#274

IMPACT IMPACT IMPACT

Editorial

Dear Reader, Thank you for picking up this edition of Impact!

The end of the academic year can be a strange time - especially if you’re graduating and are unsure of exactly what’s to come.

It’s also been a strange year - seeing the changing of monarchs, two prime ministers and the cost of living crisis. It’s a weird time to be a student. The investigation into students turning to sex work to make ends meet - by Alice Bennett and Hannah Bentley - underlines the financial difficulties many students have faced this past year. Lottie Murray’s article explores the possibilities of ChatGPT and how it will affect the future of education.

And Izzy Rodney’s article on eco-anxiety examines a new type of depression many of our generation are experiencing.

Graduating into a turbulent economy - unsure if AI or the climate crisis will disrupt your career - can feel unsettling.

But I hope this edition can give you some cause for optimism too. Our interview on the career success of UoN alumni sport journalist Charlie Eccleshare reveals how exciting grad life can be. If you need some escapism, our entertainment section provides film and TV recommendations, reasons to visit art galleries and interviews with the artists playing Nottingham’s Splendour Festival. This is the 2022-23 Impact committee’s last edition so I want to thank all our committee members for their creativity, dedication and ingenuity. Thanks to Tylah, our Head of Online, for keeping Impact’s digital profile high, and to Alex, our Print Editor, for the innovations he has brought to the print editions. I am so grateful for what Impact has brought to my university experience and it’s been an honour to edit it.

So, goodbye from us and all the best to the 2023-24 incoming committee.

- Lucinda Dodd, Editor-in-Chief

the Little Black Dress, Drag and Defying Gender Norms ~ Vivika Sahajpal

28 SCIENCE/ Eco-Anxiety: Do you have it and what to do about it? ~ Izzy Rodney

Entertainment:

29 ARTS/ Why Visit Art Galleries? ~ Natalie Howarth

30 MUSIC/ Splendour 2023: Interviews with the Artists

Playing at Nottingham’s Summer Music Festival

33 FILM & TV/ Masculin Féminin: Youth on Film in the 60s ~ Victoria Mileson

34 GAMING/ Gaming: a New Era of Socialisation ~ Will Stead

Reviews: 35 Critics’ Recommendations

Sport: 40 Interview with Tottenham Hotspur Journalist and Impact Alumni Charlie Eccleshare ~ Rhys Thomas 42 Impact’s Favourite Sporting Moments of the

UK STUDENTS WANT UNIVERSITIES TO OPEN UP ON STUDENT SUICIDES

Following the suicide of University of Exeter student Harry Armstrong Evans, The Tab conducted a survey which revealed that 88% of student across the United Kingdom want their university to be more transparent about student suicides.

After the death of their son, Harry’s parents Alice and Rupert Armstrong Evans began a campaign which asks universities to change how they deal with student suicides. It became known as ‘Harry’s Law’. The proposed bill asks universities to be more transparent regarding student mental health. Harry’s parents are pushing institutions to publish ‘annual student suicide rate’ and present current and future students with all mental health support available at their institution. When it comes to mental health at the University of Nottingham (UoN), many students have voiced that they are unsatisfied with the mental health support available. Back in September 2022, Impact found that some students had been left waiting up to 4 months for counselling. A University mental health league table, produced by the charity Humen, has ranked UoN 73 out of 80 for mental health support.

- Lottie Murray

NOTTINGHAM RESIDENTS ANGERED BY NEW ‘LIME’ ELECTRIC BIKEs

Local Nottingham residents have criticised the new electric bikes available to be rented around the city, with fears that inconsiderate users are blocking streets when parking.

The e-bikes, brought into the city by bike hire operator company ‘Lime’, have resulted in concerns amongst locals, who fear the bikes being left on pavements will cause obstructions for those with disabilities. Sarah Gayton, the street access campaigns co-ordinator for The National Federation of the Blind of the UK argues, “these bikes cause dangers to people who can trip over them and also block access for people in wheelchairs.”

The new bikes add to the ongoing tensions between residents and students. Local resident, Mr Coope, stated: “To dump them like this is wrong. The majority of people that use these and the scooters I think are students, so I get why they’re like that after a night out. I do not mind the idea of the bikes as long as people are responsible with them.”

Lime has attempted to reassure residents. The company has said they recognise the importance of keeping pavements accessible for everyone, and provide guidance on how to properly park the bikes and have stated that irresponsible bike users will be issued with a fine.

- Laura Scaife

SU FAIL TO GET ENOUGH VOTES FOR REFERENDUMS TO PASS

This spring, the Students’ Union held five referendums. Only one received the 950 required votes to pass.

The only referendum to pass was ‘Solidarity with Palestine’. 955 people took part in the vote. Of those who participated, 574 people voted ‘yes’, meaning the SU implemented the policy.

The referendum questions which didn’t attract enough votes to pass were:

What do you want the relationship between the University of Nottingham Students’ Union and the National Union of students to be?

Should the Students’ Union implement the motion ‘Right to Protest?’

Should the Students’ Union implement the motion ‘Urine testing kits and drink testing strips for date rape drugs should be avaliable at UoNSU and UoN to introduce a support and report system for spiking?

Should the Students’ Union implement the motion ‘Combating Islamophobia and Supporting Muslim Students’?

Further information about the vote counts can be found on the UoNSU website.

- Ben Mellor

RIVAL PROTEST GROUPS CLASH OUTSIDE NOTTINGHAM HOTEL

Clashes have taken place between anti-immigration protesters and counter demonstrators outside two Long Eaton hotels.

In April, anti-immigration protesters associated with ‘Patriotic Alternative’ demonstrated in the centre of Long Eaton. Leaflets advertising the protest claimed local residents “were never asked if they wanted hundreds of migrants to be pushed onto their community”.

This followed an earlier protest outside the Novotel, where protesters asked ‘for women and children to be protected’. A counter protest, organised by ‘Open Nottingham’, happened at the same time and attracted larger numbers of people. The Novotel was taken over by

the Home Office in October. A Best Western in Long Eaton has also been housing asylum seekers for over two years.

President of Student Action for Refugees (STAR) Nottingham, Millie Adams, told Impact that “Nottingham has historically been a new home for people fleeing conflict or persecution, and has welcomed refugees who contribute to the city’s diverse communities.”

- Kit Sinclair

“The proposed bill asks universities to be more transparent regarding student mental health”

UoN

The development of AI tools such as ChatGPT have resulted in universities expressing concern for AI’s abilities to aid students in passing off their assignments to the chatbot to compose. The University of Nottingham (UoN) has addressed the issues regarding the use of ChatGPT, publishing a report which outlines all of its findings, and updating quality and standards policies to cover misuse of ChatGPT.

Chair of the Quality and Standards Committee, Professor Kim Edwards, oversees all academic procedures and is responsible for ‘maintaining academic standards across the university.’ When asked about how the university is dealing with artificial intelligence related misconduct, Professor Edwards has explicitly stated that the university treats any case of this manner seriously and she outlines that the “potential outcomes of academic misconduct can include a reduction of marks, suspension or termination of studies, and withdrawal of a degree or qualification already awarded.”

UoN acknowledges the impact of AI on all aspects of study. Responding to this concern, the university assures students that it plans on minimising the level of alterations AI will have when it comes to the actual nature of their studies.

Professor Edwards says: “Whilst it is likely that tools such as ChatGPT might change the nature of some university assessments in the future, the core activities of your studies will not substantially change.”

The university generally condemns the use of AI to assist with students’ studies, specifically with completing assignments. However, it has outlined in their ChatGPT guideline that there are in fact some positives of seeking help from ChatGPT for the following:

- Immediate answers to short questions

search and find out for myself the long way is what makes me better as a student and as a professional in the long run!”

Across campus to the culture, media and visual arts department, a third-year International Media and Communications student says that she thinks that relying on AI would make her ‘lazy’ : “I’d rather have my original arguments marked, even if they are incorrect, instead of an answer that can be given word for word to everyone.”

This student goes on to explain that she does ‘’see the positives of using ChatGPT as a search engine because it can be used as a personal search engine.” She mentions the cost of university tuition fees and acknowledges that she would see the teaching we pay for as a waste if we passed on basic information to a chat bot:

- Sourcing technical difficulties

- Identifying search keywords

- Generating prompts and formulating questions

- Basic coding (following guidance from tutors)

- Structuring research (but not argument)

Since ChatGPT’s release last November, students are becoming more familiar with different ways that AI can be used to decrease their workload. There have been many cases of students providing ChatGPT with basic data such as their assignment questions, lecturer notes or equations and receiving a completed academic essay in return.

Impact surveyed 20 students which revealed 60% do not use ChatGPT, with only 1/6th of non-users considering using it.

Impact then followed up on this sample to understand the reasons why the majority of students are not using ChatGPT.

Takes To Steps

It is evident that across the university students may use AI for various reasons. Impact spoke to a second year civil engineering student who stated that “for a lot of what I have to do in my degree there are calculations required which ChatGPT can’t really help with. However, there are objective answers that I sometimes need to give which ChatGPT could help with, although I’d never use it because I feel like the drive to re-

“We pay £9,000 a year and so I don’t see the point in not submitting my own work. I would find it quite insulting to my lecturers if I were to use it. They like seeing original analysis driven ideas and so if I was to submit an AI generated response, then it would literally just be a recycled copy.”

“Impact surveyed 20 students which revealed 60% do not use ChatGPT”

Combat ChatGPT

IN CONVERSATION with UoN's Pro-Vice Chancellor for EDI & People, Katherine Linehan.

Olivia Hughes interviews UoN’s Professor Katherine Linehan to discuss her role as Pro-Vice Chancellor for Equality, Diversity, Inclusion & People on some of the key issues at Nottingham - such as the gender pay gap in regards to the UCU strikes, and how trans students are being supported at the university.

With UCU strikes having plagued this year’s graduating class, and with the threat of the upcoming marking boycotts, I wanted to ask Professor Linehan her opinion on the strikesespecially in relation to gender and ethnicity pay gaps. Professor Linehan stated that since joining the University in her position in January 2022, there has been a senior pay review which puts the University in a better position to address the pay gap at higher roles in the institution. However, she stated that she is very aware that with lower-level positions across the University there is more work to be done to attract more women to the roles and thus reduce the gender pay gap.

Nottingham itself is a diverse campus with strong links to countries such as Malaysia and China. In 2020/2021, the percentage of international students at the university was around 28% according to the student data report.

When asked what could be done to improve experiences for international students, Professor Linehan put forward her view that to feel a sense of belonging, international students need to see academic staff who look like them. “To create a strong sense of belonging for international students they have to be able to see academic staff like themselves in the classrooms. They also must feel there is an opportunity to have conversations and celebrate culture with people of similar heritage. International students need to feel that the university also welcomes and celebrates differences across the whole of the staff and student community.”

When asked what an equal, diverse, and inclusive Nottingham looked like to her, Professor Lineham explained that “everyone has a sense of belonging and that everybody feels that they can bring their authentic self to the University.” EDI is a term that people are becoming increasingly familiar with, however the Pro-Vice-Chancellor acknowledges that often misconceptions arise around the EDI agenda. She elaborates “I think we often vilify the white man which isn’t always helpful in driving real cultural change across the University”, further stating that “we have to be really open minded about everyone’s lived experiences and make no assumptions about who holds privilege in any particular situation or meeting. Only by creating safe and permissive spaces will we drive the openness needed to have difficult conversations around historical injustices and current inequalities”.

“ In 2020/2021, the percentage of international students at the university was around 28% according to the student data report”

Professor Linehan is open about her own disabilities. She said that her conditions make her “much more empathetic” to the disabled community and that she “understands personally what it is to experience discrimination and microaggressions”. The Pro-Vice-Chancellor feels that “one of the areas that has been overlooked previously in the University is disability” and she feels that “only now is the University picking up pace in that space”.

However often her Pro-Vice-Chancellor position calls for her to represent a community that she may not be a part of so when asked about how she stays abreast with those communities, she explained that she has a “brilliant team” who are “completely diverse” and so she feels that she has “expertise at her fingertips to be able to consult with”.

Positive discrimination is often being used now to ensure workspaces are equal, diverse, and inclusive but this can be seen as an issue of contention due to perceptions that it lacks the quality of hiring on merit. The Pro-Vice-Chancellor talks on this stating “it is key to a person that they feel like they have got a job because they are the best person for that job, that being said we aren’t making as much progress diversifying the workforce as we should be.”

Professor Linehan summises that, in those scenarios (in which the University isn’t making progress) she would gladly welcome positive action to ensure that underrepresented groups gain representation in those spaces. Another issue of contention currently is the safety and representation of trans people and specifically trans students. With violence and aggression towards the trans community rising, such as the death of Brianna Taylor, the University’s support for its trans students is more important than ever.

Katherine explores this stating “we need to make sure the University is a psychologically safe space for its transgender students” she also believes that “it is important both that students have supportive people directly around them and professional support is available to them at the University if required”. Katherine and her team work closely with the staff and student EDI networks and through conversations with them has determined that categorisation in the University IT systems can be a key barrier to sense of belonging for trans students. Work is currently being done to both the staff and student IT systems to ensure individuals have more scope to self-identify.

The University also has plans to improve experience and support for neurodiver-

gent students, including a complete curriculum transformation to be more inclusive, with neurodivergent staff advising on this to ensure the most supportive curriculum possible.

The University has also just spent £250k on ‘Access Able’ which enables students to see a 360-degree view of their spaces so they can see what their rooms are going to look like, plan routes in a way that avoids sensory overload, and account for lighting levels and patterns. This once again is to provide a calming and supportive environment for neurodivergent students.

Professor Lineham reveals the current project she is most excited about is the new Castle Meadow Campus, which is being designed to be the most inclusive and supportive campus yet. She describes how there is an EDI consultant specifically on this project and excitingly that the architect working on this is neurodivergent and is an expert in devising neurodivergent spaces. These plans are immediately for the Castle Meadow campus however there are plans to improve all other campuses in the future.

Finally the Pro-Vice-Chancellor ensured that she welcomes suggestions for change in any capacity.

- Olivia Hughes

diversifying the workforce as we should be”

“We

aren’t

making

as

much

progress

#PROJECTWINTER: FUNDING FUTURESTHE RISE IN STUDENT SEX WORK

This past winter, Impact worked with Platform (Nottingham Trent’s student magazine) to investigate how students in Nottingham have been coping with the cost of living crisis. To read the rest of the #ProjectWinter articles, visit: https://impactnottingham.com/tag/projectwinter/

Through the power of the internet, swapping sexual favours for cash has never been easier. But is selling explicit pictures online the ideal way of making extra income to have more time for studies, or is it putting young people in danger?

Hannah Bentley and Alice Bennett explore why students are turning to sex work to pay for university.

When second year fashion student Amelia* was approached by her ex-boyfriend, asking if they could “patch things up” she knew she did not want to get back in the relationship. She also knew she was struggling to buy materials for her material-heavy course. So when he offered cash in exchange for nude photos, it was an offer she could not refuse. And Amelia is not alone. In a 2021 survey conducted by Save the Student, 10% of students said they would “consider sex work in a financial emergency”. With the average student’s maintenance loan leaving £340 of costs uncovered each month, it’s clear that more and more students like Amelia are entering this said ‘financial emergency’. Her fashion course needs regular supplies of fabrics and sewing equipment. Amelia receives the lowest student loan from the government (£3,597 per academic year) as well as some financial support from her parents. But she says this still is not enough to fund her living expenses such as food, rent and travel. Research has showed that 56.9% of student sex workers reported the main reason for turning to sex work was funding their education, and 45.1% said it was to avoid debt. Her course is “very full on” meaning she does not have time for a conventional parttime job. “I have applied to

jobs… but because the hours I can do are quite restricted [employers] are not willing to do that,” she says. But even a part-time job might leave her at risk of burnout and exhaustion: “If I ever have a day off, because I’m so overworked at uni, I can’t physically or mentally deal with the stress of having to work in a busy bar for example… I need one or two days of downtime,” she adds. These are the trying circumstances that have led her to engage in sex work. “Last year my ex approached me trying to patch things up… and he offered that I send some photos in return for money.

“I said yes,” she reveals, before hesitating, “because I really needed the cash, and the things he was asking for weren’t too explicit. I would send three photos and he’d send me £150.” She has now sent two more sets of nudes. Getting £150 each time. “It goes against my beliefs as a feminist because I’m not an object to be sold to people,” she says. “The university should help me before I have to go to these lengths that I’m uncomfortable with. They should be there to support all students.”

According to the English Collective of Prostitutes, there has been a recent increase in women returning to sex work as the cost of living has increased. Requests for help from the organisation have risen by more than a third in a year.

Amelia explained that she had similar proposals by

men she didn’t know who messaged her on Instagram, but “because I don’t know them it’s a bit more risky” so decided against it. This demonstrates the demand for so-called personalised pornography and the ease to which this can be achieved. It seems you no longer have to be involved in conventional sex work industries like pornography and escorting to make money off sexualising your body. This suggests that tamer forms of sex work like selling nudes is becoming more normalised due to the nature of social media.

Amelia reveals that other students have been engaging in similar behaviour, using sites like ‘Seeking Arrangements’ to make larger sums. The site’s official line is they are an “online dating service” helping people to “find relationships that fit your lifestyle”. They’re keen for users to be “direct” and “honest” about what they expect from the arrangement. Two of Ameilia’s friends would go out with this guy, both of them together because it was safer. They’d go to clubs, to restaurants, basically just spend time with these lonely men. [The men] would buy them stuff, give them cash… it was really easy”.

In 2020, it was reported that more than 500,000 British students were active members on the site.

Sophie*, a 21-year-old student at Nottingham Trent University, joined Seeking Arrangements in 2022 af-

ter her friends also told her how easy it was to make money. She knew some users on the site who were “getting a £2,000 allowance [from their sugar daddy] so I thought it was something I could dip my toe in… I needed money basically [and this] was an easy thing”.

Sophie works part-time and in the summer to support herself through university. She’s in the lower bracket of the maintenance loan and says “the loan isn’t enough to live on, definitely… even with a part time job!” She adds: “The reason [my friends] have done well is because they’ve put it in their profile that they are students and come across young and innocent… that’s what sells. It’s horrible to think about. I’ve heard stories of men making comments that are quite disturbing. One was like ‘I’m so lucky I live near a high school because I get to see all the girls’.”

We put this to the test and set up a fake profile using an artificial intelligence generated image of a woman appearing to be in her early twenties. The bio, not overly suggestive apart from a winky face, read: “Fun, flirty and fabulous! A student looking to make some extra money ;)”. Within 24 hours the profile had more than 25 messages and had been favourited over 20 times. Nearly all the ages on the profiles were over 40. Sophie had one customer who she spoke to for roughly six months on a regular basis. Depending on how many revealing photographs she sent, she could make “anywhere from £30 to £120 a night”. She has previously worked in the hospitality industry, saying: “Work in hospitality is so hard and so long and you’re getting paid like £10 an hour, whereas you could have a horrible two hours with a man, it might traumatise you, but then you get £200.” This customer was a married man, in his 30s with children. She explains to me that 30 years old is “young for the app. He is moderately attractive, got lots of money and it’s like, why are you buying nudes off a student?”

Sophie asks a great question. Why does he want to pursue a relationship with young broke women? There’s an undeniable power imbalance within these arrangements - the woman is younger and financially dependent on an older man who has a stable and expendable income. Like Amelia, she explains how she feels uncomfortable doing this form of online sex work. “You’re receiving money and it feels a little bit non-consensual… Like you wouldn’t meet

them unless there was money there… it just feels wrong,” explains Sophie. “It’s not just about sex… he wanted to know everything about me.”

This man was married and had a family, and yet his emotional needs were not being met. Does this indicate the effects of toxic masculinity, men only being able to open up to someone anonymous and outside of their daily lives? Or is he simply one bad example, cheating on his wife?

Our fake profile proves Sophie’s customer is not an anomaly.

We reached out to Seeking Arrangements to comment on what we had found. They did not respond.

Exchanging explicit pictures for money is common on other dating sites too, such as Grindr, a dating app for LGBTQ+ people.

Tom*, a 21-year-old student at the University of Nottingham, sold a nude photograph for £50 using the site because it was “easy money”, and he was “bored”. “It just happened this one time, not that I was in dire need of cash, but I figured it wouldn’t be bad to have since everything is more expensive nowadays,” he reveals. “You get hundreds of offers through apps and stuff, and then a guy just messaged me and offered me £50 for a picture… I know loads of people [selling pictures on Grindr], all students.” He admits it was “scary because you don’t know if it’s gonna be a scam.”

There is a common misperception that online sex work is safer than traditional ‘street-walking’, but it can create a whole new set of risks including harassment, leaking of private photos and information as well as increased social isolation. Risks are especially an issue due to the secrecy around sex work. The stigma often increases workers’ vulnerability, as negative perceptions can cause reluctance to tell friends and family as well as any organisations that provide support for those involved with sex work

Psychotherapist and higher education lead at The Student Room, Hannah Morrish, says student sex workers may keep their experiences secret causing mental health issues. She says: “Adult work can feel isolating because of the stigma attached to it, meaning that if the student has a dangerous experience they might feel unable to talk about it… Over time, recurring experiences like this can lead to emotional and mental health conditions”.

Tom adds: “Obviously it has a stereotype related to it and you don’t wanna fall into

those categories. I felt kinda weird after [sharing the photo] but I don’t regret it, like it was £50.” Stigmas and taboos are particularly relevant to male prostitution which is less discussed but is still a huge phenomenon, particularly in the context of ‘informal’ sex work such as selling pictures on apps like Grindr because of its convenience.

When asked if he’d consider doing it again, he replied, “yeah, it’s easy money”. Amelia and Sophie both gave similar responses. With this increase in sex work activity, it seems as though there is a need for increased support for students taking part in any kind of sex work and to challenge the stigma that comes with it to ensure that they don’t feel ashamed asking for help due to embarrassment and negative stereotypes. Jessica Brannan, CEO of POW Nottingham (Prostitute Outreach Workers), advises that sex workers need “an awareness of the law” and their rights, pointing to ECP’s fact sheet as a useful resource. She highlights that “a good understanding of sexual health and the use of condoms, and dams, including how to put them on [and] regular sexual health testing” is crucial for more conventional sex workers. She also emphasised the importance of “having an understanding support network, if that is friends and family, or professionals like POW” no matter what kind of sex work you may be involved in.

When hearing about these incidents it’s hard to blame students for turning to this sort of work given how quick and convenient it is, especially if they don’t have enough free time for a part-time job alongside their education. It evidently enables students to have more time to spend on their studies or internships, as many are unpaid, particularly in competitive sectors in the creative industries.

But it comes with a lot of risk to their safety and privacy as well as their mental health, so support without judgment is crucial as sex work among students becomes more common during the cost-of-living crisis. If you are a student sex worker in need of advice or someone to talk to, you can contact POW through their social media, email admin@pow-advice.co.uk or phone 0115 924 9992, or sign up for a workshop with ECP.

- Hannah Bentley and Alice Bennett

*Names have been changed to protect the identities of the interviewees.

“10% of students said they would consider sex work in a financial emergency”

From Coffee Free Campuses to Studying Around The World

Comparing Uni Experiences

As a student at Nottingham, it can sometimes be interesting to think about what life could be like at another university in the UK- I’ve grown used to going in the Trent Building every day for seminars, become accustomed to seeing the Downs change through the seasons from snowy in winter to flowery in spring, and I am far too attached to the mochas in Portland Coffee. But what if we extend our views beyond the UK, and consider other countries? I’ve taken a deep dive into one of America’s strictest religious universities and compared it to a new and upcoming university system.

First on my list: Brigham Young University in Provo, Utah. The first thing to be noted about BYU is that the Mormon faith is at its very core. Mormonism is a Christian denomination, and BYU is actually owned by The Church of Jesus Christ of Latter-day Saints. Whilst researching what BYU has to offer, I soon found that its primary aim is to ‘assist individuals in their quest for perfection and eternal life’, which already in itself indicates the role religion plays here.

Because BYU is privately owned by the Mormon Church, every student who

attends has to agree to 8 principles; these include being honest and chaste, respecting others and using no vulgar language. This ‘Honour Code’ extends to clothing. For example, skirts, shorts and dresses have to be knee-length or lower, you cannot have a beard, and sleeveless or ‘form fitting’ tops are strictly banned too. After reading further, there is even a route to report students who’ve broken the Honour Code in any way. Violations are reviewed by an Honour Code Office, who decide on punishment, varying from a warning to complete dismissal from the University.

I was intrigued about two parts of BYU culture, one being coffee. As a Mormon-based university, students cannot drink coffee, tea or alcohol on campusfor the miniscule 1% of BYU students who are not Mormon, they may do so off campus. Given how many students at Nottingham enjoy a cup of coffee, this would be a complete culture shock. After all, how many of us need a morning cup of caffeine to boost our energy levels for the day ahead, or look forward to a hot drink to prevent that mid-afternoon slump? How seriously this rule is taken was shown in October 2022, when a Tik-

Tok went viral in which students were asked if they’d rather drink a cup of coffee or a cup of cooking oil. Of the 18 people in that video, 8 said cooking oil. Those who said ‘coffee’ looked very apprehensive; one student even said, in a cautious tone, ‘A cup of coffee and then repent later?’. The only exception to this is that other caffeinated beverages - including Coca Cola and Dr Pepper - have been sold on campus, since 2017, and are increasingly popular among students.

You might wonder why a non-Mormon would choose to study at BYU - given the strict rules. It’s the cost. The University charges undergrads part of the Church $6,496 a year and those outside the church $12,992 - this makes it much more affordable than other US institutions. New York University, for example, charges undergrads $60,438 a year. What was most compelling for me was BYU’s dating culture. Of the 35,000 students attending BYU, 23% of these students are married. This has attracted speculation and fascination on TikTok and YouTube, with many documenting their experiences in dating whilst studying there. The Mormon faith places a strong emphasis on not only

As cultures, social norms, rules and etiquettes differ from country to country, so do many aspects of university life for the students at each institution. Holly takes a look into how certain universities around the world offer contrasting higher education experiences.

“Of the 35,000 students attending BYU, 23% of these students are married”

settling down with a family, but doing so as quickly as possible; for some, it may be a matter of months dating another student before getting engaged. In a YouTube video from the University’s student magazine ‘The Universe’, students were asked what the typical dating time was before people became married. Answers ranged from 9 months, down to just 1 or 2 months. The time span seems to vary; one couple featured on TikTok shared that they’d dated for 6 months before marrying. Despite this intense dating culture being normalised, two professors have created their own podcast, titled ‘It’s Just Dinner’, to encourage BYU students to normalise casual dating and consider the potential implications of marrying so young. Even so, this type of romance is worlds away from how I see Nottingham.

For my second university destination, I chose Minerva University - which, when truly thinking about it, is actually a trick question because there is no set location for Minerva. I’d previously heard of this university system through the YouTuber Unjaded Jade, who’s recently graduated from this unique educational experience. In 2012 the Minerva Project was founded, with the aim of creating an innovative and revolutionary university model. Partnered with the Keck Graduate Institute, Minerva’s headquarters are based in San Francisco, which is where students stay in halls for first year. However, that is not the end of the story. Minerva’s selling point is the difference in learning, which stands apart from all other universities. Unlike Nottingham and BYU, as well as most other universities, Minerva’s degree programme is completely online. Not because of Covid-19, but be-

cause that’s the chosen method of delivering content to students. Forget the humid and slightly-too-busy lecture theatres and seminar classrooms, all you need is your laptop and a desk to complete the degree. Minerva starts all students on what seems like a Liberal Arts-style degree, teaching transferable skills like problem-solving. Then, during your second year, you choose to specialise into what interests you the most.

If this sounds like a world away from the strictness of BYU or even the degree programmes at Nottingham, then you would definitely be correct. What’s more is that every student specialises where they study, as well as the specific content too. Semesters are spent abroad, with a variety of cities to choose from, including Seoul, Berlin, Buenos Aires and London. For those with a travel bug or desire to see the world, Minerva offers the chance to explore culture and meet like-minded students, whilst getting to study in a flexible and specialised manner. From watching Unjaded Jade on YouTube, I’ve been fascinated by her journey of studying across the world in Korea and Germany, gaining experience living independently whilst learning new cultures and getting to know different people in every setting.

Classes at Minerva are designed to encourage students to fully engage with content and get involved in discussions. Unlike BYU and Nottingham, where lectures are delivered to mostly silent students, Minerva lecturers will only speak for a few minutes at a time and expect students to share their own opinions and work. This ‘active learning’ process, which is designed to ensure information is fully absorbed and

understood rather than just listened to, has been backed up by various studies. The man behind Minerva, Ben Nelson, is a strong advocate for the virtual classes, as the university uses a colour-coding system which tracks how engaged each student is by analysing how much they talk in class. Unlike BYU, a Minerva education will set you back, yearly tuition fees fluctuate but average around $20,000 - not including travel or accommodation costs.

BYU and Minerva can clearly be seen as controversial, for very different reasons. BYU’s successes could be overshadowed by its strict culture surrounding dating and living by the Honour Code; to those outside the university, BYU could appear to be offering a very alienating experience for young students. In comparison, those not studying by Minerva’s methods might see it as some kind of scam; after all, Minerva’s unconventional style of studying in multiple countries over a matter of years, as well as not having a singular campus where students can meet and get to know one another, might look and feel rather isolating. But from attendees such as Jade Bowler, nothing but positivity has been expressed for Minerva - perhaps this new mode of studying could increase in popularity. Every university experience is so different. From the sheer impact religion can have on studying at BYU, to the flexibility of Minerva and the emphasis it places on independence and travel, it’s clear that every student across the globe has such a unique time at university. And perhaps more should be done to highlight these differences, to open our eyes up to how big our world truly is.

- Holly Philpott

UON Relationship Stereotypes

Met On Discord

We will probably see you on the next MTV Catfish series

Childhood

Sweethearts

Perhaps a superiority complex, but we are all jealous.

Christian Couple When’s the proposal?

Gym Couple

An ideal end to a date is getting sweaty together… lifting weights, of course

Amidst the chaos of lectures, deadlines, societies and sports, love is in the air around University Park Campus. With relationships forming left right and centre, it’s natural that a few recurring stereotypes tend to appear, without fail, every year.

- words by Megan Brown

Met In Halls

A bunch of situationships that are leading nowhere

Met On Tinder

Admit it, you both started just looking for a hookup

Long Distance

Your ‘Most Used’ app in Screen Time reports is definitely Facetime

Architecture In Nottingham

an architectural guide to NOTTINGHAM’S most historically significant buildings and contemporary spaces, words by Sophia

SIMPSON

Nottingham is home to some of the most notable buildings and urban spaces - with its very own Old Market Square, for example, being one of the oldest and largest public squares in the UK.

One of the most noteworthy contemporary public buildings in Nottingham is the Nottingham Contemporary art gallery, located in the vibrant Lace Market area in the city centre. The gallery was designed by the architectural firm Caruso St John and features a striking geometric design with angular walls and a lace inspired embossing on the concrete cladding. The gallery opened in 2009 and has since become a popular attraction in the city.

Outside the city centre there is Wollaton Hall, an Elizabethan country house. Designed by Robert Smythson and built between 1580 and 1588, the hall features a distinctive architectural style with a symmetrical façade and turrets – this piece of architecture represents a zeitgeist of Nottingham’s history. Today, the building is a popular tourist attraction. It has been Nottingham’s Natural History Museum since 1926 and offers relaxing views of rolling landscape and even deers. It was also featured as Wayne Manor in Hollywood’s Batman adaptation The Dark Knight Rises in 2012.

A prominent architect in Nottingham during the late 19th century and early 20th century, was Watson Fothergill - made popular for his distinctive Gothic Revival, Victorian, and Arts and Crafts style. His buildings are characterised by ornate stone carvings, pointed arches, and intricate brickwork. Some of his most praised works in Nottingham include the Queen’s Chambers and multiple houses in the Park estate – these are still admired today and set the city centre’s architectural tone.

Old Market Square is the centre of the public realm in Nottingham, surrounded by historic buildings and shops. The square has been a hub of activity in the city since mediaeval times and has been the site of many significant events, including public exhibitions and the goose fair. The buildings surrounding the square include the Council House (1929), the Exchange Arcade (1929), and the former Nottingham Guildhall (1769). The square has been repeatedly refurbished with the current design completed by architects Gustafson Porter + Bowman in 2007, featuring a dynamic layout and fountains. The design provides flexible space for the Christmas market and installations during the summer – which are much adored by locals and visitors.

Jubilee Campus is a relatively new campus for the University of Nottingham, located just outside the city centre and a short distance from University Park. The architecture injects a sense of innovation and vibrancy to the campus - with both its buildings and landscaping. Hopkins Architects’ wood-clad contribution to the campus is particularly notable for its use of passive solar and wind energy. The campus opened in 1999 and has won several awards for its design: including the Royal Institute of British Architects (RIBA) Journal Sustainability Award.

Nottingham Trent’s Newton is a modernist, art-deco building located on Goldsmith Street and was designed by the architectural firm Howitt and Sayer. The building was constructed in 1958 and features a distinctive geometric façade with a pattern of recessed windows. It is a flagship building for Nottingham Trent University.

The Arkwright Building is a historic building connected to the Newton building through a Hopkins Architects’ extension built between 20068. Built in 1877-81, the building originally served as the University College Nottingham, city library, and natural history museum. Interestingly, Professor Frederic Stanley Kipping conducted ground-breaking research on silicone polymers there, which led to a multi billion-pound industry!

Nottingham’s diverse architecture showcases centuries of design and ingenuity. From mediaeval structures to contemporary designs, which include the Nottingham Contemporary art gallery, Wollaton Hall, Watson Fothergill’s Gothic Revival buildings, Old Market Square, Jubilee Campus, Nottingham Trent Newton, and the Arkwright Building. Nottingham’s architecture is a testament to the city’s history.

THE ”WHITE-GIRL-WASTED” STEREOTYPE:

MY CHANGING RELATIONSHIP WITH ALCOHOL

Eva reflects on her experiences with alcohol, reflecting on its positives, negatives and how it dominates UK university culture.

In traditional British teenager fashion, my first time getting so-called “white-girl-wasted” was in the park closest to my house, huddled in a circle made up of my closest school friends. We were fourteen years old, passing between us a bottle of Tesco own-brand white rum that I had thieved from the back of my dad’s alcohol cupboard. These escapades became a regular occurrence – my weekends went from chugging stolen spirits in the park at fourteen to downing bottles of Echo Falls Summer Fruits at my friends’ 16th birthday parties to turning 18 and spending my pocket-money on two-for-£10 pitchers at Wetherspoons.

As a socially-anxious overthinker, I fell in love with the feeling that alcohol gave me. It felt like I finally knew what it was like to feel confident, to be able to say and do as I liked without worrying about what people might think of me. I fell in love with the person that I would become after I had drank – she was bolder, funnier and freer than the person I was sober. But as I got older, alcohol became the fuel for my biggest regrets. Combined with some personal problems and suddenly leaving school for good in the midst of the Covid-19 pandemic, drinking

became my coping mechanism – I would crave the feeling of weightlessness, desperate to get away from the chaos not only in my mind but in the world around me. When places started opening again after lockdown, I would get black-out drunk and spend endless mornings the next day trying to map out what I’d done the night before. I would often have to apologise for things that I didn’t remember doing, such as remarks during arguments with my friends that I didn’t even remember happening. These became empty apologies as I became stuck in a cycle of binge-drinking. I not only lost many hours of my life because of this cycle, but the foundations of many friendships too. Arriving at university, I realised that these sorts of cycles are not only normalised, but celebrated. According to a 2022 study, 81% of university students believed that drinking and getting drunk is part of university culture. And it’s no wonder – the sign of a successful night out is often seen as ending the night with your head three-quarters down the toilet-bowl and earning yourself a tally-point on the kitchen “Chunder Chart”.

This is not just university culture of course, but British cul-

ture itself. While the UK is near the average in terms of alcohol consumption compared to other European countries, we are consistently among the highest for binge-drinking.

By the end of first year, I fell out of love with the mayhem of British binge-drinking culture. I became tired of being the liability friend and tired of the “hangxiety” that would cripple me for days after a night-out. I realised my life didn’t have to be that way, and I began to make a conscious effort to change my drinking habits.

I seek other ways to regulate my emotions now, such as through journaling and investing time into hobbies. I’ve figured out what my limit is. I don’t always get it perfectly right, of course, and I know it doesn’t take any of those bad nights back, but I feel that it’s a step in the right direction. I feel better knowing that I am trying.

If you are struggling with your relationship with alcohol, here is some more information: https:// sobergirlsociety.com/ or https:// alcoholchange.org.uk

- Eva Hughes-Sutton

“By the end of first year, I fell out of love with the mayhem of british binge-drinking culture”

THE HOUSEPLANT SURGE THROUGHOUT THE DECADES

The houseplant resurgence is a bandwagon I joined with littleto-no encouragement. What started as a show of interest has taken root and grown into an obsession. Now a self-proclaimed “plant mum”, I have amassed a beautiful collection of “plant babies”, all lovingly named, much to my partner’s bemusement, and our one-bedroomed flat now somewhat resembles a small jungle. For people who don’t have access to private outdoor spaces - like students living in tower blocks, halls, or terraced houses - houseplants are a great way to connect with the natural world. As well as being absolutely gorgeous, studies have found that houseplants positively impact air quality, mental wellbeing, and productivity. So, it’s really no surprise that this leafy decor is a great addition to any students’ bedroom.

But houseplants have been beloved UK home staples for decades. While a botanical obsession first became popular during the Victorian era, the houseplant craze truly exploded during the 1970s. With the recent boom in houseplant popularity, it’s really no surprise that popular trends from these iconic eras are coming back around.

During the 19th century, when homes

started featuring high ceilings, large windows, and heated rooms, it became possible to keep plants indoors for the first time. With new and exotic plants being brought back to the UK from around the world, the upper classes began to display them in their homes. Houseplants quickly became a symbol of wealth and status. Some people went so far as to hire personal botanists to retrieve the most sought after plants for their collections. Large plants with bushy foliage, such as Parlour Palms and Maidenhead Ferns, and Orchids were the most popular. Skipping forward a few decades to World War II, women were entering the workforce. To smooth the corporate transition, and be a reminder of gardens at home, these women began to decorate their workspaces with small potted plants. Flowering varieties like African violets or trailing plants were most popular. Throughout the 1950s, although houseplants were still a relatively new concept, tropical plants with bright flowers and unique foliage were highly desired. Plants like Bird of Paradise, Bromeliads, and Philodendrons, often displayed in rattan baskets or plant shelves, provided the ideal tropical ‘tiki’ vibe.

The swinging sixties saw an increase in houseplants as a home staple. There was no home advert without a touch of greenery. As a result, more houseplant varieties became available; Snake Plants, Golden Pothos, and Swiss Cheese plants really took off, and as people had more money to splash out on luxuries, elaborate plant stands were the most popular way to display them.

Houseplant mania peaked in the 1970s and with it came the ‘urban jungle’ aesthetic. Homes were filled to the brim with houseplants and they became a central element of interior design. Macrame hangers sporting unruly Spider plants or Boston ferns hung from the ceilings, and Rubber plants and Umbrella trees towered in the corners. Terrariums were also incredibly popular, appearing in craft books across the country.

The minimalist trends of the 1990s and early 2000s saw houseplants paired back to the bare bones, with Cacti, Succulents, and other sturdy types stealing the spotlight. And now we’ve come full circle, and are fully embracing the indoor jungle lifestyle. While not for everyone, I, for one, am happy to be seen as a “crazy plant lady”.

- Harriet Rothwell-Inch

“now we’ve come full circle, and are fully embracing the indoor jungle lifestyle”

TRAVEL: A RITE OF PASSAGE?

Many young people go travelling, often as a ‘rite of passage’ to ‘find yourself’. With the student summer travel season upon us, Esha sets out her belief in the importance of travel, but examines whether it should be viewed as a ‘rite of passage’.

The issue with seeing travel as a rite of passage is it’s simply not accessible to everyone. We all know the struggle of planning a holiday, particularly a group holiday with all your friends, when budgets and desires vary massively. Sometimes, travelling doesn’t always pan out the way we want, if at all. Surely it is discouraging to tell young people that travelling is a rite of passage as if you cannot travel, does that mean you haven’t hit a major milestone? Are you simply stagnant, stuck at 18 years old? It’s perhaps questionable to see travel as a way to ‘find yourself’. This concept envisions you becoming a different or better person when you take on cultures and traditions that you were not once familiar with. However, is this acceptance of culture as part

of your new ‘identity’ always done in a respectful way? Obviously, appreciating culture respectfully is very possible. However, cultural adoption while travelling can minimise the significance of that same culture, rather than elevate it. It is important to give credit where credit is due. But I digress - travelling is still important. Maybe not to ‘find yourself’, but to understand yourself in new situations. For example; what are you like under pressure? Or in a new

city? Or when trying a new food? It is so important to be exposed to new cultures and experiences. It’s also crucial for us to escape the monotony of life - it’s easy to become so overtaken by your everyday routine that you can’t remember when you last experienced something new. Travel is also vital for expanding your perspectives. The way you approach things will be wildly different because you have been exposed to a wide range of histories, cultures

and stories. You are tested in how you approach situations outside of your comfort zone, which forces you to become more mature. You are taught lessons that would not otherwise have been easy to learn at home.

The planet has so many hidden gems and so many places to explore that it feels silly to stay in one place forever if you can help it. Travel is often not feasible, but it remains an extremely worthwhile experience through all of life.

- Esha Dev

FASHION AS

The fashion industry is one of immense creativity, growth and opportunity. It is an industry that permeates every aspect of society, that connotes red carpets, dramatic make-up, flawless faces, glamour and exclusivity. Just out of reach, the world of fashion has long sat on a pedestal of celebrity, status and talent. But there’s another side to fashion: expression of culture, sexuality and identity. This trickles down to the rest of society, and encourages people to liberate their true selves. How has fashion been used since the 20th century to break through social norms and encourage self-expression?

Whilst fashion can be a tool of empowerment and expression, it also has a place in history as a tool of oppression and control. Current trends are not devoid of these influences. However, leaps and bounds have been made since the days of whale-bone corsets and lead-based makeup. Designers have moved with, adapted and influenced culture to ensure the world of fashion moves with, and often ahead of, society. Women’s fashion has historically been characterised by the patriarchy - used to signify worth, status and desirability. Through her designs, Gabrielle “Coco” Chanel, not only created revolutionary pieces that redefined fashion but inspired a movement of freedom. Liberating women from the constraints of restrictive clothing, Chanel’s work embodied one of her most famous sentiments:

“Nothing is more beautiful than the freedom of the body.” She created piece after piece that accomplished this. From bringing women’s trousers into mainstream fashion to the genius of the Little Black Dress’s simplicity that became a staple in every woman’s wardrobe, Coco Chanel pushed women to dress for themselves and for their comfort. The Chanel Suit was another one of these pieces. In contrast to women deliberately wearing men’s clothing, it was transformative for women in business. Elegant, aesthetic and professional, it epitomises Coco Chanel’s contribution to fashion impacting women’s liberation. In those decades and the ones that followed, designers tried to highlight women’s femininity as something to be heightened rather than covered up. However, some in the fashion realm remained governed by the male gaze. Christian Dior’s ‘New Look’ was distinguishable by its cinched waist, rounded shoulders and very full skirt. It aimed to reimagine women’s fashion after World War II. Although it took inspiration from eras past, particularly the 1920s and the late 19th century, Dior’s first collection was a stark contrast from the military fashion of the years before. Women’s fashion during WWII revolved around practicality and fabric rationing. The ‘New Look’ collection was the opposite; it accentuated and emphasised the female body with luxurious fabric creating an air of opulence and grandeur.

“Women’s fashion during WWII revolved around practicality and fabric rationing”

LIBERATION

THE LITTLE BLACK DRESS, DRAG AND DEFYING GENDER NORMS

Dior’s designs were accused of objectifying women and faced heavy criticism amongst second-wave feminists. They saw the ‘New Look’ as epitomising the traditional role women were expected to take during this decade by creating the image of the glamorous 1950s housewife. The swinging sixties told a different story. With rising hemlines and a growing air of informality, the youth of the time lived a post-war hedonistic lifestyle and their fashion reflected that with vivid colours and playful, innovative pieces rejecting the ritual and conformity of the previous decade. The sexual revolution of the 1960s celebrated the female form but not in the way Dior’s “perfect” hourglass silhouette did. Instead, it birthed the mini skirt, flares, and clothing characterised by sequins and satins. An era of true expression and freedom, the sixties brought feminism into the mainstream; more jobs became available for young women and the fashion of the time presented young women with physical liberation from the restrictive garments of the past mirroring the decade’s social and political liberty.

In the 1970s, Vivienne Westwood’s designs helped revolutionise a new movement; she moved away from sartorial convention, playing a vital role in the birth of punk fashion. The era of punk is thought of as a fashion era marked by anger, rebellion and defiance against the establishment. For women, this meant no longer dressing to please the male gaze, in fact often aiming to do the opposite. This freedom from trying to attract men allowed the women of the punk movement to weaponize fashion for their own empowerment.

As an early designer of the ‘New Romantic’ era, Vivienne Westwood stood beside other designers that reinvented identity in the seventies. The fashion of the ‘New Romantics’ was eccentric, flamboyant and expressive. More glamorous than punk fashion, this era influenced by period cos-

tumes empowered subcultures and blurred the lines of gendered fashion. The late seventies and early eighties were full of political and social unrest and this underground youth culture, hand in hand with the emerging British clubbing scene, allowed the population’s youth to take control of their own expression and image. The ‘New Romantic’ era was one of exploration. Through actively defying gender norms in a political climate that was debating gender roles, fashion gave the youth of the time freedom of expression in a time of social turbulence.

These movements and eras of fashion paved the way for beautifully diverse forms of expression today. Designers birthed and aided social revolutions. Changing fashion had an immense role in shaping history and therefore shaping the present.

Undeniably influenced by the ‘New Romantics’, the triumphant drag scene of today presents yet another example of freedom through fashion and appearance. During the eighties conservative politicians were still trying to penalise homosexuality despite its legality. Policy was ridden with homophobia, yet the modern drag race was born. As an underground form of entertainment, it also provided safety and solidarity for the LGBTQ+ community.

With its powerful history, drag symbolised a community persevering through difficult times, a community who stayed true to their identity in a society that pushed so hard for them to do otherwise. Drag has always been an incredibly liberating form of creativity, and continues to give the LGBTQ+ community a way to express and celebrate themselves and their identities through fashion.

Throughout the years, different communities have been inspired and empowered by the work of different designers to embrace their identities and reclaim their pasts. From the children of immigrants intertwining their own culture with Western culture

through clothes, to the corset coming back into fashion as a celebration of the female body and overwriting its oppressive history. Fashion has constantly adapted, empowered and brought about change.

The fashion industry has a long way to go in terms of inclusivity, diversity and recognition. Elements of it, particularly the fast fashion industry, need to make immense changes by way of sustainability and human rights. For the industry to truly reach the potential it has for positive impact, these changes are crucial.

As articles of oppression become articles of empowerment and designers continue to venture into new territories of identity, fashion continues to be a vital form of social anthropology. Perhaps it even defines us in many ways. Its history, present and future can be characterised by liberation and increasing self-expression.

- Vivika Sahajpal

“UNDENIABLY INFLUENCED BY THE ‘NEW ROMANTICS’, THE TRIUMPHANT DRAG SCENE OF TODAY PRESENTS YET ANOTHER EXAMPLE OF FREEDOM THROUGH FASHION”

ECO-ANXIETY

Do you have it and what to do about it?

With the climate crisis forever worsening, we are being urged to make a difference before it’s too late. However, when governmental leaders are ignoring the ‘final warnings’ from scientists about the climate crisis, it can often feel like we are going backwards rather than forwards. This results in anxieties about our future. If thinking about climate change and the state of our environment invokes any feelings of anxiety or sadness, you may have eco-anxiety.

Symptoms of Eco-Anxiety

One of the main symptoms of Eco-Anxiety is having an increased sense of hopelessness for the future of the planet and its environment.

Other potential symptoms include: fatalistic thinking, existential dread, feelings of panic, grief, depression and sadness. It can also affect individuals physically, contributing to sleep problems and appetite changes.

Our news and social media feeds can be flooded with climate crisis updates, as people around the world are feeling the drastic physical effects of climate change. Experts now recognise the increasing impact eco-anxiety is having on individuals and communities.

Is this Normal?

Many of us may feel guilty if we’re not doing enough or enacting meaningful changes in our lives, or maybe feel powerless to bring about significant change.

However, if you are feeling like this, this is completely rational

and many others may feel the same. In a recent study by Force of Nature, they found “over 70% of young people feel hopeless in the face of the climate crisis and 56% believe humanity is doomed.” Alongside this, “60% of young individuals attributed these feelings to their national governments.”

Naturally, we are going to feel like this because when anxiety arises in our body, it will perceive any threat with a fight-orflight response. Climate change is a real threat. There should be increased motivation for humankind to be more proactive in finding solutions.

Sacha Wright, the Research and Curriculum Coordinator at Force of Nature, argues that these feelings of discomfort are the way forward in taking sustainable action. She points out that despite the rapidly shrinking timeframe and our feelings of powerlessness, our increasing fear of what’s happening to our planet is one of ‘“our greatest tools for mobilising mindsets to tackle climate change.”

Dealing with Eco-Anxiety Conversations about the environment can be stressful, but we should not bury our feelings. By bottling our anxieties, it will not prevent these feelings, but instead worsen them later down the line. It is important we are open about our feelings, community discussion can help us feel heard, as well as break down any shame or stigma around engagement with environmentalism.

It is okay to have feelings. Embrace them!

Furthermore, you are not solely responsible for climate change nor are you expected to find the solution alone. We need to work as a team. However, by harnessing personal concern for the environment, you can start to make contributions by

signing petitions, reducing your carbon footprint, joining protests or even trying to get your voice heard by those in power. Eco-anxiety can become eco-action, we must change our mindset.

Izzy Rodney

“Conversations about the environment can be stressful, but we should not bury our feelings”

GALLERIES

WHY VISIT ART ?

As a child growing up in North-West England, I was not always exposed to art galleries as prospective days out. Despite this, I have developed a love for art gallery trips across the country and the world, immersing myself in new cultural phenomenons. Art galleries are contemplative spaces - unbound by the social construction of time and bustling metropolis; a quiet place allowing you to just wander through halls of art and take time to think. As places of meditation, art galleries are cultural hotspots that enable you to learn and broaden your horizons, gain exposure to a diverse range of art produced across the entire world and meet others with similar interests. With most popular art galleries in the country maintaining free entry policies amid a nationwide cost of living crisis, there is not much better than a low-cost, student budget friendly trip to a gallery. Here is a breakdown as to why you should visit art galleries.

Art transcends language barriers. The most famous art galleries in the world such as The National Gallery in London, The Louvre in Paris, Rijksmuseum in Amsterdam, The Metropolitan Museum of Art (The MET) in New York City all house impressive collections of art from around the world that attract tourists. According to The Art Newspaper, it is reported 6.2 million people visited London’s National Gallery in 2019.

On a personal level, art galleries can benefit one’s mood, helping people to foster a positive outlook and bring inspiration. Art galleries draw in quiet crowds, making them relaxing spaces to reflect and appreciate works. This setting allows you to learn about different cultural practices and time periods in engaging and immersive ways. The presence of art and culture can improve a person’s quality of life profoundly: this is something that I will forever stand by.

Art gallery visitors in the UK mostly benefit from free entry - differing this country from many others. Last summer, I was very fortunate to travel to New York city, visiting The MET and a Jean-Michel Basquiat exhibition. I left both galleries feeling surprisingly relaxed despite walking around for hours! However, both of the galleries in New York were expensive to enter. This reminded me how lucky we are to be able to access art free in the UK.

My favourite place to see art in the UK is the National Gallery. It is home to a collection of around 2,600 paintings from the thirteenth to late nineteenth century. Housing some of the most famous names in European art like Van Gogh, Monet, Seurat, Caravaggio, Vermeer, Da Vinci, and Cézanne. For anyone living in London, this gallery is easily accessible at the heart of Trafalgar Square without any entry fee!

- Natalie Howarth

SPLENDOUR 2023

INTERVIEWS WITH THE ARTISTS PLAYING AT NOTTINGHAM’S SUMMER MUSIC FESTIVAL

Nottingham’s marquee music festival is returning this summer to Wollaton Hall for its 15th anniversary on the 22nd and 23rd of July. The line up this year is impressive with the likes of Madness, Noel Gallagher’s High-Flying Birds, Rudimental, Sugababes and Confidence Man. As well as these household music names the line up also features a collection of upcoming musicians. Impact’s music writers interview Venbee, Lizzie Esau, Tom A. Smith and James Marriott to find out about their careers and what to expect from their Splendour sets.

VENBEE

words by - Emily Campbell

I caught up with up-and-coming drum and bass artist Venbee, ahead of her summer festival calendar. Venbee is most known for her chart-topping songs low down and messy in heaven. Both received attention and praise, messy in heaven was a fan favourite, reaching number 3 in the UK charts.

First of all, I wanted to understand what initiated her desire to be a musician. She enthusiastically replied that “It’s all I’ve ever been good at. My family has always been musical, and I grew up in a house with music surrounding me. When I was 8 years old, I started writing poems and then I learned that I could be a songwriter and I’ve never stopped writing since. I’ve written a song a day since then!”

As a young musician in the industry Venbee has found the drum and bass scene to be welcoming. “I’ve found it amazing so far, and I love that I’ve found a community that has accepted me and welcomed me with open arms.”

Her songs have achieved significant hype from students. They cover real and relevant issues, but the beat and catchy lyrics means they can be played in clubs and at parties. Venbee describes her sound as “pop drum and bass with melodic toplines.

They’re usually sad songs that you can bop to! Mellow but hard at the same time.”

Her set at Splendour will feature a live band and live drum and bass. And most importantly, “jumping, a LOT of jumping.”

Due to the amount of energy she brings to the stage, you will see her catching her breath between songs because she “moves around too much”.

“As someone who used to be a personal trainer, you would think I would have better cardio but I don’t.” She has promised audience members are in for “a good f*cking time.”

If you can’t get enough of Venbee you’ll be pleased to hear that new music is coming very soon. “There is going to be a new single in June with a special feature on it and hopefully an EP at the end of the year! SLAY!”

LIZZIE ESAU

words by - Ellie-Mae Davies

Lizzie Esau and her band are currently touring, preparing for summer festivals and releasing new music. I asked about her music plans for the summer and beyond.

To kickstart the interview, I asked Lizzie how she would describe her sound: “definitely guitar music and live instruments [but] we like to blur the lines, some parts are electronic”. Lizzie stressed the importance of the band not putting themselves in a box since “we will branch out and we love so many different genres like rap or rock.” Lizzie described their current sound as “big sounding, indie, definitely alternative pop-rock.”

I followed up this discussion by asking Lizzie what her favourite song is that she has released so far in her career. Lizzie initially struggled to choose because her songs mean different things to her – “naturally you wanna go towards the one that people love the most. I think it would be Bleak Sublime in that case”. Lizzie also mentioned her song Stay on the Phone because “it means a lot to me and I’m glad

we released it when we did.” Recently, Lizzie and her band were on tour supporting Modern Love. I asked her about the tour and she mentioned that they had recently performed in Nottingham. Lizzie explained how the band loves touring – “it’s really fun just to be on the road all the time.” Lizzie has recently signed a record deal with LAB records, expanding her creative connections.

We moved on to discuss Splendour. I asked Lizzie how her and the band are feeling about it –“we’re so excited. There’s crazy people in the line-up, people that we absolutely love… Noel Gallagher obviously, icon.” Lizzie also mentioned how much the band “love Nottingham” noting they’ve recorded a lot of their singles at the Metronome. Lizzie expressed that she “can’t wait for festivals in general, it’s gonna be a good one.”

Lizzie has been song writing from a young age, so I asked her what her favourite aspect of it is – “it’s a distraction from life sometimes… I’ve always got it to turn to.”

“I think it’s the fact that it’s something I can put these emotions into… something I really have fun doing, all on my own. So I feel lucky sometimes.”

To wrap up the interview, I asked Lizzie if there is anything else fans should be looking forward to – “We try and plan around when we’ve got lots of shows, so people have something else to go and look for and get excited about.” She also mentioned her excitement for her new song Killer which came out in April – “it’s one of my personal favourites.”

TOM A. SMITH

words by - Amelia Brookes

Tom A. Smith is a nineteenyear-old singer songwriter from Sunderland - having recently dropped his song Little Bits, he’s preparing to perform at Splendour in Nottingham this year. When I asked what he’ll look forward to most about it, he replied- “the whole festival season in general, doing proper gig

TOPBOTTOM: TOM A. SMITH, LIZZIE ESAU, JA MES MAR RIOTT

shows is the best part of the whole year. I’m looking forward to hanging around for the day and the whole atmosphere of the festival looks amazing.”

Tom has significant festival experience, having performed his first gig at eight years old, and since then has performed at Glastonbury, one of the biggest festivals in the UK. “Yes, I did Glastonbury last year, played onstage with Billy Bragg, on the Left Field Stage, which was unreal!”

However, his favourite place that he’s performed is somewhere closer to home… “We also opened Leeds Fest last year. There was a thousand people in this tent, all going mad, mosh-pitting, so… I think that to me is number one at the minute. Nothing’s beat that quite yet.”

I took a moment to ask him about his musical and artistic process and he revealed that he has varied his style slightly. “In the pandemic, I was just constantly writing songs, treating it like it was a nine to five job. I didn’t have anything to do at the time.” He told me that “It sort of became like a routine in a way - write the lyrics first.”

Moving on to more recent days, he informed me “now it changes all the time - every time I write a song I record a full demo, so I fully arrange and structure a song before I even think about writing the lyrics, or what it’s going to be about. It really varies how it goes.”

“Because I spent so long writing, I now have a Soundcloud with like five hundred songs on. There’s quite a lot to pick from on there!”

I decided to finish up by asking Tom what plans he had for the

future, and what an audience could expect… “There’s hopefully going to be a lot of headline shows coming up this year which I hope will be announced soon, the festival season is rammed, I’m going to announce a new single in the next couple of months… and there’s another EP’s worth of music recorded as well, so plenty of new music coming out this year.”

It’s clear that his performance at Splendour is not the only interesting thing on the horizon for Tom, so make sure to keep a lookout for this rising star in the future!

JAMES MARRIOTT

words by - Florence Keck James Marriott is an internet sensation and British alternative musician. I wanted to get to know more about James as an artist, so I asked him questions about his recent sold out ‘Bitter Tour’ and his 2022 EP ‘Bitter Tounges’. When asked about his most memorable fan experience, Marriott replied, “there’s been a fair few memorable ones! For me a few of the moments I’ve had with followers who are going through their own issues have been the most memorable. Feeling a mutual connection with others going through similar issues that I have is one of the predominant reasons I make music. To be able to not feel alone in my own struggles has now indirectly helped others not feel so alone in theirs. I think that’s a beautiful thing.”

The discussion of his struggles led me to delve further into the topic: “Your EP ‘Bitter Tongues’ talks a lot about feelings of selfdoubt, especially in ‘where has

everyone gone?’, how does your music help you deal with these feelings, if at all?”

He shared: “Ultimately, I think the catharsis with these feelings comes in writing about them. At least for me personally, music is the only thing I’ve found that has helped me voice my emotions and deal with them in an empathetic manner - be it from self-doubt, to internalised hatred or the affect others have had on my life. Music has become my answer.”

It’s clear that Marriott’s music carries such personal meaning that it allows him to create a body of work that can connect with thousands of people. This led me to ask what his most memorable concert moment has been thus far. “On tour we decided to let the crowds sing one of my songs, Car Lights, before we played it. In Glasgow the noise was incomprehensible, and it was an incredibly overwhelming experience. I burst into tears on stage (not for the first time). I’ll remember it forever.” Luckily for Marriott’s fans, he is set to appear at numerous festivals in 2023, including Splendour in Nottingham and Live at Leeds. He exclaims: “I am incredibly excited! My band and I have had such a hectic introduction to live music. From selling out our first tour to supporting Jake Bugg at the Royal Albert Hall. We’re ready for absolutely anything, we love playing live and love seeing everyone else have just as much fun as we do.”

Marriott and his band share a wonderful connection that results in high energy shows, and when asked what his favourite song to perform was, he replied: “we love playing our new song, So Long. It’s out over the next couple of months, around Live at Leeds actually so that’ll be a really fun one! It has a really powerful chorus and every time we finish playing it in rehearsal, we all look at each other mutually impressed. Really fun to play!”

To enjoy a music filled weekend with five stages of music to suit different tastes (as well as comedy, a funfair, silent disco and so much more) get your tickets at: https://www.splendourfestival. com.

MASCULIN FÉMININ

Disillusioned by the rise of consumerism, Paul is intrigued by the upcoming elections and vandalises rich peoples’ cars in protest of the war in Vietnam. On the other hand, Madeleine lives a determined life pursuing a career as a singer, immersed in consumerist France. They seem like ideological opposites - Paul represents Marx while Madeleine represents Coca-Cola.

It’s this contrast in character that makes for such an interesting production; presenting teenagers who on the surface, live at opposite ends of the spectrum but in reality, both go around cafés smoking cigarettes and ranting about capitalism while enjoying a glass of Coke.

When not discussing current affairs, Paul spends his time chasing girls; namely Madeline, but also her two flatmates. Madeline, who, on the surface, seems interested in fame, also talks about birth control and female stereotypes. Paul and Madeleine are caught between their desires for political action and the rising force of pop-culture and consumerism. That said, when the characters are witness to shootings during the film, they brush off these fatal tragedies as if they never happened. Paul does not shy away from expressing his opinions on Marxism, but does little to stop a black man from being shot on a train by a racist white woman.

The film explores navigating youth amidst a period of change and political struggle. Masculin Féminin propounds the view that being young doesn’t mean being ignorant. Paul and Madeleine live their lives with their own preoccupations, but there is always a bigger picture. Whether romance or career, life in 1960s Paris is surrounded by racism, war and politics. The film makes the point that even when we are wrapped up in our own lives, the world doesn’t stop for us – and that definitely doesn’t excuse us ignoring what’s difficult.

The 60s were divisive. Between civil rights movements and the rise of countercultures, the decade provides the perfect backdrop for a film depicting contradictions of young people at the time...

Masculin Féminin (1966) is a French New Wave film that follows young people in France. The film is directed by Jean-Luc Godard, who rose to fame during the New Wave movement and was celebrated for his seemingly improvised filming style. Masculin Féminin is one of Godard’s lesser-known productions.

Starring Jean-Pierre Léaud as Paul, a young idealist pursuing aspiring singer Madeleine played by Chantal Goya, the film tackles love, pop-culture and politics. The film is loosely structured around 15 separate vignettes. There are recurring pop culture references, including Bob Dylan, The Beatles and James Bond, as well as a fleeting appearance from Bridgette Bardot. It strikes a balance between political advocacy and youthful freedom. The film, through a title card, labels its characters “the children of Marx and Coca-Cola”. Godard explores young peoples’ fascination with consumerism and current affairs. Its pop-culture references further illustrate its characters’ milieu.

Yet with Masculin Féminin, Godard reflects both sides of the story: the difficulty of striking a balance between youth idealism and real life. This is a sentiment which remains relevant in our current political and cultural climate.

- Victoria Mileson

A NEW ERA OF SOCIALISATION ONLINE GAMING

In an era where online communication is at an all-time high, Will asks: is developing online relationships through gaming is the future?

Cast your mind back to 2020. Everyone was online. Freedom was lost. I started hoarding bottle caps, assuming the worst was still to come. However, along with developing the largest collection of tango toppers, many of us were also playing excessive amounts of games. It was a childhood dream for many. Online gaming helped maintain friendships made at university and rekindle those from back home. I reconnected with one of my closest friends, Josh, who I hadn’t spoken to in two years. However, maintenance of friendships through online gaming isn’t a new concept; we all did it everyday after school for over ten years. But what about making new relationships, platonic or romantic?

Nearly every online game has a voice chat, and the surge of randomly-assigned-team-orientated-pvp-battle… basically Fortnite, means that over a couple of hours, players wind up meeting hundreds of new people (some more polite than others). Anyone who has played a competitive online game has experienced the ecstasy of meeting someone who shares your skill and talent and then spending the next few hours queueing together to get absolutely slaughtered by cheaters and hackers. After so many losses you call it a night, wallowing in self-pity and anger, never to speak to your new friend ever again (everything was going so well until you started duoing with him). But on a rare occasion, the elusive friend request is sent and just like that you have a new duo buddy for Hunt Showdown

It doesn’t have to be just competitive games; I’m sure most people remember how both Pokémon Go and Animal

Crossing: New Horizons SWAT raided their way into the cultural zeitgeist. Kicking down the societal door, flipping the bed of civilisation, and holding a gun to the cultural child’s head, screaming about bell loan repayments and Pinap Berries. Excessive metaphors aside, people made new connections through the pretext of online gaming.

Connections facilitated by the games are obvious, but even online communities that develop to discuss games can garner new relationships. Forums to discuss strategies, discord servers to talk about patch notes, and Twitch channels to chat about shared experiences promote new connections. I can testify first-hand how streaming has introduced me to new people, be it in the chat of a stream, or streaming on my own channel. Friendships are made between roasting the streamer or, in my case, being roasted. I have developed a strong friendship with a fellow student from Germany. We shall never meet in real life but the friendship suffers in no way. All because he wanted to watch me cry as I streamed myself failing to conquer Dark Souls

There are more efficient avenues to meet people and form new relationships than online gaming. Although, at least gaming provides an exit route for dry conversation: be it turning attention to the game or burning their (online) house down. Zuckerberg wants everyone to exist in the Metaverse. No thank you. The fact is we’ve all got to touch grass every once in a while. Online gaming might not be the beginning of game socialisation, but it is more normalised than roping in willing strangers for a quick squash game. - Will Stead

“Online gaming helped maintain friendships made at university and rekindle those from back home”

Critics’ Recommendations

LEWIS CAPALDI:

HOW I’M FEELING:

Netflix’s new documentary, Lewis Capaldi: How I’m Feeling Now, grapples with the challenge of becoming an international popstar at the beginnings of a global pandemic. It encapsulates the transition from childhood dreams - family films showing a brighteyed child ripping open his first guitar on Christmas day - to the realities of the music industry, and the loss of a more ordinary life.

This is an honest reflection of Capaldi’s personal struggles: having tourette’s syndrome, the increasing pressure he felt after the success of his first album, and the death of his aunt Pat at a young age. Whilst similar to other music documentaries such as Taylor Swift’s Miss Americana, it differs in tone, somewhat to be expected given Capaldi’s frankness, and the comical happy-chappy aura he is known for.

This documentary seeks to reveal the all-too-common line that fame isn’t everything - it changes family dynamics, and strains mental and physical health. It is an interesting watch, giving a genuine and unashamedly honest insight into Capaldi’s rise to fame, as well as the industry’s flaws and personal cost of searching for a guaranteed sensation. Lewis Capaldi: How I’m Feeling Now is available to stream on Netflix

- Ella Pilson

FRANKENSTEIN:

Mary Shelley’s 1818 novel, Frankenstein, tells the story of Victor Frankenstein, an ambitious scientist flawed by his insatiable lust to create a sentient man from dead matter. Told through three narrators, the novel focuses on the narrative voice of our titular character, as he recounts his grisly tale. In today’s society, where artificial intelligence is becoming an ever-greater potential threat, Shelley’s novel acts as a warning of the catastrophic consequences of single-mindedly pursuing a

scientific endeavour. Through a dichotomy between the creator and created, Shelley’s ultimate question is which side is to blame for the novel’s tragic events? Whilst often stereotyped as a horror, Shelley’s characterisation of the monster is far more nuanced than a typical horror villian, and at various times she evokes immense empathy for the plight of the monster, leaving us tearful not terrified.

For a novel that was written before the rise of psychology as a science, Shelley’s exploration of nature vs nurture is both compelling and impressive. Whether you are scientifically-inclined, interested in psychology or simply love lyricism in prose, Frankenstein remains a must read. Frankenstein is available at all good bookstores

- Evie Crossland

THE LITTLE BRICKHOUSE:

Tucked away on Derby Road, and perhaps overlooked by students heading into the town centre, The Little Brickhouse (known to some as Little Bricks), is undeniably a gem of the Nottingham dining scene. Founded by German and Norwegian couple Katharina Linnenbrink and Joakim Nielson in 2021, the bijou bistro has become a magnet for those wanting to experience a little bit of European fine dining in our midlands city.

The menu, which changes regularly, is well crafted, and fuelled by local produce. It was a breath of fresh air to be presented not with a plastic menu bigger than the table, but four or five options lovingly scrawled on a blackboard.

The food is delicious - my mushroom stroganoff was outstanding (and a bargain at £11), and I am assured that my partner’s stew was one of the best he’d ever sampled. The decor has a simple Nordic feel that lives up to the Brickhouse’s name.

The best thing about The Little Brickhouse, however, is that it is a hub for the community. Local

art available for purchase lines the walls, and their underground venue, Below Bricks, hosts often sold-out music nights. Whether you’re looking for brunch, to sample some natural wines, or for a cosy, home-cooked meal, I urge you to make a booking. The Little Brickhouse is located on 110 Derby Road

- Kit Sinclair

ued the series’ mystery, humour and complexity. I particularly enjoyed The Bullet That Missed, because it has various links to the media world, with many chapters set inside a broadcasting studio.

Bethany Waites, the victim in the story, was a journalist working on a major story at the time of her disappearance/ murder.

THE THURSDAY MURDER CLUB

BOOK 3: THE BULLET THAT MISSED: It has been nearly three years since Richard Osman first introduced us to the quirky residents of Cooper’s Chase retirement village: Elizabeth, Joyce, Ibrahim and Ron. It is safe to say that the most recent instalment has contin-

Whilst the first novel of the series succeeded in establishing the setting and characters, the second introduces a man from Elizabeth’s past and this one allows for even more emotional depth and clever plotting. The dialogue between the characters is authentic, and the chapters narrated by Joyce are wittingly written. Her random observations and endearing rambles never fail to make me smile.

Richard Osman brings us the classic, beloved genre of ‘cosy’ crime. Combining the feeling of a Miss. Marple novel with modern touches, he makes us laugh, cry, and sigh. Roll on Book 4: The Last Devil To Die!

The Thursday Murder Club Book 3: The Bullet That Missed is available at all good bookstores

- Hannah Walton-Hughes

realism, East, West has that, too. Each story is fully developed, thought-provoking, and packed with so much emotional depth that they feel like full novels in themselves. Handy when you need something quick to read between university assignments!

Rushdie separates the stories into “East” (about India) and “West” (about the UK), followed by “East, West” which combines the two. This is a fascinating way of exploring themes about cultural identity, immigration and belonging. As a result, the stories feel deeply personal to Rushdie whilst reaching out to readers from all backgrounds. East, West is available at all good bookstores

packed tightly side by side with denim-clad drunkards, jumping in rhythm to the dominating bass playing throughout the song Roxette.

The album’s lyrics won’t change your life. There is less on emotion and more on ‘sex, drugs, and rock ‘n’ roll’. The debut album isn’t here to move you, but instead tell you “shut up and sit back, this sh*t sounds good, don’t it?”

EAST, WEST:

East, West is a brilliant, lesser-known classic which doesn’t take long to get through. This short story collection is easily worthy of five stars, with every story as original and impactful as the last. The writing is beautiful and Salman Rushdie has a lovely way of presenting characters to be instantly engaging. If you like creative and unusual storytelling, with a sprinkling of magical

- Amy Child DOWN BY THE JETTY:

‘Down by the Jetty’ by Dr Feelgood is an album with a scent: a scent produced through sound. Cigarettes, sweat, and booze emanate from the record. The little consideration for track listings, jarring cuts between songs, and shoddy sound mixing transport you to an underground gig

Wilko Johnson’s choppy guitar style, functioning as both rhythm and lead, strikes the aggression that makes you blast each track. Lee Brilleaux’s beer-stained voice beats you around the head with every hard consonant. All the elements come to fruition in All Through the City. It’s no surprise that this album has been cited by bands like The Jam, The Ramones, and The Sex Pistols as an inspiration. It baffles me that Dr Feelgood never took off to huge success. This album and their entire discography cement them as one of the most important footnotes in 70s music. Down by the Jetty is available at all good record stores and streaming platforms

- Will Stead

“an album with a scent: a scent produced through sound”

INTERVIEW WITH TOTTENHAM HOTSPUR JOURNALIST AND IMPACT ALUMNI

CHARLIE ECCLESHARE

Charlie Eccleshare is a high-level English sport journalist, currently covering Tottenham Hotspur for The Athletic.

Charlie is also an Impact alumni, so we were keen to find out all about his time in Nottingham, his journey since, and what advice he has for student journalists. Rhys interviews Charlie to discover all of the above, his career path, the dynamic nature of his work, and his favourite place for a night out in Nottingham (you might be able to guess where).

Kindly sparing us 25 minutes from his hotel room in Liverpool, where he was preparing for Tottenham’s fixture with Everton that evening, I wasted no time diving into Charlie’s Nottingham days. Recalling his fondest memories, he says, “I did a lot of theatre when I was at Nottingham, it was called New Theatre then [and still is]. One of the highlights for me was when we took a show to the Edinburgh festival at the end of my second year.” Another standout memory is the glory of IMS football which many of us are familiar with: “playing for my halls’ football team at Grove Farm [now known as Riverside], I’ve got good

QUICK QUESTIONS

memories from there - the weird sort of micro-climate, where it was insanely windy. Everywhere else it was a really nice day, but you’d get to Grove Farm and it’d be horrifically windy. I remember one game in my first year where you literally couldn’t kick the ball out... it was going out for a corner from your own goal kicks.”

“The most fun things I remember were the theatre and football, as well as obviously doing Impact – the extra-curricular stuff; I always felt that was the most important in a way.”

Charlie assured me his History degree has also been useful in journalism. One example he gave is when a manager gets sacked. “You’re trying to piece together what’s happened, and there are similarities there in trying to understand what happened 50, 100 years ago. Was it inevitable? Was it doomed to fail? What were the factors that caused this to happen? So, I definitely think you learn loads from a History degree that’s useful for journalism.”

Charlie took on the role of Sports Editor at Impact in his final year: “I always thought I would go into journalism, so I’d done a bit at school and on my gap year I did a bit... I then went for the

Favourite night out in Nottingham? “I’m gonna be boring and say Ocean.”

Favourite place on campus? “Down by the science area, by the lake, there’s a café down there. It’s really quiet, there weren’t many people who went there. You could go and have a nice catch up with someone.”

Favourite place in Nottingham? “The Sir John Borlase pub.”

“Initiative is the big thing; you just have to be a self-starter because jobs are scarce and they’re really hard to get”

position of Sports Editor with one of my best friends Ben Bloom, who’s also gone on to have a career in sports journalism.”

“It was more about doing more Nottingham-based sport; that felt like a more interesting area for the uni magazine.” Charlie highlights a couple of other notable Impact alumni he’s familiar with. Hanna Flint is now a critic, host, and author working in the field of film and entertainment featured on numerous major outlets. Tom Allnutt, also an ex-Sports Editor at Impact, is now a football writer at The Times

Asked about a favourite Impact memory, Charlie ponders. “I remember there was an unveiling of a statue of Brian Clough in the city centre, that would’ve been 2008. I remember that being a really good occasion, and again feeling like a very Nottingham-specific story.” Since his time in Nottingham, Charlie has ascended all the way to the dazzling lights of Premier League football. But it wasn’t always shaping up to be that way. “When I graduated in 2009 it was all doom and gloom about the jobs market, there was a global recession, everyone was saying don’t go into journalism, it’s a really bad idea,” he recalls. “I really regret listening to them, because I think generally if you’re dogged enough and determined enough you can get there.

“But I did listen to them, and I actually did a master’s in International Relations at SOAS in London – that world really appealed to me as well as the journalism. I then got a job in a grad scheme for a PR/Public Affairs company. I stayed there for three years.” Then, a realisation dawned. “I was training for a marathon, and I just had an epiphany. I was like, ‘why aren’t I giving sports journalism a go, like what’s holding me back? If I don’t do it now, when am I gonna do it? Because soon I might have genuine responsibilities’... so I just thought ‘f*ck it, I’ve got to give it a go’, so I handed in my notice where I was – which wasn’t an easy decision because I really enjoyed it, it was a really good company – and got on the Press Association’s fast track journalism course for about four months.

“I qualified, and then I was quite lucky because that summer it was 2014, there was a World Cup on, and I got work at the Evening Standard on the online desk doing bits and pieces. Because there was so much football happening it was quite a good time. That turned into paid work, I was able to get shifts at some of the nationals, and then a job came up at The Telegraph only a few months later. I was just really lucky that it did come up because staff jobs at nationals don’t come along very often.

“I got it and was there for five years and worked my way up from initially doing more editing and online stuff to then writing big features for the paper, getting to do cool things like cover the Wimbledon final, Premier League football matches, go to Marbella to cover tennis, the Davis Cup, go to Azerbaijan for an Arsenal game; all these things that were really, really exciting.”

After nearly five years at The Telegraph, The Athletic came calling.

“They got in touch asking if I wanted to do the Tottenham correspondent role. They’d just reached the Champions League final... I was just thinking ‘wow, what an amazing opportunity’. One of the biggest clubs in the Premier League, in Europe, they’d just moved to the new stadium. I was also conscious that they’re a very newsy club, and that’s definitely been the case.” Indeed, it has. Our interview took place in the days after Antonio Conte was sacked and Managing Director Fabio Paratici was forced to take a leave of absence after sanctions against him for his alleged involvement in Juventus’ capital gains violations were extended (Paratici denies all wrongdoing).

“It’s been just the most amazing experience to be exposed to so much stuff by covering them”. On leaving The Telegraph, Charlie says, “it was a really tough decision... I really liked a lot of my colleagues there. Obviously The Athletic was a little bit of a leap of faith because it was only starting off in the UK at that point.”

After speaking to the Editor in Chief, Charlie was convinced

he would regret it if he didn’t give it a go. Ultimately, he is delighted with his decision: “I’m really, really pleased... it’s been an amazing four years where I’ve done so much and got to do tonnes of really cool stuff.”

I was keen to learn more about Charlie’s week-to-week schedule, how flexible it is, the constraints and the unknowns. “It depends. Either it’s a week with two games or one game, and that slightly dictates things to an extent. You might have two games, two press conferences. I do a lot of podcasts and various broadcast stuff bits of pieces – the last couple of weeks I’ve done stuff for the BBC and Sky Sports.

“The main thing alongside all of that is writing three fairly in-depth pieces on Tottenham every week. It is quite a big workload. You’ve got to be efficient with your time, especially as all our pieces require a decent amount of prep work and speaking to people. Because we’re behind a paywall, it all has to be a bit different, and a bit thought out and have information that’s not out there for free.”

“Tonight, for example, I’m going to the Everton game, and I’ve already got a few thoughts in my head about what sort of angles I want to go down. But you also have to be agile – a few years ago was the game where Son Heung-Min got sent off for injuring Andre Gomes in what was a horrific injury, and suddenly this game which we thought was gonna go one way has gone a completely different way and you have to be agile... so you might have a plan of how you think it’s gonna go, and then it goes in a completely different direction.”

Charlie references the aforementioned Paratici news: “it blindsided Spurs, and suddenly everything we thought we were going to do– scrap that, this is the story we need to work on.” Finally, I ask Charlie one more question, wondering if he has any words of wisdom for us student journalists.

“Firstly, find a niche... there are so many people writing about the Premier League, it’s really hard to stand out unless you’ve got a very specific entry point; that could be if you’ve got a really good mind for data ana-

lytics.”

“To do things that the nationals and The Athletic aren’t doing on the Premier League, especially the big clubs, is really hard. They’ve got dedicated writers who’ve got tonnes of experience, contacts, so to compete with that is really difficult, even if you’re extraordinarily gifted.”

“Where you will have more cut through probably is if you can find a more underreported area of sport, thinking more locally –you’ll open doors that way and show future employers you’ve got genuine initiative, can chase stories, do interviews. Initiative is the big thing; you just have to be a self-starter because jobs are scarce and they’re really hard to get. You need to take a lot of chances with trying to find stories, talking to as many people as you know in the industry.”

“So many people get in touch with me, I’m always really happy to help, but a lot of people then won’t follow it up, which is fine, but you need to take every opportunity you get. Think about ‘who do I know in the industry?’

It can be as tenuous as whatever – tomorrow I’m speaking to someone who’s the son of the builder of a colleague of mine who wants to go into tennis journalism. Just think about anyone you might know who might be happy to help. Generally, people will be happy to help because we know how hard it is and invariably, we will have had help.”

“My first break was getting shifts at the Standard; that came through a friend of mine from school having previously worked with the sports editor there.”

“It’s about any links you have, being dogged, having that initiative to be proactive. There are grad schemes, but places are few and far between. Some industries you get on a grad scheme and there’s a fairly clear path – it’s not really like that in journalism.”

“Working really hard and being humble are some of the most important things.”

Find Charlie @CDEccleshare on Twitter and through his author page on The Athletic.

- Rhys Thomas

IMPACT’S FAVOURITE SPORTING MOMENTS OF THE YEAR

As yet another dramatic year of sport comes to a close at UoN, we asked our writers to nominate their favourite Nottingham sporting moment, as well as an event that gripped them from wider sporting realms. From Varsity to the Cricket World Cup, from David Ross to Doha, here’s our selection.

RHYS THOMAS

Favourite UoN moment: Varsity Futsal epitomised everything the series is about. UoN’s revival from 5-1 down to win on penalties and silence the rowdy Trent fans was incredible, and to be in the stands cheering on some of my mates ensured a fantastic day.

Favourite global moment:

In the absence of any Liverpool success, it has to be the World Cup final. Easily the best game I’ve ever seen as a neutral, with endless drama and an ever-changing script. Messi deservedly had his ultimate crowning moment, and it meant I made all the money back I’d lost betting on Kane ‘shots on target’ throughout the tournament.

ROSIE LOYD

Favourite UoN moment: Varsity Ice Hockey – a great atmosphere, half-time entertainment, and quality action from both teams ensured a Varsity classic in which the Green and Gold prevailed at the death.

Favourite global moment: Djokovic once again equalling Nadal’s record at the Australian Open.

VINAY PATEL

Favourite UoN moment: After relentless NTU pressure, UoN’s last minute Varsity Ice Hockey victory was all the more sweeter. The drastically quick turnaround almost matched the speed at which the Trent fans emptied the Motorpoint Arena. Favourite global moment:

You just had to be there. World Cup giant-killers Japan were leading Spain 2-1. In a sudden twist of fate, Costa Rica went ahead against Germany, meaning that both former champions were set to be knocked out of the group stage. However, the euphoria lasted just three minutes, as Germany went on to win, sending themselves and Spain through.

BEN BROADBENT

Favourite UoN moment:

Making my IMS debut. It’s the best decision I’ve made at uni this year. I’ve had a great time and made friends in a new social group.

Favourite global moment:

The World Cup final – the best final I’ve ever watched. What made it somehow more special was the woman next to me on my coach judging me for being so into it. It was also nice to see Messi shut any remaining doubters up once and for all.

chance to report on Varsity Ice Hockey with Impact, I knew I couldn’t miss out! Despite Trent being on top for most of the game, watching UoN score the last-minute winner was incredible!

Favourite global moment:

I managed to get a ticket to see my adopted American Football team, the New York Giants, play the Green Bay Packers in London. The atmosphere was amazing and although the underdogs, the Giants won a close contest 27-22.

Favourite UoN moment: The annual Media Cup at Clifton Campus saw URN, Impact, NNT and media zone alumni compete for the most coveted trophy in the student media world. The old boys team took the trophy, but it was a brilliant showing from all sides.

Favourite global moment:

T20 Cricket World Cup. After a tough loss in the semi-finals a year earlier, England overcame a strong Pakistan side to cement themselves in the history books as the first team to hold the ODI and T20 World Cups simultaneously.

AYMAN AHMER

Favourite UoN moment:

The Varsity Futsal triumph was phenomenal. To come back from the dead and win on penalties demonstrated true grit and desire.

Favourite global moment:

ALEX ISMAIL

Favourite UoN moment:

Entering my final year, my Varsity experience had been minimal. When I got the

Messi winning the World Cup. In my eyes, there was never a GOAT debate. But for those quibbling over who is the greatest, Messi lifting the iconic golden trophy undisputedly settled the score.

TOBY REYNOLDS

IMS Football: A UoN Sport Gem

For many unsuccessful UONFC trialists, halls’ team players, and society members, IMS (intra-mural) football is the central pillar of their university experience. With around 2,000 students competing in 150 teams each week, it’s undeniably a core part of UoN Sport itself. Armed with three years of History Society FC experience, Rhys sets about collecting the experiences of those fortunate enough to grace the hallowed turf of Riverside.

IMS football is one of the most successful parts of UoN’s sporting fabric. Sure, it’s not representing the Green and Gold in BUCS, and no, it isn’t the highest standard of football in Nottingham (although I’ve seen many a side defend better than Forest have at points this season). And yes, we do play at a venue that’d rival Commonwealth Bay in Antarctica for the title of windiest place on Earth. But it remains a brilliant staple of university sport. There’s also no shortage of talent. UONFC 7s had a torrid season in IMS, routinely beaten by teams of skilled society players who wouldn’t be out of place in the university setup. The IMS All Stars take on a UONFC XI each season, and won 2022’s fixture.

IMS Football Exec George realises the quality: “It’s evident that we have players of the highest quality... IMS can serve as the perfect upwards route for footballers who have previously played at a high level.” IMS benefits those looking to play at the

top university level or seeking a more casual experience. “We have teams who strive to win the IMS Cup and are highly organised, and also teams who are hungover at kick-off nine out of ten weeks, yet still relish the opportunity.”

Undoubtedly the best part of my three years at the university has been my time in IMS football. From competing on the pitch to endless pub trips and Ocean socials, nothing compares. I can only speak of my own experience, but the brotherhood – that’s no overstatement – built on and off the pitch is something that will live on with me after university, more so than the football itself.

History Society captain Johno says similar: “the bond I’ve developed with my team is something that far outweighs anything else I’ll take away from university.”

IMS’ benefits to physical health are obvious, but its positive effect on mental health is perhaps even more significant. Each Wednesday is an opportunity to escape the stresses of student life, the deadlines, the anxiety. A chance to meet up with your teammates, play a sport you love, and reward yourselves with a pub trip. Others echo my thoughts. Matty says, “IMS was nice to keep active and healthy, but more important was the brotherhood and friends made. Those social bonds were especially crucial after a COVID-affected first year.”

Zach, outgoing captain of IMS giants BES, says “IMS provides such an enjoyable football environment and is as competitive as you want it to be. The teams I’ve

played with have all been a massive part of my uni experience.”

The women’s scene is strong too. Georgia, women’s IMS exec, says, “we saw a growth in the number of teams this year, something en’s IMS exec, says, “we saw a growth in the number of teams this year, something I hope will continue over the next few years as it’s been lovely seeing more people get involved. I think IMS is really important for those who want to enjoy football but don’t have the time to join the BUCS team. We also have a lot of people who haven’t played before and it’s great that they feel comfortable.” On the social side, “women’s IMS football is generally a tight-knit

group, with many Crisis socials and pub trips. As a fresher, it helped me make friends I’m still close with today.”

Anna notes several merits: “It’s great exercise as I’ve never enjoyed the gym and it’s been a great way to meet new people. I’d never played football before this year, so it was the perfect level to start at.”

With all of that in mind, if you’re still in Nottingham next year and enjoy football, make sure you get involved in IMS. The friendships and memories made are something you’ll cherish long after you graduate, and you might even get a shot at the coveted IMS Cup.

- Rhys Thomas

American College vs UK University Sport

Sport at the higher education level can be very competitive, and an important part of life for many students. In Nottingham, our Varsity series sees UoN’s best athletes compete against Trent’s for the prestigious crown. This year has seen UoN emerge victorious once again, and Varsity has become a focal point of life for many students in Notts, whether that be competing or simply supporting their university. If it feels like sport at universities in the UK is a big part of life, American college sport commands far greater attention, as Jack explains.

US college sports such as basketball, American football, and to a slightly lesser extent ice hockey, baseball, and others have massive platforms. The highest level of student competition is broadcast on national TV. March Madness, the National Championship, and other Division I sporting competitions have huge followings, almost comparable to the professional competitions for these sports.

The rivalries, legacies, and narratives of these competitions provide an exciting backdrop for these sporting spectacles. It’s a perfect framing for these high-level, high-stakes, winner-takes-all, anyone-can-win tournaments. While student athletes in

the UK may only be known at their own university, student athletes in America are often known all over the nation, thanks to the nationally televised events they take part in.

A comparison between the US and UK systems reveals fascinating benefits and detriments to both systems. The first point of contention is the differences between America and the UK university setups, and how it affects the running of their sporting programs. UK higher education institutions tend to be much smaller in size, infrastructure, and funding than American colleges. Additionally, there are less than 200 universities in the UK compared to the thousands of colleges in America.

This creates greater sporting competition between colleges in America because of the volume of competitive sporting colleges there are competing at the Division I level, the highest level in collegiate sport. At just the Division I level there are 363 colleges, whereas there are only a handful of universities in the UK which boast a competitive level of sport. Of course, the US is a far bigger country, but there are still proportionally more elite level sporting colleges across the Atlantic. Furthermore, for many American athletes, the only way to make it professionally in their sport is to

get drafted out of college into the league, which only a few top prospects do. Despite many not necessarily being able to get into a competitive college due to their academic merits, there are thousands of scholarships given out every year to athletes who are top prospects coming out of school. Sometimes, student athletes are found to struggle balancing the rigorous training that players must go through and maintaining good grades. This can lead to scandals and controversy from colleges which obliterate academic standards to skate NCAA (National Collegiate Athletic Association) rules on student athlete academics, keeping underperforming students at their school because they are important athletes.

Just look at Last Chance U as an example, a documentary which focuses on the Junior College level of sport. Many top athletes end up at junior colleges for a variety of reasons, from poor conduct to a failure to keep up with their academics at a standard college. In the UK, this issue is far less prevalent – the setup at universities here seem to prioritise education over sport, with less rigorous training, a greater emphasis on academics, and less of an incentive to attend university simply for sport.

Unfortunately, many American student athletes prioritise the grind of their sport rather than their studies, but less than 2% successfully become professionals in their sport. Whilst in theory it’s positive that athletes who would not normally be able to go to college based on their academic performances can get a college degree, the reality is many place their sporting aspirations over their academic potential, leaving them without a degree or professional status.

This sees the American system fail its students frequently, while the system in the UK sees students go to university to compete in sports for fun rather than for their livelihoods. If an athlete has the chance to go professional in the UK, they tend to be signed to academies by the time they finish school, meaning that students do not go to university for the dream of competing professionally. The impetus is thus on the students at university to study harder for their degree instead of prioritising sporting commitments. The main difference in setups is the way that college sport in America is a business, rather than a voluntary, more leisurely activity as in the UK. The college sports business in America is huge, with massive TV rights packages, huge sponsorship deals, and companies seeing athletes as numbers rather than as people. Consequently, Division I colleges have their student athletes training rigorously, including schedules with daily practice, leaving less time for study.

There are massive stadiums for these colleges. The University of Michigan’s 107,000-capacity “The Big House” eclipses the size of every football stadium in the world. Michigan has over 50,000 students enrolled, which is not even the most in America yet still is larger than any UK university.

Moreover, college alumni in America are a massive deal, with many people continuing to support and follow the college that they or their family members once attended. With professional sports only having 30 or 40 teams competing, college sports offer sport fans in America the opportunity to follow a team which may be nearer to them, both in proximity and personal association. This is comparable to British fans who support their local football team as well as following a Premier League team. In the UK, the only people who really follow their university’s teams are the students, and even then, it is usually only the

sport which the individual likes that they follow. This sees many teams at universities having relatively small fanbases, only supported by friends of players or fans of the sport. In the US, many people support their college for the simple reason that their college is playing, and everyone is supporting them – that clichéd ‘school spirit’.

While both systems have pros and cons, the less glamourous UK setup is much more beneficial to the students than in the US. Treating students like students rather than athletes helps to ensure the priority is academics rather than sports. Furthermore, the casual nature of UK sports allows for more opportunity for everyone, rather than just the best athletes.

UoN does a good job of this, with students joining the university’s sports club to be a part of the collective, with students across multiple teams coming together and socialising for a more casual and relaxed environment than the intensities of collegiate sports. Even without such a following, events such as Varsity demonstrate that ‘school spirit’ can still thrive over here. While admittedly much more expansive, the US system fails its students - who ultimately should be the priority for the colleges – time and time again, causing issues for young adults across the states.

- Jack Perceval

“University of Michigan’s 107,000 capacty “The Big House” eclipses the size of every football stadium in the world”

Lucinda Doddin-Chief)/Alex Watkin Editor)/Tylah MoffordEditor)/Sarina Rivlin-Sanders & Mia WaltonEditor)/ India Rose CampbellManager)/Abi Cadman KerrManager)/Poppy Read -PittAssistant)/Marian SarpongOfficer)/ Natalie HowarthOfficer)/Catrin DimondDirector)/Zainab ShakeelIllustrations)/ Thomas AcratopuloImages)/Lottie MurrayNews)/Esme MckenzieEditor)/ Laura ScaifeEditor)/Gareth HolmesInvestigations)/Arabella MitchellEditor)/Sophie RobinsonFeatures)/Urmi PanditEditor)/Amy EvansEditor)/ Izzy RodneyLifestyle)/Daniel DieppeEditor)/Daniel ConmeyEditor)/Anna Boyne Editor)/Kit SinclairEditor)/Daria Paterek Entertainment)/Amelia BrookesEditor)/Orla NewsteadEditor)/Alice BennettEditor)/ Emily CampbellEditor)/Hannah Walton-Hughes

/Charlie MarisEditor)/Rhys ThomasSport)/Rosanna LoydEditor)/Yara Abuyouf Podcasts)/Santhana Kanapathippillai

Meet the Team

HEAD OF SPORT

RHYS THOMAS

I’m a final year History student hoping to become a sports journalist. I’ve been writing for Impact for nearly two years now and joining the committee as Head of Sport has been fantastic. I’ve been able to meet new people and had the opportunity to cover some of the best sports events on and off campus in Nottingham

HEAD OF FEATURES

SOPHIE ROBINSON

I’m a third year English student who has been involved with Impact since my very first year. I began as just a writer, then became an associate editor, and now hold the position of Head of Features, my journey with Impact has been a very fulfilling one. My favourite part of the role is running meetings with the editors and contributors where we debate and discuss current affairs. When I graduate, I’m going to miss the Features community we’ve had this year, but I’ll be sure to keep reading all the Features articles during my post-grad ventures.

INVESTIGATIONS TEAM

ARABELLA MITCHELL & ALEX

PASZKOWICZ

We are both second year students on the Investigations team. As editor (Arabella) and associate editor (Alex) we enjoy finding leads and researching for different investigations. This section interests us as it allows us to have creative freedom that you can’t have in other sections. If that interests you then join the Investigations team and help us look into issues that affect us as students!

• Broadgate

• Rutland

• Nightingale

• Hughstewart

• Cripps

• Derby

• Nightingale

• Cavendish

• Ancaster

• Willoughby

• Southwell

• Sherwood

• Lincoln

Design Credits: p5 - photography by Alex Watkin, p7 - illustration by Tim Griffin, p11 - illustration by Tim Griffin, p14 - illustrations by Tim Griffin, p16-21 - photography by Alex Watkin and Thomas Acratopulo, p23 - illustration by Tim Griffin, p24 - illustration by Tim Griffin, p25 - photography by Alex Watkin, p28 - illustration by Vivika Sahajpal, p29 - illustration by Tim Griffin, p31 - photography courtesy of Carly Jones, p33 - illustration by Tim Griffin, p36 - illustration by Tim Griffin, p40 - photo courtesy of Charlie Eccleshare, p43 - photos courtesy of UoN Sport, p45 - illustration by Tim Griffin, page formatting by Alex Watkin, Catrin Dimond and Jocey Nel

cover credits - Mia FLEMING (model), Alex WATKIN (direction), Thomas ACRATOPULO (camera operator), Leonardo SOLIDORO (camera assistant), with thanks to Lucinda DODD, shot with kodak gold 200, medium format