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Film Studies Kurt Kren The Multisensory Film Experience Cartomancy and Tarot in Film Beijing Film Academy Yearbook Sam Peckinpah World Film Locations: Cleveland Directory of World Cinema: American Independent 2 Directory of World Cinema: Argentina 2 Twin Peaks The Swedish Porn Scene Activist Film Festivals Gay Men at the Movies International Horror Film Directors Film Studies Backlist
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Intellect Books
Welcome
“As I and many colleagues can attest to, Intellect cares about creating books of substance through supportive relationships with its authors and editors. Intellect’s mission to ‘represent[…] the author’s voice authentically, without imposition of personal ideas or opinions’ was at the heart of every interaction I had with them – from proposal submission to final copy-editing. The goal was never to get the book simply done, but to get it right. I had an excellent experience with Intellect and look forward to working with them again on another project soon.” Peter Duffy, Editor of A Reflective Practitioner’s Guide to (Mis) Adventures in Drama Education – or – What Was I Thinking?
Our catalogue this year is a perfect homage to our continued commitment to publishing original, innovative research. Our 2016 film studies books’ list covers a wide array of topics from activist film festivals and horror film to famous filmmakers like Sam Peckinpah and Kurt Kren. All of our titles are wonderfully cross or multidisciplinary and have a wide international focus. We continue to represent and campaign for the author’s voice and constantly seek fresh, innovative ideas to add to our ever-growing body of scholarly work. Whether your interest is in performing arts, film studies, visual arts or communication and media studies, we hope that within this wide selection of books you will find something to spark your interest. To view our full 2016 books catalogue please click here.
3 Intellect Books | Film Studies
Now publishing over 600 books and over 90 journals, this is a very special year for us as we celebrate 30 years of academic publishing. During that time we have had the immense privilege of supporting some of the most exciting peer-reviewed research in culture, media and the arts. We are constantly amazed by the quality, breadth, and originality that our authors bring to Intellect’s publications.
Intellect JOURNALS Some of you may not be aware that Intellect has an extensive catalogue of over 90 journals. These range from our new journals that focus on drawing to food design to some of our more established journals covering gaming, painting, architecture, comics and much more. Visit our website to access a free issue from each journal, contribute an article, subscribe or to explore the wide and diverse array of back issues. New 2016 titles Drawing: Research, Theory & Practice, International Journal of Food Design, Studies in Costume & Performance, Journal of Interdisciplinary Voice Studies and Queer Studies in Media & Popular Culture. New 2017 titles Indian Theatre Journal, Journal of Popular Music Education & Transitions: Journal of Transient Migration. If you have any questions or to request a journals catalogue please get in touch with nicola@intellectbooks.com | www.intellectbooks.co.uk/journals
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Publish with us “Publishing with Intellect was a highly pleasant experience. Their editors are very helpful and easy to work with and the publishing process was efficient and professional. Most importantly, the design of the book was excellent!”
Lu Pan, Aestheticizing Public Space
As an independent, academic publisher we are able to move quickly, offer a tailored process and ensure cutting-edge research reaches the market in a timely fashion. All books and journal articles are subject to double peer-review, ensuring all publications are of high quality and of appropriate academic rigour. We are partnered with the University of Chicago Press. UCP handles Intellect’s marketing, sales and distribution internationally. If you choose to publish with Intellect you will also receive the resources and expertise of the University of Chicago Press. Proposing a New Book Project We request that authors and editors download and complete the questionnaire found on the ‘Publish with us’ section of our website www.intellectbooks.co.uk/repository/ index and send an electronic copy of the completed form, along with your CV, to: lovett@ intellectbooks.com IntellectOpen IntellectOpen is designed to complement our traditional academic publishing services by offering authors, editors and their funders an attractive Open Access option for delivering their monographs and journals free at the point of access under Creative Commons licencing. With IntellectOpen, as with our other publishing models, we are committed to offering authors the best publishing service, while always striving to keep prices, fees and costs to a minimum. For more details please visit the IntellectOpen section of our website.
5 Intellect Books | Film Studies
We aim to support our authors and editors to ensure that they are fully satisfied with the publishing process and to work collaboratively with them from the proposal stage through to marketing. All members of the Intellect team will be happy to discuss your project and address any queries you may have.
New series
KINOSPUTNIK Book series Series editors: Birgit Beumers & Richard Taylor
“As interest in Russian film grows, and more and more important Russian and Soviet films become available with English subtitles, so the demand for intelligent and informative writing about them increases. In this context KinoSputnik, Intellect’s new series of incisive, original and accessible guides to key landmarks of Russian film history, written by leading scholars in the field, is greatly to be welcomed.” Julian Graffy, Professor Emeritus from UCL and a leading expert on Russian cinema The KinoSputnik series provides concise companion guides to the most important and interesting films to emerge from Russian cinema from its inception to the present day. While based on sound scholarship, the books are written in a clear and accessible style, with each volume sharing a broadly common structure. Illustrated and at an attractive price, the volumes are aimed primarily at undergraduate and postgraduate students and an interested and intelligent general readership. Each installment contains production details, a brief plot synopsis, analyses of the films both in terms of content and context, and an analysis of how they were received.
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Each book is the first companion to these films
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Appeals to individuals and academics interested in film production, the Soviet Union and Russian directors
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Uses an academic method but in an accessible, readerfriendly fashion
The Commissar By Marat Grinberg
ISBN: 978-1-78320-706-0 25 Illustrations 88 pp | £20/$28.50 Paperback | Autumn 2016 170 x 230mm eBook available
New series
Aleksandr Askoldov
Filmed in 1966 and ’67, but kept from release for twenty years, The Commissar is unquestionably one of the most important and compelling films of the Soviet era. Based on a short story by Vasily Grossman, this book is the first companion to the film, recounting the film’s plot and turbulent production history whilst offering a close analysis of the artistic vision of director, Aleksandr Askoldov. The result is an indispensible companion to an unforgettable film. Marat Grinberg is associate professor of Russian and humanities at Reed College in Portland, Oregon.
Aleksandr Sokurov Russian Ark By Birgit Beumers
ISBN: 978-1-78320-703-9 25 Illustrations 80 pp | £20/$28.50 Paperback | Autumn 2016 170 x 230mm eBook available
Birgit Beumers is professor of film studies at the University of Aberystwyth, Wales. She is editor of the journals KinoKultura and Studies in Russian and Soviet Cinema.
Sergei Paradjanov Shadows of Forgotten Ancestors By Joshua First
ISBN: 978-1-78320-709-1 80 Illustrations 112 pp | £20/$28.50 Paperback | Autumn 2016 170 x 230mm eBook available
Paradjanov’s Shadows of Forgotten Ancestors (1965) is a landmark of Soviet-era cinema because of its emphasis on folklore and mysticism in Carpathian Hutsul culture, which broke with Soviet-realism. This book, as the first full-length companion to the film, offers readers a close analysis of the film’s symbolism, a plot synopsis, a history of the legendary production process. It closes with an account of the film’s reception by critics, audiences and Soviet officials, and the controversies that have kept it a subject of heated debate for decades. Joshua First is the Croft Associate Professor of history and international studies at the Croft Institute for International Studies at the University of Mississippi.
7 Intellect Books | Film Studies
Russian Ark (2002) drew astonished praise for its technique: shot with a Steadicam in one 96 minute take, following the Marquis de Custine as he wandered through the vast Winter Palace – and through three 300 years of Russian history. Providing a comprehensive synopsis, in-depth analysis and an account of the production history, Beumers offers an insight into the now-legendary work of Aleksandr Sokurov.
New series
Mediated cities Book series “The Mediated Cities book series has been developed in conjunction with AMPS as part of its international programme of academic conferences and events of the same name. Consequently, these books capture a fascinating array of ideas from across the world on the relationship between new technologies and medias and the cities in which we live, whether they be London, LA and New York, or Bogota, Guadalajara or Banja Luka.” Graham Cairns, Series Editor The Mediated Cities series explores the contemporary city as a hybrid phenomenon of digital technologies, new media, digital art practices and physical infrastructure. It is an inherently interdisciplinary series around intersecting issues related to the city of today and tomorrow. As Marshall McLuhan identified in 1964, today’s global village is a place of simultaneous experience; a site for overlapping material and electronic effects; a place not so much altered by the content of a medium, but rather, a space transformed by the very nature of medias themselves. For some, this is little more than the inevitable evolution of urban space in the digital age. For others, it represents the city’s liberation from the condition of stasis. For scaremongers, it’s a nightmare scenario in which the difference between the virtual and the real, the electronic and the material, the recorded and the lived, becomes impossible to identify. •
An in-depth investigation into the influence of the digital matrix on our contemporary urban cities
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Edited and written by professionals in architecture, media, design, film, performance and art
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This series will appeal to students, professionals and anyone interested in the digitalization of our urban surroundings
New Technologies and Physical Spaces Edited by Glenda Amayo Caldwell, Carl H. Smith and Edward M. Clift
ISBN: 978-1-78320-560-8 75 Illustrations 280 pp | £32/$46 Paperback | Spring 2016 170 x 230mm eBook available
New series
Digital Futures and the City of Today
In the contemporary city, the physical infrastructure and sensorial experience of two millennia are now interwoven within an invisible digital matrix. This matrix alters human perceptions of the city, informs behaviour and influences the urban designs we inhabit. Cutting through these issues, Digital Futures and the City of Today analyses the work of architects, designers, media specialists and community activists laying out a multi-faceted view of the integrated phenomenon on the contemporary city. Glenda Amayo Caldwell is a researcher in the Urban Informatics Research Lab and a lecturer in architecture at the School of Design, Queensland University of Technology, Australia. Carl H. Smith is director of the Learning Technology Research Institute and a senior lecturer at Ravensbourne, London. Edward M. Clift is president of Brooks Institute in Ventura, California.
Filming the City Urban Documents, Design Practices and Social Criticism Through the Lens Edited by Edward M. Clift, Mirko Guaralda and Ari Mattes
Edward M. Clift is president of Brooks Institute in Ventura, California. Mirko Guaralda is a senior lecturer in architecture at the Queensland University of Technology. Ari Mattes is a lecturer in media studies at the University of Notre Dame, Australia.
Imaging the City Art, Creative Practices and Media Speculations Edited by Steve Hawley, Edward M. Clift and Kevin O’Brien
ISBN: 978-1-78320-557-8 75 Illustrations 296 pp | £32/$46 Paperback | Spring 2016 170 x 230mm eBook available
Bringing together the work of designers, artists, dancers and media specialists Imaging the City investigates how we perceive the city, how we imagine it, how we experience it and how we might better design it. Provocatively opening up the field of urban analysis and thought to the perspectives of creative professionals Imaging the City offers insight for engaging with – and forecasting the future of – our cities. Steve Hawley is professor and associate dean for research at the Manchester School of Art, Manchester Metropolitan University. Edward M. Clift is president of Brooks Institute in Ventura, California. Kevin O’Brien is an architect and professor of design at Queensland University of Technology, Australia.
9 Intellect Books | Film Studies
ISBN: 978-1-78320-554-7 75 Illustrations 196 pp | £32/$46 Paperback | Spring 2016 170 x 230mm eBook available
Filming the City brings together the work of film-makers, architects, designers, video artists, and media specialists to provide three distinct prisms through which to examine the medium of film in the context of the city. Presenting readers with commentaries on particular films and their social and urban relevance, offering contemporary criticisms of both film and urbanism from conflicting perspectives, the editors offer a new approach to understanding the complex, multi-layered interaction of urban design.
Kurt Kren Structural Films Edited by Nicky Hamlyn, Simon Payne and A. L. Rees
ISBN: 978-1-78320-551-6 55 colour Illustrations 296 pp | £50/$71.50 Hardback | Spring 2016 170 x 230mm eBook available Nicky Hamlyn is a writer and film-maker based in the United Kingdom. He teaches at the University for the Creative Arts and the Royal College of Art in London and is the author of Film Art Phenomena. Simon Payne is a video artist, writer, and programmer. He is a senior lecturer in film and media studies at Anglia Ruskin University, Cambridge. A. L. Rees (1949– 2014) was a critic, historian, and research tutor at the Royal College of Art, London.
Kurt Kren was a vital figure in Austrian avant-garde cinema of the post-war period. His structural films, often shot frame-by-frame following elaborately pre-scored charts and diagrams, have influenced film-makers for decades, even as Kren himself has remained a nomadic and obscure public figure. Kurt Kren: Structural Films, edited by Nicky Hamlyn, Simon Payne, and A. L. Rees, brings together interviews with Kren, film scores, and classic, out-of-print essays, alongside the reflections of contemporary academics and film-makers, to add muchneeded critical discussion of Kren’s legacy. Taken together, the collection challenges the canonical view of Kren that ignores his underground lineage and powerful, lyrical imagery.
A Cognitive Model of Experiential Film Aesthetics By Luis Rocha Antunes
Film Studies
The Multisensory Film Experience
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Luis Rocha Antunes is a doctoral candidate in film studies and aesthetics at the University of Kent and the Norwegian University of Science and Technology.
The light and sound of the motion picture, once perceived, are a gateway to a multisensory experience of the spectator. Moving beyond the oftdiscussed perceptual elements of vision and hearing, The Multisensory Film Experience analyses temperature, pain and balance in order to argue that it is the experience of film that’s inherently multisensory, not the medium. Luis Rocha Antunes here explores the work of well-loved filmmakers Erik Jensen, Gus Van Sant and Ki-Duk Kim to offer new insights into how viewers experience films and understand their stories. This is an original contribution to an emerging field of research and will become essential reading for film scholars.
Intellect Books | Film Studies
ISBN: 978-1-78320-628-5 218 pp | ÂŁ30/$43 Paperback | Spring 2016 170 x 230mm eBook available
Cartomancy and Tarot in Film By Emily E. Auger
ISBN: 978-1-78320-331-4 400 pp | £80/$114 Hardback | Spring 2016 170 x 230mm eBook available
In the first book-length study of tarot cards on the silver screen, Emily E. Auger contextualizes cartomancy – the practice of fortune telling via playing cards – and dives deep into its invention and promulgation in film. After providing an introduction to divination and cartomancy, Auger offers detailed descriptions and analyses of the roles that cartomancy and tarot cards play in films. The book features a filmography including nearly two hundred films, detailing their relationships to cartomancy. As tarot communities continue to grow worldwide, Cartomancy and Tarot in Film will be of increasing interest to scholars of esoteric studies, film, folklore, playing cards, popular culture, and religion, as well as diviners the world over.
Emily E. Auger is the author of Tarot and Other Meditation Decks and Tech-Noir Film, as well as the editor of Tarot in Culture. She has taught art history in Canadian and American universities for more than twenty years.
Beijing Film Academy Yearbook 2015 Edited by the Journal of the Beijing film Academy
ISBN: 978-1-78320-605-6 220 pp | £80/$114 Hardback | Spring 2016 230 x 170mm eBook available The Journal of the Beijing Film Academy, founded in 1984, is edited by the Beijing Film Academy’s Department of Film Studies.
The Beijing Film Academy (BFA) is one of the most revered Film institutions in the world. Since 1984, the BFA’s Department of Film Studies has been publishing the Journal of the Beijing Film Academy, the only journal of film theory that integrates film education in higher learning with film theory studies. Now, coinciding with dramatically increased interest in Chinese cinema, comes the Beijing Film Academy Yearbook, showcasing the best academic debates, discussions, and research from the academy in 2015 – all available for the first time in English. Aimed at narrowing the cultural gap for cross-cultural research, the book contributes not only to scholarly work on Chinese cinema but also to film and media studies more generally.
Edited by Fernando Ganzo
ISBN: 978-1-78320-619-3 85 Illustrations 196 pp | £25/$36 Paperback | Spring 2016 240 x 140mm eBook available
Director Sam Peckinpah (1925 – 1984) never won an Oscar. His filmography is short and uneven, and his movies have never found a wide audience. Despite this, many film-makers today, including Tarantino and Scorsese, count him as a major influence. Sam Peckinpah, edited by Fernando Ganzo, investigates how this unique film-maker can have such an outsized legacy, exploring films as diverse as New Mexico and Bring Me the Head of Alfredo Garcia, as well as Peckinpah’s television work. This lavishly illustrated volume will delight scholars and fans, as well as bringing the under-appreciated Peckinpah to new audiences in a new millennium.
Film Studies
Sam Peckinpah
Fernando Ganzo is co-editor-in-chief of the magazine Sofilm and founder of the journal Lumière. He is author of George Cukor: On/Off Hollywood.
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Edited by Alberto Zambenedetti The prototypical rust belt city, Cleveland has long served as an emblem of late twentieth-century urban decay. But recent decades have brought a cultural and economic renaissance – a revival that has been reflected and aided by the growing number of films being shot on location there.
ISBN: 978-1-78320-648-3 170 Illustrations 129 pp | £20/$28.50 Paperback | Autumn 2016 152 x 229mm eBook available Part of the World Film Locations Series Alberto Zambenedetti is visiting assistant professor of cinema studies and an Andrew W. Mellon postdoctoral fellow at Oberlin College. He is the editor of World Film Locations: Florence.
This new entry in the World Film Locations series offers the firstever extended look at Cleveland on screen. Richly illustrated with images from dozens of productions, it reveals Cleveland to be usefully chameleonic, appealing to some film-makers for its modern down town’s ability to mimic more prominent (and more expensive) cities, to others for the way its shuttered factories and decaying docks signify contemporary urban distress. With entries on such classics as The Fortune Cookie, The Deer Hunter, A Christmas Story and The Avengers, as well as lesser-known films, the volume reveals Cleveland to be a far more compelling, and far more varied, on-screen presence than even most film buffs would expect.
Intellect Books | Film Studies
World Film Locations: Cleveland
Directory of World Cinema: American Independent 3 Edited by John Berra
ISBN: 978-1-78320-656-8 60 Illustrations 320 pp | £40, $57 Paperback | Autumn 2016 170 x 240mm eBook available Part of the Directory of World Cinema Series
This third volume of the successful Directory of World Cinema series focusing on American independent film-making presents in-depth essays on 44 filmmakers who have primarily worked outside the mainstream or on its industrial margins. Contributors offer close analyses of the work of both widely acknowledged auteurs and little-known provocateurs who deserve much wider recognition. Major names discussed include Wes Anderson, Jim Jarmusch, Dennis Hopper, Sofia Coppola, and Darren Aronofsky, with attention also paid to cult directors like Larry Cohen, Zalman King, and Ti West. The resulting book is both a who’s who of contemporary independent cinema in America and a reminder that the ways of making films outside the studio system are incredibly varied – and can be powerfully effective.
John Berra is a lecturer in film and language studies at Renmin University of China.
Directory of World Cinema: Argentina 2 Edited by Beatriz Urraca and Gary M. Kramer
ISBN: 978-1-78320-662-9 70 Illustrations 282 pp | £40, $57 Paperback | Autumn 2016 170 x 240mm eBook available Part of the Directory of World Cinema Series Beatriz Urraca is associate professor of Spanish at Widener University in Chester, Pennsylvania. Gary M. Kramer is a freelance writer for Salon and Philadelphia Gay News.
This volume continues the exploration of contemporary Argentine cinema that began in the first book. It provides a close analysis of exciting new directors, including Marco Berger and Matías Piñeiro, transnational stars like Ricardo Darín, and trends such as films being made in the provinces. Contributors cover several of the country’s Oscar submissions, including Benjamín Ávila’s Clandestine Childhood, Lucía Puenzo’s The German Doctor, and Damián Szifron’s Wild Tales, which became a surprise global hit. Focusing primarily on films made since 2000, the book offers a rich mix of reviews, essays, analyses, and film stills, which together make it an invaluable companion to one of the most popular, diverse and successful film industries in Latin America.
Unwrapping the Plastic By Franck Boulègue
ISBN: 978-1-78320-659-9 121 Illustrations 196 pp | £30/$43 Paperback | Autumn 2016 170 x 230mm eBook available
Film Studies
Twin Peaks
Few contemporary television shows have been subjected to the critical scrutiny that has been brought to bear on David Lynch and Mark Frost’s Twin Peaks since its debut in 1990. Yet the series, and the subsequent film, Fire Walk With Me, are sufficiently rich that it’s always possible for a close analysis to offer something new – and that’s what Frank Boulègue has done with Twin Peaks: Unwrapping the Plastic. Through Boulègue’s eyes, we see for the first time the world of Twin Peaks as a coherent whole, one that draws on a wide range of cultural source material, including surrealism, transcendental meditation, Jungian psychoanalysis, mythology, fairy tales and much, much more. The work of a scholar who is also a fan, the book should appeal to any hardcore Twin Peaks viewer.
Franck Boulègue is a film critic for various research journals and co-editor of Fan Phenomena: Twin Peaks.
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Exhibition Contexts, 8mm Pornography and the Sex Film By Mariah Larsson
ISBN: 978-1-78320-682-7 6 Illustrations 175 pp | £32/$46 Paperback | Autumn 2016 170 x 230mm eBook available Mariah Larsson has taught sexology at Malmö University and film studies at Stockholm University.
This book presents a close look at the golden age of Swedish pornography in the 1970s, with a specific focus on pornographic films screened in Malmö between 1971 and 1976. How, Mariah Larsson asks, was that one small city’s embrace of the era’s sexual liberation both representative and unique in relation to the rest of Sweden? Combining contemporary case studies with comprehensive analyses of advertisements, critical responses, and censorship records, Larsson deconstructs the complexities and paradoxes of the Swedish porn scene. Looking as closely at the exhibition spaces where porn was seen as at the productions themselves and their audiences, Larsson reveals the conditions and social changes that allowed pornography in Sweden to flourish in the period. “This careful analysis will have significant resonance across the western world. It also provides a much needed historical background to recent and likely future changes in Swedish policy around commercial sex.” Jill Matthews, Australian National University
Intellect Books | Film Studies
The Swedish Porn Scene
Activist Film Festivals Towards a Political Subject Edited by Sonia Tascón and Tyson Wils
ISBN: 978-1-78320-634-6 8 Illustrations 245 pp | £45/$64 Paperback | Autumn 2016 170 x 230mm eBook available Sonia Tascón is a lecturer at the School of Social Sciences at the University of the Sunshine Coast, Australia. Tyson Wils is a lecturer at the School of Media and Communications at RMIT University, Australia.
Film festivals are an ever-growing part of the film industry, but most considerations of them focus almost entirely on their role in the business of film-making. This book breaks new ground by bringing scholars from a range of disciplines together with industry professionals to explore the concept of festivals as spaces through an activist lens, as spaces where the sociopolitical identities of communities and individu als are confronted and shaped. Tracing the growth of activist and human rights-focused films from the 1970s to the present, and using case studies from San Francisco, Brazil, Bristol, and elsewhere, the book addresses such contentious topics as whether activist films can achieve humanitarian aims or simply offer ‘cinema of suffering.’
Cinema, memory and the history of a gay male community By Scott McKinnon
Film Studies
Gay Men at the Movies
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Scott McKinnon is a postdoctoral research fellow at Western Sydney University and an honorary research associate at the University of Sydney.
Cinema has long played a major role in the formation of community among marginalized groups, and this book details that process for gay men in Sydney, Australia from the 1950s to the present. Scott McKinnon builds the book from a variety of sources, including film reviews, media reports, personal memoirs, oral histories, and a striking range of films, all deployed to answer the question of how to understand cinemagoing as a moment of connection to community and identity – how the experience of seeing these films and being part of an audience helped to build a community among the gay men of Sydney in the period.
Intellect Books | Film Studies
ISBN: 978-1-78320-596-7 15 Illustrations 250 pp | £42/$60 Hardback | Autumn 2016 170 x 230mm eBook available
International Horror Film Directors Global Fear Edited by Danny Shipka and Ralph Beliveau
ISBN: 978-1-78320-653-7 7 Illustrations 248 pp | £30/$42.50 Paperback | Autumn 2016 170 x 230mm eBook available Danny Shipka is assistant professor of mass communication and affiliate member of the School of International Studies at Oklahoma State University. Ralph Beliveau is an associate professor in the Gaylord College of Journalism and Mass Communication and an affiliate faculty of film and media studies and the women and gender studies programmes at the University of Oklahoma.
Horror films have for decades commanded major global audiences, tap ping into deep-rooted fears that cross national and cultural boundaries in their ability to spark terror. This book brings together a group of scholars to explore the ways that this fear is utilized and played upon by a wide range of film-makers. Contributors take up such major figures as Guillermo del Toro, Lars Von Trier and David Cronenberg, and they also offer introductions to lesser-known talents such as Richard Franklin, Kiyoshi Kurosawa, Juan López Moctezuma, and Alexandre Aja. Scholars and fans alike dipping into this collection will discover plenty of insight into what chills us.
ISBN 978-1-78320-039-9 | 234pp £35, $50 | HB | 2014 eBook available
Architecture of the Screen, The: Essays in Cinematographic Space By Graham Cairns ISBN 978-1-84150-711-8 | 232pp £20, $28.50| PB | 2013 eBook available
Australian Post-War Documentary Film: An Arc of Mirrors By Deane Williams ISBN 978-1-84150-210-6 | 176pp £35, $50 | HB | 2008 eBook available
ISBN 978-1-84150-204-5 | 288pp £35, $50 | HB | 2008 eBook available
Cinema and Landscape: Film, Nation and Cultural Geography Edited by Graeme Harper and Jonathan Rayner ISBN 978-1-84150-309-7 | 264pp £20, $28.50 | PB | 2010 eBook available
Alternative Worlds in Hollywood Cinema: Resonance between Realms By James Walters
ISBN 978-1-84150-138-3 | 216pp £25, $35.50 | PB | 2006 eBook available
ISBN 978-1-84150-202-1 | 232pp £20, $28.50 | PB | 2008 eBook available
Australian Film Theory and Criticism, Vol. 1: Critical Positions Editied By Noel King, Constantine Verevis and Deane Williams
Australian Film Theory and Criticism, Vol. 2: Interviews Edited by Noel King and Deane Williams
ISBN 978-1-84150-581-7 | 192pp £20, $28.50 | PB | 2013 eBook available
Beauty and the Beast: Italianness in British Cinema By Elisabetta Girelli ISBN 978-1-84150-244-1 | 240pp £25, $35.50 | PB | 2009 eBook available
ISBN 978-1-78320-037-5| 424 pp £35, $50 | PB | 2014 eBook available
Berlin School Glossary: An ABC of the New Wave in German Cinema Edited by Roger F. Cook, Lutz Koepnick, Kristin Kopp, and Brad Prager ISBN 978-1-84150-576-3 | 262pp £25, $35.50 | PB | 2013 eBook available
British TV & Film Culture of the 1950s: Coming to a TV Near You By Su Holmes
Cindy Sherman’s Office Killer: Another Kind of Monster
ISBN 978-1-84150-121-5 | 271pp £25, $35.50 | PB | 2005 eBook available
ISBN 978-1-84150-707-1 | 120pp £25, $36 | PB | 2014 eBook available
Cinema Makers, The: Public Life and the Exhibition of Difference in South-Eastern and Central Europe since the 1960s By Anna Schober
Cinema of Mika Kaurismäki, The: Transvergent Cinescapes, Emergent Identities By Pietari Kääpä
ISBN 978-1-84150-515-2 | 140pp £25, $35.50 | PB | 2013 eBook available
By Dahlia Schweitzer
ISBN 978-1-84150-409-4 | 176pp £25, $35.50 | PB | 2010 eBook available
Cinemas of the Other: A Personal Journey with Film-makers from Central Asia By Gönül Dönmez-Colin
Cinemas of the Other: A Personal Journey with Film-makers from Iran and Turkey By Gönül Dönmez-Colin
Cinemas of the Other: A Personal Journey with Filmmakers from the Middle East and Central Asia By Gönül Dönmez-Colin
ISBN 978-1-84150-549-7 | 334pp £16, $23 | PB | 2012 eBook available
ISBN 978-1-84150-548-0 | 334pp £20, $28.50 | PB | 2012 eBook available
ISBN 978-1-84150-143-7 | 284pp £35, $50 | HB | 2006 eBook available
19 Intellect Books | Film Studies
Beyond Auteurism: New Directions in Authorial Film Practices in France, Italy and Spain since the 1980s By Rosanna Maule
Allegorical Images: Tableau, Time and Gesture in the Cinema of Werner Schroeter By Michelle Langford
Film Studies
3D Cinema and Beyond Edited by Dan Adler, Janine Marchessault, and Sanja Obradovic
Danish Directors 2, The: Dialogues on the New Danish Fiction Cinema Edited by Mette Hjort, Eva Novrup Redvall and Eva Joerholt ISBN 978-1-84150-271-7 | 310pp £20, $28.50 | PB | 2010 eBook available
Danish Directors 3, The: Dialogues on the New Danish Documentary Cinema Edited by Mette Hjort, Ib Bondebjerg and Eva Novrup Redvall
David Cronenberg: Author or Film-maker? By Mark Browning ISBN 978-1-84150-173-4 | 208pp £25, $35.50 | PB | 2007 eBook available
ISBN 978-1-78320-041-2 | 224pp £20, $28.50 | PB | 2014 eBook available
Declarations of Independence: American Cinema and the Partiality of Independent Production By John Berra
Deleuze and Film Music: Building a Methodological Bridge between Film Theory and Music By Gregg Redner
ISBN 978-1-84150-185-7 | 224pp £25, $35.50 | PB | 2008 eBook available
ISBN 978-1-84150-370-7 | 192pp £25, $35.50 | PB | 2011 eBook available
Directory of World Cinema: Africa Edited by Blandine Stefanson and Sheila Petty
Directory of World Cinema: American Hollywood Edited by Lincoln Geraghty
Directory of World Cinema: American Hollywood 2 Edited by Lincoln Geraghty
ISBN 978-1-84150-415-5 | 302pp £40, $57 | PB | 2010 eBook available
ISBN 978-1-78320-006-1 | 302pp £40, $57 | PB | 2015 eBook available
Directory of World Cinema: American Independent Edited by John Berra
Directory of World Cinema: American Independent 2 Edited by John Berra
ISBN 978-1-84150-368-4 | 327pp £40, $57 | PB | 2010 eBook available
ISBN 978-1-84150-612-8 | 320pp £40, $57 | PB | 2013 eBook available
Directory of World Cinema: Argentina Edited by Beatriz Urraca and Gary M. Kramer
Directory of World Cinema: Australia & New Zealand Edited by Geoff Lealand and Ben Goldsmith
Directory of World Cinema: Australia & New Zealand 2 Edited by Geoff Lealand, Ben Goldsmith and Mark David Ryan
ISBN 978-1-78320-391-8 | 302pp £40, $57 | PB | 2014 eBook available
ISBN 978-1-84150-373-8 | 344pp £40, $57 | PB | 2010 eBook available
ISBN 978-1-84150-634-0 | 364 pp £40, $57 | PB | 2015 eBook available
Directory of World Cinema: Brazil Edited by Louis Bayman and Natália Pinazza
Directory of World Cinema: Britain Edited by Emma Bell and Neil Mitchell
ISBN 978-1-78320-009-2 | 320pp £40, $57 | PB | 2013 eBook available
ISBN 978-1-84150-557-2 | 272pp £40, $57 | PB | 2012 eBook available
Diasporas of Australian Cinema Edited by Catherine Simpson, Renata Murawska and Anthony Lambert ISBN 978-1-84150-197-0 | 128pp £25, $35.50 | PB | 2009 eBook available
ISBN 978-1-78320-007-8 | 320pp £40, $57 | PB | 2014 eBook available
Directory of World Cinema: Belgium Edited by Jeremi Szaniawski and Marcelline Block ISBN 978-1-78320-008-5 | 320pp £40, $57 | PB | 2013 eBook available
Directory of World Cinema: Britain 2 Edited by Neil Mitchell ISBN 978-1-78320-397-0 | 300pp £40, $57 | PB | 2014 eBook available
Directory of World Cinema: China 2 Edited by Gary Bettinson
Directory of World Cinema: East Europe Edited by Adam Bingham
ISBN 978-1-84150-558-9 | 322pp £40, $57 | PB | 2012 eBook available
ISBN 978-1-78320-400-7 | 300pp £40, $57 | PB | 2014 eBook available
ISBN 978-1-84150-464-3 | 264pp £40, $57 | PB | 2011 eBook available
Directory of World Cinema: Finland Edited by Pietari Kääpä
Directory of World Cinema: France Edited by Tim Palmer and Charlie Michael
Directory of World Cinema: Germany Edited by Michelle Langford
ISBN 978-1-84150-617-3 | 276pp £40, $57 | PB | 2012 eBook available
ISBN 978-1-84150-563-3 | 327pp £40, $57 | PB | 2013 eBook available
Film Studies
Directory of World Cinema: China Edited by Gary Bettinson
ISBN 978-1-84150-465-0 | 320pp £40, $57 | PB | 2011 eBook available
Directory of World Cinema: Germany 2 Edited by Michelle Langford
Directory of World Cinema: India Edited by Adam Bingham
Directory of World Cinema: Iran Edited by Parviz Jahed
ISBN 978-1-84150-738-5 | 320pp £40, $57 | PB | 2013 eBook available
ISBN 978-1-84150-622-7 | 189pp £40, $57 | PB | 2014 eBook available
ISBN 978-1-84150-399-8 | 296pp £40, $57 | PB | 2011 eBook available
Directory of World Cinema: Iran 2 Edited by Parviz Jahed
Directory of World Cinema: Italy Edited by Louis Bayman
Directory of World Cinema: Japan Edited by John Berra
ISBN 978-1-78320-470-0 | 300pp £40, $57 | PB | 2017 eBook available
ISBN 978-1-84150-400-1 | 296pp £40, $57 | PB | 2011 eBook available
ISBN 978-1-84150-355-6 | 298pp £40, $57 | PB | 2010 eBook available
Directory of World Cinema: Japan 2 Edited by John Berra
Directory of World Cinema: Japan 3 Edited by John Berra
ISBN 978-1-84150-551-0 | 376pp £40, $57 | PB | 2012 eBook available
ISBN 978-1-78320-403-8 | 300pp £40, $57 | PB | 2014 eBook available
Directory of World Cinema: Latin America Edited by Isabel Maurer Queipo
Directory of World Cinema: Russia Edited by Birgit Beumers
Directory of World Cinema: Russia 2 Edited by Birgit Beumers
ISBN 978-1-84150-372-1 | 334pp £40, $57 | PB | 2010 eBook available
ISBN 978-1-78320-010-8 | 360pp £40, $57 | PB | 2013 eBook available
21
Directory of World Cinema: Scotland Edited by Bob Nowlan and Zach Finch ISBN 978-1-78320-394-9 | 300pp £40, $57 | PB | 2014 eBook available
Intellect Books | Film Studies
ISBN 978-1-84150-618-0 | 320pp £40, $57 | PB | 2013 eBook available
Directory of World Cinema: South Korea Edited by Colette Balmain ISBN 978-1-84150-560-2 | 327pp £40, $57 | PB | 2013 eBook available
Divided World, A: Hollywood Cinema and Emigre Directors in the Era of Roosevelt and Hitler, 1933–1948 By Nick Smedley
Directory of World Cinema: Spain Edited by Lorenzo J. Torres Hortelano ISBN 978-1-84150-463-6 | 287pp £40, $57 | PB | 2011 eBook available
Directory of World Cinema: Turkey Edited by Eylem Atakav ISBN 978-1-84150-620-3 | 320pp £40, $57 | PB | 2013 eBook available
Don’t Look Now: British Cinema in the 1970s Edited by Paul Newland
Downtown Film and TV Culture: 1975–2001 Edited by Joan Hawkins
ISBN 978-1-84150-320-2 | 256pp £25, $35.50 | PB | 2010 eBook available
ISBN 978-1-78320-422-9 | 416pp £35, $50 | PB| 2015 eBook available
Educating Film-Makers: Past, Present and Future
Europe and Love in Cinema Edited by Jo Labanyi, Luisa Passerini and Karen Diehl
ISBN 978-1-84150-402-5 | 144pp £25, $35.50 | PB | 2011 eBook available
Drive in Cinema: Essays on Film, Theory and Politics By Marc James Léger ISBN 978-1-78320-485-4 | 308pp £35, $50 | PB | 2015 eBook available
By Duncan Petrie and Rod Stoneman ISBN 978-1-78320-185-3 | 184pp £42, $60 | PB | 2014 eBook available
Feminist Ethics in Film: Reconfiguring Care through Cinema By Joseph Kupfer
Film Paintings of David Lynch, The: Challenging Film Theory By Allister Mactaggart
ISBN 978-1-84150-406-3 | 208pp £20, $28.50 | PB | 2012 eBook available
ISBN 978-1-84150-332-5 | 224pp £20, $28.50 | PB | 2010 eBook available
Frames of Mind: A PostJungian Look at Cinema, Television and Technology By Luke Hockley
Framing Film: Cinema and the Visual Arts Edited by Steven Allen and Laura Hubner
ISBN 978-1-84150-171-0 | 152pp £25, $35.50 | PB | 2007 eBook available
ISBN 978-1-84150-507-7 | 176pp £20, $28.50 | PB | 2012 eBook available
ISBN 978-1-84150-379-0 | 256pp £20, $28.50 | PB | 2011 eBook available
Film on the Faultline Edited by Alan Wright ISBN 978-1-78320-433-5 | 280pp £28, $40 | PB | 2015 eBook available
French Costume Drama of the 1950s: Fashioning Politics in Film By Susan Hayward ISBN 978-1-84150-318-9 | 376pp £30, $43 | PB | 2010 eBook available
Frontiers of Screen History: Imagining European Borders in Cinema, 1945–2010 Edited by Raita Merivirta, Kimmo Ahonen, Heta Mulari, and Rami Mähkä
Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures Edited by Olivia Khoo and Sean Metzger
Governing Visions of the Real: The National Film Unit and Griersonian Documentary Film in Aotearoa/New Zealand By Lars Weckbecker
ISBN 978-1-84150-732-3 | 272pp £30, $43 | PB | 2013 eBook available
ISBN 978-1-84150-274-8 | 288pp £25, $35.50 | PB | 2009 eBook available
ISBN 978-1-78320-495-3 | 200pp £60, $86 | HB | 2015 eBook available
ISBN 978-1-84150-433-9 | 288pp £25, $35.50 | PB | 2011 eBook available
Green Documentary: Environmental Documentary in the 21st Century By Helen Hughes
Historical Comedy on Screen: Subverting History with Humour Edited by Hannu Salmi
ISBN 978-1-78320-183-9 | 184pp £25, $36 | PB | 2014 eBook available
ISBN 978-1-84150-367-7 | 232pp £20, $28.50 | PB | 2011 eBook available
Hong Kong New Wave Cinema (1978–2000) By Pak Tong Cheuk
Immigration Cinema in the New Europe By Isolina Ballesteros
ISBN 978-1-84150-148-2 | 268pp £25, $35.50 | PB | 2008 eBook available
ISBN 978-1-78320-411-3 | 230pp £28, $40 | PB | 2015 eBook available
Iranian Cinema and Globalization: National, Transnational and Islamic Dimensions By Shahab Esfandiary
Lure of the Big Screen: Cinema in Rural Australia and the United Kingdom By Karina Aveyard
Music and Levels of Narration in Film: Steps Across the Border By Guido Heldt
ISBN 978-1-78320 -382-6 | 175pp £49, $70 | HB | 2014 eBook available
ISBN 978-1-84150-625-8 | 292pp £45, $64.50 | HB | 2013 eBook available
Musical Comedy Films of Grigorii Aleksandrov, The: Laughing Matters By Rimgaila Salys
Ned Kelly Films, The: A Cultural History of Kelly History By Stephen Gaunson
New Irish Storytellers: Narrative Strategies in Film By Díóg O’Connell
ISBN 978-1-84150-282-3 | 240pp £25, $35.50 | PB | 2009 eBook available
ISBN 978-1-84150-636-4 | 132pp £16, $23 | PB | 2012 eBook available
New Trends in Argentine and Brazilian Cinema Edited by Carolina Rocha and Cacilda M. Rego
New Zealand Cinema: Interpreting the Past Edited by Alistair Fox, Hilary Radner and Barry Keith Grant
New Zealand Film and Television: Institution, Industry and Cultural Change By Trisha Dunleavy and Hester Joyce
ISBN 978-1-84150-425-4 | 354pp £20, $28.50 | PB | 2011 eBook available
ISBN 978-1-84150-457-5 | 208pp £30, $43 | PB | 2011 eBook available
Open Roads, Closed Borders: The Contemporary French-Language Road Movie Edited by Michael Gott and Thibaut Schilt
Passion of the Reel: Cinematic versus Modernist Political Fictions in Cameroon By Jean-Olivier Tchouaffe with Sheri Malmain
Peter Weir: A Creative Journey from Australia to Hollywood By Serena Formica
ISBN 978-1-84150-662-3 | 181pp £45, $64.50 | HB | 2013 eBook available
ISBN 978-1-84150-564-0 | 216pp £65, $93 | HB | 2014 eBook available
ISBN 978-1-84150-470-4 | 367pp £25, $35.50 | PB | 2012 eBook available
Film Studies
Greek Cinema: Texts, Histories, Identities Edited by Lydia Papadimitriou and Yannis Tzioumakis
Inclusion in New Danish Cinema: Sexuality and Transnational Belonging Meryl Shriver-Rice ISBN 978-1-78320-193-8 | 200pp £30, $43 | PB | 2015 eBook available
23
ISBN 978-1-84150-477-3 | 176pp £16, $23 | PB | 2011 eBook available
Intellect Books | Film Studies
ISBN 978-1-84150-375-2 | 176pp £25, $35.50 | PB | 2010 eBook available
ISBN 978-1-84150-312-7 | 176pp £20, $28.50 | PB | 2010 eBook available
Phenomenology’s Material Presence: Video, Vision and Experience By Gabrielle A. Hezekiah ISBN 978-1-84150-310-3 | 103pp £25, $35.50 | PB | 2010 eBook available
Portrait of the Artist as a Political Dissident, A: The Life and Work of Aleksandar Petrovic By Vlastimir Sudar ISBN 978-1-84150-545-9 | 367pp £45, $64.50 | HB | 2013 eBook available
Real Objects in Unreal Situations: Modern Art in Fiction Films By Susan Felleman ISBN 978-1-78320-250-8 | 168pp £20, $28.50 | PB | 2014 eBook available
Rhetoric of Modern Death in American Living Dead Films By Outi Hakola ISBN 978-1-78320 -379-6 | 207pp £30, $43 | PB | 2015 eBook available
Screen Education: From Film Appreciation to Media Studies By Terry Bolas ISBN 978-1-84150-237-3 | 432pp £25, $35.50 | PB | 2009 eBook available
South African Cinema 1896–2010 By Martin Botha ISBN 978-1-84150-458-2 | 367pp £30, $43 | PB | 2012 eBook available
Place of Artists’ Cinema, The: Space, Site and Screen By Maeve Connolly ISBN 978-1-84150-246-5 | 240pp £30, $43 | PB | 2009 eBook available
Pride and Panic: Russian Imagination of the West in Post-Soviet Film By Yana Hashamova ISBN 978-1-84150-156-7 | 144pp £35, $50 | HB | 2007 eBook available
Reframing Reality: The Aesthetics of the Surrealist Object in French and Czech Cinema By Alison Frank ISBN 978-1-84150-712-5 | 192pp £20, $28.50 | PB | 2014 eBook available
Roots of Modern Hollywood (The): The Persistence of Values in American Cinema, from the New Deal to the Present By Nick Smedley ISBN 978-1-78320 -373-4 | 224pp £30, $43 | PB | 2014 eBook available
Polanski and Perception: The Psychology of Seeing and the Cinema of Roman Polanski By Davide Caputo ISBN 978-1-84150-552-7 | 296pp £25, $35.50 | PB | 2012 eBook available
Queer Cinema in Europe Edited by Robin Griffiths ISBN 978-1-84150-079-9 | 232pp £25, $35.50 | PB | 2008 eBook available
(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema Edited by Duncan Wheeler and Fernando Canet ISBN 978-1-78320-406-9 | 420pp £65, $93 | HB | 2014 eBook available
Rosebud Sleds and Horses’ Heads: 50 of Film’s Most Evocative Objects By Scott Jordan Harris ISBN 978-1-78320-040-5 | 116pp £10, $14.50 | PB | 2013 eBook available
Shooting Women: Behind the Camera, Around the World
Sophia Loren: Moulding a Star By Pauline Small
By Alexis Krasilovsky, Harriet Margolis, with Julia Stein
ISBN 978-1-84150-234-2 | 128pp £20, $28.50 | PB | 2009 eBook available
ISBN 978-1-78320-506-6 | 362pp £35, $50 | PB | 2015 eBook available
Stanley Kubrick at Look Magazine: Authorship and Genre in Photojournalism and Film By Philippe D. Mather ISBN 978-1-84150-611-1 | 304pp £15, $21.50 | PB | 2012 eBook available
Stephen King on the Big Screen By Mark Browning ISBN 978-1-84150-245-8 | 256pp £20, $28.50 | PB | 2009 eBook available
Swedish Cops: From Sjöwall & Wahlöö to Stieg Larsson
ISBN 978-1-84150-412-4 | 144pp £20, $28.50 | PB | 2011 eBook available
ISBN 978-1-78320-188-4 | 335pp £25, $36 | PB | 2014 eBook available
Tech-Noir Film: A Theory of the Development of Popular Genres By Emily E. Auger
Touring the Screen: Tourism and New Zealand Film Geographies By Alfio Leotta
ISBN 978-1-84150-424-7 | 498pp £60, $85.50 | HB | 2011 eBook available
ISBN 978-1-84150-475-9 | 208pp £25, $35.50 | PB | 2011 eBook available
Transnational Film Culture: in New Zealand By Simon Sigley
Un-American Psycho: Brian De Palma and the Political Invisible By Chris Dumas
ISBN 978-1-84150-660-9 | 208pp £20, $28.50 | PB | 2012 eBook available
By Michael Tapper
ISBN 978-1-84150-554-1 | 254pp £25, $35.50 | PB | 2012 eBook available
Studies in French Cinema: UK Perspectives 1985–2010 Edited by Will Higbee and Sarah Leahy ISBN 978-1-84150-323-3 | 304pp £25, $35.50 | PB | 2010 eBook available
Film Studies
Stephen King on the Small Screen By Mark Browning
Transnational Ecocinema: Film Culture in an Era of Ecological Transformation Edited by Tommy Gustafsson and Pietari Kääpä ISBN 978-1-84150-729-3 | 216pp £25, $35.50 | PB | 2013 eBook available
Urban Cinematics: Understanding Urban Phenomena through the Moving Image Edited by François Penz and Andong Lu ISBN 978-1-84150-428-5 | 328pp £20, $28.50 | PB | 2011 eBook available 25
Visceral Screen, The: Between the Cinemas of John Cassavetes and David Cronenberg By Robert Furze
ISBN 978-1-84150-724-8 | 192pp £16, $23 | PB | 2013 eBook available
ISBN 978-1-78320 -370 -3 | 256pp £60, $86 | HB | 2014 eBook available
Who’s Who in Research: Film Studies
World Film Locations: Athens Edited by Eirini Sifaki, Afroditi Nikolaidou, Anna Poupou
World Film Locations: Barcelona Edited by Helio San Miguel and Lorenzo J. Torres Hortelano
ISBN 978-1-78320-359-8 | 128pp £20, £28.50 | PB | 2014 eBook available
ISBN 978-1-78320-025-2 | 132pp £20, $28.50 | PB | 2013 eBook available
World Film Locations: Berlin Edited by Susan Ingram
World Film Locations: Boston Edited by Marcelline Block
ISBN 978-1-84150-631-9 | 128pp £20,$28.50 | PB | 2012 eBook available
ISBN 978-1-78320-198-3 | 128pp £20,$28.50 | PB | 2014 eBook available
ISBN 978-1-84150-496-4 | 450pp £90, $128.50 | HB | 2013 eBook available
World Film Locations: Beijing Edited by John Berra and Liu Yang ISBN 978-1-84150-642-5 | 128pp £20, $28.50 | PB | 2012 eBook available
Watching Films: New Perspectives on MovieGoing, Exhibition and Reception Edited by Karina Aveyard and Albert Moran ISBN 978-1-84150-511-4 | 288pp £20, $28.50 | PB | 2013 eBook available
Intellect Books | Film Studies
Versions of Hollywood Crime Cinema: Studies in Ford, Wilder, Coppola, Scorsese, and Others By Carl Freedman
World Film Locations: Buenos Aires Edited by Michael Pigott and Santiago Oyarzabal ISBN 978-1-78320-358-1 | 128pp £20, $28.50 | PB | 2014 eBook available
World Film Locations: Florence Edited by Alberto Zambenedetti ISBN 978-1-78320-360-4 | 128pp £20, $28.50 | PB | 2014 eBook available
World Film Locations: Helsinki Edited by Pietari Kääpä and Silja Laine ISBN 978-1-84150-722-4 | 115 pp £20, $28.50 | PB | 2013 eBook available
World Film Locations: Liverpool Edited by Jez Conolly and Caroline Whelan
World Film Locations: Chicago Edited by Scott Jordan Harris ISBN 978-1-84150-718-7 | 128pp £20, $28.50 | PB | 2013 eBook available
World Film Locations: Dublin Edited by Jez Conolly and Caroline Whelan ISBN 978-1-84150-550-3 | 128pp £20, $28.50 | PB | 2012 eBook available
World Film Locations: Glasgow Edited by Nicola Balkind
World Film Locations: Havana Edited by Ann Marie Stock
ISBN 978-1-84150-719-4 | 128pp £20, $28.50 | PB | 2013 eBook available
ISBN 978-1-78320-197-6 | 128pp £20, $28.50 | PB | 2014 eBook available
World Film Locations: Hong Kong Edited by Linda Chiu-Han Lai and Kimburley Wing-Yee Choi
World Film Locations: Istanbul Edited by Ozlem Koksal ISBN 978-1-84150-567-1 | 128pp £20, $28.50 | PB | 2012 eBook available
ISBN 978-1-78320-021-4 | 116pp £20, $28.50 | PB | 2013 eBook available
World Film Locations: London Edited by Neil Mitchell
World Film Locations: Los Angeles Edited by Gabriel Solomons
ISBN 978-1-84150-484-1 | 128pp £20, $28.50 | PB | 2011 eBook available
ISBN 978-1-84150-485-8 | 128pp £20, $28.50 | PB | 2011 eBook available
World Film Locations: Madrid Edited by Lorenzo J. Torres Hortelano
World Film Locations: Malta
World Film Locations: Marseilles Edited by Marcelline Block
ISBN 978-1-84150-568-8 | 128pp £20, $28.50 | PB | 2012 eBook available
ISBN 978-1-78320-498-4 | 128pp £20, $28.50 | PB | 2015 eBook available
World Film Locations: Melbourne Edited by Neil Mitchell
World Film Locations: Moscow Edited by Birgit Beumers
ISBN 978-1-84150-640-1 | 128pp £20, $28.50 | PB | 2012 eBook available
ISBN 978-1-78320-196-9 | 128pp £20, $28.50 | PB | 2014 eBook available
ISBN 978-1-78320-026-9 | 132pp £20, $28.50 | PB | 2013 eBook available
Edited by Jean Pierre Borg and Charlie Cauchi
ISBN 978-1-84150-723-1 | 128pp £20, $28.50 | PB | 2013 eBook available
World Film Locations: Mumbai Edited by Helio San Miguel ISBN 978-1-84150-632-6 | 124pp £20, $28.50 | PB | 2012 eBook available
World Film Locations: New York Edited by Scott Jordan Harris
ISBN 978-1-84150-587-9 | 128pp £20, $28.50 | PB | 2012 eBook available
ISBN 978-1-84150-482-7 | 128pp £20, $28.50 | PB | 2011 eBook available
World Film Locations: Prague Edited by Marcelline Block
World Film Locations: Reykjavik Edited by Jez Conolly and Caroline Whelan
ISBN 978-1-78320-027-6 | 132pp £20, $28.50 | PB | 2013 eBook available
World Film Locations: San Francisco Edited by Scott Jordan Harris
ISBN 978-1-84150-641-8 | 112pp £20, $28.50 | PB | 2012 eBook available
World Film Locations: Paris Edited by Marcelline Block ISBN 978-1-84150-561-9 | 128pp £20, $28.50 | PB | 2012 eBook available
World Film Locations: Rome Edited by Gabriel Solomons ISBN 978-1-78320-200-3 | 128pp £20, $28.50 | PB | 2014 eBook available
World Film Locations: São Paulo Edited by Natália Pinazza and Louis Bayman
World Film Locations: Shanghai Edited by John Berra and Wei Ju
ISBN 978-1-78320-029-0 | 132pp £20, $28.50 | PB | 2013 eBook available
ISBN 978-1-78320-199-0 | 128pp £20, $28.50 | PB | 2014 eBook available
World Film Locations: Singapore Edited by Lorenzo Codelli
World Film Locations: Sydney Edited by Neil Mitchell
World Film Locations: Tokyo Edited by Chris Magee
ISBN 978-1-78320-361-1 | 128pp £20, $28.50 | PB | 2014 eBook available
ISBN 978-1-78320-362-8 | 128pp £20, $28.50 | PB | 2014 eBook available
ISBN 978-1-84150-483-4 | 128pp £20, $28.50 | PB | 2011 eBook available
World Film Locations: Toronto Edited by Tom Ue
World Film Locations: Vancouver Edited by Rachel Walls
World Film Locations: Venice Edited by Michael Pigott
ISBN 978-1-78320-195-2 | 128pp £20, $28.50 | PB | 2014 eBook available
ISBN 978-1-84150-721-7 | 128pp £20, $28.50 | PB | 2013 eBook available
ISBN 978-1-84150-720-0 | 128pp £20, $28.50 | PB | 2013 eBook available
World Film Locations: Vienna Edited by Robert Dassanowsky
World Film Locations: Washington D.C. Edited by Katherine Larsen
Wuthering Heights on Film and Television: A Journey Across Time and Cultures By Valérie V. Hazette
ISBN 978-1-78320-028-3 | 132pp £20, $28.50 | PB | 2013 eBook available
Film Studies
World Film Locations: New Orleans Edited by Scott Jordan Harris
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ISBN 978-1-78320-456-4 | 128pp £20,$28.50 | PB | 2015 eBook available
ISBN 978-1-78320-492-2 | 360pp £30, $43 | PB | 2015 eBook available
Intellect Books | Film Studies
ISBN 978-1-84150-569-5 | 128pp £20,$28.50 | PB | 2012 eBook available
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eBooks
As part of Intellect’s commitment to innovation, all the books in this catalogue, as well as our backlist, are available as eBooks for libraries and individuals to purchase through a variety of platforms. For a full list of where to buy Intellect eBooks for individuals and libraries see the eBook section on our website.
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