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Film Studies
contents
Welcome 03 Publish With Us 04 Intellect Book Series 22 Ordering 24 Books to Remember 25 Recommendation Form 25 Drive in Cinema Downtown Film and TV Culture 1975 – 2001 Inclusion in New Danish Cinema World Film Locations: Washington D.C. World Film Locations: Malta Governing Visions of the Real Immigration Cinema in the New Europe Wuthering Heights on Film and Television Shooting Women Film on the Faultline Directory of World Cinema: Iran 2 Film Studies Backlist
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intellect | www.intellectbooks.com
Intellect Books
Welcome
“Intellect provides a first-rate service to authors and readers, treating both with respect and with a rare concern for quality and integrity.” Richard Hickman, Author of Why We Make Art
As ever, Intellect is committed to representing the author’s voice and exploring new and emerging areas of study. Many of our titles are cross or multidisciplinary and international in focus, covering areas previously unexplored. If your interest lies within film studies, our catalogue will have something for you.
3 Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
Intellect’s latest books catalogue is packed full of diverse titles that embody our continuing commitment to original research and quality critical debate. 2015 sees a wide range of books focusing on everything from the, the lives of camerawomen from around the world, film and TV adaptations of Wuthering Heights to new Danish cinema.
Publish with us
“Publishing with Intellect has been a pleasure from start to finish. The professionalism, dedication, and energy of Intellect’s staff are outstanding.” Paul Booth, Editor of Fan Phenomena: Doctor Who
Intellect titles are often multidisciplinary, presenting work at the cross section of arts, media and creative practice. All books and journal articles are subject to double peer-review, ensuring all publications are of high quality and of appropriate academic rigour. We aim to support our authors and editors to ensure that they are fully satisfied with the publishing process and to work collaboratively with them from the proposal stage through to marketing. All members of the Intellect team will be happy to discuss your project and address any queries you may have. Intellect is an independent academic publisher. As an independent we are able to move quickly, offer a tailored process and ensure cutting-edge research reaches the market in a timely fashion. We are partnered with the University of Chicago Press. UCP handles Intellect’s marketing, sales and distribution internationally. If you choose to publish with Intellect you will also receive the resources and expertise of the University of Chicago Press. Since 2014, Intellect has been working with the University of Exeter Press. If your project is more suited to their portfolio, you also have the option to publish through the UEP imprint.
publish with us
“A great team and the best part is the respect paid to writers, artists, and contributors. This is a rare thing these days. ...It’s a gem in these days of corporatized publishing.” Amelia Jones, Co-editor of Perform, Repeat, Record
Proposing a New Book Project
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For us to make a proper assessment, we request that authors and editors complete the questionnaire found on the ‘Publish with us’ section of our website. This allows you to best present your idea and allows us to determine whether your book is a good fit for our publishing programme.
Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
Your proposal will be reviewed for its originality of thought and merit by our in-house production team, subject portfolio managers, and possibly sent outside to respected academic specialists in the field. It will be given full and careful consideration. To access the forms, visit www.intellectbooks.co.uk/repository/index. Please send an electronic copy of the completed form, along with your CV, to: steve@intellectbooks.com. Once your proposal has been accepted, a contract will be signed and a time scale will be agreed for publication. Peer-review occurs after manuscript submission and is conducted by scholars recognized within the field. There is always an opportunity to have a dialogue after peer-review.
Drive in Cinema Essays on Film, Theory and Politics Marc James Léger
With a foreword by Bradley Tuck
ISBN 978-1-78320-485-4 54 Illustrations 308pp | £35, $50 Paperback | Autumn 2015 170 x 230mm eBook available Marc James Léger is an independent scholar living in Montreal. He is the author of The Neoliberal Undead and editor of The Idea of the Avant Garde— and What It Means Today.
In Drive in Cinema, Marc James Léger presents Žižek-influenced studies of films made by some of the most influential film-makers of our time, including Jean-Luc Godard, Pier Paolo Pasolini, Werner Herzog, Alexander Kluge, William Klein, Jim Jarmusch, Hal Hartley, Harmony Korine, and more. Working with radical theory and Lacanian ethics, Léger draws surprising connections between art, film, and politics, taking his analysis beyond the academic obsession with cultural representation and filmic technique and instead revealing film’s potential as an emancipatory force.
“Drive in Cinema can be seen as an intellectual ‘Molotov cocktail’ bringing together diverse theoretical elements in order to ignite the cinema screen with the flames of radical theory and avant-garde practice.” Bradley Tuck, co-editor of One+One Filmmakers Journal
1975–2001 Edited by Joan Hawkins
Film Studies
Downtown Film and TV Culture
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Joan Hawkins is associate professor in the Department of Communication and Culture at Indiana University.
Downtown Film and TV Culture 1975–2001 brings together essays by film-makers, exhibitors, cultural critics, and scholars from multiple generations of the New York Downtown scene to illuminate individual films and film-makers and explore the creation of a Downtown Canon, the impact of AIDS on younger film-makers, community access to cable television broadcasts, and the impact of the historic Downtown scene on contemporary experimental culture. The book includes J. Hoberman’s essay ‘No Wavelength: The Parapunk Underground,’ as well as historical essays by Tony Conrad and Lynne Tillman, interviews with film-makers Bette Gordon and Beth B, and essays by Ivan Kral and Nick Zedd.
Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
ISBN 978-1-78320-422-9 20 Illustrations 416pp | £35, $50 Paperback | Spring 2015 170 x 230mm eBook available
Inclusion in New Danish Cinema Sexuality and Transnational Belonging Meryl Shriver-Rice
ISBN 978-1-78320-193-8 210 Illustrations 200pp | ÂŁ30, $43 Paperback | Spring 2015 170 x 230mm eBook available Meryl Shriver-Rice is assistant professor in the Department of Arts and Philosophy at Miami Dade College.
Often recognized as one of the happiest countries in the world, Denmark, like its Scandinavian neighbours, is known for its progressive culture, which is also reflected in its national cinema. It is not surprising, then, that Danish film boasts as many successful women film directors as men, uses scripts that are often co-written by both the director and the screenwriter, and produces among the highest numbers of queer films directed by and starring women. Despite all this, Danish film is not widely written about, especially in English. Inclusion in New Danish Cinema brings this vibrant culture to Englishlanguage audiences. Meryl Shriver-Rice argues that Denmark has demonstrated that film can reinforce cultural ethics and political values while also navigating the ongoing and mounting forces of digital communication and globalization.
Edited by Katherine Larsen
ISBN 978-1-78320-456-4 300 Illustrations 128pp | ÂŁ15.50, $22 Paperback | Spring 2015 155 x 230mm eBook available Part of the World Film Locations series Katherine Larsen teaches courses on fame, celebrity, and fandom in the University Writing Program at George Washington University in Washington, DC. Together with Lynn Zubernis, she coedited Fan Culture: Theory/Practice and Fan Phenomena: Supernatural. She is co-author of Fandom at the Crossroads: Celebration, Shame and Fan/Producer Relationships.
Film Studies
World Film Locations: Washington D.C.
Washington, D.C., the capital of the United States, is known for many things, often related to the inner-workings of the government that resides there. But the beauty of the city is often in stark contrast to the ugly partisan squabbles and palm-greasing that sometimes characterizes the political process. This friction animates and attracts film-makers, who use its landmarks as a shorthand to express and investigate contemporary ideals and concerns about American society. This volume collects essays and articles about Washington film history and locations. Featuring texts about carefully chosen film scenes and key historical periods, the book examines themes, directors and depictions, and is illustrated with evocative movie stills, city maps, and location photographs.
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Edited by Jean Pierre Borg and Charlie Cauchi
ISBN 978-1-78320-498-4 300 Illustrations 128pp | ÂŁ15.50, $22 Paperback | Autumn 2015 155 x 230mm eBook available Part of the World Film Locations series Jean Pierre Borg is founder and chair person of Filmed in Malta, a Malta-based non-governmental organization dedicated to researching, documenting, and raising awareness about the long history of filmmaking on the island. Charlie Cauchi is a Ph.D candidate at Queen Mary University of London and a creative producer.
Malta has served as a beautiful backdrop for films for nearly as long as there has been a film industry. This entry in the World Film Locations series traces the history of Malta on screen, from bigbudget blockbusters to modest indie pictures. The locations Malta offers range widely, from grand fortified harbours and stunning cliffs to quaint villages and Baroque palaces. That diversity has enabled the island to double for countless locations, including ancient Troy and Alexandria, as well as Greece, Israel, and other Mediterranean and Middle Eastern regions, while its well-known water tanks have proved to be perfect for shooting ocean scenes. Packed with illustrations, World Film Locations: Malta examines a number of films made in Malta, and will be a must-read for tourists, film buffs, and scholars alike.
Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
World Film Locations: Malta
Governing Visions of the Real The National Film Unit and Griersonian Documentary Film in Aotearoa/New Zealand Lars Weckbecker
ISBN 978-1-78320-495-3 200pp | £60, $86 Hardback | Autumn 2015 170 x 230mm eBook available
Governing Visions of the Real traces the emergence, development, and techniques of Griersonian documentary – named for pioneering Scottish film-maker John Grierson – in New Zealand throughout the first half of the twentieth century. Paying close attention to the productions of the National Film Unit in the 1940s and 1950s, Lars Weckbecker traces the shifting practices and governmentality of documentary’s ‘visions of the real’ as New Zealand and its population came to be envisioned through NFU film for an ensemble of political, pedagogic, and propagandistic purposes.
Lars Weckbecker is assistant professor in media and communication at Zayed University in the United Arab Emirates.
Immigration Cinema in the New Europe Isolina Ballesteros
ISBN 978-1-78320-411-3 52 Illustrations 230pp | £28, $40 Paperback | Spring 2015 170 x 230mm eBook available Isolina Ballesteros is associate professor in the Department of Modern Languages and Comparative Literature and the Film Studies Programme of Baruch College, CUNY.
Immigration Cinema in the New Europe examines a variety of films from the early 1990s that depict and address the lives and identities of both first-generation immigrants and children of the diaspora in Europe. Whether they are authored by immigrants themselves or by white Europeans who use the resources and means of production of dominant cinema to politically engage with the immigrants’ predicaments, these films, Isolina Ballesteros shows, are unmappable – a condition resulting from immigration cinema’s re-combination and deliberate blurring of filmic conventions pertaining to two or more genres. In an age of globalization and increased migration, this book theorizes immigration cinema in relation to notions such as gender, hybridity, transculturation, border crossing, transnationalism, and translation.
A Journey Across Time and Cultures
Film Studies
Wuthering Heights on Film and Television Valérie V. Hazette
ISBN 978-1-78320-492-2 15 Illustrations 360pp | £30, $43 Paperback | Autumn 2015 170 x 230mm eBook available
Emily Brontë’s beloved novel Wuthering Heights has been adapted countless times for film and television over the decades. Valérie V. Hazette offers here a historical and transnational study of those adaptations, presenting the afterlife of the book as a series of cultural journeys that focus as much on the readers, film-makers, and viewers as on the dramas themselves. Taking in the British silent film; French, Mexican, and Japanese versions; the British television serials; and more, this richly theoretical volume is the first comprehensive global analysis of the adaptation of Wuthering Heights for film and television.
Valérie V. Hazette earned her Ph.D in film studies from University College Dublin.
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Behind the Camera, Around the World Alexis Krasilovsky and Harriet Margolis, with Julia Stein
ISBN 978-1-78320-506-6 37 Illustrations 362pp | £35, $50 Paperback | Autumn 2015 170 x 230mm eBook available Alexis Krasilovsky is professor in the Department of Cinema and Television Arts at California State University, Northridge. Harriet Margolis has taught film, literature, and women’s studies in the United States and New Zealand. Julia Stein is a poet and editor.
Shooting Women takes readers around the world to explore the lives of camerawomen working in features, TV news, and documentaries. From first world pioneers like African American camerawoman Jessie Maple Patton who got her job only after suing the union – to China’s first camerawomen – who travelled with Mao – to rural India where poor women have learned camerawork as a means of empowerment, Shooting Women reveals a world of women working with courage and skill in what has long been seen as a male field.
Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
Shooting Women
Film on the Faultline Edited by Alan Wright
ISBN 978-1-78320-433-5 15 Illustrations 280pp | ÂŁ28, $40 Paperback | Spring 2015 170 x 230mm eBook available
Film has always played a crucial role in the imagination of disaster. Earthquakes, especially, shift not only the ground beneath our feet but also herald a new way of thinking or being in the world. Following recent seismic events in countries as dissimilar as Iran, Chile and Haiti, national films have emerged that challenge ingrained political, economic, ethical, and ontological categories of modernity. Film on the Faultline explores the fractious relationship between cinema and seismic experience and addresses the important role that cinema can play in the wake of such events.
Alan Wright teaches cinema studies at the University of Canterbury in Christchurch, New Zealand.
Directory of World Cinema: Iran 2 Edited by Parviz Jahed
ISBN 978-1-78320-470-0 50 Illustrations 300pp | ÂŁ25, $35.50 Paperback | Spring 2015 170 x 240mm eBook available Part of the Directory of World Cinema series Parviz Jahed is a freelance film critic, journalist, film-maker, and lecturer in film studies, scriptwriting, and film directing.
Working at the intersection of religion and ever-shifting political, economic, and social environments, Iranian cinema has produced some of the most critically lauded films in the world today. The first volume in the Directory of World Cinema: Iran turned the spotlight on the award-winning cinema of Iran, with particular attention to the major genres and movements, historical turning points, and prominent figures that have helped shape it. Considering a wide range of genres, including Film Farsi, New Wave, war film, art-house film, and women’s cinema, the book was greeted with enthusiasm by film studies scholars, students working on alternative or national cinema, and fans and aficianados of Iranian film. Building on the momentum and influence of its predecessor, Directory of World Cinema: Iran 2 will be welcomed by all seeking an up-to-date and comprehensive guide to Iranian cinema.
Allegorical Images: Tableau, Time and Gesture in the Cinema of Werner Schroeter
Alternative Worlds in Hollywood Cinema: Resonance between Realms
ISBN 978-1-78320-039-9 | 234pp £35, $50 | HB | 2014 eBook available
By Michelle Langford
By James Walters
ISBN 978-1-84150-138-3 | 215pp £25, $35.50 | PB | 2006 eBook available
ISBN 978-1-84150-202-1 | 232pp £20, $28.50 | PB | 2008 eBook available
Architecture of the Screen, The: Essays in Cinematographic Space By Graham Cairns
Australian Film Theory and Criticism, Vol. 1: Critical Positions Editied By Noel King, Constantine Verevis and Deane Williams
Australian Film Theory and Criticism, Vol. 2: Interviews Edited by Noel King and Deane Williams
Edited by Dan Adler, Janine Marchessault, and Sanja Obradovic
ISBN 978-1-84150-711-8 | 232pp £20, $28.50| PB | 2013 eBook available
ISBN 978-1-84150-581-7 | 192pp £20, $28.50 | PB | 2012 eBook available
Australian Post-War Documentary Film: An Arc of Mirrors
Beauty and the Beast: Italianness in British Cinema By Elisabetta Girelli
By Deane Williams
ISBN 978-1-84150-244-1 | 240pp £25, $35.50 | PB | 2009 eBook available
ISBN 978-1-84150-210-6 | 192pp £35, $50 | HB | 2008 eBook available
ISBN 978-1-84150-204-5 | 192pp £35, $50 | HB | 2008 eBook available
Cinema and Landscape: Film, Nation and Cultural Geography Edited by Graeme Harper and Jonathan Rayner ISBN 978-1-84150-309-7 | 264pp £20, $28.50 | PB | 2010 eBook available
ISBN 978-1-78320-037-5| 424 pp £35, $50 | PB | 2013 eBook available
Berlin School Glossary: An ABC of the New Wave in German Cinema Edited by Roger F. Cook, Lutz Koepnick, Kristin Kopp, and Brad Prager ISBN 978-1-84150-576-3 | 262pp £25, $35.50 | PB | 2013 eBook available
British TV & Film Culture of the 1950s: Coming to a TV Near You By Su Holmes
Cindy Sherman’s Office Killer: Another Kind of Monster
ISBN 978-1-84150-121-5 | 192pp £25, $35.50 | PB | 2005 eBook available
ISBN 978-1-84150-707-1 | 208pp £16, $23 | PB | 2014 eBook available
Cinema Makers, The: Public Life and the Exhibition of Difference in South-Eastern and Central Europe since the 1960s By Anna Schober
Cinema of Mika Kaurismäki, The: Transvergent Cinescapes, Emergent Identities By Pietari Kääpä
ISBN 978-1-84150-515-2 | 189pp £25, $35.50 | PB | 2012 eBook available
By Dahlia Schweitzer
ISBN 978-1-84150-409-4 | 176pp £25, $35.50 | PB | 2010 eBook available
Cinemas of the Other: A Personal Journey with Film-makers from Central Asia By Gönül Dönmez-Colin
Cinemas of the Other: A Personal Journey with Film-makers from Iran and Turkey By Gönül Dönmez-Colin
Cinemas of the Other: A Personal Journey with Filmmakers from the Middle East and Central Asia By Gönül Dönmez-Colin
ISBN 978-1-84150-549-7 | 120pp £16, $23 | PB | 2012 eBook available
ISBN 978-1-84150-548-0 | 120pp £20, $28.50 | PB | 2012 eBook available
ISBN 978-1-84150-143-7 | 284pp £35, $50 | HB | 2006 eBook available
13 Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
Beyond Auteurism: New Directions in Authorial Film Practices in France, Italy and Spain since the 1980s By Rosanna Maule
Film Studies
3D Cinema and Beyond
Danish Directors 2, The: Dialogues on the New Danish Fiction Cinema Edited by Mette Hjort, Eva Novrup Redvall and Eva Joerholt ISBN 978-1-84150-271-7 | 310pp £20, $28.50 | PB | 2010 eBook available
Danish Directors 3, The: Dialogues on the New Danish Documentary Cinema Edited by Mette Hjort, Ib Bondebjerg and Eva Novrup Redvall
David Cronenberg: Author or Film-maker? By Mark Browning ISBN 978-1-84150-173-4 | 208pp £25, $35.50 | PB | 2007 eBook available
ISBN 978-1-78320-041-2 | 224pp £20, $28.50 | PB | 2013 eBook available
Declarations of Independence: American Cinema and the Partiality of Independent Production By John Berra
Deleuze and Film Music: Building a Methodological Bridge between Film Theory and Music By Gregg Redner
ISBN 978-1-84150-185-7 | 224pp £25, $35.50 | PB | 2008 eBook available
ISBN 978-1-84150-370-7 | 192pp £25, $35.50 | PB | 2010 eBook available
Directory of World Cinema: Africa Edited by Blandine Stefanson and Sheila Petty
Directory of World Cinema: American Hollywood Edited by Lincoln Geraghty
Directory of World Cinema: American Hollywood 2 Edited by Lincoln Geraghty
ISBN 978-1-84150-415-5 | 272pp £25, $35.50 | PB | 2010 eBook available
ISBN 978-1-78320-006-1 | 420pp £25, $35.50 | PB | 2013 eBook available
Directory of World Cinema: American Independent Edited by John Berra
Directory of World Cinema: American Independent 2 Edited by John Berra
ISBN 978-1-84150-368-4 | 327pp £25, $35.50 | PB | 2010 eBook available
ISBN 978-1-84150-612-8 | 320pp £25, $35.50 | PB | 2012 eBook available
Directory of World Cinema: Argentina Edited by Beatriz Urraca and Gary M. Kramer
Directory of World Cinema: Australia & New Zealand Edited by Geoff Lealand and Ben Goldsmith
Directory of World Cinema: Australia & New Zealand 2 Edited by Geoff Lealand, Ben Goldsmith and Mark David Ryan
ISBN 978-1-78320-391-8 | 312pp £25, $35.50 | PB | 2015 eBook available
ISBN 978-1-84150-373-8 | 320pp £25, $35.50 | PB | 2010 eBook available
ISBN 978-1-84150-634-0 | 368 pp £25, $35.50 | PB | 2015 eBook available
Directory of World Cinema: Brazil Edited by Louis Bayman and Natália Pinazza
Directory of World Cinema: Britain Edited by Emma Bell and Neil Mitchell
ISBN 978-1-78320-009-2 | 320pp £25, $35.50 | PB | 2013 eBook available
ISBN 978-1-84150-557-2 | 327pp £25, $35.50 | PB | 2012 eBook available
Diasporas of Australian Cinema Edited by Catherine Simpson, Renata Murawska and Anthony Lambert ISBN 978-1-84150-197-0 | 128pp £25, $35.50 | PB | 2009 eBook available
ISBN 978-1-78320-007-8 | 320pp £25, $35.50 | PB | 2013 eBook available
Directory of World Cinema: Belgium Edited by Jeremi Szaniawski and Marcelline Block ISBN 978-1-78320-008-5 | 320pp £25, $35.50 | PB | 2013 eBook available
Directory of World Cinema: Britain 2 Edited by Neil Mitchell ISBN 978-1-78320-397-0 | 284pp £25, $35.50 | PB | 2015 eBook available
Directory of World Cinema: China 2 Edited by Gary Bettinson
Directory of World Cinema: East Europe Edited by Adam Bingham
ISBN 978-1-84150-558-9 | 327pp £25, $35.50 | PB | 2012 eBook available
ISBN 978-1-78320-400-7 | 300pp £25, $35.50 | PB | 2015 eBook available
ISBN 978-1-84150-464-3 | 320pp £25, $35.50 | PB | 2011 eBook available
Directory of World Cinema: Finland Edited by Pietari Kääpä
Directory of World Cinema: France Edited by Tim Palmer and Charlie Michael
Directory of World Cinema: Germany Edited by Michelle Langford
ISBN 978-1-84150-617-3 | 327pp £25, $35.50 | PB | 2012 eBook available
ISBN 978-1-84150-563-3 | 327pp £25, $35.50 | PB | 2012 eBook available
Film Studies
Directory of World Cinema: China Edited by Gary Bettinson
ISBN 978-1-84150-465-0 | 320pp £25, $35.50 | PB | 2011 eBook available
Directory of World Cinema: Germany 2 Edited by Michelle Langford
Directory of World Cinema: India Edited by Adam Bingham
Directory of World Cinema: Iran Edited by Parviz Jahed
ISBN 978-1-84150-738-5 | 320pp £25, $35.50 | PB | 2013 eBook available
ISBN 978-1-84150-622-7 | 190pp £25, $35.50 | PB | 2015 eBook available
ISBN 978-1-84150-399-8 | 272pp £25, $35.50 | PB | 2011 eBook available
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Directory of World Cinema: Japan Edited by John Berra
Directory of World Cinema: Japan 2 Edited by John Berra
ISBN 978-1-84150-400-1 | 240pp £25, $35.50 | PB | 2012 eBook available
ISBN 978-1-84150-355-6 | 350pp £25, $35.50 | PB | 2010 eBook available
ISBN 978-1-84150-551-0 | 327pp £25, $35.50 | PB | 2012 eBook available
Directory of World Cinema: Japan 3 Edited by John Berra
Directory of World Cinema: Latin America Edited by Isabel Maurer Queipo
Directory of World Cinema: Russia Edited by Birgit Beumers
ISBN 978-1-78320-403-8 | 300pp £25, $35.50 | PB | 2015 eBook available
Directory of World Cinema: Russia 2 Edited by Birgit Beumers ISBN 978-1-78320-010-8 | 364pp £25, $35.50 | PB | 2015 eBook available
ISBN 978-1-84150-618-0 | 320pp £25, $35.50 | PB | 2012 eBook available
Directory of World Cinema: Scotland Edited by Bob Nowlan and Zach Finch ISBN 978-1-78320-394-9 | 370pp £25, $35.50 | PB | 2015 eBook available
ISBN 978-1-84150-372-1 | 320pp £25, $35.50 | PB | 2010 eBook available
Directory of World Cinema: South Korea Edited by Colette Balmain ISBN 978-1-84150-560-2 | 327pp £25, $35.50 | PB | 2012 eBook available
Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
Directory of World Cinema: Italy Edited by Louis Bayman
Directory of World Cinema: Spain Edited by Lorenzo J. Torres Hortelano ISBN 978-1-84150-463-6 | 320pp £25, $35.50 | PB | 2011 eBook available
Divided World, A: Hollywood Cinema and Emigre Directors in the Era of Roosevelt and Hitler, 1933–1948 By Nick Smedley
Directory of World Cinema: Sweden Edited by Marcelline Block
Directory of World Cinema: Turkey Edited by Eylem Atakav
ISBN 978-1-84150-559-6 | 327pp £25, $35.50 | PB | 2015 eBook available
ISBN 978-1-84150-620-3 | 320pp £25, $35.50 | PB | 2012 eBook available
Don’t Look Now: British Cinema in the 1970s Edited by Paul Newland
Educating Film-Makers: Past, Present and Future
ISBN 978-1-84150-320-2 | 256pp £25, $35.50 | PB | 2010 eBook available
ISBN 978-1-84150-402-5 | 144pp £25, $35.50 | PB | 2010 eBook available
Europe and Love in Cinema Edited by Jo Labanyi, Luisa Passerini and Karen Diehl ISBN 978-1-84150-379-0 | 256pp £20, $28.50 | PB | 2011 eBook available
Frames of Mind: A PostJungian Look at Cinema, Television and Technology By Luke Hockley ISBN 978-1-84150-171-0 | 152pp £25, $35.50 | PB | 2007 eBook available
By Duncan Petrie and Rod Stoneman ISBN 978-1-78320-185-3 | 360pp £42, $60 | PB | 2014 eBook available
Feminist Ethics in Film: Reconfiguring Care through Cinema By Joseph Kupfer
Film Paintings of David Lynch, The: Challenging Film Theory By Allister Mactaggart
ISBN 978-1-84150-406-3 | 208pp £20, $28.50 | PB | 2012 eBook available
ISBN 978-1-84150-332-5 | 224pp £20, $28.50 | PB | 2010 eBook available
Framing Film: Cinema and the Visual Arts Edited by Steven Allen and Laura Hubner
French Costume Drama of the 1950s: Fashioning Politics in Film By Susan Hayward
ISBN 978-1-84150-507-7 | 176pp £20, $28.50 | PB | 2012 eBook available
Frontiers of Screen History: Imagining European Borders in Cinema, 1945–2010 Edited by Raita Merivirta, Kimmo Ahonen, Heta Mulari, and Rami Mähkä
Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures Edited by Olivia Khoo and Sean Metzger
ISBN 978-1-84150-732-3 | 272pp £30, $43 | PB | 2013 eBook available
ISBN 978-1-84150-274-8 | 288pp £25, $35.50 | PB | 2009 eBook available
Green Documentary: Environmental Documentary in the 21st Century By Helen Hughes
Historical Comedy on Screen: Subverting History with Humour Edited by Hannu Salmi
ISBN 978-1-78320-183-9 | 184pp £25, $36 | PB | 2014 eBook available
ISBN 978-1-84150-367-7 | 232pp £20, $28.50 | PB | 2011 eBook available
ISBN 978-1-84150-318-9 | 376pp £30, $43 | PB | 2010 eBook available
Greek Cinema: Texts, Histories, Identities Edited by Lydia Papadimitriou and Yannis Tzioumakis ISBN 978-1-84150-433-9 | 288pp £25, $35.50 | PB | 2011 eBook available
Hong Kong New Wave Cinema (1978–2000) By Pak Tong Cheuk ISBN 978-1-84150-148-2 | 268pp £25, $35.50 | PB | 2008 eBook available
ISBN 978-1-78320 -382-6 | 175pp £49, $70 | HB | 2014 eBook available
ISBN 978-1-84150-625-8 | 224pp £45, $64.50 | HB | 2012 eBook available
Musical Comedy Films of Grigorii Aleksandrov, The: Laughing Matters By Rimgaila Salys
Ned Kelly Films, The: A Cultural History of Kelly History By Stephen Gaunson
New Irish Storytellers: Narrative Strategies in Film By Díóg O’Connell
ISBN 978-1-84150-282-3 | 240pp £25, $35.50 | PB | 2009 eBook available
ISBN 978-1-84150-636-4 | 132pp £16, $23 | PB | 2012 eBook available
New Trends in Argentine and Brazilian Cinema Edited by Carolina Rocha and Cacilda M. Rego
New Zealand Cinema: Interpreting the Past Edited by Alistair Fox, Hilary Radner and Barry Keith Grant
New Zealand Film and Television: Institution, Industry and Cultural Change By Trisha Dunleavy and Hester Joyce
ISBN 978-1-84150-425-4 | 354pp £20, $28.50 | PB | 2011 eBook available
ISBN 978-1-84150-457-5 | 208pp £30, $43 | PB | 2011 eBook available
Open Roads, Closed Borders: The Contemporary French-Language Road Movie Edited by Michael Gott and Thibaut Schilt
Passion of the Reel: Cinematic versus Modernist Political Fictions in Cameroon By Jean-Olivier Tchouaffe with Sheri Malmain
Peter Weir: A Creative Journey from Australia to Hollywood By Serena Formica
ISBN 978-1-84150-662-3 | 181pp £45, $64.50 | HB | 2012 eBook available
ISBN 978-1-84150-564-0 | 216pp £45, $64.50 | HB | 2015 eBook available
Phenomenology’s Material Presence: Video, Vision and Experience By Gabrielle A. Hezekiah
Place of Artists’ Cinema, The: Space, Site and Screen By Maeve Connolly
ISBN 978-9-78184-510-9 | 367pp £25, $35.50 | PB | 2012 eBook available
ISBN 978-1-84150-375-2 | 176pp £25, $35.50 | PB | 2010 eBook available
Lure of the Big Screen: Cinema in Rural Australia and the United Kingdom
Film Studies
By Karina Aveyard
Music and Levels of Narration in Film: Steps Across the Border By Guido Heldt
Iranian Cinema and Globalization: National, Transnational and Islamic Dimensions By Shahab Esfandiary
ISBN 978-1-84150-312-7 | 176pp £20, $28.50 | PB | 2010 eBook available
17
Portrait of the Artist as a Political Dissident, A: The Life and Work of Aleksandar Petrovic By Vlastimir Sudar ISBN 978-1-84150-545-9 | 232pp £45, $64.50 | HB | 2012 eBook available
ISBN 978-1-84150-246-5 | 240pp £25, $35.50 | PB | 2009 eBook available
Pride and Panic: Russian Imagination of the West in Post-Soviet Film By Yana Hashamova ISBN 978-1-84150-156-7 | 136pp £35, $50 | HB | 2007 eBook available
Polanski and Perception: The Psychology of Seeing and the Cinema of Roman Polanski By Davide Caputo ISBN 978-1-84150-552-7 | 296pp £25, $35.50 | PB | 2012 eBook available
Queer Cinema in Europe Edited by Robin Griffiths ISBN 978-1-84150-079-9 | 160pp £25, $35.50 | PB | 2008 eBook available
Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
ISBN 978-1-84150-310-3 | 103pp £25, $35.50 | PB | 2010 eBook available
ISBN 978-1-84150-477-3 | 176pp £16, $23 | PB | 2012 eBook available
Real Objects in Unreal Situations: Modern Art in Fiction Films By Susan Felleman ISBN 978-1-78320-250-8 | 224pp £20, $28.50 | PB | 2014 eBook available
Rhetoric of Modern Death in American Living Dead Films By Outi Hakola ISBN 978-1-78320 -379-6 | 207pp £30, $43 | PB | 2014 eBook available
Screen Education: From Film Appreciation to Media Studies By Terry Bolas
Reframing Reality: The Aesthetics of the Surrealist Object in French and Czech Cinema By Alison Frank ISBN 978-1-84150-712-5 | 192pp £20, $28.50 | PB | 2013 eBook available
Roots of Modern Hollywood(The): The Persistence of Values in American Cinema, from the New Deal to the Present By Nick Smedley ISBN 978-1-78320 -3734 | 224pp £30, $43 | PB | 2014 eBook available
(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema Edited by Duncan Wheeler and Fernando Canet ISBN 978-1-78320-406-9 | 420pp £65, $93 | HB | 2014 eBook available
Rosebud Sleds and Horses’ Heads: 50 of Film’s Most Evocative Objects By Scott Jordan Harris ISBN 978-1-78320-040-5 | 116pp £10, $14.50 | PB | 2013 eBook available
Sophia Loren: Moulding a Star By Pauline Small
South African Cinema 1896–2010 By Martin Botha
ISBN 978-1-84150-234-2 | 208pp £20, $28.50 | PB | 2009 eBook available
ISBN 978-1-84150-458-2 | 367pp £30, $43 | PB | 2012 eBook available
Stephen King on the Big Screen By Mark Browning
Stephen King on the Small Screen By Mark Browning
ISBN 978-1-84150-245-8 | 256pp £20, $28.50 | PB | 2009 eBook available
ISBN 978-1-84150-412-4 | 144pp £20, $28.50 | PB | 2010 eBook available
Michael Tapper
Studies in French Cinema: UK Perspectives 1985–2010 Edited by Will Higbee and Sarah Leahy
Tech-Noir Film: A Theory of the Development of Popular Genres By Emily E. Auger
ISBN 978-1-78320-188-4 | 375pp £25, $36 | PB | 2014 eBook available
ISBN 978-1-84150-323-3 | 304pp £25, $35.50 | PB | 2010 eBook available
ISBN 978-1-84150-424-7 | 498pp £60, $85.50 | HB | 2011 eBook available
Touring the Screen: Tourism and New Zealand Film Geographies By Alfio Leotta
Transnational Ecocinema: Film Culture in an Era of Ecological Transformation Edited by Tommy Gustafsson and Pietari Kääpä
ISBN 978-1-84150-237-3 | 384pp £25, $35.50 | PB | 2009 eBook available
Stanley Kubrick at Look Magazine: Authorship and Genre in Photojournalism and Film By Philippe D. Mather ISBN 978-1-84150-611-1 | 304pp £15, $21.50 | PB | 2012 eBook available
Swedish Cops: From Sjöwall & Wahlöö to Stieg Larsson
ISBN 978-1-84150-475-9 | 208pp £25, $35.50 | PB | 2011 eBook available
ISBN 978-1-84150-729-3 | 216pp £25, $35.50 | PB | 2013 eBook available
Transnational Film Culture: in New Zealand By Simon Sigley ISBN 978-1-84150-660-9 | 208pp £20, $28.50 | PB | 2012 eBook available
ISBN 978-1-84150-554-1 | 254pp £25, $35.50 | PB | 2012 eBook available
Urban Cinematics: Understanding Urban Phenomena through the Moving Image Edited by François Penz and Andong Lu ISBN 978-1-84150-428-5 | 328pp £20, $28.50 | PB | 2011 eBook available
Visceral Screen (The): Between the Cinemas of John Cassavetes and David Cronenberg By Robert Furze ISBN 978-1-78320 -370 -3 | 224pp £60, $86 | HB | 2015 eBook available
Watching Films: New Perspectives on MovieGoing, Exhibition and Reception Edited by Karina Aveyard and Albert Moran
Versions of Hollywood Crime Cinema: Studies in Ford, Wilder, Coppola, Scorsese, and Others By Carl Freedman ISBN 978-1-84150-724-8 | 184pp £16, $23 | PB | 2013 eBook available
Film Studies
Un-American Psycho: Brian De Palma and the Political Invisible By Chris Dumas
Who’s Who in Research: Film Studies ISBN 978-1-84150-496-4 | 450pp £90, $128.50 | HB | 2012 eBook available
ISBN 978-1-84150-511-4 | 288pp £20, $28.50 | PB | 2012 eBook available
World Film Locations: Beijing Edited by John Berra and Liu Yang
World Film Locations: Athens Edited by Eirini Sifaki, Afroditi Nikolaidou, Anna Poupou
World Film Locations: Barcelona Edited by Helio San Miguel and Lorenzo J. Torres Hortelano
ISBN 978-1-78320-359-8 | 128pp £15.50, $22 | PB | 2014 eBook available
ISBN 978-1-78320-025-2 | 132pp £15.50, $22 | PB | 2013 eBook available
World Film Locations: Berlin Edited by Susan Ingram
World Film Locations: Boston Edited by Marcelline Block
ISBN 978-1-84150-631-9 | 128pp £15.50, $22 | PB | 2012 eBook available
ISBN 978-1-78320-198-3 | 128pp £15.50, $22 | PB | 2014 eBook available
World Film Locations: Chicago Edited by Scott Jordan Harris
World Film Locations: Dublin Edited by Jez Conolly and Caroline Whelan
World Film Locations: Florence Edited by Alberto Zambenedetti
ISBN 978-1-84150-550-3 | 128pp £15.50, $22 | PB | 2012 eBook available
ISBN 978-1-78320-360-4 | 128pp £15.50, $22 | PB | 2014 eBook available
ISBN 978-1-84150-642-5 | 128pp £15.50, $22 | PB | 2012 eBook available
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World Film Locations: Glasgow Edited by Nicola Balkind
World Film Locations: Havana Edited by Ann Marie Stock
ISBN 978-1-84150-746-0 | 128pp £15.50, $22 | PB | 2013 eBook available
ISBN 978-1-78320-197-6 | 128pp £15.50, $22 | PB | 2014 eBook available
ISBN 978-1-78320-358-1 | 128pp £15.50, $22 | PB | 2014 eBook available
World Film Locations: Helsinki Edited by Pietari Kääpä and Silja Laine ISBN 978-1-84150-722-4 | 128pp £15.50, $22 | PB | 2013 eBook available
Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
ISBN 978-1-84150-718-7 | 128pp £15.50, $22 | PB | 2013 eBook available
World Film Locations: Buenos Aires Edited by Michael Pigott and Santiago Oyarzabal
World Film Locations: Hong Kong Edited by Linda Chiu-Han Lai and Kimburley Wing-Yee Choi
World Film Locations: Istanbul Edited by Ozlem Koksal ISBN 978-1-84150-567-1 | 128pp £15.50, $22 | PB | 2012 eBook available
ISBN 978-1-78320-021-4 | 116pp £15.50, $22 | PB | 2013 eBook available
World Film Locations: Liverpool Edited by Jez Conolly and Caroline Whelan ISBN 978-1-78320-026-9 | 132pp £15.50, $22 | PB | 2013 eBook available
World Film Locations: London Edited by Neil Mitchell
World Film Locations: Los Angeles Edited by Gabriel Solomons
ISBN 978-1-84150-484-1 | 128pp £15.50, $22 | PB | 2012 eBook available
ISBN 978-1-84150-485-8 | 128pp £15.50, $22 | PB | 2012 eBook available
World Film Locations: Marseilles Edited by Marcelline Block
World Film Locations: Melbourne Edited by Neil Mitchell
World Film Locations: Moscow Edited by Birgit Beumers
ISBN 978-1-84150-723-1 | 128pp £15.50, $22 | PB | 2013 eBook available
ISBN 978-1-84150-640-1 | 128pp £15.50, $22 | PB | 2012 eBook available
ISBN 978-1-78320-196-9 | 128pp £15.50, $22 | PB | 2014 eBook available
World Film Locations: Mumbai Edited by Helio San Miguel
World Film Locations: New Orleans Edited by Scott Jordan Harris
World Film Locations: New York Edited by Scott Jordan Harris
ISBN 978-1-84150-632-6 | 128pp £15.50, $22 | PB | 2012 eBook available
ISBN 978-1-84150-587-9 | 112pp £15.50, $22 | PB | 2012 eBook available
ISBN 978-1-84150-482-7 | 128pp £15.50, $22 | PB | 2012 eBook available
World Film Locations: Paris Edited by Marcelline Block
World Film Locations: Prague Edited by Marcelline Block
World Film Locations: Reykjavik Edited by Jez Conolly and Caroline Whelan
ISBN 978-1-84150-561-9 | 128pp £15.50, $22 | PB | 2012 eBook available
World Film Locations: Rome Edited by Gabriel Solomons ISBN 978-1-78320-200-3 | 128pp £15.50, $22 | PB | 2014 eBook available
ISBN 978-1-78320-027-6 | 132pp £15.50, $22 | PB | 2013 eBook available
World Film Locations: San Francisco Edited by Scott Jordan Harris ISBN 978-1-78320-028-3 | 132pp £15.50, $22 | PB | 2013 eBook available
World Film Locations: Madrid Edited by Lorenzo J. Torres Hortelano ISBN 978-1-84150-568-8 | 128pp £15.50, $22 | PB | 2012 eBook available
ISBN 978-1-84150-641-8 | 128pp £15.50, $22 | PB | 2012 eBook available
World Film Locations: Sao Paulo Edited by Natália Pinazza and Louis Bayman ISBN 978-1-78320-029-0 | 132pp £15.50, $22 | PB | 2013 eBook available
World Film Locations: Singapore Edited by Lorenzo Codelli
World Film Locations: Sydney Edited by Neil Mitchell
ISBN 978-1-78320-361-1 | 128pp £15.50, $22 | PB | 2014 eBook available
ISBN 978-1-78320-362-8 | 128pp £15.50, $22 | PB | 2014 eBook available
World Film Locations: Tokyo Edited by Chris Magee
World Film Locations: Toronto Edited by Tom Ue
World Film Locations: Vancouver Edited by Rachel Walls
ISBN 978-1-84150-483-4 | 128pp £15.50, $22 | PB | 2012 eBook available
ISBN 978-1-78320-195-2 | 128pp £15.50, $22 | PB | 2014 eBook available
ISBN 978-1-84150-721-7 | 128pp £15.50, $22 | PB | 2013 eBook available
World Film Locations: Venice Edited by Michael Pigott
World Film Locations: Vienna Edited by Robert Dassanowsky
ISBN 978-1-78320-199-0 | 128pp £15.50, $22 | PB | 2014 eBook available
ISBN 978-1-84150-720-0 | 128pp £15.50, $22 | PB | 2013 eBook available
Film Studies
World Film Locations: Shanghai Edited by John Berra & Wei Ju
ISBN 978-1-84150-569-5 | 128pp £15.50, $22 | PB | 2012 eBook available
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“Situated at the intersection of academia and popular culture, Fan Phenomena is an invaluable resource for fans, critics, writers, professors and popular culture aficionados. Enacting a significant dialogue between fans/fan communities and leading fandom scholars, books in this series make a major impact upon and contribution to numerous fields, including film, media/new media and cultural studies as well as fan studies scholarship. Fan Phenomena is an exciting and provocative new interdisciplinary series.” Marcelline Block, Editor Print ISSN 2051-4468 Online ISSN 2051-4476 Paperback 240 x 170mm eBooks available See page 56 for all twelve of the books in this series
Intellect’s Fan Phenomena book series was prompted by a growing appetite for books that tap into the fascination we have with what constitutes an iconic or cultish phenomenon and how a particular person, TV show, or film infiltrates its way into the public consciousness. Fan Phenomena explores particular examples of ‘fan culture’ and approachs the subject in an accessible manner aimed at both fans and those interested in the cultural and social aspects of these fascinating – and often unusual – ‘universes’. •
Academically informed but written for a general audience
•
Will appeal to scholars, fans and critics
•
Explores the enduring relationship between fans and franchise
•
Packed with revealing interviews from all corners of the fan spectrum
Edited by Lorna Piatti-Farnell
ISBN 978-1-78320-515-8 50 Illustrations 156pp | £15.50, $22 Paperback | Autumn 2015 170 x 240mm eBook available
Few if any books come close to being as beloved – or as ubiquitous – as The Lord of the Rings trilogy. The book delves into the philosophy of the series and its fans, the distinctions between the films’ fans and the books’ fans, the process of adaptation, and the role of New Zealand in the translation of words to images. Lavishly illustrated, it is guaranteed to appeal to anyone who has ever closed the last page of The Return of the King and wished it to never end.
Book Series
Fan Phenomena: The Lord of the Rings
Fan Phenomena: Jane Austen Edited by Gabrielle Malcolm
ISBN 978-1-78320-447-2 50 Illustrations 156pp | £15.50, $22 Paperback | Spring 2015 170 x 240mm eBook available
Nearly two hundred years after her death, Jane Austen is one of the most widely read and beloved English novelists of any era. Writing and publishing anonymously during her lifetime, the woman responsible for some of the most enduring characters (and couples) of modern romantic literature was credited only as ‘A Lady’ on the title pages of her novels. Essential reading for Austen’s legions of admirers, this book’s essays consider the culture surrounding Austen’s novels.
Edited by Marisa C. Hayes
ISBN 978-1-78320-450-2 50 Illustrations 128pp | £15.50, $22 Paperback | Autumn 2015 170 x 240mm eBook available
This volume brings together a diverse group of writers who explore the film’s influence on the development of the pastiche tribute film, emerging queer activism of the 1970s, glam rock style, and the creative use of audience dialogue in recreating and interacting with the spoken and sung language of the film. Spotlighting a cult phenomenon and its fans, this will be essential reading for anyone who has ever done the ‘Time Warp’.
Fan Phenomena: James Bond Edited by Claire Hines
ISBN 978-1-78320-517-2 50 Illustrations 164pp | £15.50, $22 Paperback | Autumn 2015 170 x 240mm eBook available
Fan Phenomena: James Bond explores the devoted fanbase that has helped make Bond what he is, offering a serious but wholly accessible take on the many different ways that fans have approached, appreciated, and appropriated Bond over the sixty years of his existence from the pages of Ian Fleming’s novels to the screen. The book reveals a fan culture that is richly aware of the history and complexity of the character of Bond and what he represents.
23 Intellect Books | Film Studies | Performing Arts | Visual Arts | Cultural & Media Studies
Fan Phenomena: The Rocky Horror Picture Show
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For orders from North America and Rest of world The University of Chicago Press: www.press.uchicago.edu The University of Chicago Press 11030 S. Langley Avenue Chicago, IL 60628, USA Tel: 1-800-621-2736; (773) 702-7000 Fax: 1-800-621-8476; (773) 702-7212 PUBNET@202-5280 E-mail: custserv@press.uchicago.edu
eBooks
As part of Intellect’s commitment to innovation, all the books in this catalogue, as well as our backlist, are available as eBooks for libraries and individuals to purchase through a variety of platforms. For a full list of where to buy Intellect eBooks for individuals and libraries see the eBook section on our website.
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