Norman Lewis (1909 - 1979)

from Masterworks of the African Diaspora

Charles Alston (1907 - 1977)

Untitled (Seachange), 1970, exemplifies Norman Lewis’s ability to create simplistic abstractions. In this work, Lewis uses light and shadow to delineate the curved edges of several floating orbs, nestled together like a string of celestial pearls on a necklace. Orbs are a motif seen frequently in Lewis’s atmospheric works, and in this oil on paper work, Lewis skillfully balances a sharp sense of weight with the transient feeling of gossamer breeze. Through the use of white and brown to accent highlights and shadows, Lewis lends these orbs depth in space, with a near-metallic aesthetic. The change of color and the hints of brightness in the highlights call the viewer’s attention to its formation, examine the connection between each part, question the spatial correlation, and immerse oneself in the abstract environment. Painted later in his career, Untitled (Seachange), is found around many of Lewis’s works that are more vibrant and active with busier brushwork. This painting was completed while the Cinque Gallery was actively running; indicative of Lewis’ evolving practice after engaging with the younger generations of artists and curators.

Provenance

Collection of Tarin Fuller, NJ