portfolio

Page 1

igor bragado portfolio selecci贸n proyectos 2oo4 I 2o12

selected projects 2oo4 I 2o12

ibragadofernandez@gmail.com I phone: +15o1o327429


igor bragado born in 25/o7/1985 Gernika, Spain addr.: PinGod, Building #8, Room #26o1, Chaoyang District, Beijing, China ibragadofernandez@gmail.com I +15o1o327429


4

trabajo profesional independiente independent professional work

i

XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Xselecci贸n X X X X Xde X proyectos X X X X X X2o11 X X XI X2o12 X X X X X X selected X X X X Xprojects X X X X X2o11 X X X IX2o12 XXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Xmasterplan X X X X X X XyXpuerto XXXXX X X X X X Xpara X X Xfinnoo X X X X X X X X X Xmasterplan X X X X X X X Xand X X Xmarina X X X X Xfor X X finnoo XXXXXX deportivo XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX quito angel &Xmariacristina inXquito X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Xcasa X X Xpara X X X谩ngel X X X X&Xmariacristina X X X X X X X X Xen XX X X X X X X Xhouse X X X X for XXX XXXX XXXXXXXXXX XXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX

trabajo profesional independiente

independent professional work


6

trabajo profesional independiente independent professional work

io1

masterplan y puerto deportivo para finnoo masterplan and marina for finnoo helsinki, finlandia

helsinki, finland

equipo: helena barroso, adrian hermosilla team: helena barroso, adrian hermosilla international competition concurso internacional superficie 103,4 Ha floor area 103,4 Ha cliente: ayuntamiento de finnoo client: finnoo city council


9

trabajo profesional independiente independent professional work

o1 1

masterplan y puerto deportivo para finnoo masterplan and marina for finnoo

_ piezas singulares _ facilities

_ desglose del programa _ program diagrams

_ áreas verdes y sostenibilidad _ sustainability and green areas

01 winter situation: dry-stack B9 boat storage 420 BOATS FC1 + FC2 (100 Boats)

concurso internacional international competition

E5 boat storage 120 BOATS

FC2 (100 Boats)

FC5 (32 Boats) FC3 (60 Boats) FC5 (32 Boats) FC3 (60 Boats) FC6 (28 Boats) FC4 (50 Boats)

FC6 (28 Boats)

FC4 (50 Boats)

01 housing

02 summer situation: multy-event spaces West end of bay public space

69,4 % 193.691 m > 45m /inhab. > 4.304 inhabitants

Housing Type A “dividing wall” Housing Type B “block” Housing Type C “tower” Housing Type D “filter” Housing Type E “facade”

Indoor Market

Market Square

Jimjilbang

East end of bay public space.

en

Stage

The Competition for the Finnoo Marina City involves the opportunity to develop a complete fragment of a city in an area that is due to become essential for the life, image and regeneration of Espoo and far beyond.

Performance Square Concert Hall

We face the opportunity to create the concept of a contemporary city in which values as landscape connectivity and enhancement, urban and eco-friendly means of transportation, and the creation of a dense mixed used marina city were primary concerns and the key points during the shaping of the project. The acknowledgement of the complex reality of Finnoo constitutes a necessary condition for the success of the formulation of the strategies. Consequently, the structure of the project is organized as a summary of innovative concepts and urban development policies capable of reinventing and reinterpreting the city focusing on its environmental, infrastructural, socio-cultural and image related aspects.

_ vista del puerto urbano _ view of the urban marina

_ planta de ordenación _ floor plan

2

2


trabajo profesional independiente independent professional work

_ vista aĂŠrea del conjunto _ bird view of the masterplan

Central Bay Main Square Fortum Power Plant Rantaraitti Market Plaza Performance Square

City Fun-Palace Ryssjeholmen JimJilBang Rantaraitti Concert Hall

Technica Depot

Marina: 2050 berths Pirisaari

11


14

colaboraciones profesionales professional collaborations

w

XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX X X X X de X Xproyectos X X X X X 2oo4 X X XIX2o11 X X X X X X selected X X X X Xprojects X X X X X2oo4 X X X IX2o11 XXXX selección XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Xmuseo X X X Xcasa X X Xde X Xla X historia X X X X X europea X X X X X Xbruselas X X X X X X Xhouse X X X X of X Xeuropean X X X X X X Xhistory X X X X Xbrussels X X X X X Xmuseum XXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX munch plan para X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Xmuseo X X X Xedvard XXXXX X X X XyXmaster XXXXX XXX X X Xbjorvika X X X X X X X Xedvard X X X X Xmunch X X X X Xmuseum X X X X X Xand X X Xbjorvika X X X X X Xmaster X X X X Xplan XXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX museo de arte moderno de medellín museum of modern art of medellin XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX estratégico madrid development central X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Xproyecto XXXXXX XXXXXXX X X X X centro X X X X X X X X Xurban XXXXX X X X X X X X X Xof X madrid XXXXXX X X X X Xarea XXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX master plan heysel bruselas heysel master plan brussels XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X palacio X X X X Xde X Xcongresos X X X X X X de X Xcuenca X X X X X X X Xcongress X X X X X Xhall X X Xin X Xcuenca, X X X X Xspain XXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX ningbo, china X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X escuela X X X X Xprimaria X X X X X Xen XX XXXXX X X X X X X Xprimary X X X X X Xschool X X X X Xningbo, X X X X Xchina XXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXX XXXXXX X Xsebastián X X X X X X X X X X Xquerejeta X X X X X X Xhouse X X X X san X X Xsebastian, X X X X X X Xspain XXXXX casa querejeta san XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX

colaboraciones profesionales

professional collaborations


20

colaboraciones profesionales professional collaborations

wo2

museo de edvard munch y master plan para bjorvika edvard munch museum and bjorvika master plan oslo, noruega

oslo, norwey

equipo: arup, thorbjorn andersson, herreros arquitectos team: arup, thorbjorn andersson, herreros arquitectos first prize, restricted international competition primet premio, concurso internacional restringido contestants: diller scofidio, foa, kengo kuma, rex, tadao ando, zaha hadid superficie 6Ha floor area 6Ha cliente: ayuntamiento de oslo client: oslo city council colaboraci贸n en el dise帽o en la fase de proyecto ejecutivo collaboration in the construction documents


23

o2

colaboraciones profesionales professional work

_ maqueta _ model

museo edvard munch y master plan bjorvika edvard munch museum and bjorvika master plan equipo: arup, thorbjorn andersson, herreros arquitectos team: arup, thorbjorn andersson, herreros arquitectos

_ estudios de volúmen y usos del “commercial area” _ commercial area, volume and program studies

en The competition for the Munch Area in the Bjorvika Area involves the opportunity to develop a complete city fragment in an enclave due to become essential for Oslo’s life and image in the near future. We find ourselves faced with a unique opportunity to develop a contemporary museum concept drawn from a transcendental urban role and a historical responsibility as a cohesive element for the community not only of Oslo but of all the nation. The Museum is conceived as an institution which is open to the city and highly visible, which must be visited many times in a lifetime because of its dynamic programs but also because of its power as a place of concentration, walks and daily relaxation in its terraces and cafes or even because of its retail spaces.

_ programa del museo _ museum program diagram

es La península Paulsenkaya forma parte del barrio de Bjørvika. Allí se levantará pronto la Biblioteca Deichmann y el Museo Munch que junto con la Opera, el proyecto Barcode y una cantidad importante de espacios públicos, constituirán el enclave más representativo de la ciudad de Oslo en 2015.

_ secciones del museo _ museum, sections

Nos encontramos ante una oportunidad única para desarrollar un concepto contemporáneo de museo nutrido de un trascendental rol urbano y una responsabilidad histórica como elemento cohesivo de la comunidad no solo de Oslo sino de toda la nación. El Munch Museum se concibe como una institución abierta a la ciudad, de gran visibilidad, que se debe visitar muchas veces en la vida por su dinámica programación pero también por su poder como lugar de concentración, paseo y relajo cotidiano en sus terrazas y cafeterías o incluso por su oferta comercial. _ planta de ordenación _ floor plan

_ vista nocturna del conjunto _ night view of the development


24

colaboraciones profesionales professional collaborations

wo3

museo de arte moderno de medellín museum of modern art of medellin medellín, colombia

medellin, colombia

arq.: herreros arquitectos, boma arch.: herreros arquitectos, boma concurso internacional restringido restricted international competition superficie 4130 m2 floor area 4130 m2 colaboración como arquitecto junior en el diseño, dibujo y producción de imágenes collaboration as a junior arquitect in the design, drawings and images


wo3

colaboraciones profesionales professional work

27

museo de arte moderno de medellín museum of modern art of medellín arq.: herreros arquitectos, boma arch.: herreros arquitectos, boma

_ planta de las exposiciones _ exhibition floor plans

_ esquemas de funcionamiento vertical _ vertical development diagram

_ vista general de la propuesta _ general views

Following some recent successful experiences, the museum is developed in a vertical layout strongly contrasting with the existing building -the Robledo factory-. The distance between the old and the new, reinforces the idea of temporal and stylistic independence of both facilities, that stay connected through a garden and a pool which works as an example of the relationship between the contemporary art and nature. The vertical development of the program allows to divide the building easily in sectors in order to open a wide range of possibilities concerning different and independent schedules for each kind of user.

en

es El Museo se desarrolla en vertical, siguiendo algunas experiencias recientes de gran capacidad propositiva, en contraste con el marcado sentido horizontal de los Talleres Robledo, de los que nos separamos para acentuar la independencia estilística y temporal de ambos equipamientos que quedarán enlazados por un espacio común, tierra todos y de nadie, en forma de jardín o estanque que, ejemplifica la relación del arte contemporáneo con la naturaleza. El sistema de circulaciones permite muy fácilmente programar sectores del edificio para el acceso del público o los empleados en horarios independientes (Salón de Actos, Aulas y seminarios, Cafetería…).

_ sección constructiva _ detail section


28

colaboraciones profesionales professional collaborations

wo4

proyecto estratégico madrid centro urban strategies for madrid’s central area madrid, españa

madrid, spain

equipo: herreros arquitectos, josé maría ezquiaga, pérez arroyo team: herreros arquitectos, jose maria ezquiaga, perez arroyo commission encargo superficie 5000 Ha floor area 5000 Ha cliente: ayuntamiento de madrid client: madrid city council colaboración en el diseño en la fase diagnóstico, avance y proyecto collaboration in the analysis, schematic design and final project phases


31

colaboraciones profesionales professional work

o4

_ plantas diagnóstico _diagnosis

proyecto estratégico madrid centro urban strategies for madrid’s central area equipo: herreros arquitectos, josé maría ezquiaga, pérez arroyo team: herreros arquitectos, jose maria ezquiaga, perez arroyo First Prize Iberoamerican Biennial of Architecture and Urbanism

en The acknowledgment of the complex reality of the central area of Madrid constitutes a necessary condition for the success in the formulation of policies and projects. Consequently, the structure of the project is organized as a summary of innovative concepts and urban development policies capable of reinventing and reinterpreting the city focusing on its social, cultural and environmental aspects.

_ operaciones eje manzanares _ redevelopment manzanares river

The strategies for the design confront the challenges of the contemporary city: the ones resultant of the process of globalization, climate change and social integration. The point of view must be, therefore, from a new way of understanding the urbanism. This new perspective is based on the transformation and recycle of what already exists as an approach to innovation that will bring a unique image to the center of Madrid.

es El reconocimiento de la realidad compleja del Centro de Madrid constituye la condición necesaria del acierto en la formulación de políticas y proyectos. Por este motivo, la estructura propositiva del Proyecto Madrid Centro se organiza como sintaxis innovadora de conceptos y políticas urbanísticas capaces de reinventar/reinterpretar la ciudad conforme a principios de responsabilidad social, cultural y ambiental. Los Objetivos del Proyecto formulan los desafíos derivados de los procesos de globalización, cambio climático e integración social, desde la óptica de un nuevo modo de entender el urbanismo basado en la transformación y el reciclaje de lo existente para abrirlo a la innovación desde la perspectiva de una calidad de vida para sus habitantes que será objeto de defi nición novedosa y elemento de la personalidad que se quiere para el centro de Madrid.

_ planta de ejes estructurantes _structural axis plan

_ la célula urbana _ the new urban cell for the city


32

colaboraciones profesionales professional collaborations

wo5

master plan para el barrio de heysel heysel master plan bruselas, belgica

brussels, belgium

equipo: idom, topotek 1 berlín, josé miguel iribas, herreros arquitectos team: idom, topotek 1 berlín, josé miguel iribas, herreros arquitectos restricted international competition concurso internacional restringido contestants: architecture studio, dominique perrault, kcap-kees christianse, oma superficie 65Ha floor area 65Ha cliente: ville de bruxelles client: ville de bruxelles colaboración como arquitecto en coordinación del concurso, diseño, dibujo e imágenes collaboration as architect in coordination, design, drawings and images


35

o5

colaboraciones profesionales professional work

_ secciones _ sections

master plan para el barrio de heysel heysel master plan equipo: idom, topotek 1 berlín, josé miguel iribas, herreros arquitectos team: idom, topotek 1 berlín, josé miguel iribas, herreros arquitectos

_ eje central ordenación _ vertebra of the proposal

_ secciones _ sections

Recently erected urban projects have shown the risks of being seduced by the monumentality and the dubious strength of a city made on big facilities and huge vacuum public space. Those new urban developments need notably continuity with the existing fabric, as well as big amounts of activity and life, not to become residual areas. On the contrary, we understand that the competition offers a great opportunity to consider the area as a portion of a city in which the true core of the urban structure consist on dwelling, retail and metropolitan and local services that would generate a mixed and daily used environment. We believe in the value and potential of the urban fabric instead of large scale monofunctional objects.

en

es Experiencias recientes han demostrado los riesgos de la monumentalidad y supuesta potencia de los conjuntos construidos en base a grandes equipamientos y los enormes vacíos de espacio público que devienen fácilmente en lugares de escasa continuidad. Entendemos que el concurso ofrece una gran oportunidad para plantear un fragmento de ciudad en el que los usos residenciales, terciarios y comerciales sean el verdadero sustrato dinámico de una estructura urbana que quiere aprovechar la energía generada por los equipamientos metropolitanos pero buscando el potencial urbano en los tejidos de uso cotidiano más que en los grandes objetos.


36

colaboraciones profesionales professional collaborations

wo6

palacio de congresos de cuenca congress hall in cuenca cuenca, españa

cuenca, spain

arq.: herreros arquitectos, boma arch.: herreros arquitectos, boma concurso internacional abierto open international competition superficie 7900 m2 floor area 7900 m2 colaboración en el diseño, dibujo y producción de imágenes collaboration in design, drawings and images


39

o6

colaboraciones profesionales professional work

palacio de congresos de cuenca congress hall in cuenca

_ secciones transversales _ cross sections

arq.: herreros arquitectos, boma arch.: herreros arquitectos, boma

_ planta _ floor plan

_ vista general de la propuesta _ general views

Due to the financial situation we are going through, the guidelines of the competition urges to competitors to austerity. The proposal turns what it could be understood as a problem into a challenge and makes out of these restrictions the main argument of it. We propose a strictly rational architecture fostering a new aesthetic sensitivity. Therefore, we establish a whole working method based on a refinement of ideas and building system in order to obtain a flexible and open project.

en

es El programa del concurso transmite con claridad un contexto de austeridad. La propuesta hace de estas limitaciones el argumento principal, se trata de una arquitectura extremadamente racional y pionera de una nueva sensibilidad estética. En ésta línea, se establece un método de trabajo y depuración de las ideas y de los sistemas constructivos del que obtener un proyecto flexible y abierto.


40

colaboraciones profesionales professional collaborations

wo7

escuela primaria en ningbo ningbo primary school ningbo, china

ningbo, china

equipo: cca architects and planners team: cca architects and planners commission encargo superficie 30.000 m2 floor area 30.000 m2 cliente: ayuntamiento de ningbo client: ningbo city council encargado del proyecto, concepto, dise単o y desarrollo project leader, concept and design


43

colaboraciones profesionales professional work

o7

escuela primaria de ningbo ningbo primary school equipo: cca architects and planners team: cca architects and planners

en The education in which the student is a mere listener and a taskmaker or producer is no longer a suitable model for chinese upcoming future. Consequently, the structure of the project is organized as a summary of innovative concepts and “policies� capable of reinventing and reinterpreting the school and the education, focusing on its participative, communicative and environmental aspects. It fosters connection, commitment and perception as the unique way to induce a new kind of relations between students and environment, namely, human networks, nature and knowledge. The school consists on a simple and not hierarchical distribution of the program on four strips. We realized that most part of the program could be deployed under a roof without any walls or elements that could avoid the desirable contamination and relation between activities, classrooms, students, faculty and most importantly, subjects. On the practical side, the project attempts to generate a rich inside of artificial and natural lanscape, avoiding the uninteresting surroundings. Each of the 24 regular classroom units, placed on the first floor, has a square proportion to eliminate any priority on the teachers position. These classrooms catch a soft north light from a top window, allowing to have four usable walls.

_ vista interior del aula _ interior view of regular classroom unit

_ (des)composiciĂłn del edificio _ (de)composition of the school


44

45

_ planta de ordenaci贸n _ floor plan


46

47

_ alzado _ elevation

_ vista de aula “abierta� interior _ open classroom


48

49

_ vista general de la propuesta _ general view


50

colaboraciones profesionales professional work

wo8

casa querejeta querejeta house donostia-san sebastián, españa

donostia-san sebastian, spain

equipo: jose maría aguirre prof. en ETSASS y leyre asensio prof. en AA, GSD HARVARD team: jose maría aguirre prof. at ETSASS & leyre asensio prof. at AA, GSD HARVARD vivienda unifamiliar, encargo

single house, private comission superficie 360 m2 floor area 360 m2

colaboración en el diseño en la fase de proyecto básico y de ejecución collaboration in the schematic design and construction project phases


53

o8

colaboraciones profesionales professional work

casa querejeta querejeta house equipo: jose maría aguirre prof. en etsass y leyre asensio prof. en aa, GSD HARVARD team: jose maría aguirre prof. at ETSASS & leyre asensio prof. at AA, GSD HARVARD

_ maqueta _ model

_ fotografía del acceso _ photography of the entrance

The building seeks to maximize views over the parcel, it is organized along 3 bands that intersect around the circulation core. These three bands, that accommodate and organize the different rooms, open up towards different views and orientations, while maintaining a prevailing orientation in the northeast-southwest direction to secure maximum daylight in every room. While the bands configure and organize the different housing uses, they also demarcate the different landscape zones, defining the landscape qualities of the parcel. The parcel is organized in a series of terraces that negotiate with the existing steep topography while configuring the base for a landscape with differentiated characters. The house is a conscious exercise in developing an alternative configuration to the surrounding villas of the neighborhood by developing strong relationships between the landscape and the house in order to produce multiple experiences within and towards the house. The multiple readings of the house mirror the rich experiential lifestyle that is facilitated by the geometric configuration of the house and its landscape.

en

_ alzado _ elevation

es El edificio encuentra mediante su configuración, la posibilidad de acceder a las mejores vistas que el entorno ofrece. Se organiza en tres bandas que intersecan en el nucleo de circulación. Estas tres bandas, que acomodan y estructuran las principales estancias, se despliegan y abren según las diferentes orientaciones y vistas, siempre manteniendo una orientación preferente, noreste-suroeste, que garantiza el máximo soleamiento en todas las habitaciones. Las bandas definen no sólo las diferentes partes del programa residencial, sino que también marcan fuertemente las características paisajísticas de la parcela. La parcela consta de unos micropaisajes que se organizan aterrazados en consonancia con el terreno existente. La residencia es un ejercicio de reflexión para el desarrollo de configuraciones alternativas a las villas que pueblan el barrio. Una alternativa fuertemente basada en el estudio, valoración y potenciación de las relaciones refugio-paisaje. Las múltiples lecturas posibles de la casa basadas en la configuración geométrica de la misma y la de su entorno, reflejan la riqueza fenomenológica de los espacios y las diversas formas de vivir la casa por parte de los usuarios.

_ plantas _ floor plans


54

colaboraciones profesionales professional work

p

XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Xetsass/etsab/waseda X X X X X X X X X X Xuni. XXXX X X X X X X X X X X X Xuni. XXX etsass/etsab/waseda XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX selección de proyectos 2oo4 I 2o1o selected projects 2oo4 I 2o1o XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Xaviario XXXXX X X X X X X X X X Xaviary X X X X Xin X barcelona XXXXXXXX enX barcelona XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X cámara X X X X X comercio X X X X X Xen X Xbarcelona X X X X X X X X X X chamber X X X X X X Xof X commerce X X X X X X X Xin X barcelona XXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX proyecto final de carrera thesis project XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXX X X Xmixto XXXX X X X X X X X X mixed X X X X Xuse X X high X X X Xrise XXX XXXXX rascacielos deX uso enX tokyo inX tokyo XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX

proyectos académicos school projects


proyecto final de carrera thesis project rascacielos de uso mixto en tokio mixed use high rise in tokyo Calificación de Sobresaliente Awarded Honors 11th Spanish Architecture and Urbanism Biennial Exhibition

Tutors: Eduard Bru, ETSABarcelona. Irie Masayuki , WASEDA Tokio

_ imagen exterior _ exterior view

A wide part of Tokyo has stayed, until now, practically immune to urban planning, representing a magma that oscillates from the low density to the vertical city in an astonishing natural way. The apparent incoherence, or probably the a-coherence, is something inherent to the city and cannot be eliminated without avoiding the death of the spirit that gives it life and character.Tokyo is fated to densification and we must get used to this phenomenon. The introduction of a vertical component in the city must be studied, however, not only as a mere form of densification, but also as an efficient and desirable way of operating and providing solutions to the suffered syndromes.

es

The Thesis Project proposes an alternative to the urban regenerations processes that, since the mid 80s, have been tearing apart the multi-scalar, a-central and mixed-use features of Tokyo. How can such project be respectful with the spontaneous “urbanism” that has led to what is now known as Tokyo? Can we avoid the permanence and the immutable in large-scale operations?

El proyecto plantea un modelo de construcción en altura de uso mixto como alternativa a los procesos de transformación urbana que, desde los años 80, están desfigurando el carácter acéntrico, multiescalar y de uso mixto de la ciudad de Tokio ¿En qué medida puede partir tal proyecto del respeto a la práctica espontánea que ha dado lugar a lo que hoy se conoce como Tokio? ¿Se puede evitar lo definitivo e inmutable en una operación de gran escala? ¿Cómo puede una estructura vertical de usos mixtos ser permeable, frágil, etérea y flexible?

en

Las grandes corporaciones, apoyadas desde el ámbito público mediante procesos sucesivos de privatización y desregulación, están convirtiendo Tokio en una ciudad sin una identidad propia. Han expandido su actividad al campo del planeamiento urbano, dejando fuera del discurso de transformación urbana al arquitecto, sociólogo y antropólogo independiente.En este marco, el edificio en altura debe ser estudiado como un posible instrumento de transformación en beneficio público y como modelo de gestión urbana que puede repercutir en un ámbito de la ciudad extenso.

_ espacio publico interior _ interior public space

51


62

63

_ secci贸n _ section


64

65

_ comercio y oficina _ commerce and office

_ usos y organizaci贸n _ program distribution

_ espacio p煤blico _ public space

_ detalles cerramientos _ facade detail

_ cerramientos _ facade distribution


66

67 _ vivienda _ dweling

_ sección _ section

en It’s introduced in an area of extreme unbalanced patterns between public and private interests, of concentration of uses and depopulation. It works as a metaphorical reproduction of the city fabric in vertical or perhaps as an extension of it. Containing all the programs we can imagine for the city, not with the intention of sheltering all those uses which that precise fragment of the city lacks, but with the purpose of causing the bloom of other uses in the area.


ibragadofernandez@gmail.com I phone: +15o1o327429


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.