SIX CHILLINGLY ILLUSTRATED
HORROR CLASSICS!
rtC'!S-C-0'
..WHERE SHE
MUST FACE JUIRDEBOUS MUMMY!
M\^
PLUS: "THE GYPSY CURSE!" AN OLD MAN'S DEATH SENDS HORDES OF HELLISH DEMONS TO DESTROY HIS
KlMl
SIX BIG STORIES IN THIS ISSUE
ISSUE NO. 38 NOVEMBER 1974
Gonrems DUFI COVER VAUPIRELLA finds hersefl liapned by a niurderaus mummv. and Kaardas of the walking dead. A classic Lost in an undeiground crvpt,
VAMPrS SCARLET LETTERS d two debates
"
^
:
or Jose Ortiz, Pantha: to live-or die? '
.d:
cover painting bv the talented Sanjulian.
VAMPI'S VAULT Editor-ln-Chief
& Publisher
Kelly has a secret
.
cover
He doodles. He
1
ttribiit.nfihi<i!i
JAMES WARREN
THE MUMMY'S REVENGE ^ " - -
>ck.
SANJULIAN Artists This Issue
AURALEON JOSE GONZALEZ ESTEBAN MAROTO FELIX MAS ISIDRO MONES RAMON TORRENTS Writers This Issue
GERRY BOUDREAU JACK EUTTERWORTH JOHN JACOBSON FLAXMAN LOEW CARL WESSLER
are restless. Deep in an ax d crypt, they stir. They ri "^^Their vic+i~- - ^
GYPSYBut CURSExhe his last words
oi,
ly a gypsy.
'
"You the demons of
HeU will feast on your
LUCKY STIFF killed
AT 145.EAST32nct STREET. N 683-6050
PHONE;
10016 TELE-
Â¥.
Hesh!"
Harry
on the
as
THE NAMELESS CITY
BEH BY WARREN PUBLISHING CO. EDITORISUBSCRIPTION & BUSINESS OFFICES
AL,
xh
'
so
where in the Arabian desert it sits, The Na less City, SUently waits for the return of its builders, the mysterious and powerful ones!
(2121
ON A
LITTLE
OFFICES. ENTIRE CONTENTS COPYRIGHTED ,c 1974 BY WARREN PUBLISHING CO, ALL
RIGHTS RESERVED THROUGHOUT THE WOBLDUNDER THE UNIVERSAL COPYRIGHT CONVENTIONS, THE INTERNATIONAL COPYRIGHT CONVENTION. AND THE PAN AMERICAN COPYRIGHT CONVENTION. VAMPIH ELLA IS REGISTERED U.S. PATENT OFFICE MARCA REGISTBADA. MARQUE DEPOSEE. NOTHING MAY BE REPRODUCED JN WHOLE OR IN PART WITHOUT WRllTEN PERMlSSfON FROM THE
.
TRICK OF THE TIDE
PUBLISHER.
iLITY
(
CAT FEET
onoe
ight think they had nothing in Anything's possible in fairy talesj
)s'
job.
i
He pulled
'
BE AC-
CONCERNING OUR MAIL ORDER ADVERTISEMENTS: Warren
Publishing Co. guarantees the del>ue''v and satisfaca!l items advertised in this issua. Gfiouid you need to write us concerning an order, wwhether it be from aur address or a Post OHice Bon address, sand your letter to: EX. Iwes, Customer Service Dept., Warren Publishing Co., 145 E. 32nd Street, New York, N.Y. 1001G.
tion of
"Have
Jeff
Jones draw aVAMPIRELLA story!"
1"^ Congratulations! You've fifound an artist who can
nally
draw VAMPIRELLA almost
as
as Jose Gonzalez. I'm speaking, of course, of Jose Ortiz. His rendering of our favorite Drakulonne was simply beautiful. Any time Gonzalez wants a vacation. Ortiz' work is all right by me. One gripe, though, about well
in all my lite as reader, read an
have never, a
VAMPI
I issue like tt35. Every story, with the exception of one, was good. Bruce Bazaire's "Relatives" was the worst ever. The cover by Enrich was ex-
VAMPI. Please don't give her a new infatuation every issue. The guy'll just be killed anyway,
cellent!
The VAMPIRELLA Story this was good, even if Jose
TRAGI EMAUS
issue Ortiz
substituted for Jose Gonzalez. The Fleur story was good this time around; a lot better than herfirst appearance, "The Night Ran Red With Gore" ran wild with excite-
ment
and
mystery
right
through to the twist ending. Congratulations Carl Wessler and Auraleon for a great yarn. "Pure As Snow," the color supplement, had an excellent story by Jack Butterworth and even more excellent art by Felix Mas! My favorite story of the issue, however, was "Rendevous" by Fernando Fernandez. would like very much to see his work in color. I
Wayne.
N.J.
Some good and some bad in VAMPIRELLA ÂŤ35. VAMPIs strip,
"The Blood Gulper was "
terrible. Many of us asked for a change, but not a drop in
Who on earth is Jose His art was stale! "Relatives," WOW!
Suality! rtiz?
As
for
Esteban Maroto and
Bruce
Bezaire were fantastic together. Give us more science fiction.
Fleur
IS
the greatest! Ra-
mon Torrents deserves a medal.
Put Jose Gonzalez back on the VAMPI series and get Frank Frazetta on your covers, then you'll have me hooked again.
would like to contribute my bit to the great Jose Gonzalez debate. XEEP HIM! His VAMPIRELLA is the only true VAMPI. And contrary to some readers' claims, his art has
"The latest in a line of erful covers by Enrich,"
I
more Even monsters
improved...
has
profiting by a
from
movement away
literalism.
John Jacobson and Ramon Torrents should take a bow, themselves, for at last bringing us the first good "backup" heroine for VAMPI since Amazonia. A kind of female Jack Flash, with her blond hair and light character. She adds a nice mood contrast to VAMPi's deeper, more com-
plex
Much
stories of
Brennan,
situations
plot
in
which Luana was imprisoned. Nor, thank goodness, is she stunted by having the sort of compulsive motivation imposed upon her that so stiflingly limits Pantha. By the way. do hope we've seen the last of the panthergirl and the tedious tale of her affliction. God, what monotony! Girl is accosted, becomes cat. kills man, loses clothes, hunts for clothes, is accosted, kills man, etc., etc. Believe me, a little of that goes a long way. In contrast, Fleur's sense I
humor and
of
proach to
cavalier apare a wonder-
life
change
ful
of pace.
look forward to seeing lots of her. Give that girl an Enrich cover. She's earned it. I
more
CLIFF
WARREN
Bettsville, I
my
picked up
VAMPIRELLA 1
loved
first
a while
Md.
copy of ago and
It,
The cover was marvelous title story was too.
and the
I
really like Fleur.
have one suggestion. In "Pure As Snow," the colors were unreal. Please have no I
more
of this
type
of
coloring
again!
ERIC
self.
utterly ignored the DuBay. T. Casey
Bill
Goodwin,
Archie
and Steve Englehart, who
not cast
IS
compassionate
ligent,
Loew has
romantic sensibilities. of her attractiveness fact that she in the kind of re-
stems from the strictive
I
covers ever to appear on a Warren magazine. It is certainly a cover to be considered at Warren Awards time. "The Blood Gulper' is the latest chapter in a series that has declined since Flaxman Loew took over as writer. He has spindled, folded and mutilated VAMPi's character beyong recognition. She has emerged as a frilly, empty headed person. She's lost every vestige of her prior intel-
more
is
En-
is not only one of the finest things he's ever done, but is also one of the finest
is far beautiful, sexy, with every issue. Gonzalez' handling of
VAMPI
is,
VAMPIRELLA
#35
improved. The detail out!
pow-
feel, an understatement. rich's cover on
RAUSCHKOLE Glendale, Ariz.
have followed, more or less, a set pattern of events, each in some way related to the last. All this might be acceptable to new readers of VAMPIRELLA. But to older ones who have followed her from the beginning, it seems a travessuggest that Goodwin return to take over the series. ty.
I
And
it
editor
that's not possible, sit DuBay at a typewriter,
have him breathe back into our girl.
and
life
THOMAS SZEBERENY Quebec, Canada
my
to the company that continues to produce the best black and
This
is
first letter
white magazines on the market, Warren Publishing Company's excellence continues to surpass all other company's feeble attempts to reach the top of the graphic-horror field.
Warren has always produced the finest products, and will undoubtedly continue to do so.
The sensational VAMPIRELLA magazine made its tempestuous debut in September 1969, costing a mere fifty cents. In five years, the whole format has changed .for the better. The price has doubled, but so has the quality! The writing is 100% better than before, and the artwork is at Its peak. The mam reason buy your .
.
I
So Frank Frazetta is back! But only for one cover? Surewe can get more. Or maybe an inside story? ly
Somesuggestions: haveJeff Jones or BerniWrightson draw a
VAMPI
story. Bring
back Lu-
magazines (VAMPI
Enrich.
CREEPY and
faction.
NEW
JOEL BAILEY Brooklyn. N.Y.
my
fa-
I
ana. And have you red iters and writers work their tails off so Vampi can once again have as much quality as the
EERIE!
is
IS because of the superb artwork by artists like Fernando Fernandez, Jose Gonzalez, Ramon Torrents and Rich Corben. also enjoy the tine cover paintings by
vorite)
In closing, thank all the staff at Warren for many hours of enjoyment and great satisI
.
Mas onVAMPIRELLA!"
"Put
I've just bought issue ^35 felt should write immediately in defense of Jose OrWhen thumbed through your magazine and found Jogrumse Gonzalez missing, bled all the way back to work.
and
I
tiz.
I
I
down to read, however. saw why and have no objection to the VAMPIRELLA story lirie. Let's face it,
When
I
settled I
Jose Gonzalez
the one and
is
only artist as far as VAMPl is concerned, but the man is only human. He needs a vacation like the rest of us. Jose Ortiz is doing his best, but it is hard to satisfy a VAMPIRELLA fan. Many fans don't realize the work, the pressure and the effort that go into each and every issue. The mmute something hits them wrong, you're deluged with angry letters. It is hard to do
your
then
utmost,
get
cut
In
VAMPIRELLA
"The Blood Gulper" contained an element of genuine suspense. As the story unfolded it was in doubt that VAMPl would be able to clear herself of the killings. It was a superior story, and despite the consoicuous absence of Jose Gonzalez, Jose Ortiz did a more than adequate job on the art. find myself disagreeBut ing with some parts of Brian Caden's letter in that issue. Bringing back the Van Helold Frankenstein theme.
I
sings would not limit VAMPI's adventures. With the recent of her personality, his father could only add to the storyline.
maturing
Adam and
And what's this about VAM"mission" against evil? Caden is confused over her well known vendetta against the Companions of PI's
around to it, just want to thank Jose Ortiz for even try-
think
ing to take the oiace of the great Jose Gonzalez Many ot the newer heroines you've introduced have bomb-
Chaos.
I
S35, Flax-
man Loew produced a better than usual story for the continuing saga ot our heroine. In addition to being an unusual and effective variation on the
I
,
my eyes. Fleur, however,
ed
in
is
interesting and the story-
lines for her could be limitless. hope she'll be here for a long time. liked Pantha at first. But she turned into a bore. It's I
If
he flips through back
issues, he'll find that it was the Chaos Cult that began the feud. They did this by killing Tyler Westron, the doctor
whose surgery once saved VAMPIRELLA's life, and who developed the serum that en-
I
to determine next victim is going to be. (Any guy getting involved with Pantha is sure to be dead by the end of the story! And by her claws.) By now, with ali those identical murders, all in some way connected with Pantha's past, and with Pantha in the area be-
easy
getting
who her
changing
fore
into
panther
form, somebody has got to be suspicious. The F.B.I, or a private detective or someone has to start piecing things together, approach her with questions, get her side-track-
ed from her search for her past, and onto new adventures. 1
As for the rest of the issue, think there were too many protago-
stories with insane
nists. Lovers going mad are okay once in a while. But you had two in the same issue "Pure As Snow" and "Rendezvous." "Pure As Snow" is the .
color section
first
I
really liked.
nice. like
I'd
a
to
Mas
see Felix
VAMPIRELLA
story.
His style is close to Gonzalez' but think it would be interesting to see each of your arti
ists
do an adventure the fans
heroine,
so
compare
styles.
of
trol. In
the future would like to some other aspects of VAMPI's physical powers besides her ability to take bat I
see
form and her bloodlust What ever became of her telepathic and hypnotic talents? And what of her abnormally keen senses of hearing and smell? And her strength and reflexes? If she successtully survived on her home planet in an environment so savage that it would have killed a weaker person, she should have at least some advantages on earth. Some of these aspects might make interesting elements in a future story. All in all. issue tt35 was good in terms of art and stories, I'll be looking forward to the
:istic
style of Jose Gonzalez,
tc
nted VAMPl *3siff:tÂť-si(Âťe Ort
next issue.
.
Your other color sections were too vibrant. But this one was
draw
abled her to keep her physical need for blood under con-
our
could
The full
spirit of E.G.
blown
in-cheek
(I
emerged
the fine tonguehope) "Relatives."
in
Those aliens shouting "Scua-
Tronf was
a nice touch.
And
Esteban Maroto's artistic excellence was much in evidence. "Pure As Snow" was a nice mood piece, but the color lacked quality! How about
more Fleur?
UNCLE CREEPY & COUSIN EERIE GET MORE MAIL THAN VAMPIRELLA! true. VAMPl may be prettier than UncleCreepy or Cousin Eerie, but she doesn't get as much mail! She feels unloved! It's
Why
not write a vampire
today? Send a letter VAMPI'S SCARLET
to:
LETTERS c/o Warren PublishingCo. 145 East 32nd Street New York, N.Y, 10016
^ .
WARREN'S NEWEST ARTIST
GONZALO MAYO THE
MAN BEHIND A SERIES!
European publications Tarzan. But I've of
achieved one of major ambitions
my
by be-
coming part Warren family
of the of art-
ists."
not the only thing Gonzalo has illustrated. began 'At sixteen, to work professionally," he claims. "I worked as a staff arttst for Panamerican TeleviI
but in the Warren magazines.inCREEPY tt50, readers hailed him as the artistic tind of the century. Since that time, however, Gonzalo seemed to
have disappeared from comics completely. Not so. For the past several months, the versatile illustrator has been working on a spebook-length proj-
cial
sion, I've done both serious illustrations and simple cartoons
magazineand newspaper publishers, both in the Americas
for book,
and overseas." Gonzalo cites two reasons tor selecting comics as his artistic homeground. "I like to tell stories," he boasts. "That, coupled with
soon to appear in fond memories of readpages of EERIE ing Batman, Captain magazine. Like our Marvel and Flash GorDax The Warrior annu- don when was a child, seemed to point me in al, in EERIE tf59, Gon-
ect,
the
DIE!
DON'T THEY?
Superman can't die! Batman is immortal! And if Splderman ever bites the dust, we'll eat Stan Lee's toupee. That's the trouble with comics today. Every time you pick up the newest action-packed adventures such-and-such, you know the hero is going to be put through his paces and come out on top! No matter how gloomy his predicament looks on the magazines cover, comic heroes always emerge unscathed and unchanged. They just don't die! It wouldn't be sound business if they did. Once a comic company kills off a popular hero, they kill the newsstand profits generated by that hero as well. It's simple economics. That's the way it's always been. But enter the Warren magazines and suddenly things change. Dax the Warrior is left on a battle field with vultures hovering over his stilled body. Hunter is lain to rest among the mutated vegetation of his future world. And a monstrous Child finds eternal peace only by going to Heaven to be with his daddy. Now, Hunter, Child and Dax are no Superman or Batman. They're Warren heroes. And we like to think of them more as real people than comic book heroes. For a short time, they lived. We shared their emotions, their victories, their defeats. And just as they became our friends, of
we saw
their lives snuffed out. It's tragic. It's sad. And our competitors will tell you it's economically just like real heroes. impractical. But Warren heroes sometimes die like real people. It's something new in comics. And that's what we're togive you something new each issue. Not the same rehashhere for ed stories month after month. But when there's a death, there must be a birth. So, as popular Warren characters are buried, new ones will arise from their graves. For ,
,
,
Just
.
However, comics a re
Gonzalo MaWhen yo made his de-
.
REAL HEROES
.
.
every death, there will be a birth. This issue, we've given birth to three new series. There are also a few deaths.
THE CREATIVE MAN KEN KELLY: DOODLING COVER ARTIST! We at Warren Publishing take pride in presenting the work of some of the finest artists in comics. Unfortunately, our readers see only a limited view of these men's talents; that which fits into the format of our magazines. Like most people, artists have many sides to them. As does their work. This column explores the men behind our magazines of illustrated horror. It probes their projects and dreams, their ideas and ideals. Within this column we'll see art outside the field of horror comics,., other sides to the multi-lalented Warren illustrators.
I
zalo's feature will focus on the exploits of a .The legendary hero Spanish Lord, ElCid. Gonzalo, who was born thirty-two years ago in Peru, onty re,
.
cently moved to New York City to begin work as a Warren staff
only one direction straight at the com,
.
ics!"
Besides being an whose work is
artist
suddenly in great demand. Gonzalo is also afamity man. His wife, Jessica, is one of those rare
women
of
deli-
been il- cate beauty. She is lustrating comics for even more radiant now ten years,*' Gonzalo that she is expecting cites. "I've done every her third baby. Gontype of story, every zalo and his wife have type of comic imagin- two other children, Edable, including the gar and Sandra. artist,
"I've
are many There Ken Kelly, To
sides to wife
his
and children, he
who
stranger
and spends
his
To Ken is
his
is the sleeps days
nights ping up the house with his paints. ists.
slop-
fellow art"that kid over
Warren who's been
at
showing a ... for
of
lot
the past
promise years!"
six
To the Warren editorial staff, he's Moses trucking from the Mount with a cover painting under each arm, just
in
time
to
make
a
deadline. ic
But to thousands book fans. Ken
of Is
comthe
luckiest guy in the world. His art teacher and mentor is the iknown Frank Frazetta. ms Ken. "Besides being the most talented artist this side of Michelangelo, he's been a great friend, a challenging coach, and unbelievably patient with me, owe him a lot!" There's another side to Ken Kelly that few people see. In fact, not even his mentor and teacher. He he doesn't like to show anyone doodles, "I like the human figure," Ken pornts out, "1 could spend days sketching it. In fact, if my family didn't have this bad habit of eating this would be the only type of art I'd do." Here then is a sample of the type of artwork Ken Kelly enjoys most. so we had to steal He would never allow us to show this to anyone him! Surprise, Ken! it from I
.
.
.
,
comingi
legendary exploits
against long forgotten horrors of the past the great Spanish herowill make his forthcoming debut rn a special issue of EERIE, by Gonzalo Mayo. El
Old
IS
In
.
.
,
,
mm
THE REVELATION THAT VAA^lPlRELLA WAS QU££N CLEOPATRA * iN HER EARL'ER INCARNAT/ON, CAN SCARCELV HAVE KMDCKED KEEN STUDENTS OF TNB ORAAX/COM/e SAQA ALL OF A HEAP WITH SURPRISE/ DELECTABLE SHE- VAMPIRE SO CLOSELY RESE/VlBLeS, IN £o MANY DELICIOUS DETAILS, SHE WHOm THE BARO IT SHOULD HAVE SEEN OBVIOUS FROMTHE FIRST...
CXJR
Of^AVON CALLEP "SSiPENT OPOLOMLS" THAT
CONTINUES..
Piiiiiai
* SEE VAmPIRELLA
STORY: FLAXMAN
'
SPANNING 2000yEARS, VA/VIPIRELLA NOr-/ CoMES UPAQAINSTA GRISLY RELIC OF HER PAST. .ON A NlGHT OF >WMW//Ve G^>lt'£^S...WHEN SHE FALLS VICTIM TO...
THE SASA
# 36
VAMPIRE OF THE NILE
LOEW ART: JOSK GONZALEZ /'
RflllNGE
"VAMPIRE OF THE NILE"
SOME
Tl/VIE
LATER.,. AFiea. /MANY
DEVIOUS TURNS... VAMPlRELLA'S
ATTENTION
IS
DISTRACTEP...
My HU6B>aMD WAS COUN7£^
GE^WTLEMAW AND A WOBtEMANj. I,OW THE OTHER HAWP, WAS MO W0THIW6 iVlOffS TWAW
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STORY: GERRY BOUDREAU and CARL WESSLER / ART: ESTEBAN
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BENEATH
HIS STATIOM.
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STORY: GKRRY BOUDREAU and CARL WESSLER / ART:
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CHAPTER 2
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SINBAD AND THE
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ATTENTION COMIC COLLECTORS! 1974 NEW YORK COMIC ART CONVENTION
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