AUB Human - Scan Me by inspiredaub

AUB Human was founded in 2016 as a platform to celebrate social, ethical and sustainable creative practice. Inspired by the UN Sustainable Development Goals, the AUB Human mission is to inspire others to think, live and create responsibly.

SCAN ME First published in the United Kingdom in 2021 by AUB Human

stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher, AUB Human. Editor: Alice Stevens

Designer: Natalie Carr

Augmented Reality: Ben Parker and Soumi Issa Printed by: Newspaper Club, Glasgow, UK

Paper: ExoPress 76 55gsm improved newsprint made by Stora Enso

from renewable virgin fibre that is sourced from responsibly managed

forests and producers that have met strict environmental and socially responsible standards. The paper is certified EU Ecolabel FI/11/002,

ISO 14001, ISO 9001, OHSAS 18001, FSC oC, license code FSC 015932 and PEFC™ CoC, licence code PEFC/02-31-86. aub.ac.uk/aub-human

ver the years, AUB Human has developed

difficulties into employment. We have curated online

those in industry who share the same values as

in critical debate in addressing pressing global

many relationships with organisations and

ourselves. We have collaborated and engaged with

many inspiring people, innovators and pioneers from across the creative sector including those in

design, architecture, fine art, creative writing and

photography. We have also collaborated with those outside of our core disciplines, in health, psychology, engineering and technology.

During this time, we have been delighted to see

a great number of our students achieve highly in

international

competitions

that

recognise

excellence in sustainability and social innovation, such as the RSA Student Awards, D&AD New Blood

and the Creative Conscience Awards.

This newspaper features a selection of the

collaborations, projects and events we have done during this academic year whilst the Coronavirus

You might already have noticed, but ‘SCAN ME’ is an interactive

pandemic has continued to affect us all. Amongst the projects, we have collaborated with the creative team

newspaper with an augmented reality cover. The cover has been created as an experiment between second year student, Soumi

Issa and the new BA (Hons) Graphic Design technical demonstrator, Ben Parker. You can also explore some of the student work in

Experience this cover in augmented reality!

with Dorset Clinical Commissioning Group to tackle

growing waiting lists as well as collaborating with local charity, Superpeople and Disability Rights

more depth by scanning the QR codes.

UK, to help disabled people and those with learning

The AUB Human newspaper is the second print collaboration between Natalie Carr and Alice Stevens.

at Dyson to help make our seas more sustainable,

1. Install the Artivive app

2. Flip the postcard over

exhibitions and enabled our students to engage

issues that our industries currently face. In March

we convened a two-day symposium that explored the impact of digital technology on our planet and our lives. In April we proudly supported Earth Day, a

global event that aims to raise awareness of climate change and the ecological crisis. Convening his first

event for AUB Human, Dr Kevan Manwaring, hosted

Writing the Earth, a two-day symposium exploring creative writing and the environment. In addition, we have shared our insights and learning from AUB

Human with the broader academic community in conference and in December we published the

first AUB Human book, an anthology of selected

projects and a personal project between Natalie Carr and myself during the first Covid-19 lockdown. Finally, and most importantly, we are delighted to

use this opportunity to showcase a selection of

outstanding student work that strives to make a positive difference to people and planet through creative practice. Alice Stevens

AUB Human Founder

3. View the postcard through your smartphone

You will need to download the free Artivive app from the App Store or Google Play, to your smartphone or tablet.

w w w.artivive.com

aub.ac.uk/aub-human

SCAN ME First published in the United Kingdom in 2021 by AUB Human

Designer: Natalie Carr

Augmented Reality: Ben Parker and Soumi Issa Printed by: Newspaper Club, Glasgow, UK

Paper: ExoPress 76 55gsm improved newsprint made by Stora Enso

from renewable virgin fibre that is sourced from responsibly managed

forests and producers that have met strict environmental and socially responsible standards. The paper is certified EU Ecolabel FI/11/002,

ISO 14001, ISO 9001, OHSAS 18001, FSC oC, license code FSC 015932 and PEFC™ CoC, licence code PEFC/02-31-86. aub.ac.uk/aub-human

ver the years, AUB Human has developed

difficulties into employment. We have curated online

those in industry who share the same values as

in critical debate in addressing pressing global

many relationships with organisations and

ourselves. We have collaborated and engaged with

many inspiring people, innovators and pioneers from across the creative sector including those in

design, architecture, fine art, creative writing and

photography. We have also collaborated with those outside of our core disciplines, in health, psychology, engineering and technology.

During this time, we have been delighted to see

a great number of our students achieve highly in

international

competitions

that

recognise

excellence in sustainability and social innovation, such as the RSA Student Awards, D&AD New Blood

and the Creative Conscience Awards.

This newspaper features a selection of the

collaborations, projects and events we have done during this academic year whilst the Coronavirus

You might already have noticed, but ‘SCAN ME’ is an interactive

pandemic has continued to affect us all. Amongst the projects, we have collaborated with the creative team

newspaper with an augmented reality cover. The cover has been created as an experiment between second year student, Soumi

Issa and the new BA (Hons) Graphic Design technical demonstrator, Ben Parker. You can also explore some of the student work in

Experience this cover in augmented reality!

with Dorset Clinical Commissioning Group to tackle

growing waiting lists as well as collaborating with local charity, Superpeople and Disability Rights

more depth by scanning the QR codes.

UK, to help disabled people and those with learning

The AUB Human newspaper is the second print collaboration between Natalie Carr and Alice Stevens.

at Dyson to help make our seas more sustainable,

1. Install the Artivive app

2. Flip the postcard over

exhibitions and enabled our students to engage

issues that our industries currently face. In March

we convened a two-day symposium that explored the impact of digital technology on our planet and our lives. In April we proudly supported Earth Day, a

global event that aims to raise awareness of climate change and the ecological crisis. Convening his first

event for AUB Human, Dr Kevan Manwaring, hosted

Writing the Earth, a two-day symposium exploring creative writing and the environment. In addition, we have shared our insights and learning from AUB

Human with the broader academic community in conference and in December we published the

first AUB Human book, an anthology of selected

projects and a personal project between Natalie Carr and myself during the first Covid-19 lockdown. Finally, and most importantly, we are delighted to

use this opportunity to showcase a selection of

outstanding student work that strives to make a positive difference to people and planet through creative practice. Alice Stevens

AUB Human Founder

3. View the postcard through your smartphone

You will need to download the free Artivive app from the App Store or Google Play, to your smartphone or tablet.

w w w.artivive.com

aub.ac.uk/aub-human

Contents

Industry Collaboration AUB joins with Lush to champion accessibility and sustainability in packaging

Graphic Design students impress Dyson in the SNTech Creative Challenge

Interior Architecture students support the NHS in considering how to tackle growing waiting lists Interior Architecture students help the Macmillan Unit at Christchurch Hospital to create a safe but welcoming environment for people in their final days of life

AUB Graphic Design students create a new brand identity for National Lottery Heritage Funded Our Museum project

The Achieve Project: a collaboration with Superpeople and Disability Rights UK

Annotated Environments & Anthropocentric Ecologies: A collaboration with Activate Performing Arts

AUB Sustainability Awards The AUB Sustainability Awards are in recognition of final year undergraduate student work that takes a particularly interesting or innovative approach to sustainability. 19

Student Projects

AUB Human: Earth Day

Self-initiated projects | Level 6

Students explore the Sustainable Development Goals through animation and motion graphics | Level 5

Thoughtful Practitioners | Level 4

44 45

Symposium: Writing the Earth Dr Kevan Manwaring

Costume for Change | Adele Keeley

Storytelling for Good | Jon Cleave

Design a toolkit that empowers users to improve their wellbeing | Level 4

Design for Direct Action | Rosie Strickland

Recognition of Student Work:

SDG’s Poster workshop | Tom Hubmann

Creative Conscience Awards 46

AUB Human Book An anthology of selected AUB Human projects that were undertaken during the 2019-2020 academic year. 55

Architects for Health Student Design Awards 47

AUB Human: Tech for Social & Sustainable Good Tech for Good | Richard Strachan

FoAM Kernow | Dave Griffiths

Feel: Ethics and Our Digital Future Dave McRobbie Don’t Say Gamification! | Ashley Brown Participatory Design of New Technology Based Systems | Dr Asha Ward

34 34 35

Launching digital products, services, and ventures that do well and do good for people and the planet | Umesh (uMe) Pandya

Lighting Design for Good | Michael Grubb

The Interface, Deconstructed | Joana Moll

AUB Human Careers Day

AUB Human Speaker Series

Exploration: Regenerative design and the circular economy | Michael Pawlyn

Designing for One | Ruby Steel

Empowerment Through Making Emilie Giles

Wayfinding | Tim Fendley

A creative agency making people demand better | Tom Tapper

Humanising digital experiences Isobel Fiske

Creating positive change Anna Richell

The Charity Sector with Movember Ronnie O’Grady & Helena Jennison

Minute Works: What it takes to work in an ethical design agency Dominic Latham & Jimmy Edmondson

Building a career in Culture, Heritage & the Arts | BCP council & Poole Museum

aub.ac.uk/aub-human

Contents

Industry Collaboration AUB joins with Lush to champion accessibility and sustainability in packaging

Graphic Design students impress Dyson in the SNTech Creative Challenge

AUB Graphic Design students create a new brand identity for National Lottery Heritage Funded Our Museum project

The Achieve Project: a collaboration with Superpeople and Disability Rights UK

Annotated Environments & Anthropocentric Ecologies: A collaboration with Activate Performing Arts

AUB Sustainability Awards The AUB Sustainability Awards are in recognition of final year undergraduate student work that takes a particularly interesting or innovative approach to sustainability. 19

Student Projects

AUB Human: Earth Day

Self-initiated projects | Level 6

Students explore the Sustainable Development Goals through animation and motion graphics | Level 5

Thoughtful Practitioners | Level 4

44 45

Symposium: Writing the Earth Dr Kevan Manwaring

Costume for Change | Adele Keeley

Storytelling for Good | Jon Cleave

Design a toolkit that empowers users to improve their wellbeing | Level 4

Design for Direct Action | Rosie Strickland

Recognition of Student Work:

SDG’s Poster workshop | Tom Hubmann

Creative Conscience Awards 46

AUB Human Book An anthology of selected AUB Human projects that were undertaken during the 2019-2020 academic year. 55

Architects for Health Student Design Awards 47

AUB Human: Tech for Social & Sustainable Good Tech for Good | Richard Strachan

FoAM Kernow | Dave Griffiths

Feel: Ethics and Our Digital Future Dave McRobbie Don’t Say Gamification! | Ashley Brown Participatory Design of New Technology Based Systems | Dr Asha Ward

34 34 35

Launching digital products, services, and ventures that do well and do good for people and the planet | Umesh (uMe) Pandya

Lighting Design for Good | Michael Grubb

The Interface, Deconstructed | Joana Moll

AUB Human Careers Day

AUB Human Speaker Series

Exploration: Regenerative design and the circular economy | Michael Pawlyn

Designing for One | Ruby Steel

Empowerment Through Making Emilie Giles

Wayfinding | Tim Fendley

A creative agency making people demand better | Tom Tapper

Humanising digital experiences Isobel Fiske

Creating positive change Anna Richell

The Charity Sector with Movember Ronnie O’Grady & Helena Jennison

Minute Works: What it takes to work in an ethical design agency Dominic Latham & Jimmy Edmondson

Building a career in Culture, Heritage & the Arts | BCP council & Poole Museum

aub.ac.uk/aub-human

Industry Collab.

Industry Collaboration

Industry collaboration is a critical component of the

The AUB Human collaborations all partner with

perspectives, skills and experience.

ideas in how we can make the world a better place.

innovation process and brings together different AUB Human promotes a human-centred, and

entrepreneurial culture that, through collaboration, helps to break down silo’s and also gives students

the opportunity to learn and share ideas from others beyond their specialist disciplines.

industry, organisations or charities, in exploring

Collaboration takes different approaches from

knowledge exchange and live student briefs to staff

consulting and collaborative research projects.

Please have a look at a few of the selected projects from this academic year.

AUB joins with Lush to champion accessibility and sustainability in packaging | LUSH & AUB Innovation

ur students have been collaborating with Lush

to improve accessibility and sustainability in

packaging across their product range.

More than 170 students from across our

“

Undergraduate

and

Postgraduate

courses

have taken part in a unique collaboration with

ethically driven cosmetics retailer Lush, based in Poole, Dorset.

Last year, the university began collaborating

It was an absolute pleasure to work

with the global cosmetics brand’s research and

to tackle some profound issues

project looking into the future of packaging, with a

alongside AUB staff and students

development packaging team on a commercial

focus on areas of accessibility and sustainability.

The students tackled this with great energy and

better product access for users with motor and/

not have asked for a better outcome. It's elevated

surrounding motor and visual

The challenging brief asked students to look into

within our packaging ethics.

or visual impairments and the reuse of packaging

our ways of thinking and opened the doors of AUB

Academic staff and practitioners from AUB

Dan Cox, Knowledge Exchange Manager at AUB,

impairments while remaining Simon Allen, LUSH

waste within the brand’s existing supply chain.

acted as mentors for the collaboration and

enthusiasm and the results were staggering. I could

into the Lush world for future collaborations.’

said: ‘As a sustainable and ethical producer of

included; Ed Ward, Fran Conrad, Dr Kirsten Hardie,

cosmetics, there are clear synergies between AUB

Stevens, as well as researchers from the Museum

exciting opportunity to showcase their creative

Pete Phillips and AUB Human Founder, Alice

and Lush, and for students, this brief has been a really

Accessibility & Sustainability of Design in Plastics and AUB alumnus, Kym Cox.

thinking and problem-solving skills to come up with

experts, with three teams invited to develop

organisation with a continually strong emphasis on

received offers of paid internships with the brand,

alumni who were among 20 graduates that took

Students presented their ideas to a panel of Lush

concepts further. Two AUB graduates have since alongside a summer residency at the university’s upcoming Innovation Studio.

innovative ideas that can be adopted by a real-world sustainability and ethics.’ He added: ‘Two AUB

part have been offered internship positions

at Lush, and we’re pleased to be able to also offer

Simon Allen, Lush R&D Creative Production

them a summer residency at our new Innovation

to work alongside AUB staff and students to

The university has recently been recognised

Senior Support said: ‘It was an absolute pleasure

Studio, which is due to open later this summer.’

tackle some profound issues surrounding motor

in a government report for its commitment to

our packaging ethics.

recently been awarded funding by Dorset LEP

and visual impairments while remaining within

local business growth and regeneration and has

in the development and promotion of its new

Innovation Studio.

The purpose-built structure will invite current

students, recent graduates and members of the local and regional business community to access

specialist equipment, facilities and expertise to

enhance and develop their products and businesses. To read more about AUB’s innovation activities and industry collaboration, visit aub.ac.uk/industry.

aub.ac.uk/aub-human

Industry Collab.

Industry Collaboration

Industry collaboration is a critical component of the

The AUB Human collaborations all partner with

perspectives, skills and experience.

ideas in how we can make the world a better place.

innovation process and brings together different AUB Human promotes a human-centred, and

entrepreneurial culture that, through collaboration, helps to break down silo’s and also gives students

the opportunity to learn and share ideas from others beyond their specialist disciplines.

industry, organisations or charities, in exploring

Collaboration takes different approaches from

knowledge exchange and live student briefs to staff

consulting and collaborative research projects.

Please have a look at a few of the selected projects from this academic year.

AUB joins with Lush to champion accessibility and sustainability in packaging | LUSH & AUB Innovation

ur students have been collaborating with Lush

to improve accessibility and sustainability in

packaging across their product range.

More than 170 students from across our

“

Undergraduate

and

Postgraduate

courses

have taken part in a unique collaboration with

ethically driven cosmetics retailer Lush, based in Poole, Dorset.

Last year, the university began collaborating

It was an absolute pleasure to work

with the global cosmetics brand’s research and

to tackle some profound issues

project looking into the future of packaging, with a

alongside AUB staff and students

development packaging team on a commercial

focus on areas of accessibility and sustainability.

The students tackled this with great energy and

better product access for users with motor and/

not have asked for a better outcome. It's elevated

surrounding motor and visual

The challenging brief asked students to look into

within our packaging ethics.

or visual impairments and the reuse of packaging

our ways of thinking and opened the doors of AUB

Academic staff and practitioners from AUB

Dan Cox, Knowledge Exchange Manager at AUB,

impairments while remaining Simon Allen, LUSH

waste within the brand’s existing supply chain.

acted as mentors for the collaboration and

enthusiasm and the results were staggering. I could

into the Lush world for future collaborations.’

said: ‘As a sustainable and ethical producer of

included; Ed Ward, Fran Conrad, Dr Kirsten Hardie,

cosmetics, there are clear synergies between AUB

Stevens, as well as researchers from the Museum

exciting opportunity to showcase their creative

Pete Phillips and AUB Human Founder, Alice

and Lush, and for students, this brief has been a really

Accessibility & Sustainability of Design in Plastics and AUB alumnus, Kym Cox.

thinking and problem-solving skills to come up with

experts, with three teams invited to develop

organisation with a continually strong emphasis on

received offers of paid internships with the brand,

alumni who were among 20 graduates that took

Students presented their ideas to a panel of Lush

concepts further. Two AUB graduates have since alongside a summer residency at the university’s upcoming Innovation Studio.

innovative ideas that can be adopted by a real-world sustainability and ethics.’ He added: ‘Two AUB

part have been offered internship positions

at Lush, and we’re pleased to be able to also offer

Simon Allen, Lush R&D Creative Production

them a summer residency at our new Innovation

to work alongside AUB staff and students to

The university has recently been recognised

Senior Support said: ‘It was an absolute pleasure

Studio, which is due to open later this summer.’

tackle some profound issues surrounding motor

in a government report for its commitment to

our packaging ethics.

recently been awarded funding by Dorset LEP

and visual impairments while remaining within

local business growth and regeneration and has

in the development and promotion of its new

Innovation Studio.

The purpose-built structure will invite current

students, recent graduates and members of the local and regional business community to access

specialist equipment, facilities and expertise to

enhance and develop their products and businesses. To read more about AUB’s innovation activities and industry collaboration, visit aub.ac.uk/industry.

aub.ac.uk/aub-human

Industry Collaboration

Graphic Design students impress Dyson in the SNTech Creative Challenge Dyson

“

The level of collaboration, despite multiple locations

and the occasional dodgy internet connection, was just incredible. But to then add on top of that a standard of

SNTech visual identity that promotes

work that simply blew us all away, each and every one of

sustainable fishing and drives industry change

you should be incredibly proud of what you achieved.

Thomas Reynhart, Simona Dimitrova & Katie Bridge

Steve Key, Dyson

on some brilliant creative work too, no big deal, to

Student, Oli Beddall added: ‘It has been great to

two-week initiative. Thank you all, and a huge thank

specifically in the context of the ocean, which is a

fully illustrate the ideas you put forward. An inspiring

you to Alice and Marion for helping to put this on. Here’s to 2022 and the ‘live’ version!’

Alice Stevens, AUB Human founder and Senior

Lecturer said: ‘This has been a fascinating project where we have all learned about the issues of bycatch

The BA (Hons) Graphic Design course were delighted to be selected to take part in the

Dyson Creative Challenge, being one of just four universities in the country.

The project, a partnership between the Dyson

Creative

team

and

SafetyNet

Technologies

(SNTech), a previous global winner of the James

Dyson Award, is helping to pioneer and drive

the adoption of a new, more efficient fishing

a faster pace, in order to create a comprehensive

Causer, Nick Satchell.

relevant and compelling outcomes to a challenging

our oceans. We are delighted that Dyson selected

team included: Chris Roberts, Steve Key, Charlotte

what our students can achieve in creating effective,

Steve Key from Dyson said: ‘2021 is our third year

and worthwhile brief. We are grateful to Dyson

ones that have previously supplied us with top-class

experience for our students, opening up other

running this project with key Universities for Dyson,

creative graduates.

Steve continued, ‘I must congratulate the

feedback throughout.’

students working from as far as Switzerland and

year Graphic Design students, and we would

see what they learned from the project.

insights into professional perspectives. This

Bulgaria. We caught up with some of the students to

away, each and every one of you should be incredibly

Dominikus Kronwitter, Level 6 student said:

proud of what you achieved. The diligence and

‘The project taught me to think creatively and

perhaps the most impressive part for me. Research,

brief. I was again reminded that solid research is an

being able to show us this during the project and

I also learned more about companies that have

brought about by Charlotte Causer, a mid-weight

help us to understand why and how you took specific

decisions was fantastic. Then you all casually layered

The future of fishing is bright Dominikus Kronwitter, Cynthia Porta Fernandez & Oli Beddall

are very much in favour of forging strong links

with industry. The Dyson and SNTech project

The brief tasked Level 6 Graphic Design students

SNTech’s flagship product. The project was initially

of seeing our brand.’

Due to being in lockdown with the Covid-19

connection, was just incredible. But to then add on

analysis, development and more research – but then

impressive work, that really captured the purpose of

Marion Morrison, Course leader said: ‘We

top of that a standard of work that simply blew us all

well as raise awareness of the bycatch problem or

Dan Watson, Founder of SNTech saidW: ‘Extremely

employability possibilities and providing insightful

pandemic, the project was run entirely remotely, with

attention to detail that the students showed was

presentation that we are all very proud of.’

SNTech, and has taught us a lot about different ways

project from AUB. The level of collaboration, despite

to respond to a range of challenges, and design an

design decisions with my team, whilst working at

and SNTech for providing an excellent learning

empowers fishermen to work in more ethical and

create an identity and marketing materials for Pisces,

Dyson and SNTech, it has been a shorter project

the course and provided us an opportunity to show

designer at Dyson, and previous graduate from the

multiple locations and the occasional dodgy internet

SNTech identity system for their product range as

Student Cynthia Porta Fernandez said: ‘It has

been very inspiring to work on this project with

BA (Hons) Graphic Design course at AUB. The Dyson

measure and respond to the natural variability

sustainable ways.

project will undoubtedly help build my portfolio.’

than we are used to, so I have learned to make faster

collective effort of every student involved in this

of the world’s oceans. Using the data available

topic that I am particularly passionate about, this

and the severe implications for the sustainability of

technique, called Precision Fishing, which uses

advanced analytics and technology to observe,

work on a project that focuses on sustainability,

provided an excellent creative challenge for final

like to acknowledge the positive commitment design

education

Dyson

and

SNTech

demonstrated by providing timely feedback and

laterally in the context of a commercial industry

experience has opened up opportunities for our

important foundation for explorative creative work.

to explore a complex global problem and also

in-house design teams, and how to make feedback

forward to nurturing dialogue, understanding

opportunities with the client really count.’

students to learn through active collaboration,

consider the roles designers undertake. We look and future collaborations.’

aub.ac.uk/aub-human

Industry Collaboration

Graphic Design students impress Dyson in the SNTech Creative Challenge Dyson

“

The level of collaboration, despite multiple locations

and the occasional dodgy internet connection, was just incredible. But to then add on top of that a standard of

SNTech visual identity that promotes

work that simply blew us all away, each and every one of

sustainable fishing and drives industry change

you should be incredibly proud of what you achieved.

Thomas Reynhart, Simona Dimitrova & Katie Bridge

Steve Key, Dyson

on some brilliant creative work too, no big deal, to

Student, Oli Beddall added: ‘It has been great to

two-week initiative. Thank you all, and a huge thank

specifically in the context of the ocean, which is a

fully illustrate the ideas you put forward. An inspiring

you to Alice and Marion for helping to put this on. Here’s to 2022 and the ‘live’ version!’

Alice Stevens, AUB Human founder and Senior

Lecturer said: ‘This has been a fascinating project where we have all learned about the issues of bycatch

The BA (Hons) Graphic Design course were delighted to be selected to take part in the

Dyson Creative Challenge, being one of just four universities in the country.

The project, a partnership between the Dyson

Creative

team

and

SafetyNet

Technologies

(SNTech), a previous global winner of the James

Dyson Award, is helping to pioneer and drive

the adoption of a new, more efficient fishing

a faster pace, in order to create a comprehensive

Causer, Nick Satchell.

relevant and compelling outcomes to a challenging

our oceans. We are delighted that Dyson selected

team included: Chris Roberts, Steve Key, Charlotte

what our students can achieve in creating effective,

Steve Key from Dyson said: ‘2021 is our third year

and worthwhile brief. We are grateful to Dyson

ones that have previously supplied us with top-class

experience for our students, opening up other

running this project with key Universities for Dyson,

creative graduates.

Steve continued, ‘I must congratulate the

feedback throughout.’

students working from as far as Switzerland and

year Graphic Design students, and we would

see what they learned from the project.

insights into professional perspectives. This

Bulgaria. We caught up with some of the students to

away, each and every one of you should be incredibly

Dominikus Kronwitter, Level 6 student said:

proud of what you achieved. The diligence and

‘The project taught me to think creatively and

perhaps the most impressive part for me. Research,

brief. I was again reminded that solid research is an

being able to show us this during the project and

I also learned more about companies that have

brought about by Charlotte Causer, a mid-weight

help us to understand why and how you took specific

decisions was fantastic. Then you all casually layered

The future of fishing is bright Dominikus Kronwitter, Cynthia Porta Fernandez & Oli Beddall

are very much in favour of forging strong links

with industry. The Dyson and SNTech project

The brief tasked Level 6 Graphic Design students

SNTech’s flagship product. The project was initially

of seeing our brand.’

Due to being in lockdown with the Covid-19

connection, was just incredible. But to then add on

analysis, development and more research – but then

impressive work, that really captured the purpose of

Marion Morrison, Course leader said: ‘We

top of that a standard of work that simply blew us all

well as raise awareness of the bycatch problem or

Dan Watson, Founder of SNTech saidW: ‘Extremely

employability possibilities and providing insightful

pandemic, the project was run entirely remotely, with

attention to detail that the students showed was

presentation that we are all very proud of.’

SNTech, and has taught us a lot about different ways

project from AUB. The level of collaboration, despite

to respond to a range of challenges, and design an

design decisions with my team, whilst working at

and SNTech for providing an excellent learning

empowers fishermen to work in more ethical and

create an identity and marketing materials for Pisces,

Dyson and SNTech, it has been a shorter project

the course and provided us an opportunity to show

designer at Dyson, and previous graduate from the

multiple locations and the occasional dodgy internet

SNTech identity system for their product range as

Student Cynthia Porta Fernandez said: ‘It has

been very inspiring to work on this project with

BA (Hons) Graphic Design course at AUB. The Dyson

measure and respond to the natural variability

sustainable ways.

project will undoubtedly help build my portfolio.’

than we are used to, so I have learned to make faster

collective effort of every student involved in this

of the world’s oceans. Using the data available

topic that I am particularly passionate about, this

and the severe implications for the sustainability of

technique, called Precision Fishing, which uses

advanced analytics and technology to observe,

work on a project that focuses on sustainability,

provided an excellent creative challenge for final

like to acknowledge the positive commitment design

education

Dyson

and

SNTech

demonstrated by providing timely feedback and

laterally in the context of a commercial industry

experience has opened up opportunities for our

important foundation for explorative creative work.

to explore a complex global problem and also

in-house design teams, and how to make feedback

forward to nurturing dialogue, understanding

opportunities with the client really count.’

students to learn through active collaboration,

consider the roles designers undertake. We look and future collaborations.’

aub.ac.uk/aub-human

| 10

Industry Collaboration

Interior Architecture students support the NHS in considering how to tackle growing waiting lists | NHS

Interior Architecture students help the Macmillan Unit Christchurch Hospital to create a safe but welcoming environment for people in their final days of life | Macmillan Unit

Due to Covid-19 many outpatient appointments

Senior Lecturer, Monica Franchin, said, ‘It has been

Due to the COVID-19 pandemic, restrictions on

resulted in many elective activities being stopped.

and an opportunity to participate to a real world setting

over the last year had to be cancelled. This has

a fantastic learning experience for Level 4 students,

With the current waiting list being around 45,000

experiment. The experience has been instrumental in

NHS Foundation Trust (UHD) joined partners and

to the local community for both students and staff.

patients, staff from University Hospitals Dorset

enhancing the sense of engagement and belonging

healthcare colleagues from across Dorset to plan

We were proud to be part of the development of

currently are able to. Project priorities were how

We look forward to continuing with the collaboration

how they can treat more patients than they are

to create a safe environment for clinical staff to provide face-to-face care for these patients, while

also providing privacy and dignity in a Covid-secure

innovative spaces to tackle NHS waiting list issues.

with Ashleigh Boreham, Deputy Director Transformation for Dorset Clinical Commissioning Group (CCG)

and his team’. Monica continued, ‘It is evident that

way. In addition, ensuring any plans provide support

the healthcare sector is ever evolving and it is in

and Design students and staff were delighted to

the IAD course has been involved with the health

for staff wellbeing. BA (Hons) Interior Architecture

be asked to help in setting up the day which took

place at the Bournemouth International Centre (BIC),

which has temporarily been serving as Dorset’s large vaccination centre.

constant need for new ideas, in the last three years sector as we believe that students can benefit from

this, and it can open new employment opportunities.’

All options discussed are now being developed to work out the best plan.

“

It has been a fantastic learning

experience for Level 4 students,

and an opportunity to participate

in a real world setting experiment. The experience has been

instrumental in enhancing the sense of engagement and

belonging to the local community for both students and staff.

Monica Franchin, Senior Lecturer

11 |

hospital furnishings have been implemented to

address the latest health and safety regulations in battling this contagious virus. This has resulted

in many of the homely fixtures and fittings being

removed from hospital units around the country and leaving centres feeling empty and cold.

Louise Pennington, Lead nurse of palliative care

at the Macmillan Unit told us about the initial stage of the project: ‘At the beginning of the pandemic

the environment at the Macmillan Unit needed to

change, this meant it stopped feeling so warm and homely. The very foundations of Palliative Care have

been challenged by the pandemic such as needing to adapt to less visiting and the use of PPE. We wanted

to help the hospice to recover its warm, homely, supportive environment but I knew we needed

some help. I got in touch with Interior Architecture and Design at the Arts University Bournemouth and

they have taken the time to understand what is at the

Erin Harris and Caitlin Fletcher, both Level 5

Erin

the environment in becoming therapeutic again’.

a positive and comfortable environment where

lead nurse, the designs were adjusted to better suit

heart of the care that we deliver and how to support Staff from the BA (Hons) Interior Architecture

and Design course helped to develop the project with the Macmillan team. Senior lecturer, Monica

Franchin told us, ‘The Interior Architecture course is particularly interested in how we can create spaces

for people that could improve people’s health and increase wellbeing, we were delighted to be asked to support Macmillan’.

students, took up this challenging brief to create patients and family members could enjoy their

last memories together. The four main areas that

needed to be re-designed were the entrance, the unit hub, the day lounge and the day centre. There were numerous issues that also needed to be

addressed, for example it was crucial that the space had cleanable surfaces and consideration was given to patient accessibility.

explained

the

collaboration

process,

‘Throughout regular conversations with Louise, the the needs of the palliative care and the day-centre users. Through these discussions we arrived at our

final set of concepts. Erin continued, ‘Our current designs are actually only a temporary solution as the palliative care centre will be moving into a brand new

building within the next three years. Therefore, the visual design style didn’t have to consider longevity,

but furnishings and their possible integration into

the new building were taken into account so as to be more sustainable.’

Caitlin added, ‘As part of the project it was

important to us that the patients’ artwork was

embraced into the designs. Currently artwork

is displayed at the day centre entrance and in a corridor. To enhance this feature and display the patient’s artwork, we created a gallery display unit which was designed to allow multiple artworks to be

rotated and showcased. Alongside this, there will also be an arch display at the entrance of the day centre to welcome visitors.’ Caitlin continued, ‘This

has been an extremely rewarding project and it has

been a privilege to work with Louise and see how our work can make such a positive difference to people.’

The project is still ongoing, and will be made possible through NHS funding and charity donors.

aub.ac.uk/aub-human

| 10

Industry Collaboration

Interior Architecture students support the NHS in considering how to tackle growing waiting lists | NHS

Interior Architecture students help the Macmillan Unit Christchurch Hospital to create a safe but welcoming environment for people in their final days of life | Macmillan Unit

Due to Covid-19 many outpatient appointments

Senior Lecturer, Monica Franchin, said, ‘It has been

Due to the COVID-19 pandemic, restrictions on

resulted in many elective activities being stopped.

and an opportunity to participate to a real world setting

over the last year had to be cancelled. This has

a fantastic learning experience for Level 4 students,

With the current waiting list being around 45,000

experiment. The experience has been instrumental in

NHS Foundation Trust (UHD) joined partners and

to the local community for both students and staff.

patients, staff from University Hospitals Dorset

enhancing the sense of engagement and belonging

healthcare colleagues from across Dorset to plan

We were proud to be part of the development of

currently are able to. Project priorities were how

We look forward to continuing with the collaboration

how they can treat more patients than they are

to create a safe environment for clinical staff to provide face-to-face care for these patients, while

also providing privacy and dignity in a Covid-secure

innovative spaces to tackle NHS waiting list issues.

with Ashleigh Boreham, Deputy Director Transformation for Dorset Clinical Commissioning Group (CCG)

and his team’. Monica continued, ‘It is evident that

way. In addition, ensuring any plans provide support

the healthcare sector is ever evolving and it is in

and Design students and staff were delighted to

the IAD course has been involved with the health

for staff wellbeing. BA (Hons) Interior Architecture

be asked to help in setting up the day which took

place at the Bournemouth International Centre (BIC),

which has temporarily been serving as Dorset’s large vaccination centre.

constant need for new ideas, in the last three years sector as we believe that students can benefit from

this, and it can open new employment opportunities.’

All options discussed are now being developed to work out the best plan.

“

It has been a fantastic learning

experience for Level 4 students,

and an opportunity to participate

in a real world setting experiment. The experience has been

instrumental in enhancing the sense of engagement and

belonging to the local community for both students and staff.

Monica Franchin, Senior Lecturer

11 |

hospital furnishings have been implemented to

address the latest health and safety regulations in battling this contagious virus. This has resulted

in many of the homely fixtures and fittings being

removed from hospital units around the country and leaving centres feeling empty and cold.

Louise Pennington, Lead nurse of palliative care

at the Macmillan Unit told us about the initial stage of the project: ‘At the beginning of the pandemic

the environment at the Macmillan Unit needed to

change, this meant it stopped feeling so warm and homely. The very foundations of Palliative Care have

been challenged by the pandemic such as needing to adapt to less visiting and the use of PPE. We wanted

to help the hospice to recover its warm, homely, supportive environment but I knew we needed

some help. I got in touch with Interior Architecture and Design at the Arts University Bournemouth and

they have taken the time to understand what is at the

Erin Harris and Caitlin Fletcher, both Level 5

Erin

the environment in becoming therapeutic again’.

a positive and comfortable environment where

lead nurse, the designs were adjusted to better suit

heart of the care that we deliver and how to support Staff from the BA (Hons) Interior Architecture

and Design course helped to develop the project with the Macmillan team. Senior lecturer, Monica

Franchin told us, ‘The Interior Architecture course is particularly interested in how we can create spaces

for people that could improve people’s health and increase wellbeing, we were delighted to be asked to support Macmillan’.

students, took up this challenging brief to create patients and family members could enjoy their

last memories together. The four main areas that

needed to be re-designed were the entrance, the unit hub, the day lounge and the day centre. There were numerous issues that also needed to be

addressed, for example it was crucial that the space had cleanable surfaces and consideration was given to patient accessibility.

explained

the

collaboration

process,

‘Throughout regular conversations with Louise, the the needs of the palliative care and the day-centre users. Through these discussions we arrived at our

final set of concepts. Erin continued, ‘Our current designs are actually only a temporary solution as the palliative care centre will be moving into a brand new

building within the next three years. Therefore, the visual design style didn’t have to consider longevity,

but furnishings and their possible integration into

the new building were taken into account so as to be more sustainable.’

Caitlin added, ‘As part of the project it was

important to us that the patients’ artwork was

embraced into the designs. Currently artwork

rotated and showcased. Alongside this, there will also be an arch display at the entrance of the day centre to welcome visitors.’ Caitlin continued, ‘This

has been an extremely rewarding project and it has

been a privilege to work with Louise and see how our work can make such a positive difference to people.’

The project is still ongoing, and will be made possible through NHS funding and charity donors.

aub.ac.uk/aub-human

| 12

Industry Collaboration

13 |

AUB Graphic Design students create a new brand identity for National Lottery Heritage Funded Our Museum project | Poole Museum The shortlisted projects were displayed in the

to translate their ideas on to brand touchpoints.

We asked the students if they could explain how they

a starting point for the logo’s palette – this was

the brief collaboratively with a focus on our brand

Project Lab at Poole Museum whilst all the student

We also loved the idea of using maritime flags as

Instagram: @poolemuseum

such a subtle but effective way to bring in the sea

projects were showcased in the AUB studio and on

On 9 November, just a few days into the second

and maritime history, while connecting with the

to hear the Our Museum Project Team announce

Alison Smith added: ‘Our engagement with AUB

UK Lockdown, the students convened on zoom

a winning project. Michael Spender, Museum and

Arts Director, Rachel Martin, Engagement Officer,

museum’s existing logo’.

staff and students has been hugely productive and

a dynamic space for the community’.

Sophie added: ‘We immediately recognised that

creativity evident in all of this work’.

the lense of ‘does this intrigue me enough to make

of each of the shortlisted projects before awarding

Dr Alex Reynolds told us how the museum planned

three Highly Commended and one Winning project,

to use the work: ‘The Our Museum brand identity will

The winning team of students comprised of: Rosie

marketing, communication and events materials

Dadswell, Abbie Coughlin, Kiran Kerai and Sophie

museum and the history of Poole to design a brand

with an emphasis on remoulding Poole Museum into

we were also the museum’s target audience, so we

the enthusiasm, professionalism, quality and sheer

which received a £250 prize.

proposition. Research enabled us to understand the

really exciting. We have been so impressed with

Alison Smith, Project Manager and Dr Alex Reynolds

attended the event and talked through the merits

approached the brief, Rosie said: ‘We approached

be implemented in January 2021, and used across

for the project going forward. We’re really excited

critically analysed everything we created through me want to visit the museum?’

We asked the students what they learned from

undertaking the project, Abbie told us, ‘I learnt the

importance of teamwork. I usually prefer to work

alone, however, it highlighted to me that as a team

Larkins. Poole Museum said: ‘This design was an

to be adopting this branding and such a fresh new

we can work from each other’s strengths, to create

with Poole Museum’s current branding while feeling

for collaborating so generously on this project’.

learnt the importance of exploring a broad range of

to understand the brief and get under the skin of

staff: Alice Stevens and Mark Osborne with technical

excellent all-rounder! The logo works really well

welcoming and inclusive. The team really managed

identity for the project, and would like to thank AUB The project was supported by AUB academic

an all-round strong outcome’. Kiran added: ‘I have ideas before deciding on a specific direction’.

We asked the students how they felt about their

The project was developed collaboratively between

for various brand touchpoints across digital and

Engagement Officer for Poole Museum and Senior

the visual system could be used and a logo.

the passion and ambition behind the Our Museum

Alice tells us about how the project began: ‘We

project has been mutually beneficial, demonstrating

struggling during the covid pandemic, it became

help with this project, initially they just wanted

sharing of ideas and expertise to create a unique

Abbie added: ‘It still feels very surreal to me that the

that for us to do justice to the project we needed

context and speaks to the community with whom it

extremely exciting step in my design journey.’

proposition if we were to explore how the museum

students to engage in a live brief as well as gaining

Dr Alex Reynolds, Our Museum Collections and Lecturer and AUB Human founder, Alice Stevens.

were delighted that Poole Museum came to us for a logo, but in our first conversation we realised

to start at the beginning and create a clear brand might engage new audiences.’

The National Lottery Heritage Funded Our

Museum project aims to develop a new maritime

physical, a set of brand guidelines to identify how Alice Stevens added: ‘This knowledge exchange

how AUB and Poole Museum can collaborate in the brand identity that is appropriate for the project serves. It has been an amazing opportunity for the

been struck by the incredibly high standard of the

collaboration and participation with diverse local

of the Our Museum project, and the way this

relevant, contemporary cultural space, reflective of

visualisations and designs which really got under

The project, which was set as a challenge to

Dr Alex Reynolds continued: ‘It was a really

work we created will be used by the museum. It’s an

way the groups analysed the core motivations

conceptual understanding framed innovative

the skin of the project’.

Level 5 BA (Hons) Graphic Design students as part

difficult task to arrive at the shortlist, but after

creation of a brand proposition, the design of assets

eleven projects.’

of their unit, involved primary research in the

even more important to us to get this right for them’.

work produced by the students in such a short

timeframe. We were particularly impressed with

the needs and interests of its audiences.

project, especially given how many museums are

Dr Alex Reynolds said: ‘We at the museum have

Museum’s buildings and collections. It aims to

audiences and seeks to create a sustainable,

us: ‘We are delighted that we managed to capture

has shared her time generously to brief the students

is anchored in the history, heritage, space and

bring these assets to life in creative ways through

design being adopted by the museum, Sophie told

exposure for their work. It has been a pleasure

and give feedback on their pitch presentations’.

place of Poole through engagement with Poole

support from Natalie Carr.

working with the museum and Dr Alex Reynolds, who

gallery and museum space at Poole Museum

with Poole’s community at its heart. The project

the Our Museum project, while finding brilliant ways

much discussion we managed to narrow it down to

aub.ac.uk/aub-human

| 12

Industry Collaboration

13 |

AUB Graphic Design students create a new brand identity for National Lottery Heritage Funded Our Museum project | Poole Museum The shortlisted projects were displayed in the

to translate their ideas on to brand touchpoints.

We asked the students if they could explain how they

a starting point for the logo’s palette – this was

the brief collaboratively with a focus on our brand

Project Lab at Poole Museum whilst all the student

We also loved the idea of using maritime flags as

Instagram: @poolemuseum

such a subtle but effective way to bring in the sea

projects were showcased in the AUB studio and on

On 9 November, just a few days into the second

and maritime history, while connecting with the

to hear the Our Museum Project Team announce

Alison Smith added: ‘Our engagement with AUB

UK Lockdown, the students convened on zoom

a winning project. Michael Spender, Museum and

Arts Director, Rachel Martin, Engagement Officer,

museum’s existing logo’.

staff and students has been hugely productive and

a dynamic space for the community’.

Sophie added: ‘We immediately recognised that

creativity evident in all of this work’.

the lense of ‘does this intrigue me enough to make

of each of the shortlisted projects before awarding

Dr Alex Reynolds told us how the museum planned

three Highly Commended and one Winning project,

to use the work: ‘The Our Museum brand identity will

The winning team of students comprised of: Rosie

marketing, communication and events materials

Dadswell, Abbie Coughlin, Kiran Kerai and Sophie

museum and the history of Poole to design a brand

with an emphasis on remoulding Poole Museum into

we were also the museum’s target audience, so we

the enthusiasm, professionalism, quality and sheer

which received a £250 prize.

proposition. Research enabled us to understand the

really exciting. We have been so impressed with

Alison Smith, Project Manager and Dr Alex Reynolds

attended the event and talked through the merits

approached the brief, Rosie said: ‘We approached

be implemented in January 2021, and used across

for the project going forward. We’re really excited

critically analysed everything we created through me want to visit the museum?’

We asked the students what they learned from

undertaking the project, Abbie told us, ‘I learnt the

importance of teamwork. I usually prefer to work

alone, however, it highlighted to me that as a team

Larkins. Poole Museum said: ‘This design was an

to be adopting this branding and such a fresh new

we can work from each other’s strengths, to create

with Poole Museum’s current branding while feeling

for collaborating so generously on this project’.

learnt the importance of exploring a broad range of

to understand the brief and get under the skin of

staff: Alice Stevens and Mark Osborne with technical

excellent all-rounder! The logo works really well

welcoming and inclusive. The team really managed

identity for the project, and would like to thank AUB The project was supported by AUB academic

an all-round strong outcome’. Kiran added: ‘I have ideas before deciding on a specific direction’.

We asked the students how they felt about their

The project was developed collaboratively between

for various brand touchpoints across digital and

Engagement Officer for Poole Museum and Senior

the visual system could be used and a logo.

the passion and ambition behind the Our Museum

Alice tells us about how the project began: ‘We

project has been mutually beneficial, demonstrating

struggling during the covid pandemic, it became

help with this project, initially they just wanted

sharing of ideas and expertise to create a unique

Abbie added: ‘It still feels very surreal to me that the

that for us to do justice to the project we needed

context and speaks to the community with whom it

extremely exciting step in my design journey.’

proposition if we were to explore how the museum

students to engage in a live brief as well as gaining

Dr Alex Reynolds, Our Museum Collections and Lecturer and AUB Human founder, Alice Stevens.

were delighted that Poole Museum came to us for a logo, but in our first conversation we realised

to start at the beginning and create a clear brand might engage new audiences.’

The National Lottery Heritage Funded Our

Museum project aims to develop a new maritime

physical, a set of brand guidelines to identify how Alice Stevens added: ‘This knowledge exchange

how AUB and Poole Museum can collaborate in the brand identity that is appropriate for the project serves. It has been an amazing opportunity for the

been struck by the incredibly high standard of the

collaboration and participation with diverse local

of the Our Museum project, and the way this

relevant, contemporary cultural space, reflective of

visualisations and designs which really got under

The project, which was set as a challenge to

Dr Alex Reynolds continued: ‘It was a really

work we created will be used by the museum. It’s an

way the groups analysed the core motivations

conceptual understanding framed innovative

the skin of the project’.

Level 5 BA (Hons) Graphic Design students as part

difficult task to arrive at the shortlist, but after

creation of a brand proposition, the design of assets

eleven projects.’

of their unit, involved primary research in the

even more important to us to get this right for them’.

work produced by the students in such a short

timeframe. We were particularly impressed with

the needs and interests of its audiences.

project, especially given how many museums are

Dr Alex Reynolds said: ‘We at the museum have

Museum’s buildings and collections. It aims to

audiences and seeks to create a sustainable,

us: ‘We are delighted that we managed to capture

has shared her time generously to brief the students

is anchored in the history, heritage, space and

bring these assets to life in creative ways through

design being adopted by the museum, Sophie told

exposure for their work. It has been a pleasure

and give feedback on their pitch presentations’.

place of Poole through engagement with Poole

support from Natalie Carr.

working with the museum and Dr Alex Reynolds, who

gallery and museum space at Poole Museum

with Poole’s community at its heart. The project

the Our Museum project, while finding brilliant ways

much discussion we managed to narrow it down to

aub.ac.uk/aub-human

| 14

Industry Collaboration

15 |

The Achieve Project | Superpeople & Disability Rights UK Alice Stevens added, ‘We are delighted to have been

On receiving the digital and printed products,

on this pilot project which has clearly had benefits

our learners and how they were growing in

working with Superpeople and Disability Rights UK for everyone involved. From my perspective, it

has been rewarding to explore how education can connect communities whilst simultaneously

supporting students in producing work that can

learning difficulties or mental health conditions, into employment.

The pilot project has been devised by Natalie

Betts and Jake Atkins, Co-founders of the charity, Superpeople and Alice Stevens, AUB Human founder

and Senior Lecturer in BA (Hons) Graphic Design. With

the help of Disability Rights UK, fourteen participants were selected for the project from the South West Regional Assessment Centre (SWRAC), based here

in Dorset. All of the participants were enrolled on an

products for their participant over the period of

three days. The aim of the project being to help the participants build confidence and find ways to introduce themselves to potential employers

in order that they might gain work experience, an apprenticeship or employment. Whilst the intended

benefit for the AUB students is that they had the opportunity to undertake a social change project,

reflect on their own employability and develop skills in empathy, listening and analysis.

The range of assets designed by students

employability course and between age 18 and 25,

was varied and included everything from logos

syndrome, learning and processing difficulties,

business cards and postcards to experimental

each with additional needs relating to Asperger's ADHD, Prada-Willi syndrome and epilepsy.

and traditional introduction methods such as

3D artefacts, comics, games, animated stings

Student Credits: Design for Ellie | Mia Erwig Design for Harry | Carmela Hughes Design for Andrew | Soumi Issa Mixed card | Suzie Munkacsi, Abbie Coughlin, Olivia King, Toby Rivett, Sophie Larkins, Maryam Almuhanna, Chris Fassoli

The Achieve Project pilot has been a success,

stage and in order that the impact of the project is

can use my skills for social benefit in the future’.

that aims to help disabled people and people with

what I want to be able to do in future’.

reminders, will relieve some stress and enable his

this short project and it has made me consider how I

subsequently choose their favourite, which was

about me, and to see that they are trying to help with

with both AUB students and SWRAC participants

personality to shine through. I have really enjoyed

design a personal brand identity and self-promotion

felt on receiving her products, ‘It has made me feel

approaching potential employers and when he gets

an interview, that the postcard with helpful hints and

It is a mutual aid and knowledge exchange project

Robyn, one of the participants from SWRAC who

really, really happy to see that people actually care

have designed will help Harry feel more confident in

concepts.

been brilliant.’

to Harry, my client, a bit nerve racking, but it was also and more confidence. I really hope that the assets I

reality

superb and the ideas they have come up with have

explained she is proud to be autistic told us how she

a great opportunity as it has given me experience

augmented

that the [AUB] students had done for our [SWRAC]

health issue or a disability often find it much harder to gain employment. Personally, I found presenting

and

Another member of SWRAC staff added, ‘I was

students. The quality of the work has been absolutely

realise that people with a learning difficulty, mental

were then tasked with using their creative skills to

produced was amazing.’

who had her design selected by Harry. She told us experience, ‘The Achieve Project has helped me to

BA (Hons) Graphic Design students from Level 5,

students had produced for them - and what was

absolutely blown away with the amount of work

about the project and what she had learned from the

Superpeople, Disability Rights UK and AUB Human.

confidence when they saw what the [AUB]

contribute positively to society.’

We caught up with AUB student, Carmela Hughes,

The Achieve Project is a collaboration between

SWRAC staff told us, ‘it was wonderful to see

giving extremely positive feedback. The next measured, Superpeople will follow the participants as they start in their search for employment.

Students

presented their designs to the participants who then printed and supplied to them along with the digital assets. Natalie Betts reflected, ‘We

were really impressed by the AUB students. They have thought carefully about the participants,

paying attention to the information captured in the interviews and questionnaires. This enabled

them to use their design skills to showcase the character, personality and ambitions of each

participant they worked with. We love that the

students considered the usability of the products, but at the same time, they have not been afraid

to explore eye-catching and innovative design

concepts, which our participants can use to grab the attention of employers and stand out from the crowd.’

aub.ac.uk/aub-human

| 14

Industry Collaboration

15 |

The Achieve Project | Superpeople & Disability Rights UK Alice Stevens added, ‘We are delighted to have been

On receiving the digital and printed products,

on this pilot project which has clearly had benefits

our learners and how they were growing in

working with Superpeople and Disability Rights UK for everyone involved. From my perspective, it

has been rewarding to explore how education can connect communities whilst simultaneously

supporting students in producing work that can

learning difficulties or mental health conditions, into employment.

The pilot project has been devised by Natalie

Betts and Jake Atkins, Co-founders of the charity, Superpeople and Alice Stevens, AUB Human founder

and Senior Lecturer in BA (Hons) Graphic Design. With

the help of Disability Rights UK, fourteen participants were selected for the project from the South West Regional Assessment Centre (SWRAC), based here

in Dorset. All of the participants were enrolled on an

products for their participant over the period of

three days. The aim of the project being to help the participants build confidence and find ways to introduce themselves to potential employers

in order that they might gain work experience, an apprenticeship or employment. Whilst the intended

benefit for the AUB students is that they had the opportunity to undertake a social change project,

reflect on their own employability and develop skills in empathy, listening and analysis.

The range of assets designed by students

employability course and between age 18 and 25,

was varied and included everything from logos

syndrome, learning and processing difficulties,

business cards and postcards to experimental

each with additional needs relating to Asperger's ADHD, Prada-Willi syndrome and epilepsy.

and traditional introduction methods such as

3D artefacts, comics, games, animated stings

The Achieve Project pilot has been a success,

stage and in order that the impact of the project is

can use my skills for social benefit in the future’.

that aims to help disabled people and people with

what I want to be able to do in future’.

reminders, will relieve some stress and enable his

this short project and it has made me consider how I

subsequently choose their favourite, which was

about me, and to see that they are trying to help with

with both AUB students and SWRAC participants

personality to shine through. I have really enjoyed

design a personal brand identity and self-promotion

felt on receiving her products, ‘It has made me feel

approaching potential employers and when he gets

an interview, that the postcard with helpful hints and

It is a mutual aid and knowledge exchange project

Robyn, one of the participants from SWRAC who

really, really happy to see that people actually care

have designed will help Harry feel more confident in

concepts.

been brilliant.’

to Harry, my client, a bit nerve racking, but it was also and more confidence. I really hope that the assets I

reality

superb and the ideas they have come up with have

explained she is proud to be autistic told us how she

a great opportunity as it has given me experience

augmented

that the [AUB] students had done for our [SWRAC]

health issue or a disability often find it much harder to gain employment. Personally, I found presenting

and

Another member of SWRAC staff added, ‘I was

students. The quality of the work has been absolutely

realise that people with a learning difficulty, mental

were then tasked with using their creative skills to

produced was amazing.’

who had her design selected by Harry. She told us experience, ‘The Achieve Project has helped me to

BA (Hons) Graphic Design students from Level 5,

students had produced for them - and what was

absolutely blown away with the amount of work

about the project and what she had learned from the

Superpeople, Disability Rights UK and AUB Human.

confidence when they saw what the [AUB]

contribute positively to society.’

We caught up with AUB student, Carmela Hughes,

The Achieve Project is a collaboration between

SWRAC staff told us, ‘it was wonderful to see

giving extremely positive feedback. The next measured, Superpeople will follow the participants as they start in their search for employment.

Students

presented their designs to the participants who then printed and supplied to them along with the digital assets. Natalie Betts reflected, ‘We

were really impressed by the AUB students. They have thought carefully about the participants,

paying attention to the information captured in the interviews and questionnaires. This enabled

them to use their design skills to showcase the character, personality and ambitions of each

participant they worked with. We love that the

students considered the usability of the products, but at the same time, they have not been afraid

to explore eye-catching and innovative design

concepts, which our participants can use to grab the attention of employers and stand out from the crowd.’

aub.ac.uk/aub-human

| 16

Industry Collaboration

17 |

Annotated Environments & Anthropocentric Ecologies Activate Performing Arts in form and function such as public/private spaces,

The project with the AUB staff and students is an

‘AUB Human presents: Future Forest’, will be

Students had the opportunity to present work

minds and tackle the big questions of future design

Architecture and Design and co-curated with Senior

pavilions, plays spaces, intimate or social settings.

to Activate’s Kate Wood, Executive and Artisitc Director and Dom Kippin, Producer, for feedback. Kate told us more about the festival themes and the relationship with AUB Human: ‘Our festival this

opportunity to work with some of the brightest for universal good.

It is clear AUB shares our

passion for anything being possible and everyone being invited.’

The work will be showcased in a container

year has themes of sustainability, land use and

exhibition at Moors Valley Country Park as part of

the programme.

(guests and press 16 Sept). The exhibition titled,

lifecycles, human and environmental, at the heart of

Inside Out Dorset Festival on 17-19 September 2021

Lecturers Mark Osborne and Alice Stevens from BA (Hons) Graphic Design. Tom Pritchard, Interior

Architecture and Design student will work with Ed in the design of the exhibition and students from Graphic Design, Ciara Seviour, Grace Reeves, Mia

Erwig and Toby Rivett, will be responsible for the identity of the exhibition.

Accessible path to Sumbiocentricity | Maria Elina

BA (Hons) Graphic Design and Interior Architecture

installation and how the artwork aims to create

propose explorative and imaginative structures.

with Activate Performing Arts. They believe that live

a deeper connection to the planet and sense of

embedded aesthetic and functional qualities,

and Design students came together to collaborate performance has the power to fire the imagination, uplift and connect us. Based in Dorset for nearly 30

a sense of the Overview Effect, thus provoking responsibility for the environment.

The Graphic Design students were required

years as a charitable company and an Arts Council

to design an ethical and annotated response to

they’ve brought live performance to unexpected

for specific visitors and users as they visit Luke

England Band 2 National Portfolio Organisation, places – town centres, village squares, beaches and hilltops – for everyone to enjoy.

AUB Human has collaborated with Activate in the

past, and were delighted to get involved in the Inside Out Dorset festival where Activate will present Luke Jerram’s Gaia, a significant artwork measuring seven metres in diameter, and featuring detailed

NASA photography of the Earth’s surface. The Gaia installation will be suspended among trees within

the Tree Top Trail at Moors Valley Country Park in September 2021 and has been funded by Forestry England, Dorset Council and Arts Council England.

The Level 5 students were tasked with reflecting

on the themes of the recent AUB Human symposium,

Tech for Social & Sustainable Good, which covered

the forest context that enhances the experience

Jerram’s ‘Gaia’ installation. As part of the project,

we were delighted to welcome the artist, Luke

Jerram, to speak about his motivation for the Gaia

and cater for user access both physically/on site and/or remote/distanced. The propositions ranged

and was also involved in creating his own personal

digital intervention that will feature as part of the Future Forest exhibition. Student work was broad

ranging and covered ideas from augmented

For more information about the Inside Out Dorset

based on the Wood Wide Web that explore how

org.uk/whats-on/inside-out-dorset/

reality eco-poetry trails, to interactive concepts

trees communicate, to more practical ideas that

Festival please visit: www.activateperformingarts.

address physical wayfinding and concepts that draw upon Greek Mythology and use storytelling and gamification to connect people to nature. Interior

Architecture

and

Design

students

developing an innovative temporary engagement

reach the widest possible audiences. Furthermore,

to be capable of withstanding climatic variabilities

Ashley Brown, who had spoken at the symposium

start of the collaboration. In addition, students were and the work they do in breaking down barriers to

of novel materiality and fabrication approaches,

workshops with the AUB coder-in-residence,

explored themes of ecology, sustainability, and

also excited to hear from Activate about the festival

encapsulating grounded theoretical underpinnings

students also had the opportunity to undertake

areas of sustainability, ethics, accessibility and inclusivity as a catalyst for their discussions and

Varying in scale and scope, the outcomes

design within the Anthropocene, defining and

Clockwise:

experience as a single or network of interventions

Making the invisible visible: Telling the unseen stories of the

Re-Connect to Reflect | Tom Pritchard

across the landscape of Moors Valley County Park. To

ground

the

work,

the

ideas

for

trees | Ciara Seviour, Grace Reeves, Mia Erwig & Toby Rivett

the

interventions took inspiration from the site;

natural systems (exploring scale/mediation) to

Symbiosis at Moors Valley | Maryam Al Muhanna, Abbie Coughlin, Sophie Larkins, Izzy Madavan & Julia Pala Under Pressure | Sandra Hylén

aub.ac.uk/aub-human

| 16

Industry Collaboration

17 |

Annotated Environments & Anthropocentric Ecologies Activate Performing Arts in form and function such as public/private spaces,

The project with the AUB staff and students is an

‘AUB Human presents: Future Forest’, will be

Students had the opportunity to present work

minds and tackle the big questions of future design

Architecture and Design and co-curated with Senior

pavilions, plays spaces, intimate or social settings.

opportunity to work with some of the brightest for universal good.

It is clear AUB shares our

passion for anything being possible and everyone being invited.’

The work will be showcased in a container

year has themes of sustainability, land use and

exhibition at Moors Valley Country Park as part of

the programme.

(guests and press 16 Sept). The exhibition titled,

lifecycles, human and environmental, at the heart of

Inside Out Dorset Festival on 17-19 September 2021

Lecturers Mark Osborne and Alice Stevens from BA (Hons) Graphic Design. Tom Pritchard, Interior

Architecture and Design student will work with Ed in the design of the exhibition and students from Graphic Design, Ciara Seviour, Grace Reeves, Mia

Erwig and Toby Rivett, will be responsible for the identity of the exhibition.

Accessible path to Sumbiocentricity | Maria Elina

BA (Hons) Graphic Design and Interior Architecture

installation and how the artwork aims to create

propose explorative and imaginative structures.

with Activate Performing Arts. They believe that live

a deeper connection to the planet and sense of

embedded aesthetic and functional qualities,

and Design students came together to collaborate performance has the power to fire the imagination, uplift and connect us. Based in Dorset for nearly 30

a sense of the Overview Effect, thus provoking responsibility for the environment.

The Graphic Design students were required

years as a charitable company and an Arts Council

to design an ethical and annotated response to

they’ve brought live performance to unexpected

for specific visitors and users as they visit Luke

England Band 2 National Portfolio Organisation, places – town centres, village squares, beaches and hilltops – for everyone to enjoy.

AUB Human has collaborated with Activate in the

NASA photography of the Earth’s surface. The Gaia installation will be suspended among trees within

the Tree Top Trail at Moors Valley Country Park in September 2021 and has been funded by Forestry England, Dorset Council and Arts Council England.

The Level 5 students were tasked with reflecting

on the themes of the recent AUB Human symposium,

Tech for Social & Sustainable Good, which covered

the forest context that enhances the experience

Jerram’s ‘Gaia’ installation. As part of the project,

we were delighted to welcome the artist, Luke

Jerram, to speak about his motivation for the Gaia

and cater for user access both physically/on site and/or remote/distanced. The propositions ranged

and was also involved in creating his own personal

digital intervention that will feature as part of the Future Forest exhibition. Student work was broad

ranging and covered ideas from augmented

For more information about the Inside Out Dorset

based on the Wood Wide Web that explore how

org.uk/whats-on/inside-out-dorset/

reality eco-poetry trails, to interactive concepts

trees communicate, to more practical ideas that

Festival please visit: www.activateperformingarts.

address physical wayfinding and concepts that draw upon Greek Mythology and use storytelling and gamification to connect people to nature. Interior

Architecture

and

Design

students

developing an innovative temporary engagement

reach the widest possible audiences. Furthermore,

to be capable of withstanding climatic variabilities

Ashley Brown, who had spoken at the symposium

start of the collaboration. In addition, students were and the work they do in breaking down barriers to

of novel materiality and fabrication approaches,

workshops with the AUB coder-in-residence,

explored themes of ecology, sustainability, and

also excited to hear from Activate about the festival

encapsulating grounded theoretical underpinnings

students also had the opportunity to undertake

areas of sustainability, ethics, accessibility and inclusivity as a catalyst for their discussions and

Varying in scale and scope, the outcomes

design within the Anthropocene, defining and

Clockwise:

experience as a single or network of interventions

Making the invisible visible: Telling the unseen stories of the

Re-Connect to Reflect | Tom Pritchard

across the landscape of Moors Valley County Park. To

ground

the

work,

the

ideas

for

trees | Ciara Seviour, Grace Reeves, Mia Erwig & Toby Rivett

the

interventions took inspiration from the site;

natural systems (exploring scale/mediation) to

Symbiosis at Moors Valley | Maryam Al Muhanna, Abbie Coughlin, Sophie Larkins, Izzy Madavan & Julia Pala Under Pressure | Sandra Hylén

aub.ac.uk/aub-human

| 18

AUB Awards

AUB Sustainability Awards

The AUB Sustainability Awards are in recognition of final year undergraduate student work that takes a

particularly interesting or innovative approach to

19 |

AUB Sustainability Awards 2021

Aaron Naish | BA (Hons) Architecture

Emily Hatton | BA (Hons) Textiles

Teddy Boswell | Sophie Mills, Frankie Giggins &

Harry Harding | BA (Hons) Graphic Design

Performance Design

Eleanor Banfield | BA (Hons) Fine Art

Evelyn Smith | BA (Hons) Modelmaking

Melanie Luff | BA (Hons) Costume and Madeleine Philpott | BA (Hons) Acting Alina Green | BA (Hons) Fashion

Alfie Thorhallsdottir | BA (Hons) Textiles

It has been a difficult decision in arriving at an overall

winner, but the panel were unanimous in awarding

Aaron Naish from BA (Hons) Architecture.’

sustainability. The awards were introduced three

James Jackson said, ‘It was another year of

The Temple of Imperfection

of the work to encourage, inspire, innovate, educate

The inclusion and integration of the Sustainable

BA (Hons) Architecture

and professional values.

into many projects was especially pleasing to

Born out of a continual exploration of ‘mystery’

demonstrating how a sustainable building, with

architecture, The ‘Temple of Imperfection’ revisits

years ago and submissions are judged on the ability or change approaches to sustainability, personal

In 2021, the issues and approaches our students

took were varied, unique and inspiring. We saw students explore the potential of waste materials

as well as growing their own mycelium, to ideas that aimed to get us to re-think our eating habits—as well

exciting, innovative and very impressive projects.

Development

Goals

and

systems-thinking

see. Aaron’s project was a deserving winner

full life-cycle consideration, will synergize with a sustainable community.’ Alice

Stevens

explained,

‘Aaron’s

project

Aaron Naish

as a means of exciting human experience with the Ancient Greek typology that focused on

complete human improvement, appreciating both mental and physical health under one roof as an important social and communal institution.

as a live project in support of the National Trust’s

has really demonstrated his commitment and

The Environment Committee are responsible

the Sustainable Development Goals. We were

addresses several of the Sustainable Development

Jon Renyard, Chair of Environment Committee

driving the project from material use, lifecycle,

and

Campus Services Officer and Alice Stevens,

those using the space.’

conservation efforts.

for judging the work, and the panel comprises

and University Secretary, James Jackson, Senior

AUB Human Founder. We were also delighted to

welcome back Phil Beards, previous course leader

understanding of how architecture can embrace

impressed with the consideration of sustainability

building efficiency through to the wellbeing of Phil Beards concluded, ‘I was delighted to

be asked to be part of the judging panel for this

for BA (Hons) Creative Events Management and

year’s Sustainability Awards. It is nice to see this

Jon Renyard said, ‘It is an honour to judge these

recognise innovative approaches to sustainability

former member of the Environment Committee. awards and see the diverse range of approaches

our students are taking in regard to sustainability.

award now established as an annual process to

by graduating students. Yet again the standard of

entries was extremely high and thought provoking.’

As you can see from the diagram, the project

Goals, aiming to be environmentally, economically, socially

sustainable.

Solutions

include

minimising of the projects’ embodied carbon, by

utilising mycelium cladding that absorbs two tonnes of CO2 for each tonne produced and is grown using the waste material from the timber structural frame

as a substrate, and a bio-solar roof that creates a

habitat for native species of flora and fauna, whilst

producing enough electricity to artificially illuminate the project.

Aaron told us, ‘ I am delighted to have my

work recognised in the AUB Sustainability Awards.

I have a deep-rooted personal belief

that striving towards a more sustainable future is a responsibility, not a choice, for designers and architects in the 21st century. He continued,

‘…sustainability should not become a ‘style’ of architecture but instead be incorporated into every style and discipline of architecture.’

aub.ac.uk/aub-human

| 18

AUB Awards

AUB Sustainability Awards

The AUB Sustainability Awards are in recognition of final year undergraduate student work that takes a

particularly interesting or innovative approach to

19 |

AUB Sustainability Awards 2021

Aaron Naish | BA (Hons) Architecture

Emily Hatton | BA (Hons) Textiles

Teddy Boswell | Sophie Mills, Frankie Giggins &

Harry Harding | BA (Hons) Graphic Design

Performance Design

Eleanor Banfield | BA (Hons) Fine Art

Evelyn Smith | BA (Hons) Modelmaking

Melanie Luff | BA (Hons) Costume and Madeleine Philpott | BA (Hons) Acting Alina Green | BA (Hons) Fashion

Alfie Thorhallsdottir | BA (Hons) Textiles

It has been a difficult decision in arriving at an overall

winner, but the panel were unanimous in awarding

Aaron Naish from BA (Hons) Architecture.’

sustainability. The awards were introduced three

James Jackson said, ‘It was another year of

The Temple of Imperfection

of the work to encourage, inspire, innovate, educate

The inclusion and integration of the Sustainable

BA (Hons) Architecture

and professional values.

into many projects was especially pleasing to

Born out of a continual exploration of ‘mystery’

demonstrating how a sustainable building, with

architecture, The ‘Temple of Imperfection’ revisits

years ago and submissions are judged on the ability or change approaches to sustainability, personal

In 2021, the issues and approaches our students

took were varied, unique and inspiring. We saw students explore the potential of waste materials

as well as growing their own mycelium, to ideas that aimed to get us to re-think our eating habits—as well

exciting, innovative and very impressive projects.

Development

Goals

and

systems-thinking

see. Aaron’s project was a deserving winner

full life-cycle consideration, will synergize with a sustainable community.’ Alice

Stevens

explained,

‘Aaron’s

project

Aaron Naish

as a means of exciting human experience with the Ancient Greek typology that focused on

complete human improvement, appreciating both mental and physical health under one roof as an important social and communal institution.

as a live project in support of the National Trust’s

has really demonstrated his commitment and

The Environment Committee are responsible

the Sustainable Development Goals. We were

addresses several of the Sustainable Development

Jon Renyard, Chair of Environment Committee

driving the project from material use, lifecycle,

and

Campus Services Officer and Alice Stevens,

those using the space.’

conservation efforts.

for judging the work, and the panel comprises

and University Secretary, James Jackson, Senior

AUB Human Founder. We were also delighted to

welcome back Phil Beards, previous course leader

understanding of how architecture can embrace

impressed with the consideration of sustainability

building efficiency through to the wellbeing of Phil Beards concluded, ‘I was delighted to

be asked to be part of the judging panel for this

for BA (Hons) Creative Events Management and

year’s Sustainability Awards. It is nice to see this

Jon Renyard said, ‘It is an honour to judge these

recognise innovative approaches to sustainability

former member of the Environment Committee. awards and see the diverse range of approaches

our students are taking in regard to sustainability.

award now established as an annual process to

by graduating students. Yet again the standard of

entries was extremely high and thought provoking.’

As you can see from the diagram, the project

Goals, aiming to be environmentally, economically, socially

sustainable.

Solutions

include

minimising of the projects’ embodied carbon, by

utilising mycelium cladding that absorbs two tonnes of CO2 for each tonne produced and is grown using the waste material from the timber structural frame

as a substrate, and a bio-solar roof that creates a

habitat for native species of flora and fauna, whilst

producing enough electricity to artificially illuminate the project.

Aaron told us, ‘ I am delighted to have my

work recognised in the AUB Sustainability Awards.

I have a deep-rooted personal belief

that striving towards a more sustainable future is a responsibility, not a choice, for designers and architects in the 21st century. He continued,

‘…sustainability should not become a ‘style’ of architecture but instead be incorporated into every style and discipline of architecture.’

aub.ac.uk/aub-human

| 20

AUB Sustainability Awards

Abstract Waste

Make, Mend, Do.

Emily Hatton

Alina Green

Abstract Waste is an experimental hard surface

Alina’s collection encourages wearers to fall in love

waste materials in design, in an effort to combat the

Designs are for eco-conscious women who want

BA (Hons) Textiles

project exploring the aesthetic potentials of reusing global waste problem. The project aims to address SDG Goal 12: Ensure Sustainable Consumption and Production Patterns. It specifically provides a

solution for targets 12.4 and 12.5 by reducing waste through reuse and repurpose, preventing further

21 |

BA (Hons) Fashion

and form endurable relationships with their clothes.

to contribute to change. Built with recycled fabrics

and garments using natural dyes, the collection is versatile for styling as formal workwear or classy evening looks.

damage to the air, water and soil.

Emily tells us about the project, ‘The sample

comprises of a range of experiments using waste and bi-products such as wood shavings, sawdust, eggshell, and grass cuttings, cast into a material

called Jesmonite, which is classed as an eco-resin.

Through the experimentation it became clear that each waste material offered the eco-resin a unique texture and surface pattern as well as occasionally

altering the original colour, proving that waste materials can offer many aesthetic qualities to design.’ She continues, ‘This solution could in turn

also help to reduce the demand for virgin materials, which can be extremely damaging to the planet, through the growing and harvesting processes.’

Buglicious

Dynamic Dunescapes with The National Trust

Harry Harding

Teddy Boswell , Sophie Mills, Frankie Giggins

BA (Hons) Graphic Design Harry’s project, ‘Buglicious’ sets out to change the

& Melanie Luff

BA (Hons) Costume and Performance Design

eating habits of Europeans by offering them an

Dynamic Dunescapes was a collaborative project

people worldwide enjoy eating this sustainable

local community groups and the National Trust for

alternative superfood — edible bugs. Over two billion

food source, although most commonly bugs are consumed in Africa, Asia and South America, having

not really caught on in Europe. Thus, ‘Buglicious’, offers the opportunity to introduce a new sustainable food to 750 million people.

by a group of final year students, local schools,

the Studland Bay site in Dorset. The National Trust approached BA (Hons) Costume and Performance Design to devise an installation promoting the introduction of cows to Studland in order they can graze the dunes over the summer months.

aub.ac.uk/aub-human

| 20

AUB Sustainability Awards

Abstract Waste

Make, Mend, Do.

Emily Hatton

Alina Green

Abstract Waste is an experimental hard surface

Alina’s collection encourages wearers to fall in love

waste materials in design, in an effort to combat the

Designs are for eco-conscious women who want

BA (Hons) Textiles

project exploring the aesthetic potentials of reusing global waste problem. The project aims to address SDG Goal 12: Ensure Sustainable Consumption and Production Patterns. It specifically provides a

solution for targets 12.4 and 12.5 by reducing waste through reuse and repurpose, preventing further

21 |

BA (Hons) Fashion

and form endurable relationships with their clothes.

to contribute to change. Built with recycled fabrics

and garments using natural dyes, the collection is versatile for styling as formal workwear or classy evening looks.

damage to the air, water and soil.

Emily tells us about the project, ‘The sample

comprises of a range of experiments using waste and bi-products such as wood shavings, sawdust, eggshell, and grass cuttings, cast into a material

called Jesmonite, which is classed as an eco-resin.

Through the experimentation it became clear that each waste material offered the eco-resin a unique texture and surface pattern as well as occasionally

altering the original colour, proving that waste materials can offer many aesthetic qualities to design.’ She continues, ‘This solution could in turn

also help to reduce the demand for virgin materials, which can be extremely damaging to the planet, through the growing and harvesting processes.’

Buglicious

Dynamic Dunescapes with The National Trust

Harry Harding

Teddy Boswell , Sophie Mills, Frankie Giggins

BA (Hons) Graphic Design Harry’s project, ‘Buglicious’ sets out to change the

& Melanie Luff

BA (Hons) Costume and Performance Design

eating habits of Europeans by offering them an

Dynamic Dunescapes was a collaborative project

people worldwide enjoy eating this sustainable

local community groups and the National Trust for

alternative superfood — edible bugs. Over two billion

food source, although most commonly bugs are consumed in Africa, Asia and South America, having

not really caught on in Europe. Thus, ‘Buglicious’, offers the opportunity to introduce a new sustainable food to 750 million people.

by a group of final year students, local schools,

aub.ac.uk/aub-human

| 22

Earth Day

23 |

Symposium: Writing the Earth | Dr Kevan Manwaring Senior Lecturer

Earth Day

BA (Hons) Creative Writing

AUB Human: Earth Day

AUB Human was proud to support Earth Day

Earth Day is an annual global event that aims to raise

AUB campus to engage in a range of activities that

crisis. Earth Day calls upon us all to protect the

on 22 April and enable students from across the explored how they could make a positive difference

to the environment through their personal choices and creative practice.

awareness of climate change and the ecological environment, pledge support and take action.

At AUB we are committed to implementing best

environmental practices and in 2020 we achieved the EcoCampus Platinum award. Our Environment

Management System, alongside our Sustainability Plan, ensures we manage the campus efficiently, continually aim to minimize emissions and utility

usage, and ultimately achieve our carbon neutrality

ambitions. We have also made a commitment to never investing in fossil fuels. In addition, all new

staff attend environmental sustainability inductions and we promote biodiversity and Fairtrade.

bout to start in his new role as Senior Lecturer in

BA (Hons) Creative Writing, Dr Kevan Manwaring

wanted to create an event to celebrate Earth Day

and raise awareness of the challenges of the Climate

Crisis with a focus on positive initiatives and creative

responses, specifically within his area of expertise:

The tempting hand of the water that grabs your ankles and persuades you in. the written and spoken word.

The event, convened by Kevan and titled ‘Writing the

Among the guest speaker sessions were Catherine

writing and the environment. The programme of

at York St John and Leeds Beckett Universities, who

Earth’ was a two-day symposium exploring creative

guest practitioners offered a stimulating array of talks

explored ‘possitopias’ through scriptwriting, and

poetry script-writing, storytelling, audio drama and

scenarios and get to grips with how human and

and workshops covering a cross-section of forms — podcasting, and short fiction.

Kevan said, ‘Joining such an exciting, creative

community of staff and students has empowered me

how we can move past writing dystopian warning

more-than-human dramas play out in communities in ecological crisis.

Frome-based ecopoet Helen Moore, lead a

to put together what I hope will be the first of a series

session in wild writing that used her methodology

and ecology.’

themed assignments guiding participants on writing

of events exploring connections between the arts On Earth Day, Thursday 22 April, Kevan introduced

to develop ‘Wild Ways to Writing’, a programme of journeys into deeper Nature connection. During the

the symposium with a book launch and read the

session, Level 4 student Cally Bristow experimented

of stranger climes, an anthology of ‘weird weather’

my own two feet on the mossy ground below. Dirt

introduction to ‘Heavy Weather’: tempestuous tales

tales from the likes of Daphne du Maurier, Doris

Lessing, and Edgar Allen Poe that he had edited

with nature writing: ‘But as always, I land softly with

itself digs into my toenails and cracks of aging skin, investigating their own unknown.’ Whilst student,

for The British Library. He followed this with a live

Robyn Hill, created the sentence to the left in yellow.

(published by the West Coast games start up,

guests, including storyteller and author Anthony

themes within a digital ergodic form.

Worlds: Magic and Enchantment in Oral Storytelling’.

play-through from his interactive novel, ‘Hyperion’ www.taleswriter.com), which explores ecological

Robyn Hill, Student

Heinemeyer, Lecturer in Arts and Ecological Justice

Day two of the symposium welcomed further

Nanson, who discussed ‘The Disclosure of Possible

Anthony illustrated his exploration of the nature of enchantment with the thrilling performance of a folk

tale. Chris Gregory, sound producer and director

of Alternative Stories and Fake Realities shared his deep knowledge of audio drama and podcasting, and

finally, prize-winning short story writer, Anna Orridge, who has contributed to Alternative Stories winter

2020 Cli-Fi season with ‘Backdrop’, spoke about how activism has influenced her short stories.

The ‘Writing the Earth’ symposium enabled many

worthwhile conversations and concluded with the

AUB Earth Bards Showcase (named when Kevan

realised it was taking place on Shakespeare’s birthday). To prime the pumps, Kevan started with a

reading of Laurie Lee’s evocative poem, ‘April Rise’.

The event also saw excellent contributions from BA (Hons) Creative Writing students and AUB’s resident poet Natalie Scott. Course leader, Dr James Cole

also treated us to an extract from his YA novel-inprogress and took us into a submerged future!

aub.ac.uk/aub-human

| 22

Earth Day

23 |

Symposium: Writing the Earth | Dr Kevan Manwaring Senior Lecturer

Earth Day

BA (Hons) Creative Writing

AUB Human: Earth Day

AUB Human was proud to support Earth Day

Earth Day is an annual global event that aims to raise

AUB campus to engage in a range of activities that

crisis. Earth Day calls upon us all to protect the

on 22 April and enable students from across the explored how they could make a positive difference

to the environment through their personal choices and creative practice.

awareness of climate change and the ecological environment, pledge support and take action.

At AUB we are committed to implementing best

environmental practices and in 2020 we achieved the EcoCampus Platinum award. Our Environment

Management System, alongside our Sustainability Plan, ensures we manage the campus efficiently, continually aim to minimize emissions and utility

usage, and ultimately achieve our carbon neutrality

ambitions. We have also made a commitment to never investing in fossil fuels. In addition, all new

staff attend environmental sustainability inductions and we promote biodiversity and Fairtrade.

bout to start in his new role as Senior Lecturer in

BA (Hons) Creative Writing, Dr Kevan Manwaring

wanted to create an event to celebrate Earth Day

and raise awareness of the challenges of the Climate

Crisis with a focus on positive initiatives and creative

responses, specifically within his area of expertise:

The tempting hand of the water that grabs your ankles and persuades you in. the written and spoken word.

The event, convened by Kevan and titled ‘Writing the

Among the guest speaker sessions were Catherine

writing and the environment. The programme of

at York St John and Leeds Beckett Universities, who

Earth’ was a two-day symposium exploring creative

guest practitioners offered a stimulating array of talks

explored ‘possitopias’ through scriptwriting, and

poetry script-writing, storytelling, audio drama and

scenarios and get to grips with how human and

and workshops covering a cross-section of forms — podcasting, and short fiction.

Kevan said, ‘Joining such an exciting, creative

community of staff and students has empowered me

how we can move past writing dystopian warning

more-than-human dramas play out in communities in ecological crisis.

Frome-based ecopoet Helen Moore, lead a

to put together what I hope will be the first of a series

session in wild writing that used her methodology

and ecology.’

themed assignments guiding participants on writing

of events exploring connections between the arts On Earth Day, Thursday 22 April, Kevan introduced

to develop ‘Wild Ways to Writing’, a programme of journeys into deeper Nature connection. During the

the symposium with a book launch and read the

session, Level 4 student Cally Bristow experimented

of stranger climes, an anthology of ‘weird weather’

my own two feet on the mossy ground below. Dirt

introduction to ‘Heavy Weather’: tempestuous tales

tales from the likes of Daphne du Maurier, Doris

Lessing, and Edgar Allen Poe that he had edited

with nature writing: ‘But as always, I land softly with

itself digs into my toenails and cracks of aging skin, investigating their own unknown.’ Whilst student,

for The British Library. He followed this with a live

Robyn Hill, created the sentence to the left in yellow.

(published by the West Coast games start up,

guests, including storyteller and author Anthony

themes within a digital ergodic form.

Worlds: Magic and Enchantment in Oral Storytelling’.

play-through from his interactive novel, ‘Hyperion’ www.taleswriter.com), which explores ecological

Robyn Hill, Student

Heinemeyer, Lecturer in Arts and Ecological Justice

Day two of the symposium welcomed further

Nanson, who discussed ‘The Disclosure of Possible

Anthony illustrated his exploration of the nature of enchantment with the thrilling performance of a folk

tale. Chris Gregory, sound producer and director

of Alternative Stories and Fake Realities shared his deep knowledge of audio drama and podcasting, and

finally, prize-winning short story writer, Anna Orridge, who has contributed to Alternative Stories winter

2020 Cli-Fi season with ‘Backdrop’, spoke about how activism has influenced her short stories.

The ‘Writing the Earth’ symposium enabled many

worthwhile conversations and concluded with the

AUB Earth Bards Showcase (named when Kevan

realised it was taking place on Shakespeare’s birthday). To prime the pumps, Kevan started with a

reading of Laurie Lee’s evocative poem, ‘April Rise’.

The event also saw excellent contributions from BA (Hons) Creative Writing students and AUB’s resident poet Natalie Scott. Course leader, Dr James Cole

also treated us to an extract from his YA novel-inprogress and took us into a submerged future!

aub.ac.uk/aub-human

| 24

Earth Day

Left: Winner I Ella Kearvell

Costume for Change | Adele Keeley

Clockwise below: Finalist I Helena Green, Finalist | Ruby Enticknap,

Instagram: @costumeaub

Finalist | Benedicte Olsson Lønes,

#aubcostumeforchangecomp

Finalist | Camille Bourasseau

In association with AUB Human, students from

and ideas, as well as the messages behind the

The learning opportunities for all ages are endless.

choices and the sustainable approaches they

interest in nature and the environment, be it habitats,

the BA (Hons) Costume, BA (Hons) Performance

designs. They were also asked to summarise fabric

and Performance Design had the opportunity to

would take to realise the costume. These were

pollination, climate or sustainability. Ella told us why

comprised of, Mary Oliver (Dean of Faculty of

been interested in the natural world and eco-friendly

Design and Film Costume and BA (Hons) Costume

be part of an incredibly exciting competition, —

then judged by a second round of judges which

Students were asked to design a costume

Media and Performance), Natalie Carr (AUB Human

‘Costume for Change’.

that addresses issues of climate change and the

This costume has the potential to capture a lifelong

she took part in ‘Costume for Change’: ‘I have always

art. More recently, the devastating effects of the

Representative), James Jackson (AUB Environment

fashion industry has been brought to light, and it’s

gateway that encourages proactive care for the

Theatre, Performer, director and activist) and Tom

across all art forms and in our everyday lives.’

the coming months and sponsored by the Jean

This exhibition showcases the five finalists and

Norwegian student currently in her third year

imagery that went into developing ‘Costume for

by the human impact on the environment, nature

environment, requiring them to create a visual

natural world. Realised by costume students in

Group representative), Lorna Rees (Goobledegook Clarke (National Trust Studland).

Hunnisett Fund, the winning design will be used as a

the creative thinking, problem solving and dynamic

more sustainable practices. The designers were also

Change’. The overall winner of the competition was

symbol of the courses’ intentions to move towards

asked to consider how the costumes would be made

and what impact they’d have on the environment

when realised. They were asked to consider recycled, sustainable or eco fabric and materials.

An amazing selection of designs were entered

more important than ever to encourage sustainability Finalist Benedicte Olsson Lønes is a vegan,

studying costume design. Her costume is inspired

and wildlife. She designed a maximalist costume,

Ella Kearvell. Judge Lorna Rees commented: ‘I can

with each component in the costume symbolising

the character! I think it’s a beautiful, clear idea about

is made from pineapple leather, representing

completely imagine wearing this dress and being

connecting our next generation to nature. It’s very

a different aspect of the climate crisis. The jacket

oil spills, while the flames represent the rising

well realised’.

temperatures on our planet. The red wellies are a

forest fires, deforestation and the impact of the

Costume and Performance Design course, designed

levels rise. The gas mask and body covering suit

Fretwell (alumni and costume illustrator,) Dr Anjana

It was inspired by a child’s ‘Welly-walk’, an exciting

and Anita Bagdi (Climate Illustrator), shortlisted

materials to their wellies and see what is picked up

with a variety of themes, including climate change, fashion

industry.

Instagram

25 |

judges,

Sophie

Khatwa (Engagement Lead, Wessex Museums) five finalists, which all feature in a online exhibition.

Ella Kearvell, a Level 5 student on the BA (Hons)

her costume to be an interactive, educational piece. nature walk in which children can attach sticky

as they walk through meadows and forests. The

Instagram judge Anita Badgi commented: ‘It’s just

cape of the costume represents the forests and the

in their designs.’

wool. The dress takes its shape from a beehive and

incredible what the students express and explain

The five finalists were then tasked with submitting

more detailed information outlining their concepts

mushroom fungi, made from a piece of wet felted

the shape of the honeycomb, which doubles as

pockets for collecting seeds and nature treasures.

symbol of humanity keeping our feet dry while sea

is to keep us safe from viruses, toxins and gases.

The flowers blooming from the costume symbolise

“

the hope we have and nature’s strength to take

I believe that in order to enact change we need to capture the interest of the next generation. Ella Kearvell, student

back what we have destroyed. Benedicte states:

created as a statement piece to raise awareness

sustainable and to do something about climate

planet. She focused her design on water pollution

Victorian/early Edwardian period. The costume

as well as the accumulation of unwanted garment

embedded ramie which will one day biodegrade,

Finalist Ruby Enticknap is in her third year,

The project was conceived and facilitated by

‘I believe we all have a responsibility to be more

about the impact of the textile industry on the

biodegradable fabric and is inspired by naturalist

and environmental painter Edith Holder from late

change. I wanted to shine a light on climate

caused by chemical dyes and fabric treatment,

my art, to understand how much our choices are

ending up in landfills.

more climate-friendly choices do exist in our

studying Costume Design for Theatre and Film.

Senior Lecturer Adele Keeley, who told us, ‘This

choices can contribute to climate change. It

humanising issues of climate change by placing

change, to help and encourage others through

affecting our planet and that sustainable and

has a historical silhouette and is made from seed letting the seeds turn into wild flowers.

day-to-day lives.’

Ruby’s design focusses on how our transport

commented: ‘It instils fear but remains beautiful.

highlights aeroplanes as one of the largest causes

them on the body can help us make sense of the

cycling garments and a helmet represent the earth

this connection, it encourages positive action

choice more in harmony with the natural world.

only designed costumes that deal with practical

Judge and AUB Human rep Natalie Carr

I could imagine this costume appearing on stage

of CO2 and other greenhouse gas emissions, while

This could be any of us with the face concealed. I

and environment, showing cycling as a positive

and understanding instantly what it was about. love the hint at nature taking it back through the

flowers, softening the overall aesthetic.’

Finalist Camille Bourasseau is a Level 6 Costume

Design student from France. Her design was

Finalist Helena Green is a Level 5 Costume and

Performance Design student who is specialising in Design.   Helena’s submission is made from

subject is close to my heart. I believe that by

world around us and connect to nature. Through

to look after the planet. The students have not solutions but have created powerful imagery to help

communicate these important topics’.

aub.ac.uk/aub-human

| 24

Earth Day

Left: Winner I Ella Kearvell

Costume for Change | Adele Keeley

Clockwise below: Finalist I Helena Green, Finalist | Ruby Enticknap,

Instagram: @costumeaub

Finalist | Benedicte Olsson Lønes,

#aubcostumeforchangecomp

Finalist | Camille Bourasseau

In association with AUB Human, students from

and ideas, as well as the messages behind the

The learning opportunities for all ages are endless.

choices and the sustainable approaches they

interest in nature and the environment, be it habitats,

the BA (Hons) Costume, BA (Hons) Performance

designs. They were also asked to summarise fabric

and Performance Design had the opportunity to

would take to realise the costume. These were

pollination, climate or sustainability. Ella told us why

comprised of, Mary Oliver (Dean of Faculty of

been interested in the natural world and eco-friendly

Design and Film Costume and BA (Hons) Costume

be part of an incredibly exciting competition, —

then judged by a second round of judges which

Students were asked to design a costume

Media and Performance), Natalie Carr (AUB Human

‘Costume for Change’.

that addresses issues of climate change and the

This costume has the potential to capture a lifelong

she took part in ‘Costume for Change’: ‘I have always

art. More recently, the devastating effects of the

Representative), James Jackson (AUB Environment

fashion industry has been brought to light, and it’s

gateway that encourages proactive care for the

Theatre, Performer, director and activist) and Tom

across all art forms and in our everyday lives.’

the coming months and sponsored by the Jean

This exhibition showcases the five finalists and

Norwegian student currently in her third year

imagery that went into developing ‘Costume for

by the human impact on the environment, nature

environment, requiring them to create a visual

natural world. Realised by costume students in

Group representative), Lorna Rees (Goobledegook Clarke (National Trust Studland).

Hunnisett Fund, the winning design will be used as a

the creative thinking, problem solving and dynamic

more sustainable practices. The designers were also

Change’. The overall winner of the competition was

symbol of the courses’ intentions to move towards

asked to consider how the costumes would be made

and what impact they’d have on the environment

when realised. They were asked to consider recycled, sustainable or eco fabric and materials.

An amazing selection of designs were entered

more important than ever to encourage sustainability Finalist Benedicte Olsson Lønes is a vegan,

studying costume design. Her costume is inspired

and wildlife. She designed a maximalist costume,

Ella Kearvell. Judge Lorna Rees commented: ‘I can

with each component in the costume symbolising

the character! I think it’s a beautiful, clear idea about

is made from pineapple leather, representing

completely imagine wearing this dress and being

connecting our next generation to nature. It’s very

a different aspect of the climate crisis. The jacket

oil spills, while the flames represent the rising

well realised’.

temperatures on our planet. The red wellies are a

forest fires, deforestation and the impact of the

Costume and Performance Design course, designed

levels rise. The gas mask and body covering suit

Fretwell (alumni and costume illustrator,) Dr Anjana

It was inspired by a child’s ‘Welly-walk’, an exciting

and Anita Bagdi (Climate Illustrator), shortlisted

materials to their wellies and see what is picked up

with a variety of themes, including climate change, fashion

industry.

Instagram

25 |

judges,

Sophie

Khatwa (Engagement Lead, Wessex Museums) five finalists, which all feature in a online exhibition.

Ella Kearvell, a Level 5 student on the BA (Hons)

her costume to be an interactive, educational piece. nature walk in which children can attach sticky

as they walk through meadows and forests. The

Instagram judge Anita Badgi commented: ‘It’s just

cape of the costume represents the forests and the

in their designs.’

wool. The dress takes its shape from a beehive and

incredible what the students express and explain

The five finalists were then tasked with submitting

more detailed information outlining their concepts

mushroom fungi, made from a piece of wet felted

the shape of the honeycomb, which doubles as

pockets for collecting seeds and nature treasures.

symbol of humanity keeping our feet dry while sea

is to keep us safe from viruses, toxins and gases.

The flowers blooming from the costume symbolise

“

the hope we have and nature’s strength to take

I believe that in order to enact change we need to capture the interest of the next generation. Ella Kearvell, student

back what we have destroyed. Benedicte states:

created as a statement piece to raise awareness

sustainable and to do something about climate

planet. She focused her design on water pollution

Victorian/early Edwardian period. The costume

as well as the accumulation of unwanted garment

embedded ramie which will one day biodegrade,

Finalist Ruby Enticknap is in her third year,

The project was conceived and facilitated by

‘I believe we all have a responsibility to be more

about the impact of the textile industry on the

biodegradable fabric and is inspired by naturalist

and environmental painter Edith Holder from late

change. I wanted to shine a light on climate

caused by chemical dyes and fabric treatment,

my art, to understand how much our choices are

ending up in landfills.

more climate-friendly choices do exist in our

studying Costume Design for Theatre and Film.

Senior Lecturer Adele Keeley, who told us, ‘This

choices can contribute to climate change. It

humanising issues of climate change by placing

change, to help and encourage others through

affecting our planet and that sustainable and

has a historical silhouette and is made from seed letting the seeds turn into wild flowers.

day-to-day lives.’

Ruby’s design focusses on how our transport

commented: ‘It instils fear but remains beautiful.

highlights aeroplanes as one of the largest causes

them on the body can help us make sense of the

cycling garments and a helmet represent the earth

this connection, it encourages positive action

choice more in harmony with the natural world.

only designed costumes that deal with practical

Judge and AUB Human rep Natalie Carr

I could imagine this costume appearing on stage

of CO2 and other greenhouse gas emissions, while

This could be any of us with the face concealed. I

and environment, showing cycling as a positive

and understanding instantly what it was about. love the hint at nature taking it back through the

flowers, softening the overall aesthetic.’

Finalist Camille Bourasseau is a Level 6 Costume

Design student from France. Her design was

Finalist Helena Green is a Level 5 Costume and

Performance Design student who is specialising in Design.   Helena’s submission is made from

subject is close to my heart. I believe that by

world around us and connect to nature. Through

to look after the planet. The students have not solutions but have created powerful imagery to help

communicate these important topics’.

aub.ac.uk/aub-human

| 26

Earth Day

Storytelling for Good | Jon Cleave

Ice Crater | Jon Cleave Seals, Looking up to you | Jon Cleave

www.newyonder.earth

Inquisitve Seal | Jon Cleave

Social media: @newyonder

Dark Ice | Jon Cleave

AUB Human was delighted to welcome back

and a deeper connection with the planet as a call to

keynote speaker on Earth Day. Jon is the founder

work about the natural world has been nominated

company and Pending Certified B Corp® that

Against Extinction’ Photographer of the Year 2020,

sustainable and biodiverse than how we found it.

from Forbes to National Geographic’s ‘Your Shot’

BA (Hons) Graphic Design alumni Jon Cleave, as a

and CEO of Newyonder, a media and entertainment is dedicated to leaving our planet wilder, more

action to preserve it for future generations. Jon’s

for numerous global awards such as ‘Explorers

and has been featured online and in press articles

Jon

to name a few. Jon explains, ‘The stories we tell

photographic work that illustrated how he used

which we tell those stories is infinite. Only together

his

talk

‘Storytelling

27 |

for

Good’,

shared some of his stunning documentary and

visual forms of storytelling to help build empathy

are the key to helping save the planet. The way in

can we rewrite our planet’s next chapter.’

“

It is through stories that people

make sense of the world. So, the

greater we understand it, the more likely we are to preserve it. Jon Cleave

Self Portrait | Jon Cleave

aub.ac.uk/aub-human

| 26

Earth Day

Storytelling for Good | Jon Cleave

Ice Crater | Jon Cleave Seals, Looking up to you | Jon Cleave

www.newyonder.earth

Inquisitve Seal | Jon Cleave

Social media: @newyonder

Dark Ice | Jon Cleave

AUB Human was delighted to welcome back

and a deeper connection with the planet as a call to

keynote speaker on Earth Day. Jon is the founder

work about the natural world has been nominated

company and Pending Certified B Corp® that

Against Extinction’ Photographer of the Year 2020,

sustainable and biodiverse than how we found it.

from Forbes to National Geographic’s ‘Your Shot’

BA (Hons) Graphic Design alumni Jon Cleave, as a

and CEO of Newyonder, a media and entertainment is dedicated to leaving our planet wilder, more

action to preserve it for future generations. Jon’s

for numerous global awards such as ‘Explorers

and has been featured online and in press articles

Jon

to name a few. Jon explains, ‘The stories we tell

photographic work that illustrated how he used

which we tell those stories is infinite. Only together

his

talk

‘Storytelling

27 |

for

Good’,

shared some of his stunning documentary and

visual forms of storytelling to help build empathy

are the key to helping save the planet. The way in

can we rewrite our planet’s next chapter.’

“

It is through stories that people

make sense of the world. So, the

greater we understand it, the more likely we are to preserve it. Jon Cleave

Self Portrait | Jon Cleave

aub.ac.uk/aub-human

| 28

Earth Day

Design for Direct Action | Rosie Strickland www.disobedientdesign.co.uk Twitter: @rosiestrickland

AUB Human was delighted to introduce Rosie

change. Her engaging talk explored the organic,

Rosie is a designer and art director for social

provocation that social change can be designed and

Strickland as a speaker in support of Earth Day.

change who through her consultancy, Disobedient Design works with organisations and groups on strategies and interventions for social and

ecological change. Her design practice is informed

by four years designing direct actions and brand

social components of change making, and offered a

manufactured. It is in this light that Rosie presented a compelling call-to-action for designers, architects

and creative practitioners to engage in social change challenges through their work.

Rosie explained that, ‘Designing a direct action is

attacks for Greenpeace UK, and ten years designing

about designing an image. An image that resonates

climate action projects.

the intersection of the human body, public space

for grassroots activism in refugee solidarity and

In her talk, Design for Direct Action, Rosie

positioned design at the leading edge of social

in the imagination of the public, articulated through

infrastructure, architecture, objects and symbols, to communicate a new, subversive or radical idea.’

“

Sometimes direct action interrupts a chain to stop a crime against nature or humanity taking place, and at the

same time makes visible some of the terrible atrocities happening ‘behind the scenes’, the other side of the

glossy advertising and media PR.

A lot of animal rights protests achieve this by revealing the shameful

treatment of animals for industrial meat that goes on behind closed doors, whilst burgers and meat products are sold to us with all their advertising gloss. Rosie Strickland

29 |

Design for Direct Action CHOOSE YOUR POINT OF INTERVENTION KNOW YOUR TARGET NAIL YOUR DEMAND SPEAK TRUTH TO POWER USE THE MEDIA

BREAK THE RULES SHUT SH*T DOWN

Greenpeace | Kristian Buus

©Rosie Strickland

aub.ac.uk/aub-human

| 28

Earth Day

Design for Direct Action | Rosie Strickland www.disobedientdesign.co.uk Twitter: @rosiestrickland

AUB Human was delighted to introduce Rosie

change. Her engaging talk explored the organic,

Rosie is a designer and art director for social

provocation that social change can be designed and

Strickland as a speaker in support of Earth Day.

change who through her consultancy, Disobedient Design works with organisations and groups on strategies and interventions for social and

ecological change. Her design practice is informed

by four years designing direct actions and brand

social components of change making, and offered a

manufactured. It is in this light that Rosie presented a compelling call-to-action for designers, architects

and creative practitioners to engage in social change challenges through their work.

Rosie explained that, ‘Designing a direct action is

attacks for Greenpeace UK, and ten years designing

about designing an image. An image that resonates

climate action projects.

the intersection of the human body, public space

for grassroots activism in refugee solidarity and

In her talk, Design for Direct Action, Rosie

positioned design at the leading edge of social

in the imagination of the public, articulated through

infrastructure, architecture, objects and symbols, to communicate a new, subversive or radical idea.’

“

Sometimes direct action interrupts a chain to stop a crime against nature or humanity taking place, and at the

same time makes visible some of the terrible atrocities happening ‘behind the scenes’, the other side of the

glossy advertising and media PR.

A lot of animal rights protests achieve this by revealing the shameful

treatment of animals for industrial meat that goes on behind closed doors, whilst burgers and meat products are sold to us with all their advertising gloss. Rosie Strickland

29 |

Design for Direct Action CHOOSE YOUR POINT OF INTERVENTION KNOW YOUR TARGET NAIL YOUR DEMAND SPEAK TRUTH TO POWER USE THE MEDIA

BREAK THE RULES SHUT SH*T DOWN

Greenpeace | Kristian Buus

©Rosie Strickland

aub.ac.uk/aub-human

| 30

Earth Day

31 |

SDGs Poster workshop | Tom Hubmann www.tomhubmann.com

Twitter: @tomhubmann

Students sometimes find engaging with the UN Sustainable Development Goals (SDGs) a

During the short workshop, students used the

SDG’s to inspire an illustrated type-based poster

little tricky, to explore this we invited illustrator,

to promote, challenge and raise awareness of an

workshop. Tom has a deep love for conservation

them an insight as to how they could use their skills

visual arts can be used to help bring about positive

Level 4 BA (Hons) Illustration student from Bulgaria

Earth and The Eden Project.

environment is vital to comprehending them, the

designer and visual artist Tom Hubmann to run a

and the natural world and is interested in ways the

change. Amongst Tom’s clients are Friends of the In his talk Designing for Sustainability, Tom

shared his own work and discussed a range of

environmental issue close to their heart, giving

in communicating global issues. Dona Stavreva, said, ‘I think discussing significant issues in a relaxed

AUB Earth Day events and this workshop have offered valuable insights into how to incorporate all

practical ideas to show how the SDGs can drive

that matters to us, into our creative practice.’

talk by sharing his own personal values and making

Seviour, said: ‘The workshop with Tom was a lot of

ideas in relation to the visual arts. He concluded the

a pledge for Earth Day.

Level 5 BA (Hons) Graphic Design student, Ciara

fun, and made me think more about sustainable design in terms of both content and materials.’

“

Tom's workshop was a great way to get us thinking about how we can

really use our creative skills to bring

awareness and start thinking much

more sustainably in a way that's not

all doom and gloom!

Grace Reeves, student

Clockwise: Wait and Hope I Tom Hubmann Amazon Lungs I Tom Hubmann Recyclable I Tom Hubmann Disappearing Forest I Tom Hubmann Keep our Sea Plastic Free | Ciara Seviour I’m alright for a bag thanks | Grace Reeves

aub.ac.uk/aub-human

| 30

Earth Day

31 |

SDGs Poster workshop | Tom Hubmann www.tomhubmann.com

Twitter: @tomhubmann

Students sometimes find engaging with the UN Sustainable Development Goals (SDGs) a

During the short workshop, students used the

SDG’s to inspire an illustrated type-based poster

little tricky, to explore this we invited illustrator,

to promote, challenge and raise awareness of an

workshop. Tom has a deep love for conservation

them an insight as to how they could use their skills

visual arts can be used to help bring about positive

Level 4 BA (Hons) Illustration student from Bulgaria

Earth and The Eden Project.

environment is vital to comprehending them, the

designer and visual artist Tom Hubmann to run a

and the natural world and is interested in ways the

change. Amongst Tom’s clients are Friends of the In his talk Designing for Sustainability, Tom

shared his own work and discussed a range of

environmental issue close to their heart, giving

in communicating global issues. Dona Stavreva, said, ‘I think discussing significant issues in a relaxed

AUB Earth Day events and this workshop have offered valuable insights into how to incorporate all

practical ideas to show how the SDGs can drive

that matters to us, into our creative practice.’

talk by sharing his own personal values and making

Seviour, said: ‘The workshop with Tom was a lot of

ideas in relation to the visual arts. He concluded the

a pledge for Earth Day.

Level 5 BA (Hons) Graphic Design student, Ciara

fun, and made me think more about sustainable design in terms of both content and materials.’

“

Tom's workshop was a great way to get us thinking about how we can

really use our creative skills to bring

awareness and start thinking much

more sustainably in a way that's not

all doom and gloom!

Grace Reeves, student

aub.ac.uk/aub-human

| 32

Tech for Social & Sustainable Good

33 |

Symposium

Tech for Good | Richard Strachan

AUB Human: Tech for Social & Sustainable Good AUB Human was delighted to present ‘Tech for

students with the opportunity to discuss possible

our future, offering new forms of mobility and

ethical dilemmas that tech may intentionally, or

cities and new modes of renewable clean energy.

designers we need to consider the consequences

of what we use, how we use it, and what we design.

social disconnection, an undermining of personal

AUB Human founder, and co-convened with Mark

environment. Technology can clearly be both the

founder of the ‘Not Yet Invented’ computational

cause and the solution to some of the biggest challenges the world currently faces.

symposium. Richard is a regular guest at AUB Human events and also an employer of AUB graduates, he

has a particular passion for building technology for good - specifically digital solutions that are either life-saving, life-changing or problem-solving. Over the years, he has worked with clients such as the

BBC, Gap, Activision and the Red Cross to deliver a range of projects and campaigns.

Richard told us, ‘At 3 Sided Cube we make tech

global organisations and movements to make vital

very change is what gets us out of bed in the morning.’

LUSH Lens | Client: LUSH | 3 SIDED CUBE

inadvertently, introduce, and how as creatives and

Alongside these positives however, technological

privacy and a massive negative impact on the

Managing Director of 3 Sided Cube to kick-off the

change happen. Being able to work on driving that

impact and sustainability. The symposium provided

advances have also contributed to a rise in human

We were delighted to welcome Richard Strachan,

technology as a force for good across areas of social

having on our planet and our lives.

communication, innovations in healthcare, smart

www.3sidedcube.com

for good. Our aim is to build digital platforms with

to hear from a range of speakers who are using digital

Technological change will continue to shape

3 Sided Cube

During the symposium in March, we were delighted

Social & Sustainable Good’, a two-day symposium, exploring the impact that digital technology is

Managing Director

The symposium was convened by Alice Stevens,

Osborne, Senior Lecturer in Graphic Design and

media workshops, along with Michael Cavagin,

FoAM Kernow | Dave Griffiths

with support from Ed Ward and Monica Franchin.

www.fo.am

Senior Lecturer in Interior Architecture & Design,

FoAM Kernow is a non-profit organisation founded

and run by Dave Griffiths and Dr Amber Griffiths, and

one of six collaborative FoAM studios dotted around Europe. Most of FoAM time is spent on projects to better understand the ecosystems we are part

of, enable more sustainable behaviours, design

bespoke appropriate technology (things that can be understood, fixed, repurposed, sometimes off-grid

or even elephant-proof), reduce inequalities, and help people to develop creative and confident relationships with science and technology.

In his session, Dave discussed interdisciplinarity

and shared examples of recent FoAM projects, Farm Crap App and Sonic Kayaks. In addition, we

were delighted that he showcased the Penelope Project, which gave students the opportunity to

undertake an online interactive experiment to program (via a visual block-based online language) Mapole robots | FoAM

remotely livecoded maypole robots.

aub.ac.uk/aub-human

| 32

Tech for Social & Sustainable Good

33 |

Symposium

Tech for Good | Richard Strachan

AUB Human: Tech for Social & Sustainable Good AUB Human was delighted to present ‘Tech for

students with the opportunity to discuss possible

our future, offering new forms of mobility and

ethical dilemmas that tech may intentionally, or

cities and new modes of renewable clean energy.

designers we need to consider the consequences

of what we use, how we use it, and what we design.

social disconnection, an undermining of personal

AUB Human founder, and co-convened with Mark

environment. Technology can clearly be both the

founder of the ‘Not Yet Invented’ computational

cause and the solution to some of the biggest challenges the world currently faces.

symposium. Richard is a regular guest at AUB Human events and also an employer of AUB graduates, he

BBC, Gap, Activision and the Red Cross to deliver a range of projects and campaigns.

Richard told us, ‘At 3 Sided Cube we make tech

global organisations and movements to make vital

very change is what gets us out of bed in the morning.’

LUSH Lens | Client: LUSH | 3 SIDED CUBE

inadvertently, introduce, and how as creatives and

Alongside these positives however, technological

privacy and a massive negative impact on the

Managing Director of 3 Sided Cube to kick-off the

change happen. Being able to work on driving that

impact and sustainability. The symposium provided

advances have also contributed to a rise in human

We were delighted to welcome Richard Strachan,

technology as a force for good across areas of social

having on our planet and our lives.

communication, innovations in healthcare, smart

www.3sidedcube.com

for good. Our aim is to build digital platforms with

to hear from a range of speakers who are using digital

Technological change will continue to shape

3 Sided Cube

During the symposium in March, we were delighted

Social & Sustainable Good’, a two-day symposium, exploring the impact that digital technology is

Managing Director

The symposium was convened by Alice Stevens,

Osborne, Senior Lecturer in Graphic Design and

media workshops, along with Michael Cavagin,

FoAM Kernow | Dave Griffiths

with support from Ed Ward and Monica Franchin.

www.fo.am

Senior Lecturer in Interior Architecture & Design,

FoAM Kernow is a non-profit organisation founded

and run by Dave Griffiths and Dr Amber Griffiths, and

one of six collaborative FoAM studios dotted around Europe. Most of FoAM time is spent on projects to better understand the ecosystems we are part

of, enable more sustainable behaviours, design

bespoke appropriate technology (things that can be understood, fixed, repurposed, sometimes off-grid

or even elephant-proof), reduce inequalities, and help people to develop creative and confident relationships with science and technology.

In his session, Dave discussed interdisciplinarity

and shared examples of recent FoAM projects, Farm Crap App and Sonic Kayaks. In addition, we

were delighted that he showcased the Penelope Project, which gave students the opportunity to

undertake an online interactive experiment to program (via a visual block-based online language) Mapole robots | FoAM

remotely livecoded maypole robots.

aub.ac.uk/aub-human

| 34

Tech for Social & Sustainable Good

Feel: Ethics and Our Digital Future Dave McRobbie

Participatory Design of New Technology Based Systems | Dr Asha Ward

Digital Strategist & Ethicist www.davemcrobbie.co.uk

Senior Research Assistant

he is also a trustee of a mental health charity, a

of two others.

software, and tangible objects. Asha is passionate

ave McRobbie is a digital strategist and ethicist.

UB Human welcomed Dr Asha Ward, whose

Amongst a myriad of entrepreneurial activities,

work focuses on using participatory design

methods to create bespoke technology-based

director of two start-ups and a Non-Exec Director

systems

In his thought-provoking talk, Dave urged us

through

combinations

hardware,

about finding new and interesting ways to interact

to consider what is next in our relationship with

with the computer, and how this can be used to

technology. Illustrating his points through a series

benefit humans. In her talk, she shared methods

of poignant examples, he questioned whether the

Ethics and Our Digital Future

ethical boundaries of tech had already blurred to such an extent that we were unable to see the lines

that had been crossed. Posing the question, ‘what

kind of digital future do we, as humans, individually want and collectively need?’ we were challenged to

consider how we use digital technology and how it uses us.

35 |

Don’t Say Gamification! Ashley Brown Twitter: arctic_sunrise

Instagram: ashleyjamesbrown www.ashleyjamesbrown.com

shley is an internationally respected artist and developer who creates emotive nostalgic

experiences using code, electronics and sound. He is currently the first coder-in-residence at AUB.

During his talk, we were fascinated to see

examples of Ashley’s practice that explores shared

emotive experiences using technology as a medium to create his own digital playgrounds. Involved with mental health organisations and promoting

Don’t Say Gamification!

positive social interactions, all Ashley’s work uses

game psychology and game dynamics to immerse audiences and create a sense of ownership and empathy with the experiences.

from her PhD that she used to facilitate access to

Participatory Design

music-making and prompted us to consider how we might translate our real-world requirements into usable technology systems.

Launching digital products, services, and ventures that do well and do good for people and the planet | Umesh (uMe) Pandya Social Venture Canvas

www.socialventurecanvas.com

mesh is a regular speaker at AUB Human

events having inspired us in how he helps

Social Venture Canvas

organisations discover, develop, and launch digital

products, services, and ventures that do well and do good for people and the planet. Umesh is fellow of

the Royal Society of Arts, Design Associate at the Design Council, Venture Partner at Bethanal Green

Ventures and a trustee for the Creative Conscience charity. In 2015 while working at ustwo, he cofounded Wayfindr, a multi-award-winning, social

tech, not-for-profit that empowers vision impaired people to navigate the world independently.

In his talk, Umesh gave a walkthrough of the

core concepts that make up the Social Venture Canvas. Developed whilst working closely with

social enterprises, innovation studios, impact investors and published under a creative comms licence, the Social Venture Canvas has been used by social entrepreneurs when creating sustainable

businesses that have a positive impact in and on the world.

aub.ac.uk/aub-human

| 34

Tech for Social & Sustainable Good

Feel: Ethics and Our Digital Future Dave McRobbie

Participatory Design of New Technology Based Systems | Dr Asha Ward

Digital Strategist & Ethicist www.davemcrobbie.co.uk

Senior Research Assistant

he is also a trustee of a mental health charity, a

of two others.

software, and tangible objects. Asha is passionate

ave McRobbie is a digital strategist and ethicist.

UB Human welcomed Dr Asha Ward, whose

Amongst a myriad of entrepreneurial activities,

work focuses on using participatory design

methods to create bespoke technology-based

director of two start-ups and a Non-Exec Director

systems

In his thought-provoking talk, Dave urged us

through

combinations

hardware,

about finding new and interesting ways to interact

to consider what is next in our relationship with

with the computer, and how this can be used to

technology. Illustrating his points through a series

benefit humans. In her talk, she shared methods

of poignant examples, he questioned whether the

Ethics and Our Digital Future

ethical boundaries of tech had already blurred to such an extent that we were unable to see the lines

that had been crossed. Posing the question, ‘what

kind of digital future do we, as humans, individually want and collectively need?’ we were challenged to

consider how we use digital technology and how it uses us.

35 |

Don’t Say Gamification! Ashley Brown Twitter: arctic_sunrise

Instagram: ashleyjamesbrown www.ashleyjamesbrown.com

shley is an internationally respected artist and developer who creates emotive nostalgic

experiences using code, electronics and sound. He is currently the first coder-in-residence at AUB.

During his talk, we were fascinated to see

examples of Ashley’s practice that explores shared

emotive experiences using technology as a medium to create his own digital playgrounds. Involved with mental health organisations and promoting

Don’t Say Gamification!

positive social interactions, all Ashley’s work uses

game psychology and game dynamics to immerse audiences and create a sense of ownership and empathy with the experiences.

from her PhD that she used to facilitate access to

Participatory Design

music-making and prompted us to consider how we might translate our real-world requirements into usable technology systems.

Launching digital products, services, and ventures that do well and do good for people and the planet | Umesh (uMe) Pandya Social Venture Canvas

www.socialventurecanvas.com

mesh is a regular speaker at AUB Human

events having inspired us in how he helps

Social Venture Canvas

organisations discover, develop, and launch digital

products, services, and ventures that do well and do good for people and the planet. Umesh is fellow of

the Royal Society of Arts, Design Associate at the Design Council, Venture Partner at Bethanal Green

Ventures and a trustee for the Creative Conscience charity. In 2015 while working at ustwo, he cofounded Wayfindr, a multi-award-winning, social

tech, not-for-profit that empowers vision impaired people to navigate the world independently.

In his talk, Umesh gave a walkthrough of the

core concepts that make up the Social Venture Canvas. Developed whilst working closely with

social enterprises, innovation studios, impact investors and published under a creative comms licence, the Social Venture Canvas has been used by social entrepreneurs when creating sustainable

businesses that have a positive impact in and on the world.

aub.ac.uk/aub-human

| 36

Tech for Social & Sustainable Good

Lighting Design for Good | Michael Grubb

The Interface, Deconstructed | Joana Moll

Michael Grubb Studio

Artist and Researcher

Michael Grubb, alumni and founder of Michael Grubb

This was the first time Joana had spoken at an AUB

and how his award-winning studio combines art and

us remotely from Barcelona. Joana’s work critically

www.michaelgrubbstudio.com

Studio, spoke about lighting design, sustainability technology to create immersive lit environments

that positively affect our well-being. Michael has

recently created the lighting design for the new Plot Q halls of residence here on the AUB campus, where students’ wellbeing was at the very heart of

the lighting design. In 2014, Michael co-founded the charitable Re:LIT initiative that aims to prevent fully

functioning lighting equipment from being sent to

landfill by recycling, refurbishing or reusing lighting

and providing it to community venues. Recent

projects include the Grade II listed Shelley Theatre

www.janavirgin.com

Human event and we were delighted she could join

explores the way techno-capitalist narratives

affect the alphabetization of machines, humans and ecosystems. Her main research topics include

internet materiality, surveillance, online tracking, social profiling, and interfaces. In her talk, Joana discussed the interface as a well-engineered

capitalist machine that disconnects users from the material complexities of global chains of commodity

and data production with the aim of increasing economic profit.

37 |

“

Our so-called networked society has failed so far to transpose the logic

of interconnectedness into our lives. Citizens are becoming increasingly

machine-like and dependent on data, threatening the connection between humans and their natural habitats. Although most of our daily transactions

are carried out through electronic devices, we know very little of the apparatus that facilitates such interactions, or in other words, about the factory that lies beyond the interface. Joana Moll

in Boscombe.

Re:LIT | Chicken Town Re:LIT | Shelley Theatre

‘DEFOOOOOOOOOOOOOOOOOOOOOREST’ is an internet-based piece that shows the number of trees needed to absorb the amount of CO2 generated by global visits to google.com every second. www.janavirgin.com/CO2/DEFOOOOOOOOOOOOOOOOOOOOOREST.html

aub.ac.uk/aub-human

| 36

Tech for Social & Sustainable Good

Lighting Design for Good | Michael Grubb

The Interface, Deconstructed | Joana Moll

Michael Grubb Studio

Artist and Researcher

Michael Grubb, alumni and founder of Michael Grubb

This was the first time Joana had spoken at an AUB

and how his award-winning studio combines art and

us remotely from Barcelona. Joana’s work critically

www.michaelgrubbstudio.com

Studio, spoke about lighting design, sustainability technology to create immersive lit environments

that positively affect our well-being. Michael has

recently created the lighting design for the new Plot Q halls of residence here on the AUB campus, where students’ wellbeing was at the very heart of

the lighting design. In 2014, Michael co-founded the charitable Re:LIT initiative that aims to prevent fully

functioning lighting equipment from being sent to

landfill by recycling, refurbishing or reusing lighting

and providing it to community venues. Recent

projects include the Grade II listed Shelley Theatre

www.janavirgin.com

Human event and we were delighted she could join

explores the way techno-capitalist narratives

affect the alphabetization of machines, humans and ecosystems. Her main research topics include

internet materiality, surveillance, online tracking, social profiling, and interfaces. In her talk, Joana discussed the interface as a well-engineered

capitalist machine that disconnects users from the material complexities of global chains of commodity

and data production with the aim of increasing economic profit.

37 |

“

Our so-called networked society has failed so far to transpose the logic

of interconnectedness into our lives. Citizens are becoming increasingly

machine-like and dependent on data, threatening the connection between humans and their natural habitats. Although most of our daily transactions

are carried out through electronic devices, we know very little of the apparatus that facilitates such interactions, or in other words, about the factory that lies beyond the interface. Joana Moll

in Boscombe.

Re:LIT | Chicken Town Re:LIT | Shelley Theatre

aub.ac.uk/aub-human

| 38

Student Projects

BA (Hons) Graphic Design

Recognition of student work

39 |

Self-initiated projects | Level 6 Nurse Nutrition Rory Tracy

BA (Hons) Graphic Design student

Rory, a Level 6 BA (Hons) Graphic Design student,

created the Nurse Nutrition app, a new nutritional

guide to a healthy and balanced diet, tailored for nurses, by nurses.

We asked Rory where he got the idea for the

project. Rory told us ‘My initial insight for the

concept came from my sister and aunt, both of

whom are nurses. Through discussions with them, it enabled a much clearer idea of the real problems

they faced. All of them emphasised the importance

of recipes that offered speed of preparation, low

The following pages showcase a selection of work

Students have the opportunity to enter a variety

the projects are set within the curriculum at Level

Competitions can provide an opportunity for

own health whilst helping others.’

third year student work, have been undertaken as

networks and gain exposure for their work. On page

whole society hard this year, and a group of caring

from BA (Hons) Graphic Design students. Some of

4 and 5, whilst others, such as the examples of self-directed study during Final Major Project.

external

competitions

during

their

study.

students to showcase their skills, develop their

cost and being high in energy. I hope that potentially

this project could support nurses to maintain their This project focuses on an issue that hit our

46, we have featured a few of the AUB students who

people who have come to all our aid without thought

year — more of the winning work can be seen on

current global pandemic, more and more are finding

won a Creative Conscience Award this academic

the AUB website. Creative Conscience is a platform

for new and innovative ideas that encompass and

for themselves. Nurses have had it tough, with the

themselves overworked and stressed. Maintaining

healthy nutrition in such a fast-paced working

encourage world-changing creativity. Entrants

environment is now harder than ever. The Nurse

Design, Architecture and Illustration took on briefs

a simple but very practical way.

from across disciplines including Fashion, Graphic

exploring a range of themes such as mental health, equality and the climate crisis.

In addition, we have also showcased award-

winning work from BA (Hons) Interior Architecture

and Design students who won the Architects for

Health, Student Design Awards.

Nutrition app aims to support healthcare workers in

“

I hope that potentially this

project could support nurses to maintain their own health whilst helping others.

Rory Tracy, Student

aub.ac.uk/aub-human

| 38

Student Projects

BA (Hons) Graphic Design

Recognition of student work

39 |

Self-initiated projects | Level 6 Nurse Nutrition Rory Tracy

BA (Hons) Graphic Design student

Rory, a Level 6 BA (Hons) Graphic Design student,

created the Nurse Nutrition app, a new nutritional

guide to a healthy and balanced diet, tailored for nurses, by nurses.

We asked Rory where he got the idea for the

project. Rory told us ‘My initial insight for the

concept came from my sister and aunt, both of

whom are nurses. Through discussions with them, it enabled a much clearer idea of the real problems

they faced. All of them emphasised the importance

of recipes that offered speed of preparation, low

The following pages showcase a selection of work

Students have the opportunity to enter a variety

the projects are set within the curriculum at Level

Competitions can provide an opportunity for

own health whilst helping others.’

third year student work, have been undertaken as

networks and gain exposure for their work. On page

whole society hard this year, and a group of caring

from BA (Hons) Graphic Design students. Some of

4 and 5, whilst others, such as the examples of self-directed study during Final Major Project.

external

competitions

during

their

study.

students to showcase their skills, develop their

cost and being high in energy. I hope that potentially

this project could support nurses to maintain their This project focuses on an issue that hit our

46, we have featured a few of the AUB students who

people who have come to all our aid without thought

year — more of the winning work can be seen on

current global pandemic, more and more are finding

won a Creative Conscience Award this academic

the AUB website. Creative Conscience is a platform

for new and innovative ideas that encompass and

for themselves. Nurses have had it tough, with the

themselves overworked and stressed. Maintaining

healthy nutrition in such a fast-paced working

encourage world-changing creativity. Entrants

environment is now harder than ever. The Nurse

Design, Architecture and Illustration took on briefs

a simple but very practical way.

from across disciplines including Fashion, Graphic

exploring a range of themes such as mental health, equality and the climate crisis.

In addition, we have also showcased award-

winning work from BA (Hons) Interior Architecture

and Design students who won the Architects for

Health, Student Design Awards.

Nutrition app aims to support healthcare workers in

“

I hope that potentially this

project could support nurses to maintain their own health whilst helping others.

Rory Tracy, Student

aub.ac.uk/aub-human

| 40

Student Projects

41 |

Self-initiated projects | Level 6 Forecast

Intrusion

Alina Mendoza Lopez

BA (Hons) Graphic Design student

The second project of Alina’s we are showcasing,

Alina is currently undertaking an internship with

a range of environmental problems caused by

who believe in the power of design as a catalyst for

is ‘Intrusion’, a publication using collage to address human activity.

Alongside the images, text extracted from

‘The Unhabitable Earth’ by David Wallace-Wells

and statistics from separate sources inform the reader on the drastic changes that have already

occurred to the environment and predict what is to come if humans don’t prevent the damages

In hopes of showing the urgency of climate change,

the future of our planet will be questioned. The

that aims to highlight the dystopian and uncertain

plastic. In this way, when the sunlight hits the

of man and nature and the irony that even when

As the message appears, disappears, and moves

nature and stops behaving according to its

Alina created ‘Forecast’, an experimental typeface future our planet faces, if we don’t take action.

Alina tells us how the font was created, ‘The

distortion of the font is created by the values in

temperature and humidity collected on a Raspberry Pi and suggests how we are broken as a society

statement would be installed on walls with acrylic text, the message will be projected on the wall. throughout the day, this installation is intended to suggest uncertainty and unpredictability’.

The ‘Forecast’ specimen book was printed on

when we don’t consider protecting nature’.

tracing paper to suggest the idea of being able to

on the future’ seeks to highlight the lack of reliability

each letter is drastically different, the "future" could

She continues, ‘The message ‘Don’t cast doubt

of the most polluting countries to reduce their emissions. If they cannot deliver on their promise,

predict the future ahead, but only up to a point. Since reveal an unexpected twist. This again emphasizes the concept behind ‘Forecast’.

from their ‘intrusion’.

The publication aims to explore the concept

aiming for the best results, humanity forgets own principles. Using the medium of collage offered the possibility to comment on different

environmental issues, such as overpopulation,

ocean acidification, deforestation, and global

warming. However, the publication ends on a positive note, showcasing the new generation

planting the seed for a better future where renewable energy is used.

TEMPLO, a branding and digital agency in London

positive change. Alina is working on projects that

are related to the environment and sustainability. We caught up with her to ask what has inspired her

to create work in the design for good space and she explained: ‘When I started at AUB, I thought that graphic design was mostly about nice typography and cool posters. However, this course opened my

eyes to realise how design goes beyond these visual

styles and can also be very conceptual. I quickly realised how passionate I am about designing with a

“

I quickly realised how passionate I

am about designing with a purpose that considers the social and

environmental context in which we evolve as human beings. Alina Mendoza Lopez, Student

purpose, that considers the social and environmental context in which we evolve as human beings. The

amazing guest speakers during my time on the course encouraged me to always want to tackle complex topics that require a lot of research and ideation. As

a result, I have become a more conscious designer, always curious to raise awareness of the importance

of sustainability in ways that have not been done before. I am excited to see what the future holds for a designer and what I could do to always integrate the valuable lessons I learned during my degree.’

aub.ac.uk/aub-human

| 40

Student Projects

41 |

Self-initiated projects | Level 6 Forecast

Intrusion

Alina Mendoza Lopez

BA (Hons) Graphic Design student

The second project of Alina’s we are showcasing,

Alina is currently undertaking an internship with

a range of environmental problems caused by

who believe in the power of design as a catalyst for

is ‘Intrusion’, a publication using collage to address human activity.

Alongside the images, text extracted from

‘The Unhabitable Earth’ by David Wallace-Wells

and statistics from separate sources inform the reader on the drastic changes that have already

occurred to the environment and predict what is to come if humans don’t prevent the damages

In hopes of showing the urgency of climate change,

the future of our planet will be questioned. The

that aims to highlight the dystopian and uncertain

plastic. In this way, when the sunlight hits the

of man and nature and the irony that even when

As the message appears, disappears, and moves

nature and stops behaving according to its

Alina created ‘Forecast’, an experimental typeface future our planet faces, if we don’t take action.

Alina tells us how the font was created, ‘The

distortion of the font is created by the values in

temperature and humidity collected on a Raspberry Pi and suggests how we are broken as a society

statement would be installed on walls with acrylic text, the message will be projected on the wall. throughout the day, this installation is intended to suggest uncertainty and unpredictability’.

The ‘Forecast’ specimen book was printed on

when we don’t consider protecting nature’.

tracing paper to suggest the idea of being able to

on the future’ seeks to highlight the lack of reliability

each letter is drastically different, the "future" could

She continues, ‘The message ‘Don’t cast doubt

of the most polluting countries to reduce their emissions. If they cannot deliver on their promise,

predict the future ahead, but only up to a point. Since reveal an unexpected twist. This again emphasizes the concept behind ‘Forecast’.

from their ‘intrusion’.

The publication aims to explore the concept

aiming for the best results, humanity forgets own principles. Using the medium of collage offered the possibility to comment on different

environmental issues, such as overpopulation,

ocean acidification, deforestation, and global

warming. However, the publication ends on a positive note, showcasing the new generation

planting the seed for a better future where renewable energy is used.

TEMPLO, a branding and digital agency in London

positive change. Alina is working on projects that

are related to the environment and sustainability. We caught up with her to ask what has inspired her

eyes to realise how design goes beyond these visual

styles and can also be very conceptual. I quickly realised how passionate I am about designing with a

“

I quickly realised how passionate I

am about designing with a purpose that considers the social and

environmental context in which we evolve as human beings. Alina Mendoza Lopez, Student

purpose, that considers the social and environmental context in which we evolve as human beings. The

amazing guest speakers during my time on the course encouraged me to always want to tackle complex topics that require a lot of research and ideation. As

a result, I have become a more conscious designer, always curious to raise awareness of the importance

aub.ac.uk/aub-human

| 42

Student Projects

43 |

Students explore the Sustainable Development Goals through animation and motion graphics | Level 5 BA (Hons) Graphic Design students were tasked

with exploring the UN Sustainable Development

Goals (SDGs) through animation and motion

graphics. Working in pairs, the Level 5 students were challenged with not only learning new software

in Adobe After Effects, but visualising an issue and identifying a ‘call to action’ in response to a specific

SDG. Students selected their own ‘goal’ to research and explored a broad range of areas from climate

Are We There Yet?

Don’t Let that Window Close

The Power of Okay

when AUB Student Services subsequently got in

A rotoscoped animated sequence

A short, animated collage that shows

A short animated sequence that prompts

sequence, ‘When Stress Hits’ on the Student

the refugee crisis.

the climate.

if they are OK. Thus, letting them know

change to gender equality.

Soumi Issa & Joe Cave

Ciara Seviour and Toby Rivett were delighted

touch to say that they would like to feature their

that addresses the daily realities of

Services pages of the AUB website. Ciara said, ‘We

Grace Reeves & Mia Erwig

how our demand for meat affects

felt that it was important to help students keep

Stuart Burch & Chris Fassoli

us to ask others, who may be struggling, that we care and they are not alone.

stress in perspective and identify how they could

get support.’ Toby added, ‘it is really rewarding

to know that our work is being used to support

When Stress Hits

other students at AUB, especially as many people

Ciara Seviour & Toby Rivett

have struggled with their mental health during the Covid-19 pandemic.’

When stress hits, it can be overwhelming.

Please have a look at some of the sequences by

animation which aims to make students

It's okay to need support. A short

scanning the QR codes.

feel more comfortable with the idea of seeking help.

What Does Water Mean to You?

Embracing Natural Hair

A multimedia animation to bring

Short animated sequence, voiced by

the centre of ‘World Water Day’

the cultural identity of hair and supporting

Thorsteinn Gardarsson & Will Killington

awareness to the water crisis at on 22 March 2021.

Chloe Metcalfe & Harriet Yea

Kimyarda, that explores self-worth through the natural hair movement.

Men Explain Things To Me

Love is for the Brave

ACT!

A short, animated film using the text from

A short animated film based on the

An animated sequence in support of

Solnit. The sequence aims to raise

NHS nurse. The sequence aims to raise

awareness of the climate catastrophe.

Livia Hunt & Christie Lam

“Men Explain Things To Me” by Rebecca

awareness about the problems of sexism in our society.

Rosie Dadswell & Abbie Coughlin

experience of Piers Harrison-Reid, an awareness of the wellbeing of NHS

Renata Vaszka & Suzie Munkacsi

Extinction Rebellion, that aims to raise

staff during the Covid-19 pandemic.

aub.ac.uk/aub-human

| 42

Student Projects

43 |

Students explore the Sustainable Development Goals through animation and motion graphics | Level 5 BA (Hons) Graphic Design students were tasked

with exploring the UN Sustainable Development

Goals (SDGs) through animation and motion

graphics. Working in pairs, the Level 5 students were challenged with not only learning new software

in Adobe After Effects, but visualising an issue and identifying a ‘call to action’ in response to a specific

SDG. Students selected their own ‘goal’ to research and explored a broad range of areas from climate

Are We There Yet?

Don’t Let that Window Close

The Power of Okay

when AUB Student Services subsequently got in

A rotoscoped animated sequence

A short, animated collage that shows

A short animated sequence that prompts

sequence, ‘When Stress Hits’ on the Student

the refugee crisis.

the climate.

if they are OK. Thus, letting them know

change to gender equality.

Soumi Issa & Joe Cave

Ciara Seviour and Toby Rivett were delighted

touch to say that they would like to feature their

that addresses the daily realities of

Services pages of the AUB website. Ciara said, ‘We

Grace Reeves & Mia Erwig

how our demand for meat affects

felt that it was important to help students keep

Stuart Burch & Chris Fassoli

us to ask others, who may be struggling, that we care and they are not alone.

stress in perspective and identify how they could

get support.’ Toby added, ‘it is really rewarding

to know that our work is being used to support

When Stress Hits

other students at AUB, especially as many people

Ciara Seviour & Toby Rivett

have struggled with their mental health during the Covid-19 pandemic.’

When stress hits, it can be overwhelming.

Please have a look at some of the sequences by

animation which aims to make students

It's okay to need support. A short

scanning the QR codes.

feel more comfortable with the idea of seeking help.

What Does Water Mean to You?

Embracing Natural Hair

A multimedia animation to bring

Short animated sequence, voiced by

the centre of ‘World Water Day’

the cultural identity of hair and supporting

Thorsteinn Gardarsson & Will Killington

awareness to the water crisis at on 22 March 2021.

Chloe Metcalfe & Harriet Yea

Kimyarda, that explores self-worth through the natural hair movement.

Men Explain Things To Me

Love is for the Brave

ACT!

A short, animated film using the text from

A short animated film based on the

An animated sequence in support of

Solnit. The sequence aims to raise

NHS nurse. The sequence aims to raise

awareness of the climate catastrophe.

Livia Hunt & Christie Lam

“Men Explain Things To Me” by Rebecca

awareness about the problems of sexism in our society.

Rosie Dadswell & Abbie Coughlin

experience of Piers Harrison-Reid, an awareness of the wellbeing of NHS

Renata Vaszka & Suzie Munkacsi

Extinction Rebellion, that aims to raise

staff during the Covid-19 pandemic.

aub.ac.uk/aub-human

| 44

Student Projects

Thoughtful Practitioners Level 4

Design a toolkit that empowers users to improve their wellbeing Level 4

Industry speakers:

This

Design Responsibility - Pali Palavathanan

introduce Level 4 students from BA (Hons) Graphic

year

developed

the

‘Thoughtful

Practitioners’ speaker series which aimed to

In this lecture Co-Founder and Creative

Design,

work from branding and digital agency

made positive change through creative practice

Director Pali Palavathanan presented recent

Communication

and

Fashion

in relation to equality, diversity, inclusivity and

designers’ ability to use creativity for change.

Guest: Isobel Fiske, designer and graduate

Visual

Branding to individuals and organisations that have

TEMPLO, which focuses on the responsible

AUB Human - Alice Stevens

sustainability.

Pali Palavathanan

The series of talks hosted a broad range of

high-profile practitioners along with AUB staff

and alumni. The speakers individually explored

This lecture questioned what we want our

contemporary issues and concerns that underpin

meaning of being ‘values-led’ in designing for

collaboration, discussion and debate. Reflecting

work to say about us, and explored the

creative practice and opened up opportunities for

sustainability and social change.

on the insights gained from the speakers, students

were asked to discuss and evaluate what ‘good’

Girl on Girl / Photography Now - David Ellison

design practice looks like to them through the form

in conversation with Charlotte Jansen

of an illustrated essay.

recent work, writing and podcasts, including

inspired by the talk given by Trevor Robinson OBE.

This conversation explored some of Jansen’s ‘Girl on Girl: Art and Photography in the Age

of the Female Gaze’ (2017) and ‘Photography Now’ (2021).

Level 4 Student, Tolu Dada said: ‘I was really

Isobel Fiske

He argued it was important to show your identity and personality in your work, as being authentic

can lead to better relationships with your clients.

This can also help them know what to expect from

you. He also mentioned that having a distinct voice

As part of the Visual Thinking design project, Level

aim to help marginalised inner-city

crowded market. In relation to my practice, I hope

with creating ‘low-tech’ toolkits that could empower

backgrounds to Trevor – unlock their

young black designers in the UK, as there is a distinct

social issues they live with everyday.

Student, Daniel Bryant added: ‘I found these talks

Create not Hate - Trevor Robinson OBE

This lecture discussed Create Not Hate’s

helps you craft a niche space for yourself in a

young people – who come from similar

in celebrating my identity more, I can reach other

creative potential, whilst also addressing

Can Graphic Design Save Your Life? Lucienne Roberts

This lecture featured work from the exhibition

lack of them in the creative industries.’

were extremely inspiring, from local murals to social Trevor Robinson OBE

‘Can Graphic Design Save Your Life?', curated

justice campaigns, it was great to see how designers

can make a positive difference through their work.

accessible, engaging graphic design with a

component that they can use to inform their future

Guest: Rick Walker, Paintshop Studio

work as they progress throughout the course in

can activate neglected public spaces by

evaluation and reflection.’

social interactions and wellbeing.

developing skills in analysis, synthesis, critical

Marten Sims

design for target audiences that included members

of society with physical and mental disabilities, low-to-middle incomes, as well as various language, race, gender and living conditions.

Senior Lecturer and unit leader, Marten Sims said:

and contextual research into the lived experiences

from this project provide a valuable and on-going

This lecture explored how urban interventions

period. Students were introduced to user-centred

in design, really got me excited for what is ahead

Sims concluded: ‘The insights students have gained

Urban Interventions - Marten Sims

target users to improve their wellbeing over a 100-day

‘In spite of set-backs imposed by the coronavirus

as I advance in my career.’ Senior Lecturer, Marten

socially aware agenda.

4 BA (Hons) Graphic Design students were tasked

He continued, ‘Seeing where all these very different, diverse speakers came from and their backgrounds

by Roberts and featured work dedicated to

changing our thoughts, feelings, behaviour,

45 |

lockdown, students performed exceptional visual

of their target users. Solutions included kits to help

Sculpt and Pot | Kristian Keane-Munday

and become more social through gamification,

Stuck Up | Daniel Bryant

people get a better night’s sleep, get more active challenges, levelling-up and rewards.’

Cast Off… | Tolu Dada

Level 4 student, Tolu Dada added, ‘One thing I've

enjoyed about this project was not designing simply for myself. Designing for others has not only forced

me out of my comfort zone, but made me a better designer as I've had to venture outside my usual

visual aesthetic. Also, learning how to impact and

change behaviours will be a useful skill in my design practice going forward.’

aub.ac.uk/aub-human

| 44

Student Projects

Thoughtful Practitioners Level 4

Design a toolkit that empowers users to improve their wellbeing Level 4

Industry speakers:

This

Design Responsibility - Pali Palavathanan

introduce Level 4 students from BA (Hons) Graphic

year

developed

the

‘Thoughtful

Practitioners’ speaker series which aimed to

In this lecture Co-Founder and Creative

Design,

work from branding and digital agency

made positive change through creative practice

Director Pali Palavathanan presented recent

Communication

and

Fashion

in relation to equality, diversity, inclusivity and

designers’ ability to use creativity for change.

Guest: Isobel Fiske, designer and graduate

Visual

Branding to individuals and organisations that have

TEMPLO, which focuses on the responsible

AUB Human - Alice Stevens

sustainability.

Pali Palavathanan

The series of talks hosted a broad range of

high-profile practitioners along with AUB staff

and alumni. The speakers individually explored

This lecture questioned what we want our

contemporary issues and concerns that underpin

meaning of being ‘values-led’ in designing for

collaboration, discussion and debate. Reflecting

work to say about us, and explored the

creative practice and opened up opportunities for

sustainability and social change.

on the insights gained from the speakers, students

were asked to discuss and evaluate what ‘good’

Girl on Girl / Photography Now - David Ellison

design practice looks like to them through the form

in conversation with Charlotte Jansen

of an illustrated essay.

recent work, writing and podcasts, including

inspired by the talk given by Trevor Robinson OBE.

This conversation explored some of Jansen’s ‘Girl on Girl: Art and Photography in the Age

of the Female Gaze’ (2017) and ‘Photography Now’ (2021).

Level 4 Student, Tolu Dada said: ‘I was really

Isobel Fiske

He argued it was important to show your identity and personality in your work, as being authentic

can lead to better relationships with your clients.

This can also help them know what to expect from

you. He also mentioned that having a distinct voice

As part of the Visual Thinking design project, Level

aim to help marginalised inner-city

crowded market. In relation to my practice, I hope

with creating ‘low-tech’ toolkits that could empower

backgrounds to Trevor – unlock their

young black designers in the UK, as there is a distinct

social issues they live with everyday.

Student, Daniel Bryant added: ‘I found these talks

Create not Hate - Trevor Robinson OBE

This lecture discussed Create Not Hate’s

helps you craft a niche space for yourself in a

young people – who come from similar

in celebrating my identity more, I can reach other

creative potential, whilst also addressing

Can Graphic Design Save Your Life? Lucienne Roberts

This lecture featured work from the exhibition

lack of them in the creative industries.’

were extremely inspiring, from local murals to social Trevor Robinson OBE

‘Can Graphic Design Save Your Life?', curated

justice campaigns, it was great to see how designers

can make a positive difference through their work.

accessible, engaging graphic design with a

component that they can use to inform their future

Guest: Rick Walker, Paintshop Studio

work as they progress throughout the course in

can activate neglected public spaces by

evaluation and reflection.’

social interactions and wellbeing.

developing skills in analysis, synthesis, critical

Marten Sims

design for target audiences that included members

of society with physical and mental disabilities, low-to-middle incomes, as well as various language, race, gender and living conditions.

Senior Lecturer and unit leader, Marten Sims said:

and contextual research into the lived experiences

from this project provide a valuable and on-going

This lecture explored how urban interventions

period. Students were introduced to user-centred

in design, really got me excited for what is ahead

Sims concluded: ‘The insights students have gained

Urban Interventions - Marten Sims

target users to improve their wellbeing over a 100-day

‘In spite of set-backs imposed by the coronavirus

as I advance in my career.’ Senior Lecturer, Marten

socially aware agenda.

4 BA (Hons) Graphic Design students were tasked

He continued, ‘Seeing where all these very different, diverse speakers came from and their backgrounds

by Roberts and featured work dedicated to

changing our thoughts, feelings, behaviour,

45 |

lockdown, students performed exceptional visual

of their target users. Solutions included kits to help

Sculpt and Pot | Kristian Keane-Munday

and become more social through gamification,

Stuck Up | Daniel Bryant

people get a better night’s sleep, get more active challenges, levelling-up and rewards.’

Cast Off… | Tolu Dada

Level 4 student, Tolu Dada added, ‘One thing I've

enjoyed about this project was not designing simply for myself. Designing for others has not only forced

me out of my comfort zone, but made me a better designer as I've had to venture outside my usual

visual aesthetic. Also, learning how to impact and

change behaviours will be a useful skill in my design practice going forward.’

aub.ac.uk/aub-human

| 46

Student Projects

BA (Hons) Interior Architecture and Design student wins First Prize for Humane Design in a Technological World | Architects for Health Student Design Awards

Creative Conscience Awards | AUB Student winners AUB Human was delighted to attend the Creative

Alice Stevens, AUB Human founder, said: ‘The

A few of the Creative Conscience Award winners

BA (Hons) Interior Architecture and Design students

which saw presentations from Sir Jonathon Porritt

to that of our own, so we feel very proud that

to see all the AUB award winners: www.aub.ac.uk/

Health Student Design Awards as hosted by the

Conscience Awards celebration in September and founder Chrissy Levett. Students from BA

(Hons) Architecture, Graphic Design, Illustration, Fashion and Visual Communication were thrilled

to have their work recognised in these prestigious international awards that aim to encourage

philosophy of Creative Conscience is similar

students from courses across the AUB campus have achieved so highly in these awards that aim to benefit the environment and communities in

47 |

are featured here, but please look at the website latest/11-wins-for-aub-at-creative-conscienceawards-2020

which we live and work’.

had the opportunity to enter the Architects for

Wellcome Foundation. The competition, which

is open to students from all levels, including

post-graduate MA students, was set around the

theme of Humane Design in a Technological World

and encourages students to think innovatively

creativity for a better world.

about design for healthcare. AUB is delighted that

student Tom Pritchard won first place for ‘Interior

Architecture and Design Award for Best Project’.

In addition, Isabella Williams won ‘Best Concept’. Both these students completed their entries whilst

studying in first year at Level 4 of the course.

Tom Pritchard spoke of his time working on the

project, saying: ‘My design followed a user-centred

approach to develop a unique cognitive impairment

day care centre and residency, which focuses on supporting people living with dementia and

encouraging social interaction to combat loneliness and isolation. The increasing ageing population

means dementia will affect more people, and to have

the opportunity to design a response to this need

was very rewarding. In addition, this project has

further developed my understanding of how vital

SNEAKARMA

LOG KYA KHENGE?

Tom Cornwell

Namrata Chandra

BA (Hons) Graphic Design

BA (Hons) Visual Communication

a user-centred approach is to design. Architects for Health are an inspiring organisation, and it was

a privilege to participate in their design awards. I’m

very grateful and honoured to have won an award.’

Isabella Williams spoke of her time working on

the project, saying: ‘My project was based around how to integrate modern and constantly changing

technology features into a healthcare environment, for which we were designing the interior of a new

palliative care centre.

Russ Gagg, Course Leader of BA (Hons) Interior

Architecture, has praised his students and their work:

‘Our first-year students tackled such a challenging brief with great enthusiasm and professionalism

that demanded developing a deep understanding

of the inevitably changing nature of healthcare

and the environments from which healthcare is

delivered.’ Russ added: ‘Such a project exemplifies

the course ethos that design should be meaningful, be of benefit to the community, and have an impact.’

LADY GARDEN

THE GLASSWORKS

Sophie McPherson, Mary Hart, Stella Bonova & Neisha Rendel

Anna Freiesleben

BA (Hons) Fashion & BA (Hons) Illustration

Grow Together: A unique cognitive impairment and day care centre | Tom Pritchard Reflective Spaces: Nature forms a focal point throughout | Isabella Williams

BA (Hons) Architecture

aub.ac.uk/aub-human

| 46

Student Projects

BA (Hons) Interior Architecture and Design student wins First Prize for Humane Design in a Technological World | Architects for Health Student Design Awards

Creative Conscience Awards | AUB Student winners AUB Human was delighted to attend the Creative

Alice Stevens, AUB Human founder, said: ‘The

A few of the Creative Conscience Award winners

BA (Hons) Interior Architecture and Design students

which saw presentations from Sir Jonathon Porritt

to that of our own, so we feel very proud that

to see all the AUB award winners: www.aub.ac.uk/

Health Student Design Awards as hosted by the

Conscience Awards celebration in September and founder Chrissy Levett. Students from BA

(Hons) Architecture, Graphic Design, Illustration, Fashion and Visual Communication were thrilled

to have their work recognised in these prestigious international awards that aim to encourage

philosophy of Creative Conscience is similar

students from courses across the AUB campus have achieved so highly in these awards that aim to benefit the environment and communities in

47 |

are featured here, but please look at the website latest/11-wins-for-aub-at-creative-conscienceawards-2020

which we live and work’.

had the opportunity to enter the Architects for

Wellcome Foundation. The competition, which

is open to students from all levels, including

post-graduate MA students, was set around the

theme of Humane Design in a Technological World

and encourages students to think innovatively

creativity for a better world.

about design for healthcare. AUB is delighted that

student Tom Pritchard won first place for ‘Interior

Architecture and Design Award for Best Project’.

In addition, Isabella Williams won ‘Best Concept’. Both these students completed their entries whilst

studying in first year at Level 4 of the course.

Tom Pritchard spoke of his time working on the

project, saying: ‘My design followed a user-centred

approach to develop a unique cognitive impairment

day care centre and residency, which focuses on supporting people living with dementia and

encouraging social interaction to combat loneliness and isolation. The increasing ageing population

means dementia will affect more people, and to have

the opportunity to design a response to this need

was very rewarding. In addition, this project has

further developed my understanding of how vital

SNEAKARMA

LOG KYA KHENGE?

Tom Cornwell

Namrata Chandra

BA (Hons) Graphic Design

BA (Hons) Visual Communication

a user-centred approach is to design. Architects for Health are an inspiring organisation, and it was

a privilege to participate in their design awards. I’m

very grateful and honoured to have won an award.’

Isabella Williams spoke of her time working on

the project, saying: ‘My project was based around how to integrate modern and constantly changing

technology features into a healthcare environment, for which we were designing the interior of a new

palliative care centre.

Russ Gagg, Course Leader of BA (Hons) Interior

Architecture, has praised his students and their work:

‘Our first-year students tackled such a challenging brief with great enthusiasm and professionalism

that demanded developing a deep understanding

of the inevitably changing nature of healthcare

and the environments from which healthcare is

delivered.’ Russ added: ‘Such a project exemplifies

the course ethos that design should be meaningful, be of benefit to the community, and have an impact.’

LADY GARDEN

THE GLASSWORKS

Sophie McPherson, Mary Hart, Stella Bonova & Neisha Rendel

Anna Freiesleben

BA (Hons) Fashion & BA (Hons) Illustration

Grow Together: A unique cognitive impairment and day care centre | Tom Pritchard Reflective Spaces: Nature forms a focal point throughout | Isabella Williams

BA (Hons) Architecture

aub.ac.uk/aub-human

| 48

Speaker Series

49 |

Exploration: Regenerative design and the circular economy Michael Pawlyn www.exploration-architecture.com/projects www.flourish-book.comp

AUB Human Speaker Series

The aim of the AUB Human Speaker Series is to provide ongoing opportunities for students

to engage in critical dialogue with industry

professionals and explore how we can use our

creative skills for positive environmental and social

benefit. The approaches and range of creative

disciplines from which the speakers come from

is broad, but they are connected by their desire

to use creativity for positive change. The speaker series aims to unite students from different

creative

disciplines,

whilst

simultaneously

developing awareness, providing critical industry insights and broadening networks. A few of the speakers from this academic year are featured on

the following pages.

©exploration

Michael Pawlyn established Exploration in 2007 as

he has explored in his upcoming book, ‘Flourish,

focused

co-authored with Sarah Ichioka. Michael added,

an architectural practice and consultancy company on

regenerative

design.

Exploration

work with organisations that go beyond standard

approaches to sustainability and comprise of a group of architects, designers and researchers who collaborate with a broad range of specialists as

Design Paradigms for Our Planetary Emergency’ ‘Regenerative design represents a new paradigm

that aims to optimise positive impacts rather than simply mitigate negatives.’

Michael ended the presentation by sharing

appropriate to project demands.

insights to the work he has been doing to create

inspiring and innovative work and explained what

Climate

In his talk, Michael shared examples of his

we can learn from biology in finding and developing new materials and what biomimicry has to offer us from a design perspective. Michael also highlighted

the difference between ‘Human-made systems

and Biological systems’, encouraging students to shift their thinking from sustainable design to a

regenerative design model. In addition, students were delighted to hear Michael discuss ideas that

a ‘Strategy for Change’ with ‘Architects Declare and

Biodiversity

Emergency’

and

‘Construction Declares’ which was launched in May 2019. The aim of the strategy being to

highlight the shortcomings of current mindsets

and paradigms, in trying to bring about a ‘tipping

point’ that overthrows current and entrenched ways of thinking, complacency and political

resistance, in order to enable the more evolved mindsets to become mainstream.

“

How can we rethink sustainability

and shift into a more regenerative design paradigm? Michael Pawlyn

aub.ac.uk/aub-human

| 48

Speaker Series

49 |

Exploration: Regenerative design and the circular economy Michael Pawlyn www.exploration-architecture.com/projects www.flourish-book.comp

AUB Human Speaker Series

The aim of the AUB Human Speaker Series is to provide ongoing opportunities for students

to engage in critical dialogue with industry

professionals and explore how we can use our

creative skills for positive environmental and social

benefit. The approaches and range of creative

disciplines from which the speakers come from

is broad, but they are connected by their desire

to use creativity for positive change. The speaker series aims to unite students from different

creative

disciplines,

whilst

simultaneously

developing awareness, providing critical industry insights and broadening networks. A few of the speakers from this academic year are featured on

the following pages.

©exploration

Michael Pawlyn established Exploration in 2007 as

he has explored in his upcoming book, ‘Flourish,

focused

co-authored with Sarah Ichioka. Michael added,

an architectural practice and consultancy company on

regenerative

design.

Exploration

work with organisations that go beyond standard

approaches to sustainability and comprise of a group of architects, designers and researchers who collaborate with a broad range of specialists as

Design Paradigms for Our Planetary Emergency’ ‘Regenerative design represents a new paradigm

that aims to optimise positive impacts rather than simply mitigate negatives.’

Michael ended the presentation by sharing

appropriate to project demands.

insights to the work he has been doing to create

inspiring and innovative work and explained what

Climate

In his talk, Michael shared examples of his

we can learn from biology in finding and developing new materials and what biomimicry has to offer us from a design perspective. Michael also highlighted

the difference between ‘Human-made systems

and Biological systems’, encouraging students to shift their thinking from sustainable design to a

regenerative design model. In addition, students were delighted to hear Michael discuss ideas that

a ‘Strategy for Change’ with ‘Architects Declare and

Biodiversity

Emergency’

and

‘Construction Declares’ which was launched in May 2019. The aim of the strategy being to

highlight the shortcomings of current mindsets

and paradigms, in trying to bring about a ‘tipping

point’ that overthrows current and entrenched ways of thinking, complacency and political

resistance, in order to enable the more evolved mindsets to become mainstream.

“

How can we rethink sustainability

and shift into a more regenerative design paradigm? Michael Pawlyn

aub.ac.uk/aub-human

| 50

Speaker Series

51 |

Design for one and create for all: Inclusive Innovation | Ruby Steel Co-Founder & Creative Director at Studio Exception www.studioexception.com

Social Media: @StudioException

AUB Human were delighted to welcome back

from using products and services, because of

share her latest venture as co-founder of Studio

by acknowledging their needs that we can create a

trailblazer in inclusive design, Ruby Steel, to

Exception. Ruby was also a ‘fixer’ on the BBC2

show ‘Big Life Fix’, that involved a team of inventors

disability or otherwise, have to offer. She believes, better world, not only for them, but for all.

In addition, Ruby also shared stories from the

creating new and life-changing solutions for people

BBC2 show, ‘Big Life Fix’ of working with a woman

Ruby’s talk, ‘Design for one and create for all:

ideas that pushed the boundaries of accessibility

in need.

Inclusive Innovation’, gave students the opportunity

to hear from Ruby’s experience of creating products and services that are better for everyone.

Ruby shared how this experience and insight led her to being co-founder of Studio Exception, a

unique design collective that embraces diversity, recognising the value people who are excluded

living with Multiple Sclerosis that resulted in new

in existing voice tech. Ruby also shared practical methods to inspire students in thinking differently, and to help them identify and shift the source of

inspiration to an ‘Exceptional’ person—someone previously

excluded—to

instil

new

inclusive

principles that can be applied to everyday design and communication work.

“

By designing for one, we create a

deeper level of empathy and help a design team go from everyday solutions to extraordinary ideas. Ruby Steel

DESIGN FOR ONE AND CREATE FOR ALL

Design for One DISCOVER AN EXCEPTIONAL PERSON

FORM AN EMOTIONAL BOND HOLD THE DESIGN ACCOUNTABLE

THERE IS AN UNIMAGINED BRIEF CAPABLE USERS LEAD TO LAZY PRODUCTS

BBC Two, The Big Life Fix

aub.ac.uk/aub-human

| 50

Speaker Series

51 |

Design for one and create for all: Inclusive Innovation | Ruby Steel Co-Founder & Creative Director at Studio Exception www.studioexception.com

Social Media: @StudioException

AUB Human were delighted to welcome back

from using products and services, because of

share her latest venture as co-founder of Studio

by acknowledging their needs that we can create a

trailblazer in inclusive design, Ruby Steel, to

Exception. Ruby was also a ‘fixer’ on the BBC2

show ‘Big Life Fix’, that involved a team of inventors

disability or otherwise, have to offer. She believes, better world, not only for them, but for all.

In addition, Ruby also shared stories from the

creating new and life-changing solutions for people

BBC2 show, ‘Big Life Fix’ of working with a woman

Ruby’s talk, ‘Design for one and create for all:

ideas that pushed the boundaries of accessibility

in need.

Inclusive Innovation’, gave students the opportunity

to hear from Ruby’s experience of creating products and services that are better for everyone.

Ruby shared how this experience and insight led her to being co-founder of Studio Exception, a

unique design collective that embraces diversity, recognising the value people who are excluded

living with Multiple Sclerosis that resulted in new

in existing voice tech. Ruby also shared practical methods to inspire students in thinking differently, and to help them identify and shift the source of

inspiration to an ‘Exceptional’ person—someone previously

excluded—to

instil

new

inclusive

principles that can be applied to everyday design and communication work.

“

By designing for one, we create a

deeper level of empathy and help a design team go from everyday solutions to extraordinary ideas. Ruby Steel

DESIGN FOR ONE AND CREATE FOR ALL

Design for One DISCOVER AN EXCEPTIONAL PERSON

FORM AN EMOTIONAL BOND HOLD THE DESIGN ACCOUNTABLE

THERE IS AN UNIMAGINED BRIEF CAPABLE USERS LEAD TO LAZY PRODUCTS

BBC Two, The Big Life Fix

aub.ac.uk/aub-human

| 52 Empowerment Through Making | Emilie Giles BA (Hons) Graphic Design

Arts University Bournemouth

Speaker Series

Wayfinding | Tim Fendley CEO, founder, and Creative Director Applied Information Group

www.appliedinformation.group

Emilie Giles, AUB’s newest staff member, who

AUB Graphic Design and Interior Architecture

June 2021, having recently completed her PhD in

CEO, founder, and Creative Director of Applied

joined the BA (Hons) Graphic Design team in human-computer interaction. Emilie is a researcher

and artist whose work explores co-designing and making with blind and visually impaired people using e-textiles and physical computing. Her work

students were delighted to welcome Tim Fendley,

Information Group, whose clients include Transport for London, Google, Princeton University, and the NHS among many others.

Tim shared his vast experience of designing

spans creative technology, crafting and pervasive

systems that make complex places legible and

and visually impaired people in museums and

study of Legible London, the wayfinding system

gaming and she has run many projects with blind galleries such as The Whitechapel Art Gallery and Tate Modern, collaborating with charities such as The RNIB and Sense.

Emilie’s talk as part of the AUB Human speaker

series, ‘Empowerment Through Making: Working

with Communities Through Creative Technology’,

discussed the importance of taking a participatory

students were fascinated to hear an in-depth case for London and a seminal project in the history of city wayfinding that has influenced the last

two decades of city wayfinding systems, largely

defining the sign typologies, content criteria,

complex problem with a simplistic

solution. It requires a sophisticated solution that looks really simple. Tim Fendley

Students were inspired to learn about the

those people who are from more vulnerable

hear the positive impact it has had on the city’s

human-computer interaction it has often been more

is really complex. You can’t crack a

many subsequent city systems.

complexities associated with user-centred design

communities. The talk also touched on how within

“

The problem of changing behaviour

information architecture and graphic cues used by

making approach with participants when creating

personal interactive objects, particularly with

53 |

research in a project of this scale and reach, and residents and visitors.

common to design for people instead of with them,

particularly those with an impairment or disability. However, this is increasingly changing with these

intended users instead becoming the designers and

makers of their own technologies. This embracing of co-designing and collaborative making is important

for giving intended users a sense of agency over the technologies they use and to ensure that they feel embedded in the entire process. Emilie stressed the

importance for students to learn how to take these

approaches when working on their own projects, and to learn how to collaborate with their users and see them as co-creators and co-designers.

“

I am very excited to have joined the graphic design team and to be sharing the skills and approaches to thinking that I have built up over my professional and

academic career with the students at AUB. As well as my work in e-textiles and physical computing, I hope to bring my experience in participatory design and making to the course along with creative computing, running ethnographic design studies and pervasive game design. Emilie Giles

aub.ac.uk/aub-human

| 52 Empowerment Through Making | Emilie Giles BA (Hons) Graphic Design

Arts University Bournemouth

Speaker Series

Wayfinding | Tim Fendley CEO, founder, and Creative Director Applied Information Group

www.appliedinformation.group

Emilie Giles, AUB’s newest staff member, who

AUB Graphic Design and Interior Architecture

June 2021, having recently completed her PhD in

CEO, founder, and Creative Director of Applied

joined the BA (Hons) Graphic Design team in human-computer interaction. Emilie is a researcher

and artist whose work explores co-designing and making with blind and visually impaired people using e-textiles and physical computing. Her work

students were delighted to welcome Tim Fendley,

Information Group, whose clients include Transport for London, Google, Princeton University, and the NHS among many others.

Tim shared his vast experience of designing

spans creative technology, crafting and pervasive

systems that make complex places legible and

and visually impaired people in museums and

study of Legible London, the wayfinding system

gaming and she has run many projects with blind galleries such as The Whitechapel Art Gallery and Tate Modern, collaborating with charities such as The RNIB and Sense.

Emilie’s talk as part of the AUB Human speaker

series, ‘Empowerment Through Making: Working

with Communities Through Creative Technology’,

discussed the importance of taking a participatory

students were fascinated to hear an in-depth case for London and a seminal project in the history of city wayfinding that has influenced the last

two decades of city wayfinding systems, largely

defining the sign typologies, content criteria,

complex problem with a simplistic

solution. It requires a sophisticated solution that looks really simple. Tim Fendley

Students were inspired to learn about the

those people who are from more vulnerable

hear the positive impact it has had on the city’s

human-computer interaction it has often been more

is really complex. You can’t crack a

many subsequent city systems.

complexities associated with user-centred design

communities. The talk also touched on how within

“

The problem of changing behaviour

information architecture and graphic cues used by

making approach with participants when creating

personal interactive objects, particularly with

53 |

research in a project of this scale and reach, and residents and visitors.

common to design for people instead of with them,

particularly those with an impairment or disability. However, this is increasingly changing with these

intended users instead becoming the designers and

makers of their own technologies. This embracing of co-designing and collaborative making is important

for giving intended users a sense of agency over the technologies they use and to ensure that they feel embedded in the entire process. Emilie stressed the

importance for students to learn how to take these

approaches when working on their own projects, and to learn how to collaborate with their users and see them as co-creators and co-designers.

“

I am very excited to have joined the graphic design team and to be sharing the skills and approaches to thinking that I have built up over my professional and

aub.ac.uk/aub-human

| 54

AUB Human

AUB Human book

55 |

AUB Human | Book published 2020 Editor: Alice Stevens Design: Natalie Carr

AUB Human Book

In December 2020 we published the first AUB

The book was printed by our friends at Dayfold, an

AUB Human projects that were undertaken during

have an ethos that aligns with ours when it comes

Human book. The book is an anthology of selected

FSC certified printing company in Dorset. Dayfold

the 2019-2020 academic year.

to waste, recycling and their printing processes so

collaboration between Natalie Carr, AUB Human

the laser cut covers were made at AUB using our

The book itself was a personal project and

intern, and AUB Human founder, Alice Stevens, and

was created during the Covid-19 pandemic whilst

the campus was in lockdown.

they were natural collaborators for us. In addition, state-of-the-art facilities.

We printed a small run using ‘virgin’ paper (paper

from trees planted specifically for paper production) using G. F. Smith Colourplan, a virgin paper created

with an amount of recycled paper; each harvest requiring planting more trees, resulting in an amount

of carbon actually being removed from the footprint, every time the paper is created.

The printed book can be found in the British

Library as well as our own AUB Library. A digital

version can be downloaded from the website: aub.ac.uk/aub-human

aub.ac.uk/aub-human

| 54

AUB Human

AUB Human book

55 |

AUB Human | Book published 2020 Editor: Alice Stevens Design: Natalie Carr

AUB Human Book

In December 2020 we published the first AUB

The book was printed by our friends at Dayfold, an

AUB Human projects that were undertaken during

have an ethos that aligns with ours when it comes

Human book. The book is an anthology of selected

FSC certified printing company in Dorset. Dayfold

the 2019-2020 academic year.

to waste, recycling and their printing processes so

collaboration between Natalie Carr, AUB Human

the laser cut covers were made at AUB using our

The book itself was a personal project and

intern, and AUB Human founder, Alice Stevens, and

was created during the Covid-19 pandemic whilst

the campus was in lockdown.

they were natural collaborators for us. In addition, state-of-the-art facilities.

We printed a small run using ‘virgin’ paper (paper

from trees planted specifically for paper production) using G. F. Smith Colourplan, a virgin paper created

with an amount of recycled paper; each harvest requiring planting more trees, resulting in an amount

of carbon actually being removed from the footprint, every time the paper is created.

The printed book can be found in the British

Library as well as our own AUB Library. A digital

version can be downloaded from the website: aub.ac.uk/aub-human

aub.ac.uk/aub-human

| 56

Careers Day

AUB Human Careers Day

A creative agency making people demand better | Tom Tapper www.niceandserious.com

Tom is the Co-Founder and CEO of Nice and Serious, a B-Corp certified agency who have worked with

hundreds of international charities and brands

such as WWF, IKEA and the YMCA to creatively

communicate the positive impact that they have on

the world through branding, campaigns and content. Tom is no stranger to AUB Human, having spoken

at events on several occasions and employed a

recent graduate. In this talk, Tom gave an overview of

his career and how he came to set up Nice & Serious.

He also shared insights to what it means to function

as a Certified B-Corporation and balancing purpose

As part of AUB Creative Futures Fest, AUB Human

Alison Zorraquin said of the event, ‘It was great to

a career within a range of socially, ethically or

and encourage an awareness of personal values

online event in March 2021 was open to all AUB

students. Many of our students are mindful of their

other organisations remain true to their purpose by

amazing to enable a critical understanding of how

vote as to whether or not they take on that particular

ran a Careers Day that explored how to build

sustainably driven companies and charities. The

run a careers day in partnership with AUB Human

and how this can help shape the future careers of our

students and was convened by Alison Zorraquin,

ethical and sustainability footprint and it has been

AUB Human founder.

they can create and make work that is respectful of

AUB Senior Employability Officer and Alice Stevens, This engaging event enabled students to hear

from a broad range of high-profile industry guest

others and the environment.’

and profit. In 2015, to ensure Nice and Serious remained true to their beliefs, they created a tool

called the Moral Compass — this helps them and democratising their decisions and letting the team client or project.

What is a B-Corp?

speakers from a wide range of creative industries,

‘Certified B Corporations are businesses that

sectors. The speakers, a few of who can be explored

environmental performance, public transparency,

work, discussed their personal values and gave

purpose. B Corps are accelerating a global culture

including fashion, graphic communication and arts

over the next few pages, shared examples of their advice on ethical and sustainable practices. As well

as sharing tips on how to prepare for building a career

meet the highest standards of verified social and

and legal accountability to balance profit and

shift to redefine success in business and build a

more inclusive and sustainable economy.’

within organisations that have a positive impact on

(Certified B Corporation, 2021).

innovation spotting and building positive change

More information about B Corps here:

society, the event also highlighted opportunities for

from within any business.

57 |

www.bcorporation.uk

USELESS | Nice and Serious www.useless.london

“

The world doesn't need more of the same. We've drawn a line in the sand,

and only work on projects that make it through our Moral Compass. We create brands, campaigns and award-winning content, so the world can get what it really needs.

Nice and Serious

aub.ac.uk/aub-human

| 56

Careers Day

AUB Human Careers Day

A creative agency making people demand better | Tom Tapper www.niceandserious.com

Tom is the Co-Founder and CEO of Nice and Serious, a B-Corp certified agency who have worked with

hundreds of international charities and brands

such as WWF, IKEA and the YMCA to creatively

communicate the positive impact that they have on

the world through branding, campaigns and content. Tom is no stranger to AUB Human, having spoken

at events on several occasions and employed a

recent graduate. In this talk, Tom gave an overview of

his career and how he came to set up Nice & Serious.

He also shared insights to what it means to function

as a Certified B-Corporation and balancing purpose

As part of AUB Creative Futures Fest, AUB Human

Alison Zorraquin said of the event, ‘It was great to

a career within a range of socially, ethically or

and encourage an awareness of personal values

online event in March 2021 was open to all AUB

students. Many of our students are mindful of their

other organisations remain true to their purpose by

amazing to enable a critical understanding of how

vote as to whether or not they take on that particular

ran a Careers Day that explored how to build

sustainably driven companies and charities. The

run a careers day in partnership with AUB Human

and how this can help shape the future careers of our

students and was convened by Alison Zorraquin,

ethical and sustainability footprint and it has been

AUB Human founder.

they can create and make work that is respectful of

AUB Senior Employability Officer and Alice Stevens, This engaging event enabled students to hear

from a broad range of high-profile industry guest

others and the environment.’

and profit. In 2015, to ensure Nice and Serious remained true to their beliefs, they created a tool

called the Moral Compass — this helps them and democratising their decisions and letting the team client or project.

What is a B-Corp?

speakers from a wide range of creative industries,

‘Certified B Corporations are businesses that

sectors. The speakers, a few of who can be explored

environmental performance, public transparency,

work, discussed their personal values and gave

purpose. B Corps are accelerating a global culture

including fashion, graphic communication and arts

over the next few pages, shared examples of their advice on ethical and sustainable practices. As well

as sharing tips on how to prepare for building a career

meet the highest standards of verified social and

and legal accountability to balance profit and

shift to redefine success in business and build a

more inclusive and sustainable economy.’

within organisations that have a positive impact on

(Certified B Corporation, 2021).

innovation spotting and building positive change

More information about B Corps here:

society, the event also highlighted opportunities for

from within any business.

57 |

www.bcorporation.uk

USELESS | Nice and Serious www.useless.london

“

The world doesn't need more of the same. We've drawn a line in the sand,

and only work on projects that make it through our Moral Compass. We create brands, campaigns and award-winning content, so the world can get what it really needs.

Nice and Serious

aub.ac.uk/aub-human

| 58

AUB Human Careers Day

59 |

Humanising digital experiences | Isobel Fiske AUB Alumni and Junior Designer

The Charity Sector with Movember | Ronnie O’Grady & Helena Jennison

www.futuredotnow.uk

www.uk.movember.com

Battenhall Communications Agency

e were delighted to welcome back alumni Isobel Fiske, who graduated from BA (Hons)

Graphic Design in 2020 and is now a designer at communications agency Battenhall in London.

Whilst a student, Isobel used human-centred

Humanising digital experiences

design practices to explore how design could be used strategically to understand and improve

community experiences within the digital world.

She also volunteered with a local youth group and helped them transition online during the

Covid-19 pandemic as well as leading efforts that

successfully launched the courses’ first virtual graduate showcase of student work. We were

fascinated to hear how these experiences had

helped Isobel gain her first graduate role and that she was currently continuing her exploration

of design’s role in the humanising of digital experiences by using the time that Battenhall

allocate for innovation and volunteering to build

a communications strategy for FutureDotNow,

who work in collaboration with government and businesses to reduce the growing digital skills gap and empower ‘everyone to thrive in a digital UK’.

Creating positive change Anna Richell Cultivate LDN

t is not always easy to get a job in an ethical

company, but there are many ways that creatives

can bring about positive change from within any company or organisation.

Movember are the world’s largest men’s health

organisation dedicated to changing the face of men’s

FUN

Movember on a campaign to raise awareness of male

WE’RE ALL ABOUT HAVIN’ FUN DOIN’ GOOD

health. AUB Human has previously collaborated with

RESPECT

prostate cancer and AUB students have undertaken

internships with the charity, who takes a particularly creative and innovative approach to men's health.

WE ARE CARING AND INCLUSIVE

In their talk, Ronnie and Helena discussed their

Anna Richell is an innovation strategist, product

careers journeys into the charity sector and their

HUMBLE

worked with global organisations such as Yamaha,

to break into the voluntary sector, and discussed

WE NEVER FORGET WHY WE’RE HERE

designer, and design-thinking coach who has

Creating positive change

Nokia, the Design Council, the NHS and Dyson. With a personal interest in sustainability and the

role of innovation for social good, Anna focuses

on delivering initiatives that make a difference to

the world by benefiting both business and society.

In this inspiring talk, Anna also discussed the

importance of knowing what you personally stand for and empowering others.

Izzy Madavan, BA (Hons) Graphic design student,

said ‘Before the talk, I thought that when I graduated

I would work for a charity or NGO to use my skills

work at Movember. They also shared tips on how things that students could be doing in preparation

for a career in this field. Both Ronnie and Helena

TEAM MOVEMBER

their work and continue to shine a light on men's

WE STRIVE TO ENABLE EVERY PERSON TO BE THEIR BEST

donated their speaker fee to Movember to support health. In addition, they shared the values that underpin everything Movember does and that set them apart from others in the sector.

REMARKABLE EXPERIENCE

WE’RE DEDICATED TO CREATING REMARKABLE EXPERIENCES FOR OUR PEOPLE AND OUR COMMUNITY

to benefit others the most, but Anna has definitely

CHANGE AGENT

my skills for good in places other than charities or

WE MUST THINK DIFFERENTLY TO HAVE AN EVERLASTING IMPACT ON THE FACE OF MEN’S HEALTH

got me thinking about how and where else I can use

ethical design studios. It really has broadened my thoughts for the future!’

Movember Values: (Movember 2021)

aub.ac.uk/aub-human

| 58

AUB Human Careers Day

59 |

Humanising digital experiences | Isobel Fiske AUB Alumni and Junior Designer

The Charity Sector with Movember | Ronnie O’Grady & Helena Jennison

www.futuredotnow.uk

www.uk.movember.com

Battenhall Communications Agency

e were delighted to welcome back alumni Isobel Fiske, who graduated from BA (Hons)

Graphic Design in 2020 and is now a designer at communications agency Battenhall in London.

Whilst a student, Isobel used human-centred

Humanising digital experiences

design practices to explore how design could be used strategically to understand and improve

community experiences within the digital world.

She also volunteered with a local youth group and helped them transition online during the

Covid-19 pandemic as well as leading efforts that

successfully launched the courses’ first virtual graduate showcase of student work. We were

fascinated to hear how these experiences had

helped Isobel gain her first graduate role and that she was currently continuing her exploration

of design’s role in the humanising of digital experiences by using the time that Battenhall

allocate for innovation and volunteering to build

a communications strategy for FutureDotNow,

who work in collaboration with government and businesses to reduce the growing digital skills gap and empower ‘everyone to thrive in a digital UK’.

Creating positive change Anna Richell Cultivate LDN

t is not always easy to get a job in an ethical

company, but there are many ways that creatives

can bring about positive change from within any company or organisation.

Movember are the world’s largest men’s health

organisation dedicated to changing the face of men’s

FUN

Movember on a campaign to raise awareness of male

WE’RE ALL ABOUT HAVIN’ FUN DOIN’ GOOD

health. AUB Human has previously collaborated with

RESPECT

prostate cancer and AUB students have undertaken

internships with the charity, who takes a particularly creative and innovative approach to men's health.

WE ARE CARING AND INCLUSIVE

In their talk, Ronnie and Helena discussed their

Anna Richell is an innovation strategist, product

careers journeys into the charity sector and their

HUMBLE

worked with global organisations such as Yamaha,

to break into the voluntary sector, and discussed

WE NEVER FORGET WHY WE’RE HERE

designer, and design-thinking coach who has

Creating positive change

Nokia, the Design Council, the NHS and Dyson. With a personal interest in sustainability and the

role of innovation for social good, Anna focuses

on delivering initiatives that make a difference to

the world by benefiting both business and society.

In this inspiring talk, Anna also discussed the

importance of knowing what you personally stand for and empowering others.

Izzy Madavan, BA (Hons) Graphic design student,

said ‘Before the talk, I thought that when I graduated

I would work for a charity or NGO to use my skills

work at Movember. They also shared tips on how things that students could be doing in preparation

for a career in this field. Both Ronnie and Helena

TEAM MOVEMBER

their work and continue to shine a light on men's

WE STRIVE TO ENABLE EVERY PERSON TO BE THEIR BEST

donated their speaker fee to Movember to support health. In addition, they shared the values that underpin everything Movember does and that set them apart from others in the sector.

REMARKABLE EXPERIENCE

WE’RE DEDICATED TO CREATING REMARKABLE EXPERIENCES FOR OUR PEOPLE AND OUR COMMUNITY

to benefit others the most, but Anna has definitely

CHANGE AGENT

my skills for good in places other than charities or

WE MUST THINK DIFFERENTLY TO HAVE AN EVERLASTING IMPACT ON THE FACE OF MEN’S HEALTH

got me thinking about how and where else I can use

ethical design studios. It really has broadened my thoughts for the future!’

Movember Values: (Movember 2021)

aub.ac.uk/aub-human

| 60

AUB Human Careers Day

Minute Works: What it takes to work in an ethical design agency Dominic Latham & Jimmy Edmondson

Building a career in Culture, Heritage & the Arts | BCP Council & Poole Museum

www.minuteworks.co.uk

Andrea Francis | Rebecca Rossiter | Dr Alex Reynolds

Minute Works is the creative partnership of Dominic Latham and Jimmy Edmondson. Minute

Works pride themselves in being an honest graphic

e were delighted to welcome our friends from

BCP Council and Poole Museum, who shared

their experience of how they are involved in the Arts,

design practice that make projects with people who

Culture and Heritage locally.

share the same ambition: a democratic, equitable,

In her talk, Andrea Francis, Cultural Development

sustainable society with no compromises. This

Manager for BCP and Director of the Arts by the Sea

aspects of their practice, from the papers they

and opportunities within arts, culture and heritage

sense of shared responsibility underpins all

Festival, gave insight to the range of roles, careers

select for printed publications, to the materials

at local government level. BCP Council’s Arts and

used to construct their studio furniture. Even

Culture team covers a wide range of projects and

the servers that host their websites run on 100%

Andrea’s role includes elements of strategy and

renewable energy.

policy making, funding bids and grant distribution,

The work they have created is broad ranging from

partnership management, placemaking projects

activist-led campaigns for international NGOs to a

Arts, Culture and Heritage

and public realm art, community participation and

cookbook containing home-made recipes shared

managing the Arts by the Sea festival.

by migrant women.

Dr Alex Reynolds, Collections and Engagement

Dominic and Jimmy are no strangers to AUB;

Officer at Poole Museum and Rebecca Rossiter,

in 2018, we have continued to be inspired by

about their roles and gave insight as to how students

having spoken at the AUB Human symposium

Public Programming & Learning Manager, spoke

their approach and the importance they place

might collaborate or work in museums.

on being true to one’s own principles. Minute

Works donate 10% of their profit to non-profit organisations,

disclose

transparent

costs

(including their pay) and rates, and publish an annual Client Disclosure Report.

Dominic and Jimmy based their insightful

presentation

around

questions

the

students

from BA (Hons) Graphic Design posed prior to the

AUB Human Careers Day was a great experience. I got

at AUB was a pleasure. The questions we received

the chance to work with professionals to develop my ideas

in advance provided us with a welcome opportunity

and it led to a work placement with BCP Council for the

to step back and appraise our practice from an

summer. This event was a brilliant opportunity for me to

alternative viewpoint—a process that sent home

the important role that conversation and honesty

play in assessment, self-reflection, and education,

all (hopefully) leading to an equitable future.’

asked, ‘In a world that needs so much change,

where do you think is the best place to start? For example, do you think we should focus our efforts

on the environment or human rights in developing countries?’ Laura Nguyen enquired, ‘What happens

if there’s a non-profit organisation with a really good

cause, but they aren't able to finance your services?’ and Gauri Uttam asked, ‘What are some ways you incorporate sustainability in your process?’

“

Being part of the Poole Museum Ideas lab as part of

event having reviewed the Minute Works website.

Dominic and Jimmy said, ‘Being invited back to talk

Among the questions, student Tommy Carter

61 |

“

Clean Air Now | Minute Works The Heart & Parcel Cookbook | Minute Works

AUB Ideas Lab

n addition to the speaker talks, BCP Department of

Arts and Culture invited students to solve real life

challenges that currently face Poole Museum and

they were tasked to find innovative ways to engage different community groups in the activities there and pitch their ideas to the programming team.

April Hicks, Level 5 Creative Events Management

student, told us, ‘Being part of the Poole Museum

network and grow as a professional in a real-life scenario.

Ideas lab as part of AUB Human Careers Day was

April Hicks, Student

professionals to develop my ideas and it led to a work

a great experience. I got the chance to work with

placement with BCP Council for the summer. This

event was a brilliant opportunity for me to network and grow as a professional in a real-life scenario.’

Rachel Martin, ‘Our Museum’ Engagement Officer,

explained why collaboration is so important—‘It

The people we work with are a testament to our values.

was great to work with AUB in a creative problem-

shared aspirations, and we believe in transparency.

were presented. It is so valuable to bring in different

We take care to avoid commissions that could contradict Minute Works

solving session and we loved hearing the ideas that

perspectives to this type of work and the students

had fresh ideas for involving local people that we simply wouldn’t have thought of.’

aub.ac.uk/aub-human

| 60

AUB Human Careers Day

Minute Works: What it takes to work in an ethical design agency Dominic Latham & Jimmy Edmondson

Building a career in Culture, Heritage & the Arts | BCP Council & Poole Museum

www.minuteworks.co.uk

Andrea Francis | Rebecca Rossiter | Dr Alex Reynolds

Minute Works is the creative partnership of Dominic Latham and Jimmy Edmondson. Minute

Works pride themselves in being an honest graphic

e were delighted to welcome our friends from

BCP Council and Poole Museum, who shared

their experience of how they are involved in the Arts,

design practice that make projects with people who

Culture and Heritage locally.

share the same ambition: a democratic, equitable,

In her talk, Andrea Francis, Cultural Development

sustainable society with no compromises. This

Manager for BCP and Director of the Arts by the Sea

aspects of their practice, from the papers they

and opportunities within arts, culture and heritage

sense of shared responsibility underpins all

Festival, gave insight to the range of roles, careers

select for printed publications, to the materials

at local government level. BCP Council’s Arts and

used to construct their studio furniture. Even

Culture team covers a wide range of projects and

the servers that host their websites run on 100%

Andrea’s role includes elements of strategy and

renewable energy.

policy making, funding bids and grant distribution,

The work they have created is broad ranging from

partnership management, placemaking projects

activist-led campaigns for international NGOs to a

Arts, Culture and Heritage

and public realm art, community participation and

cookbook containing home-made recipes shared

managing the Arts by the Sea festival.

by migrant women.

Dr Alex Reynolds, Collections and Engagement

Dominic and Jimmy are no strangers to AUB;

Officer at Poole Museum and Rebecca Rossiter,

in 2018, we have continued to be inspired by

about their roles and gave insight as to how students

having spoken at the AUB Human symposium

Public Programming & Learning Manager, spoke

their approach and the importance they place

might collaborate or work in museums.

on being true to one’s own principles. Minute

Works donate 10% of their profit to non-profit organisations,

disclose

transparent

costs

(including their pay) and rates, and publish an annual Client Disclosure Report.

Dominic and Jimmy based their insightful

presentation

around

questions

the

students

from BA (Hons) Graphic Design posed prior to the

AUB Human Careers Day was a great experience. I got

at AUB was a pleasure. The questions we received

the chance to work with professionals to develop my ideas

in advance provided us with a welcome opportunity

and it led to a work placement with BCP Council for the

to step back and appraise our practice from an

summer. This event was a brilliant opportunity for me to

alternative viewpoint—a process that sent home

the important role that conversation and honesty

play in assessment, self-reflection, and education,

all (hopefully) leading to an equitable future.’

asked, ‘In a world that needs so much change,

where do you think is the best place to start? For example, do you think we should focus our efforts

on the environment or human rights in developing countries?’ Laura Nguyen enquired, ‘What happens

if there’s a non-profit organisation with a really good

cause, but they aren't able to finance your services?’ and Gauri Uttam asked, ‘What are some ways you incorporate sustainability in your process?’

“

Being part of the Poole Museum Ideas lab as part of

event having reviewed the Minute Works website.

Dominic and Jimmy said, ‘Being invited back to talk

Among the questions, student Tommy Carter

61 |

“

Clean Air Now | Minute Works The Heart & Parcel Cookbook | Minute Works

AUB Ideas Lab

n addition to the speaker talks, BCP Department of

Arts and Culture invited students to solve real life

challenges that currently face Poole Museum and

they were tasked to find innovative ways to engage different community groups in the activities there and pitch their ideas to the programming team.

April Hicks, Level 5 Creative Events Management

student, told us, ‘Being part of the Poole Museum

network and grow as a professional in a real-life scenario.

Ideas lab as part of AUB Human Careers Day was

April Hicks, Student

professionals to develop my ideas and it led to a work

a great experience. I got the chance to work with

placement with BCP Council for the summer. This

event was a brilliant opportunity for me to network and grow as a professional in a real-life scenario.’

Rachel Martin, ‘Our Museum’ Engagement Officer,

explained why collaboration is so important—‘It

The people we work with are a testament to our values.

was great to work with AUB in a creative problem-

shared aspirations, and we believe in transparency.

were presented. It is so valuable to bring in different

We take care to avoid commissions that could contradict Minute Works

solving session and we loved hearing the ideas that

perspectives to this type of work and the students

had fresh ideas for involving local people that we simply wouldn’t have thought of.’

aub.ac.uk/aub-human

| 62

63 |

Acknowledgements

ALICE STEVENS Alice founded AUB Human in 2016 and has curated numerous symposia and events that explore

how creatives can make a positive difference to

people and planet. Alice is currently undertaking a practice-based PhD and her research draws

upon Ecolinguistics and Posthumanism where she uses storytelling and speculative design methods to explore how we can create sustainable and regenerative futures.

NATALIE CARR Natalie graduated from the BA (Hons) Graphic

Design course at AUB in 2018 and is the current

AUB Human intern. Her interest in social, ethical

and sustainable design solutions has enabled her to work with local businesses, CICs and the AUB Innovations team on beach-based community interventions within Bournemouth.

BEN PARKER Ben recently joined the BA (Hons) Graphic Design course as Technician demonstrator. Specialising

in motion design, Ben has spent the last ten years in industry where he was responsible for the

conception and generation of a wide range of

motion graphic products and animations for blue chip clients and has had much of his work shown on prime time TV.

SOUMI ISSA Soumi is currently a student on the BA (Hons)

Graphic Design course at AUB. He has an eye for the most detailed of details and a passion for all things that look good and do better.

Thank You

Biographies

We would like to thank the following people, without whom AUB Human would not exist, for their ongoing support of AUB Human; Prof. Paul Gough, Vice-Chancellor, Prof. Emma Hunt, Deputy Vice Chancellor, Dr Christian McLening, Dean of the School of Art, Design and Architecture, Dorothy Mackenzie, Chair of the Board and Marion Morrison, Course Leader, BA (Hons) Graphic Design. We would also like to thank all the contributors, industry friends and alumni who share in the AUB Human values and have given their time and support generously.

A special thank you to all our students, who continue to inspire us with their work and a few of whom are featured in this newspaper. They have risen to the challenges presented by the world and used their creativity and innovation in showing how we can create a more sustainable and inclusive future for all.

Thank you to our AUB colleagues who have energetically contributed to the events and collaborations we have done this year, although we can’t name everyone, a particular thank you to: Mark Osborne, Adele Keeley, Monica Franchin, Ed Ward, Kevan Manwaring and our ‘creative coder in residence’, Ashley Brown. Additional thanks to Lucy Devall, Fran Conrad and Claire Holman for taking up the organisational baton for the AUB Human Research Group and to the AUB Marketing Team for championing our mission and entering the ‘Pollution Pods’ project to the HEIST Awards, for which we are pleased to be shortlisted for Best Community Engagement 2021.

Thank you to the Environment Committee, chaired by Jon Renyard, the University Secretary, and comprising of members from all corners of AUB, including James Jackson, Sustainability Manager, to academic and technical staff and the AUB Students’ Union, all of whom are passionate about environmental sustainability and ensuring AUB’s continual improvement.

Finally, I would personally like to thank Natalie Carr who is moving on to another project, she has been the AUB Human Graduate Intern since September 2019. During this time, she has helped to grow AUB Human through her dedication to ‘design for good’ combined with excellent creative skills, enabling AUB Human to permeate throughout the institution and inspiring deeper engagement in social, ethical and sustainable creative practices. Notable achievements have been many, but include designing the AUB Human book, curating the ‘Sustainable Futures’ exhibition and working with Activate on the ‘Pollution Pods’ project. We are delighted that Natalie is moving forward with her proposal in tackling plastic waste on the beach front, the project is driven by sustainability but takes her love of the ocean as a surfer and combines with her innovative creative skills as a designer. Natalie has developed the project over the course of her time as intern and plans to use the AUB Innovation Hub facilities to prototype and test her concept. Go Natalie!

aub.ac.uk/aub-human

| 62

63 |

Acknowledgements

ALICE STEVENS Alice founded AUB Human in 2016 and has curated numerous symposia and events that explore

how creatives can make a positive difference to

people and planet. Alice is currently undertaking a practice-based PhD and her research draws

upon Ecolinguistics and Posthumanism where she uses storytelling and speculative design methods to explore how we can create sustainable and regenerative futures.

NATALIE CARR Natalie graduated from the BA (Hons) Graphic

Design course at AUB in 2018 and is the current

AUB Human intern. Her interest in social, ethical

and sustainable design solutions has enabled her to work with local businesses, CICs and the AUB Innovations team on beach-based community interventions within Bournemouth.

BEN PARKER Ben recently joined the BA (Hons) Graphic Design course as Technician demonstrator. Specialising

in motion design, Ben has spent the last ten years in industry where he was responsible for the

conception and generation of a wide range of

motion graphic products and animations for blue chip clients and has had much of his work shown on prime time TV.

SOUMI ISSA Soumi is currently a student on the BA (Hons)

Graphic Design course at AUB. He has an eye for the most detailed of details and a passion for all things that look good and do better.

Thank You

Biographies

aub.ac.uk/aub-human

AUB Human BE PURPOSE DRIVEN

AUB Human BE TRUE TO YOUR OWN VALUES

AUB Human BECOME A SYSTEMS THINKER

AUB Human PRACTICE EMPATHY

AUB Human FIND COLLABORATORS

AUB Human STAY CURIOUS

AUB Human

AUB Human - Scan Me

Articles inside

Storytelling for Good | Jon Cleave

Design for Direct Action | Rosie Strickland

Costume for Change | Adele Keeley

takes a particularly interesting or innovative approach to sustainability

Graphic Design students impress Dyson in the SNTech Creative Challenge

Annotated Environments & Anthropocentric Ecologies: A collaboration with Activate Performing Arts

AUB joins with Lush to champion accessibility and sustainability in packaging

AUB Graphic Design students create a new brand identity for National Lottery Heritage Funded Our Museum project

Interior Architecture students support the NHS in considering how to tackle growing waiting lists

The Achieve Project: a collaboration with Superpeople and Disability Rights UK

for people in their final days of life