Themed around the re-release of Boudu Saved From Drowning - Jean Renoir's hilarious and raucous exposé of the hypocrisy of the bourgeoisie - this issue explores prejudice, class divide and life on the skids. Along with the usual roundup of classic film posters, features include a look at the Coke bottle from The Gods Must Be Crazy as iconic symbol, Scotland's Screen Machine mobile cinema, a location focus on Beverly Hills, 1000 words on Melvin Peebles, Black Power and the Birth of Blaxploitation and a profile on film poster artists AllCity Media.
