incentive parking or warehouse. The whole process will be carried out transparently, allowing the coexistence of the architectural intervention with the conventional use of the building, turning the user into a voyeuristic agent of the constructive act.
#MONUMENT OF MADRID?
MADRID: RE-EDIT MONUMENTAL
PORTFOLIO // 2018
#Blueprint for all SGIE Shopping Malls
#Architectural Elements
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CANNIBALISM
MADRID: RE-EDIT MONUMENTAL
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#Roof Analysis
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#Conncrete Structure
#Structural Elements
CANNIBALISM
ATHENS: NEW URBAN SCENARIOS
#Process Diagramm
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CANNIBALISM
MADRID: RE-EDIT MONUMENTAL
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#Spatial and Temporal Process
IGNACIO VALLEJO ALMERÍA #Detail of Time Section
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CANNIBALISM
MADRID: RE-EDIT MONUMENTAL
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#Constructive Process and Details
CANNIBALISM
MADRID: RE-EDIT MONUMENTAL
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#Transformation of Cleaning Crane to Desmantling Crane
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IGNACIO VALLEJO ALMERÍA #Structural Behaviour of the Crane
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CANNIBALISM
MADRID: RE-EDIT MONUMENTAL
#Selling Catalogue
PORTFOLIO // 2018
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STONE&STEEL
STONE&STEEL
NÜRNBERG: FOYER ST. LORENZ
ACADEMIC PROJECT. L Fall 2016 Technische Universität München. TUM Chair of Spatial Arts and Lightning Design Prof. Hannelore Deubzer Prof. Marie Breuer #Grade A (8,5) In collaboration with Irene Landa
For centuries, architecture has been exploring the space in which we live. Even in the Middle Ages, the builders have tried to find a divine scale on the basis of Gothic architecture. The churches have slowly stretched vertically and the space has become higher and higher. Nevertheless, one could say that in the plan the gothic cathedrals have devoted themselves to the human scale. The Gothic cathedral of St Lorenz in Nuremberg is considered one of the most important monuments in southern Germany. Even so, plans to rebuild after World War II and intensive tourism in recent years have made the church an unconnected element abandoned in a vacant space of the city. The two main axes in the old town of Nuremberg go through St Lorenz, but nevertheless there is no center around St. Lorenz. The cathedral stands as a witness in front of the thousands of tourists who stand every day in its doors, but only sometimes they manage to go around the building. For years, various designers and architects have added a completely new element to this urban space. Because of this, a degraded place is created that is difficult to read.
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Exhibitions: Neue Stadt- Räumliche Strategien für St. Lorenz Ladekirchliches Archiv Nürnberg 15.02.2017 - 24.02.2017 Neue Stadt- Räumliche Strategien für St. Lorenz Offenes Büro Nürnberg 01.06.2017 - 11.06.2017
How can you reactivate a degraded place without changing the city? The Stone and steel plan changes the situation on the basis of minimal but also major measures that influence Nuremberg’s urban planning. Our foyer is understood as a whole square, which establishes the connection between the church and the city, thus celebrating centuries of relationship years and depicting them in the heart of the city as a hard European medieval square. Ordering the existing elements and blazing new places and elements creates a unified intervention, which is built on only two materials, stone and steel.
NÜRNBERG: FOYER ST. LORENZ
PORTFOLIO // 2018
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#Historic Development
#Urban Status of the Area
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STONE&STEEL
NĂœRNBERG: FOYER ST. LORENZ
PORTFOLIO // 2018 #Intervention Diagramm
urban elements
urban architecture
urban preexistence
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BABEL
ATHENS: NEW URBAN SCENARIOS
#Intervention Floorplan PORTFOLIO // 2018
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STONE&STEEL #Main Sections
#Urban Furniture
Tourist Information
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Cafeteria
#Urban Shelters
NÜRNBERG: FOYER ST. LORENZ
PORTFOLIO // 2018
#Pavement Detail
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STONE&STEEL
NÜRNBERG: FOYER ST. LORENZ
PORTFOLIO // 2018
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DEMOCRATIC MECHANISM
DEMOCRATIC MECHANISM The Museum “Haus der Kunst” in the German city of Munich was built by the Nazis to glorify the official art of the German regime. After the war, the building was hidden behind a green barrier of trees and reopened its doors as a museum of contemporary art, perverting this way its initial purpose. Now David Chipperfield Architects has proposed a rehabilitation of the building, which recovers its original appearance. Is this really desirable for a heritage of these characteristics? The project presents a fictitious scenario, which develops democratic mechanisms to exorcise and recover the building, without hiding its macabre history, but also giving it new meanings and values. What’s going on in the Haus der Kunst? In recent weeks, various communities and groups of the city of Munich have gone to the Haus der Kusnt and have conquered the building. What are these groups looking for? Is this a kind of political demonstration? Slowly, the population has built scaffolding on both sides of the building and have reached the roof of the building. With their own furniture and worn-out elements they are building an independent city. This media has managed to enter into the site, allowing us to give our readers a closer look. On the terrace, which has been named by the new residents as the “Platz der Kunst”, various elements have emerged, from cultural institutions to free homes for refugees.
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MÜNCHEN: HAUS DER KUNST
Exhibitions: BECOMING. Spanish Pavilion Biennale di Architettura di Venezia 2018 26.05.2018 - 25.11.2018 Publications: Süddeutsche Zeitung Nr. 286 10/11.12.2016 (online: www.sz.de/hdk)
ACADEMIC PROJECT. S Fall 2016 Technische Universität München. TUM Chair of Spatial Arts and Lightning Design Prof. Hannelore Deubzer #Grade A (8,5) In collaboration with Irene Landa
Through social networks, such as Twitter or Facebook, the “Platzbefreiern” have been able to address different layers of the population Everything is decided here in democratic assemblies and brought to reality. Concerts, crazy parties, fashion shows, theater, sports, art exhibitions, workshops, everything can take place in the “Platz de Kusnt”. According to the “Platzbefreier”, the initiative was born as a suggestive reaction that rethinks the city through practical design and construction. Against the removal of conflicts, they propose to inhabit them and thereby transform a symbol of the Third Reich by democratic mechanisms. The digital context enables the design of public spaces that allow new ways of communication, participation and even leadership. It could be said that the population empowered inside this building to create new forms of urbanism that aim to develop unplanned developments and situations. After being exorcised by the people of Munich, this building, which represents the dark age of Munich, is once again proud to be part of the city’s everyday life.
#New Haus Der Kunst
MÃœNCHEN: HAUS DER KUNST
#Love Vs. Fascism
PORTFOLIO // 2018
#Music Vs. Fascism
#Solidarity Vs. Fascism
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#Event View
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DEMOCRATIC MECHANISM
MÃœNCHEN: HAUS DER KUNST
PORTFOLIO // 2018
#Biennale Video Presentation
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THE SEAGULLS
THE SEAGULLS ACADEMIC PROJECT. XS Spring 2017 Technische Universität München. TUM Chair of Structural Design Prof. Rainer Barthle #Grade A (10) In collaboration with Pia Halbich (Engineer)
Two seagulls start their flight facing directly to the sun. With soft moved and the minimum effort their wings span over the ground creating different patterns of shadow. The project aims to create a nearly weightless roof that covers the whole area over the swimmingpool. The membrane floats in the centre suspended by cables that try to dissappear from the view of the visitor. Six pillars surround the pool to permit the hanging of the tension cables that hold the membrane surface that spans 27 meters in one direction and 18 meters in the other. To free the centre of any structural element, that would disturb the use of the swimmingpool, a cable is hanging from two of the pillars and crosses the whole length of the membrane. From this cable three high points, that give the membrane a bigger curvature and constructs an interesting spacial situation underneath. By separating the pillars from the membrane some meters, the effect of having a surface flying over the swimmingpool is bigger and permits to have a bigger space without obstruction. Nothing more and nothing less, just a shadow floating in the sky.
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#Details
TRENTO: SWIMMINGPOOL COVER
PORTFOLIO // 2018
#General View
#Main Elevations
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THE GUARDIAN
THE GUARDIAN
WAKKANAI: LIGHTHOUSE
ACADEMIC PROJECT. L Spring 2017 Universidad Politécnica de Madrid. ETSAM Studio 6. Architectural Design UD Prof Aparicio Prof. César Jiménez Prof. Hector Fernández Prof. Carlos García #Grade A (9,0)
At the most inhospitable point of the country, the forces of nature controlled by the gods are challenged by a singular object. The bay of Wakkanai has once again been opened to the sea, looking through the lances that guard the city, it is again possible to look at the horizon lost long ago by the wrath of Fujin, god of the wind, A large red drop rests between d the speers of the concrete forest, whose bowels welcome all the citizens who wish to enter a large space without predominance of any of the isometric axes. its reddish interior enhances the sensations coming from the sea, the sound of the waves roars when it hits the concrete sentinels and the smell of sea salt soaks the thin soft paper walls. Is there a better place to savour the delicate taste of fish, than in the very bowels of the ocean with all the extreme sensations that this entails?
The new lighthouse of the city of Wakkanai faces to the sea as a guardian that protects its inhabitants. Wakkanai is the most northern city of japan. The climate conditions in the area are extreme because of the wrath of the god Fujin, who sends regularly heavy winds, huge waves and frozen seas. For this reason the city of Wakkanai had to protect itself from the ocean by wave breakers and concrete walls, that have deffinetly sepparated the city form the sea. The project aims to give the sea back to the city by creating a protection made out of concrete pales that break the waves without disturbing the view. The lighthouse is designed as an exception in the wavebreaker that iluminates from the inside and resembles a giagantic guardian of the city, Using traditional japanes wood and paper architecture the lighthouse manages to fight the climate conditiones by addapting its shape to the wind and sea.
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#Interior Concept
ATHENS: NEW URBAN SCENARIOS
PORTFOLIO // 2018
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THE TREASURE CHEST
THE TREASURE CHEST
DELPHI: ARCHEOLOGICAL MUSEUM
ACADEMIC PROJECT. M Fall 2015 Universidad PolitĂŠcnica de Madrid. ETSAM Studio 4. Architectural Design UD Prof. Campo Baeza Prof. Jesus Donaire #Grade A (9,0)
Under the ancient ruins of the Sanctuary of Delphi, in Greece, sits a large concrete chest, which houses the most valuable treasures of the place. A great line underlining the sacred stones found in the place. A line facing the landscape without overcoming its volume, but marking its length and slenderness. First the ground is prepared by linking the interior with the land and the place. Then the land is covered with the beforementioned chest, clearly showing its autonomy through its projection towards the landscape, which creates a shadow under its volume. A shadow that accentuates the purist geometry of the object and enhances its length. Inside, a single room receives the visitor and plunges him into a vast space in which the sculptures float between rough concrete walls, which contrasts with the smooth surfaces of the marble of the antiquity. A regular structure of beams, which covers the entire roof without intermediate supports, sieves the bright light of the south, creating a uniform environment, ideal for the contemplation of the Hellenic art.
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In order not to forget the beautiful landscape in front of the Museum, the front of the museum is perforated punctually, like large eyes that observe the privileged environment. At one point a large platform projects towards the horizon, allowing the visitor to face the surrounding nature.
DELPHI: ARCHEOLOGICAL MUSEUM
PORTFOLIO // 2018 #Exterior View
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IGNACIO VALLEJO ALMERÍA
THE TREASURE CHEST
#Situation Plan
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DELPHI: ARCHEOLOGICAL MUSEUM
PORTFOLIO // 2018
#Constructive Section
#Elevation, Floorplan, Section
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THE TREASURE CHEST
DELPHI: ARCHEOLOGICAL MUSEUM
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#Entrance
#Auditorium
#Exhibition
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HABITAT
HABITAT
OKINAWA: SHELTER IN MANGROVE
ACADEMIC PROJECT. S Spring 2016 Universidad Politécnica Madrid. ETSAM Studio 5. Architectural Design UD. Prof. Aparicio Prof. César Jiménez Prof. Héctor Fernández Prof. Carlos García #Grade A (9,0)
Iriomote-jima is an island belonging to the Okinawa prefecture in Japan with an area of 289.27 square kilometres. The island has only three urban centres: Taketomi, Uehara and Iriomote. With only 2000 inhabitants, the entire population is concentrated in the perimeter of the island, leaving the central area completely uninhabitated. One single road runs 3/4 of the perimeter by the coats, without entering the insides. A mayor part of the island is covered by thick jungles and mangroves, leaving as the only possible access to the centre of the island through the Nakama and Uruachi rivers. The inhabitants have deforested several areas in the perimeter of the island to be able to cultivate the needed food. The principal income source in the whole area is through tourism. How can it be possible to inhabit the centre of the island without damaging the mangrove? On an island formed by red mangrove, without firm, a wooden structure is constructed in two directions, so that it allows to inhabit an inhospitable and dangerous environment. The structure rises to protect itself from the tides and the fauna of the river, allowing to hang different elements such as hammocks or mosquito nets.
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The open nature of the building provides greater ventilation and therefore well-being in an almost uninhabitable environment. The structure is design using traditional Japanese junctions that allow to grow the structure so that future growth of tourism or inhabitants can be housed. Boats are able to cruise under the building allowing the inhabitants to access their own room from underneath without disturbing other. Moreover privacy is assured by taking as an example the juxtaposition of layer in traditional Japanese architecture.
#Section
OKINAWA: SHELTER IN MANGROVE
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BABEL
ATHENS: NEW URBAN SCENARIOS
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HABITAT
#Entrance Area
#Modell
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#Cidori Junction
#Interior
OKINAWA: SHELTER IN MANGROVE
PORTFOLIO // 2018
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NILPFERDHAUS
NIELPFERDHAUS Exhibitions: Jahresschau 2017 Oskar von Miller Forum München 02.08.2017-13.08.2017
MUNICH: BUILDING FOR THE ZOO
ACADEMIC PROJECT. S Fall 2016 Technische Universität München. TUM Chair of Structural Design Prof. Rainer Barthle #Grade A (9,5) In collaboration with Ignacio Lillo
The relation with the landscape developed by the excavation of the ground pretends at the same time continuin the sinuous profile of the area and the major profit of the sunlight and sun radiation. Part of the outdoor complex is also a spatious water basin whose underwater can be seen so the visitor will have a very especial highlight. Landscape integration by the artificial hillcontributes to the creation of the exotic and natural atmosphere which allows to new paths inside the existent tracks of the Zoo. The spaces maintain a strong visual connection with the sky and changing patterns of daylight. The varying levels on the site are exploited in section, creating different visual connections between the animals and the visitors. In terms of structural efficiency the d sign consists on a gridshell following the shape of a translational surface. A creating curve goes along an other leading curve. This way both curves create a virtual grid. Because of the regular division and the parallelism of the vectors in the surface, the resulting squares are all uniform and flat.
In terms of structural resistance of this B envelope two different systems are combined: gridshell‘s compression through the steel bars is leaded by a tubular steel ring on the loading rei forced concrete wall; the whole stability and stifness of the surface is gu Floorplan | Scale 1:200 ranteed by the tension cables in every directional diagonal of our gridshell module are found. The system consists of large robes and they are joint with the glazing sy tem.
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14
4
1
9
13 8 8
12
11
7
5 6
5 6 4 2
1
1. Bolt 3
2. Steel connection plate 3. Reinforced concrete 4. Aluminium carpentry 5. Fastening steel grip
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Constructive details | Scale 1:10
Structural Design
Betreuung:
Prof. Dr.-Ing. Rainer Barthel
PORTFOLIO // 2018
MUNICH: BUILDING FOR THE ZOO
A
B
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6. Thermal double glazing + air chamber 4/16/4 mm
10. Aluminium sheet
15. Steel special bracing piece
11. Steel wire rope
16. Steel clamp plate
7. Tailored steel arched beam
12. Steel turnbuckle
17. Gridshell starting steel ring
8. Steel connection
13. Steel bar
Ă˜193 mm
9. Steel plate
14. Traslucent double glazing + air chamber 4/12/4 mm
18. Drain canal
Dipl.-Ing. Eike Schling
2016/17
The co be extr cial and By this design one-siz In con main ro ding so Hippo proces
Lillo Torrella, Ignacio | Vallejo AlmerĂa, Ignacio
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분홍색!
분홍색!
SEOUL: THE CITY OF JOY
ACADEMIC PROJECT. XL Spring 2018 Seoul National University. SNU Studio 4-1. Architectural Design Prof. Hyunah Kook #Grade A (9,0)
In collaboration with Blanca Ríos
Changsingdong has always been an area related to commerce because of its location throughout history in a crossroad. In older times the area was located close to one of the entrance of Seoul, allowing the inhabitants to take profit of this situation. Later the train station created a new point of attraction for commerce in the area. The bus station that came after had a similar consequence for the block allowing the flourishing of temporal housing related to the travellers in the area. But nowadays the situation has changed. The block shows some spaces that have a bigger activity than others, being this other places close to a situation of degradation and abandonment. The principal public areas of the block are thee toy market and the shoe market. This intervention is part of a major masterplan looking for the redevelopment of the area. Allowing its inhabitant to have a better relationship towards the rest of the city of Seoul, by attracting the people towards its interior, but at the same time preserve the intimacy and specially the way of living of its inhabitants. The main public space of the area will continue being the toy market, but mutated towards the 21st century. Creating a new kind of urban space, created site specifically as a city of enjoyment not only for children but also for its parents and other visitors. Come to the pink city!
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The project takes as a main guideline of development the before existing stream in the street. By regaining the river in a metaphorical way the project creates a series of guiding elements that enhance the market street as a place for commerce and enjoyment. The existing architectural definition of the street allows with little interventions to create an elevated street that doubles the commercial surface of the area, adding spaces for restaurants and cafeterias in the upper floor. This area flows into the adjacent area of the edge, creating an alley with different pocket spaces that creates a perfect ambience for the enjoyment of small scale urban spaces. The main gate to the market is enhanced by to unification of the neighbouring facades creating a frame and at the same time protects the actual city where the inhabitants leave from the pressure of the exterior. A portico like façade creates a smooth flow towards the entrance of the market.
SEOUL:THE CITY OF JOY
PORTFOLIO // 2018
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IGNACIO VALLEJO ALMERÍA
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분홍색!
SEOUL: THE CITY OF JOY
PORTFOLIO // 2018
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IGNACIO VALLEJO ALMERÍA
VIKTORIA’S PORTRAIT
VIKTORIA´S PORTRAIT
ATHENS: NEW URBAN SCENARIOS
ARTISTIC PROJECT XS Spring 2017 DOKUMENTA 14. ATHENS Viktoria Square Project. Rick Lowe In collaboration with Jiaming Chen, Luis Miguel Cortés, Paula Romero
Viktoria Square lies in the center of the city of Athens. This area of the city has experienced in the last years dramatic changes and completely new situations. In 2008 the economic crisis hit the city with strong anger and provoked difficult social situations. In addition the war on the other side of the Mediterranean has pushed millions of people towards Europe making of Greece to the gateway to the rest of the continent. Moreover a big amount of this refugees had to stay in Athens under terrible conditions. Viktoria Square was indeed for a period of time an improvised refugee camp. Immigrants have been arriving from other areas and have made a new home out of this neighborhood. The old neighbor of the area are slowly starting an exodus towards the outskirts of the city. Nevertheless younger generations are also taking over the area, because of the low rents and the high amount of vacant buildings (nearly 30%). The area is turning into an urban and social battlefield, where different kind of people with different languages, believes or political ideas are coexisting. The city as a living element is absorbing all this information into its walls in the shape of GRAFITTI. As a palimpsest the walls of the area register different layers of ideas, thoughts or artistic interventions, showing how the neighborhood evolves and changes.
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The installation Viktoria’s Portrait I&II digs up all this information form the graffiti and shows in a series of photographs, as well as in a video installation, what the mood and situation of the people in the neighborhood in that moment is. By looking carefully it is easy to find information about the political ideas, religious thoughts, which football team they support, from which country they came, the dreams they have, their sexuality, even you could understand the relationship towards the existing mafia (drugs, prostitution). As an archeological excavation, Viktoria’s Portrait I&II searches into the lives and relationships of the people coexisting in the same area of the city. .
ATHENS: NEW URBAN SCENARIOS
PORTFOLIO // 2018
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V A L L E J O
ETSAM 2018 architecture portfolio
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