This issue focuses on cinema's culinary associations from the obvious; fabulous feasts onscreen, to the Bizarre; Exploitation film posters of the 1970s, and the tenuous; Spaghetti Westerns. Along with the usual roundup of regular sections, features include a photo essay about Gordon Brinckle - the simple man who built a Picture Palace in his basement, a look at the Wafer Thin Mint as gobbled by Mr Creosote in 'The meaning of Life' as an evocative cinematic object, a location focus on New York and 1000 words about the Dollars Trilogy and the birth of the Spaghetti Western.
