InfUSion Magazine Fall 2013 Issue

VOLUME 11 ISSUE 1 FALL 2013

The Evolution Issue

From Fryer to Flame Transfer-mation Georgia Theatre Concerts Racial Cliques on Campus Memorial Hall Makeover

evolution

The UGA Alumni Association proudly supports institutional diversity at the University of Georgia by assisting with student recruitment, sponsoring diversity focused events, and connecting multicultural students, alumni and friends of UGA.

www.alumni.u a.edu g

Letter from the Editor College is a funny thing. You come into school with a set number of expectations. By the end of college, you may find yourself in a completely unexpected position. My freshman year I quickly found InfUSion Magazine, a print multicultural publication, where I became an opinions writer.

I enjoyed writing my freshman year, but had no idea that InfUSion, and Multicultural Services and Programs, would play such a central role in my college career. Three years later, I have evolved into the Editor-in-Chief of the magazine. I couldn’t picture college without this publication. In this issue, we explore the theme of evolution, in our personal lives and in the world. Earlier in the year, we decided on the theme because of its pertinence to our readers, many of whom are college students.

Where did we start? Where do we expect to go?

How can we improve ourselves? These questions are vital to the evolution process, where we evaluate our goals for ourself and our community.

In this issue you can find stories on transformation in college, the evolving appreciation of the LGBT community, and the current status of racial cliques at the University of Georgia. Through our stories, we evaluated UGA and Athens, finding out how far we’ve come and where we still plan on going.

Managing Editor: Skye Rubel Editor-in-Chief: Molly Berg

Best, Molly Berg Editor-in-Chief

Photos by Erin Smith

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ONLINE CONTENT

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FEATURES

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ENTERTAINMENT

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SPORTS and HEALTH

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OPINIONS

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The Mountaintop Martin Luther King Jr.’s Last Night on Earth

A Black Theatrical Ensemble Production April 4-5, 2014 at 7pm April 6 at 2:30pm Seney Stovall Chapel (behind The Varsity) $5 for students, $7 for non-students

Editor in Chief: MOLLY BERG Managing Editor: SKYE RUBEL MAYA CLARK News Director: Online Editor: DREW KIRBY KIMBERLY JOHNSON SARRA SEDGHI

Entertainment Editor: LAURENCE BLACK DUSTIN BENNEFIELD KHADIJA DUKES CHELSEA ROSEN Opinions Editor: KALYN WILSON ASHLEE COX ANTHONY FARAJALLAH ANITA NSUBUGA Photography Chief: ERIN SMITH ELIZABETH VOGAN Chief Copy Editor CLAIRE MORGAN

Features Editor: KATHLEEN CAMPBELL ANASTASIA GRACE ALISHA JIWANI ANA LOPEZ SAMANTHA MILLER GREG VOYLES Sports and Health Editor: MELANIE WATSON LAURENCE BLACK JASMINE CLAYTON COLBY JONES ANITA NSUBUGA Layout Director: JASMINE CLAYTON JULIE BAILEY ANDREW KENNEDY NICOLE MORAN ELIZABETH VOGAN JESSE WINCHESTER Business Director JESSICA PARKS Advertising MARION CRAIGHILL

Cover Photos & Design ELIZABETH VOGAN | Cover Model SKYLAR RUSSELL

Meet the Staff Drew Kirby Online Content Editor

Kathleen Campbell Features Editor

Laurence Black Entertainment Editor

Melanie Watson Sports and Health Editor

Kalyn Wilson Opinions Editor

Jasmine Clayton Layout Director

Erin Smith Chief Photographer

Claire Morgan Chief Copy Editor

Jessica Parks Business Director

online

Transfer Mation The Struggles of a ransfer t stu

“You’re a freshman, aren’t you?”– I cannot begin to tell you how many times I have been asked this very question. My furrowed brows, frantic demeanor and clutched campus map must have given me away. In all honesty, despite the negative connotations of being called a freshman and giving up my “rite of passage,” I had often wished I could turn around and reply, “Yes, I am indeed a freshman”—an eager and optimistic freshman. But I am not.

I belong to the lost, lonesome, unattached and barely noticed group— the transfer students. We may know the ins and outs of college life, yet we somehow feel like newbies again: anxious, isolated, overwhelmed, depressed and nostalgic. I cannot vouch for every student who decided to jump ship at his or her previous school and sail to the Bulldog nation, but personally, I am nervous after leaving my former university. There I had finally found my niche and established meaningful

By Kimberly Johnson relationships.

These past few weeks have not been easy, and the fact that I will graduate later and have additional tuition costs only exacerbates things. But the very process of being tossed into a new environment, adapting and having

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to find my way once again is, in itself, empowering and valuable.

When we become comfortable with the way things are in our lives, we often do not welcome change. It’s too stressful—so why bother? Although I knew coming to the University of Georgia would present me with needed challenges in a competitive environment, I was hesitant and afraid to step out of my comfort zone. Nevertheless, I took the leap and have only grown from the experiences that I have had thus far. Unfamiliar faces are becoming friendlier, closed doors are beginning to open, confusion is developing into understanding, solitude is growing into companionship and UGA is becoming a home.

To adapt is to survive. This ability of improving ourselves when placed under changing circumstances allows transfer students a successful transition into UGA. We are already at a disadvantage. We did not have a support system of college friends when we arrived in August. Many of us had never been part of such an expansive and diverse student population. We forfeited leadership opportunities we may have been well suited for at our old institutions. We are not yet familiar with the resources readily available to us. We are new to the established customs and traditions.

We are still learning our sweet spots. And we, ever so often, become apprehensive about our capabilities compared to that of our colleagues.

So we put ourselves out there and even embarrass ourselves a bit. We push harder than we have before. We fall and we get up quicker. We try things we probably never would have. We network and rediscover ourselves. We become self-reliant, self-motivated and resourceful. We evolve—because we do what we must to survive.

Although our reasons for becoming Bulldogs are different, our experience here may be more alike than we think. My first few weeks have been difficult and some aspects remain challenging, but I am now easing my way into life here at UGA. And maybe my newfound skills of adaptation won’t show a visible return while I am here at college, but as life continues to compel me to change, I will be ready to take on the challenge. Will you?

The Modern

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urlesque takes a bit of heat, namely because the dancers embrace their figures and remove articles of clothing. However, in a world where women’s bodies are constantly scrutinized, this form of self-love is important. I’ll defend it not only as a feminist, but also as a person who has been inspired by burlesque to cast away her insecurity. These women, who represent different backgrounds and bodies, exude confidence and enthusiasm. If you’re going to degrade something so positive, have a good reason.

On October 16, the Modern Pin-Ups of Dance FX held their third annual Debut Revue at the 40 Watt. Athens groups the Tap Company, Contact, Swung, Sweet Dreams, and Zumba also performed. Going to the 40 Watt for a reason other than music felt strange, but exciting. The venue was busier than I expected, so I ended up sitting on the floor at the front of the crowd. It turned out to be the best seat in the house.

Most of the ensembles took place on the floor, directly in front of the audience. Some groups simultaneously used the floor and stage, adding a layer of depth to the ensemble. Utilizing the floor was genius, because it made the audience feel a bond with the performers. These dancers weren’t idols; they were people just like us, and that strategy worked. I sat before them, smiling and clapping in awe.

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Pin-Ups

Steal the Show

By Sarra Sedghi

Although I knew the event would be good, my expectations were still exceeded. The choreography reflected the music well, regardless of genre. I never thought someone could tap to Fall Out Boy, but the Tap Company proved me wrong with “Know What You Did.” The Modern Pin-Ups’ rendition of Def Leppard’s “Pour Some Sugar on Me” was over-the-top, featuring bold moves, glitter, and leather, just like the late 80s. One of my favorite performances, “Body Party,” was fluid and contemporary, featuring moves performed closely to the ground. Watching it was like sitting in front of a music video.

Another great performance was “March of the Hookers,” performed by Swung and the Modern Pin-Ups. This dance was divided into two segments. In the first, Swung relied on traditional, cabaret-style moves. Then, the Modern Pin-Ups took over. In this half, three women were stripped of their clothing, revealing lingerie. The other dancers surrounded them, symbolizing the voyeurism women face and negative effects of slut-shaming.

Burlesque dancers are stereotyped as busty blondes and brunettes, but this revue proved the notion wrong.

Women of various races and body types performed, and watching this array of cultures and figures was empower-

ing and refreshing. One of the Modern Pin-Ups’ missions is embracing different women, which was emphasized by the participants. Among the performers was Amanda Cook, an expectant mother and my new hero. Cook’s act, “Doctor Wannado,” was the closest to a striptease, relying on pursed lips, cheeky expressions, and nuanced movements. So yes, the baby was safe.

And then there were the performers themselves. I saw a lot of skill in the dancers, as well as enthusiasm and energy. They never stopped moving, even during the intermission, when they danced among friends and invited members of the audience to join. Their talent, courage, and accessibility left me enthralled. I don’t just want to watch these women; I want to be like them.

The performances in the Debut Revue refreshed a style of dance that is around 150 years old. By using contemporary music and featuring a wide spectrum of people, the Debut Revue proved that burlesque is still relevant in the 21st century. Although burlesque is not a new art form, the message it conveys still holds true. Women deserve to feel empowered, no matter how they look. The confidence that burlesque dancers radiate helps fight patriarchy, and, more importantly, ignore our insecurities.

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“

The fact that Barnes has accomplished this feat 17 years into his career shows that he still has plenty left to say- and if we’re lucky, he won’t be able to stop any time soon.

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”

of

Montreal: Still Busy After All These Years

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BY DREW KIRBY

evin Barnes is a restless soul. The 39-year old songwriter recently released his 15th album of original material under the project of Montreal, one of the most long-running and well-known groups to emerge from the slew of artists that rose to prominence in the late 90’s Athens scene.

Of Montreal has had one of the most peculiar careers in modern indie music: what started as a homerecording project turned into a full-fledged rock outfit that toured all over the country with the likes of Neutral Milk Hotel, the Apples in Stereo and a myriad of other bands and projects that fell under the wide umbrella of the Athens-based Elephant 6 Collective. But that was just the beginning of a career distinguished by its longevity, consistency and relentless pursuit of evolution.

Barnes made his first mark on the local scene with the album “Cherry Peel,” a homemade collection of pop songs that was well-received locally but failed to find its footing outside of Athens. In fact, this was the case for all of its first five albums, and the band was ready to call it quits after a mere seven years of activity. That was before Barnes retreated to his home studio to record what would become their breakout sixth record “Satanic Panic In The Attic”, on which he played nearly every instrument (a habit that he has continued up until this most recent album.)

But that was not enough for Barnes, who transformed both his music and attitude from that of a reserved indie artist to the overblown funk-freak persona he created for himself: the aptly named Georgie Fruit. But what looked like a disaster on paper ended up gaining Barnes even further global acclaim, effectively solidifying of Montreal as one of the most popular active independent bands in

the world.

The new album “Lousy with Sylvianbriar,” released Oct. 8 on Polyvinyl Records, features of Montreal scaling back the far-fetched sonic ambition of more recent efforts in favor of the simplicity and attitude of a traditional rock and roll group. The instrumentals of the album, all tracked to an old-school reel-to-reel tape machine with an entirely new band lineup, retain a distinct throwback feel, though they don’t feel particularly indebted to any one specific genre or time period. Traces of 60’s psychedelic rock, 70’s alt-country, and 80’s alternative all crop up thought-out the record - sometimes all at once! However, the ultimate triumph of this new record is how the group is able to tone down their arrangements without sacrificing any of the quirkiness that has always typified of Montreal’s music even during the many different stylistic shifts the band has undergone. If anything, these scaled back arrangements allow Barnes to shine through brighter than he’s been able to in a while - and he’s as biting and captivating as ever.

Earlier this year, of Montreal announced that it was taking a break, presumably to step back from a career that’s consistently run at a mile-a-minute pace and now stretches across three decades. And yet here we are just seven months after this announcement, with what is likely the best album the band has released since its biggest hit “Hissing Fauna, Are You The Destroyer.” If you’ve ever been looking to get into of Montreal but haven’t known where to begin when wading through their dozens of releases, this is probably the best place to start. The fact that Barnes has accomplished this feat 17 years into his career shows that he still has plenty left to say- and if we’re lucky, he won’t be able to stop anytime soon.

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features

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emorial Hall

Changes with Respect to Continuing Culture

By Samantha Miller

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he first thing to notice about Adinkra Hall is the doors. With seven feet of solid wood intricately carved with African symbols, it makes an impressive contrast to the rest of the fourth floor of Memorial Hall. Pull open the doors, and a grand space awaits. A wall of windows overlooking a view of UGA’s campus illuminates the entire room. The light peering in reflects off of the white marble ceiling trim, which further emphasizes the grandness of the space. Several of the white marble pillars have elaborate African symbols, each relaying a special message. The ceiling above the doorframe has an emotionally compelling hand painted mural, with several of the artistically crafted images telling the story of the struggles that African Americans endured as slaves. Next to the doorway stand shelves filled with books, offering a rich variety of information about different cultures. Tables are set up throughout the room, with each table covered in a simple and elegant black cloth. The room is a classic conference room with an African edge.

Adinkra Hall is an art gallery with its multiple display cases holding archaic African treasures such as an array of ceramic bowls, vases and plates. Meticulously beaded drums, masks and quilted blankets are also displayed in these cases. A globe stands between two of the display cases, which symbolize the greater mission of the Adinkra Hall as well as the University of Georgia’s Multicultural Services and Programs (MSP).

Adinkra Hall used to belong to the African American Culture Center, which included six organizations such as the Black Theatrical Ensemble. However, after recent renovations in Memorial Hall, the Multicultural Services and Programs has taken the African American Culture Center under their umbrella and now councils the organizations that used to be a part of the AACC. According to an article by Nicholas Fouriezos for The Red and Black, the recent merge of AACC and MSP was a result of an alleged controversy involving former staff members, which resulted in unfilled positions within the AACC. As a result, MSP has inherited Adinkra Hall.

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According to Megan Segoshi, senior coordinator at MSP, Adinkra Hall has recently undergone a few changes. However, these changes continue to honor its history as it once belonged to the AACC. “The great addition to that space really has been the display cases and having different archives displayed in Adinkra,” says Segoshi. “Those things were previously displayed elsewhere and I think with that it really adds to the room.”

Adinkra is a place that students love to hold meetings and retreats.

“It was sincerely missed. It was offline for all of last year during the renovation process. The campus community missed it, the student organizations missed it and so it was a really big deal for Adinkra Hall to be available for use again beginning this fall,” says Segoshi.

That is not to say the AACC has lost its unique voice.

“I do not want to lose focus of the hard work that people before us laid foundations for,” says Sandra Goolsby, administrative assistant at MSP. “It became a point of pride for them. And that took the work of students, faculty, and administration to create these types of offices.”

The student offices that were originally part of the second floor were not equipped to have enough space for the six original MSP organizations as well as the AACC organizations. After MSP merged with AACC, a plan was implemented to renovate the fourth floor to accommodate space for all of the MSP student organizations as well as the newly added AACC organizations. There are two separate wings with individual offices for all of the student organizations. Wing 406 houses organizations such as Indian Cultural Exchange and Black Male Leadership Society. The 410 wing provides offices for the remaining MSP organizations, such as the Black Affairs Council and the Black Theatrical Ensemble.

Now, all MSP clubs have their own offices on the fourth floor. “They are able to have space where they can gather together,” says Zoe M. Johnson, associate director of

student life for Multicultural Services and Programs. “They are able to have a space where they can meet and strategize.

So these tools are designed to hopefully help them to be successful in the work they are doing.”

“Everybody has their own separate office space and that’s a good thing,” says Sandra Goolsby, administrative assistant for MSP. “Before, with the cubicles, it forced a whole lot more interactions. And I’m hearing from students, ‘we don’t get together. One group is on this wing and the other group is on that wing.’ Even on the wings together, they don’t see much interaction going on.”

Many of the student organizations appear to be benefiting from having their own individual office space.

“Students and people who are members of our organization, say they weren’t able to make a meeting but they still want to pay membership dues, they know exactly where to come. It’s nice to have your own central location so you can hold your organization’s activities,” says Michael Oyeyemi, internal public relations in Black Affairs Council.

Other students seem to feel the same. “We have our own computer if we need to print things and type things up. It’s just more convenient,” says Chazare’ Riley, secretary of Black Theatrical Ensemble and political action chair for Black Affairs Council.

Even though interaction between the different wings seems to be limited, communication within the wings is strong.

“I’m familiar with the people who come and go through here. We say hey if we see each other on campus and share about different events,” says Riley.

Oyeyemi agrees, “We all talk to each other. We support each other and go to each other’s events.”

When designating office space for the newly added AACC organizations as well as the original MSP organizations, much thought went into placing the different offices.

“We also wanted to be conscious of providing the space for students of different backgrounds and organizations that would not have typically collaborated. We wanted to provide that space for them to get to know each other and work together more frequently,” says Segoshi.

Even though Memorial Hall has undergone several changes in terms of its student organizations, it is not at a standstill in terms of evolving.

“We are all in this process of trying hopefully to be our bet selves and hopefully trying to grow into our best selves and that’s always a work in progress. I think change is the only constant we can count on,” says Johnson.

MSP has been respectful in not insulting the history of AACC or MSP. “They tell me that I am the historian, because I like to keep record,” says Goolsby. “I honor history and I think it’s best honoring the labors, sacrifices, foundation and the work that others have built for us to make it better and not desecrate it.”

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S

potlight

on the arts

By Greg Voyles Photos by Elizabeth Vogan

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“The arts are important or one week in November, football wasn’t because they encourage the only event taking The University of Georgia by storm. From people to make November 7-15, the arts took over UGA through the second annual Spotlight on the connections with each Arts festival.

The festival was created to serve as a other and express mouthpiece for the various departments and groups on campus associated with the arts. themselves.”

“The idea came from the UGA Arts Council,

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which was convened in fall 2011 by then Vice Provost Libby Morris (currently serving as interim provost),” said Sharron Hannon, former director of public relations for academic affairs in the Office of the Provost.

The UGA Arts Council was formed during a meeting held by various arts departments and institutions with Provost Morris. According to their website, the meeting was a discussion to see if there were “issues and priorities in the arts that could benefit from collaboration and networking.” The resulting arts council developed the Spotlight on the Arts festival, and brought it into reality in November 2012.

The festival was a collection of events that took place in different parts around campus. Headliners like Colin Mochrie and Brad Sherwood from “Whose Line Is It Anyway?” kicked off the second annual festival with their comedy duo, Two Man Group. The performance was held at The Classic Center because of a partnership with UGA’s Performing Arts Center. The department of Theatre and Film Studies opened its production of Joseph Handreddy and J.R Sullivan’s adaptation of Pride and Prejudice in conjunction with the festival. Coincidentally, the department put on the same production in a five-day arts festival in 1941 to celebrate the opening of the Fine Arts building.

Spotlight on the Arts also included a number of different events: open dance classes taught by the department of dance, symposia and roundtables sponsored by the Wilson Center for Arts and Humanities, open houses and exhibitions by the Lamar Dodd School of Art and many more.

Another interesting feature of this festival was the involvement of student organizations. Called Student Spotlight events, student organizations put on events all around campus and all during the week of the festival. Events included an interactive Clue game, street performers, flash mobs and concerts in Tate Plaza. “ I think [Spotlight on the Arts] has made students, faculty, and staff more aware of the numerous arts-based programs, organizations and independent artists on our campus,” said Kristyl Tift, the Student Spotlight Event Coordinator and doctoral student in the department of Theatre and Film Studies.

Tift also noted that participation in Student Spotlight events was not limited to arts majors. “Many

Student Spotlight artists are not arts majors.

Raven Gibson, a spoken word poet, is a cognitive science major You might not think that cognitive science and poetry go together but Raven is able to balance her science-based studies with her talent in the creative arts.” The annual festival has become an important cultural event for both UGA and for Athens. “[The goal is] to celebrate and draw attention to all the wonderful arts programs on campus and to encourage students and members of the university and local community to take advantage of opportunities to engage in the arts,” said Sharron Hannon. Though she has retired from her post as director of public relations for academic affairs of the Office of the Provost, she still does public relations work for the UGA Arts Council and for Spotlight on the Arts.

Tift agrees. “The overall goal of the festival is to make people aware of numerous dance, theatre, art, literature, music, and interdisciplinary art projects on and around campus,” she said. “The arts are important because they encourage people to make connections with each other and express themselves.”

The Arts Council and the various arts organizations and departments on campus hope that through Spotlight on the Arts, they can inspire the university community to get creative and embrace the arts.

Students don’t have to wait for the festival each year to be inspired, though.

“The arts are such a vibrant part of the University of Georgia,” said Hannon. “We hope everyone who enjoys the festival will look for more opportunities to experience the arts on campus.”

More information on Spotlight on the Arts can be found on the UGA website (arts.uga.edu) or by following UGA Arts on Facebook (facebook.com/UGAarts) or Twitter (twitter.com/UGA_arts).

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Noche Latina Celebrates Latin Culture

By Ana Lopez Photos by Erin Smith

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hen you have more people socializing on the floor than you do in their seats, you know you’ve thrown a good party.

Noche Latina 2013, held on October 5, was an event put on by the Hispanic Student Association at the University of Georgia. It was a tribute and celebration of all Latino culture.

“There is a preconceived notion that the Latino culture is one culture, and that is far from the truth,” says Ashley Romero, history and Spanish major from Lilburn, Ga., and president of HSA. “Overall, there are 21 different countries in Latin America with their own distinct traditions, and Noche Latina is a great way to showcase all of these traditions.”

The 21-year-old admitted the anxiety she had prior to the start of the show. With over 500 guests, it’s a feeling most definitely warranted.

“I was so nervous!” she says. “This was the first year that we were having over 20 people on stage in addition to props. There were a lot of logistics to work out.”

This game show themed night at the filled with upbeat performances, cuisine, and overall Latino culture would not have been possible without the hard work of the HSA officers. 22-year-old Carolina Baca, Noche Latina Chair, says she thought about every detail day and night since the end of last year.

“This event was my baby,” said Baca, a marketing

and management senior from Lima, Peru. “I knew I had to put on a great show for the UGA and Athens community as well as for the visitors who came from Georgia Tech, Clemson, Kennesaw, Georgia Southern as well as the family members from the surrounding areas. Noche Latina is an important event for the Latino community at UGA because it is an annual event that really unites all Latino and non-Latino students on campus as we celebrate Hispanic Heritage Month.”

The event did not disappoint. Food was plentiful, ranging from empanadas and chicken fajitas, served right outside the Tate Grand Hall where the event took place, to churros delicately drizzled with chocolate, a ready-made plate set at every black table-clothed seat at the tables.

Vlad Hriscan, a 20-year-old international affairs and communication studies third-year from Cluj-Napoca, Romania, has participated in Noche Latina since his freshman year.

“I choose to be a part of the event because it’s an opportunity to perform and be a part of the cultural awareness that it brings to our campus,” said Hriscan. He was one of six dancers with the UGA Ballroom Performance Group who skillfully showed off sultry and energetic dance moves on the stage in the first half of the show.

UGA’s Noche Latina is held annually in the Tate Student Center. To learn more about the Hispanic Student Association, visit msp.uga.edu.

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Allies continue to

LGBT

By Alisha Jiwani

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GBT. How many readers actually know what this term means? It stands for the Lesbian, Gay, Bisexual and Transgender community. The University of Georgia is part of a society that is growing exponentiallyboth in its mindset about conservative values and the way they are supported . As students at UGA, it’s important that we educate ourselves about a part of the society we may not know much about- and the transgender community, specifically, is a rising topic of discussion. According to the LGBT Resource Center Director Jon Hurst, “UGA has a huge transgender population unlike any other place I have been before.”

The LGBT Resource Center, opened in 2005 and located at 221 Memorial Hall, serves as a place of comfort, support and developmental services at UGA. There, you will find a spacious setting filled with more than a thousand books, magazines, a DVD library, and even sexual health resources. The lounge provides students a place to rest, socialize, eat, study, and make them feel at home. This setup comes with computers, a microwave, a mini fridge, and a conference room that students may reserve for leadership meetings. However, it is not only a place for LGBT students; it serves as a safe space for any student that decides to pay a visit and learn . According to Hurst, “You can come here how you are, whoever you are, and you can find a place where people are, in general, going to be open and affirming about who you are, regardless of

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who that is.”

Most people, both intentionally and unintentionally, limit themselves to the amount of new knowledge they think they should acquire. College is the perfect time to experience life from a fresher, broader perspective, and that doesn’t just have to mean trying a new drink at the bar.

“I want people to come here and say, ‘I don’t necessarily understand what it means to be transgender, I don’t get it’ but knowing that the safe space is about you coming here and finding out that information as well.”

How accommodating is UGA to its transgender students? Unfortunately, it’s never as easy as we may think. “We don’t have gender-neutral housing- meaning, we have very strict, old-school ways of thinking about gender housing on this campus,” says Hurst.“Just because we don’t have them, doesn’t mean people are going to stop being transgender. We have transgender students who are very concerned about their safety and well-being in the residence halls.”

Th lack of gender-neutral housing is a serious issue that tends to be overlooked. This is the first year many dorms have become co-ed, separated by floors, and even still people are hesitant. Aside from campus housing, places all around campus are problematic for transgender students- such as gender-neutral restrooms. For example, it’s difficult for someone to comfortably walk into a male restroom while they’re still in the transition phase from

learn about the community female to male. Such problems are deeply rooted in the fear of prejudice and discrimination. It is necessary to break free from these social constructs to reasonably rethink and address these issues. However, there are some places on campus, such as Ramsey, that have gender-neutral restrooms.

The University Health Clinic, however, works to accommodate transgender students.

Clinicians are available to provide resources for on-campus and off-campus care. An appointment can be made by the Primary Care Provider (PCP) at Medical Services or by calling 706-5421162 or 706-542-8666. They also offer hormonal therapy, gynecological exams, counseling, and health education.

Another issue at hand is the accommodation of professors to their transgender students. If Jill wants to go

by Joe, will he be “outed” in front of the whole class because of his “legal name” in the system? “We have trans students that are constantly outed everyday in front of their whole class, because the professor only looks at that name in the

system,” says Hurst. “It’s case by case, and it’s professor by professor.” The preferred-name status in the system needs to be updated for this issue to be solved coherently.

There are many events that happen on campus that are a call to action- to raise your voice, stand up, and make a statement. Ally Visibility Week was the perfect time to gain knowledge and at the same time speak in a nonjudgmental setting. Also, the Dawgs Making It Better Campaign called people to become actively engaged and create an ally statement talking about what’s being done to it better for these students. “What we need more of is people here saying that’You should be here.You have a right to be here. We value you. We want you to be here, and we want to support you while you’re here’ We don’t have enough of those individuals standing up and saying that information,” says Hurst.

Once we take these words and implement them in our lives, we will not only see change, we will see evolution.

“UGA has a huge transgender population unlike any other place I have been before.”

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Getting a Job After

Perhaps the biggest fear that graduates of the University o college graduation. After spending countless overnights test, racking up on debt from student loans, and forking years or more at the university many students want to kn graduation is no easy task, but with the right tools and info it will be much easier for students to place their

Career Center There are many resources available to help students get their foot in the door for an ideal position. Recent graduate, Amanda Dixon, recalls how she benefitted from visiting the career center her while she was an undergraduate student. “I took advantage of chance to get my resume looked at as often as possible. My career counselor knew of websites that were helpful that I didn’t know of before speaking with her”. Dixon also took advantage of mock interviews, which she says helped her land her current job with City Year in New York as a mentor to young adults.

Stefon Johnson graduated with a BBA in Finance in December of 2012 and now works as a Financial Analyst for Caterpillar Inc. in Nashville, TN. Johnson also accredits his current job to the career center and the career fair.

Networking The greatest plus to attending a major university such as the University of Georgia is the ability to make and obtain connections between classmates. Many graduates claim their job success was through connections at their college job or connections through friends. David Youmans graduated from Grady College of Journalism with a degree in broadcast journalism, and currently works as an assistant producer of Star 94 Mornings. The recent graduate accredits the success of obtaining his internship with CNN in Los Angeles with a contact made by on a Di Gamma Kappa trip to CNN. Youmans followed up with the contact later in the year to set up a day to follow her and help with a piece the reporter was writing. “After meeting her for just one day, I got my internship at CNN Entertainment in Los Angeles because a friend and fellow journalism student had that same exact internship the summer before,” he says. “She talked me up to her producer, but it was up to me to contact him and let him know I was interested so he could get to know me”. Do not be afraid to contact an unfamiliar person for advice on how to get a job or to ask if there are any positions open at their company.

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GRADUATION

of Georgia have today is the fear of not having a job after at the Miller Learning Center and cramming for test after out hundreds of dollars on books within the span of four now-- is it worth it? It is true that finding a job directly after rmation from recent graduates of the University of Georgia best foot forward in the competitive job market.

By Anastasia Grace

Who You Kno w

Job Search

A good grade point average is helpful when searching for an internship, but in the present job market it takes more than a great transcript to get your foot in the door. Social media can be an important tool to landing a dream job. At any given point of the day, college students have access to hundreds of sources and connections at the tips of their fingers with their smart phones. Connections that may seem pointless now could potentially be the reason a job applicant is granted a rewarding opportunity in the future. In Youmans’ experience, it’s all about who you know not exactly what you know. He recalls advice given to him from a CBS News correspondent: “In this business, you could be the best at your job and the most intelligent but if you don’t know anyone in your field, you will have the hardest time finding a job,” he says. “Same for the opposite of that, you could be mediocre in your major but if you know who to contact for jobs and who to schmooze with, it could make all the difference.”

When searching for a job, it is important to realize that looking for a job is essentially a full-time job in its self.

Getting a head start on job applications and internships will make for a more competitive job application. Dixon had three internships on her resume before landing to her first job in New York a few months after graduation.

While job searches may be tiring and overwhelming it is necessary to keep a few things in mind.

“Definitely be open minded; there many different job titles,” Dixon says. “Even doing something as simple as LinkedIn could help. Work on making your resumes look as good as it possibly can and be aware of your strengths and looking into something that you maybe did not originally consider. Do not be afraid to consider something that is non-traditional. Jobs centered on service can give you more time to figure out what you would like to do and jobs after graduation.”

Research Most graduates entering the workforce for the first time realize that the major or degree the student graduated with does not necessarily dictate career future career paths. Research is a vital component to any job search. It is beneficial to know as much as possible about a potential field of interest; passion for the subject matter will stand out in an interview and give applicants an advantage over the rest of the competition.

Getting a job is not easy. It takes a lot of time, commitment and preparation. However, between the resources that the university offers, knowing how to pitch, and using past learning experiences and connections, the search may be a lot less daunting.

23

entertainment entertainment George Clinton and The Parliament George Clinton and The Parliament usician George Clinton hit the scene in the 1970s and early 1980s, bringing funk music to venues, alongside soul artist entertainment usician GeorgeAs Clinton hit the scene inand the 1970s and Clinton early 1980s, funk music to venues, alongside soul artist James Brown. a singer, songwriter producer, can bringing be respectfully thought of as one of the masterminds James Brown.

As aera. singer, and producer, Clinton can be respectfully thought of as one of the masterminds behind theClinton funk music George and Thesongwriter Parliament

M M M

behind theSeptember funk music On 26,era.

George Clinton, accompanied with The Parliament, played at the Georgia Theatre. The crowd was usician George26, Clinton hitClinton, the scene in the 1970swith andThe earlyParliament, 1980s, bringing funkthe music to venues, alongside soulwas artist On September accompanied played Georgia Theafros. crowd enthusiastically dressedGeorge in disco-inspired fashion, including oversized furry hats,atflared sparklyTheatre. pants and George James Brown.

As a singer, songwriter and producer, Clinton can be respectfully thought of as one of the masterminds enthusiastically dressed in disco-inspired fashion, including furryshow. hats, flared sparkly pants and afros. George Clinton, in combination with this passionate crowd, made foroversized an exuberant behind the funk music era.

Clinton, in combination with this passionate crowd, madeentourage, for an exuberant show.

George Clinton was assisted on stage with a large assumed to be his family. Many of the people on stage On September 26, George Clinton, accompanied with The Parliament, played atfamily. the Georgia The on crowd was George Clinton was assisted on stage with a large entourage, assumed to be his ofTheatre. thepeople people stagewas would boogie along side Clinton causing laughter and excitement from the crowd.

The mass Many amount of on stage enthusiastically dressed in disco-inspired fashion, including oversized furry hats, flared sparkly pants and afros.

George would boogie along side Clinton laughter each and excitement the crowd. The mass amount of people on stage was difficult to keep up with, but the causing crowd accepted performer from with grace.

Clinton, in combination with this passionate crowd, made for an exuberant difficult to keep up with, butartists the crowd eachChili performer withSnoopzilla grace. show.

Having worked with suchaccepted as Red Hot Peppers, (formerly known as Snoop Lion and Snoop George Clinton was assisted on stage with a large entourage, assumed to be his family.

Many of the people on stage Having worked with artists such as Red Hot Chili Peppers, Snoopzilla (formerly known as Snoop Lion and Snoop Dogg), Carlos Santa and even Tupac, Clinton’s music has been infused with a variety of influences.

At the theatre, Clinton would boogie along side Clinton causing laughter and excitement from the crowd.

The mass amount of people on stage Dogg), and even Tupac, Clinton’s been infused with of influences.

At songs the theatre, Clintonwas gave theCarlos crowdSanta just what they had come for. Hemusic playedhas “Atomic Dog” and “Paisvariety the Funk. ” When these were played, the difficult to keepjust up with,they but the crowd accepted each“Atomic performer with gave thegrew crowd hadenergy come for.

He be played andgrace.

“P isshowing the Funk. ” When these songs were played, crowd ecstatic.what This joyous could felt all aroundDog” the theatre, that Clinton had a packed house ofthe true Having workedThis with artists such could as Red Hot Chili Peppers, Snoopzilla (formerly known asaSnoop and Snoop crowd grewThe ecstatic. joyous energy felt all around the theatre, showing thatera.

Clinton had packedLion house of true funk fans.

Georgia Theatre felt as thoughbe it had time traveled back into the disco Dogg), Carlos Santa and even Tupac, Clinton’s music has been infused with a variety of influences.

At the theatre, Clinton funk fans.

The Leaf, Georgia Theatre felt as thoughand it had timestudies traveled backfrom into the disco era.

Morgan a fourth year recreation leisure major Marietta, Ga., has listened to George Clinton ever gave the crowd justawhat they had come for.and Heleisure playedstudies “Atomic Dog”from andMarietta, “P is the Funk. ” When these songs were played, Morgan Leaf, fourth year recreation major Ga., has listened to George Clinton everthe since her father showed her what funk music was all about. crowdher grew ecstatic.

This joyous energy couldwas be all feltabout. all around the theatre, showing that Clinton had a packed house of true since father showed her whatalways funk music “I remember my dad was listening to them when a party was about to happen at our house,” she says. “It truly funk “I fans.

The Georgia Theatre felt as listening though ittohad time traveled back into the disco era. at our house,” she says. “It truly remember my dad was always them when a party was happen makes you want to get in the mood to dance. I had no idea it was going toabout be asto exciting in person, as it is on record.”

Morgan Leaf, a fourth year recreation and leisure studies major from Marietta, Ga., listened Clinton ever makes you want to get in the mood to dance. I had no idea it was going to be as exciting inhas person, as itto is George on record. ” since her father showed her what funk music was all about.

“I remember my dad was always listening to them when a party was about to happen at our house,” she says. “It truly makes want to getofinKarl the Denson mood toand dance.

I had no idea it was goingTheatre to be aswas exciting in person, as it is on record. ” show he you collaboration Zach Deputy at the Georgia nothing less than funk-tastic.

The he collaboration of Karl Denson and Zach Deputy at the Georgia Theatre was nothing less than funk-tastic. The show titled, “Karl Denson’s Tiny Universe presents a Ray Charles Boogaloo Dance Party with Zach Debuty,” was enough to titled, “Karl Denson’s Tiny Universe presents a Ray Charles Boogaloo Dance Party with Zach Debuty,” was enough to bring in a packed crowd. bring in a packed crowd.

Famous saxophonist, Karl Denson, has been sharing his talent with the world for three decades. Denson and Deputy Famous saxophonist, Karl Denson, been sharing withTheatre the world three decades. and Deputy he collaboration of Karl Denson andhas Zach Deputy athis thetalent Georgia wasfor nothing less thanDenson funk-tastic.

The show met awhile back at a music festival, and decided to collaborate since they were both inspired by funk. As they play two difmet titled, awhile “Karl back at a musicTiny festival, and decided to acollaborate since they were both Party inspired byZach funk.Debuty, As they” play dif- to Denson’s Universe presents Ray Charles Boogaloo Dance with was two enough ferent styles styles of of music, music,they theyundoubtedly undoubtedlyperformed performedone onegreat greatshow. show. ferent bring in a packed crowd.

On November November 13, 13,Zach ZachDeputy Deputytook tookthe thestage stageand andplayed playedtotoa acrowd crowd thateither eitherloved loved Ray Charles, wanted On Ray Charles, or or justjust wanted to to Famous saxophonist, Karl Denson, has been sharing his talent with that the world for three decades.

Denson and Deputy dance. Deputy Deputyisisknown knownfor forhis hisunusual unusualand andentertaining entertainingone-man-band one-man-bandstyle. style.For For those unfamiliar, Deputy loops and layers dance. those unfamiliar, Deputy and layers met awhile back at a music festival, and decided to collaborate since they were both inspired by funk.

As loops they play two difhis music using a vast array of instruments such as bass, drums, and guitar.

He plays the instruments, sings, and creates his music using a vast they arrayundoubtedly of instruments such as bass, drums, and guitar. He plays the instruments, sings, and creates a a ferent styles of music, performed one great show. song that sounds like it derived from a band.

Many fans would agree thatevery everyperformance performance is different, Deputy decides song that sounds like13, it derived from a took band.the Many fans would agree different, as as Deputy decides On November Zach Deputy stage and played to athat crowd that either lovedisRay Charles, or just wanted to most of of his his music musicon onthe thespot. spot. most dance. Deputy is known for his unusual and entertaining one-man-band style. For those unfamiliar, Deputy loops and layers Deputy did did notleave leavethe thestage stagewithout withoutplaying playing “TwistyTwisty, Twisty, itwas wassure sure to make the crowd wild. is one Deputy ” ”asasitguitar. make crowd gogo wild.

AsAs thisthis is one his music using anot vast array of instruments such as“Twisty bass, drums, and He to plays thethe instruments, sings, and creates a of his most popular songs, the song inspired the crowd to dance with excitement.

The lyrics, asking you to twist and twirl, of his most popular songs, the song inspired the crowd to dance with excitement.

The lyrics, asking you to twist and twirl, song that sounds like it derived from a band. Many fans would agree that every performance is different, as Deputy decides make you you want to to dojust just that. make most of hiswant music do on the that. spot.

After Deputy Deputyfinished finishedawing awingthe thecrowd, crowd, KarlDenson’s Denson’sTiny TinyUniverse Universe wasupupnext. next. a master saxophonist, Karl DenAfter AsAs a master saxophonist, Karl DenDeputy did not leave the stage without Karl playing “Twisty Twisty,” as it was was sure to make the crowd go wild. As this is one son did not have to try too hard to win the crowd over.

His show was an upbeat mixture of rhythm and blues, rock, and soul. son didmost not have to try too hard to wininspired the crowd Histoshow waswith an upbeat mixture rhythm and blues, soul. of his popular songs, the song theover. crowd dance excitement.

Theoflyrics, asking you torock, twistand and twirl, The crowd embraced Denson’s true and pure talent on the saxophone.

The Ray Charles’ covers were enough to make the The embraced makecrowd you want to do Denson’s just that. true and pure talent on the saxophone. The Ray Charles’ covers were enough to make the crowd satisfied, satisfied, but butDenson’s Denson’sown ownmusic musicwas was alsoequally equallyenjoyed enjoyedamongst amongst all. crowd After Deputy finished awing the crowd,also Karl Denson’s Tiny Universeall. was up next. As a master saxophonist, Karl Denson did not have to try too hard to win the crowd over. His show was an upbeat mixture of rhythm and blues, rock, and soul.

The crowd embraced Denson’s true and pure talent on the saxophone. The Ray Charles’ covers were enough to make the crowd but Denson’sin own musicLettuce was also equally enjoyed amongst all. band that that originated in Boston, Lettuce has knack forplaying playing some smoothjazz jazz that could only found ss aasatisfied, band originated Boston, has a aknack for some smooth that could only bebe found onon thethe

T T T

KarlDenson Densonand andZach ZachDeputy Deputy Karl

Karl Denson and Zach Deputy

Lettuce

A Lettuce A

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24

streets of of New NewOrleans.

Orleans. streets On August August 21, 21, Lettuce Lettuceperformed performedininfront frontofofa apacked packedcrowd crowdatatthe theGeorgia GeorgiaTheatre.

Theatre.

Even though band does On Even though thethe band does notnot always include include aa singer, singer, the theinstrumentals instrumentalsformulate formulateenough enoughexcitement excitementtotostand standalone. alone.Hands Hands were and bodies always were in in thethe airair and bodies s a band that originated in Boston, Lettuce has a knack for playing some smooth jazz that could only be found on the were swaying swaying side sideto toside sidethroughout throughoutevery everysong. song. were streets of New Orleans.

Lettuce Everything from guitar, piano, saxoLettuce isismade madeup upofofseven sevenband bandmembers membersallallwho whoplay playtheir theirown owninstrument. instrument.

Everything from guitar, piano, saxoOn August 21, Lettuce performed in front of a packed crowd at the Georgia Theatre. Even though the band does not phone, well known in in Athens, as as they make phone, bass, bass, trumpets trumpetsand anddrums drumsorchestrate orchestratethis thisband bandinto intosomething somethinggreat. great.They Theyareare well known Athens, they make always include a singer, the instrumentals formulate enough excitement to stand alone. Hands were in the air and bodies appearances as as their true fans support appearances at at the the Georgia GeorgiaTheatre Theatrefrequently. frequently.This Thismakes makestheir theirlive liveshows showseven evenmore moreeventful, eventful, their true fans support were swaying side to side throughout every song. them them through through every everyappearance. appearance.

Lettuce is made up of seven band members all who play their own instrument. Everything from guitar, piano, saxoChrissy Hoglander, everywhere from festivals to to Chrissy Hoglander, aafifth fifthyear yearpsychology psychologymajor majorfrom fromMarietta, Marietta,Ga., Ga.,has hasseen seenLettuce Lettuce everywhere from festivals phone, bass, trumpets and drums orchestrate this band into something great. They are well known in Athens, as they make venues. venues. appearances at the Georgia Theatre frequently.

This makes their live shows even them moreon eventful, asI was theirhappy true fans “They ””Hoglander lineups. to to seesupport that “They are arebest bestatattheir theirlive liveshows, shows, Hoglandersays. says.“I“Iget getsosoexcited excitedwhen whenI see I see them on lineups.

I was happy see that them through every appearance. they made the Georgia Theatre’s funky fall calendar and bought my ticket right away. ” made theHoglander, Georgia Theatre’s fall calendar and bought my ticketGa., right Chrissy a fifth funky year psychology major from Marietta, hasaway. seen” Lettuce everywhere from festivals to venues.

“They are best at their live shows,” Hoglander says. “I get so excited when I see them on lineups. I was happy to see that they made the Georgia Theatre’s funky fall calendar and bought my ticket right away.”

f o er y

v o c Dis

t a c i s u M

By Chelsea Rosen

T

he Georgia Theatre is constantly evolving and shaping into what is popular amongst concertgoers in Athens. Every season, the theatre releases a fresh line-up of music that follows a new trend. It can be an exciting experience checking out the new variety of music every semester.

Fall of 2013, many of the featured acts were funky and psychedelic, with a hint of soul. Famous and respected bands in the funk scene, such as George Clinton and The Parliament, took the stage and brought the house down.

It has been an entertaining season, as many of these shows have lured in a boisterous crowd. Funk music has a tendency to make people get rowdy—so we can’t blame them!

Photo by Elizabeth Vogan

25

GOOD GONE GIRLS B A D in HOLLYWOOD

By Khadija Dukes

T

here comes a time in every girl’s life when she must make the transition from adolescence to womanhood.

This transition can be smooth for some and bumpy for others. However, what happens when this delicate transition is on display for the world to see? What happens when a child star grows up? What happens when a good girl goes bad?

Some of the most well-known celebrity bad girls started out as good girls. Before there was twerk-obsessed Miley Cyrus, there was Disney pop-sensation Hannah Montana. Before there was bad gal RiRi, there was just Rihanna. From the time a girl reaches puberty to the moment she becomes an adult, she has already endured several awkward pubescent moments, encountered numerous rebellious phases and has undergone countless personality changes. For a celebrity, this period of time can seem so sudden that it appears that she went from reserved to raunchy in sixty seconds. However, the evolution from good girl to bad girl is much more complicated and life changing than one might think.

“It’s not so much that I don’t like Miley Cyrus,” says Adanze Onwuliri, third-year applied bio-technology major from Kennesaw, Ga., “it’s just that the whole bad girl thing does not feel very genuine -- it feels very inauthentic.”

A reaction such as this is not uncommon, but a majority of Americans are far more opinionated when it comes to celebrities such as Cyrus. Celebrity DBI, an independent index that quantifies 26

consumer perceptions of celebrities, measured Miley’s impact when it comes to seven categories: appeal, aspiration, breakthrough, endorsement, influence, trendsetter and trust. As of August 2013, Cyrus ranks in the bottom one percent.

Further, Cyrus was discredited by 43 percent of the 18 to 24 age group.

Cyrus’s outrageous antics, which include a suggestive performance at the 2013 Video Music Awards, have led to a decrease in her fan base since her Hannah Montana days. Her antics have also changed her target audience by focusing more on college-age students and those who listen to urban music.

“I guess what she’s trying to do is put on a show, but she’s overdoing it,” says Onwuliri.

Cyrus may not be as reckless and out of control as many viewers believe, however. In Cyrus’ MTV special, “Miley: The Movement,” she said, “You could watch that performance from the VMAs and think that it’s a hot mess, but it’s a strategic hot mess.”

Rihanna’s bad girl persona, which has garnered her numerous fans whom she refers to as her Navy, may also be a tactical move according to Onwuliri.

“I don’t really care for her as a musician but she was making music that was popular at the time and once she found her place [in the industry] she did her own thing,” says Onwuliri.

“With Rihanna it was kind of a transition [from good to bad] but with Miley she was Hannah Montana for so long then made this twerking video,” says Chante Robuck, third-year early childhood education major from Lilburn, Ga. “It is [very] artificial.”

Both Rihanna and Miley Cyrus, however, have continued to have a negative influence on younger girls through their bad girl personas. A survey conducted by Huffington Post found that the 2,407 parents that participated in the survey found Rihanna and Cyrus to be among some of the worst celebrity role models this year.

Rihanna’s avant-garde style and her controversial music videos, along with her ruthless and unapologetic tweets on Twitter characterize her bag girl image. However, those characteristics that make her so unforgettable are also what give her so much influence over young girls.

“People just follow what they do … like when

Rihanna goes bad I need to go bad too,” says Chavon Barratt, fourth-year biology major from Brooklyn, N.Y. “You need to be your own person -- you have to decide what you want for yourself,” says Barratt.

“You could watch that performance from the VMAs and think that it’s a hot mess, but it’s a STRATEGIC hot mess.”

- Miley Cyrus

27

CHANGING TIDES The Issue of PIRATING and Its Effects on

MUSIC SALES

By Dustin Bennefield

M

usic is one of the most common forms of entertainment available to the world today. It is shared on everything from vinyl to magnetic strips of tape to the audiophile’s preference of the Free Lossless Audio Codec, FLAC, file. These form factors create perfect opportunities for music to be reproduced, mass marketed, sold for profit and even stolen, the worst possibility of them all.

Music corporations and industries have produced and sold music to the masses for nearly a century. Corporations such as Universal Music Group, Sony Music Entertainment and Warner Music Group control approximately 88 percent of the market share for records in the United States. The problem that these companies have, according to their lobbyists, is that their products and profits are being damaged by the age of the Internet and the power of pirating.

Pirating music has been around since the production of the first Long Play (LP) on vinyl— only the digital age has just made it easier. With services like YouTube, Spotify and Pandora, corporations have been switching to more modern forms of delivering music for little or no cost.

“Piracy is a big deal and things like Spotify will assist in

28

combating this issue,” says Craig Davis, vice president of Urban Promotions of the record label EMI. The amount of money spent by the four major record labels on lobbying against piracy and for royalty rates in 2012 was 15.8 million dollars. These expenditures are made in hopes that Congressmen will vote for stricter penalties and stronger control over the Internet as well as the sanctions that it has created for pirating. This spending would have one believe that pirating can be solved.

The opposite scenario is happening in this case, as pirating does not seem to be hurting the music industry.

Instead, it seems to actually help it. With the same goal of spreading music to as many people as possible, the only thing separating the two giants is profits. The music industry wishes to maximize their profit which is made clear by their lobbying efforts while the pirating community only wants to spread music.

A study created by the London School of Economics and Political Science observes the effects of pirating on the music industry. The study brought together several different statements about the damage done by pirating in the digital age. It argues that the creative industry revenues are not declining overall. The music industry claims that piracy causes a decline in

sale. The overall revenue in 2011 was sixty billion dollars. Not only does it include music sales, but it also takes into account concerts and publishing costs. As of 2013, the London School of Economics and Political Science states that digital sales are up thirty-four percent globally. While physical sales are declining, digital sales are at an all-time high; concert sales are even doing better than previous years with a fourteen percent growth since 2011.

Digital music sales have the largest area of growth. Music streaming and subscription services are providing easier and more accessible ways to purchase and download music. Continuing to change the business model as needed to keep up with the times has cast the music industry as a formidable opponent against pirating.

Shifting from physical production to digital streaming has allowed for more music to pass to more people

faster. While pirating still continues to be a burden on the music industry, it has also been suggested by the LSE that it could be beneficial. One example is the rise of concert sales. Pirating allows for new music to be discovered which in turn gives people more choices when it comes to live music as well.

While the debate for the negative effects of pirating continues to be discussed among the music industry and lobbyists, the evidence against those claims are stacking up. Pirating music has caused the music industry to change its delivery repeatedly. The evolution of pirating has also forced the evolution of the music industry. This competition still cannot beat free music, but it does offer a solution to the problem: just give the people what they want.

“Piracy

is a big deal and things like Spotify will assist in combating this issue�

29

sports & health

From Fryer to

Flame

BByy Jasmine Jasmine Clayton Clayton

T

he enticing smell of fried onions and french fries greets you as you open the door. You only have a moment to take it all in before the cashier calls out, “Next!” Face to smiling face, she asks for your order, and as an impulse you say, “Number one combo with a Sprite.” Thinking you are done with your order, she follows up and baffles you with the question, “With what side item?”

In the past, the default option to accompany a combo meal or entrée was a side of fries. However, with new reforms and adaptations to healthier and lower calorie menu items, the options of the consumer just got a lot more personal. Appearing in major restaurant and fast food chains are the caloric content of each menu item, lighter side item options, fresh salad lines and other healthy menu additions.

The emergence of these reforms is believed to stem from the alarming obesity rates along with first lady Michelle Obama’s initiatives to combat these rates. The result of the first lady putting a spotlight on these issues caused many Americans to develop health conscious attitudes.

“The fact that children are becoming obese and are getting Type 2 diabetes plays a big role. We have to find a way to decrease our obesity rates, especially in children,” says Laetitia Adelson, a second-year dietetics major.

30

As a result of Americans desiring to live healthier lives, a lot of pressure has been put on the food industry to keep up with this demand. Prior to the evolvement, companies could get away with having as much as 3,000 calories in one entrée and 2,000 calories in one dessert drink.

According to an article from “Eat This, Not That,” Baskin Robins had a large chocolate Oreo shake that was 2,600 calories. While the daily recommended caloric count for an average person is 2,000 calories, a menu item of this high content surpasses acceptable standards.

Baskin Robbins no longer offers that shake on their menu.

Before the Food and Drug Administration made reforms to require that all major restaurant and fast food chains make nutrition information available to the public, various establishments could get away with numbers that high. However, with this information readily available, major chains are making strides to keep up with the changing American diet. One example is Barberitos, where they are advertising their reduced fat menu, titled “7 under 7,” including foods with seven grams of fat or less.

Not only are major chains making changes, but there has also been a demand for naturally healthy restaurants,

photos by Elizabeth Vogan

such as Zoës Kitchen. The trademark on their menu is “Simple. Tasty. Fresh!” The light Mediterranean-based menu items they offer reflect this trademark slogan.

While many restaurants are meeting the new demands for healthy cuisine, there are other places that have not tried at all. Some of these restaurants include Raising Cane’s and Checkers. Neither of these fast food chains offers grilled options, salads or lighter alternative sides. However, with the increased demand for these foods, it could be an option in the near future.

“As consumers, we have to illuminate the situation and give them the choice to change it,” says Katherine Wakeley, a second-year dietetics major, about the stagnant nature of some restaurants.

All things considered, let us get back to your order. In the past, you might have automatically ordered a side of fries.

However, with a new mindset and options, you now have the option to say, “I’ll have the grilled vegetables, please.”

31

Straight Ahead:

A Quest to Self Discovery

By Anita Nsubuga

32

I

n the Ramsey Center, down the stairs, right by the climbing wall, there’s a door that leads outside.

There is more than one door but the one closest to the climbing wall is the only one open. Outside there is the bouldering wall, a beautiful garden and the slack-line. It is sometimes hard to see but it is a red fabric that is held by two poles. This little red line tests you.

The slack line, simply built, ought to be the easy, right? It consists of a red, springy fabric stretched between two sturdy poles. Bonji chords are used to adjust the slack in the slack line; less slack makes the line firmer while more slack makes the line bouncier. Underneath the taut line, there is soft-earth to cushion those who fall.

“When I first tried it, I was really, really scared,” says Shawn Valentine, a firstyear math major from Waxhaw, Ga, “I went on and couldn’t just stand. I was shocked at how hard it was.”

The first attempt is the scariest. The shock of stepping onto a bouncy line shocks most people. The first foot on the slack-line wobbles as the weight of the body is placed on an elastic fabric. The hands instantly move upward and then outward to balance the body. Moving the next foot on the slackline decreases the amount of wobbliness – for a moment. The next foot has to move in order to step forward and to maintain balance.

“When I see people do it, the line is supposed to be solid and straight,” says Elizabeth Ko, a fourth-year genetics major from South Korea. “I couldn’t even stand up straight because my knees were so shaky.

I thought there was no way I could do this by myself, so I had two people walk me to the end.”

If it shakes and moves, how do people get to the end? Is it luck, skill or time? It’s actually a combination of all of these things.

With practice, the body is able to adapt to the bouncy nature of the slack line. Determination and focus are also an integral part of achieving success. Some individuals compete with one another to motivate each other across the slack-line. Some people like to perform cool tricks as they finish the initial goal of walking to the end of the red line. Once the first hurdle is accomplished,

there are other tricks to be mastered such as surfing, walking and even planking on the slack-line.

“You've

got

to relax... just do it.”

“It really goes against what your body wants to tell you,” says Rafaela Tudela, a first-year business management major from Waleska, Ga. “You’ve got to relax. Don’t look at your feet; just do it,” While slack-lining looks cool, it may not be for everyone. Falling is a part of the sport. As the body is adjusting to the varying degrees of slack along the line, the body will make mistakes. This is also a sign of progress; the body is learning how to walk in a new environment. The soft-earth beneath the slack-line cushions the countless falls that occur. If this sport does not sound worth doing, it is at least worth watching.

Some people can walk backwards on the slack-line. Others can even throw Frisbees on it.

“I tried it myself and I totally failed, “says Nils Lichtenburg, a computer science graduate student from Andernach, Germany. When asked if he would try it again, he quickly said, “Maybe next summer.”

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Obesity: A

34

Weight

of Life

By Laurence Black

T

he Center for Disease Control states that today’s average person is 25 pounds heavier than the average person 40 years ago. This raises the question: is our perception of obesity changing? Obesity is a growing problem, especially throughout the United States. Whether the blame is placed on the larger serving sizes of fast food or the increased popularity of video games, obesity is becoming more prevalent in young children. In fact, one in every three children is considered either overweight or obese, according to The Alliance for a Healthier Generation. Further, these children develop diseases that include diabetes, asthma and even heart failure. As a result, overweight and obese children are more likely to live shorter lives than their parents.

“Obesity is like an elephant in the room because people see it every day, but never know how to address it,” says Kelly Paxson, a third-year health promotion major from Alpharetta, Ga. “Everybody knows that obesity is bad, but most feel like there is not anything we can do about it.”

How do people become obese? Paxson suggests that obesity is related to reduced quality of life, depression and disability. Many resort to eating as a source of comfort; others use food in order to celebrate special occasions.

Furthermore, the impetus for turning away from electronics and towards physical activity is dwindling. As stated by The National Geographic, Americans are given the opportunity to have access to food whenever it is desired, and machines have been built to perform difficult tasks. Unfortunately, these “gifts” are what may soon lead to our demise.

The first step toward resolving this issue is to accept that obesity is a major problem that needs to be recognized on a large scale. Though it seems like an easy issue to

approach, it is important to understand that reducing the prevalence of obesity means completely changing the lifestyle of each person who is affected. So how can students at the University of Georgia address this problem?

“Focus on implementing healthy changes in the lives of people who are already obese to help improve their quality of life,” says Paxson. “But we must also emphasize the importance of health in the adults and children of the current generation, before they become afflicted with the disease.”

Though many are eager to get involved with national organizations such as The Alliance for a Healthier Generation or the Play60 Campaign, programs are available here in Athens for those who would like to make a lasting impact on our community. Exercise is Medicine is a national organization that strives to improve our nation’s overall health by urging physicians to prescribe physical activity and exercise on a regular basis, according to Dr. Sallis on the organization’s webpage. Exercise is Medicine at UGA is a club on campus that advocates for this cause. Students involved with the club stress the importance of exercise and physical activity in the treatment of chronic diseases as well as the prevention of health issues in the future. Students can help raise awareness on their own as well.

“Those interested in obesity awareness can simply serve as a role model to their family and friends,” Paxson says, “Help them get involved in physical activity or simply provide answers to health questions they may have.”

To learn more about how to get involved, visit www. healthiergeneration.org, www.exerciseismedicine.org and www.fueluptoplay60.org.

“Obesity is like an elephant in the room because people see it everyday, but never know how to address it.”

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BLOOD PLASMA:

The Health Effects of Donating

By Colby Jones

S

tudents at the University of Georgia are now donating plasma in return for money. Although there’s been an increase in donations, some students wonder about the health effects after the donation. Plasma is the pale yellow liquid portion of one’s blood, which is used as a base material for several different medical products. These products aid burn and surgery treatment, blood clotting disorder treatment, and protection after exposure to tetanus, rabies, and several other viruses. Plasma is separated and sent to a canister attached at the bottom of the machine. The red blood cells are held in a container in the machine and sent back to the donor during a return cycle. The process consists of separation and return cycles until the donation limit is reached.

“I feel weakened because I lost some of my vital fluid so I usually walk slowly and find something to eat after I donate.,” Greg Voyles, a fourth-year theater major from Athens, Ga, says “I know it’s stupid to try and do rigorous physical activity after donating.”

Along with the medical benefits listed above, donors are compensated for their time and service. Additionally, on the Biotest website there are coupons for an extra $5 for first time donations and $10 for a friend’s second donation.

“Frankly, I decided to donate because I needed money,” says Voyles. “Donating plasma gives you money, but don’t expect it to be financially viable. I learned that real quick.”

During his first appointment, they gave him a prepaid bank card. The disadvantage to this card is the bank that endorses it charges a transaction fee every time it is used.

Voyles goes on to say that first time donations are compensated $30, then $40 for the second, third, and fourth. After that, there is a cycle that starts with $25 per donation and caps out at $50 after the eighth donation in a month.

Biotest Plasma Center is located at 233 West Hancock Ave. In order to donate, a person must be at least 18 years

of age, weigh at least 110 pounds, and be in general good health. First timers must bring their social security card, driver’s license (or photo ID), a piece of mail received in the past 30 days with his or her current address, and need to have a physical before donating. In addition, it is highly recommended to eat a well-balanced meal and drink plenty of water before and after the donation. Donors can give plasma up to twice a week, with at least a 24-hour gap between donations to replenish plasma.

Photo by Elizabeth Vogan

opinions

T

he 1980s classic “The Breakfast Club” is a movie that continues to resonate years after its release. The themes of acceptance, redefining stereotypes and unity warm the hearts of all who see the film. Although slightly exaggerated in the film, the oppressive stereotypes of high school, such as “the dumb jock,” “the popular cheerleader” and “the misunderstood bad boy,” can be binding chains that are hard to escape Some students are unable to connect with others because of the false and limiting nature of their label, and may not get a chance to escape their clique and develop their own interests. Stereotypes are traditionally thought to be associated with high school.

Fortunately, as we are told, sol-

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ace lies in the promise of college. College is the chance to develop your own identity away from your parents or any limiting title you may have held in high school. There, you are confronted with foreign ideas, new people and a totally different social sphere. Many people have spoken of finding their true identity and purpose while in college.

This is what our parents, friends, family and even data from several studies tell us— but this is not exactly what takes place on college campuses across the nation, especially not when venturing the campus of the University of Georgia. Instead of the idyllic picture of unique and diverse social groups, we tend to hover within groups that reflect our own background, cul-

ture and race – better known as cliques.

UGA students often self-isolate themselves into homogenous groups and usually stay there for their entire college experience.

“Navigating yourself through the thousands of students who go to the university can be daunting,’ says Nisha Golakia, a second-year microbiology major from Snellville,Ga. “It’s easier to find your niche and stick with that.”

The niche could be anything from Greek life, to sports, to cultural groups. Unfortunately, these groups are usually racially and culturally divided.

“As far as my social group goes my friends are mainly my sorority sisters,” says Penn Hansa, a third

year journalism and English dual major from John’s Creek,Ga. who is a member of Delta Phi Lambda.

“That is who I spend most of my time with.”

If you were to sit down and talk to many students, their response would be the same. Although there is little wrong with choosing friends that share your interests or culture, surrounding oneself with the same type of people makes for a limited college experience. With over 30,000 students here at UGA, 200 majors offered, and students of every culture represented, there are so many opportunities to meet new people and develop relationships. Why aren’t we doing that?

“When I joined I.C.E [Indian Cultural Exchange] I finally felt like I found people who I could relate to,” says Golakia. “Being the minority among so many students who I was afraid would not understand my culture was daunting.

The other members of I.C.E get me.”

This notion is supported by the idea that it is easier and more comfortable to blend with those who are already similar to you, especially on a campus where it is easy to feel out-of-place and alone.

“Class is like work. Although you may be surrounded by others types of people, after work is done you return to your familiar social sphere,” says Dr. E.M Beck a history professor at UGA. “People associate with people that make them feel comfortable. A friendship may take longer to develop with someone that you don’t automatically have something in common with.”

Comfort is what we seek in friendships—the comfort to be ourselves. In search of comfort, things like diversity and celebrating differences are forgotten. The fact that our differences are emphasized so frequently only makes branching out harder. We often forget that we have so many similarities in common—the biggest

one being our attempt to gain a degree that may put us closer to our dreams.

“If someone wants to gain a greater diversity of friendships, they should put themselves out there,” says Hansa. “Go to meetings that interest you, but that none of your friends belong to. Although it may take a little longer to gain meaningful and unique friendships with different people it is possible.”

These assertions are true for anyone who desires to have a richer college experience. The importance of diversity social inclusion is deeper than just embracing someone who is different; it also lies in our ability to step out of our comfort zones and accept that what makes us different, is also what makes us one in the same.

By Ashlee Cox 39

liking what you see N

ow that a typical scroll down my Twitter and Instagram timelines has become a part of my daily morning routine, I can’t help but notice how large a role social media plays in my life and, more specifically, how I view life and myself. Each morning, I digest images of projected perfection and happiness from others, celebrities and friends – and produce a few of my own from time to time. I would be lying if I denied ever glancing at anyone else’s updates and feeling a hint of jealousy. I even stare at and admire a few of my own pictures. This back-and-forth between envy and vanity is something most people encounter when scrolling their Facebook timelines, and it is doing something to our attitudes toward each other and ourselves.

Most people can agree that social media itself is

how social media Impacts our self-image

not the tool of self-destruction. It is clear that the way it is used has a lot to do with if it helps or hurts us.

Ashton Garner, a fourth-year psychology major and the current president of the University of Georgia’s For Loving Yourself (FLY), a student organization dedicated to improving self-esteem and body image on UGA’s campus, chimes in on the dangers of social media from the perspective of the user.

“Social media can be a great way to keep up with friends and family, but it can also have a negative impact on self-esteem,” says Garner. “Studies have shown individuals tend to compare themselves appearance-wise— when we see pictures of friends on Facebook, Instagram, etc., we will probably compare ourselves to them.”

This comparison serves the root of diminishing

By Kalyn Wilson 40

self-esteem because people tend to focus on what they lack and how they do not measure up to the other individuals. self-esteem because tend to focus on what they lack Where social mediapeople is concerned, the volumes of edited, and howand theyfluffed do notphotos measure to the other to individuals. filtered areup rarely images which the Where social media is concerned, the volumes of edited, “average person” measures up. filtered and fluffedthephotos areare rarely images to which the Though pictures often altered, social me“average person” measures up. dia is not meant to remind people of their flaws or insecuare often altered, social merities. ItThough dependsthe onpictures the individual user. dia not meant to remind peoplefeel of their or insecu“It isamplifies how you already aboutflaws yourself, ” says rities.

It depends on the individual user. second-year health promotions major Nadia Ahmed. She “It amplifies how you has already about yourself, says feels that if someone highfeel self-esteem, then ”others’ second-year major NadiaInstead, Ahmed.itShe posts wouldhealth rarely promotions spark negative feelings. affeels that if someone has high self-esteem, then others’ fects those who are already unsure and not accepting of posts would rarely spark negative feelings. Instead, it afthemselves. fects those who are unsurehow andmuch not accepting of “People stillalready don’t know of their life themselves. they should keep private,” says Marcus Hill, a first-year “People still don’t “You knowknow howeverything much of their life computer science major. you post they should private,”” says Marcus Hill, a first-year is going to bekeep scrutinized. computerHe science major.

“You knowhave everything you post feels that most people negative experiisences goingon to social be scrutinized. ” media because they share too much of He with feels an that most peopleonline have negative experitheir lives overly-critical community.

Beences social media because they shareon too of cause on of this, people base their self-image themuch amount their lives with an overly-critical online community.

Beof “likes” or “retweets” they get, which can inaccurately cause people base on the build of orthis, breakdown theirtheir senseself-image of validation andamount self-acof “likes” or “retweets” they get, which can inaccurately ceptance. build or breakdown their sense oftovalidation self-acThough it can be difficult stray fromand comparing ceptance. ourselves to others on social media, there are ways to enThough it can be difficult to stray from comparing ourselves to others on social media, there are ways to en-

joy these networks and use them to a personal advantage.

“Try to catch yourself in the act of comparijoy these networks andcomparing use them to a personal personality, advantage. son, whether you’re appearance, “Try toetc., catch in the actGarner. of compariachievements, andyourself stop yourself, ” says son, whether you’re appearance, personality, Garner also comparing suggests trying to be an informed achievements, and stop yourself, ” says Garner.of Phoconsumer, by etc., being cognizant of the prevalence Garner alsoinsuggests trying to be toshopped images the media.

People tendantoinformed only post consumer, by beingofcognizant the prevalence Photheir best pictures their bestof moments.

In otherofwords, toshopped in theit media. everythingimages is not what seems. People tend to only post their best“How pictures of people their best moments. otherhow words, other view you will In impact you everything is not seems.view you is up to you,” says view yourself.

Butwhat howitothers “Howmechanical other peopleengineering view you will impact how you second-year major Michael Oyview yourself.

But how others view you is up to you, ” says eyemi. “Just be you, and like yourself—even if you literally second-year engineering major Michael have to ‘like’mechanical your own pictures to remember that.” Oyeyemi. “Just you, and yourself—even if you literally He be believes thatlike people can take control of their have tomedia ‘like’ your own pictures to remember that. ” social experience by taking the time to portray an He believes that people can take control of their honest image and embracing it. Trying to embellish the social experience byoftaking an truth media and match the lives othersthe is atime signtoofportray insecurity honest image and embracing it. Trying to embellish the and takes away from self-confidence. truth andAll match of others is a signofofmodern insecurity in all,the thelives personal experience soand fromsubject self-confidence. cial takes mediaaway is truly to the individual: it goes back All in the the personal experience of modern to attitude andall,how users choose to view others soand cial media is truly subject to the individual: it goes back themselves. Resisting comparison is the best way to avoid to how and the negative users choose to viewAsothers theattitude evils ofand jealousy self-image. long asand we themselves. is the best avoid take controlResisting of what comparison we expose ourselves toway on atoday-tothe of we jealousy negative self-image. As longfeelings as we dayevils basis, stand and a chance of maintaining good take control of what we expose ourselves to on a day-totowards ourselves. day basis, we stand a chance of maintaining good feelings towards ourselves.

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P

erspectives on race

By Anthony Farajallah

How the “minority” and “majority” see each other

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W

hile walking around campus, many students notice the emphasis the University of Georgia has placed on advancing diversity and minority awareness.

Though UGA claims to have a diverse student body, there is still a clear majority on campus.

An average classroom at UGA is predominately filled with Caucasian people. Very few students identify as part of a non-white ethnic group. This lack of representation in the classroom greatly affects the mindset of minority students on campus.

From personal experiences and talking to fellow peers, I have encountered varying perspectives on diversity and racial interaction at UGA. When asking people their opinions on this topic, a certain discomfort would ensue—as if this were a forbidden topic to discuss. Minority students often felt more comfortable talking about this because they thought I could relate to them. White students chose their words more carefully, clearly afraid to offend me.

Do not get me wrong—UGA

has come a very long way with the blending of different cultures. It is not far-fetched to assume a vast majority of students on campus have friends that are outside of their own racial group.

Allie Hughes, a fourth-year linguistics major from Johns Creek, Ga., and a Caucasian American, says, “I tend to interact more with minorities because we seem to have similar interests and beliefs.”

She believes they share a similar liberal ideology when it comes to society’s structure that, in her opinion, many white people do not identify with. This signifies how racial stereotypes can be broken down. People on campus can interact based upon interests rather than racial identity.

I asked someone of African descent what they thought of the words “majority” and “minority.”

“My culture is seen as outside the norm and it is treated as something special,” Famata Barrie, a fourth-year international affairs major from Sierra Leone says. “I think a ‘majority’ is just a norm-what they do is considered acceptable and reinforced by bigger num-

bers.”

To advance race relations and stereotypes, the student body as a whole should become more educated on different cultures. Some people choose to ignore color as they walk around campus. They say they don’t see color.

Malcolm Reams, a fourth-year romance languages major from Atlanta, says “I don’t like it when people say they don’t see color. I think there is color, it just does not mean it is a bad thing.”

This supports the idea that we need to spend more time acknowledging race, religion and sexual orientation to understand and relate to the diversity around us. I believe that through education and increased minority awareness, cultures around campus will be able to better mix. Students from the majority and minority will learn to feel more comfortable discussing touchy issues and expanding their points of view—making for a more cohesive student body.

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t y s r o a P d n n o i o t a c c ? t i e u h t r o S Ed w t is i

By Anita Tsubuga

In

a white-washed room with a white-board (flooded with white light), sits a group of people around a wooden table. On the

“As a freshman, I came to college chasing other people’s dreams.” table, books are scattered everywhere, and the white-board is littered with scribbles among the chaos of a few Monster energy drinks and Jittery-Joe’s cups. With hooded-faces and eyes that haven’t slept, these people look more like zombies than humans. Half-open eyes and slow movements ensue as crunch time approaches. This is a typical study room in the Miller Learning Center during finals week. Are the sacrifices and challenges that we encounter in a post-secondary education experience really worth it?

Some students would argue that it is not.

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“No. We stay up all night, trying to get the grades that will get us to the next step, but we don’t use the stuff we learned,” says Yemisi Alli, a fourthyear genetics major from Lilburn, Ga. “Only 10 percent of the information is useful.”

During the undergraduate phase, we are tailoring ourselves towards our future pursuits and dreams.

We start with similar classes as firstyears, and then we progress towards major-specific courses in our final years. No, we won’t use all the knowledge learned in every class directly. The art history course I took during my first year may not explicitly help me design a robotic arm, but awareness of Michelangelo’s David can help me see how to replicate a realistic human arm.

“I think you need a variety of experiences,” said Ronke Olowojesiku, a fourth-year genetics major from Kennesaw, Ga. “The University of Georgia has given me an opportunity to be a part of many things.”

At first glance, these disjointed memories of different, unrelated bits of knowledge do not fit. But on closer inspection, lessons learned from elsewhere can be used towards our futures.

Most experiences add towards our goals rather than diminish them.

With 30,000 students, UGA offers a host of opportunities. The Russian Ballet Company fleeted across the fine arts stage. Students alongside local artists put together a plethora of wordplay in the Black Theatrical Ensemble’s production of “Rhyme Deferred” a retelling of the Cain and Able story using hip-hop. Nanosheets and nanosized vaccines are being synthesized right here on our campus.

Aside from the wealth of resources and opportunities, the students here are also banks of wisdom. We are in constant contact with people different from ourselves. The future artists are eating with future orators and physicians. Conversations are easily sparked that enlighten the ears to different ways of thinking and living. Here, new experiences abound and every moment seems to promise something worthwhile.

“People are just following a path expecting that it will bring them guaranteed success. It’s only worth it to you in the moment,” said Eiizabeth Vogan, a fourth-year art major from Alpharetta, Ga. “If it’s something that

makes you happy in the moment, it will lead you to something that will make you happier in the future.”

As a freshman, I came to college chasing other people’s dreams.

This seemed to be enough for me. My uncle was a physician and he loved it, so I tried to follow his lead. Soon, I realized that it was not enough and not what I wanted. My dream did not involve patients or medicine—but it still involved the same passion my uncle has. I was interested in robotic arms and legs. As time went by, I learned to tailor myself towards my dream while having worthwhile experiences here.

So, are those seemingly endless nights of studying necessary?

Maybe. The opportunities here make our time here worthwhile. Yet, will what we learn now be worth it later on?

Again—maybe. Each lesson learned leads us closer to our goals. Each class completed leads us closer to graduation. After graduation, we are closer to our dreams than we were before.. Each step we climb brings closer to the next step and ultimately to a promising future.

“During the undergraduate phase, we are tailoring ourselves towards our future pursuits and dreams.”

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The UGA Indian Cultural Exchange Presents

INDIA NIGHT 2014

Saturday, February 15, 2014 The Classic Center 6:00 pm India Night is the largest cultural event at The University of Georgia.

Featuring live skits, dance teams, and performers from all over the South East.

For more information, email icepublicrelations@gmail.com or find us on Facebook.

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