COUNTRY
Standout fashion
Love British Food In the footsteps of
KING RICHARD III
VILLAGES
South Derbyshire
Derby Edition - September 2020
A Walk INTO THE PAST THROUGH FIVE HISTORIC SITES with Rambler
Cockpit Hill House Derby
COOK UP A
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Steve Orme interviews
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The late late SUMMER show! T
his months magazine features a large number of businesses who are having late summer sales in expectation of their winter stock. The shops are now full of masked people which is so unusual and sometimes quite disconcerting, but they are a must in the current situation. Gladly local businesses are now getting busier and catching up on their orders whilst quoting for new business too. In this edition we feature kitchens which have become the focal point of many homes. As the summer sun sets a bit earlier and our homes become a little darker each day we also present a few ideas on lighting. Steve, Brian and Maxwell have also been busy and this month present their normal array of excellent articles. If the thought of a cold winter makes you feel a little blue then a look at our travel feature will cheer you up as we take you over to Greece. We hope that you enjoy reading them. Walk book six is now selling fast as people are enjoying the delights of Derbyshire. Please go online to order your copy www.walkdebyshire.co.uk We do hope that you enjoy this issue.
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In the footsteps of
KING RICHARD III
W
ith the recent finding of Richard the Third’s body beneath a car park and his later reburial in Leicester Cathedral, information abounds about his controversial life and death in battle at Bosworth Field on 22nd August 1485. Having a passing interest in medieval history, we decided to investigate his links with the White Rose County of north Yorkshire. Our knowledge of Richard III it must be said is coloured by the writings of William Shakespeare, who after all was writing his play about Richard at the time of the Tudors, who had won at Bosworth. True that maybe, but Yorkshire folk have more respect for what to them was a local lad.
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Above: Middleham Castle Far Left: One of the 500 trainee racehorses go out for their morning gallop. Left: Fountains Abbey While we know the central and western parts of the Yorkshire Dales, the eastern edges alongside the Vale of York are, to say the least, a bit hazy to us. After doing a bit of research, we found that Richard spent his childhood and trained in knightly skills at Middleham Castle in the lower reaches of Wensleydale. These skills helped him take part in the battle of Tewkesbury (1471) aged just nineteen. It was at Middleham that he met and married Anne, younger daughter of the Earl of Warwick, head of the influential Neville family. Through that marriage young Richard eventually became owner of a whole range of castles, especially those guarding the eastern approaches to the Yorkshire Dales. It therefore seems likely that Richard had a special affection for Middleham, because he appears to have spent much time there,
both in childhood and then as a family man, where his son Edward was born. It was this that coloured our decision to make a tour of the countryside Richard would have known so well. Our accommodation in Middleham was an attractive one-time cosy cottage in the shadow of the castle walls. Today, Middleham is home to around 500 young racehorses training for future glories on the flat. Each morning we watched them elegantly trotting away from the village, out towards the training gallops on the nearby Downs; perhaps we were admiring a future Derby winner. Middleham and its friendly locals, most of them involved with racehorse breeding, were always ready to chat over a socially distanced pint of Black Sheep in one of the three pubs; our favourite incidentally was the Richard III. The
castle is just off the extensive old market square and is cared for by English Heritage. With the easing of lock-down the castle was open to prior bookings. As there is little or no Wi-Fi in Middleham, that took time, but we eventually managed to book a convenient visit. The castle has suffered as a ready-made source of building material over the centuries, but it still remains in remarkably good shape for its age. Three parts of the outer curtain wall are complete and the central keep could still echo with the sound of feasting lords and ladies enjoying life. There is a modern statue to King Richard inside the castle walls, but his most intriguing memorial is the worn lump of rock on a plinth at the top end of the market place. Although it takes more than a bit of imagination, this is all that remains of the carving of a wild boar, King Richard III’s emblem.
www.countryimagesmagazine.co.uk | 9
In the footsteps of
KING RICHARD III
Monasteries were at the height of the commercial power and influence during Richard’s lifetime. With their wealth built on wool and careful farming husbandry, lands around the Vale of York are home to a great number of monastic ruins. Attractive ruins the result of Henry VIII’s jealousy, are within easy driving distance of Middleham. We started our tour at Jervaulx Abbey, a short drive along the Ripon road from Middleham. Small by comparison with other abbeys, Jervaulx has attracted visitors over the centuries; the artist
JMW Turner came this way while on a sketching tour in 1816. The main claim to fame though, is down to the early monks making the very first Wensleydale cheese. This forerunner of the cheese loved by Wallace and his faithful hound Grommit, was made from ewe’s milk, unlike today which traditionally is made from cow’s milk. Further along the Ripon road, the village of Masham is home to two breweries, both of which can be visited when things are different than today. Theakston’s is the oldest,
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dating from 1827, and Black Sheep Brewery is the other. Black Sheep was founded by Paul Theakston, fifth generation of master brewers in 1992 when the older company was bought out by one of the national brewing organisations. Travelling via Ripon, we arrived at Fountains Abbey bang on our previously booked time. The abbey is in the bottom of a wooded valley, secluded from car parks and Visitor Centre, but separated only by half a mile of winding path.
Above Left: Jervaux Abbey ruins Above Right: The Blacksmith’s Anvil, Brimham Rocks
If there was a competition for the most beautiful abbey ruins, then Fountains would be high on my voting list. No matter how many visitors there might be around once restrictions are removed, Fountains will remain a place of tranquil beauty, a place for quiet contemplation. It was founded in 1132 by a group of 13 disaffected monks who broke away from the mother church of St Mary’s Abbey in York. Here at Fountains they found what they were looking for, hidden from the world in a wild and wooded valley where living an austere life, they could follow a simpler and more devout existence. Members of the Carthusian Order, they were also known as the ‘white monks’ because of the undyed sheep’s wool habits they wore. Spending much of the day in contemplation and prayer, they also found time to develop skills as shepherds, tanners, masterbuilders and brewers. All these skills helped expand the abbey’s finance’s. By 1200 Fountains was one of the largest and most powerful houses in Britain. Despite damage by Henry VIII’s men who followed his dissolution edict, many of the abbey’s features remain virtually unspoilt, such as the gracefully arched cellars where freshly brewed ale was stored, to the appearance of its almost Victorian Gothic bell tower. A culverted stream which once provided water for the abbey’s needs, winds down the wooded valley for a little way before being slowed by a series of ponds and water gardens. This is part of Studley Royal, an attractive addition to Fountains Abbey created by John Aislabie and his son William in the eighteenth century. John was an over ambitious politician who fell from favour. As a result he retreated
here and along with William, the pair managed to buy Fountains Abbey and set about designing the water gardens where their elegantly attired guests could stroll at leisure while enjoying views of the abbey ruins. There is no record of King Richard III following the route of our tour of the abbeys and features around the eastern limits of the Yorkshire Dales, but he probably had reason to call on the abbots from time to time. If that was so, then if he was continuing over the moors towards say Bolton Abbey, then he would have been aware of Brimham Rocks. A side road going south from the Pateley Bridge road leads across the moors, to what is possibly the National Trust’s strangest property. Beyond the small car park, weirdly shaped massive rocks are dotted around a heather moor. Made from weather sculpted sandstone, it is easy to tie them with names given years ago, such as the blacksmith’s anvil, mushroom, or dancing bear. We couldn’t help renaming eagle rock, because from a certain angle it looks just like a political cartoonist’s depiction of the late Prime Minister Margaret Thatcher MP. A steep road drops sharply into Nidderdale, the Dale’s least known valley, and Pateley Bridge with its oldest sweet shop in Britain. Turning right off the Skipton road, the way we followed is alongside Gouthwaite Reservoir headed by the tiny village of Lofthouse. This is where many of the sturdily built stone houses appear to date from when the valley was first flooded. Beyond it a steep, half deserted winding road climbs upwards to cross ten and a half miles of High Ash Head moorland back to Masham – not a road to contemplate in a blizzard!
www.countryimagesmagazine.co.uk | 11
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ovative ovative minium minium Designs Designs Woolley’s drawing c. 1712. (not wholly accurate)
Cockpit Hill House Derby
The
Lost Houses of Derbyshire by Maxwell Craven
‘On the west side of the Mill Stream is a good house, built by Mr. Beardsley – on the side of a hill on which was formerly a castle still called Castle Hill, but by others Cockpit Hill.’ - Written in 1713, William Woolley, Derbyshire’s first historian, of Cockpit Hill House. This enigmatic building suffers from having been demolished before the era of photography, so our only record of it is a sketch made by Woolley himself (not a particularly accurate recorder in this medium),
and views included incidentally amongst the plethora of East Prospects of Derby painted or drawn of the Borough between 1695 and 1735.
www.countryimagesmagazine.co.uk | 15
The house also appears in Glover’s History and Gazetteer of Derbyshire as a woodcut by Orlando Jewitt, an excellent artist, but as the house had by the date of first publication been demolished almost a decade, one wonders why it was included at all. Worse, Jewett was unable to draw it from life, so merely made a more workmanlike copy of Woolley’s drawing, thus adding absolutely nothing to our knowledge of its appearance. For all the difficulty of trying to understand what it looked like, there is much we can say of it. It was, for instance, a classic example of the Dutch style of architecture imported into this country after the Restoration and which underwent a revival with the accession of Dutch King
Above: The house from the south (foreground), detail of a panoramic view of Castlefields, c 1735.The gables are completely wrong, but the cross windows show up well. [Museums Trust]
Right: Ashdown Park, Berks., a house of very similar size to Cockpit Hill House with surviving topcupola and balustrade, but earlier, 1663, with no gables, although Dutch in style.
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William III in 1688, thanks to the desire of the Whig élite to trip over themselves to ingratiate themselves with the new regime: tall, compact and classical. The house was tall and narrow, like an Elizabethan tower house – Wothorpe, just outside Stamford springs to mind, Lincolnshire, as does Tupton Hall, described here a couple of years ago. It was brick built with stone dressings, of three storeys, five close-set bays of windows being grouped together on each of its four sides in stone surrounds with brief entablatures above each and quoins at the angles. We know from two of the East Prospects that the windows were of the mullion and transom cross type, with iron casements (as survive at the Green Man St. Peter’s street), but Woolley
wrongly shows it sashed with three over five pane glazing bars. As Woolley’s sketch was probably done in 1712 and the two East Prospects are c. 1730, we have to conclude that Woolley may have made a quick sketch on site and then worked it up at home, giving the house its rather more modern windows in the process. There was a horizontal band between the floors and the second storey was treated by the architect as an attic (despite being full-height) to allow for a parapet from which rose on each side a pair of Dutch gables and the windows here given pediments. Most people call any shaped gable ‘Dutch’ but strictly speaking, they have to be topped with a pediment, as at Cockpit Hill House, where the gables were
so treated and supported on curved volutes and topped with ball finials: very correct. Even more true to the Dutch idiom (although not at all apparent in Woolley’s drawing) was a flat top to the roof with a timber balustrade between the panelled chimneys surrounding a tall central lantern or cupola enabling guests to emerge and safely take the air after supper on the roof. Similar ones in Derby surmounted the roof of 3, Market Place (Franceys’s House, where Kieran Mullin is) and Flamsteed’s House in Queen Street. The best surviving example in the Midlands, although on a much grander scale, is the roof of Belton Hall (Lincolnshire); another, part of a house of very similar form to Cockpit Hill, is Lord Craven’s lodge at Ashdown, Berks., intended for Elizabeth, Winter Queen of Bohemia. Woolley’s drawing (and hence Jewitt’s) also endows the side elevation with straight gables, more probably because Woolley had not the draughtsmanship to express them), but we know from the East Prospects (and a South prospect, too) that the gables were Dutch ones all round. The classic views show the entrance gates in Morledge, with ball finials to the gatepiers and a fine oval toplight above the front door, lighting the hall.
idyllic in 1692 when the house was built, but progressively less so in the decades that followed. The builder was William Beardsley, a lead merchant with connections in Wirksworth, who married Rebecca Richardson and bought the site of the house, previously part of the grounds of the house near The Spot, latterly called Babington House, from William Sacheverell of Morley (whose town residence it was) for £180. We do not know who the architect was, but it could have been a London man, for Beardsley had trading connections on the capital. However, Beardsley had died without issue by 1715, when it was in the hands of the Sitwells of Renishaw, no doubt intended by them as a town residence, but by 1722 they had sold to Coventry-born Thomas Bayly (1695-1734), who was Whig
We have no surviving account of the interior, but taking our cue from similar houses, like Ashdown Park, we may be sure that it boasted fielded oak panelling, at least in the dining room, quite possibly frescoed ceilings, as at Franceys’s House - and therefore likely to have been the work of Derby’s own fresco painter Francis Bassano (1675-1746). We might also suppose an oak staircase with bulgy balusters set upon a string, and a general ambience of understated luxury. The grounds boasted parterres and a small pavilion at the river bank:
Right: A true Dutch gable with cross windows, surviving on the Green Man (now Ryan’s Bar) St Peter’s Church Yard, Derby. Above Right: The house from the anonymous East Prospect of c. 1730; the gables are wrong and the cupola too short and squat. [Derby Museums Trust] www.countryimagesmagazine.co.uk | 17
MP for Derby from that year until 1727, having stepped in for William Stanhope of Elvaston who was temporarily absent abroad. His period in residence had seen the Derwent canalised by engineer George Sorocold to enable loaded boats to reach the Trent, which made access to the house’s garden across the river more difficult. On 25th October 1734 the Derby paper reported: ‘Yesterday morning dyed at his house on Cockpit Hill in this town Thomas Bailey [sic] Esquire who some years ago represented this Borough in Parliament’ On his death, his widow, a daughter of Sir Wolstan Dixie, 3rd Bt., of Market Bosworth, married Col. Hugh Lane of King’s Bromley and the house was sold. The purchaser was William Chambers, a nephew of that
Left: Eagle Street, looking west from cockpit Hill, c. 1954: the street was pitched over the house’s garden in 1814, even while the house was still standing. [Derby Museums Trust] Above: Thomas Swanwick’s map of 1819 showing the site of the house, with a building already erected
Thomas Chambers (also a metals trader) who had built Exeter House. In 1745 we hear of the house again, as Lt. John Daniel, an officer in Bonnie Prince Charlie’s Highland Army, was billeted there 4th-6th December. As it happened, Chambers himself was rather unchivalrously away from home. Mrs. Chamber was in a terrible lather of fear and apologies when Daniel and a fellow officer arrived. She presented herself in her own hallway dramatically surrounded by all the household plate and valuables. On being asked the reason for this odd behaviour by her startled visitors, she is said to have tearfully cried out, ‘Take me, take my valuables, Good Sirs, but do not let your soldiers take my child!’ The officers assured her that, contrary to current malicious rumours, Scottish soldiers did not eat English babies, ravish
contiguously to the north. The Morledge is top, Castle Street at the bottom and East Street (formerly Bag Lane) to the left. Right: Cockpit Hill house from the east, 1728: from Nathaniel & Samuel Buck’s East Prospect. Note the cupola and balustrade.
18 | www.countryimagesmagazine.co.uk
women nor pillage and that their objective was to install on the throne their rightful sovereign. They added that their only immediate aim was a good meal and an early night. Apparently, the atmosphere swiftly became cordial! The child Mrs. Chambers sought to protect was Revd. Dr. William Chambers, later vicar of Ashchurch, Northamptonshire (but non-resident, as was the fashion then). He was in residence until his death in 1777, seemingly inured to the rapid changes being wrought to the setting of his house. Things began to change from 1734, when Bayly had died. The land across the Derwent, essentially part of The Holmes, was sold to William Evans,
a rich metal speculator from up-County, who immediately established a rolling and slitting mill to turn cakes of copper from his mines in Staffordshire into sheets for sheathing the hulls of naval ships. Chambers, indeed, was almost certainly a partner in the enterprise. This mill driven by the Derwent, was by-passed by the Derwent Navigation and must have been exceedingly noisy, as the production of sheet copper required much bashing with trip hammers powered by the river. Later, Evans established an iron works astraddle the Mill Fleam, nearer the house, which was no doubt equally noisy. Then, in 1750, the Cockpit Hill pottery factory was set up immediately adjacent by the beginning of Sidall’s Lane, which would have certainly been less noisy, but would have produced even more smoke from its kilns and furnaces. Whilst that enterprise was killed off by the failure of the Heath Brothers’ bank (which supported the enterprise financially) in 1779, the mills passed to Evans’s son in law and kinsman, the banker (solvent this time) Thomas Evans (1723-1814), and only ceased production in the mid-19th century. In 1791, William Hutton included the house in his resume of ‘good houses’ describing it as ‘Chambers, late Bailey’s’ and on describing the site of the lost adulterine castle, informs us that its vestiges were in ‘Mrs. Chambers’ orchard’ between the house and London Road.
Above: Orlando Jewitt’s copy of Woolley’s picture, as published in Simpson’s History of Derby (1826) and in Glover’s History and Gazetteer of Derbyshire.(1829/31)
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We know that the family was still in occupation in 1798 for the third son, Lancelot, then twenty-five, was living in the house with his widowed mother, Dorothy (née Rolleston of Watnall). That year, under an Act of Parliament, driven by the war against revolutionary France, a militia was raised, and Lancelot who ‘resided in an old mansion at the corner of Bag Lane and The Cockpit’ was approached and commissioned Lieutenant in the Derby Troop of the Volunteer Cavalry.
Yet it was Lancelot who eventually found the house too much. On inheriting from his mother in 1801, and once the alarums of war had died down and he could lay down his commission, he moved to Morden in Surrey, married and lived on into the 1850s. The house he failed (not unsurprisingly) to let, he sold in 1814, leading to the pitching of streets over the grounds: Eagle Street (1814), Albion Street and Albion Place (1822) and Bloom Street (around 1829). The house was, as Glover records, demolished in 1819 and the Albion Mill was built on the site.
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COOK UP A
NEW STYLE Indulge yourself in these gorgeous kitchens and accessories.
Kitchen Drainer by Kitchen Craft The sturdy wire construction can accommodate six plates, with a flat area for mugs and glassware, with large gaps to maximise water flow and achieve proper, hygienic drainage. (Left) w.kitchencraft.co.uk Coniq R Tap by Abode The Coniq R tap from Abode is underpinned by simple, conical styling. The ceramic disc valve technology ensures a smooth flow and consistent temperature, while the cold start functionality on the single lever model increases energy efficiency in the home. Use it as understated tap or create a bold statement at the centre of the kitchen, with a choice of four finishes, including Brushed Copper (Bottom Right). w.abode.eu or call 01226 283434 Zebra Kitchen Accessories by Sophie Allport Sophie has captured the beauty in these endangered Grevy’s zebras which stand proud and tall on a navy charcoal background. (Bottom Left) w.sophieallport.com
20 | www.countryimagesmagazine.co.uk
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Handmade oak kitchens at Incite Interiors
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www.countryimagesmagazine.co.uk | 23
COOK UP A
NEW STYLE
Dawson by Uform (top) Dawson lends itself well to this rustic shabby chic decor. Details such as the sloped internal profile, v-groove and smooth finish contrast perfectly with this eclectic mix of rough timber and wall finishes. w.uform.co.uk Basic Extractor by BORA (middle left) The BORA Basic is a compact cooktop and extractor system with a streamlined appearance and equipped with intelligent touch operation. The multi-award-winning BORA Basic is available in three versions: as a Hyper glass ceramic cooktop, induction cooktop or surface induction cooktop, each as a recirculation or exhaust air solution. w.bora.com - 020 3693139 Atlas by Abode (middle right) The Atlas from Abode is a sturdy monobloc that will make a striking sophisticated impression. Available in four finishes, include Matt Black (pictured). w.abode.eu or call 01226 283434 Florence by Uform (bottom) The classic style of Florence with its smooth finish and beaded profile is dramatically combined with dark olive walls and brass accents to create a rich and vibrant living space. w.uform.co.uk
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Opening Times: Monday – Saturday 9:30am – 4:30pm www.countryimagesmagazine.co.uk | 27
VILLAGES
South Derbyshire
If,
like me, you come from a county richly endowed with plenty of upland scenery, you will not be quite so bowled over by the glories of the Peak that you are blinded to all the contrasting pleasures of lowland Derbyshire. Yet there is much enjoyment to be had from Derbyshire SW of Derby and south of the Trent especially, despite the seemingly willful destruction of the once tranquil Trent Valley with power stations, trunk roads, car factories, vast storage facilities, poorly planned housing developments and endless gravel extraction works. SW of Derby, the old Uttoxeter road brings you through Etwall, which was once an harmonious ensemble of superb medieval church, spectacular manor house and Georgian pub with a scatter of cottages. However, since the Derbyshire County Council dropped the 17th century Etwall Hall to build the Sir John Port school (it could so easily have been tactfully
integrated), the village seems to have lost its focus, whereas Egginton, which also lost its country house at about the same era, still enjoys a good village feel, as do Sudbury and Doveridge – the latter’s spectacularly sited hall also went, in the 1930s – both positively rejuvenated since the completion of the A50 has bypassed them. I have always liked Findern, too, despite the lumpishness of the tower and spire of H I Steven’s parish church. It was once part of the royal manor of Mickleover, along with Littleover and long-vanished Potlock. North of the A50 is a tract of equally delightful country I regard as another sector of Derbyshire altogether, different again, but for my money the real delights are to be found south of the river, the post-industrial sprawl of Swadlincote and its satellites notwithstanding. The only other towns as such are Melbourne and Measham, the latter since 1936 in Leicestershire. The doyen of the villages in what used to be the Hundred of Repton and Gresley, is undoubtedly Repton. Quite apart from hosting one of Britain’s more memorable schools, the church of St. Wystan is virtually the de facto cathedral of the hundred, its slim spire advertising itself from most directions,
28 | www.countryimagesmagazine.co.uk
BELOW: Smisby Lock Up TOP: Swarkestone Bridge RIGHT TOP: Ticknall cottages RIGHT BOTTOM: Ticknall water source
but best across the causeway from Willington, itself a settlement of several minor delights. The church of course has early Saxon origins and its Romanesque Saxon crypt is one of the glories of the nation. Although the school’s original building, seen easily through the Medieval arch, is preReformation in date, the hall beyond, not accessible to the public, is Carolean and later, but incorporating Prior Overton’s brick tower house of 1436, one of the earliest brick buildings in the Country and one of the first of the Midlands High Houses later epitomized by Hardwick Hall. The 19th century additions to the school were all by first rate architects, making the entire ensemble really an ornament to the village, unlike poor Etwall. Indeed, Repton enjoys an embarrass de richesse when it comes to architecture. Opposite the school beside the Georgian bank is a fine Regency stone fronted house, now the bursar’s office, probably by local architect John Smith, as is The Laurel Hill on the edge of the village. The main street also includes a fine 1760s shop in the manner of Joseph
Pickford, a 16th century timber framed and porticoed cottage, two fine late 17th century houses a Georgian pub and the Grange a compact and very pretty Queen Anne house. Away from the centre is Sir Edwin Lutyens’ compact masterpiece, Easton House, built for a master at the school, when such men had private means. Going out of the village towards Bretby, one passes probably the prettiest piece of parkland in the area, once surrounding a castellated hunting lodge called Repton Park, destroyed on the orders of Sir Vauncey Harpur Crewe in the 1890s. If you leave Repton toward Burton though, you encounter Newton Solney, a much underrated village once dominated by the extravagant Burton lawyer Abraham Hoskins, who landscaped the west side of the village to set off Newton Park, his new Regency house (later much altered by the Earls of Carnarvon and an hotel). His architect, Richard Leaper of Derby, provided him with the spectacular folly on Bladon Hill called Bladon Castle (originally Waterloo Castle), as well as several more modest buildings like Evergreen and Beehive Cottages
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At Murray’s we are incredibly positive about the future, and we are trying our very best to carry on as normal, of course taking all the required precautions. For the latest Corona virus regulations on numbers able to attend funerals etc. please visit our website www. murraysfunerals.co.uk or ring for help and advice. We have been looking after families in Derbyshire and Staffordshire for the last 20 years. We are now able to again offer limousines and we have a choice of either black or grey fleets. As a proudly independent family company we pride ourselves on being part of the community. This year we had several events which sadly have been postponed because of the corona virus, including the South Derbyshire Dementia day. In Burton we are pleased to say that the postponed Swan trail has now launched. Swans will be situated all over Burton for the next 10 weeks and visitors have 25 Swans to see. Murray’s are very please to sponsor this event. Our Swan is called Ripple and has been decorated by local artist Sue Guthrie. Download the app or collect a map from one of our offices. Burtonswans.co.uk
Come and arrange your pre-payment plan or your loved one’s funeral in the tranquil setting of one of our branches at Findern Village, Swadlincote and Burton-on-Trent. All your needs catered for by our qualified staff Pre-Payment plans designed to suit you Monumental Mason Service Available
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www.murraysfunerals.co.uk www.countryimagesmagazine.co.uk | 29
VILLAGES
South Derbyshire
ABOVE: Repton Hall Prior Overton’s tower TOP RIGHT: Swarkestone oh stand BOTTOM RIGHT: Willington Bargates Lane along with stuccoed The Cedars, where once lived Thomas Greatorex and Thomas Gayfere, respectively organist and surveyor to the fabric of Westminster Abbey. He also provided several others, now lost, as well as a couple of slightly eccentric farmhouses. By the 19th century church (by F J Robinson of Derby) is Rock House, a Victorian enlargement of a riverside eye-catcher by Joseph Pickford positioned to enhance Sir Edward Every’s view south from lost Egginton Hall. Further along, on Bladon Hill, is Bladon House, a mid-Victorian stone house by Edwin Holmes of Birmingham, whose client, brewer John Bretton, was a descendant of an old farming family from the village (a piece of information Burke’s Peerage tactfully fails to disclose!). Bretby, slightly further south, is of course famous for its Castle, a replacement by Sir Jeffry Wyatville and William Martin for Lord Chesterfield of a huge classical house of c. 1630, which was removed in the 1790s and sat in a later 17th century, French-style landscape, now barely discernable under grass. The park at poor decaying Elvaston Castle was probably by the same man, Gillot,
OPPOSITE TOP: Newton park lodge OPPOSITE BOTTOM: Arley Hall
before William Barron got hold of it. The village itself though, is a delight; like Newton Solney, primarily an estate village, it is more compact and picturesque, set off by the delightful little church of 1877 adjoining the site of the Medieval castle, later a considerable house, dismantled by the 1st Earl of Chesterfield in 1613. It is also very close to extraordinary Brizlincote Hall of 1714, which looks from the distance like an up-turned coal scuttle with its four giant curved adjoining pediments and lanky chimneys. Although not publicly accessible, it was designed by the famous 4th Lord Chesterfield’s friend the ‘Wrestling baronet’, Sir Thomas Parkyns of Bunny; the build quality is exquisite. It is now a farmhouse. Mind you, if estate villages attract you, move further east to Ticknall, the estate village of the Harpurs of Calke Abbey; it is mainly Georgian vernacular, with three enjoyable pubs, a line of cast iron water fountains, a lock-up and a Victorian church by H I Stevens sporting a fine spire, built adjacent to the vestiges of its predecessor. A little further away from the village is Knowle Hill, a magnificent folly, build by Walter Hardinge of King’s Newton in the time of Queen Anne, rebuilt in the
30 | www.countryimagesmagazine.co.uk
1760ds for the Burdetts of Foremark and now a Landmark Trust holiday let, set on the edge of a vertiginous and bosky ravine with spectacular view to the Trent Valley to the NE. It was the Landmark Trust that also restored Swarkestone Stand just to the north, all that’s really left of the Harpurs’ long lost Tudor mansion there and designed by John Smythson of Bolsover Castle fame. Once at Ticknall, you are spoilt for choice going south. On the road to Woodville, one encounters Hartshorne, a delightful ensemble of timber framed small manor house, fine church and welcoming pub, all arrestingly grouped together. On the other hand, should you go out of Ticknall by the Ashby Road, over Pistern Hill, you might easily miss Smisby, almost on the Leicestershire border, for one needs to turn west when almost at the Ashby by-pass. The village is straggled along the only road, vernacular houses of various sizes including a pub, another pretty lock-up, a good medieval church on grassy knoll and the remains of an early Tudor manor house, very tall, like all good Midland manor houses of the period, Smisby Hall.
Yet Southern Derbyshire does not end there. Beyond Burton (much of which was in Derbyshire before 1889), was once Drakelow Hall, the vast Tudor seat of the extinct Gresley baronets sacrificed to yet another titanic power station (itself now gone). The family dominated the Gresleys (Church and Castle) and the Seals, although their big house at Netherseal has long gone, but another early house remains there. Nearby, is the early Georgian Caldwell Hall (by Smith of Warwick, now a school). On the Derbyshire bank of the Tent are the villages of Walton, Catton and Croxall (the latter with its fine Jacobean house, since 1936 allocated to Staffordshire). The former is the largest of the three villages, marking an important crossing of the Trent, with pub, church and hall, the latter undergoing a timely restoration.
This part of Derbyshire then might reasonably be described, along with Aston, Weston and King’s Newton, as forgotten Derbyshire; in consequence, is inevitably well worth visiting. Perhaps, though, if they remain in the shadow of the Peak, they may retain their charm, protected by a mild obscurity from the depredations of a superfluity of visitors.
Although Derbyshire has lost other places to Leicestershire and Staffordshire, mainly detached ‘islands’ like Donisthorpe, Clifton Camville, Edingale, and Ravenstone (further south than Loughborough!),we retain Coton-in-the Elms, Lullington and Linton in our county, all virtually in Tamworth, all sequestered, all well off the beaten track and all most rewarding to visit.
AstlePaterson When trusted experience matters
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Clay House, 5 Horninglow Street Burton upon Trent Staffordshire DE14 1NG
Martin Astle
Solicitor | Head of Family & Divorce Notary Public | Director
www.countryimagesmagazine.co.uk | 31
VILLAGES
South Derbyshire
Kimberley Harris at Bluebird Fine Art
B
luebird Fine Art are delighted to be holding an exhibition of work by Kimberley Harris. This will be our first exhibition since reopening the gallery doors in mid-June. The exhibition will be held from Saturday 12th to Saturday 19th September to allow for social distancing. We look forward to welcoming clients both old and new to come along and enjoy the exhibition of beautiful original works. Kimberley’s highly textured oil paintings focus on the natural beauty of the countryside and radiate feelings of warmth, peace and tranquillity. With her originals being in high demand we are thrilled to offer you an opportunity to view a wide range of her paintings. We will also offer the opportunity to speak to Kimberley by video call on Saturday 19th for clients that have any questions. Private viewing appointments will be available on request.
HARRIS
Exhibition 12th - 19th September Mercia Marina, Findern Lane, Willington, DE65 6DW Open: Monday - Saturday 10am -5pm & Sunday 10.30am -4.00pm. T: 01283 204753 info@bluebirdfineart.co.uk www.bluebirdfineart.co.uk
Private viewing available on request 32 | www.countryimagesmagazine.co.uk
Surviving Lockdown…
T
he Hospitality Industry was one of the hardest hit during lockdown. Within the space of just a few hours, pubs and restaurants were forced to close, with doubts of whether they would re-open again this side of October/ November. Suddenly our opportunity to nod to those we may recognise, shake hands or hug those we know well as we walk into our favourite pub and restaurant, was whipped away from us rapidly. Let’s face it one of the many joys of eating out is to have a catchup with our friends and
the opportunity to shake off the cobwebs after a days work. This break in activity allowed businesses to sit back and analyse where they could improve. Some, as is blatantly obvious, did nothing, not even a lick of paint. Others decided to raise their heads and look positively to the future by providing something fresh to their returning loyal customers. Bespoke Inns, the independent pub group, based in the heart of South Derbyshire, had to react quickly to save their business and to protect jobs. As you would expect, from this award winning group,
they bounced back, with a buoyant ‘contactless’ takeout business and introduced a new range of dishes to heat@ home and cook@home which proved immensely popular. In the background, the company also invested into a traditional Italian, wood fired pizza oven for Harpurs, their venue in Melbourne, and refurbished the upstairs restaurant into a modern Mediterranean Bistro and Pizza Kitchen. We were lucky enough to be invited to the launch night, at the end of July, and as we walked into the new restaurant we were immediately impressed.
www.countryimagesmagazine.co.uk | 33
As we reached the top of the stairs there was a real buzz. The décor was bright and vibrant, reflecting true Mediterranean styling but with a sophistication befitting a top class restaurant. The wood fired pizza oven, was sending wafts of hot air and smells, of the freshly cooked sourdough pizza, across the restaurant, delighting the eager diners and encapsulating the ambiance of restaurants on the banks of the Med.
The food was an excellent standard. Sourdough Pizza served hot from the oven is a very different experience to some of the fast food options available.
We were served a selection of wood fired starters, including garlic and basil king prawns with lemon, sun blushed tomatoes and pesto, fajita halloumi flatbread and spiced lamb bruschetta, before sampling a selection of sourdough pizzas from off the Wood Fired Menu.
34 | www.countryimagesmagazine.co.uk
“The area was in need of something special, so we decided to create a completely new look. We are delighted how it came together. - Holley
During our meal we met with Holly Hammond, Bespoke Inns Marketing Coordinator, and Claire Blincoe, Sales and Events Manager, who, alongside Holly’s sister, Emily Nash, the company’s Operations Manager, had been responsible for creating this wonderful new restaurant. “The area was in need of something special” said Holly “so we decided to create a completely new look. We are delighted how it came together. Although, we had some very hairy moments with Covid-19 causing havoc with the purchasing process”. Holly certainly got the look and feel exactly right for the building and for Melbourne.
“It was a great team effort” she continued “and, although we had a few weeks to plan everything, it came down to the very last minute and caused nightmares for Claire, Emily and myself”. Claire Blincoe, added “Lots of companies have had to adapt to ride out the economic impact of the virus, so we are delighted to revitalize the business in this way. Staff have had to adapt as well and our staff have been fantastic”. Sat, socially distanced, amongst the locals and VIPs we could tell that everyone was not only thrilled with the new look Harpurs, but they were thrilled to be out again in a Covid secure dining environment. To finish, we were served some delightful desserts for a ‘sweet ending’ to a very pleasant evening. What Bespoke have done with Harpurs is very commendable. They have certainly fought back and have re-emerged even stronger and more determined to do what they do best. In addition to their Wood Fired Menu, Harpurs offer a Kitchen Menu, with classic and contemporary dishes, small plates, burgers, steaks and salads. For more information please visit www. harpoursofmelbourne.co.uk or Bespoke inns Customer Services 01283 704149.
M E DI T E R R A NE AN RE S TAU RANT &
P I Z Z A K I TC H E N
Now open
Freshly made wood fired pizzas and Mediterranean influenced dishes.
0 1 3 3 2 8 6 2 1 3 4 | HAR PU R SOF MEL BOU RNE. C O. U K
www.countryimagesmagazine.co.uk | 35
Preserving age-old techniques at Heldrich
T
raditional furniture restorer and French Polisher Neil Heldreich, based at Hollington, near Ashbourne, runs a small family business dedicated to preserving age-old techniques and methods of restoration. Neil’s family has been involved in the antiques business since the 1800s, however he has come a long way in the past three decades -first starting his training in the early 80s before forming his business in 1986, right at the beginning of a major recession. Three recessions, Brexit and a world pandemic later he is still here providing a professional, personal service for those who want to restore and preserve their treasured furniture and properties -from the smallest humble pieces to valuable rare objects, Neil gives the same care and attention to every project.
After leaving school, Neil was inspired by his grandfather and father to continue in the antiques and furniture trade. As well as running a furniture removal business, they both also dealt in antiques. Neil wanted to train in the restoration of antique furniture, so in 1984 he enrolled in the Midlands school of French Polishing. In 1986, Heldreich French Polishers was formed from a barn at his parents home in Longford.
provides a professional service to locate and advice for when a client is looking for a particular item of antique furniture. In a nation which has always loved its antiques, Heldreich has carved out a niche which will always be popular. Heldreich French Polishers is based at The Cedars, Main Street, Hollington, Ashbourne, DE6 3HA. 01335 360 114 / 07990 583 326 www.heldreich.com
Neil now runs a successful furniture restoration business from his home, The Cedars, in Hollington.‘The conservation and restoration of antique furniture requires the attention of craftsmen who both understand and respect the history of the piece,’ explains Neil. ‘The success of this work is dependent on originality of colour and patination, and, wherever possible, the conservation of whatever remains of original components.’ Neil and his team also restore period properties, design handmade bespoke furniture and provide a traditional upholstery service. Neil also deals in fine antique furniture and
Celebrating 35 years
TRADITIONAL FURNITURE RESTORERS AND FRENCH POLISHERS Tel: 01335 360 114 Mob: 07990 583 326 The Cedars, Main Street, Hollington, Ashbourne, Derbyshire DE6 3HA
www.heldreich.com 36 | www.countryimagesmagazine.co.uk
Hansons
‘thinks out of the box’
to aid clients in lockdown – and achieves record-breaking results
H
ansons Auctioneers has achieved recordbreaking auction results for its clients in lockdown by adapting its business in a changing world. The firm, which has auction centres at Bishton Hall in Staffordshire as well as Derbyshire and London, temporarily closed its doors when the UK went into lockdown in March.
It dispatches up to 150 parcels a day all over the world to buyers. Contactless appointments are available for collection of larger items. All this enables us to continue to serve clients in these difficult times and we’re delighted to do so. I would urge anyone in need of a free valuation, house clearance or downsizing services to contact us.” To arrange a free valuation or home visit, email Adrian Rathbone: arathbone@hansonsauctioneers.co.uk. Free valuations are available at Bishton Hall, Wolseley Bridge, Staffordshire, ST17 0XN, on Wednesdays, 5-7pm, Thursdays, 10am-4pm, or call 01889 358050 to make an appointment on a day to suit you. TV’s Kate Bliss will offer free jewellery and silver valuations at Bishton Hall on September 17 and October 15, 10am-3pm, no appointment necessary. Bishton Hall’s ample grounds have enabled free valuations to restart.
However, it immediately launched virtual free valuations by email, Skype and WhatsApp and in May resumed a full auction service - online-only. Then, as restrictions eased, its salerooms reopened to offer free valuations with all safety regulations adhered to. Charles Hanson, owner of Hansons, said: “It’s been a rollercoaster ride but we’ve adapted to the changing circumstances every step of the way and I’m delighted we’ve been able to continue to serve our customers. We were well placed to restart our auctions as all sales are broadcast live online and we have our own bidding platform, www. hansonslive.co.uk. This means people can bid from the comfort of their armchair - and they do. Our auction relaunch in May was a huge success. It achieved record-breaking results and attracted keen buyers from across the world. The only difference was we could no longer invite the public into the saleroom, either to bid or preview sales. But our catalogues are available to browse online and we offer enhanced presale condition reports on lots including video, if requested, and images”. “The more testing issue was to ensure our free valuation service could continue safely. We had to think out of the box. After careful consideration, we placed a large marquee outside our Derbyshire saleroom to allow valuations in an airy, open space with gloves, masks and sanitiser provided and social distancing respected. The ample outdoor space at Bishton Hall, our country house auction saleroom at Wolseley Bridge, also enabled Hansons to offer free, safe valuations. Auction and valuation events with TV antique show personalities have taken place at Bishton this summer. As soon as it was safe to do so, Hansons relaunched its free home-visit valuation service. Our valuers visit homes by appointment across Derbyshire and beyond with all safety precautions respected” “This has enabled us to source lots for auction while helping hundreds of people sell objects they no longer need. I’m mindful of the fact that the impact of the pandemic means many people wish to sell to free up finances or find new homes for objects uncovered during lockdown clear-outs. The final piece of the jigsaw which has underpinned our success is our long-established in-house postage department.
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Print Advertising • Digital Advertising • Graphic Design Leaflet Design, Printing and Distribution 38 | www.countryimagesmagazine.co.uk
Gardening in September
S
eptember already ? it seemed like 2 minutes ago since I was wishing the plants and trees would burst into life and now I`m seeing berries on trees and shrubs. I`m planning projects for next Spring as some people have written off this year and are focusing on 2021. What a busy month it is , I’ve already had emails from readers who have come back from holiday and fear that their plants are dead OR water logged, and the “perennial” question is ‘when is the best time to start Autumn
and Winter Bedding?’ Well most garden centres have seasonal bedding already in stock now so it’s just when you feel your plants have seen the best of the flowers or if the plants look tired. Come and see me at the Belvoir Flower Festival 5th and 6th of September at Belvoir Castle where I will be answering your gardening questions in person. Before I forget, you need to start planting spring flowering bulbs this month. Many plant nurseries and garden centres will be stocking their new season Spring flowering bulbs such as Hyacinths, Narcissus (Daffodils), Crocus and Tulips. There are a number of ways bulbs are sold:
1. Loose – Often the cheapest way to buy (no extra packaging) and you can closely inspect the bulbs before you buy. Usually a bigger “Grade” (size) of bulb for your money. 2. In Packs – Avery quick way of buying bulbs, also, with the nice picture on the front of the packet you don’t forget what you have purchased. If it`s your first time buying bulbs, then this is the best way as there will be good planting instructions. 3. On-line – No inspection before you buy, usually a smaller “Grade” (size) bulb, can be cheap with added delivery charge.
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Gardening in September Allotment or Vegetable Patch:
General Garden Maintenance:
• Pick Apples, Pears, Plums and Gages as they ripen, wrapping Apples in paper for storage. • Plant Spring Cabbage plants now. • Save seeds from good varieties of beans for sowing next year. • Buy strawberry plants now, late Summer / Autumn is always the best time to plant. • Prune out fruited blackberry stems and tie in new ones. • Lift and store onions • Cut down the ferny shoots of Asparagus to soil level.
In the Greenhouse: • Line greenhouses with bubble wrap for insulation if temperatures start to fall at night. • Clear out exhausted crops and wash down glazing, staging and framework with a garden disinfectant. • Plant dwarf bulbs in pots including Iris, Crocus, Chionodoxa and Scilla which should be on sale now in garden centres and nurseries. • Towards the end of this month wash off greenhouse shading paint.
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• Fill compost heaps with old flower heads and stems from around the garden. Make sure not to compost diseased leaves. • Improve drainage on compacted lawns by spiking the ground with a fork or aerator and apply lawn sand + sulphate of Iron to green up the lawn and kill moss. • Collect, wash with a garden disinfectant and store away canes, plant supports and pots. • Trim hedges to keep them neat and to control their size, this is possibly the last cut of the year. • Lookout for leatherjackets, found now on lawns, with a suitable • insecticide or biological control. • Collect any fallen leaves from around roses to reduce the risk of diseases carrying over to next season. • Prune rambling/climbing roses back after flowering. • Grow bulbs in “aquatic” baskets ready to drop into gaps in the border in Spring. • Prepare ground ready for planting spring bulbs, by adding sand or a good bulb planting compost. • Plant new evergreen hedges such as Laurel, Conifer, Pyracantha and Escallonia. • Clear away faded bedding plants from borders and containers - then compost plants.
Gardening in September
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Re-Planting after the holidays or for a bit of much needed colour? Here are 3 that look good during September. Abelia `Kaleidoscope`
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In my top 3 of favourite shrubs, compact evergreen shrub with lemon yellow , variegated leaves that turn a beautiful orange red in autumn and winter which gives outstanding colour throughout winter. During the year at various times this shrub has white trumpet flowers that Bees love. Ideal for a border or container.
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www.countryimagesmagazine.co.uk | 45
The start of a
NEW ACT at the
PALACE THEATRE
M
ansfield Palace Theatre is entering a new phase in its history and the start of a new act, with the appointment of Sian Booth as Cultural Services Manager. Sian will oversee the Theatre and Mansfield Museum, as well as the wider cultural offer from Mansfield District Council.
Sian joins the team from Doncaster’s Cast theatre, where she was Head of Marketing and Communications. Originally from Nottingham, Sian studied Drama at the University of Hull, which will forever be The City of Culture to her. Sian has worked for a range of venues including Nottingham Theatre Royal, Nottingham Playhouse, Buxton Opera House and Sheffield Theatres. She also worked for Opera North, turning her into an opera lover. A key role for Sian was with Phoenix Dance Theatre. Phoenix Dance was founded by three young black men from Leeds in the 1980s, and has stood for almost 40 years as an internationally acclaimed dance company. In working at Phoenix Dance, Sian came to understand that when opportunities are created that are fair and inclusive, amazing things happen. Sian intends to use her leadership to celebrate the spirit of diversity and bring about long-lasting change to end racist practices where they exist within our structures, sector and communities. The most impactful stage of Sian’s career has been working for the Cast Theatre in Doncaster. Like Mansfield in many ways, Doncaster has a range of well-loved cultural assets and creative opportunities that surface in spite of significant hardship and challenges in the district. Sian says, “Cast embody the spirit of their local people, an aspiration I hope to build on here in Mansfield. I’m thrilled to have been part of the team that secured Cast ‘Theatre of Sanctuary’ status, in recognition of its work with refugees and asylum seekers”. She adds, “Cast prides itself on having a ‘Gold Standard’ in accessibility, and for the last four years I’ve been
asking customers what they need, listening, and doing something about it. This is something I intend on doing here in Mansfield. It’s led to my proudest achievements such as simplifying ticketing, free tickets for carers, free ear defenders and lots of training for the front line team like LGBTQ Awareness”. Further to inclusion and accessibility achievements, Sian had progressed fundraising for the Yorkshire venue. She reflects saying, “Thanks to the Arts Council, in 2016 the Cast saw a major shift in its fundraising capability. Joining a team of dedicated fundraisers I’m proud to have raised thousands of pounds for the charity. Communities come first for me, and I’ll be taking with me the work I’ve done with engaging Doncaster’s African Caribbean communities and the local deaf community. Effective community work is about supporting needs and I’ve a really good track record in supporting those with dementia and reducing stigma for sensory processing issues”. Changing jobs at a time of national crisis in the Arts sector is daunting for anyone. Sian recalls how before leaving the Cast, whilst its future looked uncertain, she was one of only three staff not furloughed. She is however excited to start this new chapter in her career at Mansfield Palace Theatre. Sian has many interests outside of work time. She is Chair of the Board for a feminist, body confidence theatre company ‘The Roaring Girls’; and is also on the Local Governing Board for Doncaster’s University Technical Collage. She also runs a small charity ‘Create You Arts’ with her twin sister, which supports families who come together through adoption. In addition they are due to publish a children’s book later this year, funded by ‘The Mighty Creatives’, which tells a modern adoption story. Always on the go and thriving on being busy with projects and her family, Sian revealed how she returned to work within eight weeks of giving birth to her son, something that she describes as
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impossible without the support of the team at Cast. Sian actively campaigns to reduce taboos and stigma around breastfeeding and expressing breastmilk in public and the workplace. She intends to prioritise in her work at Mansfield young families and children under 5 years old. Sian states, “I want to create a culture where families feel safe to learn and grow and parents are free to feed their young children, in whatever way they choose, as part of Mansfield’s cultural offering”. Sian said, “My first few weeks have been brilliant. I’m not too fazed by video calls or this new way of working, and I’ve had some really exciting conversations with a range of staff from across the Theatre, Museum and the wider council”. Looking to the immediate future Sian and the team will be looking into the Theatre and Museum’s response to the pandemic. Hundreds of thousands of local people pass through the town’s cultural services each year. Sian believes there is a commitment to those people, to enrich their lives with amazing culture on their doorstep. Naturally this will be in a way that is safe and inclusive. The newly appointed Cultural Services Manager states, “I thrive in teams, and I look forward to working with our hugely experienced and knowledgeable colleagues to shape the future of our Cultural Services. I’m really excited to be exploring ways in which our cultural offer can add value to our wider civic agenda, and can already see loads of ways that we can collaborate closely with our partners across the District Council and beyond”. So whilst it’s curtain up for Sian, the venue prepares to make further plans and announcements in response to the Covid crisis. Whatever lies ahead for the Palace and Museum, it’s sure to be a show stopping moment in the venues rich history and future development.
IMAGES LEISURE TIME Celebrity Interview | Walk | Diary | Gallery | Food & Drink
Quiz question: Who is James Graham? Is he (a) the writer of the TV drama about the coughing scandal on Who Wants To Be A Millionaire?; (b) a collaborator working on a new musical with Elton John; (c) the winner of an Olivier Award for a comedy; or (d) the man who penned an episode of the Netflix Royal family series The Crown?
Steve Orme interviews
James Graham
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James traveled back to the 1970s for his political docu-drama ‘This House’ starring Vincent Franklin, Philip Glenister (Life on Mars) and Lauren O’Neil If you picked any of those, you’d be correct. James Graham from Kirkbyin-Ashfield, Nottinghamshire has been writing professionally for 15 years, in that time having one of his works voted play of the decade and being appointed OBE for services to drama and young people. The 38-year-old playwright began at the age of six tapping out short stories on a typewriter. Now his work
“When Michael Sheen he first walked onto the set, with his wig and his tan, and started to transform into Chris Tarrant, I was giddy like a schoolchild. You don’t think you’ll get to work with such famous talent and brilliant actors.”
gets praise from critics as well as the public, with one national journalist describing him as “a writer of rare talent”. That was evident during the three-part television series Quiz which analysed whether Charles and Diana Ingram and accomplice Tecwen Whittock cheated to win the top prize on Millionaire. More than ten million people tuned in to the drama which aired for three consecutive nights. It’s the most-watched drama on television this year. The cast featured Michael Sheen as Chris Tarrant, with Matthew Macfadyen and Sian Clifford as the Ingrams. James was thrilled by the reaction to Quiz and considers himself lucky to be able to write a television drama which started on primetime: Easter Monday. “As someone who lives and breathes sharing work and engaging with an audience, to be able to share Quiz in quarantine with people who were locked in their homes wanting entertainment felt like a huge privilege.
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was in some cases it was the first time that families had sat down and watched the same thing with their kids in the same room on the same device, as opposed to being in different rooms of the house watching different things. That was really exciting.” James admits that he has a fixation with Who Wants to be a Millionaire? “I absolutely fell in love with it as a kid, watching it at my grandparents’ house in Mansfield on a Saturday night. I was obsessed with the coughing major trial as much as anybody else and whether these relatively well-to-do, respectable people had tried to steal a million pounds live in front of cameras and a studio audience. That’s such a compelling story.” When writers pen a TV drama, they may not meet the cast until they start recording, unlike a theatre production where actors can have weeks in the rehearsal room. James didn’t meet Michael Sheen until he arrived on set. “Michael had just flown in from filming an American TV drama. When he
Both Above: Matthew Macfadyen as Charles Ingram. Sian Clifford as Diana Ingram Top Right: Michael Sheen as Chris Tarrant first walked onto the set, with his wig and his tan, and started to transform into Chris Tarrant, I was giddy like a schoolchild. You don’t think you’ll get to work with such famous talent and brilliant actors. “The reason I fell in love with Michael as an actor was because of his political work, being Tony Blair and David Frost. “To be honest, we didn’t know when we offered Michael the part whether he would think it silly and ludicrous, the idea of representing Chris Tarrant and a supporting role as well – not the lead part. “I was grateful that he seemed so fixated and compelled by this story that he was willing to have a laugh and give it a go.” Born on 8 July 1982, James Graham went to Kirkby Woodhouse primary school and Ashfield School. He developed his love of plays and theatre at Ashfield before becoming the first in his family to go to university, studying drama at Hull.
James will be going to Buckingham Palace on a date yet to be decided to pick up his OBE.
While there he teamed up with another former Ashfield pupil, Gary Roden, to write a play, Coal Not Dole, which they took to the Edinburgh Festival in 2002. Growing up in Nottinghamshire, surrounded by down-to-earth people who weren’t afraid to say what they thought, influenced James’ writing. “My access to art was through school plays and going to see pantos at Nottingham Theatre Royal. I remember seeing some Shakespeare that was touring to the Theatre Royal as well. I saw Pete Postlethwaite playing Macbeth which was hugely influential on me. I was inspired by that. “Normally in certain areas there’s a level of ideological conformity. I always admired and loved my little pocket of north Nottinghamshire because it’s been incredibly inconsistent. If you look at the miners’ strike, in the heart of Nottingham miners went back to work and formed a breakaway union. In my villages they were often split down the middle with different people making different choices. “I think that’s instilled in me a desire to see different sides and a balance in my political writing.” James’ first major play, This House, is set in the Palace of Westminster in the whips’ office between the 1974 general election and a vote of no confidence in the government of James Callaghan five years later. It premiered at London’s National
Theatre in 2012 and in a public vote received the accolade Play of the Decade. In 2018 James won an Olivier Award for his play Labour of Love – another political offering. It tells the story of a Labour MP over 25 years in Kirkby-inAshfield. Surprisingly the award was for best new comedy. James stresses that he tries to put comedy into his plays. “Having not grown up with a huge amount of theatre, I think what’s important is make people want to come and have a good night as opposed to staying at home and watching Netflix. I think you have a responsibility to entertain. “Labour of Love was such a joy because I set it in the constituency office of the Labour Party in Ashfield. The sound of that accent, those colloquialisms and ‘ayup me ducks’ – it was such a mischievous treat to place that on a West End stage. The fact that I got an Olivier was the icing on the cake.” James’ other successes include Ink, a play about the early days of Rupert Murdoch; a film for Channel 4, Brexit: An Uncivil War, which starred Benedict Cumberbatch as Dominic Cummings, at that time campaign director of the Brexit-supporting group Vote Leave; and an episode of The Crown about the investiture of the Prince of Wales. On top of that, James wrote the script for the musical Finding Neverland, with Gary Barlow providing the songs, and he is now writing a musical with Elton John.
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Philip Glenister as Walter Harrison and Charles Edwards as Jack Weatherill in ‘This House’ A director who was working with Elton approached James to work on a story about a 1980s television evangelist who Elton admired because of her sympathy towards the AIDS community. So what does James look for when he starts a new project? “I always enjoy finding quirky, very British, idiosyncratic tales of obsessiveness that somehow illuminate something greater about the state of our nation, what that says about us and our politics and our nature. “I have fun and entertain while trying to answer some questions as well.” James acted at school and university and enjoyed it – but he feels acting is probably an even harder and more precarious profession than playwriting. “At least with being a writer you can generate your own ideas. As much as performing on stage and having all that attention is fun, I quite like being alone in my room with the windows and doors closed. Most of the time it suits my nature.” James’ mum, stepdad and the rest of his family still live in Nottinghamshire and he tries to see them as much as possible. He’s also an associate artist at Nottingham Playhouse, which means working with the artistic team
to share ideas and provide support. But with the theatre closed, many productions are on hold or have been cancelled. Quiz started life as a play and a revival should have toured to the Theatre Royal in Nottingham. The tour has been postponed. But James has plenty to be going on with, apart from the musical with Elton John. He’s working on another political play, this time about former Prime Minister John Major. “This is going to sound like the most boring play in the world but I find him incredibly interesting. He’s presented as quite grey but he’s always fascinated me. The play’s about his struggles with his own party against the backdrop of huge tensions in the Conservatives Party regarding Europe and the Maastricht vote.” Another project pushed back because of coronavirus is an idea that Michael Sheen put to James. “It’s a three-part drama set in Port Talbot where Michael’s from. “It’s a depiction of social unrest. We thought a lot of the things such as military lockdowns were too fantastical but it’s funny how sometimes reality makes things that you think are far-fetched more realistic than you’d hoped.” And then, of course, James will be
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going to Buckingham Palace on a date yet to be decided to pick up his OBE. “It’ll be a special day when it happens. It was a huge surprise (to be nominated). Very briefly a thought runs through your head that as a political playwright whose job it is to interrogate and scrutinise the establishment, do you feel bad being part of that establishment? But I quickly got over myself because I knew it would mean a lot to my family.” Theatre audiences have been deprived of James Graham’s talents during lockdown. But the man who spends most of his life “on my own, in my own head” has been as prolific as ever. It will be fascinating to see what this writer of rare talent comes up with next.
A Walk INTO THE PAST THROUGH FIVE HISTORIC SITES with Rambler
H
istory is everywhere with us in the Peak District. People have lived on and shaped the land for thousands of years, from the erectors of prehistoric standing stones and henges, right down to the current developments needed to house today’s expanding population.
This walk touches a sample of five different ways the Peak has been affected throughout the centuries, each one leaving its mark as time moves on. The walk starts and finishes at Monyash, a small village on the limestone uplands, where farming is still the major occupation of many of its residents. Their predecessors left their mark when, in the eighteenth century, the Enclosure Acts allowed landowners to define field patterns, creating a maze of dry-stone walls typifying the Derbyshire landscape to this day. The next relic will probably be unnoticed, but the Roman road from Derby to Buxton will be crossed twice along the way. After crossing this road and its modern equivalent, the A515, a footpath drops down to the High Peak Trail, a walking and cycling track following part of the abandoned railway from Cromford to Buxton. Next comes the highlight of the walk, Arbor Low. Here is a stone circle built by our neolithic ancestors around 5,000 years ago, once the land became usable after the end of the Ice Age. Finally, the modern dairy and sheep farm at One Ash Grange started life as a monastic penitencery for recalcitrant monks from Roche Abbey near Rotherham.
The walk is suitable for all weathers, and has gentle gradients throughout. At the start, the way is across tiny meadows and along green lanes. Beyond the A515, the few miles of level walking on the High Peak Trail are just made for striding out while enjoying the wide ranging views across the rolling Derbyshire limestone uplands. Next comes a short but unavoidable stretch of road walking. This is to reach Abor Low and also the turn-off for One Ash Grange Farm. Fortunately the normally quiet road between Parsley Hay and Youlgreave is generally used by local traffic, but never-the-less it should be walked with care. From One Ash Grange the way back to Monyash is along a footpath across a series of fields, eventually reaching one of the access roads into the village.
the White Peak, the limestone based part of the Peak District, where the villagers often had to carry water for miles, Monyash is uniquely endowed with four meres (five if you count filled-in Jack Mere, now the village car park). A ‘mere’ is the Derbyshire word for a man-made pond, used to store water. The meres owe their existence to a deep bed of watertight clay laid down at the end of the last ice-age some 10,000 years ago, making them possibly the oldest feature in the landscape. Monyash has a single pub, the Bull’s Head and next to it, the old smithy has been converted into a popular café. Narrow lanes radiate from the village green and footpaths seem to go in all directions. The village has access to Lathkill Dale.
When talking about the history of places and features along the walk, Monyash can claim to have its roots in prehistory. Situated in the heart of
Alongside these five historical features, prehistoric burial mounds and capped lead mine shafts scattered around the fields were left by our recent ancestors, each and every one as well as us, leaving theirs and our mark on the landscape for good or bad. www.countryimagesmagazine.co.uk | 51
USEFUL INFORMATION DISTANCE: 9¼ miles (15km) of moderate walking on field paths, green lanes, historic railway trail and by-roads. Fairly level walking all the way. RECOMMENDED MAP: Ordnance Survey Outdoor Leisure Sheet OL24, White Peak Area. PUBLIC TRANSPORT: Hulleys Bakewell/Monyash 178 service Monday – Saturday, hourly service from 09:55. One bus only on Sunday & Bank Holidays, (177 Bakewell/Buxton via Monyash) at 11:50 out and 15:28 back. CAR PARKING: Jack Mere opposite the Methodist Chapel in Chapel Street, Monyash. REFRESHMENTS: Bull’s Head Inn and Smithy Café in Monyash. Light refreshments at Parsley Hay cycle hire and information centre.
THE WALK • From Jack Mere car park on Chapel Street, go through the adjacent stone stile and bearing left walk past the last of a row of cottages. • The next section of the walk is across a series of narrow fields dating back to the Enclosure Act of 1771, defining shared plots in what were originally three huge communal fields. Bear half left away from the cottage and follow the grassy path using stiles in the stone boundary walls of seven narrow fields and an access track. • Joining a farm track, turn right and follow it past a stone barn for about a quarter of a mile. • At the junction of five tracks, turn sharply left and follow the walledstraight track for a little under one mile. • Go past the donkey sanctuary and, on reaching the main A515 Buxton/ Ashbourne road turn right towards the front of the Bull-I’-Thorn for four or five yards and then left. All the time on the lookout for speeding traffic, cross over, aiming for a signposted stile. The modern road is parallel to the
Roman Road from Derby to Buxton and you will cross its position a yard or so after entering the first field beyond the A515. • Go down the field to a stile next to a footpath sign. Cross this and bear half left, still downhill to the railway track. • Climb up to the track and turn left. This is the High Peak Trail which is followed for a couple of miles. High Peak Trail follows part of the 33 mile Cromford and High Peak Railway, first opened in 1831 as a link between Cromford and High Peak Canal at Whaley Bridge. Built by canal engineers, it climbed steep inclines, the equivalent to canal locks, by using steam-powered cables; the stations were called wharfs. • Parsley Hay cycle hire depot marks the end of this section of the walk. Call in for a coffee and then walk through the small car park and go down to the road. • Turn left along this side road and walk up to the main road. Turn left, again with great care, and cross over to reach the minor road signposted to Monyash, Youlgreave and Arbor Low.
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• Turn right to follow this road, bearing right at a junction after 200yards. Walk along this arrow-straight road for about a mile until you reach a sign pointing to Arbor Low. • Leave the road by turning right up a farm track, following it as far as a small car park (there is an honesty box here to help with site maintenance). Go through the farmyard and then a kissing gate. Turn left to follow the stone wall leading to Arbor Low. Arbor Low is Derbyshire’s answer to Stonehenge. Built by our Neolithic ancestors. Unusually the circle of stones are not upright, but lie flat as though radiating from the central altar. As each stone is not upright and lies at roughly the same angle, it looks as though they were deliberately laid that way. But imagine the effort dragging them to the site as well as digging the surrounding earth bank, armed with nothing better than deer antlers. By following the road up to Arbor Low, you will have made a second crossing of the Roman Road; hereabouts its modern use is to define the local parish boundary.
• After exploring Arbor Low, go back to the road and turn right for a little over 700 yards. • Walk up the road until it makes a gently right-hand bend. Look out for a signpost on your left and climb over a stile. • Go diagonally right across two fields until you reach a farm access track. Following it, walk on to reach Cales Farm. • Continue along the track, through the farmyard and go down then across Cales Dale.
• To follow the right of way keep to the left of the track, bearing right over a small field to reach the right-hand end of One Ash Grange farmhouse. • Turn left past old stone outbuildings and pig sties. Go right and then left through a gate at the far end of the in-by farm buildings. One Ash Grange Farm dates back to the twelfth century when it was developed by Cistercian monks as a grange farm. One of the out-buildings, an ice store passed earlier could well date from this time.
To Buxton
• Keeping to the right of the field boundary wall walk on until you reach a stone stile on your left. Cross over and then bear sharp right, going downhill beside a boundary wall across a series of fields. • Cross the head of dry Fern Dale and continue upwards to join a walled track. Follow this until it becomes a narrow road leading directly into Monyash
Monyash
Hurdlow
To Ashbounre
Parsley Hay
Norma Gent Derbyshire Artist
Pets, Portraits, Scenes, Still Life, Executive Caricatures, Victorian Life.
◆
WEEKLY WATERCOLOUR CLASSES RESUME THE FIRST WEEK IN SEPTEMBER
Tuesday 10am - 12pm and 7pm - 9pm Thursdays 9am - 11 am. 9am-10:45 am Thursday evening - St Thomas’s Community Centre, Somercotes.
Arbor Low
The home of
Sherbourne Lift & Rise Recliners in Derbyshire • Free Delivery • Free Removal of Old Furniture • All Ground Floor Showroom
Framing Now Available
Rowditch Furnishers Ltd
www.normagent.co.uk
SALES HOTLINE 01332 511235
The Studio, No 2 The Galleries, New Lane, Alfreton. Tel: 01773 836907
The Parade, Mickleover, Derby, DE3 0GB
95% of our products are British made.
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Looking ahead… With so much uncertainty on when and how local theatres can open many are now putting together their 2021 programmes with earnest in expectation of being able to proceed with them. Please check web sites for regular updates.
Royal Centre Nottingham & Concert Hall 0115 989 5555 www.trch.co.uk
What’s on diary@imagespublishing.co.uk
YES May 23rd 2021 Alan White says “I can’t wait to be on stage again in front of real audiences playing ‘YES’ music “Please take care and stay safe, we want to see our many fans and friends again in 2021!” P£47.50 - £87.50 plus Meet and Greet package available.
PAUL SMITH Saturday 3 July 2021 8pm £24.50
LOST IN MUSIC Saturday 18 September 2021 7.30pmTickets £24.50 - £30.50 Derby Live. Box Office 01332 255800 www.derbylive.co.uk
The online festival will take place on the same dates as the original event featuring concerts from many of the artists who were booked to appear in person in the city, including John Tams and Barry Coope, Lucy Ward, Kathryn Roberts and Sean Lakeman, Winter Wilson, and Kitty Macfarlane, and a host of other wonderful performers. The concerts will be streamed in a curated series of four festival sessions, running for three hours each, with one on the Friday, two on Saturday and one on Sunday. Alongside the concerts, there will be lots of other content, such as interviews and more to keep you entertained, as well as free Festival Fringe events taking place on the Derby Folk Festival Facebook page. Whilst you will only receive one session invite per customer email address that you have registered with us, the Folk Festival team really appreciate all help to keep the festival and the artists going. If you are able, you will have the option to buy the number of tickets that matches the number of people who will be watching, and we are very grateful – but there is no obligation and we continue to appreciate all support from our Folk Festival community! Thank you Supporting the festival by buying a ticket will not only give you some fantastic music, filmed especially for you, to enjoy for a whole week, it will directly support the artists performing, and ensures that the festival is able to return to the city centre once again in 2021. Derby Theatre Box Office 01332 59 39 39 www.derbytheatre.co.uk Fancy a little nostalgia? The try DT @ Stay connected with arts, culture and Derby Theatre from home and explore a range of content to engage with online
Derby Folk Festival – At Home
The Derby Folk Festival goes digital. Fantastic music, filmed especially for you to enjoy for a whole week, it will directly support the artists performing, and ensures that the festival is able to return to the city centre once again in 2021. Just before lockdown began, Derby LIVE announced that the Derby Folk Festival would be back for October 2020 with many artists playing in multiple venues across the city. However, due to Covid-19 and the continued restrictions on staging events, the festival cannot go ahead as planned in a way which is safe for audiences, musicians and crew. Instead, Derby LIVE are excited to announce that they have worked with artists and partners to put together a digital version of this much loved festival - Derby Folk Festival At Home!
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www.derbytheatre.co.uk/dt-at-home and explore Memory Box - Looking Back at Derby Theatre Productions
Sept 23rd Romantics Anonymous
Performed live on stage and broadcast direct to your home! Angélique is a gifted chocolate maker crippled by social anxiety and Jean-René is the boss of a failing chocolate factory.
When Angélique takes a job in Jean-René’s struggling factory, a fragile love affair unfolds. Funny, tender and painfully awkward, Romantics Anonymous is a delicious love story about breaking the mould and finding the courage to be happy. Directed by Emma Rice (Malory Towers, Wise Children, Tristan & Yseult), this beautiful new musical was meant to be on a tour of USA before the pandemic struck. We’re now delighted to be able to bring it back, with this fully staged live stream coming direct from Bristol Old Vic to audiences at home, in all its glory! How To Book go onto www.derbytheatre. co.uk and follow the links. The show will be performed live on Wednesday 23 September for Derby and Midlands audiences: what you see on screen really is happening on-stage at Bristol Old Vic. Buxton Opera House & PavilionArts Centre. 01298 72190 www. buxtonoperahouse.org No events to publish currently.
Carsington Water Bird Walks for beginners
The monthly walks are now on The wildlife has flourished in our absence so come and see those summer visitors before they leave for warmer shores. The winter birds will begin arriving here soon with Teal and Wigeon usually among the first. Why not join us on one of our FREE Beginners walks held on the first Sunday of every month? Numbers will be limited to maintain social distancing so booking is essential, and don’t forget to bring your own binoculars. Contact Carsington 0330 678 0701. Future dates are, Sep 6th, Oct 4th, Nov 1st, Dec 6th. Derby RSPB Derby RSPB local group wish to announce that unfortunately our Indoor and Outdoor meetings will not resume until, at the earliest, January 2021. We hope you are all keeping safe and look forward to welcoming you back next year. For the most updated information please check the RSPB Derby Local Group website. www.rspb.org.uk/groups/derby
Local artist
Norma Gent Norma was born and bred in the Alfreton area and has loved drawing and art from being a young girl. Working mostly in water colour her technique and style is many and varied, taking inspiration from the beautiful Derbyshire countryside or just from the everyday objects which surround her.
Luxury coach travel with guaranteed seats & local boarding points
Delicate spring flowers with pastel shading to autumn leaves with their vibrant colours all particularly fire her imagination. Norma also has an empathy with both pets and wildlife, capturing their personality and playful spirit.
Classes
With over 30 years of experience, Norma’s patient and friendly nature makes her the ideal teacher to hold watercolour classes, and from guiding the absolute beginner through learning a new skill to improving on their existing talent Norma can help. There are weekly classes, full day workshops held quarterly, or you can have private tuition.
Commissions
An original artwork makes both a perfect gift or a treasured memento, and working from your own photographs Norma create something special. This can be presented finished and framed, or can be worked to a size where you can find your own frame.
Studio
Norma can be found working from her studio at No 2 The Galleries, New Lane, Alfreton where she also has a selection of original artworks displayed for sale, and mugs decorated with many of the pets she’s painted. Alternately she can be contacted on Tel 01773 836907 www.normagent.co.uk
BRITISH COACHING LLANDUDNO . . . . . . . . . . . . . . . . . . . . . . . . . . . .10-14 Sept (HB) £395 BARNSTAPLE . . . . . . . . . . . . . . . . . . . . . . . . . . .04-08 OCT (HB) £389 LOOE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12-16 OCT (HB) £337 MYSTERY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17-18 OCT (HB) £118 BOURNEMOUTH . . . . . . . . . . . . . . . . . . . . . . . . 19-23 OCT (HB) £ 289 INVERNESS (ALL INCLUSIVE) . . . . . . . . . .31OCT-04 NOV (AI) £409 LONGLEAT HOUSE AT XMAS . . . . . . . . . . . . . 19-22 NOV (HB) £311 EASTBOURNE TURKEY& TINSEL . . . . . . . . . . 23-27 NOV (HB) £285 LLANDUDNO HOLLY & MISTLETOE . . . . 29 NOV-03 DEC (HB) £394 EDINBURGH XMAS MARKETS . . . . . . . . . . . 12-15 DEC (B&B) £266 CHRISTMAS AT LETCHWORTH HALL . . . . . . .23-27 DEC (HB) £514 CHRISTMAS AT BLACKWELL GRANGE. . . . . .23-27 DEC (HB) £548 BOURNEMOUTH (99p BAR) . . . . . . . . . . . . 08-12 FEB ’21 (HB) £207 MYSTERY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13-14 FEB (HB) £108 TORQUAY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22-26 FEB (HB) £204 LONDON, MARY POPPINS . . . . . . . . . . . . . . 01-02 MAR (B&B) £194 BOURNEMOUTH (99p BAR) . . . . . . . . . . . . . . 15-19 MAR (HB) £207 INVERNESS ALL INCLUSIVE . . . . . . . . . . . . . . . 21-25 MAR (AI) £428 WEYMOUTH . . . . . . . . . . . . . . . . . . . . . . . . 29 MAR-02 APR (HB) £332 YORK & YORKSHIRE COAST . . . . . . . . . . . . . . 26-30 APR (HB) £367
DAY EXCURSIONS EARLY BOOKINGS ADVISABLE
CLEETHORPES WHITBY COTSWOLDS MYSTERY LINCOLN & BOMBER COMMAND* WINDSOR
Admission included*
SUN 23 AUG SUN 20 SEPT SAT 26 SEPT SAT 03 OCT SAT 10 OCT
Adult / OAP / Child
£23 £28 £25 £28 £29
2021 BROCHURE AVAILABLE IN SEPTEMBER 2 The Galleries New Lane, Alfreton,
Tel: 01773 836907 www.normagent.co.uk
Telephone 01629 582826
K.V & G.L SLACK LTD, THE TRAVEL CENTRE, UPPER LUMSDALE, MATLOCK, DE4 5LB Website: www.slackscoaches.co.uk Email: enquiries@slackscoaches.co.uk www.countryimagesmagazine.co.uk | 55
Keep fit on the Volt Pulse electric bike
O
ne of the best electric bicycles available, the Volt Pulse proves popular with all types of riders and is a great all-rounder hybrid. Stylish design and a powerful 250W SpinTech™ motor means it looks great and can take you almost anywhere.
You have a choice of 5 pedal assisted speed settings with a top speed of 15.5mph this hybrid electric bicycle will get you to your destination fast.
Hybrid E-bikes are designed to be comfortable on road whilst also coping with light off-road routes and this bike is perfect for both. The puncture resistant Kenda tyres grip the road with their water-displacing tread but when combined with the SR Suntour suspension fork, they prove wide enough to tackle light off-road conditions as well. The Pulse also has a few new style refinements so you’ll look great on the city streets or the country trails.
All the components used on this bike are high end: from Shimano Alivio gears to Tektro Safety “Power Cut” Brake levers, guaranteeing you a reliable, fun and very safe ride. The technology side of the bike is maintenance free and very reliable, meaning you can take your electric bike in for routine servicing at any good quality bicycle shop throughout the UK and Europe.
The Bike Shop 100-102 Monk Street, Derby. DE22 30B Tel 01332 382227. Open seven days a week
OPEN 7 DAYS A WEEK
FINANCE AVAILABLE Pulse Tops Independent’s 10 Best Affordable Electric Bikes
Electric Bikes in store from £999.00 www.thebikeshopderby.co.uk
Also at 15-17 High Street, Arnold, Nottingham NG5 7DE. Tel 0115 9264733
The Volt Pulse comes as standard with a powerful Panasonic 36v Standard Lithium Polymer Battery (up to 60 miles) with an optional 36v X-Large (up to 80 miles) battery upgrade. Lithium Polymer batteries are the best batteries for electric bikes. For this and a huge selection of E Bikes www.visitthebikeshopderby.co.uk
MARTIN LAVER presents UK COACH HOLIDAYS from YOUR HOME in
Martin Laver & the ‘Laver’ family are delighted to bring you a collection of Escorted Holidays, with pick-ups from home, no feeder coaches & Excursions/admissions included in the price you pay!
2021 Holiday Brochure OUT NOW!!
Our new publication will be posted out to our existing mailing list at the end of August. Are you on that list? Would you like one? Call now for your FREE COPY! Talk Shows for Belper, Mickleover & Ilkeston will now take place later in September! Please ask for the revised dates! 2a Midland Street, Long Eaton, NG10 1NY
0115 998 4407 Email: sales@allabouttours.co.uk Web: www.allabouttours.co.uk 56 | www.countryimagesmagazine.co.uk
BELPER, DUFFIELD, RIPLEY, ILKESTON, ASHBOURNE, DERBY, MELBOURNE, BURTON & Surrounding Towns & Villages! LATE SUMMER 2020 Many great holidays still available from late September, right through until New Year 2020/21! Call now for details.
WINTER & SPRING 2020-21 BROCHURE Our PREVIEW booklet is OUT NOW, featuring departures right through until the end of April 2021….! And then there’s more……..
SUMMER 2021 - OUT NOW ! Hot off the press at the beginning of September will be our new 36-page ‘Stay-Cation’ Breaks by Coach, with over 50 holidays as well as a small collection of overnight breaks and day excursions too!
COMING SOON…. * European & Worldwide Rail Breaks * European & Worldwide River Cruises * Jersey by Air (when you want—or escorted!) * European & Worldwide Breaks by Air & Coach Call us, Email or visit the website for details...
JOIN US FOR OUR BIGGEST DISPLAY OF CARAVANS, MOTORHOMES, AWNINGS & ACCESSORIES. SPECIAL DEALS AND OFFERS THROUGHOUT OCTOBER. LET US HELP YOU FIND YOUR HOLIDAY INSPIRATION.
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CRAFT IN FOCUS
To stage the first craft fair in the area this year at Trentham Gardens
C
raft In Focus will be staging its event at Trentham Gardens from 24-27 September. Tickets must be booked in advance. The event will feature nearly 100 of the UK’s finest contemporary artists and craftmakers and will be held in semi open-sided marquees within the Gardens. Craft In Focus has always been at the forefront of promoting the best of the UK’s designer makers and their high quality contemporary events have been placed above all other shows of their kind by The Independent.
The UK has a wealth of individual and talented designer makers and artists who produce wonderful original items that simply cannot be found amongst the mass-produced and imported goods on the high street. Purchase from a stunning treasure trove of original and affordable designs created by some of the finest craftmakers and artists in the UK. For further information contact Craft In Focus 01622 747 325 or visit the website: www.craftinfocus.com. Venue address: The Trentham Estate, Stone Road, Trentham, Stoke on Trent, ST4 8JG. For more information on Trentham Gardens including admission prices see www.trentham.co.uk
The event at Trentham showcases some of the finest contemporary craftmakers in various disciplines all of whom have been selected to exhibit at this event. All exhibitors have designed and made the work that they display and have been selected for their individuality and innovation in contemporary design, as well as outstanding technical ability.
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Purchase direct from the very best makers in the UK
24 – 27 September
Trentham Gardens ST4 8JG
Admission to garden also gives admission to the craft fair. Free entry for Trentham’s Annual Ticket Holders. *Advanced Booking required as tickets are being limited due to Covid-19 precautions. See website for full details and admission costs.
craftinfocus.com 01622 747325
9.30am – 5pm Daily
(Garden open 9am – 6pm Daily)
12/08/2020 16:47
Dandelion by Ed Burkes, oil and collage on canvas, 2020
CIF_Trentham_20_132x186.indd 1
Dandelion: An Exhibition by Ed Burkes Winner of the 8th Jonathan Vickers Fine Art Award Friday 11 September – Sunday 21 February 2021 Museum & Art Gallery, DE1 1BS
EdBurkes2020_CImages_186x132_v4.indd 1
FREE – Give What You Think
derbymuseums.org | 01332 641901
11/08/2020|19:27 www.countryimagesmagazine.co.uk 59
ADAM HENSON JOINS
T H E COUNTRY FOOD TRUST AS PATRON
A
dam is a familiar face to many as a TV presenter and tenant of the Cotswold Farm Park, a 650-hectare mixed farm in the Cotswolds, home to more than 50 breeding flock and herds of British rare breed farm animals.
meals, thanks to the incredible success of its COVID 19 appeal. The charity currently produces two ready meals made from pheasant – a curry and a casserole – developed by ex-River Cottage chef and Trustee Tim Maddams. These pouches do not require refrigeration and can be eaten straight from the packet, meaning they can be sent to charities without cooking facilities, and food banks. They also source meat straight from dealers and send this out to charities with kitchens.
The Country Food Trust recently hit its five-year target of providing more than one million meals for people in need one year earlier than expected, and since the beginning of May has donated another 400,000
Tim Woodward, CEO of the Country Food Trust, said: “Our research showed that of all food donated to food banks, there was a real shortage of protein, so
“It’s brilliant how quickly the charity has grown and to see what it has achieved as it nears the 1.5 million mark of meals donated to people in food poverty.”
we developed our meals with this in mind. “We are delighted that Adam is joining us as patron. We are looking at different ways to provide protein to feed the growing number of people in need and Adam’s knowledge will be hugely useful in this area. We’re looking forward to working with him to raise awareness about the issue of food poverty and feeding even more people across the UK. Adam said of his appointment: “I have been following The Country Food Trust keenly since inception. It’s brilliant how
quickly the charity has grown and to see what it has achieved as it nears the 1.5 million mark of meals donated to people in food poverty. Sadly, the number of people needing help with food in the UK is continually increasing and I’m delighted to have been asked to become a patron.” Tim added: “We’re also always looking for dynamic people with skills in fundraising and organisation to become Ambassadors for our charity at grass-roots level across the country, so if you’d like to get involved, please contact us!”
Love British Food 19th September – 4th October
British Food Fortnight is approaching fast – 19th September – 4th October –and after the difficult year that saw communities pulling together to ensure everyone had access to food as well as many rediscovering the joys of buying and supporting local producers, we invite all to join the celebrations and share our love for British food. Now in its 19th year British Food Fortnight has been the catalyst for small and large organisations and community groups across the nation to instil the importance of buying British to protect our farmers, food producers and countryside. This year the Fortnight is poised to take
place as usual with menu promotions celebrating British food and, in particular the local food chains that have sustained the country this year. New for this year is British Food Fortnight’s online show, open to all from Saturday 19th September with new features being added daily throughout the fortnight. Visitors can see their favourite Ambassadors cooking delicious British ingredients in the cookery theatre; meet producers and hear first-hand about the food they make; and join in the Big British Food Fortnight Debate that will feature leaders responsible for food in our schools, hospitals, care homes and communities. Panel discussions will take place throughout the fortnight discussing key issues such as sustainability; why buy British; and nutritional benefits of different foods. There will also be trade stands for visitors to visit and enjoy the special promotions on offer. The team of Love British Food Ambassadors are leading this year’s British Food Fortnight national competition encouraging us all to show our love for British food. The
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competition is open to everyone who has been involved in an uplifting gesture or activity that has British food at its heart. Simply share your story and why you are taking part, the person or group with the most inspiration take on British food and drink will be announced the winner. Closing date for the competition is 24th October and winners will be announced Friday 6th November. While the Fortnight is an important focal point for British food producers, work behind the scenes is year-round for organisers Love British Food. Working with a number of high-profile celebrities, such as leading chef Raymond Blanc, Liz Earle, Candice Brown and Alex Hollywood and Local Authority Caterers, Hospital Caterers Association and National Association of Care Catering, the campaign for British food has a strong network of big influencers. For more ideas on how to take part, details of all the activity and 14 things you can do during the fortnight visit www.lovebritishfood. co.uk
Food
Drink and
‘Thanks to all our loyal customers for their support’
The very finest flavours from far and near... We stock our shelves with the best available seasonal produce. Everything from every day essentials to locally grown fruit and vegetables.
Keep food miles low,
visit Robin Maycock Family Butchers and Bakers
Famous for their fresh, locally sourced meat, bakery and deli counter. Supporting local suppliers
FREE DELIVERY
One way system and safety measures in place to make your visit to the farm shop and café as enjoyable as possible. Visit our farm shop for high quality produce and a tasty treat in our extensive café.
Feel free to speak to our experienced staff.
To Reserve A Table Tel: 01159 309099
LOCALLY
Set in beautiful Derbyshire countryside with free parking outside AWARD WINNING HOLLOWAY VILLAGE BUTCHERS Lea Shaw Road, Holloway, Nr Matlock, Derbyshire DE4 5AT
01629 534333 www.robinmaycockbutchers.co.uk
Opening Daily: 10 am – 4 pm Oakfield Farm, Belper Rd, Stanley Common, Derbyshire DE7 6FP email:info@oakfieldfarm.co.uk Facebook: oakfieldfarmshop
www.oakfieldfarm.co.uk
www.countryimagesmagazine.co.uk | 65
Country
app
35 YEARS OF CARING FOR THE ELDERLY
Coxbench Hall Residential Home Now Offering Virtual Bespoke Tours
Coxbench Hall in Derbyshire, specialises in providing quality care to the elderly in beautiful surrounds of landscaped gardens and a historical Georgian home. A family run care home has been caring for the elderly for over 35 years with love at its heart
Contact us 01332 880200 office@coxbench-hall.co.uk
it’s FREE to download today… and tomorrow… and the day after that too!! We go one better than a free trial, County Images app is always free to download, so get it now and read every Country Images Magazine on your smart phone or tablet today. Just another reason we’re Derbyshire’s best read lifestyle magazine! or visit www.countryimagesmagazine.co.uk
DEDICATE A TREE
H
eritage Wood is situated in Ednaston, 5 miles south of Ashbourne, the gateway to the Peak District. It is an outstanding location, nestled in delightful unspoilt Derbyshire countryside. Here you will find the perfect mix of nature, celebration and reflection.
www.heritage-wood.co.uk
A unique opportunity to dedicate a tree in memory of a lost loved one, or to mark a variety of occasions and life time events, or, just for the joy of seeing your sponsored tree grow, knowing that you are giving a little bit of something back to nature.
A mix between nature, celebration and reflection
A visit to Heritage Wood provides the perfect setting for you to spend time with your memories, to remember happy times and to enjoy making special new memories. A moment of contemplation and escapism. A pleasant walk or a picnic, just time to sit and enjoy the peaceful, natural surroundings and wildlife.
A unique opportunity for you to dedicate a tree. Trees can be dedicated to mark all of life’s events and milestones. Ashes may be buried beneath trees dedicated in memory of a lost loved one. Heritage Wood is open 365 days of the year. Free to visit. Dogs must be kept on a lead at all times Please contact us for more details or visit our website
Ashbourne: 01335 360488 Hollington Lane, Ednaston, Ashbourne DE6 3AE
66 | www.countryimagesmagazine.co.uk
If you are dedicating your tree in memory of a lost loved one, ashes may be buried beneath your tree. Heritage Wood is open all day, every day. It is free to enter with ample car parking, picnic benches and tables. Dogs are welcome, but must be kept on a lead at all times.
Care home group invest in LONG LASTING VIRUS SHIELD
M
ilford Care group have invested in a product that will protect their homes from viruses and bacteria for up to 30 days. The award-winning group have imported a new product from New Zealand, Zoono. The product is sprayed across the homes by Bunzl Cleaning Machine Solutions and encourages outbreak prevention and in particular COVID-19.
The unique product sticks to the surface to create a protective layer which instantly kills any viruses or bacteria that should happen to land on it. Milford Care have a total of six homes spanning Derbyshire and Nottinghamshire. These homes (Spencer Grove in Belper, Derbyshire, Milford House in Milford, Derbyshire, The Meadows in Alfreton, Derbyshire, Ashbourne Lodge in Ashbourne, Derbyshire, Hazelgrove in Hucknall, Nottinghamshire, Buddleia House in Hucknall, Nottinghamshire) have all been sprayed with the protective film in order to maximise the safety of its residents and staff. The homes have also invested in a Zoono Hand Sanitiser as an extra precautionary measure for residents and staff. The sanitiser provides a 24 hour antibacterial protective layer that works with routine hand hygiene procedures to help minimise germs. Daren Baldwin, from Bunzl Cleaning Machine Solutions said: “We are so impressed with the attention to de-
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He continued to say: “We would like to thank all our staff for their hard work and dedication to our residents. They’ve gone to enormous lengths during this lockdown to ensure all our residents are happy and staying safe and we cannot thank them enough.” For more information about any of the Milford Care homes, contact info@milfordcare.co.uk or head to the website to see the homes in more detail.
W A HIRK DERBYSL E6 14 Walks that di scover Derbyshire an d its history Wr
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Pierre Falleth, Director of Milford Care, said: “Our residents and staff’s safety is of the utmost importance and we are evaluating every possible avenue we can to ensure they stay safe. Zoono is a fantastic product that is proving itself to be effective already.
Issue 6
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tail at Milford Care. The homes were spotlessly clean when we arrived which made our job particularly easy. The level of service from the staff was impeccable. We couldn’t be prouder to be helping the homes during these unprecedented times.”
PRE ORDER NOW ONLINE AT www.walkderbyshire.co.uk www.countryimagesmagazine.co.uk | 67
Standout fashion Joseph Ribkoff stunning top in vibrant palm print is included in the end of sale final clearance at Jillian Hart Fashions. All summer collections have up to 75% off to make way for the new exciting Autumn collections now arriving! Jillian Hart Fashions is located at 40-44 Babington Lane, Derby and well worth a visit for a timeless summer staple to add to your wardrobe. Call in at the shop or telephone 01332 347647
FOIL is a modern fashion brand from New Zealand. The FOIL brand encompasses classic design with a relaxed fashion edge and at the same time Foils trend driven designs come with a comfort and fit which are the brands key focus, alongside quality modern fabrics. For daytime and evening looks that will both fit and flatter, please visit QUE Women, 13 Church Street, Ripley DE5 3BU.
68 | www.countryimagesmagazine.co.uk
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NEW McLAREN SENNA
ot on the heels of the McLaren 720S ‘Ride-On’ launched last year, the new McLaren Senna ‘Ride-On’ is the ultimate accessory for younger performance enthusiasts. It is modelled on McLaren’s most extreme track car, the unparalleled abilities of which are reflected in it bearing the name of three-time McLaren Formula 1 World Champion, Ayrton Senna.
‘RIDE-ON’ IS 2020’S ELECTRIFIED ULTIMATE TOY
The McLaren Senna Ride-On is available in five authentic and eye-catching McLaren paint colours: black, white, Mira orange, Vega blue and Memphis red. A sixth, special edition colour – exclusive to McLaren retailers - of yellow with green accents echoes the colours of Ayrton’s race helmet for the most serious of budding racing drivers. The McLaren Senna Ride-On is aimed at 3 to 6-year-olds, although McLaren’s own Formula 1 driver Lando Norris did manage to squeeze in the car and take it for a test drive, just to check he was happy with the way it drove. The McLaren Senna ‘Ride-On’ features all the functions of last year’s popular 720S ‘Ride-On’, including working dihedral doors to allow easy access. Once inside, the young owner can begin their drive using an authentic push-button start which activates McLaren Senna engine sounds. Junior journeys can also be accompanied by music, played via an infotainment system that can access files from a USB device or SD card.
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Down: 1 Fall apart 2 On the cake! 3 Language 4 Heavenly 5 A real nerve 6 Six balls 7 Dislike 8 Sketched 11 Kip 14 Brings in crops 15 Unusual 17 ironed 20 Small overdose 22 In between 25 Just purchased 26 Communication device 29 Overseas 30 Blossom 32 Time 33 Finished 37 Tidy 38 I agree 41 Us 42 Doctor
We have 4 copies of Walk Derbyshire 3 to GIVE AWAY
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Across: 1 Hold on to 4 Married 9 Bring together 10 Inactivity 12 Sweetener 13 For golfers 16 Extended play 18 Top flier 19 After lunch! 20 Either? 21 Give off 23 Royal Marine 24 Go deeper 27 Singular 28 Be quiet 29 Sticks to 31 Magnificent 34 Sicken 35 Enclosure 36 Make a mess of 39 Type 40 Country 41 Novice 42 Injured 44 Mature
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Find the Derbyshire village. Send your answer to: Crossword Comp. Country Images, Unit 5, Office Village, Keys Road, Alfreton, Derbys DE55 7FQ. Or email competitions@imagespublishing.co.uk Entries to reach us by September 20th 2020 First 4 correct entries drawn win the prize. T&C’s apply.
www.countryimagesmagazine.co.uk | 71
F
or four decades, Audi has been setting the pace with permanent quattro all-wheel drive and thus initiated a paradigm shift in powertrain technology in the automotive world and in motorsport. The brand is now using the knowledge it has accumulated in this area since 1980 for the next step. The electric quattro in the models of the e-tron range marks Audi’s next milestone achievement in the age of electric mobility. Enjoyable driving and efficiency are fused into a total package. Audi combines quattro and e-tron into a powerful combination of high performance and notable economy. The company mass-produces an all-wheel drive system that is highly variable, dynamic and precise while making efficient use of the available energy.
What is so unique about electric quattro drive compared to competitors?
Audi is the first manufacturer to enable highly variable torque distribution in the e-tron S due to the drive topology featuring one motor
at the front axle and two electric motors installed in a housing on the rear axle. In combination with sophisticated control and regulation, the electric quattro, due to its single-axle operation with variable, unnoticeably additional activation of the front axle, resolves the conflicting aims of dynamic performance and efficiency. Audi integrates functions such as electric torque vectoring on the rear axle, wheel-selective torque control due to a braking intervention with the mechanical differential, and high recuperation performance in an electric powertrain. Additionally, drivers can adjust the high variability of the system to their personal preferences by individual program selections.
When do e-tron and e-tron S models activate their electric all-wheel drive?
The electric all-wheel drive is active in situations of degrading grip on road surfaces with low coefficients of friction, in particularly dynamic driving conditions, when the driver demands high traction power, or when maximum recuperation is desired – in other words, the recovery of energy
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during braking and deceleration. If the driver decelerates the car to a level of 0.3 g, the electric motors act as generators, using the car’s kinetic energy and converting it into electrical energy which, in turn, charges the battery. This applies to more than 90 percent of all braking maneouvres in everyday driving situations. Only when stronger pedal pressure is applied, the system additionally and seamlessly activates the hydraulic wheel brakes. For instance, in a braking event at 100 km/h (62 mph), the e-tron S can recover kinetic energy with output of up to 270 kW, compared to 250 kW in the Formula E electric racing series. What opportunities does electric quattro open up compared to conventional all-wheel drive? In the Audi e-tron models, one electric motor each drives the front and rear axle. By contrast, the e-tron S versions use one motor on the front axle and two on the rear axle. With electric torque vectoring – in other words, specific torque development left and right – the e-tron S provides quattro drive on the rear axle with even greater agility. The key advantage: Without a mechanical connection
AUDI QUATTRO SETS STANDARDS IN THE AGE OF ELECTRIC MOBILITY
between the two electric motors on the rear axle, the functions of a controlled transverse differential lock and thus the functions of a sport differential have been achieved within a single system purely by means of software-based activation. Consequently, thanks to intelligent drive control, Audi has implemented active and fully variable torque distribution in transverse direction on the rear axle. How did Audi achieve this high variability in the electric drive system? Audi combines an electric powertrain architecture – a novelty in high-volume production – with sophisticated control units in which all the key software components and their network integration have been developed in-house. Compared to a mechanical all-wheel drive, this results in a fast-response drive system. For instance, latency in the case of electric torque vectoring – in other words, the time gap between the sensor measurement and active torque distribution – amounts to just 30 milliseconds. This is merely around a fourth of the response time of a mechanical system. In addition,
electric drives provide clearly higher torque levels. Up to 220 Nm more torque can be allocated to the outside wheel in a cornering situation which, due to the transfer ratio, equates to as much as 2,100 Nm per wheel. This is how the drive system generates the desired yaw moment in cornering: The car correspondingly rotates around the vertical axis in the cornering direction and thus feels particularly agile. When the coefficient of friction on snow or ice is low, traction can be optimised with great precision as well: The respective friction coefficient of the driven wheels is measured and, due to the torque allocation, used in an ideal way, thus enhancing overall traction.
How is this precision control achieved? Intelligent interlinking is the prerequisite for this software function. The drive control unit (DCU) distributes torque between the electric motors. The best possible energy conversion efficiency is decisive for optimising efficiency. The integrating control
unit of the Electronic Chassis Platform (ECP) uses sensor signals to monitor the car’s driving condition and calculates the ideal distribution of longitudinal and lateral torque. It integrates the vehicle dynamics control of the quattro, in other words, electric torque vectoring as well as wheel-selective torque control via the braking intervention on the front axle. At the dynamic limit, on the e-tron S, the wheel brake slightly decelerates the inside front wheel in cornering and on the e-tron, the front and rear wheels. Thus, via the effect of the mechanical axle differential, more torque is distributed to the outside and the car follows the steering command in the cornering direction with particular agility. The traction control system (TCR) acts at onemillisecond intervals. This is achieved because individual functional components of the electronic stability control (ESC) have been shifted into power electronics directly on the electric motors. The drive control unit coordinates the traction control system and the all-wheel controller, whereby the engineers gave priority to agile handling with a dynamic basic layout.
www.countryimagesmagazine.co.uk | 73
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Dementia Care | Long-term Care | Nursing Care Residential Care | Respite Care
Welcoming new residents Milford Care are extremely passionate about giving your loved one the very best in person-centred care and this has not changed throughout the COVID-19 pandemic.
Belper Tel. 01773 599 349
Alfreton Tel. 01773 520 491
Milford Tel. 01332 841 753
Ashbourne Tel. 01335 301 400
"I’d just like to send a message to say how utterly amazing you have all been - the true heroes of this awful pandemic - you have demonstrated bravery and compassion in equal measures - well done to each and everyone of you - you should all be amazingly proud - your residents are truly blessed. Thank you" Health Professional, Belper - May 2020
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