Trap Metal Magazine - GIZMO by Illumignarly Records

FERG

COVER FEATURE

BY: BRETT DEADLY

GIZMO

GETTING TO KNOW GIZMO

By: Brett Deadly

1. Thank you for taking some time to be interviewed for Trap Metal Arsenal Magazine. Can you please introduce yourself to our readers and tell us, how have you been?

G: My name is gizmo, I am one of the original first 10 artists making “trap metal” on SoundCloud. I make a handful of different styles but I am most known for my screaming style. I have been good thank you for asking.

2. How long have you been working / making music under the title Gizmo and what is the meaning behind it? How did this name come to be?

G: I have been making music under the alias gizmo for about 9 years. I went with gizmo for my name because of the movie gremlins, it was one of my favorites growing up (still is) the styles I go for musically align with who and what gizmo is. When gizmo is not exposed to water or fed after midnight he is chill calm emotional, like some of the music I make, but when he’s exposed to water or fed after midnight (like when I’m faced with fuck shit or people fuck with me) he turns into a demonic gremlin, which goes with my

helping you get to where you are now? Who are your day ones?

G: Prohibeo (rip) taught me everything I know about music without him I wouldn’t be where I am today or have any of the musical knowledge I do now. As far as influences s/o Xavier wulf, bones, rozz dyliams, retch, gucci mane, waka flocka, chief keef, and 90’s alt rock.

4. What were you doing before all this started? Did you have other notable projects or ambitions before this one?

G: I was a professional photographr, really good swimmer, avid skateboarder (yes I can kickflip), fisherman, hunter, and lover of all small creatures. Still follow most of these passions to this day.

5. Why do you have an affinity for Trap Metal? And do you even like being referred to as a trap metal artist? I asked because there has been a lot of controversy on the subject, and I like to hear different opinions. I’d consider you to be among the pioneers of what Trap Metal is today so I’m extra curious what you think

GETTING TO KNOW GIZMO

By: Brett Deadly

tal before rap. I’ve been making this genre since it was only called “SoundCloud rap” that was the only name for it. So I just make it because I love it, call it whatever you want it doesn’t bother me. Call it penis rap for all I care.

6. What can we expect from you in 2025? New music, visuals or tours?

G: I’m always dropping every year. Next year expect my new album “Nu- ckelavee” if it doesn’t come out this year. Expect many shows maybe a tour or two and lots of visuals.

7. What are your long term goals? Where do you see yourself in 10 years. What about your end game?

G: I don’t have any goals really I just make music because it’s fun, but I hope one day to perform at a festival

8. With an interest in who your influences are, if you could go on tour with anyone in the world, who would be on the bill with you?

G: If I could go on tour with anyone I think a really cool bill would be Bones, Suicide Boys, Scarlxrd, City Morgue, Lil Darkie, Omenxiii, Killstation, Gizmo, Mavo, Eddie Fresco

9. What is your local music scene like? What are the pros and cons? And where do you see room for improvement?

G: The Music scene where I grew up was non existent, which is why around 2016 a little after I started under the alias gizmo I moved to California with my friend Prohibeo. The scene in the Bay Area was fun and accepting. Where I grew up in Rhode Island the scene has develo ped since 2016 and it’s growing now! I love to see it.

10. Here at TMA we’re constantly looking for fresh talent and prospective features. If you had to choose 5 artists from your circle to put us on too, who would you choose and why?

G: Listen to Mavo, Eddie Fresco, Ouija Macc, Fukkit

11. In the internet age, there are no safe havens from haters and assholes. How do you overcome haters and negativity? And what advice would you have for entry level artists who are starting to go through the same thing?

G: I’ve tried everything over the years and I’ve learned from my mistakes when dealing with the haters. I’ve made a fool of myself time and time again, it’s not worth it, the haters aren’t worth it. Best thing you can do is ignore and move on, I know it hurts but it shows resilience and builds character. As long as you’re doing something you’re passionate about and you’re having fun just do it. Sometimes the haters make you go viral too, sometimes it can be a good thing.

12. I’m asking you this last so it’s fresh in everyone’s mind when they are done reading. What you got going on? New music? Music videos? Show announcements?

G: working on an album and a couple other projects. eager to drop something soon this 2024 by end of summer early fall. more to come soon

13. As we wrap this up, is there anything else you want to add? And thank you for your time!

G: love you all thank you to anyone who has ever shown an ounce of

STREAM NOW

PARK CITY - JVNEBVG

By: Brett Deadly

PARKCITY by JVNEBVG kicks off with a creative intro that throws listeners back to the 90s, with a cassette player’s click setting the tone for the gritty ride ahead. This nostalgic touch feels intentional, signaling to the listener that JVNEBVG is an artist who plays with eras and sounds. By the time Track 2: BONESHAKER rolls in, you’re hit with that raw Trap Metal and Punk Rap fusion, a sound that JVNEBVG delivers effortlessly. It’s aggressive but calculated, pushing that rebellious energy, and some subtle Cyberpunk vibes, though the artist’s branding pulls more from the grunge scene. What really stands out is the blend of genres in this project. Track 3 and 4 are reminiscent of breakbeat and rave, taking cues from the likes of The Prodigy and Aphex Twin, but JVNEBVG keeps things rooted in Punk Rap, giving a futuristic edge to the grimey, bass-heavy beats. The collaboration on Track 4: I’m Not The One with Ak3k is a definite high point. Ak3k’s feature adds a

dynamic layer, and if you're familiar with his work, you'll find his voice meshes perfectly with JVNEBVG’s rebellious grit. The next shift happens in Track 5, which pulls back into a hip-hop and rap lane with a feature from Beamon. This switch in tempo and vibe is refreshing, proving that JVNEBVG isn't one-dimensional. He’s fluid, willing to jump genres while still making the track feel like it fits into the overall project. The title track PARK CITY really encapsulates JVNEBVG’s core sound. It's the pinnacle of Trap Metal and Scream Rap with layers of harsh vocal texture and heavy instrumentation. Here, JVNEBVG’s voice feels like a weapon, cutting through the beat with purpose. The depth and texture in his vocal delivery are undeniable and are a true testament to his versatility as an artist. Even though Trap Metal can often be associated with chaotic screaming, JVNEBVG brings technique and intentionality to every shout and growl, showing he’s more than just noise—he’s creating something visceral.

Afterthe intensity of PARK CITY, the album takes a breath with an interlude, and the mood shifts into a softer space. The next few tracks offer a more intimate side of JVNEBVG, showcasing that he’s not all about aggression. There’s a vulnerability that comes through, a shift in energy that feels natural, not forced. It’s here you see the creative depth—he’s not just one lane. The album wraps up with DISTORTED, a bass-

heavy collaboration with ARSX that brings back the raw, darker edge. The final track feels like a perfect bookend to the project, tying off the chaos with a sense of resolution. There's no filler here—each song is crafted with purpose and intention. What really shines through is the audio engineering. Every beat, every vocal layer, every distorted sound is meticulously placed. This isn’t a DIY basement tape thrown together for shock value. JVNEBVG is producing art—an experience that feels both polished and raw. You can tell he cares about the sonic quality as much as the message, and it shows throughout.

Overall,

PARK CITY is a wellbalanced project that blends nostalgia with innovation. JVNEBVG is a diverse, creative force, balancing Trap Metal, Punk Rap, and hip-hop with gritty lyricism and deep introspection. The album delivers something for everyone, from aggressive headbangers to deeper, moodier tracks. Each song stands on its own but contributes to the larger narrative, and his collaborations with Ak3k and ARSX elevate the overall vibe. This is more than just an album—it’s a statement. I give PARK CITY a perfect 10/10. Every track is unique, but the overall vibe feels cohesive, making this a standout project in today’s underground scene. If you're a fan of Trap Metal, Punk Rap, or even a curious listener looking for something with depth and grit, PARK CITY is worth every second. Be sure to check it out!

LATEST TRAP METAL ALBUMS

By: Brett Deadly - Notable releases from the Trap Metal realm

SINIZTER X SHUSH

CURSED! by Sinizter and Shush is a wild ride, blending Sinizter's legendary vocals with impressive guitar work. The track's energy is off the charts, and the production quality is nothing short of insane. It's a perfect storm of intensity and skill, making this single a standout in the trap metal scene. Definitely a must-listen for fans of heavy, hard-hitting collaborations.

MALFUNCiON

KNOTTZ's MALFUNCiON is a chaotic masterpiece of pure trap metal. The album is drenched in evil, demonic vocals that perfectly capture the wild energy of this Phoenix, AZ artist. KNOTTZ stands out with raw intensity, delivering an auditory assault that embodies the darker side of the alternative rap scene. A must-listen for those craving something sinister and unfiltered from the underground.

KAMIYADA'S LATEST

Kamiyada+’s XAMI EP is a bold fusion of hardcore hip-hop, trap, and metal that showcases his signature aggressive style. Packed with chaotic production, heavy bass, and harsh, visceral vocals, the project creates a dark, unrelenting atmosphere. Each track feels raw and unapologetic, pushing the boundaries of underground trap metal. Fans of the genre will appreciate this laterst release from a Trap Metal Legend

DARK UNDERGROUND TRAP METAL

KING SAUL - DUSTMYTE

By: Brett Deadly

DUSTMYTE’s latest release, King Saul, is a bold entry into the world of underground trap metal. From the moment the first track begins, the album grabs your attention with a raw, unpolished sound that feels refreshing in a sea of overproduced music. The opening guitar riffs start as a grungy acoustic jam session, seamlessly transitioning into distorted leads that set the stage for a unique listening experience. This combination of elements immediately highlights DUSTMYTE’s ability to blend genres, creating something fresh while still staying true to the DIY roots of underground music. A Powerful Fusion of Genres, what makes King Saul stand out is DUSTMYTE’s mastery of combining different musical styles without losing coherence. The early tracks, particularly Tracks 2 and 3, are heavy-hitting examples of trap metal, shadow rap, and hard trap. The features from SHEBA and Boodi B add depth, each bringing their own flair to the project. These songs pack a punch, combining brutal, distorted beats with fierce, energetic

vocals, perfect for fans of aggressive trap and metal, scream rap, and experimental.

For listeners looking for variety, King Saul doesn’t disappoint. Track 4, "Toss Em," offers a brief respite with a more laid-back trap beat, allowing for a moment of calm before the album returns to its highenergy assault. From this point forward, the album only intensifies. DUSTMYTE keeps things fresh by enlisting collaborators like VOODOOCHILD, Vitamjn, Celeste Kay, and Costlyloss, each of whom helps elevate the sound with their distinct contributions. The mix of vocals and instrumentation from the guest artists adds an extra layer of complexity to the tracks, making each one feel like a unique chapter in the overall narrative of the album. One of the standout aspects of King Saul is its ability to maintain energy while also diving deep into emotional and lyrical content. The album doesn't just rely on its aggressive sound but also brings moments of introspection and experimentation. The final tracks push boundaries, closing the album with a lyrically focused trap cut followed by an experimental track featuring a full band, which really showcases DUSTMYTE’s versatility. This exploration into different sounds and textures provides a satisfying conclusion to the album. The production of King Saul leans into a raw, DIY aesthetic, which fits perfectly within the underground trap metal scene. This album feels gritty and unpolished, but in a way that complements its overall rebellious and aggressive tone. The raw sound amplifies the energy and emotion, giving listeners a sense

of authenticity. For fans of underground music, where the imperfections often add to the charm, King Saul hits the mark.

My final Thoughts. All in all, DUSTMYTE’s King Saul is a must-listen for fans of trap metal and underground music. The ability to blend multiple genres—grunge, trap, metal, and experimental sounds— gives the album a unique identity. The features from SHEBA, Boodi B, VOODOOCHILD, Vitamjn, Celeste Kay, and costlyloss only strengthen the project, bringing new dimensions to the tracks and making each listen feel fresh. While the production may feel rough around the edges, that’s exactly what makes this release so special. It stays true to the underground roots while pushing boundaries musically. For anyone looking to explore the bleeding edge of trap metal and underground rap, King Saul by DUSTMYTE is a project that shouldn’t be missed. We rate this a solid 9/10.

Stream King Saul now on all platforms and follow Trap Metal Magazine for more reviews, underground music news, and exclusive interviews with emerging artists in the scene.

DIRTY BY: FERG BERSERK

By: Brett Deadly

Ferg Berserk is rapidly gaining momentum in the music scene, carving out his niche with a distinctive blend of Trap and Metal. His unique style feels raw, gritty, and authentic, consistently delivering the kind of high-octane energy that gets crowds moving. His latest release, "Dirty," continues to push the boundaries of both genres, making it an instant hit. The track stands out with its unapologetically ag-

gressive tone, pulsating basslines, and hard-hitting beats that are sure to resonate with fans of both trap music and metal. Ferg's ability to merge the intense, head-banging vibe of metal with the infectious, rhythmic flow of trap sets him apart in today’s music landscape. From start to finish, "Dirty" feels like a party in sonic form—chaotic, intense, and full of life. Adding to the appeal, the cover art is equally captivating. With its bold design

and eye-catching visuals, it complements the raw energy of the song perfectly, drawing listeners in before they even hit play.

For fans of boundary-pushing music, "Dirty" is a must-listen. Ferg Berserk’s rising star status is wellearned with tracks like this, and it’s clear he’s only getting started. Without hesitation, I’d give this track a 10/10. It’s a flawless cut, showcasing the perfect fusion of two dynamic genres.

A GENUINE SUB BASED TRAP METAL

INTERVIEW W/ SHANX TCG

By: Brett Deadly

1. Trap Metal is known for its raw energy and emotional intensity. Can you tell us about your journey into this scene? What drew you to this genre? The idea of being able to mix different styles to deliver more emotion called to me like crazy. I tried to include that men- tality in several Metal projects over the years, but people in the local scene I was in

weren’t 100% comfortable with the idea. Only took a few more years for the cata- lyst of what would be my home genre to grow strong. I couldn’t believe it, honestly. Trap Metal felt like home. It safeguards so many different styles under it, allowing what I feel is complete musical freedom.

2. The name "Shanx The Crooked Ghost" is unique and intriguing. What’s the story behind it, and how does it reflect your music or persona?

I took inspiration from “THE CROOK- ED MAN” story. The idea of a crooked man in a crooked world, in his crooked house, and does crooked music. The ghost part is me feeling like one constantly. This weird feeling of not belonging anywhere, that music has helped me deal with. Shanx, though, was a nick- name given by a friend of mine.

3. When creating a track, what comes first for you – the lyrics, the beat, or the overall vibe? How do you approach blending metal and trap elements in your sound?

Yes. In all seriousness, it depends. If I’m by myself It’s lyrics guaran- teed. But if I’m back home in Portugal, my producer will be working on a beat and I’ll be writing at the same time. The blend comes naturally. I grew up on 808s, breakdowns and glitch effects while my producer came up from Metal and works with a few prominent names in the industry. It creates this weird di- chotomy that is always in balance

4.Who or what are your biggest influences musically and personally? How have they shaped the sound of Shanx TCG?

I’ve learned to channel my energy towards this futuristic, cyberpunk feeling, mixed with heavy guitars and breakdowns. Honestly, It’s aid- ed heavily by the never-ending es- trangement present in my life. This idea that an idealistic world in the future might be where I belong.

5. What is your local music scene like? What are the pros, what are the cons, and where do you see room for improvement?

I’ve spent the last few years living abroad, which made connections with the underground of my country very rare. At the time, new styles of music, especially metal, had difficulty being born in Portu gal. Sometimes it hap pens, but it

gets stifled by other genres that have existed there for several generations. But with time, and new blood, I’ve been told a lot more people are trying the Trap Metal sound, or just simply testing new horizons. Gives me hope.

6. How has your sound evolved since you first started in the Trap Metal scene? Are there any pivotal moments that pushed your music in a new direction?

Apart from the last 2 songs I released, all my tracks were step- ping stones to reach the sound I want. And the beauty of it is that I’m not done learning. Every song feels closer to what my music sounds like in my head.

7. Trap Metal often taps into themes of darkness, rage, and rebellion. How do you channel these emotions into your music while keeping it engaging for your listeners?

The first song I ever released called “BEDROOM ANTHEM” tells everything. I grew up finding peace in the music on my head- phones, while jumping around inside my bedroom. Growing up and learning I was never alone with this feeling made me want to see that as my target audience.

I don’t write songs for clubs as much as I write for the isolated people that only have music to deal with life, most of the time. Wheth- er it be anger, sadness or happiness.

8. Have you collaborated with any artists in the underground scene? If so, who has been your favorite to work with, and who would you like to collaborate with in the future?

I got a song in the works with BRETT DEADLY that I’m really excited for. The more I dig into the underground, the more I find artists I want to work with. Off the top of my head, APE GABRIEL, GENWUNNER and GX- REPARTY all have very personal sounds I would enjoy working with.

9. :) Ayeeee. Trap Metal is not just about sound but also the visuals that accompany it. How do you approach the visual aspect of your art- istry, from cover art to music videos?

My visual style shifts back forth between gritty and aggressive to in- dustrial and cyber-inspired. I also have a mascot that represents the ca- cophony inside my head. A human- oid mesh of darkness covered with eyes. Each eye represents a different voice trying to take turns to talk.

10. Can you give us a sneak peek into what’s next for Shanx TCG? Any up- coming releases, collaborations, or

shows we should be excited about? New track with BRETT DEADLY aka Heartless Fendi on music streaming platforms coming soon, and a visual diary of sorts that goes deep on what each of my songs are.

11. As we wrap this up, is there anything else you want our readers to know? And thank you for your time. Thank you for having me!

D34TH - THANATOS

By: Brett Deadly

Thanatos’ latest EP, "D34TH," is an atmospheric exploration of gothic trap that plunges listeners into a world of haunting melodies and eerie vibes. The five tracks on the project are drenched in sinister lyricism and gloomy tones, creating an immersive experience that feels like a journey through the shadow realm.

The standout aspect of "D34TH" is its dark, moody production. The beats are heavy, brooding, and at times hypnotic, capturing the essence of gothic influence in trap music. Thanatos’ lyrics match

the tone perfectly, diving deep into themes of despair, mortality, and the macabre. For fans of dark, experimental hip-hop, this EP certainly delivers on its promise of an ominous, otherworldly sound. However, the project isn't without its shortcomings. While Thanatos leans heavily on an older hip-hop style, there are moments where the flow feels somewhat outdated. In an era where trap is constantly evolving, incor- porating more modern flows could take his sound to the next level and broaden his ap-

peal. While his distinct style adds to the dark charm of the EP, refreshing his delivery could bring a more contemporary edge to future projects.

Overall, "D34TH" is an intriguing and well-executed gothic trap project that showcases Thanatos’ unique sound and thematic focus. Though there’s room for growth in terms of evolving his flow, it’s still a solid effort with plenty of potential. I’d rate it a 7/10, and I look forward to seeing how Thanatos pushes his style forward in the future.

RONIN X - MUSASHI XERO

By: Brett Deadly

Musashi

Xero’s latest offering, "Ronin X," is a sonic journey through a futuristic, dystopian landscape. This 5-track EP blends multiple genres into a cohesive, high-energy experience that feels ripped straight from the world of Cyberpunk 2077. From start to finish, Ronin X is a relentless fusion of sounds, and its ability to shift between different audio textures is what truly sets it apart. The first thing that hits you is the beat production—an absolute standout across all five tracks. The EP showcases masterfully curated soundscapes, each one distinct yet tied together by a sense of gritty, cinematic atmosphere. Musashi Xero pulls from a wide range of influences, with

dubstep elements and seasoned DJ techniques adding layers of depth to each song. The production feels immersive, like walking through neon-lit streets in a digital rainstorm. Vocally, Musashi Xero brings a unique performance with his shadowy delivery and laid-back lyricism. His threatening undertone matches the dark, cybernetic soundscapes, giving the EP an almost ghostly presence. There’s a restraint in his vocals, but it only amplifies the feeling of tension and foreboding, creating a haunting juxtaposition to the relentless, genre-bending production.

Whatmakes Ronin X truly exceptional, though, is how well the art matches the sound. This is one of those rare releases where every element— from the cover art to the beats to the vocal delivery—fits together seamlessly, painting a vivid, futuristic world. You can practically see the neon glow and hear the hum of dystopian machinery as the

tracks unfold. It’s cyberpunk at its core, with a gritty, rebellious edge that feels alive. Overall, Musashi Xero has crafted a genre-defying masterpiece with Ronin X. While there’s always room to push the envelope even further, this EP is a near-perfect experience that feels both familiar and refreshingly new. 9/10—a must-listen for anyone looking for a ride through the darker corners of the future.

artIS ON tHE r

DOOMSLAYER

TRIPPEDAPHONK

THESE ARTISTS ON THE RISE LANDED ON OUR RADAR BECAUSE OF A HARD WORK ETHIC AND A SUPPORT ENERGY TOWARDS THE TRAP METAL COMMUNITY

KID KRAYGO

artIStS rISE

K MILLI

BOMBAY LUCARDO

LILBEEFROAST

By: Brett Deadly

LILBEEFROAST delivers a raw and gritty performance with his latest track, "Silence Of The Lambs." This dark, underground trap anthem oozes with heavy basslines, ominous beats, and haunting vibes, perfectly capturing the intense, shadowy aesthetic of the genre. His raw, unapologetic flow matches the dark, almost menacing production, making it a must-listen for fans of underground trap music. In addition to his music, LILBEEFROAST runs a brand called "Dipshit," which perfectly complements his dark aesthetic. For enthusiasts of underground trap culture, this is definitely a brand worth checking out—merging style with the same gritty energy found in his tracks.

EYE.DNTTY IS AN ARTIST THAT COMES WITH OFFERINGS OF VIOLENCE AND HIGH ENERGY. HIS CREATIVITY IS LITTERED WITH ANGRY LYRICISMS AND BRUTAL BASS FILLED MIXES. A MUST ADD FOR ANY SERIOUS PLAYLIST CURATORS WITH A TASTE FOR CHAOS.

ALL IN ONE APP

I USE IT MYSELF.

THE MASTERING SERVICE IS THE ONLY AI MASTERING THAT ACTUALLY DOES A GOOD JOB.

THE DISTRIBUTION ANALYTICS AND PAY ARE THE MOST STRAIT FORWARD THAT I HAVE EVER SEEN.

COMES WITH A PLETHORA OF TOOLS AND RESOURCES TO LEVEL UP YOUR CAREER. HERE IS 20% OFF SIGN UP...

INTERVIEW W/ $LUR

By: Brett Deadly

1. You’ve got a unique blend of heavy metal phonk and trap metal. How did you come across this sound, and what pushed you to experiment with screams?

Well I have been doing metal since 2010, I have played in countless bands and live projects. I have also always listened to rap on the side. I then discovered that rap metal was a thing and was immediately interested in it. So I started using online already made beats for a while, until I learnt how to make my own and would experiment heavily with genre mashing. Such as phonk aspects mashed with metal and trap. I have always been a fan of mashing genres. I have even mashed some black metal with some of my beats, which I like to think has created a semi new sound in the trap metal genre.

2. A lot of artists stick to one lane, but you merge two intense styles. How do you balance the phonk beats with the aggression of metal?

I am constantly in the mindset of innovation and creating something new and thinking outside of the box. There are MANY artists in the world doing the same thing over and over again. But I want to stand out. I want to do something different. So I would sit for hours listening to different artists and styles in the sub genres of trap metal and dark rap and so on. I would study what they did and how they did it and why it sounds the way it does and then take that structure and try my best to reinvent it. Also metal and the aggression in metal has been a part of my persona for years, so I find it quite easy to put elements of metal into all of the music I make. Even if it’s a small amount.

3. Who were your biggest influences growing up, and how do they influence your sound today?

Growing up and thinking back in the metal scene it would be bands like Oceano, Chelsea Grin, old Bring Me The Horizon, Signs of The Swarm, old Lorna Shore, Carnifex, old Thy Art is Murder and then with rap it would be Three6 Mafia, 50 Cent, Dr Dre, Eminem and then it moved onto artists which are more recent like, Warlord Colossus, Witchouse 40k, $uicideboy$, Pouya, XxxTentacion and Ghostemane. I could possibly name many many more artists. But it would fill up pages and pages. Haha. But these artists have influenced me for years. I was always drawn to metal vocals and heavier, more aggressive music. Music that wasn’t the norm you know. Then I found the darker side of rap, people actually talking about their feelings and how fucked up life can be and it’s hardships and shit. The rawness and anger of metal combined with the flows and rhythms and rawness and hype vibes from rap together just seemed right to me and I wanted to experiment further with these 2 types of genres and build my very own trap metal styled genre.

4. What is your local scene like? What are the pros? What are the cons? And where do you see room for improvement?

This is a tough one. The local scene regarding trap metal is pretty dead. But I have started a collective with some other artists that do similar styles (there really aren’t many of us) So shout out to my homies in Darkverse Syndicate - Vally boys, Redgxd, VulgrX, Ateo, Sarco and Ginoxide - Check them out! Or check out my project with Ateo “GRAVEYARD CITY” . We believe it has the potential to blow up more than everything else we have released. That’s the ONLY trap metal, alternative rap artists in the local South African scene.. We are trying our best to start a movement on this side. It’s hard work. But slowly people are starting to catch on and more people are attending shows with every show we have. So I would say that’s a pro. As for cons. We live at the bottom of Africa and I don’t think people from overseas realize how much talent there is here in Cape Town alone. It’s hard as hell to get our music heard overseas as the goal is always to blow up overseas before here. You can blow up locally. But niche genres like what we have don’t usually blow up. It’s mostly Afrikaans music that blows up here or anything more mainstream and not underground. Whereas in the US and EU, the trap metal or metal genre is more likely to blow up a bit more. Also there are very few venues this side to play at. It would be awesome if we had states to tour with the homies in Dark Verse Syndicate. I feel like living in the bat shit bottom of the world really has it’s challenges musically. The only metal artist to actually make it out and big here is Vulvodynia. They are now on an international scale.

5. What’s the creative process like for you when you’re putting together a track? Do you build the beat first or focus on the vocal delivery?

I always build the beat first. I write music fully driven by emotion and how I feel in the moment. So the beat usually turns out depending on how I feel at that moment. So it usually can go in any direction. Then I will write lyrics and then put down flows and shit when I get to the recording part. But EVERYTHING that I make musically is driven by emotion.

6. Who are some of your favorite Aggressive Phonk and or Trap Metal Producers or Artists? Who would you like to work with at some point? Phonk wise would probably be Freddie Dredd and Sxmpra. Trap Metal or rap wise would probably be Kill Dyll, Witchouse 40k and Warlord Colossus. I'd kill to work with any of those artists. A dream would probably be $uicideboy$. That would fuck real hard haha.

7. How has the underground scene embraced your music, and do you feel there’s more acceptance now for genre-bending artists like yourself?

I think all of my music will stay underground forever as it's either too depressing and can be triggering for some people or it's just too dark. But I don't think there's a ton of acceptance here in South Africa yet as there are a ton of gatekeepers in the underground metal scene. Although I do know of a lot of people that listen to this style of music they just don't know where to find it or keep missing our shows. But I'll keep my head held high and keep thinking positively and hopefully more people will come to enjoy it here.

8. A lot of your tracks have dark, aggressive vibes. What emotions are you channeling when you write and why?

A lot of my music stems from my past and how people have hurt me or how much my ex fucked me up emotionally - sadness eventually turned to anger and I channeled that through the music. Another thing that happened recently was the passing of my gran and she was pretty much like my mom as she raised me. So that's also a point from which I channel a lot of pain through and speak it out through my music. My music is sort of my therapist and I get everything off my chest that bothers me through it.

9. What do you think the future of heavy music like Trap Metal and Aggressive Phonk looks like, and where do you see yourself in it?

I do see that it's on the rise and more people overseas have much more of an open mind to it. So I hopefully do see myself eventually making it more overseas with my music instead of locally. I don't want to get stuck in the local trap. I do think people overseas have much more of an open mind when it comes to music. So I'd love to see my music reach more ears internationally and hopefully one day even just play a small show overseas or even a big one haha.

10. If someone is just discovering your music, what’s the one track they should listen to first to get the full $lur experience? And what platform should they listen to it on?

Id say they should listen to either Graveyard city - Leave This Place or $lur - PTSD. Both tracks are on all streaming platforms. But it would be nice to see my Spotify plays go up a bit more. Or even YouTube. Haha. I'd really appreciate it so much.

11. Thank you for your time. Is there anything else you would like to add?

Just want to shout out to Trap Metal Magazine and to Brett Deadly for managing all of this and giving us trap metal artists a voice and place to speak out about ourselves a bit and also for trying his best to keep the scene alive and thriving! Peace and enjoy my music! Let me know what you think in the comment section haha! More music coming real soon! Thanks.

INTERVIEW W/ ATEO

By: Brett Deadly

1. Your music pulls from deathcore and trap metal, two aggressive genres. How did you land on such an intense sound? Honestly, it's the feeling. If you love the feeling there is nothing to explain.

2. When you first started out, did you have a clear vision of the type of music you wanted to make, or did it evolve over time?

Yes and No. I started as a producer then tested the waters with trap metal. In the beginning, I was trying to sound like other artists but over time I started creating my own.

3. What were you doing before ATEO? Did you have other passions or aspirations before this one?

Yes. I was a producer. Producing commercial and rap beats. Not bad if I have to say so myself. Some played on the radio.

4. Lyrically, your songs seem to dive deep into dark, personal topics. Where do you pull inspiration from when writing?

From current situations or the past. Sometimes I use a character from an anime or game.

5. The trap metal scene is growing, but deathcore influences are still kind of tight niche.

How has the reception been from both metalheads and rap fans in your experience? I've done many shows, rap promoters were more friendly and helpful. Fans were shocked but that's what I expected. Metal promoters not so much. I got canceled once or twice

6. How do you keep your energy up when recording or performing something as intense as your music? Do you have a routine or ritual to get in the zone?

No I don't. Sit in my bedroom, until I write something really good, when the feeling is there, I try to keep it up as long as possible.

7. Collabs are huge in the trap metal space. Is there anyone in the scene you’d love to work with that you haven’t yet?

Yes, my music influence changed over the years, I would like to work with G59 boy$, and anybody that's really good.

8. Where do you see yourself in 10 years? What is your end game? Doing this for fun. It would be scary if I'm doing this as a "Job". That's my take on it.

9. What can we expect in the months to come? What about next year?

More tracks, At least been noticed by our peeps.

10. What do you think sets your music apart from other trap metal artists out there right now?

Melodic, ours has more of a melodic range with the beat and vocals.

11. Thank you for your time is there anything else you would like to add?

Take an opportunity to listen to our graveyard city tracks and we have an amazing Collab with a well known trap metal coming out soon

YURI SCRIBBLES

By: Brett Deadly

What inspired you to become a tattoo artist, and how did you get started in the industry?

What inspired me to begin the journey was, admittedly, my dad. I was definitely into art, making sprites and charcoal pieces more than anything. Still, it wasn’t until I wanted to get my first tattoo that my dad got excited. After we knew who I was going to for my first one, I realized that this industry was also a career path I could take that still delves into art. I officially entered the industry through an apprenticeship at a shop near my house. When one of the artists at the shop was working on another one of my tattoos, I started asking many questions about how it works, and she asked if I wanted to get into it. I don’t apprentice there anymore, but they are still a fantastic place to go. What styles of tattooing do you specialize in or feel most comfortable with?

Right now, I’m the most comfortable with almost anything that’s not colorized, minus black and grey and Lettering; I can do fine art, fine line, blackwork, black with some shading, cyber sigilism (thanks to you guys), some dot work, and I’m learning negative space right now.

How do you approach designing custom pieces for clients?

First, I now ensure that these are when I’m not a vendor at events; it takes longer to make customs when I have a crunched time. But for appointments, I would ask if

they have any references regarding what they want and if there is a description of their vision they can give me. Then I ask many specific questions, like what kind of vibe they want it to look and if one rendition looks right or if another version of it looks better. I like keeping them updated as I’m making the design because I feel as though less mistakes will be made, and it won’t take as long fixing it up if I were to go along rather than creating it entirely and then redoing it.

Can you describe your process for ensuring hygiene and safety during a tattoo session?

Cleanliness and safety are a significant priority for me, especially considering the risks that might happen if I don’t set up correctly. Most of the materials I have on hand are disposable, like the ink caps, tape guards, the sleeves I put over my bottled liquids, and all the cords (so many sleeves haha). I don’t let anyone else touch my station, and I switch my gloves often when I touch something different that’s not already sleeved. I throw the needles in a biohazard bin as soon as I’m done with it and make sure there's a sterilized area that clients can rest on. I’m so big on safety I don't know if you can tell, haha.

How do you handle clients who are unsure about the design or placement of their tattoo?

Patience, my friend. I was also in their shoes when it came to what I wanted for my first tattoo, unsure of how it was supposed to look compared to what my brain had a vision of, and I definitely didn’t know where on my arm I wanted it. Sometimes, I ask clients their first thought regarding placement and throw a stencil there to see if they vibe with it. With design, I just ask a lot of questions and try to pry their brain of the vision that's in there. It takes some trial and error, but what’s wrong with trying different ways to draw their vision?

What do you think sets your work apart from other tattoo artists in the scene?

I’m confident that my inclusivity sets me apart from most shops in AZ. It’s a bit hard for me to get a tattoo myself because I’m neurodivergent, so a lot of the noises from the machine and tattoo shops playing music, and sometimes even the vibe of the shops from here, makes me feel uncomfortable. Since starting my journey,

I’ve discovered that many artists here are very stuck to the older ways, and that’s okay if they are. Still, not every client wants to go through that experience in older tattoo culture just to make their artistic vision a reality. I think using numbing cream isn’t the wrong way to go, and if they need a safer space because of the noises or the physical sensation, or even if they need fidgets for the pain or something sensory, I’d like to give them that. It doesn’t matter your background, culture, or session preferences as long as we can get along while I help you become part of your art. Are there any particular artists or art forms that influence your tattoo style?

Spit_blossoms, joslynn.tattoos, and tattooastrid from Instagram are 3 artists that definitely influenced my art style. I can still do different art styles in black and white that the client likes more, but I aspire to have a set personal art style like theirs.

How do you stay up to date with new tattoo trends or techniques?

Social media is definitely my way of keeping up with what the public likes at the moment. I think it helps that I follow so many tattoo shops on Instagram, but I see a lot of reels that talk about what kind of art styles people are getting recently.

What advice would you give to someone getting their first tattoo?

It is okay to be nervous. Almost everyone getting their first that I’ve witnessed or done has been. If you don’t like where it’s placed or if there's anything about the design you want to alter, please don’t hesitate to tell us. And for the most part, getting your first tatt feels like a cat making biscuits on your skin.

What are your long-term goals as a tattoo artist, and how do you plan to achieve them?

My long-term goal is to build my studio shop, especially one that caters to the needs of nonconventional clients on top of other clients a shop would naturally welcome. For now, I’m saving the money to buy a public space. However, in the meantime, I’m looking for another shop to continue my apprenticeship. I’m still making appointments from my home and other’s homes (if the client feels more comfortable tattooing in their own space) and finding events that will allow me to vendor.

MALAVIDA - REVIEW

By: Brett Deadly

DonnaBlood by Malavida and Hostil3 is a powerhouse of an release, delivering pure Trap Metal vibes that hit hard with every track. From the moment you press play, you're greeted with an onslaught of energy and ferocity that is both relentless and exhilarating. The heavy, aggressive beats paired with guttural vocals create an atmosphere that embodies the raw intensity of the genre.

Malavida

and Hostil3 are two underrated artists who clearly pour everything into their music, and it shows. The production on this album is sharp, with every element—from the crushing bass to the distorted guitars—perfectly balanced to create a wall of sound that commands attention. The duo's chemistry is evident throughout the project, as they seamlessly blend their styles to craft a cohesive yet chaotic experience that Trap Metal fans will appreciate. However, while the music itself is nothing short of brutal and impactful, the album's cover art falls short of capturing the sheer intensity of the sound. It's a missed opportunity to visually represent the visceral nature of the tracks within, which slightly detracts from the overall package. Despite this minor setback, 'Donna Blood' remains a must-listen for anyone who craves the heavier side of Trap Metal. The album earns a solid 8/10, and while the cover art might not do the brutality justice, the music certainly does. Malavida