& FRIENDS
February 11 -
March 18, 2023
PETRONELLA YTSMA
Photo by James HamminkSELECTED EXHIBITIONS - Partial Listing
2009 St Catherine University, St. Paul, Minnesota, Legacy Portraits
2009 Anderson Center, Red Wing, Minnesota
2007 Dubuque Museum of Fine Art, Dubuque, Iowa. Treuren
2004 Augsburg College, Minneapolis, Minnesota. Treuren
2002 Texas Women’s University, Denton, Texas
2002 University of Wisconsin, LaCrosse, Wisconsin
2000 City of Minneapolis - Committee on the Urban Environment, Minneapolis Institute of Art; Photo-documentation of Touchstone Plaza/Phillips Gateway Project.
2000 WARM 21st Annual Juried Exhibition College of St. Catherine; St. Paul, Minnesota
1998 WARM Mentor/Protégé Exhibition. Katherine Nash Gallery; University of Minnesota
1994 Internationale Kinderfotografie at Freizeit und Erholungszenstrum (FEZ) in de Wuhlheide; Berlin, Germany
1994 WARM Mentor/Protégé Exhibition Katherine Nash Gallery; University of Minnesota
1993 Women and Land, College of St. Catherine; St. Paul, Minnesota
1989 University of Wisconsin; River Falls, Wisconsin
HONORS AND AWARDS
2003 Percent for Arts, Minnesota State Arts Board
2000 CUE Award, City of Minneapolis
1994 FEZ, Berlin, Germany Travel and residency Grant
1991 Coune, Ltd. Travel Grant to Indonesia
1981 Demarais Studio Press, Purchase Award
ARTIST RESIDENCIES - Partial Listing
Phillips Gateway Project/Touchstone Plaza; Minneapolis, Minnesota
1995 University of Wisconsin; La Crosse, Wisconsin
1993 FEZ Galerie; Berlin, Germany
1989 University of Wisconsin; River Falls, Wisconsin
1987 Arizona State University; Tempe, Arizona
1983 Iowa State University; Ames, Iowa
WORK EXPERIENCE
2007 Gustavus Adolphus College, J-term photography instructor in Thailand
2004 University of Wisconsin, River Falls. Photography Instructor
1998-2007 Adjunct Photo Instructor, Gustavus Adolphus College; St. Peter, Minnesota
1997-98 Mentor; WARM Mentor/Protege Program
1987-2022 Staff photographer, Park Square Theatre, St. Paul, Minnesota
1987-2022 Self-employed Photographer, specializing in documentation of the arts
1979-87 Staff Photographer, Minneapolis Institute of Arts; Minneapolis, Minnesota
EDUCATION
1975 M.A. Michigan State University, Lansing, Michigan
1972 M.A. University of Stockholm, Stockholm, Sweden
1971 B.A. Calvin College, Grand Rapids, Michigan
CURATOR'S NOTES
My work is concerned with social justice and ecological issues from an artistic perspective. Primarily through the lens of my Hasselblad, which allows the ‘unhurried visit’, I explore remnants and legacy, memory and mirror, and reflect on the civil contracts inherent between image maker, giver and viewer.
- Petronella J. YtsmaPetronella Ytsma devoted her life to recognizing how social injustices affected those in the world who were without means of control or influence. Her documentary photographs for community art projects and organizations such as the Neighborhood Development Corporation and Park Square Theater exemplified her values as the essential core of her artistic practice. Petronella’s primary business documenting other artists work reflected her spectacular ability to ‘see’ the artist’s personal aesthetic and translate that into photos that clarified those ideas to others. She deeply believed the essential nature of the arts are efforts to define and explore ways of knowing and expressing the world’s inequities through elements of beauty and sometimes transcendence.
Petronella Ytsma & Friends focuses on a long ongoing series titled Murnan, black and white photos of flowers / botanicals to speak to processes of growth, beauty and decay or youth, life and death. The series was her way to address and respond to the AIDS crisis of the 1980s. It swept quickly through the arts, creating a great loss of many artists, musicians and creatives that never lived to bring their youthful potentials to full careers. She shared her images with those suffering, offering quiet beauty and perhaps a bit of hope. The series also delineates how Petronella’s work has always been reflective of her experiences, making a quiet, pointed commentary.
In the Treuren exhibition (2004, Augsburg College), Petronella presented over a hundred images of hands reaching out from the gallery walls, each photo projecting 2-6 inches from the wall, with burnt edges on every print. Here, the series is represented by four images, two of hands, two of glistening water droplets. The hands with burnt edges filled the entire front large gallery, while the pristine, elegant water droplets occupied a small second gallery separated by a wall. Lingering and thinking about the vast humanity of the many hands, the water droplets, interpreted by some as tears, were subtly jarring. An astute observer of the dynamics between the political and the natural worlds, Treuren was Petronella’s prescient warning that corporate control of clean drinking water sources would lead to a lack of access for the many. Now, clean water, a most basic human need, is a major social concern in much of the world.
Legacy of an Ecocide, Ytsma’s most important body of work, is rooted in the Viet Nam War, a defining experience of her lifetime - a jumpstart to social conscience for many in our shared generation. She demonstrated against the war, saw veterans return as broken human beings, witnessed the immigration of Southeast Asian populations who aided the US, and the array of veteran’s cancers and medical conditions consciously denied health benefits by the US government. Legacy was Petronella’s quest for truth and to bear personal witness to the extreme costs of the war, most especially those paid by the innocent exposed to the lingering effects of open dumps of Agent Orange and dioxin, US pollution of the Vietnamese landscape. These photographs of individuals born 2 to 4 generations after the war, many confined in hospitals and orphanages with all manner of heart-breaking birth defects, are hard to look at. While confronting atrocity, they assert respect for the person and often, the love of a parent/family caring for their children. Born of Petronella’s social justice concerns, they are evidence of her compassion, empathy, and unique ability to convey the beauty of the humanity of others through her photographs.
David Wells, Co-Curator, Artist and Friend February 2023Petronella Ytsma
Tulipa Parrot, 2002
16 x 20" | gelatin silver print
unframed prints available INQUIRE
Petronella Ytsma
Amaryllis, 2000
20 x 16"| gelatin silver print
unframed prints available INQUIRE
Petronella Ytsma
Palmblad (Amaryllis Leaf), 2000
20 x 16" | gelatin silver print
Petronella Ytsma
Bird of Paradise: Strelizia Reginalis I , 2002
17.75 x 14" | gelatin silver print
unframed prints available INQUIRE
Petronella Ytsma
Bird of Paradise: Strelizia Reginalis II , 2002
14 x 17.75" | gelatin silver print
unframed prints available INQUIRE
Petronella Ytsma
Calla, 2001
20 x 16" | gelatin silver print
unframed prints available INQUIRE
Petronella Ytsma
Calla II , 2001
20 x 16" | gelatin silver print
unframed prints available INQUIRE
Petronella Ytsma
Great Solomon Seal, 2000
16 x 20" | gelatin silver print
Petronella Ytsma
Arizona Palm II
20 x 16" | gelatin silver print
unframed prints available INQUIRE
Petronella Ytsma
Hollyhock Althea Rosa II, 1999
20 x 16" | gelatin silver print
unframed prints available INQUIRE
Petronella Ytsma
Hollyhock, 1999
20 x 16" | gelatin silver print
Petronella Ytsma
Magnolia I, 1999
11 x 14" | gelatin silver print
unframed prints available INQUIRE
Petronella Ytsma
Zulu Cactus III, 1997-98
14 x 11" | gelatin silver print
Petronella Ytsma
Starfruit, 2003
8.5 x 10.5" | gelatin silver print
Petronella Ytsma
Wild Clematis, 2006 20 x 15" | piezography print, watercolor paper
Petronella Ytsma
Hoi An, 5am, Viet Nam
20 x 30" | gelatin silver print
Petronella Ytsma
Water Droplet, 2004
24 x 20" | piezography print on watercolor paper
Petronella Ytsma
Water Droplets, 2004
24 x 20" | piezography print on watercolor paper
Left: Right:Petronella Ytsma
Treuren - Entwined, 2004
20 x 15.5" | gelatin silver print
RIght:
Petronella Ytsma
Treuren I - United, 2004
20 x 15.5" | gelatin silver print
Right:Petronella Ytsma
Nguyen Ngoc Tho, b. 1993, 2008
Legacy of an Ecocide Series
image: 8 x 8" | gelatin silver print
PETRONELLA YTSMA & FRIENDS
Groveland Gallery is honored to present an exhibition of photographs by Petronella Ytsma. This posthumous exhibition pays tribute to Nell, her forty-year career as an artist, and her lifetime of supporting art and artists.
After Nell's death in September 2022, those of us at Groveland Gallery wanted to find a way to honor and thank Nell. We hope this exhibition of her photographs will bring her work into the spotlight it deserves.
Nell was a mentor, collaborator, teacher, and colleague of many in the regional art community. In keeping with Nell's generous spirit we have also included work by some of the many artists she photographed, befriended, and collected.
Fellow artists invited to this exhibition are:
Priscilla Briggs, Dan Bruggeman, Carol Lee Chase, Anne DeCoster, Greg Graham, Terry Gydesen, Tim Harding, Joy Liberman, Eleanor McGough, Rod Massey, Lisa Nebenzahl, Erica Spitzer Rasmussen, Dani Roach, Megan Rye, Justin Terlecki, David Wells, Jody Williams
Sally Johnson Director, Groveland Gallery and Co-CuratorTim Harding, with photographic image by Petronella Ytsma
Thicket
2022 | fiber/photo: dye sub printed, manipulated textile, photo montage | $8,500. size: 51 .5 x 74" | unframed
Priscilla Briggs
Forest #3
2019 | archival ink print| $850. image: 18 x 27" | frame: 18 x 27"
"The Heavens (clee-ip, clee-ip, clee-ip)"
2022 | watercolor & gouache on paper | $2,800. image: 30 x 22" | frame: 35 x 26"
Dan BruggemanBirdbath
2021 | digital edition of original monotype | $900. image: 16 x 24" | frame: 24 x 32"
David WellsTassel: Daylight 2016 | oil on canvas | $2,400. image: 40 x 33" | unframed
Carol Lee ChaseLeaning Toward Light
2022 |
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Eleanor McGough2016 | archival digital print| $600. image: 8 x 12" | frame: 15.5 x 20"
Terry Gydesen Spirit Goddess TreeLisa Nebenzahl
Meshes 2020 | polymer photogravure | $1,200.
image: 10 x 10" | frame: 18.75 x 25"
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Dani Roach Held Series - Teal 2017 oil on panel | $900.Megan Rye
Megan and Ellie
2022 | oil on canvas | NFS image: 35 x 40"
Courtesy of Forum Gallery, New York, NY
Jody Williams
Relative Remains
2010 | artist's book | $300.
size: 2.5 x 2.25 x 1.25"
Tempus Fugit
2012 | oil on panel |
size: 12 x 7 x 3"
Joy Liberman $900.The Fabric of Society 2020 | mixed media with handmade and commercial papers | $2,800. size: 36 x 28"
Erica Spitzer Rasmussen