ARCHITECTURE PORTFOLIO [2012/2015] Ileana Cristina Bﾄネan
/ For position of Junior Architect /Architect Assistant
MA.ARCH DIPLOMA PROJECT [2015] [L] Creative Hub / Adevarul Palace & Cinema Capitol
RESUME CONTENT
ARCHITECTURE PROJECTS
OFFICE PROJECTS [2015] [XL] Duzce University Campus [M] Atakoy Memorial Hospital
CONTESTS / WORKSHOPS / UNIVERSITY PROJECTS [2014-2012] [L] WSB14 / Powering Transformation Contest [S] Project 86-/Innovative Prototyping @Dynamic Fields [M] Modern School in Gaziantep / Isover Contest [M] Visual Arts Center /University Project [S] Rainwater Harvesting System / Future City Lab Workshop
RESUME / SUMMARY OF ARCHITECTURE / GRAPHIC DESIGN / ILLUSTRATION WORKS CONTACT INFORMATION [Born] [Nationality] [Mobile] [E-mail] [Work]
20/07/1989 Romanian 0040722 353 252 cristina.ile.balan@gmail.com available to work abroad in Europe/ US / Asia / Africa
EDUCATION [2006/2009]
International Computer High School, Bucharest, Romania
[2010/2013]
Ba. Arch [Honors] at University Spiru Haret, Architecture Faculty, Bucharest, Romania
[2013/2015]
M. Arch [Honors] at University Spiru Haret, Architecture Faculty, Bucharest, Romania
EXPERIENCE [2009/2010]
Copywriter for Metropotam website, Bucharest, Romania
[2011/2012]
Founding Member / President / Vice-President at Architectural Students Association Spiru Haret
[2011/2012]
3 month internship at Studio di Architettura Paolo Emilio Zoagli, Alghero, Sardinia, Italy -working on concept and restoration process for competitions and client base projects
[2014/present] Co-Founder and Lead Graphic Designer for Project Bre., Bucharest, Romania [2014/2015] p [2012/2015] I
3 month internship with Erasmus Plus Scholarship at Salon Architects, Istanbul, Turkey -working during tight deadlines with existing team on documentation & analysis / concept / post production in 3 architecture projects Graphic Design / Branding & Advertising strategies both online & offline for A.S.A.S.H / StudentPlot / Architecture Days USH / Agrium Romania / The Transmitter Project / Io non ti mangio / Standard Med. / etc...
AWARDS / SCHOLARSHIPS [2011/2012]
Erasmus Scholarship for 9 months at Facolta di Architettura di Alghero, Sardinia, Italy
[2014]
National winner at Junior Achievement-Young Enterprise, Start-up of the Year with Project Bre.
[2014]
Participation at Romanian Design Week-2014, Graphic Design & Branding section
[2014/2015]
Erasmus Plus Internship for 3 months at Salon Architects, Istanbul, Turkey
[2015]
Winner of Jury Special Prize for Architecture Student of the Year Contest with Master Diploma Project
COMPUTER PROGRAMS & DESIGN 2D / DRAFTING / CODING -----------------RHINO [expert] GRASSHOPPER [starter] AUTOCAD [expert] REVIT [starter] LANGUAGES -----------------ROMANIAN [native language] ENGLISH [expert] ITALIAN [expert] FRENCH [average] TURKISH [starter] HEBREW [starter]
3D / RENDERING -----------------RHINO [expert] SKETCHUP [expert] V-RAY [average]
POST PRODUCTION / OTHER -----------------ADOBE CREATIVE SUIT Photoshop Illustrator InDesign Lightroom Premier WACOM TABLET ECOTECT MICROSOFT OFFICE SUIT
SKILLS & HOBBIES DOCUMENTATION AND RESEARCH / GRAPHIC DESIGN / DIGITAL ILLUSTRATIONS / CONCEPT DEVELOPMENT / REHABILITATION STRATEGIES / POST PRODUCTION / LOGO-DESIGN / HAND DRAWING / HARD WORKER / DEDICATED / TEAM PLAYER / PUZZLE SOLVER / INTUITIVE / SCUBA DIVER / ROOKIE RUNNER
[expert] [expert] [expert] [expert] [expert] [average] [starter] [average]
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CREATIVE HUB / MASTER DIPLOMA PROJECT [2015] [Jury Special Prize for Architecture Student of the Year Contest ] Coordinator: Lect. Dr. Arch Maria Duda
SITE AND OVERALL GOAL Strategic project for revitalizing Constantin Mille Street, an old cultural area in Bucharest, Romania. The first step in the grander scheme was bringing back to life the Adevarul Palace, an iconic construction made in 1898-1903.The Palace is composed of both eclectic French interiors and industrial production quarters. The new func tion is that of a museum dedicated to the Romanian Press situated at the inferior floors and that of a creative business hub at the upper ones. Most of the space is dedicated to the creative business because of the technology implemented in the building, as found at BCN FAB LAB GENERAL CONCEPT In essence the concept of the project is exploring the boundaries between ornament and function. Since the heritage buildings present both, the challenge was to create a symbiosis between the two, as in the works of Farshid Moussavi’s the conclusion was that of a functional ornament.
EXISTENT EXTERIOR RENDER WITH BOTH CULTURAL INTERVENTIONS / CULTURAL-HUB AND WALKWAY
INTERVENTION GENERAL INTERVENTION DIAGRAM
INTERVENTION SCHEME [Reinterpret the main functions into a contemporary indispensable manner] The intervention is composed of 3 main buildings, 2 are existing heritage buildings and a 3-rd one that is proposed with functions that are indispensable in the area, according to Romanian Legislation [PUZ/PUD]. All the heritage buildings are designed with the outmost respect to the existing fabric while the intervention inside is bold and manifesto type oriented. MAIN FUNCTIONS If one looks at the intervention as a hole, the main function is that of a alternative cultural centre at ground and first floor. As you get a better sense of the building you discover museum area and working spots that are all connected by pedestrian bridges that oversee the city. Overall Area of intervention: 3.000 msq RESIDENTIAL BUILDING [new proposed building]
Functions: Residential building Inner greenhouse ADEVARUL PALACE
CINEMA CAPITOL [existing heritage building]
SITE PLAN OF OTHER CULTURAL BUILDINGS
[existing heritage building]
Functions: Cultural passage Art workshop area Bistro / caffe
Functions: Museum for Romanian Press Creative Industry Business Hub MAIN FUNCTIONS OF THE INTERVENTION
EXTERIOR AND INTERIOR IMAGES OF THE HERITAGE BUILDINGS
EXTERIOR RENDER OF CINEMA CAPITOL - CULTURAL WALKWAY
PLANS Since it is a intervention proposal, the plans are composed of 3 different colors expressing either existent elements / intervention or demolished. It must be pointed out that the biggest intervention was done in the interior quartyard of the Adevarul Palace, as more light was needed for different cultural activities. It is also vital for better understanding that the shades of grey represent different heights of the floor, as existent in the original plans. [The overall number of floors is 6 + 1 underground floor/ for better comprehension the main floors are shown] DIAGRAMS The diagrams made for the project follow the same language as the plans, showing with different colors existent elements and interventions. Also they show an overall idea of the human interaction that is possible in un adaptable building.
EXISTENT INTERVENTION DIAGRAM WITH INTERVENTION IN CINEMA CAPITOL WITH MAIN FUNCTIONS / INTERACTIONS
SPECTATORS STAGE DIAGRAM WITH DIFFERENT ARRANGEMENTS OF STAGE AND SPECTATORS
DETAIL OF QUARTYARD GROUND FLOOR PLAN [ ENTRANCES / MUSEM AND CULTURAL WALKWAY]
INTERVENTION EXISTENT DETAIL OF APARTMENTS FIRST FLOOR PLAN [MUSEUM / BISTRO AND CULTURAL WALKWAY]
DETAIL OF PEDESTRIAN BRIDGE
DEMOLISHED
3RD FLOOR PLAN [ CULTURAL BUSINESS HUB AND PEDESTRIAN BRIDGE ]
FACADES & SECTIONS Both the facades and sections have the same coherent language as the floor plans. The main purpose was preserving the existent and continuing the original work of the architect, such as in the main facade of Cinema Capitol [Modernist Bauhaus]. Using local, accessible materials such as the existing brick work of the walls, one can read from the exterior the hierarchy of the interior functions. A somewhat phantasmagorical intervention was done with a metallic structure that acts as a binding element between the 3 buildings. Acting both as solar shading and as supporting structure for the new planted greenery, the structure is a well needed element on a street deprived of vegetation.
INTERIOR QUARTYARD RENDER FROM ADEVARUL PALACE
INTERIOR RENDER FROM GROUND FLOOR / PRESS MUSEUM AREA PROPOSED FACADES FOR THE INTERVENTION
SECTION THROUGH ADEVARUL PALACE AND CINEMA CAPITOL
INTERIOR RENDER FROM THE PEDESTRIAN BRIDGE SECTION THROUGH ADEVARUL PALACE AND RESIDENTIAL BUILDING
INTERIOR RENDER FROM THE INNER GREENHOUSE OF THE RESIDENTIAL
SECTION THROUGH CINEMA CAPITOL’S ADAPTABLE STAGES AREA
GENERAL SECTIONS THROUGH THE INTERVENTION
INTERIOR RENDER FROM THE WORKSHOP AREA IN CINEMA CAPITOL
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DUZCE UNIVERSITY CAMPUS / [2015] [Office Contest]
ARCHITECTURE DESIGN Alper Derinboğaz & Melike Altınıșık [SALON ARCHITECTS] PROJECT MANAGER Gül Ertekin TEAM Demet Çekiç / Selçuk Kișmir / Ozan Balcık / Ileana Cristina Bălan
CONTEST REQUIREMENTS The main theme was to create a masterplan intervention of the existing 150ha Duzce University Campus in Turkey. There also was needed an Architecture & Art Faculty, a Cultural Center and an extension of the existing buildings. All of them connected by a series of pedestrian walkways that would emphasize the existing terrain. CONCEPT The team worked on a concept that would transcend the main characteristics from the existing terrain to the built one. Solving the actual problems of the campus such as circulation, connectivity and relationship between all the departments of the campus was the main goal for the intervention. Thus, the team elaborated a series of paths that are born from the natural terrain that offer both privacy and connectivity for the students & staff and the multitude of departments. With the help of a series of roads that border the Campus site that are destined only for public transport, the main campus area was left an eco-friendly space, only for pedestrians and bikers. PERSONAL CONTRIBUTION [as architecture intern] - Research and documentation for the masterplan and the pedestrian walkways - Preliminary sketches and concept development for the masterplan and the pedestrian walkways - Autocad and Rhino work for drafting of main concept and detailing the masterplan -Post Production in Lightroom and Photoshop
GENERAL AERIAL RENDERS OF THE MASTERPLAN
MASTERPLAN WITH THE CAMPUS INTERVENTION
DIAGRAMS After a meticulous concept development with the team, we worked on a solution that is favorable to users of the space and the natural environment. The diagrams show in a schematic manner the circulation in a process development manner, paths for cars [in this case they are at the extremities of the campsite] and a series of pedestrian walkways that rise from the surrounding terrain. DIAGRAMS SHOWING CIRCULATION AND ITS RELATIONSHIP WITH THE CAMPSITE
CONCEPT DRAWINGS FOR THE MAIN APPROACH FOR THE CAMPUS
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ATAKOY MEMORIAL HOSPITAL [2015] [Office commission project]
ARCHITECTURE DESIGN Alper Derinboğaz & Melike Altınıșık [SALON ARCHITECTS] PROJECT MANAGER Gül Ertekin TEAM Demet Çekiç / Ileana Cristina Bălan
SITE PARTICULARITIES The Atakoy area is situated on the west side of Istanbul, close to the Marmara Sea. The area is an important medical center for both research and treatment. CONCEPT Being also one of the most polluted and transited areas in Istanbul the proposed project was conceived by the team as a sustainable one. With the help of climate monitoring software, such as ECOTECH the team was able to create a solution that responds to all the LEED [Leadership in Energy and Environment Design] requirements. The most important aspect of the building sustainability is given by its passive double façade, that was strategically placed on the side of the building most exposed to NOX-s and VOC-s. Another technology that was implemented in the building was the TIO2 pulverization on the main facade.
MAIN SITE PLAN WITH ACCESSIBILITY
DIFFERENT RENDERS OF PROPOSAL AND ITS INTEGRATION ON SITE
PERSONAL CONTRIBUTION - Rigorous research and documentation for the passive double faรงade and the TIO2 implementation & contacting the firms that work with these technologies - Concept and sketch for volumetric solutions that were mainly influenced by the environment and climate -Conceptual diagrams and analysis of the proposal and the passive double faรงade -Adobe Premier montage for the video presentation of the solution TYPOLOGY STUDY OF OTHER SHAPES OF THE HOSPITAL WITH ENVIRONMENT AS MAIN CRITERIA
SCHEMATIC SECTION DIAGRAM OF THE TECHNOLOGIES IMPLEMENTED IN THE HOSPITAL
CONCEPT DIAGRAMS DERIVING FROM ACCESSIBILITY BOTH VIA CAR AND PEDESTRIAN
DIAGRAM SHOWING HOW THE PASSIVE DOUBLE FACADE WORKS IN DIFFRENT SEASSONS
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WSB14 / POWERING TRANSFORMATION [2014] [Sustainable Architecture Solution Contest]
TEAM Adelina Elena Barbu / Oana Bacu / Marius Balașca / Andrei Lazăr / Ileana Cristina Bălan
PROBLEM The purpose of the presented projects is to resolve one of the most important contemporary problems regarding dwellings in Bucharest. Residential complexes built in the 50’s and 60’s have had one purpose, that of a place where one can sleep. With the cheap, prefabricated materials, these types of residential complexes typologies extended to other cities not only Bucharest. With the downfall of the communist regime in Romania, its citizens wanted more from a place they called home. SOLUTION The solution found was not a universal one applied by copy-paste-ing to all the dwellings in Romania, but a series of questions that could ripple different solutions according to the area of intervention. The proposed extension of the dwellings had to be flexible, adaptable, sustainable and nevertheless a place where every inhabitant felt at home. Thus regarding the dwelling typology in Bucharest we implemented a project based on interdependence between different quartyards that are in vicinity. A scenario is shown on the right side when the interdependence is determined by functions such as that of a school-a urban garden and a sport/ leisure quartyard. PERSONAL CONTRIBUTION -Site plan, Autocad plan drawing and Photoshop post post-production -Diagrams for the functions and main c oncept -Preliminary sketches and concept development -Plan of ground floor / drafting and main section with the implemented technologies
EXTERIOR PERSPECTIVES OF THE DWELLINGS
STRATEGY As a main approach the team came up not with a copy-paste solution but with a series of questions that could ripple different solutions according to the context of implementation. Thus it is crucial for any new intervention into existing fabric to make a SITE ANALYSIS first after which a LOCAL IDENTITY can be found out. It is crucial to keep a constant COMUNICATION WITH RESIDENTS to better IDENTIFY THE PROBLEM. After all this is done, a solution can be implemented as long as it is done with right RECYCLED MATERIALS that have a LOW IMPACT ON ENVIRONMENT. And last but not least it is vital for future generations and for our own humanity to always search and implement ALTERNATIVE TECHNOLOGIES. IMPLEMENTATION Having in mind our strategy we came up with a solution that will help both economically and time wise dwellings. The new apartments will be made of cargo containers that have different technologies implemented such as new pipe system that reuses grey water or filters it. Also implemented rain water umbrellas and photovoltaic panels that will help the residence have a better lifestyle.
MAIN STRATEGY OF INTERVENTION FOR THE EXISTING DWELLINGS
SITE PLAN WITH THE MAIN FUNCTIONS OF THE INTERVENTION
PEDESTRIAN WALKWAY SHOWING DIFFRENT HIGHTS AND GENERAL PLAN OF GREENHOUSE
SUSTAINABLE DIAGRAMS [WATER] All the technology implemented has data that show how if designing responsibly with new pipe system, filtering the water [sand & reedbed] and using umbrellas as capitation system for rain water improve water usage. Thus with all these a person will consumes now 150L instead of 250L/day as in normal use. [ENERGY] With roof photovoltaic panels, both the residence and the general infrastructure of the quartyard benefit. As a normal family of 4 uses approx. 300KwH/month all this needed energy is possible with photovoltaic panels implementation on 80% of the roof area. [PARKING] As for the parking, with a smart parking system, that lets you stack on 1 parking lot up to 10 cars, we were able to free the inner quartyard and stack on 280msq/ floor around 200 cars. [All the implemented technology can be better seen in both the diagrams of the overall site as well as the detailed apartment plans]
DIAGRAMS WITH WATER FILTRATION / CAPTATION AND PHOTOVOLTAIC PANEL IMPLEMENTATION
DIAGRAM SECTION WITH TECHNOLOGY IMPLEMENTATION [WATER SYSTEM AND PHOTOVOLTAIC PANELS]
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CONSTRUCTION DETAILS FOR THE GREENHOUSE AND DWELLINGS APARTMENTS WITH GENERAL FUNCTIONS AND NEW RECYCLING WATER PIPE SYSTEM
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PROJECT 86- INNOVATIVE PROTOTYPING [2013] [Dynamic Fields Workshop] [Portfolio-Based Scholarship Participation]
TEAM Andrei Ducu Predescu / Răzvan Ichim / Larisa Rățoi / Lina Ruskauskaite / Ana Baciu / Gabriela Ciuchete / Ileana Cristina Bălan / Alexandru Oprița / Victor Plăcintă / Oana Bacu OBJECTIVE Wind mapping, structural deformation analysis MATERIALS Bamboo, thermo-contractible cable, polystyrene, nylon thread PROGRAMS USED Rhino + Grasshopper + Photoshop + Sketchup + Vray CONCEPT A dynamic structure formed of diamond shaped modules having flexible joints which allow the interconnected parts to react at an individual level or as an integrative system. The final project was the result of an intensive testing of various iterations. The idea was to create a structure having moving parts and allowing it to constantly adapt and change to its surrounding environment and in particular, to the airflow created by the industrial fans strategically placed to create a pleasant movement.The system acts as a structural membrane which mediated the airflow, becoming a synergy between the mechanical forces and the structure itself, thus the modules undergo translation and axis variation, each of them being independently dynamic, but within the structure being interdependent.
EVOLUTION OF THE INSTALLATION FROM CONCEPT UNTIL THE FINAL PRESENTATION
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MODERN SCHOOL IN GAZIANTEP [2014] [Isover Contest]
TEAM Adelina Barbu / Oana Bacu / Ileana Cristina Bălan
CONCEPT [Geometry and Patterns] Since a carpet is more of a work of art, each design has a deeper meaning. A carpet is more likely to a poem, neither can tolerate any extra element which does not contribute to its wholeness and value. Therefore, just like a poem, each pattern of carpet is like each verse of a poem. It is chosen for its beauty and the motifs are carefully arranged to form rhymes of fascinating Turkish carpets...Motifs in Turkish rugs are a complete language [Rungs-Oriental]. The presented project has the main purpose of adapting the space around it to its end-users, the children, of various ages. The plan is composed of sliding walls, just like Aladdin’s carpet, that contract and expand according to the number of children in the classroom. PERSONAL CONTRIBUTION - General concept scheme - Research and documentation on alternative technology that are implemented in the project - Diagrams for both circulation and technology - Interior renders of classrooms and hallways
MAIN PROBLEMS IN THE EDUCATIONAL SYSTEM
CONCEPT DIAGRAM OF MAIN APPROACH
FUNCTION DIAGRAMS [adapt and play] The interior floorplan of the school was conceived so that the children and staff benefit from it as much as possible. This means that the space inside had to work well for the kids are more introvert or extrovert, to large classes and small ones. Thus like Aladdin’s carpet, the walls can move and shift according to their need. One space can be for a couple of hours a classroom and then be transformed into a library. Functions such as cafeteria, that only work for a limited time every day can be minimized according to need and be transformed in open play areas or classrooms. The building is designed as having an interior quartyard that extends inside with a greenhouse that acts as the heart of the building. From it all the spaces can be reached. The circulation inside the school is also adaptable as well, since kids love to play, they have a multitude of paths that led them to their wanted spaces.
GROUND FLOOR PLAN WITH MAIN FUNCTIONS
SECOND FLOOR PLAN DIAGRAM WITH MAIN FUNCTIONS
GENERAL DIAGRAM OF BOTH VOLUME AND FUNCTION ACCESSIBILITY
DIAGRAMS SHOWING ADAPTABILITY OF SPACES
TECHNOLOGY IMPLEMENTED Tapping into piezoelectricity, we created a series of colourful walkways that have a specific colour according to their end destination. The system works only during recess or when enough kids are playing on the generating panels. Because of the sites constrains the overall volume is terraces. This as well we used to the areas full capacity, creating greenery, vegetation and spaces where the kids can have classes or can play outside.
MAIN FACADES OF THE SCHOOL
FACADES & SECTIONS Our biggest constrains were the site angle and its limited high [of maximum 12m]. Using these constrains as a asset we created entries on both sides of the hill, making circulation more playful. This in term generated a terraced type of volume that determined specious terraces were the kids can play. Since our plan was from the start to make the building as sustainable as possible, the team had to work out a series of solutions that were viable in the area but also that were testing the boundaries between what is ornament and function. Thus we created on the facades a series of wooden sandwich panels that are hygroscopic [on the outside] and hydrophobic [on the inside] that capture the humidity in the air. This water was then stored publicly, filtered with reed-bed and then used inside the building.
GENERAL SECTION THRUGH THE SCHOOL
INTERIOR RENDERS FROM THE HALLWAYS AND CLASSES
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VISUAL ARTS CENTER [2014] [University Project]
SITE AREA Lipscani Street - Gabroveni Street, Historical Center, Bucharest, Romania MAIN FUNCTION Art Expo / Commercial / Retail CONCEPT The projects aim was to create a Visual Arts Center in Bucharest’s center. In the sense of a space dedicated to small installations, a series of art galleries and retail spaces. The site is situated in one of the densest and the most rapidly changing places in the city. The functions in this part of town change every 2 or 3 months. In order to propose something that will be lasting, I created a space that is very flexible and adaptable to any type of comercial/public function while keeping the GENIUS LOCI alive. This, in term generated a very dynamic building, containing a parasite structure inspired by the japanese cidori.
KENGO KUMA /PROSTHO MUSEUM [CIDORI]
GENERAL INTERVENTION DIAGRAM
SITE INTERVENTION AREA- OLD CITY / BUCHAREST
EXTERIOR RENDERS FROM ALL THE VISIBLE ANGLES OF THE BUILDING
DIAGRAM OF STREET VIEWS WITH THE INTERVENTION
FACADES & SECTIONS Since the space was designed as a adaptable commercial and retail area on the interior. this had to be reflected as well on the outside. Using the Japanese cidori structure you could reflect how the area is in constant change. Having a unfinished-type of language, the wood structure deforms and dissolves on a finished and regular surface. In the sections, the cidori elements enters the quartyard of the building acting both as a structure for the elevator as well as an installation that is pleasing to the eye. Along with a series of ramps that are external to the main building the structure flows through the functions of the building.
INTERIOR SPACE The same reinterpretation of the cidori element was done on the inside as well. The structure acts as a surface from which other elements can interact creating private change rooms or simply dividing the space up. The element can be well seen at the main entrance of the space. With a series of cuts done on the vertical axis of the building the cidori structure enters gradually the whole building. If looked at from the bottom floor, the structure seems endless, more elaborate then it already is. It has a somewhat mirage effect on its users. The space proposed craves for attention and exploration, characteristics that are in essence that of the area where the intervention is made. The old city in Bucharest is such a diverse and flamboyant place that is very easy to lose yourself in the process and simply become part of it.
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RAINWATER HARVESTING SYSTEM [2012] [Future City Lab Workshop] [Graduation with Honors]
COORDINATORS Arh. Daniel Dendra [AnotherArchitect] Arh. Martin Haas [Behnisch Architects] Climate Engineer Thomas Auer [TRANSSOLAR Energietechnik GmbH] TEAM Burcu Ceren Acar / Rossella Carboni / Silvia Deriu / Ileana Cristina Bﾄネan
SITE Alghero is situated in Sardinia ,Italy. The city has a Mediterranean climate, making it have long, hot summers and short, rainy winters.
OVERALL GROUP PROPOSALS FOR SAME SITE ACCENTUATING WATER RECYCLE / FILTRATION AND STORAGE IN ALL SEASONS
CHALLENGE The workshop was designed as a imagination exercise in which we had to predict with data how the cities will look like in 2050. For a simple understanding we had to foc us on only one resource. In the chase of rain water, by 2050 we predicted an average rain water of 660mm/ year in Alghero, Sardinia, Italy. PROBLEMS & SOLUTIONS The rain water that falls in the city will be captured by umbrella like structures and by normal street drains. For the piazzettas, I arranged an installation that mirrors the territorial characteristics of Alghero. The installation is made out of the same material that bends and stretches creating spaces to sit or lie down. The umbrellas that cover the proposed piazzeta are made to open and close according to the needs of the inhabitants of the city. At the margins of the installation there are reed-beds that filter the rain-water. [Personal work from group project] More info at // www.ftrctlb.com/cities/city/ GENERAL DIAGRAM OF PROPOSED FOR WATER FILTRATION WITH THE USE OF REEDBED IN PIAZZETTA
DIFFRENT SITE ARRANGEMENTS ACCORDING TO WATER LEVEL DIAGRAM OF GENERAL SECTION / DIFFRENT SKETCHES FOR WATER CAPTATION
GENERAL PLAN OF PIAZZETTA WATER FILTRATION INSTALLATION
THE INSTALLATION IN DIFFERENT SEASONS
Thank you! CONTACT Ileana Cristina Bﾄネan
/ 0040.722.353.252 cristina.ile.balan@gmail.com